389:, Droste noted, "It's so funny that we went back there in the end. It's my grandmother's house, we know it, and we can use it for free. And as soon as we got there, things started happening. We just sat by the fire, Dan strumming, me singing, and it happened. Some of the best songs on the record, like "Speak in Rounds" and "Half Gate", came out of that. We stayed there in isolation for two months straight." Droste stated that he and Rossen decided to "'try writing from the bottom up. We've never done it before.' There's a little bit of fear there because it's a new process we've never tried. We've never sat side by side and said, 'Let's literally, out of the ether, start writing songs together.' A couple of songs came that way, and that's why they're verse me, chorus Dan. Suddenly the synergy hit, and the momentum struck, and then everyone got excited. And that's when the ball started to roll, and then we just started playing around, and people were much more open.""
353:. Droste noted, "We had passed through before and there is a great arts collective and vibe. We decided to rent a place and make our next album there." The band recorded "an album's worth of material" in Marfa, but ultimately abandoned the majority of tracks. Vocalist Ed Droste noted, "We were like, 'We're ready to do this!' Then, we got there and recorded twelve songs and were like, 'This isn't quite there.'" Vocalist and guitarist Daniel Rossen elaborated, "We didn't have that unspoken momentum, that unspoken understanding of what everyone is into." Only two songs from these sessions made it onto the finished album; "
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308:(2011), under the pseudonym CANT, stating, "I can't just take a break. For whatever reason, I'm the kind of person who needs to constantly to work on stuff. When we finished touring, I didn't want to take some time off, I just wanted to go into the studio. But, I really didn't want to book myself in with a band and go record them, so I decided I'd try and make my own record." Daniel Rossen recorded and released a solo EP,
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441:", where I was basically singing ten words over and over again for five minutes straight – and that's it. There's nothing on this album like that. There's a lot more there, verbally, and it's definitely emotionally charged." Bassist and producer, Chris Taylor stated, "For this record, it was really important to us to try and make sure that lyrics had a weight to them and at least some sense of a
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was more collaborative than on past releases, with vocalist Ed Droste noting, "As we get older, more confident, and more mature, we're becoming more comfortable with stepping on each other's toes." Pairs of band members did writing retreats with each other, with band members regularly building off of
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overall aesthetic as "very in-your-face", saying that "the drums and vocals are clearer and louder. It's not as dreamy and pastoral and sleepy as past efforts, and there's a lot of raw vocal takes, which is something we don't normally do." Rossen elaborated, "Previous records were definitely dreamier
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Regarding the album's thematic content, Daniel Rossen noted, "There's a lot of talk about negotiating distance from people in your life. We were dealing with that in various forms, learning what it means to be alone, learning what it means to be close to somebody, certain things coming to a head. It
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On
September 17, 2013, Grizzly Bear announced reissues of the album, "Shields: Expanded" and "Shields: B-Sides", which were released November 11 (12 in North America) 2013. Alongside the original track list, "Shields: Expanded", available on double CD or as a digital download, included 8 additional
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again – after you go away for the summer, the first couple of weeks are slightly awkward when you get back to school. Then, you get back into the swing." Daniel Rossen elaborated, "The whole process with this record felt like starting over. We took enough time off that we... I don't know. My head
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noted, "There was such a level of exhaustion that I really needed to pretend I wasn't in the band for a little bit. I needed to be back in my life with my friends and my spouse, and live a day-to-day existence that had nothing to do with music. That was really good for everybody." Vocalist and
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Talking about Chris Taylor's production, Rossen stated, "Part of his strength is that he pushes us. He enables us to try stranger stuff; he pushes us to that side of ourselves. He's always thinking of the whole palette, I feel, whereas Ed and I might be more worried about a
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s list of the top 50 albums of 2012, saying " Ed Droste and Daniel Rossen have grown into one of indie rock's most sophisticated songwriting teams, melding idiosyncratic approaches to texture and tune into a subtly mind-blowing whole." The album was listed at number 16 on
445:, even if it was loose. There were lyrics in previous albums that seemed to have no meaning whatsoever. And that always really annoyed me. We agreed it'd be really important and awesome if we could just try and make all the lyrics tell
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s
Lindsay Zoladz gave the album a Best New Music designation, writing "While there's no question that Grizzly Bear's last two records have sounded gorgeous, critics of the band have wondered if that's enough.
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226:, was released on November 12, 2013, featuring additional tracks recorded during the sessions, demo recordings and remixes. The eight additional tracks were issued as a separate mini-album, entitled
457:, but there's also this great fear of being alone, and there's this constant feeling of, 'How do you reconcile this?' There's this need for space, but there's also this, 'Come closer come closer.'"
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Robert Alford called it "an album that unveils deeper levels of emotional impact and aesthetic dimension for a band that continues to challenge and captivate in ways that are entirely their own."
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with lots of layered vocals and we've started paring those back and taking them away, taking them away. That's what we went for on this record: clearer performances and more direct arrangements."
905:, stating, "On an album that touches repeatedly on the barriers people build between each other, the members of Grizzly Bear have forged further ahead into sweet synchronicity. Sam Cleeve of
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872:, the band's fourth and most compositionally adventurous record, should put those concerns to bed. Though full of baroque, detail-rich production and latticework melodies,
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and part of me was just wondering if there was some other version of a life that I could have that wasn't as heavily involved in the music industry."
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with first-week sales of 39,000 copies, the band's highest chart position and best sales week yet. In the United
Kingdom, the album entered the
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described the video for "gun-shy" as "a very rare glimpse of what creative energy could look like on a molecular level, if it could be seen."
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On
September 27, 2012, a music video for "Yet Again" was released. On January 28, 2013, a music video for "gun-shy" was released. Director
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is a magnificent record, where the lights are blazing, but nobody's feeling very much at home." The album was also listed at number 35 on
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206:. Written and recorded following a six-month hiatus from band activities, the album was produced by bassist and multi-instrumentalist
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Grizzly Bear revealed that they were working on a new album on May 10, 2011. The release date, track listing and the song "
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to begin recording their fourth studio album, with bassist and multi-instrumentalist Chris Taylor returning to his role as
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noting, " write and make music that is as collaborative as possible, so that we have a product that we all feel a sense of
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Regarding the band's eventual return, Ed Droste noted, "Coming back together to try to write and record was like being in
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at number seventeen, selling 6,462 copies in its first week. It is also Warp's highest charting release in the U.S.
