Show of Hands - Knowledge

213: 403:. Their "much vaunted cottage industry," set up Show of Hands as an independent concern before the internet made this common practice. Beer and Knightley, with their then manager, Gerard O'Farrell, built on their close relationship with their growing and "devoted" fanbase to create a completely self-contained way of working. This included their record label and production company Hands On Music, that gave them control of their consistently 'classy' output. 867: 34: 827: 130: 75: 383:) these often illustrate current concerns through historical narratives and have earned Knightley the label the 'Gravel voiced spokesman of the rural poor'. Rooted in English traditional music the songs are shot through with diverse influences from music across the world, including the blues, Americana, and Latin rhythms. Nominating Knightley as 'songwriter of the '90s,' 930:(Hands On Music). Released in 2005 it comprised 22 tracks recorded at various venues during the autumn tour. Knightley and Beer both assert that her outstanding contribution was transformative. They were no longer a 'blokey duo'. Sykes became the unofficial 'third member' of Show of Hands and from now on the band would perform as a trio as well as the original duo. 818:(Hands On Music) in 1998, an album of traditional songs and a reworking of Knightley’s composition The Train/Blackwater Side in traditional English style. That year also saw the debut of the band’s annual Abbotsbury Festival, a day featuring performances by Show of Hands and illustrious guest artists in the Dorset town's lush Sub-Tropical Garden. 921:

from Andrew Marr. It landed Show of Hands a spot on BBC Five Live and Farming Today with Knightley becoming known as 'The gravel-voiced spokesman of the rural poor'. The seamless blend of folk, Latin, Celtic and subtle blues influences fuelled their tagline, 'world music from the West Country' and was labeled a revelation by Uncut magazine

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celebration of British culture in its diversity. However, it was misappropriated by the BNP. Beer and Knightley forced the BNP to stop using the track and helped to launch ‘'Folk Against Fascism'’, giving ‘'Roots'’ to the movement's eponymous 2010 double album. "Roots" also appeared on the compilation album "The Best of British Folk".

1157:, saw a return of Beer and Knightley to their roots. Unlike 2012's American roots inspired 'Wake the Union' described as "where the A303 meets Route 66," The Long Way Home "more Devonian than American", barely detours from the A303. Both albums were produced by the band and long-time Show of Hands fellow traveller, Mark Tucker. 512:

a set of folk standards. But by the end of the decade the folk standards barely featured in their shows. This is testimony to Knightley’s ability to write original songs that become instant classics. For instance, The Galway Farmer has appeared in at least one list of traditional Irish tunes though Knightley wrote it in 1994.

1076:(Hands On Music 2009), Show of Hands gave voice to the public outrage with bankers and the ensuing crisis. "You’re on your yacht/we’re on our knees/with your arrogance and ignorance and greed." With Megson's Stuart Hanna producing, his pared-down post-punk aesthetic delivered on the raw immediacy of the album's material. 1165:

With the freedom afforded by their business model and a steadfastly loyal following, Show of Hands can and do play anywhere from village halls to festivals and concert hall bastions of culture. For example, in July 2008 Show of Hands played at the first folk proms concert in the Welsh Proms season in

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Whilst AIG garnered mainstream success, Show of Hands' core fans found they missed the familiar smooth production and the subtle metaphors with contemporary meaning in Knightley’s historical narratives. Show of Hands responded with Backlog 2 (Hands On Music) in 2011. The double album featured Show of

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As for the songwriting itself, Knightley sees his output as broadly falling into four categories, "the emotional landscape American singer-songwriter approach, the up-tempo Irishy thing, the rural storytelling ballads and the big, angry, shouty sort of songs". In September 2016 he set himself a 'song

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With the bass rooting the chords and more complex vocal harmonies, the arrangements now had to be worked out beforehand. "There had to be," say Beer and Knightley, "less winging it and more structure". Paradoxically both find that the clearly defined structure and the grounding that the bass provides

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A newsletter went out in 1997 encouraging the copying of albums onto cassette and handing them out to friends. Later, after a crash course to learn all things internet, O’Farrell set up the band’s website, made Show of Hands' music and footage freely available and gave downloading a hearty thumbs up.

