2268:
lines of SMR. The oldest of the two was in
Fukuoka, now under the leadership of Otofuji. The other line was based in Tokyo, and was under the leadership of Shimizu. Takayama, the most senior of the three students of Shiraishi, died in 1938, leaving Shimizu with a position of great influence in the SMR. That position lasted until his death in 1978. Although Otofuji was one of Shiraishi's top students, he was unable to assume the role that Shimizu had held in Tokyo. By the 1970s the Tokyo and Fukuoka SMR communities had developed into separate branches with their own leaders. Unlike Otofuji, Shimizu was a senior of both the Fukuoka and Tokyo SMR, with great knowledge and influence over both. With Shimizu's death, Otofuji was not in a strong enough position to claim authority over the Tokyo SMR and no sort of agreement could be made over who should succeed Shimizu. Otofuji remained the leader of Kyushu SMR until his death in 1998.
1928:
381:
642:
to get very close to the opponent and then to control the opponent's arms or hands. The staff can be used in a manner that enables the wielder to defeat the opponent without killing him. Common methods include controlling the opponent's hands, wrists, and other targets by using the staff to either strike, thrust or otherwise manipulate the target-areas. When applicable, more lethal strikes are aimed at the opponent's more vital areas such as the head, solar plexus and
752:
strikes or thrusts to the head the student is taught not to use full force but to halt the staff within a few centimeters of the respective left or right temples or other parts of the head. Other less sensitive areas on the human body do make contact with the staff, though with much reduced force. The practice of forms and techniques is conducted under the supervision of a senior student who ensures the techniques and forms are proper and within safety margins.
42:
469:
527:
399:), Gonnosuke would eventually cross paths with the famous swordsman Miyamoto Musashi. The two men fought a duel in which Musashi defeated Gonnosuke with relative ease. Gonnosuke, a proud warrior who according to the stories had never been defeated, was deeply shocked by his defeat and retired to a cave for meditation and reflection. This period of isolation led him to create a set of techniques for the
2077:
1991:) into the various branches of Shintō Musō-ryū and were meant to be practiced alongside the main jō forms. But, for all intents and purposes, each of the fuzoku ryūha retain a separate identity with their own history and tradition and are generally not taught to people outside the SMR-tradition. Over the years several lineages of Gonnosuke's original art have added or dropped other fuzoku ryūha.
1884:
Naginata as the primary weapon, there are techniques with the jō that simulates a scenario where the naginata has been cut in two and the wielder has to defend himself with the staff-portion only. With the onset of peace with the start of the Edo-period (1603–1867), the conflicts with heavy armored warriors became a thing of the past. In this era, the jō art would come into its own against non-
2154:
1971:(wide trousers used by samurai). The type of clothing worn is not universal for all Shintō Musō-ryū dōjōs. In some dōjōs, which in addition to jōdō may also have aikidō practitioners, the white keikogi and regular white trousers are allowed. All-white keikogi and Hakama are also used in various dōjo and/or on special occasions such as public demonstrations or competitions.
761:
655:
1927:
1948:) starts with the attacker, called uchidachi, attacking the defender (shidachi), who in turn defeats the opponent. In a few of the kata, the bokken is used in tandem with the kodachi, but most forms require only the kodachi or bokken. In addition to the sword training provided in jō kata, an addition of twelve kenjutsu-kata is found in SMR.
610:, an old school with a traditional way of teaching, SMR relies on verbal instructions (as opposed to the detailed manuals of the more modern era) in order to teach the large majority of the practical applications in the art. The teacher-student relationship is very important to koryu-arts. The training forms (
874:) martial arts. Forms are used as a way to teach advanced techniques and maneuvers through a series of scripted movements and actions against one or several opponents. In the majority of the old martial arts, forms are at the center of the art with little or no sparring as compared to modern martial arts (
2267:
After receiving an invitation from the Tokyo martial arts scene to perform a demonstration of SMR, Shimizu and
Takayama established a Tokyo SMR group which held a close working relationship with martial arts supporters such as Jigoro Kano, the founder of Judo. Shiraishi died in 1927, leaving two main
2247:
After the death of Takaji
Shimizu in 1978, SMR in Tokyo was left without a clear leader or appointed successor. This led to a splintering of the SMR dōjos in Japan, and eventually all over the world. With no single organization or individual with complete authority over SMR as a whole, several of the
2204:
long (3.6 meters) and the attached weight can be thrown against an opponent's weapon, hands or body, either disarming him or otherwise preventing him from properly defending himself against the kama. In some kata, the iron weight is thrown directly at the attackers body causing injury or stunning the
1446:
The Jōdō Section of the All Japan Kendo
Federation has adopted the modern dan/kyu system going from Ikkyu (1st Kyu, 一級) to Hachidan (8th Dan, 八段). Additionally, there are the three teaching licences of Renshi (錬士), Kyōshi (教士) and Hanshi (範士) (collectively known as Shōgō (称号)) which can be awarded at
641:
In the pure fighting art of SMR, the aim is to use the staff to defeat an opponent armed with one or two swords. The staff is a flexible weapon and can be used in several ways. A practitioner can use the greater length of the staff to keep the opponent at a distance. It is also used, when applicable,
2072:
A collection of eight long-sword and four short-sword kata, including one two-sword kata are found in Shintō Musō-ryū. Neither the twelve kata nor the art itself had any known name in the Shintō Musō-ryū until the mid-19th century when "Shintō-ryū kenjutsu" started to be used and specific names were
1883:
that were dedicated to the staff-arts in the warring era with other more effective weapons were available, but there are several ryu that include jō techniques in its system. One example is the jō-tradition found in the koryū art Tendō-ryū Naginatajutsu, founded in 1582. In Tendō-ryū, which uses the
1280:
holder may also, if he so chooses, implement modifications in the SMR system to techniques or kata. As Shintō Musō-ryū does not have a single organization with a single leader, these changes will only be relevant to that teacher's direct students, and will not be universal. Instead, every person who
939:
dōjō, for the purpose of easing the introduction to (complex) forms training. Shimizu's peer, Takayama Kiroku, leader of the
Fukuoka Shintō Musō-ryū Dōjō, saw the value of these basic techniques and introduced them into his own training sessions. Shimizu would eventually remove or modify some of the
618:
arts have deliberately hidden some, or all, applications inside their training forms, making them invisible unless properly explained by a teacher knowledgeable in the art. This was done as a way of making sure the secrets and principles could not be copied by rival schools or individuals, should an
2575:
The number of headmasters is counted by combining all the known headmasters of all the branches of Shintō Musō-ryū Jōdō including the founder of Katori Shintō-ryū, the latter which the founder of SMR also held a Menkyo Kaiden, and
Matsumoto Bizen-no-kami, the founder of the Kashima school that Musō
2271:
From these two lineages, the
Fukuoka and the Tokyo, several SMR-based organizations developed. One of the largest is the Jodo Section of the All Japan Kendo Federation (全日本剣道連盟杖道部), established in the 1960s to further promote Jo through the teaching of ZNKR Jodo, also called Seitei Jodo. It remains
2053:
Ikkakū-ryū juttejutsu utilizes the jutte as a way of self-defense for use against an attacker armed with a sword (katana). It was originally created by
Matsuzaki Kin'emon, the third headmaster of SMR and originally did not limit itself to jutte training but had a variety of weapons. This weapon was
2251:
From the end of the
Samurai reign in 1877 to the early 20th century, SMR was still largely confined to Fukuoka city on the southern Japanese island of Kyushu where the art first was created and thrived, although it was slowly spreading. The main proponent of SMR in Fukuoka during the late 19th and
2173:
weapon used to control, disarm, and subdue a criminal who would most likely be armed with a sword, without killing him (except in extreme situations). There exists at least 200 known variations of the jutte. The jutte used in Shintō Musō-ryū is approx 45 cm in length. In the integrated art of
1324:
So far in the post
Shimizu Takaji SMR history, there has been no organisation who has taken the "-ha" description for their respective new branch. Shimizu Takaji himself, who introduced a set of basic techniques (kihon), and even a new series of kata (Gohon no midare) to the SMR Jo system, did not
694:
A normal training session is very systematic with the teacher, or a senior student, commanding the pace and direction of the session. Depending on the individual dōjō or organization, the entire group of trainees often starts training as one body, especially during warm-ups and drills. Often, the
2193:
The kusarigama is a chain-and-sickle weapon. The weapon is used in several ryu and the design varies from school to school. The kusarigama used in Isshin-ryū has a straight, double-edged 30 cm blade with a wooden handle approx 36 cm long with an iron guard to protect the hand. The chain
751:
Training under a responsible leader is done with a high emphasis on student safety. Unlike the wooden sword, which is not as dangerous as a katana, there is no "safer" version of the staff and the weapon used in training is the same weapon that would have been used in actual combat. When applying
690:
and other modern Japanese Arts. New students usually start with the twelve kihon. This process includes slowly working its way into the first series of "kata", which starts with the "Omote"-series. There are approximately 64 forms with the jo, although the number can vary from the individual SMR
567:
Because Shintō Musō-ryū has had no single head-organization or single governing body since the late 1600s, there is no standardized way of passing on the tradition. Dōjos belonging to individual SMR groups have individual ways of training and passing on the tradition. As with several other arts,
1242:
system consisting of twelve forms and twelve basic techniques. Ten of these forms are drawn from the existing Shintō Musō-ryū Jō forms with minor modifications, and two other forms were created specifically for Seitei Jōdō and based on Uchida-ryū Tanjō-jutsu forms. The latter forms are taught in
958:
During the Edo period and well into the 20th century the attacker was always the senior student, with the defender (being the junior), starting and training only the staff forms for several years before learning the attacker's role. In most modern dōjō, a beginner learns both the sword and staff
2009:
In many Shintō Musō-ryū dōjo, the assimilated arts are not normally taught to a student until he/she has reached a designated level of experience & expertise and a certain level of proficiency in the jō forms. These designated levels are not standard but vary according to each organizations
1455:
Modern-day Shintō Musō-ryū is practiced within several large independent organizations which includes the European Jodo Federation, Nihon Jōdōkai, International Jōdō Federation, International Jodo Association, Sei Ryu Kai to name a few. As such the individual organizations has different grading
895:
The modern Shintō Musō-ryū system holds approximately 64 staff-forms divided into several series, though this number is including variations and is not always counted as an individual form. Students following the teachings of Shimizu Takaji normally learn 5 more kata in a separate series called
2006:(warriors) which included the staff, sword and musketry. The arts were not specifically SMR-arts though they were taught to the same students. After the fall of the Samurai the two arts found their way into the SMR-tradition as taught by Shiraishi Hanjirō, the art's 24th unofficial headmaster.
