56:
368:. He frequently combined experimental elements with the more rigid styles of the Yuan masters. Much of his work was done in collaboration with others, combining painting, poetry, and calligraphy at gatherings with his literati friends. It was upon these ideals that his Wu School was founded. For Wu painters, painting was a meditation, rather than an occupation. Shen Zhou never coveted his paintings, although they were frequently coveted and imitated by others. Through Shen Zhou's eyes, a painting was not a commodity, but the very extension of the painter himself.
350:
322:
243:
234:. In this way, he was able to live a reclusive life, free of responsibility (except that of caring for his mother), and devote his time to artwork, socializing, and monastic contemplation of the natural world around him. Shen was privileged that he could paint what he wanted, since he was rich and therefore did not require a wealthy patron and sponsor.
221:
system. This steadily and amply increased the family's wealth, while freeing Shen Liang-ch’en's male descendants from obligatory careers as Ming officials, and allowing them to live the majority of their lives as retired scholar-artists. Upon the death of his father, Shen Heng-chi, Shen Zhou decided
170:. He lived during the post-transition period of the Yuan conquest of the Ming. His family worked closely with the government and maintained its wealthy status. Shen later retired and lived a reclusive life, spending most of his time painting and taking care of his widowed mother.
286:, where he had the ability to cultivate their styles to conform to the paintings of the Song masters. As Hongwu was notorious for his attempts to marginalize and persecute the scholar class, this was seen as an attempt to banish the gentry's influence from the arts.
345:
that he embodied in his filial life. He is most famous for his landscapes and for his "boneless" renderings of flowers, which are meticulously created in the style of the Yuan masters. However, he did not always paint within strict boundaries.
229:
It is probable that he never intended to become an official, but refrained from making this obvious until his father had died. He thus renounced the life of official service while still preserving his reputation in an enduring act of
371:
His paintings depicts soaring mountains and towering trees, while human works are reduced to specks in this immensity. This was made to make nature feel all empowering while dwarfing the human element. His most famous work from 1487,
336:
Shen Zhou's scholarly upbringing and artistic training had instilled in him a reverence for China's historical tradition that influenced both his life and his art from an early age. He was accomplished in history and the
197:
province, China. His genealogy traces his family's wealth to the late Yuan period, but only as far as Shen's paternal great-grandfather, Shen Liang-ch’en, who became a wealthy landowner following the dissolution of
270:(1279–1368), painters had practiced with relative freedom, cultivating a more “individualist,” innovative approach to art that deviated noticeably from the more superficial style of the
364:
Shen possessed a large collection of paintings from the late Yuan and early Ming, which he and his scholar-painter colleagues used as models in forging the revivalist approach of the
543:
384:), shows the rain dominating the composition while an insignificant house blurs with the mountains that towers over it. He is usually contrasted with
536:
480:
529:
614:
341:, and his paintings reveal a disciplined obedience to the styles of the Yuan dynasty, to China's history, and to the orthodox
429:
254:
Shen Zhou lived at a pivotal point in the history of
Chinese painting, and contributed greatly to the artistic tradition of
472:
Liscomb, Kathlyn. "Shen Chou’s
Collection of Early Ming Paintings and the Origins of the Wu School’s Eclectic Revivalism."
465:
Edwards, Richard. “Shen Chou and the
Scholarly Tradition.” The Journal of Aesthetics and Art Criticism, Vol. 24, No. 1
552:
110:
609:
448:
516:
186:
73:
391:
This artist should not be confused with another
Chinese artist named Shen Zhou who lived in 1848–1903.
20:
309:
of painting, a somewhat subversive style that revived the ideal of the inspired scholar-painter in
377:
329:
485:
290:
247:
55:
604:
599:
223:
8:
177:
of
Chinese art. Besides painting, he was also accomplished in history and the classics.
505:
213:, the position of tax collector was assigned to the head of the Shen family, under the
511:
453:
Parting at the Shore: Chinese
Painting of the Early and Middle Ming Dynasty, 1368-1580
419:
499:
425:
36:
521:
385:
338:
163:
122:
349:
31:
388:, a painter that places humankind as the center of attention in his paintings.
357:
294:
282:(reg 1368–1398) decided to import the existing master painters to his court in
279:
214:
593:
568:
140:
342:
321:
275:
271:
267:
231:
210:
206:
167:
27:
301:, putting a large distance between imperial influence and Shen's city of
305:, which was nearby Nanjing. These new conditions led to the rise of the
242:
310:
424:. Internet Archive. London : Bloomsbury. pp. 206, 221–222.
365:
306:
259:
226:
and devote his life to the care of his widowed mother, Chang Su-wan.
174:
106:
96:
578:
573:
356:
by Shen Zhou. Album leaf, ink and color on paper, 35.9 x 60.1 cm.
298:
283:
194:
77:
460:
The Field of Stones: A Study of the Art of Shen Chou (1427-1509)
381:
302:
263:
199:
190:
130:
289:
The dominant style of the Ming court painters was called the
255:
274:
masters who preceded them. However, at the outset of the
297:(reg 1403–1424), the capital was moved from Nanjing to
551:
237:
517:Online Exhibition for Shen Zhou's 3 master pieces
500:Four Great Masters of the Ming Dynasty: Shen Zhou
417:
591:
173:He was a contributor to the more individualist
537:
328:by Shen Zhou. 1467, Hanging scroll, 6′ × 3′.
157:
147:
185:Shen Zhou was born into a wealthy family in
544:
530:
293:. However, following the ascension of the
54:
462:. Baltimore: Port City Press, 1962, xvi.