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Beer and Knightley continued performing as Show of Hands whilst also touring with 'Alianza' and in June 1992 their performance at the Bull's Head in Bridport was recorded live by Mike Trim who'd signed the duo to his RGF record label. Show of Hands Live '92 was their first CD release. It secured them

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s album cover by Rob O’Connor beautifully underpinned the band’s connection with their rural roots whilst setting the bar high for the look of the growing Show of Hands 'brand'. An old friend from Knightley’s Coventry days, O’Connor had taken on the duo’s various design requirements since producing

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Throughout the 1990s the duo performed in Australia, Hong Kong, the US, Canada, Indonesia and India – experiences that opened their ears to yet more instrumental textures and songwriting themes. Under Vaughan and Gwen’s steady stewardship the duo re-focused their attention on their British audiences

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Their first release, Show of Hands (on cassette only), sold out over the course of their live shows. Playing every gig on the folk circuit they knew well from their teenage years, they realised that audiences tend to favour familiarity over novelty. So, the pair initially slipped original songs into

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Throughout the late 1970s and early 1980s Beer and Knightley would stand in as needed in each other's bands when they were playing in London. Here Knightley "stormed the indie rock circuit" In four bands The Cheats', 'Total Strangers', 'Short Stories' and 'The West' and Beer gigged with folk legends

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Whilst warmly embracing the sensual African rhythms and the world and ambient music influences of the producers, Show of Hands' sound remains unmistakably their own. The world in their 'world music from the West Country' just got a little wider. Witness Show of Hands 9th. studio album was released

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Knightley's talent for nailing social issues in song is razor-sharp on ‘'Country Life'’ (Hands On Music 2003). It was not just the title track "an anthem on the bleak realities of rural England" that exposed the harshness of local rural life and the album gained mainstream media acclaim – including

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As well as carrying on with sharing their music for free, Show of Hands also continue to share their expertise in workshop tours across the world and to give new acts a break by booking them as their supporting artists. By warmly introducing their guest artists themselves at each gig, and including

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and inform (and the risks that they took to perform it), hit home with Beer and Knightley. "In our society people can make political statements in song and no one will threaten you. But for them, just getting together and playing ordinary folk songs (meant) risking arrest, imprisonment and exile."

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If Country Life had flagged them up as an 'issues' band, AIG carried those colours, slap bang into the mainstream. The accompanying guerrilla-filmed video features huge images of Beer, Knightley and Sykes performing the song projected high onto the edifices of the city's banks whilst monkey-masked

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and released in December 1997, (Hands On Music) following Show of Hands' first single release Crazy Boy (Hands On Music), earlier in the Autumn. It featured songs by Knightley rooted in the area, including the notable Cornish diaspora anthem Cousin Jack – an 'instant classic' that is now taught in

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As of April 2023 the band has returned six times to the iconic London venue, (including on 8 April 2007, with their third performance there celebrating 15 years together), performing to large crowds on each occasion. Each show at the RAH celebrates the previous five years of musical collaborations

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Against the odds, (and the expectations of the RAH management), the show sold out. Show of Hands' fans turned up from all over the country. That year, Sue Morley and friends set up a formal fan club, with an internet forum 'Longdogs' (the name taken from the Show of Hands' song) following in 1998.

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In 1996, O'Farrell, Beer and Knightley set up the label 'Hands On Music', to take care of Show of Hands' recording, distribution and publishing needs. From the outset, O’Farrell and Hands On Music bucked the trend in usual music business practice by positively applauding music sharing in line with

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The Beat About The Bush tour took in over a hundred gigs from Land’s End to the Scottish Borders. Halfway through, Australian maverick and musician Gerard O'Farrell joined as sound engineer. Realising that the normal music business practice involving agents, fixed fees and using house PAs at each

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Working with the Chileans on the 'Alianza' tour and album of the same name had a profound impact on Beer and Knightley. Whilst informing their rhythmic language and musical sensibility, it also inspired them to add the cuatro to their repertoire. The Chileans' awareness of music's power to educate

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Knightley's years performing in tough London pubs and bars and Beer's folk/rock experience of venues throughout Europe began to pay off. "We were playing loud and hard. People would still be clapping, and we'd be already counting in the next tune. Sometimes we’d have to tone it down a touch in the

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Offered a gig at the Wimborne Festival in 1986, Steve Knightley called on his old friends Warwick Downes (double bass) and Martin Bradley (concertina) to join him. They performed as Show of Hands, a name chosen by Knightley who liked its democratic implications. Another of Knightley's old friends,