2562:
The name "Kasumi" Shintō-ryū is not the universal way of naming the 12 sword kata. The discovery of the name "Kasumi" was made from recent research into the history of Shintō Musō-ryū but is yet to be confirmed. The most common and older way of naming the 12 sword kata in SMR is "Shintō-ryu
2102:
in the late 19th century. It contains twelve kata, which at the time of their inception were loosely organised into a system called "sutteki-jutsu" and were derived mainly from Shintō Musō-ryū and Ikkaku-ryū techniques. "Sutteki" was the Japanese pronouncement of the English word "stick".
560:
1982:
The original Shintō Musō-ryū tradition is composed of around 59 jō kata and is divided into seven sets. (The "Gohon-no-midare" kata series and the 12 "kihon" are a modern invention.) Together with the 12 kenjutsu kata they compose the core of the SMR-tradition. From the Edo period to the
2264:), who had trained in, and received a "joint-license" from, the two largest surviving branches of SMR. Among Shiraishi's top students of the early 1900s were Takaji Shimizu (1896–1978), Ichizo Otofuji (1899–1998), and Kiroku Takayama (1893–1938), Takayama being the most senior.
1939:) are used to minimize the risk of injuries. Practitioners use both the long wooden sword, generally called a bokutō or bokken, and the short wooden sword that is referred to as a kodachi (meant to represent the wakizashi, or simply "short sword" in both interpretations).
614:) alone do not (and cannot for practical reasons) reveal all the large number of practical applications and variations of the techniques. This can only be done properly by an experienced teacher who spends many years passing on the teachings to the student in person. Many
2235:, which is used in other martial arts. The modern tanjō is the same width as a standard jō. The tanjō of the Meiji era were thicker at the top and thinner at the bottom, as was the design of the walking-stick at the time. The original inspiration for the tanjō was the
2627:
relationship to both protect and expand the Daimyōs domains before and during the Sengoku Jidai period. The Daimyō title was abolished along with the Samurai and the feudal system in the Meiji restoration. Former Daimyō would instead become part of the new
2107:, who systematized his father's work and brought about the modern Uchida-ryū tanjōjutsu system. The art was first known as Sutekki-Jutsu and later named Uchida-ryū in honor of its creator. The art was adopted into SMR to be taught alongside the other arts.
2073:
given for each of the twelve kata. In the 20th century, "Kasumi Shintō-ryū" or more recently "Shintō Kasumi-ryū" has surfaced as the original name for the twelve kata as taught in the Shintō Musō-ryū, though it is not yet an official name.
1878:
and most other staves could be used to lethal effect when thrust at vital points of the body, when faced with a fully armored opponent those vital points would in most cases be covered by armour-plating. As a result, there were very few
1821:
414:
techniques to either defeat Musashi or force the duel into a draw. One of several legends says that while resting near a fire in a certain temple, Gonnosuke heard a voice say, "With the round stick, know the strategy of the solar
362:, (1896–1978), considered the 25th headmaster, who, unlike many other traditional martial arts teachers, wanted Jodo to be known and taught internationally. With the assistance of his own students and the cooperation of the
1836:
is a cylindrical wooden staff approximately 128 cm in length. In modern times, the measurements have been fixed at 128 cm in length and between 2.4 and 2.6 cm in width, though in the Edo-period the length of the
1495:
The IJA follows the grading system used by Ichitarō Kuroda. Students grade up to 5th dan and thereafter receive licenses of transmission. Students must also grade with the Zen Nippon Kendō Renmei in the Seitei series of Kata.
2209:, who was killed in a duel with the legendary Miyamoto Musashi. During kata practice a safer, all-wooden version (except the metal handguard) is used with softer materials replacing the chain and weight. For demonstrations (
2133:
As with the staff, the weapons found in the integrated arts were not inventions of Shintō Musō-ryū headmasters, but had been created and used long before they were chosen to be taught alongside the Shintō Musō-ryū Jo forms.
354:(宮本 武蔵, 1584–1645). The original art created by Musō Gonnosuke has evolved and been added upon ever since its inception and up to modern times. The art was successfully brought outside of its original domain in
2205:
opponent. The kusarigama also has non-lethal kata designed to trap and apprehend a swordsman, partially by using the long chain as a restraint. A famous user of the kusarigama outside of Shintō Musō-ryū was
695:
training then is split into beginner and advanced groups. Drills and forms involving newer students are often performed with a more senior student taking on the role of the attacker, or "striking sword"
787:) is practiced in all Japanese and Western dōjō. Although not all dōjō use exactly the same routine, they do generally contain the same set of principles. Students bow to the front of the dōjō (
1447:
the last three grades (6th, 7th and 8th Dan respectively). As the practical examination for these grades involves only Seitei, they are not representative of a practitioner's koryū ability.
538:. With the efforts made by Shiraishi Hanjirō and his successor Shimizu Takaji (清水隆次), the art's 24th and 25th unofficial headmasters, respectively, the art progressed into an international
2028:) in Isshin-ryū from Morikata Heisaku in the late 19th century,. Shiraishi would later transmit the Isshin-ryū to his own Jōdō students. Isshin-ryū should not be confused with the modern
328:, with an emphasis on proper combative distance, timing and concentration. The system includes teachings of other weapon systems which are contained in Shintō Musō-ryū as auxiliary arts (
822:, drills or any other type of exercise. The switching of weapons is, by tradition and experience, a way to minimize any threatening appearance and show respect for the training partner.
1257:) of the teachings of the system, and includes the technical as well as oral transmission. This rank is used in many classical martial arts of Japan. In SMR, a student considered for a
818:. This is done in order to have an orderly training session and to reflect good manners, as well as for safety reasons. The students bow before and after finishing a specific series of
955:, learning the staff first and later switching to the sword, and then finally learning the entire technique with a training partner. The techniques are normally trained in sequence.
900:. This series is not taught in all SMR-groups. A common procedure is for new students to begin their form training by learning two or more forms from the "standard staff forms" (
2024:
Isshin-ryū kusarigamajutsu is a school of handling the chain and sickle weapon. The 24th unofficial headmaster of Shinto Musō Ryu, Shiraishi Hanjirō, received a full license (
2644:– A modern (Western) term, Koryu is used to describe Japanese martial arts created before the 1876 banning of the samurai sword. Any art that was created post-1876, such as
3749:
931:, 基本の打ち突き技) form a system of twelve techniques drawn from the existing kata with minor modifications. They are used as a way to better introduce a new student to
1956:
In the majority of dōjos today, the jōdōka essentially uses the same clothing as practitioners of kendō, minus the armour and other protective padding: A blue/
2684:– Originally the conscripted footsoldiers of Samurai-armies, after Tokugawa came into power they became professional soldiers and the lowest ranking samurai.