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s themes, it neither expands on those motifs nor presents anything interesting in their place. Pretty but formless,
534:. The 8 extra tracks were made available separately as "Shields: B-Sides", on either 12" vinyl or digital download.
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945:, on the other hand, gave the album a mixed review, writing "But while the band admirably seeks to avoid mimicking
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449:. I was definitely able to use lyrics as a frame to how I would let the arrangements build and then fall away."
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kind of went out of the game or something. Getting back into it was really confusing. It took a long time."
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stated, "Those were strange times. I felt a little bit shell-shocked by the touring experience of
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is plenty ambitious in its own right, and its complexity demands and rewards patient listening."
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songs, including bonus tracks, demos from the recording sessions in Marfa, Texas, and remixes by
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2446:"'Shields: Expanded' and 'Shields: B-Sides' announced – listen to 'Will Calls (Marfa Demo)' now"
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477:. Each Diebenkorn piece included features either a spade or club symbol, traditionally found on
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plays like a calculated retreat into something altogether indistinct and inconsequential."
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The band subsequently started afresh in early 2012, returning to Droste's mother's home in
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282:(2009), Grizzly Bear undertook a six-month hiatus from band-related activities. Vocalist
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just feels like a major difficulty in life." Droste elaborated, "There's a desire to be
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has been described as the band's most collaborative album, with vocalist and guitarist
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rating out of 100 to reviews from mainstream critics, the album has received an
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and Cape Cod Bay, where the band recorded the majority of the album's material.
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880:'s Heather Phares wrote: "While it's not as obviously big a statement as
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also offers an emotionally resonant core." In another positive review,
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album" yet, noting, "It's funny, because I think back to a song like "
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The album's artwork features paintings throughout by
American artist
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After extensive touring in support of the band's third studio album,
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score of 86, based on 36 reviews, indicating "universal acclaim".
379:, where the band had previously recorded its second studio album,
3315:"Top 10 Independent Artist Albums, Week Ending 20 September 2012"
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at number 10 on its list of the top 50 albums of 2012, writing: "
434:
1799:"Year In Review 2012: Top 20 Indie Rock Albums [LISTEN]"
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3376:
3341:"Artisti – Classifica settimanale dal 17/09/2012 al 23/09/2012"
3317:. Chart-Track. Irish Recorded Music Association. Archived from
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1403:
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3375:[Grizzly Bear album sales ranking] (in Japanese).
2050:"CANT Interview – with Christopher Taylor of Grizzly Bear"
846:
received widespread critical acclaim upon its release. At
2640:
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2335:"Grizzly Bear Announces New Album Will Drop September 18"
719:
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492:", was released on August 2, 2012. On September 9, 2012,
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Albums produced by Chris Taylor (Grizzly Bear musician)
1436:, drum machine, the wheel, horn and string arrangements
2182:
341:, where the band began its initial recording sessions.
2984:"Pink Earns First No. 1 Album on Billboard 200 Chart"
3281:"Top 75 Artist Album, Week Ending 20 September 2012"
2253:
2116:"Interview: Grizzly Bear on their new album Shields"
2419:. September 27, 2012. Retrieved September 27, 2012.
2209:. September 13, 2012. Retrieved September 13, 2012.
2196:. September 13, 2012. Retrieved September 13, 2012.
3011:
2405:
2402:. September 9, 2012. Retrieved September 11, 2012.
2141:Interview: Grizzly Bear's Ed Droste and Chris Bear
1946:"Grizzly Bear Takes a New Approach on its album,
3886:
2435:. January 28, 2013. Retrieved February 27, 2013.
2199:
2133:
1883:"Album Review: Daniel Rossen – You Belong There"
314:(2012), featuring tracks initially intended for
2553:
2551:
2385:. August 2, 2012. Retrieved September 11, 2012.
2362:Grizzly Bear Announce Album Title and Cover Art
2024:"The End of the Road? Grizzly Bear Interviewed"
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2379:Listen to a New Grizzly Bear Song: "Yet Again"
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2212:
298:During the break, bass guitarist and producer
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2368:. July 9, 2012. Retrieved September 11, 2012.
2267:. May 10, 2011. Retrieved September 11, 2012.
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897:s Chris DeVille praised the contributions of
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2160:"Provincetown Spit, Cape Cod, Massachusetts"
1483:Yale Yng-Wong – assistant recording engineer
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3066:(in German). austriancharts.at. Hung Medien
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2279:"Grizzly Bear Announce New Album and Tour"
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1969:
1910:"Grizzly Bear – "Will Calls" (Marfa Demo)"
469:, with its front cover featuring his 1981
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2015:
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2011:
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1410:, the wheel, horn and string arrangements
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253:The album received acclaim upon release.
3538:"2012 Top 40 Independent Albums Archive"
3512:"2012 Top 40 Official UK Albums Archive"
3345:Federation of the Italian Music Industry
2585:
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2207:Behind The Release: Grizzly Bear Shields
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1486:Jake Aron – assistant recording engineer
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3236:(in French). lescharts.com. Hung Medien
3192:(in Dutch). dutchcharts.nl. Hung Medien
2982:Caulfield, Keith (September 26, 2012).
2774:Troussé, Stephen (September 17, 2012).
2773:
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1797:Poladian, Charles (December 26, 2012).
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2809:"Album Review: Grizzly Bear – Shields"
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2670:Zoladz, Lindsay (September 17, 2012).
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2008:
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1191:bonus tracks (Available separately on
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1014:All tracks are written by Grizzly Bear
460:
3587:
3442:"2012 Top 40 Scottish Albums Archive"
3009:
2867:
2861:
2840:Alford, Robert (September 18, 2012).
2558:DeVille, Chris (September 18, 2012).
2498:"Reviews for Shields by Grizzly Bear"
2429:Grizzly Bear Get Twitchy in 'Gun-Shy'
2396:First Listen: Grizzly Bear, 'Shields'
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202:, released on September 18, 2012, by
18:2012 studio album by Grizzly Bear
3044:. australian-charts.com. Hung Medien
2745:
2634:Mackay, Emily (September 14, 2012).
2333:Abrahams, Stephanie (June 5, 2012).
2219:Richardson, Mark (October 3, 2012).
1853:Liedel, Kevin (September 13, 2012).
385:(2006). Commenting on the return to
2957:"Stereogum's Top 50 Albums of 2012"
2905:. December 20, 2012. Archived from
2868:Kevin, Chris (September 13, 2012).
2800:
2041:
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1989:Fitzmaurice, Larry (June 7, 2012).
