20:
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420:", which is a commonly used jazz phrase based on the minor scale. In shredding, licks become more complex by including advanced guitar techniques. Playing licks at fast tempos also adds complexity. Using short rhythmic figures like 16th notes/triplets creates faster licks. For every beat of the metronome, the guitarist plays three/four notes depending on the rhythm. Shorter rhythms may be difficult for new players. Precision is crucial to achieving the desired effect. If the notes are sloppy, the playing sounds amateur.
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132:
589:(also known as "whammy bars"), which are hinged bridges that can be bent down or up in pitch, are an important part of shred playing, as they permit the "dive bombing" effect and many sounds which are not possible with a fixed-bridge instrument.
601:, have used custom-made tremolo bars and developed modified instruments, such as Roth's "Sky Guitar, that would greatly expand his instrumental range, enabling him to reach notes previously reserved in the string world for cellos and violins."
458:
technique is used to play rapid flourishes of notes or to play arpeggios or scalar patterns using pure legato with no picking (the picking hand is used to "tap" notes on the fretboard). Various techniques are used to perform passages with wide
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Guitars with double-cutaways give performers easier access to the higher frets, allowing extended room for the fretting hand to get extended reach onto the higher notes of the fretboard. Some shred guitarists, such as
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would become "the prototype for shred guitar. Everything associated with the genre can be found on this brilliant collection of songs—sweep-picked arpeggios, harmonic minor scales, finger-tapping and jaw-dropping
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and heavy metal guitarists. This association has become less common now that modern forms of metal have adopted shredding as well. In the 1990s, its mainstream appeal diminished with the rise of
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Shredding includes difficult guitar techniques such as "sweep, alternate, and tremolo picking; string skipping; multi-finger tapping; slurs, trills." Shred guitarists use two - three octave
275:, for which the title track features Roth performing "one of the most menacing and powerful whammy-bar dive bombs ever recorded". A year later, Roth's solo guitar playing for the album
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45:
is a virtuosic style of electric guitar performance. Categorized by its use of advanced techniques, shredding is a complex art form. Shred guitar includes fast alternate picking,
498:
305:
used similar techniques on the violin in the early 1800s. This is found in traditional
Turkish folk music. The first example on the guitar was in 1932 by
871:
423:
Guitarist use rehearsed licks in otherwise improvised solos, or for practicing. Guitarists often 'trade licks' with each other, sharing such sequences.
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have all made use of and adapted the style successfully over the years. In general, the phrase "shred guitar" has been traditionally associated with
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are examples of early shred. Blackmore was distinguished by his use of complex arpeggios and harmonic minor scales. His influence on
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introduced many complex techniques mixed together (very fast playing with hammer-ons and pull-offs). Page included excerpts of
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genre with an article discussing the magazine's Top 5 Shredding
Bluegrass songs. The list included songs by instrumentalists
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A lick in guitar playing consists of a short sequence of notes which form a phrase. One famous example of this concept is "
171:
in 1968 and combined elements of blues, jazz and classical into his high speed, virtuosic rock guitar playing. Songs like "
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used an improvised technique by raking the pick across the strings to play a rapid succession of notes, today known as
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effects with the guitar, shred guitarists use high gain settings, distortion pedals and high on-stage volume.
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409:, played ascending and descending at a fast tempo. Often such runs are arranged in the form of an intricate
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was also released, and the guitar solo in the song is widely acclaimed as an earlier example of shredding.
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by author Greg Prato, which explored the entire history of shred guitar. The book featured a foreword by
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units, both of which increase sustain and facilitate the performance of shred techniques such as
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other than guitarists as well. The term "shred" is used outside the metal idiom, particularly by
19:
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sound. Some performers utilize complex combinations of tapping, sweeping, and classical-style
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430:), or picking just the first or second note of a string followed by a rapid succession of
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contained "heaps of spellbinding fret gymnastics and nimble-fingered classical workouts."
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is considered definitive for the evolution of the genre.Also in 1974, the song "
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Shred guitar players often use electric solid-body guitars from brands such as
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used shredding technique in between verses while performing a jazzy version of
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961:"You have to watch Glen Campbell shred "Back Home Again in Indiana" on guitar"
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are also used to create a unique tone. Shred-style guitarists often use high-
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128:" contained sweep picking, one of the earliest recordings of the technique.
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1100:"The Top 10 Shred Albums of All Time: Guitar World Readers' Poll Results"
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1012:"The Chicago Maroon — Buckethead impossibly good, unfathomably weird"
872:"History of Shred: Uli Jon Roth - December 2001 - The House of Shred"
793:
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on guitar), as the top three shred albums of all time, respectively.