1903:. Ueshiba trained in a variety of ryu including Yagyū swordsmanship, but is not known to have trained in Shintō Musō-ryū. Ueshiba also used the long staff
935:
and also are a good tool for further skill development for seniors. The basic techniques were developed and systematized mainly by Shimizu Takaji at his
2231:) is a 90 cm short staff used in the assimilated art Uchida-ryū tanjōjutsu. Although of the same length, the tanjo should not be confused with the
622:
The SMR tradition has been shaped over the centuries as to teach the student the proper value and application of combative distance to the opponent (
2054:
mainly used by police forces of the late Edo-period of Japan. Chuwa-ryū tankenjutsu (中和流短剣術) is the name used for this art using the short sword (
840:
starts with the two practitioners crossing their weapons and placing them crossed on the floor, retiring a few steps to perform a squatted bow (
1933:
The Japanese sword, with its long history and many variations, has a prominent role in Shintō Musō-ryū. For training purposes, wooden swords (
1265:. This process will take many years, depending upon the skill, dedication and maturity of the student. Shimizu Takaji himself was issued his
1276:
has the right to teach the art to whoever he or she chooses and also holds the right to issue scrolls of transmissions to his students. The
1486:
and Pascal Krieger. It is used today by the International Jodo Federation and its sub-organisations including the European Jodo Federation.
2174:
Ikkaku-ryū juttejutsu, the tessen, or war fan, approximately 30 cm in length, is used in tandem with the jutte in some of the kata.
772:
A typical Shintō Musō-ryū dōjō practices the same courtesy and manners as found in Japanese society generally, placing great emphasis on
2607:– The "Way of War" or the "Way of the warrior". Both terms are used interchangeably to refer to both the warrior arts and their ideals.
1317:
decided to make radical changes to the system, such as adding or removing parts of the art, he would be departing from belonging to a
346:
c.1605, dates of birth and death unknown) in the early Edo period (1603–1868) and, according to legend, first put to use in a
3399:
563:
Shimizu Takaji (1896–1978), Shintō Musō-ryū's 25th unofficial headmaster and the art's leading personality during the 20th century
451:
1500:
1. The classical system of giving licenses of transmission: "Oku-iri", "Shomokuroku", "Gomokuroku", "Menkyo" and "Menkyo Kaiden".
1468:
1. The classical system of giving licenses of transmission: "Oku-iri", "Shomokuroku", "Gomokuroku", "Menkyo" and "Menkyo Kaiden".
358:
and outside Japan itself in the 19th and 20th century. The spreading of Shintō Musō-ryū beyond Japan was largely the effort of
1899:
outside of Shintō Musō-ryū in modern times, and indeed in the martial arts community as a whole, was the founder of Aikidō,
810:
During the practice of basics and forms, certain rules of behavior are applied when switching positions and weapons between
1874:, was never an effective killing-weapon on the battlefield in comparison to the sword, spear, glaive and bow. Although the
1251:
For many of the classical martial arts organizations the highest rank available is the "License of Complete Transmission" (
634:), among other skills. As a traditional Japanese martial art, there is also a high emphasis on etiquette, such as bowing (
403:, with a goal of defeating Musashi's two-sword style. These jo techniques constituted the core of Gonnosuke's new school (
3455:
1820:
455:
2121:
A school of restraining a person using cord or rope for use by police forces of the Edo-period and up to modern times.
776:. In some dōjō, Japanese verbal commands are used to guide basics, warm-ups, and the training of the "standard forms" (
375:
2965:
2851:
2248:
various fully licensed (menkyo) SMR-practitioners established their own organizations both in the West and in Japan.
844:), and ends which the practitioners going forward to retain their weapons and start kata-training. The principle of
3288:
743:
s skill by having them face a more experienced and confident swordsman, which thus heightens the combative feeling.
2664:. Karate, although preceding 1876, does not qualify as koryū due to the fact it did not evolve in Japan but on the
3326:
3140:
1269:
very early in his life in comparison to modern western standards, though he trained for several hours each day.
861:
691:
groups and organizations. The auxiliary arts incorporate their own sets of forms with their respective weapons.
3950:
3798:
951:), with the defender using the staff and the attacker using the sword. Today, new students normally begin with
773:
3644:
2019:
911:(五本の乱れ) was created by Shimizu in the late 1930s and are not part of the original "scroll of transmission" (
410:
The school's history states that Musō Gonnosuke was victorious in a second duel, using his newly developed
247:
3497:
3296:
2678:– The warrior elite of feudal Japan. The Samurai caste was abolished in the Meiji restoration's aftermath.
662:, a tactical position to hide the staff behind the back and leg for surprise deployment against an opponent
507:
that were to be used against an opponent armed with a sword, partially by using the superior length of the
870:) is an old way of teaching traditional martial arts in Japan, and is the core of many "old school/flow" (
480:
395:(1594–1614) by Musō Gonnosuke, a samurai with considerable martial arts experience. A wandering warrior (
1888:
samurai, rōnin, bandits, and other opponents. It was extensively used to police the local clan domains.
431:. Supposedly that was his inspiration to develop his new techniques and go fight Musashi a second time.
3819:
251:
3945:
2523:
3805:
3940:
3637:
3595:
1238:
tasked with the creation of a compact Jōdō system to be taught in Kendō dōjōs. The result was the
940:
more dangerous techniques and beginner-level forms so as not to cause injuries to newer students.
239:
3553:
3469:
496:
3532:
3476:
2095:
Uchida-ryu is the art of using the tanjō (a 90 cm staff). It was originally created by SMR
523:, to teach his art to their warriors. Gonnosuke accepted the invitation and settled down there.
3784:
3721:
3616:
2619:
landowner of feudal Japan. They employed other samurai as warriors and personal retainers in a
1328:
There are five classical ranks in Shintō Musō-ryū, as follows in ascending order of seniority:
3714:
2291:
The first foreign student of Takaji Shimizu and the first foreign Menkyo of Katori Shintō-ryū.
324:). The technical purpose of the art is to learn how to defeat a swordsman in combat using the
3679:
3567:
3504:
3339:
3304:
2116:
2090:
2048:
848:
is found in other unrelated martial arts as well, although not necessarily by the same name.
255:
243:
3686:
2002:. These two arts were taught in the Kuroda-domain as a complement to the combat-arts of the
1994:
Matsuzaki Kin'emon was the third headmaster of SMR and is credited with the creation of the
1895:
that are not necessarily related to Shintō Musō-ryū. One of the most famous promoter of the
3791:
3427:
1310:
309:
3756:
2184:
The kusarigama is featured in several Japanese martial arts. For more information see the
8:
3319:
2665:
2616:
2380:
1309:
school of kenjutsu. After the first generation died out, the school transformed into the
3462:
500:
2669:
2198:) has a heavy iron weight and is attached to the bottom of the handle. The chain is 12
2029:
355:
3420:
3392:
1234:
The Seitei Jōdō kata were developed by Shimizu Takaji in the 1960s and presented to a
638:) and attaining a proper mental attitude in the student and the approach to training.
3700:
3092:
2961:
2847:
2448:
2285:
2170:
2144:
The jutte is featured in several Japanese martial arts. For more information see the
2067:
1917:
The sword is featured in several Japanese martial arts. For more information see the
791:) when entering the dōjō or leaving it, and observes the hierarchy with instructors (
713:. In paired techniques and drills, the receiver of the attack is called "doing sword"
380:
227:
3630:
3525:
3490:
2550:
are judged when performing kata. Shintō Musō-ryū holds no competitions of any sort.'
57:
3602:
2206:
1229:
643:
535:
472:
351:
3672:
2792:, translated by Hunter Armstrong (Kamuela, HI: International Hoplological Society)
2104:
1512:
NJK was headed by Kaminoda Tsunemori and incorporates two separate grade-systems.
619:
outsider accidentally (or by deliberate spying) observe the techniques in action.
530:
Shiraishi Hanjirō (1842–1927, 白石半次郎), Shintō Musō-ryū's 24th unofficial headmaster
3728:
2419:
2281:
2239:
walking-stick which soon found a practical use in self-defense in the Meiji era.