1944:Pareles, Jon (September 13, 2012).
1508:Ben Tousley – design, art direction
13:
3422:. norwegiancharts.com. Hung Medien
3114:(in French). Ultratop. Hung Medien
3010:Jones, Alan (September 28, 2012).
2807:Cleeve, Sam (September 14, 2012).
2526:
2306:"Grizzly Bear Announces New Album"
2079:Hyden, Steven (February 9, 2012).
2047:
1826:"Grizzly Bear - Shields: Expanded"
983:'s list of top 50 albums of 2012.
14:
3921:
3559:
2748:"Grizzly Bear, 'Shields,' (Warp)"
2746:Beta, Andy (September 18, 2012).
2468:"Shields by Grizzly Bear reviews"
2413:Video: Grizzly Bear – "Yet Again"
2261:Grizzly Bear Working on New Album
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3470:. swedishcharts.com. Hung Medien
3289:Irish Recorded Music Association
3214:. finnishcharts.com. Hung Medien
2591:"Grizzly Bear: Shields – review"
1351:adapted from album liner notes.
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345:In June 2011, the band moved to
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2149:. Retrieved September 12, 2012.
2081:"Opening Track: Daniel Rossen,
2072:
1855:"Review: Grizzly Bear, Shields"
1354:
994:debuted at number seven on the
429:Lyrically, Ed Droste described
3492:. swisscharts.com. Hung Medien
3170:. danishcharts.dk. Hung Medien
2277:Phillips, Amy (June 5, 2012).
1902:
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3788:While You Wait for the Others
1881:Sentz, Tim (April 11, 2022).
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3756:Horn of Plenty (The Remixes)
1804:International Business Times
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1452:Louis Shwadron – French horn
1446:Tatum Greenblatt – trumpet,
1342:
421:The songwriting process for
321:
264:and number seventeen on the
257:reached number seven on the
210:. Preceded by the singles, "
54:September 18, 2012
7:
2897:"The Top 50 Albums of 2012"
2190:Plugging Into a New Synergy
1398:– lead and backing vocals,
10:
3926:
3905:Warp (record label) albums
3900:Grizzly Bear (band) albums
2636:"Grizzly Bear – 'Shields'"
2221:"Interviews: Grizzly Bear"
1496:
1420:, backing vocals, synths,
409:." The album was mixed by
218:", an expanded version of
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3811:
3765:
3747:
3729:
3704:
3658:
3621:
3013:"Charts Analysys Week 38"
2704:(315): 102. October 2012.
2698:"Grizzly Bear: Shields".
2617:"Grizzly Bear: Shields".
2083:Silent Hour / Golden Mile
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1721:
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3490:"Grizzly Bear – Shields"
3468:"Grizzly Bear – Shields"
3420:"Grizzly Bear – Shields"
3400:. charts.nz. Hung Medien
3398:"Grizzly Bear – Shields"
3371:
3258:(in German). charts.de.
3234:"Grizzly Bear – Shields"
3212:"Grizzly Bear – Shields"
3190:"Grizzly Bear – Shields"
3168:"Grizzly Bear – Shields"
3143:"Shields – Grizzly Bear"
3112:"Grizzly Bear – Shields"
3086:"Grizzly Bear – Shields"
3064:"Grizzly Bear – Shields"
3042:"Grizzly Bear – Shields"
2929:"50 Best Albums of 2012"
2776:"Grizzly Bear – Shields"
2623:(227): 82. October 2012.
2529:"Shields – Grizzly Bear"
1673:New Zealand Albums Chart
1643:Irish Indie Albums Chart
1480:Ryan Gilligan – engineer
433:as Grizzly Bear's "most
3832:Silent Hour/Golden Mile
3573:April 24, 2013, at the
3542:Official Charts Company
3516:Official Charts Company
3446:Official Charts Company
3256:"Grizzly Bear, Shields"
2870:"Grizzly Bear: Shields"
2842:"Grizzly Bear: Shields"
2672:"Grizzly Bear: Shields"
2560:"Grizzly Bear: Shields"
1531:Australian Albums Chart
919:rather than to live as
417:Writing and composition
311:Silent Hour/Golden Mile
302:released a solo album,
3372:グリズリー・ベアのアルバム売り上げランキング
2718:(September 18, 2012).
2589:(September 13, 2012).
2164:NASA Earth Observatory
1991:"Update: Grizzly Bear"
1756:US Alternative Albums
1683:Norwegian Albums Chart
987:Commercial performance
426:other members' ideas.
372:
342:
2821:on September 16, 2012
2170:on September 30, 2006
2085:| The A.V. Club"
1733:UK Indie Albums Chart
1693:Scottish Albums Chart
1663:Japanese Albums Chart
1573:Canadian Albums Chart
1541:Austrian Albums Chart
1471:– producer, recording
367:
337:
3819:Department of Eagles
3544:. September 29, 2012
3518:. September 29, 2012
3448:. September 29, 2012
2909:on February 29, 2016
2788:on December 22, 2019
2417:Consequence of Sound
2259:Fitzmaurice, Larry.
1916:. September 17, 2013
1703:Swedish Albums Chart
1653:Italian Albums Chart
1603:Finnish Albums Chart
1562:Belgian Albums Chart
1551:Belgian Albums Chart
1441:Additional musicians
543:Professional ratings
392:Ed Droste described
3713:Sorry for the Delay
3351:on November 8, 2012
2394:Thompson, Stephen.
2114:Ramaswamy, Chitra.
2060:on January 16, 2013
1834:. December 13, 2013
1623:German Albums Chart
1613:French Albums Chart
1583:Danish Albums Chart
1307:"A Simple Answer" (
1196:
544:
461:Artwork and release
3839:Dark Was the Night
3730:Compilation albums
2963:. December 5, 2012
2937:. December 5, 2012
2205:Colletti, Justin.
2054:altmusic.about.com
1955:The New York Times
1766:Independent Albums
1713:Swiss Albums Chart
1633:Irish Albums Chart
1593:Dutch Albums Chart
1503:Richard Diebenkorn
1371:, backing vocals,
1219:"Smothering Green"
1187:
1173:"Sun in Your Eyes"
850:, which assigns a
542:
538:Critical reception
467:Richard Diebenkorn
373:
343:
3882:
3881:
3853:Jack Goes Boating
2527:Phares, Heather.