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In 2001 O'Farrell returned with his family to Australia where he continued to run the website. Vaughan Pearce, then in charge of the band’s merchandising, took on the role of manager. He would focus on the agency side of the business, whilst his wife Gwen, a former major record company executive,

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Show of Hands would book the gigs in-house, turn up with their own PA and lighting system and even provide their own rider. They'd refuse a fee and instead take a percentage of the door. All the venue had to do was sell the tickets. In taking on the financial risk, Show of Hands avoided possibly

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Where the 'Alianza' tour had introduced Beer and Knightley to arts centre audiences in the South of England, the gigs with McTell took them to large theatre audiences across the country. McTell advised them to "stop doing endless gigs," to group them into coherent touring periods underpinned by a

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Taken on in 1991 by local agent Peter Wilson, he secured bookings for the duo in hundreds of venues up and down the South Coast. Here in the dockers' and bikers' pubs Show of Hands learnt how to successfully compete with the darts and the TV to grow a loyal audience beyond their usual folk crowd.

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gave the album four out of five stars, ranking Witness at number 10 on their best folk albums of 2006 list. Whilst music journalist Colin Irwin said that "Steve Knightley's songs have developed such an edge that it's hard to deny them any longer". Becoming the band’s best-selling album to date,

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Due to the demands of the bass, and the sonic possibilities of the third harmony provided by Sykes' "almost ethereal" and "captivating" vocals, Beer and Knightley changed the way they worked. They’d become used to Knightley pitching up with a song and improvising together as they worked on the

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2014's Centenary (Universal Music), featuring instrumental settings of World War 1 poetry, used instrumentation typical of the Edwardian period. Original commemorative songs by Show of Hands met their audience’s continuing demand for Knightley’s way with a narrative. Centenary entered the 'UK

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he hears in his head. In true folk tradition he excels in writing songs that are rooted in place yet have universal resonance. Likewise, his historical narratives and folk ballads bring history smack bang into the present with timeless contemporary meaning. Beer's and later Sykes', brilliant

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Featured on Witness, Show of Hands' song Roots, was released as a single in 2008 (Hands On Music). A rousing riposte to Kim Howell's 2001 remark "the idea of listening to three Somerset folk singers sounds like hell"(when Under Secretary of State for Culture and Sport), the song calls for a

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with his first wife Simone to run the remote 'Catsley House' as a whole-food guest-house. Here, in January 1987, following their fateful Wimborne Festival meeting, Beer and Knightley set up in a studio above the garage to record the songs that as Show of Hands they were now honing live.

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Forming a close-knit expert touring team, they also removed the anxieties of potentially poor sound and inadequate lighting. Show of Hands would take typical folk performances to a new level, ensuring a professional performance scenario that both they and their audiences could rely on.

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folk clubs, but it was great grounding for festival gigs." 'Nailing it' live, Show of Hands were building firm foundations for their famously close relationship with their audience as the 1990s dawned. And in 1991, as their gigging schedule became increasingly hectic, Beer left ‘

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Their flexibility in playing live enables them to respond easily to requests for gigs 'in support of...' and Show of Hands have raised money for local causes, such as keeping a rural post-office open, as well as global issues, including those relating to education and health.

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Whether appearing as a duo or a trio, Show of Hands continue to feature guest musicians, many of whom guest on their recorded output, like long-term friend and Rolling Stones' session man, Matt Clifford, (keyboards, accordion) and their great friend and mentor Ralph McTell.

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was the first album to be recorded by Mick Dolan, who took responsibility for the Show of Hands sound after producer/manager Gerard O'Farrell returned to his native Australia. At the Cambridge Folk Festival that year, their CD sales outstripped those of every other artist.

906:, released in 2003 is Show of Hands' first instrumental album. Celebrating the silver jubilee of The South West Path, all the tracks are inspired by and relate to specific places along the famous coastal trail, creating an atmospheric musical portrait of each location. 687:

Despite their increasing critical acclaim and burgeoning fan base, in the mid-1990s Show of Hands were finding gigs in the capital hard to come by. With the help of software designer Richard Patterson and festival organiser Steve Heap their solution was to book the

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Demonstrating their commitment to their audience and to music itself, Show of Hands embarked on their first 'workshop tour' in February 1995. In this they shared their experience of composing, performing and the music business with fans and fellow musicians alike.

