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The first classes were taught in the summer of 1891 before any construction on the studio or the "Art
Village". The school rented an old farmhouse and Chase lived at the Shinncock Inn. The students could stay in Samuel Parrish's home or rent rooms in the area. The first summer was a success. By the
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located on the Sag Harbor branch of the Long Island
Railroad, about three hours by rail from New York City. The LIIC sold the land for the studio to benefactors Porter and Parrish. The LIIC also sold the land for the adjacent 21 residential lots (the "Art Village") to private individuals, most of
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Chase taught for two days each week. On
Mondays he would hold a studio critique, reviewing the student work from the previous week. On Tuesdays Chase would set up his easel in the Shinncock Hills and paint while providing instruction. Chase encouraged his students to paint in the bright light,
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The
Shinnecock Hills Summer School of Art was located on the south fork of Long Island, New York in Shinnecock Hills just west of Southampton. At the time the school was started, the 4,000 acres of Shinnecock Hills was being developed by the Long Island Improvement Company (LIIC) which was a
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omitting preliminary sketches, and matching the colors painted to those observed. Students spent the rest of the week working on their paintings, either outside in the dunes, or in the studio during inclement weather. Classes were taught by other artists, for example
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and had the desire to start a summer art school providing training in open air landscape painting. She asked Chase to teach at the school. At that time Chase was well-regarded as a painter and a teacher. Hoyt also approached fellow
Southampton residents Mrs.
149:(Annie de Gamp Perrot Hegeman Porter) and Samuel Longstreth Parrish to provide financial support. Porter and Parrish provided the land for a large studio. The land abutting the studio, named the "Art Village", had residential cottages.
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summer of 1892 there were more than 100 students enrolled The studio and several cottages were completed, and classes were held at the location where it would continue to operate until its closure in 1902.
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The Art Studio was at the northeastern edge of the property, built with an exterior of log slabs.. The interior was one large workspace, with a large 2-sided easel in the center of the room.
511:"William Merritt Chase: Praised by critics, admired by colleagues and respected by students, the distinguished 19th-century artist produced paintings and pastels of gentle beauty"
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Schaffner, Cynthia V. A.; Zabar, Lori (December 2010). "The
Founding and Design of William Merritt Chase's Shinnecock Hills Summer School of Art and the Art Village".
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The "Art
Village" had cottages that were built by the individual owners of the residential lots. They were built in a variety of rustic styles, including
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painting schools in
America. During the time Chase was teaching at Shinnecock Hills he painted some of his most notable Impressionist landscapes.
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In 1897 the school made a change in the name and administration due to Chase severing his ties with the school's co-sponsor, the
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Mrs. William Hoyt (Janet
Ralston Chase Hoyt) was a New York philanthropist, developer, and artist. She was a summer resident of
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whom were associated with the school. The Hoyt family, the
Parrish family, and Grosvenor Atterbury purchased multiple lots.
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The school was successful, but Chase returned to spending his summers in Europe and the school closed in 1902.
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William Merritt Chase: summers at Shinnecock 1891-1902 : Nat. Gallery of Art, Washington,
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From 1891 to 1902 about 1,000 students studied at the Shinnecock Hills Summer School of Art.
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236:. The cottages were often rented out to students. The "Art Village" was designated as a
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Shinnecock Hills Summer School of Art Shinnecock 1891 - 1902, Parrish East End Stories
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The Art Village Shinnecock Hills, 1891, Art and Architecture Quarterly
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subsidiary of the Long Island Railroad. The school was close to the
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114:, Long Island that existed from 1891 to 1902. The director was
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Art Village Heritage Area Report by Sally Spanburgh, July 2012
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were built for Chase and his family. They were designed by
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Students at Shinnecock Hills Summer School of Art, ca. 1895
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Chase teaching at the Shinnecock Hills Summer School of Art
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593:Atkinson, D. Scott; Cikovsky, Jr., Nicolai (1987).
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Map of the Art Village Situated at Shinnecock Hills
118:. The school was one of the first and most popular
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Art Studio at Shinnecock Hills Summer School of Art
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766:Educational institutions disestablished in 1902
74:summer art school devoted to plein air painting
16:Former art school in Shinnecock Hills, New York
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597:. New York, NY: St. Martin's Pr. p. 17.
761:Educational institutions established in 1891
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108:Shinnecock Hills Summer School of Art
20:Shinnecock Hills Summer School of Art
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771:Defunct schools in New York (state)
172:. Chase became the president, with
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731:Houses in Suffolk County, New York
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657:Traditional Fine Arts Organization
509:Meisler, Stanley (February 2001).
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626:. New York, NY: Abrams p.
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678:"Resolution 2012-841 Item 6.43"
618:Gallati, Barbara Dayer (1995).
300:The Chase Homestead, Shinnecock
168:. The name was changed to the
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284:A Sunny Day at Shinnecock Bay
238:Hamlet Heritage Resource Area
434:Ella Sophonisba Hergesheimer
243:A few miles down the road a
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110:was summer school of art in
58:; 122 years ago
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515:Smithsonian/General OneFile
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187:serving as administrators.
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161:taught beginning drawing.
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424:Charles Webster Hawthorne
174:Charles Webster Hawthorne
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651:Solon, Deborah Epstein.
262:Shinnecock Hills station
142:Southampton, Long Island
48:Janet Ralston Chase Hoyt
394:Howard Chandler Christy
350:, between 1893 and 1897
746:American Impressionism
409:Lillian Baynes Griffin
245:summer home and studio
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622:William Merritt Chase
469:Rhoda Holmes Nicholls
444:Susan Merrill Ketcham
332:First Touch of Autumn
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116:William Merritt Chase
100:William Merritt Chase
86:Southampton, New York
555:Winterthur Portfolio
419:Lilian Westcott Hale
682:Town of Southampton
454:Annie Traquair Lang
316:An Afternoon Stroll
230:Grosvenor Atterbury
178:Douglas John Connah
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489:Alice Woods Ullman
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519:. Retrieved
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449:Emma B. King
379:Gifford Beal
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362:W. M. Chase
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346:W. M. Chase
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330:W. M. Chase
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314:W. M. Chase
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404:Emma Eilers
302:. c. 1893
181: [
725:Categories
637:0810940299
604:0876635397
496:References
224:and early
575:162996934
318:, c. 1895
286:, c. 1892
205:Buildings
121:plein air
53:Dissolved
37:Formation
255:Location
96:Director
79:Location
687:29 July
662:29 July
521:23 July
366:, 1890s
269:Gallery
128:History
71:Purpose
61: (
45:Founder
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334:, 1898
571:S2CID
185:]
689:2018
664:2018
632:ISBN
599:ISBN
523:2018
517:: 84
232:and
176:and
106:The
63:1902
56:1902
40:1891
563:doi
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