1782:
1781:
1339:
1338:
1261:"Everyone I Know"
1247:"Listen and Wait"
1189:Shields: Expanded
1183:
1182:
1117:"A Simple Answer"
1057:"Speak in Rounds"
841:
840:
512:Shields: Expanded
183:
182:
179:
178:
3917:
3860:You Belong There
3825:Dreams Come True
3812:Related articles
3738:Shields: B-sides
3635:Christopher Bear
3608:
3601:
3594:
3585:
3584:
3554:
3553:
3551:
3549:
3534:
3528:
3527:
3525:
3523:
3508:
3502:
3501:
3499:
3497:
3486:
3480:
3479:
3477:
3475:
3464:
3458:
3457:
3455:
3453:
3438:
3432:
3431:
3429:
3427:
3416:
3410:
3409:
3407:
3405:
3394:
3388:
3387:
3385:
3383:
3367:
3361:
3360:
3358:
3356:
3347:. Archived from
3337:
3331:
3330:
3328:
3326:
3321:on March 3, 2016
3311:
3305:
3304:
3302:
3300:
3295:on March 3, 2016
3291:. Archived from
3277:
3271:
3270:
3268:
3266:
3252:
3246:
3245:
3243:
3241:
3230:
3224:
3223:
3221:
3219:
3208:
3202:
3201:
3199:
3197:
3186:
3180:
3179:
3177:
3175:
3164:
3158:
3157:
3155:
3153:
3139:
3124:
3123:
3121:
3119:
3108:
3102:
3101:
3099:
3097:
3082:
3076:
3075:
3073:
3071:
3060:
3054:
3053:
3051:
3049:
3038:
3032:
3031:
3029:
3027:
3015:
3007:
3001:
3000:
2998:
2996:
2979:
2973:
2972:
2970:
2968:
2953:
2947:
2946:
2944:
2942:
2925:
2919:
2918:
2916:
2914:
2893:
2887:
2886:
2884:
2882:
2865:
2859:
2858:
2856:
2854:
2837:
2831:
2830:
2828:
2826:
2817:. Archived from
2814:Drowned in Sound
2804:
2798:
2797:
2795:
2793:
2784:. Archived from
2771:
2765:
2764:
2762:
2760:
2743:
2737:
2736:
2734:
2732:
2712:
2706:
2705:
2695:
2689:
2688:
2686:
2684:
2667:
2658:
2657:
2655:
2653:
2648:on March 8, 2016
2644:. Archived from
2631:
2625:
2624:
2614:
2608:
2607:
2605:
2603:
2587:Petridis, Alexis
2583:
2577:
2576:
2574:
2572:
2555:
2546:
2545:
2543:
2541:
2524:
2515:
2514:
2512:
2510:
2494:
2485:
2484:
2482:
2480:
2464:
2458:
2457:
2455:
2453:
2442:
2436:
2426:
2420:
2411:Larson, Jeremy.
2409:
2403:
2392:
2386:
2377:Battan, Carrie.
2375:
2369:
2358:
2352:
2351:
2349:
2347:
2330:
2324:
2323:
2321:
2319:
2302:
2296:
2295:
2293:
2291:
2274:
2268:
2257:
2251:
2245:
2236:
2235:
2233:
2231:
2216:
2210:
2203:
2197:
2186:
2180:
2179:
2177:
2175:
2166:. Archived from
2156:
2150:
2139:Iqbal, Nosheen.
2137:
2131:
2130:
2128:
2126:
2111:
2100:
2099:
2097:
2095:
2076:
2070:
2069:
2067:
2065:
2056:. Archived from
2048:Carrew, Andrew.
2045:
2039:
2038:
2036:
2034:
2019:
2006:
2005:
2003:
2001:
1986:
1967:
1966:
1964:
1962:
1941:
1926:
1925:
1923:
1921:
1906:
1900:
1899:
1897:
1895:
1888:Beats Per Minute
1878:
1872:
1871:
1869:
1867:
1850:
1844:
1843:
1841:
1839:
1822:
1816:
1815:
1813:
1811:
1794:
1517:
1516:
1361:Christopher Bear
1289:"Sleeping Ute" (
1202:
1197:
1193:Shields: B-Sides
1186:
1022:
1017:
1016:
977:
939:Kevin Liedel of
935:
908:Drowned in Sound
903:Christopher Bear
896:
866:
813:
812:
811:
807:
806:
802:
801:
797:
796:
792:
791:
775:
774:
773:
769:
768:
764:
763:
759:
758:
754:
753:
713:
712:
711:
707:
706:
702:
701:
697:
696:
692:
691:
675:
674:
673:
669:
668:
664:
663:
659:
658:
654:
653:
625:
624:
623:
619:
618:
614:
613:
609:
608:
604:
603:
548:Aggregate scores
545:
541:
516:Shields: B-Sides
305:Dreams Come True
229:Shields: B-Sides
224:Shields Expanded
148:
147:
110:
109:
105:
61:
59:
33:
21:
20:
3925:
3924:
3920:
3919:
3918:
3916:
3915:
3914:
3885:
3884:
3883:
3878:
3865:
3807:
3761:
3743:
3725:
3700:
3654:
3617:
3612:
3575:Wayback Machine
3562:
3557:
3547:
3545:
3536:
3535:
3531:
3521:
3519:
3510:
3509:
3505:
3495:
3493:
3488:
3487:
3483:
3473:
3471:
3466:
3465:
3461:
3451:
3449:
3440:
3439:
3435:
3425:
3423:
3418:
3417:
3413:
3403:
3401:
3396:
3395:
3391:
3381:
3379:
3373:
3369:
3368:
3364:
3354:
3352:
3339:
3338:
3334:
3324:
3322:
3313:
3312:
3308:
3298:
3296:
3279:
3278:
3274:
3264:
3262:
3254:
3253:
3249:
3239:
3237:
3232:
3231:
3227:
3217:
3215:
3210:
3209:
3205:
3195:
3193:
3188:
3187:
3183:
3173:
3171:
3166:
3165:
3161:
3151:
3149:
3141:
3140:
3127:
3117:
3115:
3110:
3109:
3105:
3095:
3093:
3084:
3083:
3079:
3069:
3067:
3062:
3061:
3057:
3047:
3045:
3040:
3039:
3035:
3025:
3023:
3008:
3004:
2994:
2992:
2980:
2976:
2966:
2964:
2955:
2954:
2950:
2940:
2938:
2927:
2926:
2922:
2912:
2910:
2895:
2894:
2890:
2880:
2878:
2866:
2862:
2852:
2850:
2838:
2834:
2824:
2822:
2805:
2801:
2791:
2789:
2772:
2768:
2758:
2756:
2744:
2740:
2730:
2728:
2713:
2709:
2697:
2696:
2692:
2682:
2680:
2668:
2661:
2651:
2649:
2632:
2628:
2616:
2615:
2611:
2601:
2599:
2584:
2580:
2570:
2568:
2556:
2549:
2539:
2537:
2525:
2518:
2508:
2506:
2496:
2495:
2488:
2478:
2476:
2473:AnyDecentMusic?