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Widely recognised as pioneers in the folk/roots arena, both for their enduring emphasis on stagecraft and their radical business model, Show of Hands are noted for the high level of professionalism they bring to their performances, whether in a small club or the

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in particular led to Beer playing mandolin on the band's Steel Wheels CD and to Knightley playing the guitar and mandocello on Jagger’s 2001 solo outing ‘'Goddess in the Doorway'’. Knightley also co-wrote The Dohl Foundation's 2017 single Mother Tongue with

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the artwork for their debut CD Show of Hands Live. O’Connor’s graphic design company 'Stylorouge' became world-famous for its award-winning work, and his design aesthetic espouses Show of Hands' reputation for high quality in every aspect of their output.

1182:. Show of Hands returned to the festival in July 2010 with both members. Ships too also feature, from Show of Hands' performance on the upper deck of The Phoenix, a three-masted ship that sailed up to Topsham on the High Spring Tide in 2001, to gigs on a 2942:{ Gabriel invited Show of Hands to play two of his songs at the BMI publishing awards in 2007 when he received the 'icon' award. Introducing them as "One of the great English bands" No Secrets. A Visual History of Show of Hands Flood Gallery Publishing 998:

Again, nominated for the BBC Radio 2 Folk Awards Best Duo in 2007, Roots (featured on their album Witness – Hands On Music 2006) was also nominated for Best Original song. Show of Hands was also nominated for Best Duo and Best Live Act in 2008.

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on her first major solo venture. The tour culminated with a show at the Shepherds Bush Empire. Both separately and as Show of Hands Knightley and Beer continue to mentor and give touring opportunities to new artists, including

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for a tour in 2004, Show of Hands continued to regularly perform as a trio with Sykes, as well as in their original format. The line-up was further expanded in 2019 by the addition of Irish percussionist Cormac Byrne.

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A chance call from Roger Watson from the Southern Arts Development Project (TAPS) in 1992 resulted in Beer and Knightley’s collaboration with three exiled Chilean musicians. Together with Dave Townsend on fiddle and

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gig wasn't doing the band or the venues any favours, O'Farrell took up the reins as manager and agent. With Beer and Knightley, he set up a new business model that was to become a template for musicians everywhere.

593:, again produced by Mike Trim. Released in February, the album featured a large line-up of guest musicians, including a rhythm section that the prevailing wisdom deemed necessary for a more radio friendly sound. 552:, it again quickly sold out at gigs. Displaying their trust in the people who came to see them, Show of Hands would simply put the cassettes in a tub and say: "If you’d like one, take one, but bung in a fiver." 1212:(Flood Gallery 2017) details Show of Hands' extraordinary career and their prolific output. Told in part in their own words, No Secrets features photographs, artwork and stories made public for the first time. 943:

liberates their musical improvisation. Released from having to root a song themselves – and knowing precisely where it's going – frees them to fully explore the musical possibilities in each moment.

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Show of Hands have received widespread critical acclaim over their 30 album (and continuing) career, and in 2006 were voted "Greatest Devonians Ever" in a poll run by Devon Country Council beating

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A recording of their debut RAH gig, Live at the Royal Albert Hall swiftly became their best-selling album to that date. It was released on CD in August 1996 on Show of Hands' own Hands On Music.

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folk circuit. Beer was gigging extensively with Colin Wilson (guitar) in their duo 'Odd Folk'. Knightley, in 'Gawain', was working his way through the Penguin Book of English Folk Songs, with

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As the band continued to build up their grass-roots fan base and growing a mailing list that received news of their forthcoming gigs, their 'cottage industry' approach began to pay off.

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to study politics and history at Lanchester Polytechnic College, Knightley started a folk club there. Beer and Downes, gigging as a duo were frequent visitors. Continuing his studies at

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Hands songs from 1991 to 2003 as voted for by their fans via the Longdogs forum. Recorded as if live, it had the immediacy and warmth of a Show of Hands gig. It followed on from 2010s

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antagonistic relationships with the venues and also empowered a host of music-loving amateur promoters, many of whom have built careers booking major artists in large concert venues.

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in Exeter and Torrington’s Plough Arts Centre. Knightley is also patron of the Costa Del Folk festival and, along with Oysterband’s John Jones, Shrewsbury Folk Festival.

