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Sfumato

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The technique is a fine shading meant to produce a soft transition between colours and tones, in order to achieve a more believable image. It is most often used by making subtle gradations that do not include lines or borders, from areas of light to areas of dark. The technique was used not only to
108:, i.e. 'blurred') is a painting technique for softening the transition between colours, mimicking an area beyond what the human eye is focusing on, or the out-of-focus plane. It is one of the 345: 423: 109: 369:, exhibition catalog fully online as PDF from The Metropolitan Museum of Art, which contains material on this technique (see index) 116:
was the most prominent practitioner of sfumato, based on his research in optics and human vision, and his experimentation with the
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described the technique as blending colours, without the use of lines or borders "in the manner of smoke".
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give an elusive and illusionistic rendering of the human face, but also to create rich
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is a famous example, particularly around Mary's face. The Leonardeschi include
198:, who often used it heavily, other prominent practitioners of sfumato included 136: 117: 381: 132:. He described sfumato as "without lines or borders, in the manner of smoke". 436: 329: 195: 120:. He introduced it and implemented it in many of his works, including the 152: 29:
showing the use of sfumato, particularly in the shading around the eyes.
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Color and Meaning: Practice and Theory in Renaissance Painting
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is one of four modes of painting colours available to Italian
60: 51: 66: 389: 75: 48: 45: 63: 57: 54: 434: 270:. New York, N.Y.: Cambridge University Press. 417: 135:According to the theory of the art historian 139:, which has gained considerable acceptance, 110:canonical painting modes of the Renaissance 93: 424: 410: 194:Besides Leonardo and his followers, the 178: 18: 435: 292:"Four Canonical Painting Modes by APA" 243:Renaissance Art: A Topical Dictionary 240: 87: 16:Painting technique of the Renaissance 376: 265: 366:Leonardo da Vinci, master draftsman 13: 126:and in his famous painting of the 14: 469: 358: 380: 245:. Greenwood Press. p. 263. 189: 41: 336: 322: 298: 284: 259: 234: 1: 227: 396:. You can help Knowledge by 162: 7: 184:Madonna del Prato (Raphael) 10: 474: 375: 448:Italian words and phrases 458:Artistic technique stubs 388:This article related to 304:Hall, Marcia B. (2005). 266:Hall, Marcia B. (1994). 224:is said to use sfumato. 220:and Funisi. Giorgione's 443:Visual arts terminology 349:The Wall Street Journal 332:. Art Painting Artist. 222:The Three Philosophers 186: 30: 23:Detail of the face of 343:Dobrzynski, Judith H. 241:Earls, Irene (1987). 213:Madonna of the Meadow 182: 147:painters, along with 22: 351:, December 27, 2023. 453:Painting techniques 170:atmospheric effects 123:Virgin of the Rocks 89:[sfuˈmaːto] 187: 31: 405: 404: 316:, 9780521624459, 277:978-0-521-45733-0 174:Leonardo da Vinci 114:Leonardo da Vinci 465: 426: 419: 412: 384: 377: 352: 340: 334: 333: 326: 320: 302: 296: 295: 288: 282: 281: 263: 257: 256: 238: 218:Bernardino Luini 145:High Renaissance 107: 104: 101: 98: 95: 91: 86: 79: 73: 72: 69: 68: 65: 62: 59: 56: 53: 50: 47: 40: 473: 472: 468: 467: 466: 464: 463: 462: 433: 432: 431: 430: 373: 361: 356: 355: 341: 337: 328: 327: 323: 303: 299: 290: 289: 285: 278: 264: 260: 253: 239: 235: 230: 192: 165: 105: 102: 99: 96: 84: 77: 44: 38: 37: 17: 12: 11: 5: 471: 461: 460: 455: 450: 445: 429: 428: 421: 414: 406: 403: 402: 390:art techniques 385: 371: 370: 360: 359:External links 357: 354: 353: 335: 321: 297: 283: 276: 258: 251: 232: 231: 229: 226: 191: 188: 164: 161: 137:Marcia B. Hall 118:camera obscura 15: 9: 6: 4: 3: 2: 470: 459: 456: 454: 451: 449: 446: 444: 441: 440: 438: 427: 422: 420: 415: 413: 408: 407: 401: 399: 395: 391: 386: 383: 379: 378: 374: 368: 367: 363: 362: 350: 347: 344: 339: 331: 325: 319: 315: 311: 307: 301: 293: 287: 279: 273: 269: 262: 254: 252:0-313-24658-0 248: 244: 237: 233: 225: 223: 219: 215: 214: 209: 205: 201: 197: 190:Practitioners 185: 181: 177: 175: 171: 160: 158: 154: 150: 146: 142: 138: 133: 131: 130: 125: 124: 119: 115: 111: 90: 82: 81: 71: 35: 28: 27: 21: 398:expanding it 387: 372: 365: 348: 338: 324: 318:google books 305: 300: 286: 267: 261: 242: 236: 211: 210:. Raphael's 196:Leonardeschi 193: 166: 140: 134: 127: 121: 33: 32: 24: 153:chiaroscuro 437:Categories 314:0521624452 228:References 103:smoked off 330:"Sfumato" 208:Giorgione 200:Correggio 163:Technique 149:cangiante 129:Mona Lisa 39:English: 26:Mona Lisa 85:Italian: 204:Raphael 141:sfumato 97:  34:Sfumato 312:  274:  249:  206:, and 157:unione 155:, and 392:is a 76:sfoo- 394:stub 310:ISBN 306:Rome 272:ISBN 247:ISBN 94:lit. 80:-toh 78:MAH 439:: 202:, 172:. 159:. 151:, 112:. 92:; 83:, 67:oʊ 61:ɑː 52:uː 425:e 418:t 411:v 400:. 294:. 280:. 255:. 106:' 100:' 70:/ 64:t 58:m 55:ˈ 49:f 46:s 43:/ 36:(

Index


Mona Lisa
/sfˈmɑːt/
sfoo-MAH-toh
[sfuˈmaːto]
canonical painting modes of the Renaissance
Leonardo da Vinci
camera obscura
Virgin of the Rocks
Mona Lisa
Marcia B. Hall
High Renaissance
cangiante
chiaroscuro
unione
atmospheric effects
Leonardo da Vinci

Madonna del Prato (Raphael)
Leonardeschi
Correggio
Raphael
Giorgione
Madonna of the Meadow
Bernardino Luini
The Three Philosophers
ISBN
0-313-24658-0
ISBN
978-0-521-45733-0

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