2466:
2465:
2461:
2451:
2449:
2444:
2443:
2439:
2427:
2423:
2410:
2406:
2393:
2389:
2383:Pitchfork Media
2376:
2372:
2366:Pitchfork Media
2360:Snapes, Laura.
2359:
2355:
2345:
2343:
2331:
2327:
2317:
2315:
2304:
2303:
2299:
2289:
2287:
2284:Pitchfork Media
2275:
2271:
2265:Pitchfork Media
2258:
2254:
2246:
2239:
2229:
2227:
2217:
2213:
2204:
2200:
2187:
2183:
2173:
2171:
2158:
2157:
2153:
2138:
2134:
2124:
2122:
2112:
2103:
2093:
2091:
2077:
2073:
2063:
2061:
2046:
2042:
2032:
2030:
2022:Traynor, Cian.
2020:
2009:
1999:
1997:
1987:
1970:
1960:
1958:
1942:
1929:
1919:
1917:
1908:
1907:
1903:
1893:
1891:
1879:
1875:
1865:
1863:
1851:
1847:
1837:
1835:
1824:
1823:
1819:
1809:
1807:
1795:
1791:
1787:
1775:US Rock Albums
1723:UK Albums Chart
1524:
1515:
1499:
1465:
1443:
1357:
1345:
1340:
1184:
1131:"What's Wrong?"
1011:
1003:UK Albums Chart
989:
975:
933:
894:
864:
809:
804:
799:
794:
771:
766:
761:
756:
709:
704:
699:
694:
671:
666:
661:
656:
621:
616:
611:
606:
562:AnyDecentMusic?
540:
519:
463:
419:
324:
274:
266:UK Albums Chart
174:
165:
156:
107:
103:
102:
94:
80:neo-psychedelia
57:
55:
46:
19:
12:
11:
5:
3923:
3913:
3912:
3907:
3902:
3897:
3880:
3879:
3877:
3876:
3870:
3867:
3866:
3864:
3863:
3856:
3849:
3846:Blue Valentine
3842:
3835:
3828:
3821:
3815:
3813:
3809:
3808:
3806:
3805:
3798:
3791:
3784:
3777:
3769:
3767:
3763:
3762:
3760:
3759:
3751:
3749:
3745:
3744:
3742:
3741:
3733:
3731:
3727:
3726:
3724:
3723:
3716:
3708:
3706:
3702:
3701:
3699:
3698:
3691:
3684:
3677:
3670:
3667:Horn of Plenty
3662:
3660:
3656:
3655:
3653:
3652:
3645:
3638:
3631:
3622:
3619:
3618:
3611:
3610:
3603:
3596:
3588:
3582:
3581:
3561:
3560:External links
3558:
3556:
3555:
3529:
3503:
3481:
3459:
3433:
3411:
3389:
3362:
3343:(in Italian).
3332:
3306:
3272:
3247:
3225:
3203:
3181:
3159:
3125:
3103:
3077:
3055:
3033:
3002:
2974:
2948:
2920:
2888:
2875:Slant Magazine
2860:
2832:
2799:
2766:
2738:
2707:
2690:
2659:
2626:
2609:
2578:
2547:
2516:
2486:
2459:
2448:. Warp Records
2437:
2421:
2404:
2387:
2370:
2353:
2325:
2314:. June 5, 2012
2297:
2269:
2252:
2237:
2211:
2198:
2194:New York Times
2188:Pareles, Jon.
2181:
2151:
2132:
2101:
2071:
2040:
2028:thequietus.com
2007:
1968:
1927:
1901:
1873:
1845:
1817:
1788:
1786:
1783:
1780:
1779:
1776:
1772:
1771:
1768:
1761:
1760:
1757:
1753:
1752:
1749:
1739:
1738:
1735:
1729:
1728:
1725:
1719:
1718:
1715:
1709:
1708:
1705:
1699:
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1689:
1688:
1685:
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1675:
1669:
1668:
1665:
1659:
1658:
1655:
1649:
1648:
1645:
1639:
1638:
1635:
1629:
1628:
1625:
1619:
1618:
1615:
1609:
1608:
1605:
1599:
1598:
1595:
1589:
1588:
1585:
1579:
1578:
1575:
1569:
1568:
1565:
1558:
1557:
1554:
1547:
1546:
1543:
1537:
1536:
1533:
1527:
1526:
1521:
1514:
1511:
1510:
1509:
1506:
1498:
1495:
1494:
1493:
1487:
1484:
1481:
1478:
1475:Michael Brauer
1472:
1464:
1461:
1460:
1459:
1458:– upright bass
1453:
1450:
1442:
1439:
1438:
1437:
1411:
1393:
1387:
1356:
1353:
1344:
1341:
1337:
1336:
1333:
1330:
1323:
1319:
1318:
1315:
1312:
1305:
1301:
1300:
1297:
1294:
1287:
1283:
1282:
1279:
1276:
1273:
1269:
1268:
1265:
1262:
1259:
1255:
1254:
1251:
1248:
1245:
1241:
1240:
1237:
1234:
1231:
1227:
1226:
1223:
1220:
1217:
1213:
1212:
1209:
1206:
1203:
1185:
1181:
1180:
1177:
1174:
1171:
1167:
1166:
1163:
1160:
1157:
1153:
1152:
1149:
1146:
1143:
1139:
1138:
1135:
1132:
1129:
1125:
1124:
1121:
1118:
1115:
1111:
1110:
1107:
1104:
1101:
1097:
1096:
1093:
1090:
1083:
1079:
1078:
1075:
1072:
1069:
1065:
1064:
1061:
1058:
1055:
1051:
1050:
1047:
1044:
1037:
1033:
1032:
1029:
1026:
1023:
1012:
1010:
1007:
988:
985:
942:Slant Magazine
921:ones and zeros
839:
838:
835:
827:
826:
823:
815:
814:
785:
777:
776:
747:
739:
738:
735:
727:
726:
723:
715:
714:
685:
677:
676:
647:
639:
638:
635:
627:
626:
597:
591:
590:
587:
583:
582:
578:
577:
574:
568:
567:
564:
558:
557:
554:
550:
549:
539:
536:
518:
509:
462:
459:
418:
415:
411:Michael Brauer
323:
320:
273:
270:
190:is the fourth
181:
180:
177:
176:
167:
158:
144:
143:
136:
135:
130:
124:
123:
118:
112:
111:
100:
96:
95:
93:
92:
87:
82:
77:
71:
69:
63:
62:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
3922:
3911:
3908:
3906:
3903:
3901:
3898:
3896:
3893:
3892:
3890:
3875:
3872:
3871:
3868:
3862:
3861:
3857:
3855:
3854:
3850:
3848:
3847:
3843:
3841:
3840:
3836:
3834:
3833:
3829:
3827:
3826:
3822:
3820:
3817:
3816:
3814:
3810:
3803:
3799:
3796:
3792:
3789:
3785:
3782:
3778:
3775:
3771:
3770:
3768:
3764:
3758:
3757:
3753:
3752:
3750:
3746:
3740:
3739:
3735:
3734:
3732:
3728:
3722:
3721:
3717:
3715:
3714:
3710:
3709:
3707:
3703:
3697:
3696:
3695:Painted Ruins
3692:
3690:
3689:
3685:
3683:
3682:
3678:
3676:
3675:
3671:
3669:
3668:
3664:
3663:
3661:
3659:Studio albums
3657:
3651:
3650:
3646:
3644:
3643:
3642:Daniel Rossen
3639:
3637:
3636:
3632:
3629:
3628:
3624:
3623:
3620:
3616:
3609:
3604:
3602:
3597:
3595:
3590:
3589:
3586:
3580:
3576:
3572:
3569:
3568:
3564:
3563:
3543:
3539:
3533:
3517:
3513:
3507:
3491:
3485:
3469:
3463:
3447:
3443:
3437:
3421:
3415:
3399:
3393:
3378:
3374:
3366:
3350:
3346:
3342:
3336:
3320:
3316:
3310:
3294:
3290:
3286:
3282:
3276:
3261:
3260:Media Control
3257:
3251:
3235:
3229:
3213:
3207:
3191:
3185:
3169:
3163:
3152:September 27,
3148:
3144:
3138:
3136:
3134:
3132:
3130:
3113:
3107:
3092:. Hung Medien
3091:
3087:
3081:
3065:
3059:
3043:
3037:
3021:
3020:
3014:
3006:
2991:
2990:
2985:
2978:
2962:
2958:
2952:
2936:
2935:
2934:Rolling Stone
2930:
2924:
2908:
2904:
2903:
2898:
2892:
2881:September 17,
2877:
2876:
2871:
2864:
2853:September 19,
2849:
2848:
2843:
2836:
2825:September 17,
2820:
2816:
2815:
2810:
2803:
2787:
2783:
2782:
2777:
2770:
2755:
2754:
2749:
2742:
2727:
2726:
2725:Rolling Stone
2721:
2717:
2711:
2703:
2702:
2694:
2683:September 17,
2679:
2678:
2673:
2666:
2664:
2647:
2643:
2642:
2637:
2630:
2622:
2621:
2613:
2602:September 17,
2598:
2597:
2592:
2588:
2582:
2571:September 18,
2567:
2566:
2565:The A.V. Club
2561:
2554:
2552:
2540:September 17,
2536:
2535:
2530:
2523:
2521:
2509:September 17,
2505:
2504:
2499:
2493:
2491:
2475:
2474:
2469:
2463:
2447:
2441:
2434:
2433:Rolling Stone
2430:
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2418:
2414:
2408:
2401:
2397:
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2256:
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2226:
2225:pitchfork.com
2222:
2215:
2208:
2202:
2195:
2191:
2185:
2169:
2165:
2161:
2155:
2148:
2147:
2142:
2136:
2125:September 18,
2121:
2117:
2110:
2108:
2106:
2090:
2089:theavclub.com
2086:
2084:
2075:
2064:September 28,
2059:
2055:
2051:
2044:
2033:September 22,
2029:
2025:
2018:
2016:
2014:
2012:
2000:September 17,
1996:
1995:pitchfork.com
1992:
1985:
1983:
1981:
1979:
1977:
1975:
1973:
1961:September 18,
1957:
1956:
1951:
1949:
1940:
1938:
1936:
1934:
1932:
1915:
1914:stereogum.com
1911:
1905:
1890:
1889:
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1877:
1862:
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1520:Chart (2012)
1518:
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1435:
1431:
1430:bass clarinet
1427:
1423:
1419:
1415:
1412:
1409:
1405:
1401:
1397:
1396:Daniel Rossen
1394:
1391:
1390:Edward Droste
1388:
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1378:
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1284:
1280:
1278:Droste/Rossen
1277:
1274:
1270:
1266:
1263:
1260:
1256:
1252:
1250:Rossen/Droste
1249:
1246:
1242:
1238:
1236:Droste/Rossen
1235:
1232:
1228:
1224:
1221:
1218:
1214:
1198:
1194:
1190:
1178:
1175:
1172:
1168:
1164:
1162:Droste/Rossen
1161:
1158:
1154:
1150:
1148:Droste/Taylor
1147:
1144:
1140:
1136:
1134:Droste/Rossen
1133:
1130:
1126:
1122:
1119:
1116:
1112:
1108:
1105:
1102:
1098:
1094:
1091:
1088:
1084:
1080:
1076:
1073:
1070:
1066:
1062:
1060:Droste/Rossen
1059:
1056:
1052:
1048:
1045:
1042:
1038:
1034:
1018:
1015:
1009:Track listing
1006:
1004:
1000:
998:
993:
984:
982:
974:
973:
972:Rolling Stone
968:
964:
960:
959:
954:
952:
948:
944:
943:
937:
932:
931:
926:
922:
918:
914:
910:
909:
904:
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893:
892:
891:The A.V. Club
887:
883:
879:
875:
871:
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862:
857:
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849:
845:
836:
834:
833:
829:
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816:
786:
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783:
782:Rolling Stone
779:
778:
748:
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741:
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736:
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733:
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728:
724:
722:
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686:
684:
683:
679:
678:
648:
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641:
640:
636:
634:
633:
632:The A.V. Club
629:
628:
598:
596:
593:
592:
584:
581:Review scores
579:
575:
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546:
535:
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479:playing cards
476:
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301:
296:
294:
290:
289:Daniel Rossen
285:
281:
280:
269:
267:
263:
261:
256:
251:
249:
245:
241:
240:Daniel Rossen
237:
233:
231:
230:
225:
221:
217:
213:
209:
205:
201:
197:
193:
189:
188:
173:
172:
171:Painted Ruins
168:
164:
163:
159:
155:
154:
150:
149:
145:
141:
137:
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129:
125:
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53:
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45:
40:
36:
32:
27:
22:
16:
3858:
3851:
3844:
3837:
3830:
3823:
3795:Sleeping Ute
3754:
3748:Remix albums
3736:
3718:
3711:
3693:
3687:
3686:
3679:
3674:Yellow House
3672:
3665:
3649:Chris Taylor
3647:
3640:
3633:
3625:
3615:Grizzly Bear
3566:
3548:December 11,
3546:. Retrieved
3532:
3522:December 11,
3520:. Retrieved
3506:
3496:December 11,
3494:. Retrieved
3484:
3474:December 11,
3472:. Retrieved
3462:
3452:December 11,
3450:. Retrieved
3436:
3426:December 11,
3424:. Retrieved
3414:
3404:December 11,
3402:. Retrieved
3392:
3382:December 11,
3380:. Retrieved
3365:
3355:December 11,
3353:. Retrieved
3349:the original
3335:
3325:December 11,
3323:. Retrieved
3319:the original
3309:
3299:December 11,
3297:. Retrieved
3293:the original
3275:
3265:December 11,
3263:. Retrieved
3250:
3240:December 11,
3238:. Retrieved
3228:
3218:December 11,
3216:. Retrieved
3206:
3196:December 11,
3194:. Retrieved
3184:
3174:December 11,
3172:. Retrieved
3162:
3150:. Retrieved
3146:
3118:December 11,
3116:. Retrieved
3106:
3096:December 11,
3094:. Retrieved
3088:(in Dutch).