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The following year Show of Hands was nominated for 'Best Duo' whilst the title track on Country Life was nominated for 'Best Original Song'. They were also part of the

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Double bassist and singer Miranda Sykes joined Show of Hands for the ‘'Country Life'’ tour in the Autumn of 2004, featuring on the live double album this spawned –

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1994 saw the release of Show of Hands first compilation album. Favourite tracks from the first three cassettes were repackaged on CD: Backlog 1987–1991. (Isis 1994)

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No Secrets is also the title of the single released on 21 April 2017 (Hands On Music). It follows the book’s publication to mark Show of Hands fifth triumph at the

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Both the award-winning title track and others from the album received widespread radio airplay, glowing reviews in the mainstream press (including 4 stars in the

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Witness introduced Show of Hands to a new world music audience. The band went on to play at WOMAD in 2008 and a further 22 festivals that year. WOMAD founder

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2009's "Arrogance, Ignorance and Greed" (Hands On Music) won the award for 'Best Song' at the 2010 BBC2 Folk Awards, with Show of Hands winning 'Best Duo'.

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would soon join him to run the Hands On Music label. A deal with Proper in 2001 ensured mainstream distribution for Show of Hands releases.

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arrangement during a sound-check. They would then take audience reactions into account as they honed the song during live performances. "

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Knightley has co-written a number of songs with long-time friend, pianist and producer Matt Clifford. Clifford’s close relationship with

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fRoots magazine April 2009 issue no. 310/Dec 2016 issue no. 402, No Secrets. A Visual History of Show of Hands Flood Gallery Publishing

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Known for their songs with rousing choruses that address contemporary social issues, (notably their "singalong attack on the bankers,"

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only and recorded at the Catsley House home studio, it featured the recording of Knightley’s epic folk-suite that had first aired on

447:(Warwick's brother) on guitar and John 'Bat' Evans on fiddle. At this time Knightley began experimenting with writing his own songs. 3651: 1492: 779:. Knightley has gone on to collaborate with Lakeman and their co-written Haunt You opened Show of Hands 2012 album, Wake the Union. 2863: 2648: 1964: 2325: 3605: 3440: 1406: 3062: 649:

In amongst festival gigs, and before performing to 18,000 at Copredy in August, Show of Hands recorded their next studio album

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In January 1994, Show of Hands recorded Beat About the Bush (Isis records 1994, Hands On Music 1999), in Wytherstone Studios,

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reading the poetry. The evening was recorded and released as Centenary Live at Exeter Cathedral in 2016 (Hands On Music).

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a week' challenge, writing one of each over the month, which included the new crowd favourite, ‘'Make The Right Noises.'’

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them in a spot in their performance, Show of Hands aim to ensure that new artists are taken to heart by their audiences.

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Roots (Hands On Music) was also the title of their 2007 double album, the tracks on which were voted for by their fans.

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guitarist Rodney Branigan. 2010 also saw previously unreleased Show of Hands compositions mostly before 1987 on Beer's

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Show of Hands are patrons of the Sidmouth Folk Festival and St. Ives Festival and are also honorary patrons of the

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filmed the 2001 show for a live music 'special' and Knightley proposed (to Clare, now his wife) from the stage.

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The pair had first met in the early 70's when both were in their early teens and performing on the thriving

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in July 2009 without Beer, due to Beer's sailing at the time. He played songs from his then-new solo album

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said the album created "a powerful, fresh sounding music with both integrity and widespread appeal" whilst

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Yarwood, Richard; Charlton, Clive (2009). "'Country life'? Rurality, folk music and 'Show of Hands'".

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Voted 'Greatest Ever Devonians' in a 2006 competition run by Devon County Council, Show of Hands beat

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As the millennium dawned Show of Hands entered a particularly prolific recording period. First up was

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It was at the Folk Awards that Beer and Knightley fell into conversation with musician/producer and

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Out for the Count, also on cassette, followed the same year. Recorded at Beer's Old Court Studio in

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for a gig on 24 March 1996. This secured them mainstream media coverage, including an interview on

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and features appearances from musician friends. Guests have included established names such as

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may contain an excessive amount of intricate detail that may interest only a particular audience

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Filming for a full-length feature documentary on Show of Hands began in February 1997. Called

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compilation album charts at no. 13 and received widespread acclaim in the mainstream media.

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and continuing to explore new sonic landscapes in their ongoing musical collaborations.