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further developed guitar techniques towards the end of the 1960s.
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effect, a typical deep pitch bend using a whammy bar; followed by
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721:'s list of the top 20 greatest shred guitarists of time featured
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advanced this style with the infusion of neo-classical elements.
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The term is sometimes used in reference to virtuosic playing by
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438:(slurs). Rhythmically, a shredder may include precise usage of
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842:
573:, as well as modern versions of classic-radical designs like
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77:. This creates a sustained guitar tone and may facilitate
565:. Some shred guitarists use elaborately-shaped models by
1122:
Shredders!: The Oral
History of Speed Guitar (and More)
778:
Shredders!: The Oral
History of Speed Guitar (and More)
370:
continued to develop the genre further in the 1990s.
898:"Big Strokes: A Beginner's Guide to Sweep Picking"
426:The lick can be played by multiple-picking notes (
1025:
866:
864:
862:
860:
858:
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987:"ACCORDO - Chi ha inventato davvero il tapping"
855:
312:In 1979, Roth left Scorpions to begin his own
241:were also a prime example of early shredding.
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1119:
450:is used to play rapid arpeggios across the
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1150:
697:magazine focused on shredding outside the
104:Many jazz guitarists in the 1950s such as
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776:In 2017, Jawbone Press released the book
628:. These and other effects units, such as
604:Most shred guitar players use a range of
377:
244:In September 1973, guitarist and singer
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18:
937:"Woodstock at 45. Day Three: Alvin Lee"
788:, and featured all new interviews with
16:Virtuoso lead guitar solo playing style
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1079:"5 Shredding Bluegrass Songs - Page 1"
984:
1145:
922:"Ritchie Blackmore an Early Shredder"
1171:
167:, was an early shredder. He founded
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896:Griffiths, Charlie (6 April 2020).
237:'s lightning-fast licks playing at
13:
1339:Heavy metal performance techniques
230:in the solo when playing it live.
14:
1355:
1055:"Shred Guitar playing techniques"
1052:
159:, best known as the guitarist of
733:as the top three, respectively.
520:Problems playing this file? See
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454:(sometimes on all strings). The
413:, creating a more complex feel.
373:
49:, diminished and harmonic minor
1113:
1092:
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1014:. Chicagomaroon.com. 2006-11-28
301:technique in his instrumental.
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1004:
978:
953:
928:
914:
889:
1:
1334:Guitar performance techniques
1120:Prato, Greg (14 March 2017).
1081:. Guitarworld.com. 2011-08-17
848:
924:. WordPress.com. 2007-09-05.
874:. 2011-10-06. Archived from
474:
251:(Back Home Again in) Indiana
7:
831:
686:
679:. To facilitate the use of
61:use. Often incorporated in
10:
1360:
463:, and to create a flowing
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1179:
639:amplifier brands such as
265:used their new guitarist
261:In 1974, the German band
1033:"Fabryka Music Magazine"
394:
139:
65:, guitarists employ a
39:
900:. Guitar Techniques.
381:
320:". Their debut album
134:
96:electric guitarists.
22:
1035:. Industrialrock.net
784:and an afterword by
673:Hughes & Kettner
210:In 1969, guitarist
1308:Neoclassical metal
935:Molenda, Michael.
878:on October 6, 2011
838:Heavy metal guitar
411:sequential pattern
395:
272:Fly to the Rainbow
140:
40:
1321:
1320:
1293:Instrumental rock
1187:Alternate picking
1124:. Jawbone Press.
1102:. Guitarworld.com
705:, Josh Williams,
699:heavy metal music
614:audio compression
500:
428:alternate picking
352:instrumental rock
157:Ritchie Blackmore
126:How High the Moon
1351:
1313:Progressive rock
1173:Guitar shredding
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1059:GuitarPlayer.com
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814:Michael Schenker
502:
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491:Dive bomb effect
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383:Yngwie Malmsteen
336:Progressive rock
332:Yngwie Malmsteen
303:Niccolò Paganini
269:for their album
256:The Tonight Show
197:Yngwie Malmsteen
185:Gates of Babylon
124:performance of "
94:jazz-rock fusion
86:instrumentalists
67:guitar amplifier
38:in December 2006
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1192:Economy picking
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291:Eddie Van Halen
228:classical music
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79:guitar feedback
69:and a range of
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1202:Hybrid picking
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991:www.accordo.it
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469:finger picking
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205:Lynyrd Skynyrd
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92:musicians and
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761:Ozzy Osbourne
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374:Playing style
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246:Glen Campbell
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118:sweep picking
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110:Barney Kessel
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47:sweep-picking
44:
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33:
32:John Petrucci
29:
25:
21:
1242:Pick tapping
1172:
1121:
1115:
1104:. Retrieved
1094:
1083:. Retrieved
1073:
1062:. Retrieved
1058:
1048:
1037:. Retrieved
1027:
1016:. Retrieved
1006:
995:. Retrieved
993:(in Italian)
990:
985:Accordo.it.