3080:
3070:December 11,
3068:. Retrieved
3058:
3048:December 11,
3046:. Retrieved
3036:
3026:December 11,
3024:. Retrieved
3017:
3005:
2995:December 11,
2993:. Retrieved
2987:
2977:
2967:December 21,
2965:. Retrieved
2951:
2941:December 23,
2939:. Retrieved
2932:
2923:
2913:December 21,
2911:. Retrieved
2907:the original
2900:
2891:
2879:. Retrieved
2873:
2863:
2851:. Retrieved
2845:
2835:
2823:. Retrieved
2819:the original
2812:
2802:
2790:. Retrieved
2786:the original
2779:
2769:
2757:. Retrieved
2751:
2741:
2731:December 26,
2729:. Retrieved
2723:
2716:Hermes, Will
2710:
2699:
2693:
2681:. Retrieved
2675:
2650:. Retrieved
2646:the original
2639:
2629:
2618:
2612:
2600:. Retrieved
2596:The Guardian
2594:
2581:
2569:. Retrieved
2563:
2538:. Retrieved
2532:
2507:. Retrieved
2501:
2479:December 22,
2477:. Retrieved
2471:
2462:
2452:November 14,
2450:. Retrieved
2440:
2424:
2407:
2390:
2373:
2356:
2344:. Retrieved
2338:
2328:
2316:. Retrieved
2309:
2300:
2288:. Retrieved
2282:
2272:
2255:
2250:liner notes.
2247:
2228:. Retrieved
2224:
2214:
2201:
2184:
2172:. Retrieved
2168:the original
2154:
2144:
2135:
2123:. Retrieved
2120:scotsman.com
2119:
2092:. Retrieved
2088:
2082:
2074:
2062:. Retrieved
2058:the original
2053:
2043:
2031:. Retrieved
2027:
1998:. Retrieved
1994:
1959:. Retrieved
1953:
1947:
1918:. Retrieved
1913:
1904:
1892:. Retrieved
1886:
1876:
1864:. Retrieved
1858:
1848:
1836:. Retrieved
1829:
1820:
1808:. Retrieved
1802:
1792:
1744:
1469:Chris Taylor
1414:Chris Taylor
1373:drum machine
1355:Grizzly Bear
1348:
1347:Credits for
1346:
1291:Nicolas Jaar
1275:"Will Calls"
1233:"Taken Down"
1192:
1188:
1041:Sleeping Ute
1013:
996:
991:
990:
970:
966:
962:
956:
955:
950:
947:Veckatimest'
946:
940:
938:
928:
912:
906:
899:Chris Taylor
889:
885:
881:
873:
869:
859:
843:
842:
830:
818:
780:
742:
730:
718:
680:
644:The Guardian
642:
630:
532:Nicolas Jaar
520:
515:
511:
502:
493:
486:Sleeping Ute
483:
474:
464:
451:
446:
430:
428:
422:
420:
399:
393:
391:
387:Yellow House
386:
382:Yellow House
380:
374:
355:Sleeping Ute
347:Marfa, Texas
344:
339:Marfa, Texas
325:
315:
309:
303:
300:Chris Taylor
297:
292:
277:
275:
259:
254:
252:
235:
234:
227:
223:
219:
212:Sleeping Ute
208:Chris Taylor
204:Warp Records
200:Grizzly Bear
194:by American
192:studio album
186:
185:
184:
169:
161:
160:
151:
140:Grizzly Bear
133:Chris Taylor
44:Grizzly Bear
39:Studio album
15:
3895:2012 albums
3874:Discography
3681:Veckatimest
3630:(2002–2020)
3285:Chart-Track
1894:October 17,
1866:October 16,
1838:October 16,
1810:October 16,
1564:(Wallonia)
1553:(Flanders)
1492:– mastering
1456:Nat Baldwin
1418:bass guitar
1325:"Gun-Shy" (
1208:Lead vocals
1159:"Half Gate"
1028:Lead vocals
882:Veckatimest
328:junior high
293:Veckatimest
279:Veckatimest
222:, entitled
153:Veckatimest
90:baroque pop
85:chamber pop
3889:Categories
3019:Music Week
2847:PopMatters
2503:Metacritic
2230:October 3,
1785:References
1490:Bob Ludwig
1463:Production
1448:flugelhorn
1422:saxophones
1406:, synths,
1369:percussion
1103:"The Hunt"
930:PopMatters
852:normalized
848:Metacritic
572:Metacritic
505:Kris Moyes
455:autonomous
287:guitarist
272:Background
248:collective
246:over as a
244:authorship
142:chronology
75:Indie rock
58:2012-09-18
3802:Yet Again
3781:Two Weeks
3627:Ed Droste
3147:Billboard
2989:Billboard
2961:Stereogum
2902:Pitchfork
2792:April 30,
2720:"Shields"
2677:Pitchfork
2094:March 29,
1745:Billboard
1525:position
1381:wurlitzer
1377:lap steel
1343:Personnel
1327:Lindstrøm
1145:"Gun-Shy"
1087:Yet Again
997:Billboard
981:Stereogum
958:Pitchfork
927:", while
917:turntable
861:Pitchfork
732:Pitchfork
524:Lindstrøm
490:Yet Again
475:Blue Club
447:something
443:narrative
359:Yet Again
322:Recording
284:Ed Droste
260:Billboard
216:Yet Again
3571:Archived
3090:Ultratop
2534:AllMusic
2346:June 29,
2318:June 29,
2290:June 29,
2146:Time Out
1477:– mixing
1426:clarinet
1071:"Adelma"
923:on your
878:AllMusic
595:AllMusic
439:Colorado
394:Shields'
377:Cape Cod
369:Cape Cod
351:producer
128:Producer