1900:
1483:
678:). There exists no form of organized and standardized sparring-system such as in
177:
3812:
3560:
3511:
3364:
1880:
3623:
3546:
3357:
3312:
3214:
2817:
2700:
2461:
2099:
1858:
1464:
EJF is headed by Pascal Krieger and incorporates three separate grade systems.
499:
and later spread to other Kashima schools such as Kashima Jikishinkage-ryū and
476:
384:
339:
3651:
3539:
3005:
2661:
1995:
1846:
876:
3934:
3911:
3904:
3707:
3658:
3609:
3434:
3032:
2696:
2303:
2253:
2236:
1472:
1306:
1253:
3841:
2803:
162:
2977:
2722:
2296:
2200:
1984:
1807:
is featured in several Japanese martial arts. For more information see the
1539:
A new system developed by Kaminoda Tsunemori's organization to replace the
1479:
system which is used in the majority of modern Japanese martial arts today.
96:
No single leader. 25th and last (unofficial) headmaster was Takaji Shimizu.
3855:
3777:
3441:
590:" is still not universal for all SMR practitioners and groups.) The words
192:
3483:
2539:
1433:
scroll is officially stamped by the senior instructor and thus becomes a
539:
534:
Shintō Musō-ryū survived the abolishment of the samurai in 1877, and the
520:
320:
268:
3897:
3448:
3080:
1974:
1441:
1220:, ZNKR, 全日本剣道連盟), although the latter uses a slightly modified version.
3883:
3518:
2342:
Was the senior student of Takaji Shimizu for many years until his death
2185:
2036:
1999:
1964:
519:
practitioner he was invited by the Kuroda clan of Fukuoka, in northern
204:
184:
81:
3918:
3848:
3371:
3335:
3869:
3665:
2624:
2620:
2542:
only. Seitei Jodo holds competitions on which the performance of the
2436:
Student of Takaji Shimizu and Tsuneo Nishioka (the latter since 1994)
2331:
1812:
1235:
889:
739:
in terms of experience. This is done as a way to develop the younger
543:
526:
131:
2611:
2442:
Author of the book "The Way of the Stick" and prominent calligrapher
2312:
Writer, in 1953, of a book about the jôjutsu of this specific school
1854:
1285:
can technically be described as teaching their own variation of the
575:
392:
32:
3890:
3862:
3188:
2681:
2394:
2306:
2261:
2061:
1918:
511:
to keep the swordsman at a disadvantage. After the creation of his
150:
3238:
3057:
2657:
2641:
2232:
2125:, the third headmaster is credited with creating the Ittatsu-ryū.
885:
570:
396:
304:
169:
41:
3876:
3588:
2871:. Tokyo Koppi Shuppanbu, Tokyo, Japan, 1979 edition. p. 426.
2675:
2257:
1885:
915:), which contains the list of official SMR techniques. Thus, the
559:
487:
Gonnosuke was said to have fully mastered the secret form called
468:
391:
According to its own history, Shintō Musō-ryū was founded in the
387:, founder of Shintō Musō-ryū (Image from the Buko Hyakunin Isshu)
343:
336:
314:
61:
3262:
2604:
2428:
Technical advisor to European Jodo Federation from 1994 to 2014.
2653:
2649:
2629:
2425:
Student of Takaji Shimizu, founder of the SMR-group "Seiryukai"
2388:
Scholar and author of several works on SMR-history and lineage.
2032:
1968:
1957:
1935:
1490:
1243:
various Shintō Musō-ryū dōjōs outside the main series of Kata.
881:
799:
793:
679:
3334:
3164:
2804:"Sticks and Stones Will Break Your Bones: A Look at Jo and Bo"
2672:) which did not become a part of Japan until the 17th century.
2514:, are both equally correct. Different SMR-groups use the name
1967:(belt, often the same type as used in iaidō), a blue or black
1476:
3006:"Journal of Non-lethal Combatives: ZNKR Jodo history, Taylor"
2635:
2354:
2350:
2346:
2145:
2076:
1960:
1850:
1482:
3. The "Shoden, Chūden and Okuden" ranks, put into effect by
1021:
936:
836:(meaning ”ornament”) is also done in all the auxiliary arts.
683:
674:
363:
211:
1904:
1870:
1808:
828:飾り(かざり) is the traditional SMR-way of initiating and ending
142:
3116:
2645:
1944:
687:
668:
586:" in the year 1940. (Note that the use of the appellation "
347:
298:
2153:
2084:
1516:
The classical system of giving licenses of transmission: "
2479:
Karunakaran R. Chindan (1943–2016) – Malaysia Menkyo SMR
1456:
requirements and in some cases different type of grades.
1325:
name his expanded system as "Shimizu-ha Shinto Muso Jo".
598:
are normally used interchangeably by the various groups.
2411:
former head of All Japan Kendo Federation's Jodo section
2275:
760:
654:
1503:
2. The dan/kyu system. Grades are issued up to 5th dan.
755:
2638:– Martial Art – The art of drawing the Japanese sword.
1841:
was customized to suit the height of the wielder. The
1297:" is a variation of a martial arts system taught by a
904:, 制定杖道) due to their (relative) technical simplicity.
2362:
Kaminoda Tsunemori (1928-2015) – Japanese Menkyo SMR
2213:) a kusarigama with a metal blade is sometimes used.
1543:
system. The new system involves three ranks in three
1442:
Grades in the All Japan Kendo Federation Jōdō Section
366:
community, Shimizu spread Shintō Musō-ryū worldwide.
2288:
and Menkyo of SMR (the latter awarded posthumously)
1891:
Various other martial arts also include elements of
943:
The basic techniques are trained both individually (
2309:(and considered by some to be the last true ninja).
2272:the most widespread form of Jo in the world today.
2252:early 20th century was Hanjiro Shiraishi, a former
2161:of the late Samurai-period. This is not a specific
495:), a form that was developed by the founder of the
475:wielding two wooden swords. The legend states that
2339:Ichitaro Kuroda (1911–2000) – Japanese Menkyo SMR
927:The "basic techniques of striking and thrusting" (
1595:, after which the classical grade-system is used.
764:Tsuneo Nishioka and Katsuhiko Arai demonstrating
503:. Gonnosuke developed several techniques for the
3932:
2376:Matsui Kenji – Japanese Menkyo SMR Fukuoka line
2062:Kasumi Shintō-ryū kenjutsu (Shintō-ryū kenjutsu)
2397:(jōjutsu and naginata) and of SMR Fukuoka line
2320:Student of Takaji Shimizu and Nakajima Asakichi
2103:Sutteki-jutsu was further developed by his son
1828:made of red oak, approximately 128 cm long
1778:
1760:
1742:
1715:
1697:
1679:
1652:
1634:
1616:
1588:
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1556:
1418:
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1341:
1198:
1182:
1164:
1146:
1128:
1110:
1092:
1072:
1052:
1032:
1011:
993:
975:
962:The following are the twelve basic techniques:
722:
704:
424:
332:). The school is sometimes abbreviated as SMR.
3141:"Fujita Seiko - Shindô Musô Ryû Jôjutsu Zukai"
2960:(bilingual French/English), Geneva (CH) 1989,
2958:Jodô - la voie du bâton / The way of the stick
2526:has been made as to which name should be used.
2222:
2128:
1772:
1754:
1736:
1709:
1691:
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1646:
1628:
1610:
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1176:
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1140:
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1104:
1086:
1066:
1046:
1026:
1005:
987:
969:
716:
698:
515:techniques and his establishment as a skilled
418:
289:
3320:
2818:"Nishioka Tsuneo and the Pure Flow of the Jo"
2522:depending on their own tradition, no sort of
2482:Student of Takaji Shimizu and Donn F. Draeger
2467:Student of Takaji Shimizu and Ichitaro Kuroda
2453:Student of Tsuneo Nishioka and Takaji Shimizu
2080:Demonstration of a Uchida-ryū tanjōjutsu kata
2013:
1246:
1208:The twelve basic techniques are used in both
549:
3212:
2400:Student of Takaji Shimizu and Ichizo Otofuji
2385:Student of Takaji Shimizu and Ichizo Otofuji
1788:
1491:Grades in the International Jōdō Association
768:, the traditional bowing before/after a kata
2978:"Muso Gonnosuke and the Shinto Muso-ryu Jo"
2137:
1459:
919:is not taught in all Shintō Musō-ryū dōjō.
3327:
3313:
2345:At time of death held 10th dan in arts of
959:right from the beginning of his training.