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Celebrating the music that had inspired them in the first place, Show of Hands released

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slots on the following year’s festival circuit and a 60-date tour support with

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Show of Hands with the Urban Soul Orchestra – Live at Shrewsbury Folk Festival

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from David Honigman) and landed Show of Hands a slot on the Andrew Marr Show.

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musicality bring the themes to life, realising them in an almost filmic way.

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Show of Hands kicked off the 1990s with the release of Tall Ships. Again, on

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any relevant information, and removing excessive detail that may be against

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Knightley might be inspired by a sound, a phrase, a place, a rhythm or a

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and directed by Rob O'Connor, it includes Show of Hands' appearance at

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The Albert Hall shows have also given a platform to newcomers such as

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Autumn 2017 saw the band starting work on their latest studio album

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and in the same month at the Evolve 08 festival in Lodmoor Park,

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schools throughout the Duchy and remains a popular live number.

1916:{No Secrets: A Visual History of Show of Hands. Flood Gallery, 1187: 951: 504: 2893: 2258:"Show of Hands close to selling out Albert Hall - World Music" 669:

was moved to mention Show of Hands' "formidable partnership".

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graffiti artists work Banksy style below. It 'went viral' on

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In 2004, Show of Hands won the 'Best Live Act' award at the

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and their festival and concert profile grew accordingly.

1954:{fRoots Jane/Feb 1996 issue 151-2, / Dec 2016 issue 402} 1813:{No Secrets A Visual History of Show of Hands pp. 61–67 2805:"BBC - Press Office - Radio 2 Folk Awards 2004 winners" 1874:{No Secrets, A Visual History of Show of Hands, p. 28, 1857:{No Secrets, A Visual History of Show of Hands, p. 40, 1068:"Arrogance, Ignorance and Greed" and mainstream success 1052:

called Show of Hands "one of the great English bands".

2919:"Living Tradition CD review of SHOW OF HANDS -Witness" 2503:"Living Tradition CD review of Show of Hands "Covers"" 1174:, along with Miranda Sykes. Knightley returned to the 3025:"Show of Hands - Arrogance Ignorance And Greed (AIG)" 1017:, Muse and Chris Martin amongst others to the title. 870:

Show of Hands as a trio, in 2009 (photo: Brian Marks)

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1990s: Sowing the seeds of a 'grass-roots' phenomenon

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This article is about the band. For other uses, see