51:Released
41: by
3766:Singles
3688:Shields
3567:Shields
2759:May 13,
2652:May 13,
2248:Shields
1948:Shields
1920:July 8,
1831:Far Out
1497:Artwork
1400:guitars
1349:Shields
992:Shields
967:Shields
963:Shields
961:ranked
951:Shields
913:Shields
911:called
886:Shields
874:Shields
870:Shields
856:average
844:Shields
494:Shields
435:verbose
431:Shields
423:Shields
357:" and "
316:Shields
255:Shields
236:Shields
220:Shields
214:" and "
187:Shields
175:(2017)
166:(2012)
162:Shields
157:(2009)
56: (
24:Shields
3720:Friend
3377:Oricon
2174:May 2,
1513:Charts
1434:flutes
1404:pianos
1385:synths
1332:
1329:remix)
1314:
1311:remix)
1296:
1293:remix)
1264:Droste
1222:Rossen
1211:Length
1176:Rossen
1120:Rossen
1106:Droste
1092:Droste
1074:
1046:Rossen
1031:Length
737:9.1/10
589:Rating
586:Source
576:86/100
566:8.0/10
556:Rating
553:Source
403:melody
99:Length
3774:Knife
2781:Uncut
2311:Paste
1860:Slant
1505:– art
1408:cello
1365:drums
1309:Liars
1205:Title
1025:Title
976:'
934:'
895:'
884:was,
865:'
832:Uncut
528:Liars
471:print
407:lyric
405:or a
198:band
116:Label
67:Genre
3579:Warp
3550:2012
3524:2012
3498:2012
3476:2012
3454:2012
3428:2012
3406:2012
3384:2012
3357:2012
3327:2012
3301:2012
3267:2012
3242:2012
3220:2012
3198:2012
3176:2012
3154:2012
3120:2012
3098:2012
3072:2012
3050:2012
3028:2012
3022:: 54
2997:2012
2969:2012
2943:2012
2915:2012
2883:2012
2855:2012
2827:2012
2794:2017
2761:2016
2753:Spin
2733:2014
2685:2012
2654:2016
2620:Mojo
2604:2012
2573:2012
2542:2012
2511:2012
2481:2019
2454:2013
2348:2012
2340:Time
2320:2012
2292:2012
2232:2012
2176:2006
2127:2012
2096:2012
2066:2012
2035:2012
2002:2012
1963:2012
1922:2017
1896:2022
1868:2022
1840:2022
1812:2022
1523:Peak
1335:6:54
1317:7:59
1299:7:50
1281:6:51
1267:2:21
1253:3:28
1239:5:13
1225:6:30
1179:7:08
1165:5:29
1151:4:30
1137:5:44
1123:6:00
1109:3:44
1095:5:18
1077:1:02
1063:4:24
1049:4:35
925:iPod
901:and
837:8/10
825:8/10
820:Spin
725:7/10
682:Mojo
530:and
514:and
196:rock
121:Warp
3705:EPs
3577:at
2641:NME
2400:NPR
1764:US
1747:200
1742:US
1727:17
1717:29
1707:33
1697:20
1687:26
1677:23
1667:84
1657:93
1637:14
1627:40
1617:37
1607:46
1597:35
1587:16
1577:16
1567:25
1556:13
1545:59
1535:17
1322:18.
1304:17.
1286:16.
1272:15.
1258:14.
1244:13.
1230:12.
1216:11.
1201:No.
1195:EP)
1170:10.
1021:No.
999:200
720:NME
498:NPR
361:".
262:200
250:."
3891::
3540:.
3514:.
3444:.
3287:.
3283:.
3145:.
3128:^
3016:.
2986:.
2959:.
2931:.
2899:.
2872:.
2844:.
2811:.
2778:.
2750:.
2722:.
2674:.
2662:^
2638:.
2593:.
2562:.
2550:^
2531:.
2519:^
2500:.
2489:^
2470:.
2431:.
2415:.
2398:.
2381:.
2364:.
2337:.
2308:.
2281:.
2263:.
2240:^
2223:.
2192:.
2162:.
2143:.
2118:.
2104:^
2087:.
2052:.
2026:.
2010:^
1993:.
1971:^
1952:.
1930:^
1912:.
1885:.
1857:.
1828:.
1801:.
1778:3
1770:1
1759:2
1751:7
1737:2
1647:4
1432:,
1428:,
1424:,
1416:–
1402:,
1383:,
1379:,
1375:,
1367:,
1363:–
1156:9.
1142:8.
1128:7.
1114:6.
1100:5.
1082:4.
1068:3.
1054:2.
1036:1.
637:A−
526:,
500:.
481:.
473:,
413:.
318:.
268:.
232:.
108:53
104:47
3804:"
3800:"
3797:"
3793:"
3790:"
3786:"
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3772:"
3607:e
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3552:.
3526:.
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3386:.
3359:.
3329:.
3303:.
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3178:.
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3122:.
3100:.
3074:.
3052:.
3030:.
2999:.
2971:.
2945:.
2917:.
2885:.
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2829:.
2796:.
2763:.
2735:.
2701:Q
2687:.
2656:.
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2456:.
2350:.
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2234:.
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2037:.
2004:.
1965:.
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1924:.
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1870:.
1842:.
1814:.
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1039:"
744:Q
106::
60:)
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