463:..know the solar plexus with a round stick
318:, or the art of wielding the short staff (
2408:Namitome Shigenori - Japanese Menkyo SMR
2393:Matsumura Shigehiro - Japanese Menkyo in
1321:, and in effect be creating a new style.
296:, most commonly known by its practice of
64:c.1605, dates of birth and death unknown)
2581:
2152:
2110:
2075:
2042:
1978:(Assimilated Schools) of Shintō Musō-ryū
1450:
759:
653:
558:
525:
467:
379:
3289:Japanese Shindo Muso-ryu Jodo info site
2952:
2950:
2948:
2946:
2944:
2942:
2940:
2938:
2936:
2934:
2932:
2930:
2928:
2926:
2924:
2922:
2920:
2918:
2916:
2914:
2912:
2910:
2908:
2906:
2904:
2902:
2900:
2898:
2784:
2782:
2780:
2778:
2776:
2774:
2772:
2770:
2768:
2766:
2764:
2762:
2593:TSKR = Tenshin Shoden Katori Shintō-ryū
2085:Uchida-ryū tanjōjutsu – (Sutekki-jutsu)
1987:, several other arts were assimilated (
1261:must first attain the separate rank of
3933:
3027:
3025:
3003:
2999:
2997:
2896:
2894:
2892:
2890:
2888:
2886:
2884:
2882:
2880:
2878:
2841:
2801:
2790:The History of Shindo Muso Ryu Jojutsu
2760:
2758:
2756:
2754:
2752:
2750:
2748:
2746:
2744:
2742:
2439:Head of European Jodo Federation (EJF)
2169:The jutte (or jitte) was a widespread
1402:– Awarded after the first of the five
3308:
3189:"FEJ : European Jodo Federation"
3058:"FEJ : European Jodo Federation"
2970:
2403:Head of the Kobujodokai organisation.
2317:Hosho Shiokawa – Japanese Menkyo SMR
2276:Notable Shintō Musō-ryū practitioners
3231:
3219:Tenshinsho-den-katori-shinto-ryu.org
3206:
3157:
3109:
3085:
3074:
3033:"The Evolution of Classical Jojutsu"
2866:
2695:Other martial arts schools from the
2447:Phil Relnick – US Menkyo in SMR and
1688:Middle-level Technique, Middle Grade
1332:Certificate of Entering the Interior
756:Etiquette and traditions in the dōjō
666:SMR techniques are taught by forms (
3050:
3022:
2994:
2875:
2810:
2739:
2371:Soke of Isshin Ryu Kusarigamajutsu.
1706:Middle-level Technique, Upper Grade
1670:Middle-level Technique, First Grade
1223:
1216:of the All Japan Kendō Federation (
922:
554:
407:), which he named Shintō Musō-ryū.
13:
3215:"Tenshinshō-den Katori Shintō Ryū"
2795:
2422:(1934-2014) – Japanese Menkyo SMR
1910:
1819:
1240:Zen-Nihon Kendo Renmei Seitei Jōdō
426:maruki wo motte, suigetsu wo shire
14:
3962:
3282:
3117:"International Hoplology Society"
2433:Pascal Krieger, EU Menkyo in SMR
1793:
1184:body-releasing strike, right side
450:, which he acquired in part from
3456:Kashima Shinden Jikishinkage-ryū
3400:Tenshin Shōden Katori Shintō-ryū
2470:International Jodo Association.
2242:
1926:
1907:to perform the same techniques.
1409:License of Complete Transmission
1301:but is still a part of the main
1200:body-releasing strike, left side
601:
452:Tenshin Shōden Katori Shintō-ryū
228:Tenshin Shōden Katori Shintō-ryū
40:
3297:Shindo Muso Ryu Jodo on the Net
3255:
3181:
3133:
2474:8th dan Musō Shinden-ryū Iaido.
851:
479:found a way to break Musashi's
434:Gonnosuke used his training in
3799:Jikishinkage-ryu Naginatajutsu
2860:
2835:
2615:– Samurai who were the feudal
2567:
2554:
2530:
2494:
2123:Matsuzaki Kinueumon Tsunekatsu
1868:, like its larger sibling the
1751:Shadow Technique, Middle Grade
783:The traditional Japanese bow (
72:Sometime between 1602 and 1614
1:
2733:
2284:(1922–1982) – U.S. Menkyo of
2177:
1769:Shadow Technique, Upper Grade
1733:Shadow Technique, First Grade
1625:Basic Technique, Middle Grade
16:Traditional school of jōjutsu
2488:
2165:jutte but a generic example.
2058:, 短剣) instead of the jutte.
1643:Basic Technique, Upper Grade
1607:Basic Technique, First Grade
1305:. An example of this is the
1272:A person with a fully valid
7:
3213:Phil Relnick (2014-05-06).
2846:. Koryu Books. p. 31.
2598:
2456:Pan-American Jo Federation.
2129:Weapons for integrated arts
1951:
1779:
1761:
1743:
1716:
1698:
1680:
1653:
1635:
1617:
1589:
1573:
1557:
1508:Grades in the Nihon Jōdōkai
1419:
1396:
1378:
1360:
1342:
1199:
1183:
1165:
1147:
1129:
1111:
1093:
1073:
1053:
1033:
1012:
994:
976:
723:
705:
649:
425:
335:The art was founded by the
302:, is a traditional school (
10:
3967:
2576:Gonnosuke also trained in.
2569:
2556:
2532:
2496:
2114:
2088:
2065:
2046:
2020:Isshin-ryū kusarigamajutsu
2017:
2014:Isshin-ryū kusarigamajutsu
1247:Grades – new and classical
1227:
859:
578:, Shimizu Takaji renamed "
550:Modern day Shintō Musō-ryū
376:History of Shintō Musō-ryū
373:
369:
3829:
3766:
3738:
3577:
3409:
3381:
3346:
2538:Competitions are held in
2414:Student of Ichizo Otofuji
2365:Student of Takaji Shimizu
2223:
1789:Weapons and training gear
1773:
1755:
1737:
1710:
1692:
1674:
1647:
1629:
1611:
1583:
1567:
1551:
1413:
1390:
1372:
1354:
1336:
1193:
1189:; tai hazushi uchi hidari
1177:
1159:
1141:
1123:
1105:
1087:
1067:
1047:
1027:
1006:
988:
970:
746:
735:usually is senior to the
717:
699:
630:), and mental awareness (
483:of combat and defeat him.
419:
385:Musō Gonnosuke Katsuyoshi
340:Musō Gonnosuke Katsuyoshi
290:
266:
261:
238:
233:
226:
221:
217:
202:
190:
175:
160:
148:
129:
117:
112:
108:
100:
92:
87:
76:
68:
58:Musō Gonnosuke Katsuyoshi
53:
48:
39:
30:
23:
3833:Classical arts practiced
2690:
2216:
2138:Jutte (jitte) and tessen
1725:Ranks attainable in the
1662:Ranks attainable in the
1599:Ranks attainable in the
1460:European Jōdō Federation
929:kihon no uchi tsuki waza
456:Kashima Jikishinkage-ryū
3498:Musō Jikiden Eishin-ryū
2718:Shiten-ryū (Hoshino-ha)
2660:, are considered to be
1429:have been learned, the
1148:thrust, release, strike
1013:downward-pulling strike
866:The practice of forms (
862:Shintō Musō-ryū Jo Kata
774:etiquette and tradition
3263:"Shindo Muso Ryu Jodo"
3097:Capitalareabudokai.org
3093:"Shindo Muso Ryu Jodo"
2842:Risuke, Otake (2002).
2708:Ise Jitoku Tenshin-ryū
2166:
2081:
1853:martial arts, such as
1829:
1218:Zen Nihon Kendō Renmei
769:
663:
564:
531:
484:
466:
458:, to develop his art.
388:
104:No single headquarters
3951:Japanese martial arts
3596:Gyokushin-ryū Jūjutsu
3340:Japanese martial arts
2788:Matsui, Kenji. 1993.
2588:SMR = Shintō Musō-ryū
2582:Acronyms used in text
2368:Head of Nihon Jodokai
2156:
2117:Ittatsu-ryu Hojojutsu
2111:Ittatsu-ryū hojōjutsu
2091:Uchida Ryu Tanjojutsu
2079:
2049:Ikkaku-ryu juttejutsu
2043:Ikkaku-ryū juttejutsu
1823:
1451:Other forms of Grades
1173:Tai hazushi uchi migi
763:
657:
562:
529:
471:
460:
383:
3792:Ittō Shōden Mutō-ryū
3631:Hyōhō Niten Ichi-ryū
3477:Komagawa Kaishin-ryū
3428:Tenshinsho Jigen Ryu
3239:"Shinto Muso-ryu Jo"
2956:: Krieger, Pascal -
2869:Bugei Ryuha Daijiten
2844:Le sabre et le Divin
2728:Takenouchi Santo-ryū
672:) and fundamentals (
546:all over the world.