348:
320:
241:
592:
525:
421:1492 : the year our world began
413:
411:
409:
13:
506:Shen Zhou and his Painting Gallery
418:Fernandez-Armesto, Felipe (2011).
14:
626:
502:. Taipei: National Palace Museum.
493:
406:
553:Four Masters of the Ming dynasty
476:vol. 52, No. 3/4 (1992),215-254.
354:Poetic Feeling of Fallen Flowers
111:Four Masters of the Ming dynasty
615:Ming dynasty landscape painters
455:. New York: Weatherhill, 1978.
442:
238:Cultural and historical context
135:
1:
394:
209:and the emergence of the new
189:, near the thriving city of
88:1509 (aged 81–82)
7:
16:Chinese painter (1472–1509)
10:
631:
512:Shen Zhou on Artcyclopedia
205:After the collapse of the
25:
18:
559:
158:
148:
126:
102:
92:
84:
67:Xiangcheng, Suzhou, China
62:
53:
46:
21:Shenzhou (disambiguation)
399:
316:
180:
508:at China Online Museum
469:(Autumn, 1965), 45-52.
378:National Palace Museum
361:
333:
330:National Palace Museum
251:
486:Encyclopedia of China
352:
324:
248:Poet on a Mountaintop
245:
224:official examinations
610:Painters from Suzhou
19:For other uses, see
467:Oriental Aesthetics
258:, founding the new
458:Edwards, Richard.
362:
334:
252:
587:
586:
431:978-1-4088-0950-1
116:
115:
622:
546:
539:
532:
523:
522:
479:Shan, Guoqiang,
436:
435:
415:
161:
160:
151:
150:
137:
128:
58:
44:
43:
630:
629:
625:
624:
623:
621:
620:
619:
590:
589:
588:
583:
555:
550:
496:
445:
440:
439:
432:
416:
407:
402:
397:
319:
240:
183:
164:Chinese painter
80:
71:
69:
68:
49:
42:
24:
17:
12:
11:
5:
628:
618:
617:
612:
607:
602:
585:
584:
582:
581:
576:
571:
566:
560:
557:
556:
549:
548:
541:
534:
526:
520:
519:
514:
509:
503:
495:
494:External links
492:
491:
490:
477:
470:
463:
456:
444:
441:
438:
437:
430:
404:
403:
401:
398:
396:
393:
374:Rainy Thoughts
358:Nanjing Museum
318:
315:
295:Yongle emperor
280:Hongwu emperor
239:
236:
215:Hongwu emperor
182:
179:
141:courtesy names
139:, 1427–1509),
114:
113:
104:
100:
99:
94:
93:Known for
90:
89:
86:
82:
81:
72:
66:
64:
60:
59:
51:
50:
47:
15:
9:
6:
4:
3:
2:
627:
616:
613:
611:
608:
606:
603:
601:
598:
597:
595:
580:
577:
575:
572:
570:
569:Wen Zhengming
567:
565:
562:
561:
558:
554:
547:
542:
540:
535:
533:
528:
527:
524:
518:
515:
513:
510:
507:
504:
501:
498:
497:
488:
487:
482:
478:
475:
474:Artibus Asiae
471:
468:
464:
461:
457:
454:
450:
449:Cahill, James
447:
446:
433:
427:
423:
422:
414:
412:
410:
405:
392:
389:
387:
383:
379:
375:
369:
367:
359:
355:
351:
347:
344:
340:
331:
327:
326:Lofty Mt. Lu
323:
314:
312:
308:
304:
300:
296:
292:
287:
285:
281:
277:
273:
269:
265:
261:
257:
250:
249:
244:
235:
233:
227:
225:
220:
216:
212:
208:
203:
201:
196:
192:
188:
178:
176:
171:
169:
165:
155:
145:
142:
138:
132:
124:
120:
112:
108:
105:
101:
98:
95:
91:
87:
83:
79:
75:
65:
61:
57:
52:
45:
40:
38:
33:
29:
22:
563:
484:
473:
466:
459:
452:
443:Bibliography
420:
390:
376:(now in the
373:
370:
363:
353:
343:Confucianism
335:
325:
288:
268:Yuan dynasty
266:. Under the
253:
246:
232:filial piety
228:
218:
211:Ming dynasty
204:
184:
172:
168:Ming dynasty
153:
143:
134:
118:
117:
35:
28:Chinese name
605:1509 deaths
600:1427 births
481:"Shen Zhou"
32:family name
594:Categories
395:References
311:Ming China
291:Zhe School
187:Xiangcheng
74:Xiangcheng
564:Shen Zhou
489:, 1st ed.
332:, Taipei.
307:Wu School
260:Wu School
222:to forgo
193:, in the
175:Wu School
162:), was a
136:Shěn Zhōu
119:Shen Zhou
107:Wu School
97:Shan shui
48:Shen Zhou
579:Qiu Ying
574:Tang Yin
366:Wu style
360:, China.
339:classics
103:Movement
26:In this
299:Beijing
284:Nanjing
217:'s new
195:Jiangsu
166:in the
154:Shitian
123:Chinese
78:Jiangsu
428:
386:Wu Wei
382:Taipei
303:Suzhou
278:, the
264:Suzhou
202:rule.
200:Mongol
191:Suzhou
152:) and
144:Qi'nan
133::
131:pinyin
125::
30:, the
400:Notes
256:China
219:lijia
426:ISBN
317:Work
276:Ming
272:Song
207:Yuan
181:Life
85:Died
70:1427
63:Born
37:Shen
262:in
39:(沈)
34:is
596::
483:.
451:.
408:^
380:,
313:.
159:石田
149:启南
129:;
127:沈周
109:,
76:,
545:e
538:t
531:v
434:.
156:(
146:(
121:(
41:.
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.