995:Big Session group that won the 'Best Group' award. 3084: 391:noted that the songs spring from "the soil of the 1945: 1160: 659:, becoming their folk record of the year in '96. 3841: 3375: 3086:"Show of Hands: Arrogance, Ignorance And Greed" 3055:"Show of Hands: Arrogance, Ignorance And Greed" 2649:"Steve Knightley | Ropetackle Arts Centre" 2006:{fRoots magazine Jan–Feb 1996, issue no. 151-2} 1569:"Witness" / "If I Needed Someone" (2006) (from 3599:Centenary: Words & Music of the Great War 3434: 3322:"Show of Hands | full Official Chart history" 2958: 2956: 2170: 2168: 2158: 2156: 2094: 2092: 2090: 2088: 2086: 2084: 2066: 2064: 2002: 2000: 1965:"Album reviews 2010 | SpiralEarth.co.uk" 1912: 1910: 1844: 1842: 1590:"Arrogance Ignorance and Greed" (2010) (from 1392:Centenary: Words & Music of the Great War 916:The gravel-voiced spokesman of the rural poor 754:Their Five Days in May tour in 1997 featured 545:’ to concentrate full-time on Show of Hands. 1685: 1683: 1681: 1679: 1677: 1675: 1643:Show of Hands on Film – The Video Collection 586:concept – and with a new record to promote! 2777:{fRoots magazine. Dec. 2016, Issue no. 402} 2773: 2771: 2162:{fRoots magazine April 2009, issue no. 310} 2032:{fRoots Magazine April 2009, issue no. 310} 62:Learn how and when to remove these messages 3441: 3427: 3184:"Show Of Hands: Wake The Union, CD review" 2953: 2558:"NetRhythms: A to Z Album and Gig reviews" 2165: 2153: 2081: 2061: 1997: 1907: 1891:{fRoots magazine Jan/Feb 1996 issue 151-2} 1839: 988:, the only award voted for by the public. 3389: 2150:[fRoots magazine Dec 2016, issue no. 402} 2041:{fRoots Magazine Dec 2016, issue no. 402} 1672: 1131:, Show of Hands played Centenary live in 979: 834:Village Hall in 2009 (photo: Brian Marks) 466:show, with his then neighbour, the actor 355:) and composer and multi-instrumentalist 189:Learn how and when to remove this message 171:Learn how and when to remove this message 112:Learn how and when to remove this message 2768: 2693: 2691: 2552: 2550: 2548: 2098:{fRoots magazine Dec 2016 issue no. 402} 865: 825: 339:duo formed in 1986 by singer-songwriter 3296:"Battlefield Dance Floor Show of Hands" 2252: 2250: 2248: 1039:released in May 2006 (Hands On Music). 933: 500:and his own 'The Arizona Smoke Revue'. 371:). Joined by singer and double-bassist 3842: 3347:"Show of Hands: Introducing Roots Two" 2699:"Show of Hands - Country Life - Uncut" 1576:"Roots" / "Country Life" (2007) (from 1438: 3422: 3274:Thedevonweek.newsandmediarepublic.org 3097:from the original on 11 December 2022 3035:from the original on 13 December 2021 2688: 2545: 2225:{fRoots Jan–Feb 1996, issue no.151-2} 1848:{fRoots magazine Dec. 2016 issue 402} 1689:{fRoots magazine Dec 2016. issue 402} 1208:A deluxe, in-depth photographic book 2245: 1146: 123: 68: 27: 1933:{fRoots Jane/Feb 1996, issue 151-2} 13: 3369: 2528:"homepage | Living Tradition" 1618: 1614:"Aunt Maria" / "King of the World" 898:'s ‘'First They Take Manhattan.'’ 863:are given a folk inspired nuance. 839:Recognition and mainstream success 503:In 1986, Knightley moved to rural 84:tone or style may not reflect the 14: 3871: 3448: 3407: 2997: 2971: 2715:{fRoots Dec. 2016, Issue no. 402} 1096: 1021:World music from the West Country 777:Phillip Henry & Hannah Martin 729:Phillip Henry & Hannah Martin 683:Selling out the Royal Albert Hall 43:This article has multiple issues. 3824:Trowbridge Village Pump Festival 3670:Roots: The Best of Show of Hands 2853:{fRoots Dec 2016, issue no. 402} 1534:Roots: The Best of Show of Hands 1246: 1176:Trowbridge Village Pump Festival 716:and American singer-songwriter, 211: 128: 94:guide to writing better articles 73: 32: 3339: 3314: 3288: 3262: 3237: 3220: 3203: 3176: 3151: 3136: 3126: 3109: 3077: 3047: 3017: 2991: 2965: 2936: 2911: 2886: 2856: 2847: 2822: 2797: 2780: 2743: 2718: 2709: 2671: 2641: 2626: 2609: 2592: 2575: 2520: 2495: 2470: 2453: 2428: 2411: 2394: 2377: 2360: 2343: 2318: 2292: 2275: 2228: 2219: 2202: 2185: 2144: 2118: 2101: 2044: 2035: 2026: 2009: 1987: 1957: 1936: 1927: 1894: 1885: 1868: 1851: 1824: 1611:"Company Town" / "Now You Know" 1500: 1190:River Cruise in 2016 and 2017. 