489:The Sword of One Cut
310:Japanese martial art
101:Current headquarters
3243:Shinto-muso-ryu.org
2867:Watatani, Kiyoshi.
2381:Asayama Ichiden-ryu
1845:is used in several
1699:Chūdan-waza Chū Kyū
1681:Chūdan-waza Sho Kyū
1166:body-reaping strike
1054:reverse-grip thrust
995:reverse-grip strike
252:Shintō (Kasumi)-ryū
234:Assimilated schools
88:Current information
3820:Tenjin Shin'yō-ryū
3750:Kyōshin Meichi-ryū
3554:Yagyū Shinkage-ryū
3470:Kashima Shintō-ryū
3081:Stockholms Jodokai
2670:Okinawa Prefecture
2167:
2082:
1830:
1717:Chūdan-waza Jō Kyū
1636:Omote-waza Chū Kyū
1618:Omote-waza Sho Kyū
1281:has been issued a
1137:Tsuki hazushi uchi
770:
664:
565:
532:
497:Kashima Shintō-ryū
485:
389:
262:Descendant schools
168:Art of wielding a
93:Current headmaster
3928:
3927:
3806:Shindō Yōshin-ryū
3785:Hokushin Ittō-ryū
3770:
3757:Tennen Rishin-ryū
3742:
3722:Yagyū Shingan-ryū
3617:Hontai Yōshin-ryū
3581:
3413:
3385:
3350:
3336:Classical schools
3267:Shindomusoryu.com
2630:nobility of Japan
2171:Edo period police
2068:Kasumi Shinto-ryu
1762:Kage-waza Chū Kyū
1744:Kage-waza Sho Kyū
1654:Omote-waza Jō Kyū
1406:have been taught.
274:
273:
3958:
3768:
3740:
3680:Shindō Munen-ryū
3603:Heijo Muteki Ryū
3579:
3568:Toda-ha Bukō-ryū
3505:Musō Shinden-ryū
3463:Kashima Shin-ryū
3411:
3383:
3348:
3329:
3322:
3315:
3306:
3305:
3301:
3293:
3277:
3276:
3274:
3273:
3259:
3253:
3252:
3250:
3249:
3235:
3229:
3228:
3226:
3225:
3210:
3204:
3203:
3201:
3200:
3185:
3179:
3178:
3176:
3175:
3161:
3155:
3154:
3152:
3151:
3137:
3131:
3130:
3128:
3127:
3113:
3107:
3106:
3104:
3103:
3089:
3083:
3078:
3072:
3071:
3069:
3068:
3054:
3048:
3047:
3045:
3044:
3029:
3020:
3019:
3017:
3016:
3001:
2992:
2991:
2989:
2988:
2974:
2968:
2954:
2873:
2872:
2864:
2858:
2857:
2839:
2833:
2832:
2830:
2829:
2814:
2808:
2807:
2799:
2793:
2786:
2713:Jigo Tenshin-ryū
2573:
2560:
2536:
2500:
2464:– GB Menkyo SMR
2226:
2225:
2157:An example of a
1930:
1784:
1782:
1780:Kage-waza Jō Kyū
1776:
1775:
1766:
1764:
1758:
1757:
1748:
1746:
1740:
1739:
1721:
1719:
1713:
1712:
1703:
1701:
1695:
1694:
1685:
1683:
1677:
1676:
1658:
1656:
1650:
1649:
1640:
1638:
1632:
1631:
1622:
1620:
1614:
1613:
1594:
1592:
1586:
1585:
1578:
1576:
1570:
1569:
1563:, "Middle-level"
1562:
1560:
1554:
1553:
1425:– Once all five
1424:
1422:
1416:
1415:
1401:
1399:
1393:
1392:
1383:
1381:
1375:
1374:
1365:
1363:
1357:
1356:
1347:
1345:
1339:
1338:
1313:. However, if a
1224:Seitei Jōdō Kata
1204:
1202:
1196:
1195:
1188:
1186:
1180:
1179:
1170:
1168:
1162:
1161:
1152:
1150:
1144:
1143:
1134:
1132:
1126:
1125:
1116:
1114:
1112:spin and release
1108:
1107:
1098:
1096:
1090:
1089:
1080:
1079:
1076:
1070:
1069:
1060:
1059:
1056:
1050:
1049:
1040:
1039:
1036:
1030:
1029:
1017:
1015:
1009:
1008:
999:
997:
991:
990:
981:
979:
973:
972:
947:) and in pairs (
923:Basic techniques
803:), and juniors (
730:
729:
726:
720:
719:
712:
711:
708:
702:
701:
660:Hissage no kamae
555:Jōdō and jōjutsu
536:Second World War
501:Kashima Shin-ryū
473:Miyamoto Musashi
430:
428:
422:
421:
352:Miyamoto Musashi
295:
293:
292:
222:Ancestor schools
185:chain and sickle
44:
21:
20:
3966:
3965:
3961:
3960:
3959:
3957:
3956:
3955:
3941:Shinto Muso-ryu
3931:
3930:
3929:
3924:
3825:
3762:
3734:
3694:Shintō Musō-ryū
3573:
3405:
3393:Kage-ryū (Aizu)
3377:
3342:
3333:
3299:
3291:
3285:
3280:
3271:
3269:
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3260:
3256:
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3169:Kobujodokai.com
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2861:
2854:
2840:
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2825:
2816:
2815:
2811:
2800:
2796:
2787:
2740:
2736:
2693:
2601:
2584:
2512:Shintō Musō-ryū
2491:
2420:Tsuneo Nishioka
2282:Donn F. Draeger
2278:
2245:
2219:
2207:Shishido Baiken
2180:
2140:
2131:
2119:
2113:
2093:
2087:
2070:
2064:
2051:
2045:
2022:
2016:
1980:
1954:
1913:
1911:Ken – The sword
1901:Morihei Ueshiba
1799:
1791:
1770:
1752:
1734:
1707:
1689:
1671:
1644:
1626:
1608:
1580:
1564:
1548:
1547:series, "Basic"
1510:
1493:
1484:Donn F. Draeger
1462:
1453:
1444:
1410:
1387:
1369:
1351:
1333:
1311:Ono-ha Ittō-ryū
1249:
1232:
1226:
1210:Shintō Musō-ryū
1190:
1174:
1156:
1138:
1120:
1102:
1094:spin and attach
1084:
1077:
1064:
1057:
1044:
1037:
1024:
1003:
1002:Hikiotoshi uchi
985:
967:
925:
917:Gohon no midare
909:Gohon no midare
898:Gohon-no-midare
864:
858:
758:
749:
727:
714:
709:
696:
652:
604:
557:
552:
481:two-sword style
416:
378:
372:
287:
284:Shindō Musō-ryū
278:Shintō Musō-ryū
178:Kusarigamajutsu
25:
24:Shintō Musō-ryū
17:
12:
11:
5:
3964:
3954:
3953:
3948:
3946:Ko-ryū bujutsu
3943:
3926:
3925:
3923:
3922:
3915:
3908:
3901:
3894:
3887:
3880:
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3575:
3574:
3572:
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3564:
3557:
3550:
3543:
3536:
3529:
3526:Takenouchi-ryū
3522:
3515:
3508:
3501:
3494:
3491:Maniwa Nen-ryū
3487:
3480:
3473:
3466:
3459:
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3332:
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3324:
3317:
3309:
3303:
3302:
3294:
3284:
3283:External links
3281:
3279:
3278:
3254:
3230:
3205:
3180:
3165:"紘武杖道会のホームページ"
3156:
3132:
3108:
3084:
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2720:
2715:
2710:
2701:Fukuoka Domain
2692:
2689:
2688:
2687:
2686:
2685:
2673:
2666:Ryūkyū Islands
2639:
2636:Iaido/Iaijutsu
2633:
2608:
2600:
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2596:
2595:
2590:
2583:
2580:
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2462:Steven Bellamy
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2191:
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2179:
2176:
2151:
2150:
2139:
2136:
2130:
2127:
2115:Main article:
2112:
2109:
2100:Uchida Ryogoro
2089:Main article:
2086:
2083:
2066:Main article:
2063:
2060:
2047:Main article:
2044:
2041:
2018:Main article:
2015:
2012:
1979:
1973:
1953:
1950:
1924:
1923:
1912:
1909:
1818:
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1439:
1438:
1407:
1384:
1368:Later Syllabus
1366:
1350:First Syllabus
1348:
1248:
1245:
1228:Main article:
1225:
1222:
1206:
1205:
1171:
1153:
1135:
1117:
1099:
1081:
1074:downward twist
1061:
1041:
1034:counter thrust
1018:
1000:
982:
924:
921:
860:Main article:
857:
850:
757:
754:
748:
745:
658:Demonstrating
651:
648:
603:
600:
556:
553:
551:
548:
542:with numerous
477:Musō Gonnosuke
374:Main article:
371:
368:
360:Takaji Shimizu
272:
271:
264:
263:
259:
258:
236:
235:
231:
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224:
223:
219:
218:
215:
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208:
200:
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198:Rope-tying art
196:
188:
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173:
172:
166:
158:
157:
154:
146:
145:
139:
127:
126:
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110:
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102:
98:
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94:
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89:
85:
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78:
77:Period founded
74:
73:
70:
66:
65:
55:
51:
50:
46:
45:
37:
36:
28:
27:
15:
9:
6:
4:
3:
2:
3963:
3952:
3949:
3947:
3944:
3942:
3939:
3938:
3936:
3921:
3920:
3916:
3914:
3913:
3912:Shurikenjutsu
3909:
3907:
3906:
3905:Naginatajutsu
3902:
3900:
3899:
3895:
3893:
3892:
3888:
3886:
3885:
3881:
3879:
3878:
3874:
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3864:
3860:
3858:
3857:
3853:
3851:
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3843:
3839:
3838:
3835:
3832:
3831:
3828:
3822:
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3817:
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3814:
3810:
3808:
3807:
3803:
3801:
3800:
3796:
3794:
3793:
3789:
3787:
3786:
3782:
3780:
3779:
3775:
3774:
3772:
3767:19th century
3765:
3759:
3758:
3754:
3752:
3751:
3747:
3746:
3744:
3739:18th century
3737:
3731:
3730:
3726:
3724:
3723:
3719:
3717:
3716:
3712:
3710:
3709:
3705:
3703:
3702:
3698:
3696:
3695:
3691:
3689:
3688:
3687:Shingyōtō-ryū
3684:
3682:
3681:
3677:
3675:
3674:
3673:Sekiguchi-ryū
3670:
3668:
3667:
3663:
3661:
3660:
3656:
3654:
3653:
3649:
3647:
3646:
3642:
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3611:
3607:
3605:
3604:
3600:
3598:
3597:
3593:
3591:
3590:
3586:
3585:
3583:
3578:17th century
3576:
3570:
3569:
3565:
3563:
3562:
3558:
3556:
3555:
3551:
3549:
3548:
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3527:
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3437:
3436:
3432:
3430:
3429:
3425:
3423:
3422:
3418:
3417:
3415:
3410:16th century
3408:
3402:
3401:
3397:
3395:
3394:
3390:
3389:
3387:
3382:15th century
3380:
3374:
3373:
3369:
3367:
3366:
3362:
3360:
3359:
3355:
3354:
3352:
3347:14th century
3345:
3341:
3337:
3330:
3325:
3323:
3318:
3316:
3311:
3310:
3307:
3298:
3295:
3292:(in Japanese)
3290:
3287:
3286:
3268:
3264:
3258:
3244:
3240:
3234:
3220:
3216:
3209:
3194:
3190:
3184:
3170:
3166:
3160:
3146:
3145:Fr.scribd.com
3142:
3136:
3122:
3121:Hoplology.com
3118:
3112:
3098:
3094:
3088:
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3077:
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3026:
3011:
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2966:2-9503214-0-2
2963:
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2870:
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2853:1-890536-06-7
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2640:
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2634:
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2589:
2586:
2585:
2577:
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2553:
2551:
2547:
2543:
2541:
2535:
2534:
2529:
2527:
2525:
2519:
2515:
2513:
2510:, as used in
2507:
2503:
2499:
2498:
2493:
2492:
2481:
2480:
2478:
2473:
2469:
2466:
2465:
2463:
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2427:
2424:
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2413:
2410:
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2407:
2402:
2399:
2398:
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2378:
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2375:
2370:
2367:
2364:
2363:
2361:
2356:
2352:
2348:
2344:
2341:
2340:
2338:
2333:
2330:15th Soke of
2329:
2326:
2322:
2319:
2318:
2316:
2311:
2308:
2305:
2302:14th Soke of
2301:
2300:
2298:
2295:
2290:
2289:
2287:
2283:
2280:
2279:
2273:
2269:
2265:
2263:
2259:
2255:
2249:
2243:Organizations
2240:
2238:
2234:
2230:
2214:
2212:
2208:
2203:
2202:
2197:
2189:
2187:
2182:
2181:
2175:
2172:
2164:
2160:
2155:
2149:
2147:
2142:
2141:
2135:
2126:
2124:
2118:
2108:
2106:
2105:Uchida Ryohei
2101:
2098:
2092:
2078:
2074:
2069:
2059:
2057:
2050:
2040:
2038:
2034:
2031:
2027:
2021:
2011:
2007:
2005:
2001:
1997:
1992:
1990:
1986:
1977:
1972:
1970:
1966:
1963:(jacket), an
1962:
1959:
1949:
1947:
1946:
1940:
1938:
1937:
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1929:
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1606:
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1602:
1591:
1575:
1559:
1546:
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1538:
1535:
1534:Menkyo Kaiden
1531:
1527:
1523:
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1514:
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1502:
1499:
1498:
1497:
1485:
1481:
1478:
1474:
1470:
1467:
1466:
1465:
1457:
1448:
1436:
1435:Menkyo Kaiden
1432:
1428:
1421:
1420:Menkyo Kaiden
1408:
1405:
1398:
1385:
1380:
1367:
1362:
1349:
1344:
1331:
1330:
1329:
1326:
1322:
1320:
1316:
1315:Menkyo Kaiden
1312:
1308:
1304:
1300:
1299:Menkyo Kaiden
1296:
1292:
1288:
1284:
1283:Menkyo Kaiden
1279:
1278:Menkyo Kaiden
1275:
1274:Menkyo Kaiden
1270:
1268:
1267:Menkyo Kaiden
1264:
1260:
1259:Menkyo Kaiden
1256:
1255:
1254:Menkyo Kaiden
1244:
1241:
1237:
1231:
1221:
1219:
1215:
1211:
1201:
1185:
1172:
1167:
1155:Dō barai uchi
1154:
1149:
1136:
1131:
1118:
1113:
1100:
1095:
1082:
1075:
1062:
1055:
1043:Gyakute tsuki
1042:
1035:
1023:
1019:
1014:
1001:
996:
983:
978:
965:
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963:
960:
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946:
941:
938:
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707:
692:
689:
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639:
637:
633:
629:
625:
620:
617:
613:
609:
602:Staff methods
599:
597:
593:
589:
585:
581:
577:
573:
572:
561:
547:
545:
541:
537:
528:
524:
522:
518:
514:
510:
506:
502:
498:
494:
493:Ichi no Tachi
490:
482:
478:
474:
470:
465:
464:
459:
457:
453:
449:
445:
441:
440:naginatajutsu
437:
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3813:Shiranui-ryū
3811:
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3797:
3790:
3783:
3776:
3755:
3748:
3727:
3720:
3713:
3706:
3701:Sōsuishi-ryū
3699:
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3650:
3643:
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3629:
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3561:Yoshioka-ryū
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3512:Shinkage-ryū
3510:
3503:
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3391:
3370:
3365:Kukishin-ryū
3363:
3356:
3300:(in English)
3270:. Retrieved
3266:
3257:
3246:. Retrieved
3242:
3233:
3222:. Retrieved
3218:
3208:
3197:. Retrieved
3195:. 1990-01-13
3192:
3183:
3172:. Retrieved
3168:
3159:
3148:. Retrieved
3144:
3135:
3124:. Retrieved
3120:
3111:
3100:. Retrieved
3096:
3087:
3076:
3065:. Retrieved
3061:
3052:
3041:. Retrieved
3039:. 2007-12-29
3036:
3013:. Retrieved
3009:
3004:Kim Taylor.