980:
969:. Retrieved
967:. 2017-08-11
955:
944:. Retrieved
940:
930:
916:
905:. Retrieved
902:Guitar World
901:
891:
880:. Retrieved
876:the original
810:Kirk Hammett
806:George Lynch
802:Paul Gilbert
790:Joe Satriani
786:Uli Jon Roth
782:Alex Lifeson
777:
775:
771:Randy Rhoads
764:
754:
744:
736:Guitar World
734:
707:Bryan Sutton
694:Guitar World
692:
690:
603:
591:
587:Tremolo bars
528:
519:
510:string noise
425:
422:
415:
396:
328:Randy Rhoads
326:
321:
318:Electric Sun
311:
288:
276:
270:
260:
249:
243:
232:
220:Heartbreaker
216:Led Zeppelin
209:
193:Randy Rhoads
173:Highway Star
155:
147:Eric Clapton
143:Jimi Hendrix
141:
136:Jimi Hendrix
103:
83:
43:Shred guitar
42:
41:
24:Joe Satriani
1303:Jazz fusion
1288:Heavy metal
1278:Power metal
826:Alexi Laiho
818:Ace Frehley
769:(featuring
741:Al Di Meola
723:Al Di Meola
719:Music Radar
715:David Grier
711:Chris Thile
661:Mesa Boogie
637:vacuum tube
599:Ulrich Roth
444:polyrhythms
440:syncopation
348:jazz fusion
340:heavy metal
267:Ulrich Roth
224:guitar solo
181:Deep Purple
169:Deep Purple
161:Deep Purple
63:heavy metal
1328:Categories
1197:Hammer-ons
1180:Techniques
1106:2015-03-17
1085:2015-03-17
1064:2020-03-16
1039:2015-03-17
1018:2015-03-17
997:2022-12-17
971:2021-11-16
946:2019-05-25
907:2019-05-25
882:2015-03-17
849:References
622:hammer-ons
610:distortion
522:media help
432:hammer-ons
368:Buckethead
364:Shawn Lane
322:Earthquake
314:power trio
293:recorded "
284:whammy bar
218:composed "
212:Jimmy Page
122:Les Paul's
114:Tal Farlow
75:distortion
59:whammy bar
1283:Hard rock
1263:Bluegrass
1258:Classical
1212:Pull-offs
794:Steve Vai
756:Van Halen
751:Van Halen
731:Steve Vai
703:Tony Rice
691:In 2011,
626:pull-offs
595:Scorpions
567:B.C. Rich
506:Dive bomb
475:Equipment
461:intervals
452:fretboard
436:pull-offs
391:Catalonia
387:Barcelona
344:hard rock
316:, named "
307:Roy Smeck
289:In 1978,
278:In Trance
263:Scorpions
239:Woodstock
235:Alvin Lee
233:In 1969,
201:Free Bird
151:Jeff Beck
90:bluegrass
36:G3 (tour)
28:Steve Vai
1273:Flamenco
832:See also
687:In media
645:Marshall
608:such as
585:models.
583:Explorer
579:Flying V
563:Schecter
418:The Lick
360:nu metal
295:Eruption
286:abuse".
106:Les Paul
73:such as
1344:Guitars
1268:Country
1227:Tapping
739:ranked
677:Randall
657:Soldano
618:tapping
606:effects
551:Jackson
531:Charvel
456:tapping
434:and/or
299:tapping
222:"; his
189:Rainbow
187:" from
179:" from
175:" and "
165:Rainbow
138:in 1967
100:History
71:effects
55:tapping
34:at the
1251:Genres
1207:Legato
1128:
824:, and
759:, and
665:Orange
653:Peavey
649:Carvin
641:Bogner
624:, and
575:Gibson
559:Kramer
547:Ibanez
543:Gibson
539:Fender
465:legato
403:triads
399:scales
393:, 2008
356:grunge
346:, and
149:, and
57:, and
51:scales
843:Djent
669:Laney
407:modes
405:, or
214:from
203:" by
183:and "
1298:Jazz
1126:ISBN
965:WTHR
729:and
713:and
675:and
634:gain
612:and
581:and
571:Dean
561:and
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