51:or discuss these issues on the 16:English acoustic roots/folk duo 3414:Show of Hands official website 3400:10.1016/j.jrurstud.2008.10.003 1807: 1792: 1777: 1752: 1737: 1724: 1707: 1692: 1453: 1241: 1161:Playing live – and for charity 1074:Arrogance, Ignorance and Greed 1055: 1: 3631:Live at the Royal Albert Hall 3571:Arrogance Ignorance and Greed 1665: 1606:Arrogance Ignorance and Greed 1599:Arrogance Ignorance and Greed 1592:Arrogance Ignorance and Greed 1469:Live at the Royal Albert Hall 1350:Arrogance Ignorance and Greed 1201: 1127:To mark the centenary of the 1072:On the title track of 2009's 958: 533:. This too sold out at gigs. 418:amongst others to the title. 381:Arrogance Ignorance and Greed 1236:Royal Albert Memorial Museum 225:in 2009 (photo: Brian Marks) 217:Show of Hands performing at 153:Knowledge's inclusion policy 7: 3850:English folk musical groups 3783:Beer and Sandland Live 2003 2126:"Case Study: Show Of Hands" 1730:(The Times} Nicky Findlay, 10: 3876: 1547: 771:, India Electric Company, 638:"A formidable partnership" 617:the available technology. 421: 359:(vocals, guitars, violin, 18: 3806: 3746: 3679: 3661: 3615: 3478: 3456: 1559:"Crazy Boy" (1997) (from 1229: 1180:Track of Words – Retraced 310: 306: 286: 282: 274: 264: 246: 235: 230: 210: 203: 3776:"Ridgeriders" In Concert 3378:Journal of Rural Studies 2751:"Miranda Sykes Archives" 821: 515: 3326:Official Charts Company 1417:Battlefield Dance Floor 986:BBC Radio 2 Folk Awards 331:is an English acoustic 3652:Live at Exeter Phoenix 2653:ropetacklecentre.co.uk 1493:Live at Exeter Phoenix 1421:(UK Albums Chart: #48) 1412:(UK Albums Chart: #70) 1386:(UK Albums Chart: #73) 1027:Afro Celt Sound System 980:Awards and nominations 871: 835: 231:Background information 3762:The Fiddle Collection 2868:www.spiralearth.co.uk 2532:Livingtradition.co.uk 1969:www.spiralearth.co.uk 1043:to critical acclaim: 869: 829: 3855:English musical duos 1399:UK Compilation Chart 934:New musical practice 597:A new business model 427:1980s: The beginning 3797:Mandorock 2000 Live 3723:Once in a Blue Moon 3508:Beat about the Bush 3302:. 27 September 2019 3189:The Daily Telegraph 3093:. 22 October 2009. 3059:www.propermusic.com 2659:on 20 November 2015 2638:, 14 November 2013} 2130:Freshonthenet.co.uk 1975:on 16 November 2015 1836:, 16 October 2012} 1833:The Daily Telegraph 1746:The Daily Telegraph 1586:Download Chart: #4) 1439:Collaboration album 1278:Beat about the Bush 1129:Battle of the Somme 733:Fisherman’s Friends 556:Early collaboration 3790:Western Approaches 3624:Show of Hands Live 3065:on 17 January 2013 2874:on 20 January 2008 2730:Northernskymag.com 1789:, 14 January 2016} 1749:, 16 October 2012} 965:The Rolling Stones 872: 836: 737:Carlton Television 629:International gigs 3837: 3836: 3606:The Long Way Home 3501:Out for the Count 3351:showofhands.co.uk 2632:{Robin Denselow, 2306:. 11 January 2012 2216:.p.82&168-79} 1830:{Martin Chilton, 1798:{Robin Denselow, 1783:{Robin Denselow, 1743:{Martin Chilton, 1698:{Robin Denselow, 1659:Making the Waking 1631:Stairway To Devon 1625:Acoustic Workshop 1587: 1508:Backlog 1987–1991 1422: 1413: 1407:The Long Way Home 1402: 1387: 1360: 1270:Out for the Count 1219:the week before. 1217:Royal Albert Hall 1155:The Long Way Home 1148:The Long Way Home 1007:Sir Francis Drake 830:Miranda Sykes at 789:Stairway to Devon 746:Paying it forward 708:, Johnnie Jones, 690:Royal Albert Hall 573:First CD releases 456:Sussex University 408:Sir Francis Drake 401:Royal Albert Hall 326: 325: 199: 198: 191: 181: 180: 173: 122: 121: 114: 88:used on Knowledge 86:encyclopedic tone 66: 3867: 3730:Rhythm Methodist 3443: 3436: 3429: 3420: 3419: 3403: 3393: 3363: 3362: 3360: 3358: 3353:. 23 August 2023 3343: 3337: 3336: 3334: 3332: 3318: 3312: 3311: 3309: 3307: 3292: 3286: 3285: 3283: 3281: 3266: 3260: 3259: 3257: 3255: 3241: 3235: 3232:978-1-91137401-5 3224: 3218: 3215:978-1-91137401-5 3207: 3201: 3200: 3198: 3196: 3180: 3174: 3173: 3171: 3169: 3155: 3149: 3142:Robin Denselow, 3140: 3134: 3130: 3124: 3121:978-1-91137401-5 3113: 3107: 3106: 3104: 3102: 3088: 3081: 3075: 3074: 3072: 3070: 3061:. 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