2985:. Retrieved
2981:
2972:
2957:
2868:
2862:
2843:
2837:
2826:. Retrieved
2824:. 2007-02-19
2821:
2812:
2806:. koryu.com.
2802:Meik Skoss.
2797:
2789:
2727:
2723:Sosuishi ryu
2717:
2712:
2707:
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2617:aristocratic
2610:
2605:Bujutsu/Budō
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2297:Seiko Fujita
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2010:preference.
2008:
2003:
1993:
1988:
1985:Meiji period
1981:
1976:Fuzoku Ryūha
1975:
1955:
1943:
1942:Every form (
1941:
1934:
1932:
1925:
1916:
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1890:
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1579:and "Shadow"
1544:
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1522:Sho-mokuroku
1521:
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1361:Sho-mokuroku
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1286:
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1233:
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1207:
1101:Kuri hanashi
984:Gyakute uchi
961:
957:
953:tandoku dosa
952:
948:
945:tandoku dosa
944:
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792:
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667:
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626:), posture (
623:
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420:丸木を以って、水月を知れ
411:
409:
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400:
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342:(夢想 權之助 勝吉,
334:
330:Fuzoku ryuha
329:
325:
319:
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297:
283:
282:
277:
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161:
149:
136:
130:
123:
118:
69:Date founded
60:(夢想 權之助 勝吉,
31:
18:
3769:(1801–1876)
3741:(1701–1800)
3652:Ittatsu-ryū
3580:(1601–1700)
3540:Tatsumi-ryū
3484:Kyūshin Ryū
3412:(1501–1600)
3384:(1401–1500)
3349:(1301–1400)
2662:Gendai budō
2540:Seitei Jodo
2325:Shiokawa-ha
2229:short staff
2221:The tanjō (
1996:Ittatsu-ryū
1797:– The staff
1526:Go-mokuroku
1379:Go-mokuroku
1343:Oku-iri-sho
1230:Seitei Jōdō
1214:Seitei jōdō
1212:and in the
1130:body strike
1063:Maki otoshi
977:main strike
907:The series
902:seitei jōdō
877:gendai budō
832:-training.
540:martial art
269:Seitei Jodo
244:Ittatsu-ryū
210:Art of the
183:Art of the
141:Art of the
124:Description
113:Arts taught
3935:Categories
3884:Juttejutsu
3842:Battōjutsu
3729:Yōshin-ryū
3715:Tamiya-ryū
3645:Isshin-ryū
3638:Ikkaku-ryū
3533:Tamiya-ryū
3519:Taisha-ryū
3421:Hōzōin-ryū
3272:2016-01-18
3248:2016-01-18
3224:2016-01-18
3199:2016-01-18
3174:2016-01-18
3150:2016-01-18
3126:2016-01-18
3102:2016-01-18
3067:2016-01-18
3043:2016-01-18
3015:2016-01-18
2987:2016-01-18
2828:2016-01-18
2734:References
2699:dominated
2563:kenjutsu".
2502:The names
2379:Menkyo of
2186:Kusarigama
2178:Kusarigama
2163:Ikkaku-ryu
2037:Isshin-ryu
2000:Ikkaku-ryu
1427:Gokui-kata
1404:Gokui-kata
1083:Kuri tsuke
966:Honte uchi
949:sotai dosa
880:) such as
778:seiteigata
393:Keichō era
256:Uchida-ryū
248:Isshin-ryū
240:Ikkaku-ryū
205:Juttejutsu
163:Tanjōjutsu
82:Edo period
49:Foundation
3856:Hojōjutsu
3778:Fusen-ryū
3666:Mugai-ryū
3624:Hōten-ryū
3547:Tendō-ryū
3442:Jigen-ryū
3358:Chujō-ryū
3037:Koryu.com
3010:Ejmas.com
2982:Koryu.com
2822:Koryu.com
2544:uchidachi
2524:consensus
2489:Footnotes
2332:Mugai-ryu
1859:Tendō-ryū
1815:articles.
1236:committee
1119:Tai atari
816:uchidachi
741:shidachi'
733:uchidachi
706:uchidachi
308:) of the
212:truncheon
193:Hojōjutsu
156:Sword art
3898:Kyūjutsu
3891:Kenjutsu
3863:Iaijutsu
3708:Suiō-ryū
3659:Kitō-ryū
3610:Hōki-ryū
3449:Kage-ryū
3435:Ittō-ryū
2682:Ashigaru
2668:(modern
2599:See also
2548:shidachi
2395:Suio-ryu
2349:, Jodo,
2323:Head of
2307:Ninjutsu
2304:Kōga-ryū
2262:ashigaru
2188:article.
2148:article.
2030:Okinawan
1998:and the
1952:Clothing
1921:article.
1919:Kenjutsu
1729:series:
1666:series:
1603:series:
1307:Ittō-ryū
812:shidachi
737:shidachi
724:shidachi
650:Training
606:Being a
568:such as
436:kenjutsu
151:Kenjutsu
3919:Sōjutsu
3877:Jūjutsu
3870:Jōjutsu
3849:Bōjutsu
3589:Abe-ryū
3372:Nen-ryū
2676:Samurai
2237:western
2035:system
1886:armored
1545:jō-kata
1541:Dan/Kyū
1532:" and "
1518:Oku-iri
1471:2. The
1386:License
1020:Kaeshi
852:Forms (
644:temples
632:zanshin
592:jōjutsu
580:jōjutsu
517:jōjutsu
448:bōjutsu
444:sōjutsu
415:plexus"
412:jōjutsu
370:History
356:Fukuoka
337:samurai
315:jōjutsu
137:jōjutsu
54:Founder
26:(神道夢想流)
3193:Fej.ch
3062:Fej.ch
2964:
2850:
2697:Kuroda
2654:Aikido
2650:Karate
2621:vassal
2612:Daimyō
2520:Shindō
2516:Shintō
2508:Shindō
2504:Shintō
2472:Hanshi
2334:Iaido.
2327:of SMR
2256:-clan
2254:Kuroda
2196:kusari
2097:menkyo
2056:tanken
2033:karate
2026:Menkyo
1989:fuzoku
1969:hakama
1958:indigo
1936:bokken
1855:aikidō
1847:gendai
1664:Chūdan
1574:Chūdan
1530:Menkyo
1431:Menkyo
1397:Menkyo
1263:Menkyo
913:denshō
882:Karate
846:Kazari
838:Kazari
834:Kazari
826:Kazari
800:senpai
794:sensei
789:shōmen
766:Kazari
747:Safety
731:. The
680:karate
628:shisei
576:aikidō
521:Kyūshū
80:Early
33:Ko-ryū
2691:Other
2658:Taidō
2642:Koryū
2355:Shodo
2351:Iaido
2347:Kendo
2258:Bushi
2233:hanbō
2217:Tanjō
2201:shaku
2159:jutte
2146:jutte
2004:bushi
1961:uwagi
1851:koryu
1711:中段技上級
1693:中段技中級
1675:中段技初級
1601:Omote
1558:Omote
1022:tsuki
937:Tokyo
886:Kendō
872:koryū
805:kōhai
684:kendō
675:kihon
616:koryū
608:koryū
571:iaidō
397:Rōnin
364:kendō
350:with
305:koryū
291:神道夢想流
281:, or
143:staff
2962:ISBN
2848:ISBN
2646:Judo
2625:lord
2546:and
2506:and
2449:TSKR
2353:and
2286:TSKR
2211:embu
1945:kata
1864:The
1857:and
1849:and
1832:The
1813:Jodo
1811:and
1803:The
1774:影技上級
1756:影技中級
1738:影技初級
1727:Kage
1648:表技上級
1630:表技中級
1612:表技初級
1590:Kage
1528:", "
1524:", "
1520:", "
1414:免許皆伝
1293:". "
1194:体外打左
1178:体外打右
933:jōdō
890:Jūdō
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854:kata
830:kata
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624:maai
612:kata
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594:and
588:jōdō
584:jōdō
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544:dōjō
454:and
446:and
348:duel
299:jōdō
132:Jōdō
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1965:obi
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1477:kyū
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1373:後目録
1355:初目録
1337:奥入書
1303:ryū
1287:ryū
1160:胴払打
1142:突外打
1048:逆手突
1007:引落打
989:逆手打
971:本手打
888:or
842:rei
807:).
785:rei
780:).
718:仕太刀
700:打太刀
636:rei
582:" "
405:ryu
344:fl.
312:of
135:or
119:Art
62:fl.
3937::
3265:.
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3119:.
3095:.
3060:.
3035:.
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2656:,
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1109:,
1106:繰放
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