355:, American producer Steve Canfield wants Russian composer Peter Ilyitch Boroff to compose the score for his next picture. Three Soviet commissars Brankov, Bibinski, and Ivanov attempt to escort the composer back to Russia. To keep Boroff in Paris, Steve contests the composer's Russian citizenship by producing an affidavit disputing his parentage and insists it be resolved in court. Steve further convinces the commissars that Boroff's collaboration will earn them promotions in Moscow. Despite their initial resistance, the commissars consent to the collaboration.
396:
1017:
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refuses to musicalize his compositions, but accepts the idea. Later that afternoon, Ninotchka locks herself in her room and dresses in
Parisian lingerie. The same night, Ninotchka, dressed in a silky evening gown, joins Steve for a romantic evening. When Ninotchka returns to the commissars' room, they confess that Boroff's "Ode to a Tractor" is being rewritten into popular music for the film. Contrary to their suspicions, Ninotchka is delighted by the idea and dismisses them.
371:. The next morning, Steve escorts Ninotchka on a tour of Paris, alternating between boiler rooms and beauty salons. When they return to his hotel room, Steve sets a romantic mood with lower lights and music, but Ninotchka insists that romantic attraction is purely "electro-chemical". Steve and Ninotchka contrast their beliefs on romantic attraction, and after a waltz around the room, the two kiss.
564:
and somebody should declare a holiday ... For the simple fact is that this 'Silk
Stockings' is an all-round refreshing show, blessed with a bright book, delicious music and the dancing of Miss Charisse and Mr. Astaire. Whether it would be as good without them—without the two principals, that is—is a purely subversive speculation. They are in it, and you can take it from there."
379:
arriving on set. As Peggy begins singing Boroff's revised music, he and
Ninotchka are insulted by the changes. Steve defends it, asserting that Americans make popular songs out of classical music for audiences to enjoy. Angered, Ninotchka tells Steve that she is neglecting her duty and decides to return to Russia immediately with Boroff and the commissars.
362:, Vassili Markovitch becomes the new commissar of art. He sends Russian agent Nina "Ninotchka" Yoschenko to retrieve Boroff from Paris. She meets the commissars in the hotel lobby. In their suite, Steve shows Ninotchka the affidavit and attempts to charm her with the locale, but Ninotchka insists that she will not be persuaded by the city's bourgeois.
383:
his new composition on the piano, prompting
Ninotchka, the commissars, and the tenants to dance. Shortly after, Markovitch sends Ninotchka back to Paris to retrieve the commissars, who have been sent there to sell Russian films. When she arrives, the commissars take Ninotchka to their new Russian café, where Steve performs a top hat routine.
31:
386:
Back at the hotel room, Ninotchka states she will return to Russia that night. Steve arrives in the room, revealing that he wrote the anonymous report in order to get her out of Russia. He also reminds her of the marriage proposal contained in his censored letter. In love, Ninotchka rips up her plane
586:
felt the film has "the benefit of delightful and clever Cole Porter music derived from the stage version"; he further praised the cast writing "Astaire, Miss
Charisse and Miss Paige are evidently ready, willing and able to avail themselves of every opportunity presented. As one of the trio of Soviet
382:
Months later, Boroff and the commissars, who have been saved from punishment by
Ninotchka's report, visit her at her apartment. Ninotchka attempts to read Steve's letter, which has been so heavily censored that only the salutation remains. Soon after, Boroff, now fascinated with Western music, plays
563:
wrote: "There should be legislation requiring that Fred
Astaire and Cyd Charisse appear together in a musical picture at least once every two years. Previously they were together in 'The Band Wagon' and the world was brightened. That was away back in 1953. Now they are together in 'Silk Stockings,'
374:
Peggy walks into the room and insults Boroff, causing
Ninotchka to leave. She tries to back out of the project because it's not a musical, to which Steve suggests she seduce Boroff into adapting his music to sound contemporary. At a costume fitting, Boroff, who is infatuated with Peggy, initially
378:
Alone with Steve, Ninotchka raves about Paris' beauty, convinced that love, not utilitarianism, leads to happiness. The next day, on a soundstage, Steve confesses to
Ninotchka the affidavit was faked, and proposes to her. Swept away by their love, the two dance from one stage to another, finally
529:
had been considered. Director Rouben
Mamoulian was determined that the film would rely less on dialogue to dramatize the Astaire-Charisse screen relationship, but instead delivered largely through “rhythm and dancing.” Silk Stockings would be Mamoulian’s last completed picture. Biographer Marc
633:
is so crammed with delights that it seems incredible that anybody, let alone the entire pack of British critics, should have failed to respond. The catalog is endless...Perhaps, one day, critics, historians, and those who write about cinema will at last realize that is one of the great
579:
wrote: "Astaire delivers his customary style, and Miss Charisse brings a fascinating brightness to her role. Miss Paige shares top honors with the stars for a knock-'em-dead type of performance", but felt the film could have been shorter. Edwin Schallert of the
1068:
Danks, 2007: “Music and dance are integral to the rhythm and meaning of Mamoulian’s work and provide an emphasis on movement that marks his great contribution to the cinema...This is probably the reason why Milne promotes Mamoulian’s final film,
642:: “Audiences and critics praised the film as an inventive, enjoyable entertainment, and Mamoulian restored his value as a marketable commodity.” Spergel cautions that Mamoulian’s revival was achieved at a price: “In
342:
music genre. The number ends with Astaire symbolically smashing his top hat, considered one of his trademarks, signaling the retirement from movie musicals that he announced following the film's release.
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MGM purchased the film rights to the musical for $ 300,000. Dance rehearsals started on September 18, 1956 and filming ended on January 31, 1957. The film was completed “on time and on budget.”
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felt the story "is not as mirthful as the original and its running time is somewhat overlong, but on the whole it keeps one chuckling throughout and has some very funny moments."
1280:
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Later that night, Hollywood actress Peggy Dayton arrives at the hotel, where several reporters interview her about her first serious role in an adaptation of
587:
Ambassadors Jules Munshin maintains a high pace of humor, with Peter Lorre providing hilarious counterpoint and Joseph Buloff supplying some antic fun."
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According to MGM records, the film earned $ 1,740,000 in the U.S. and Canada and $ 1,060,000 in other markets, resulting in a loss of $ 1,399,000.
2083:
2048:
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Callahan, 2007: “Most seriously, Mamoulian has absolutely no idea what to do with the Cinemascope frame...The dances, though, are wonderful.”
1104:“is marred by an excessive and often frontal presentation of its performances, as well as an uncomfortable use of the Cinemascope frame...”
2053:
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Spergel reports that the effort “earned him only $ 53, 090, while the film’s star, Fred Astaire, received $ 150,000 for his work.”
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2018:
2013:
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626:: “Mamoulian improved on the these versions by giving it an emotional depth in line with the originals” Milne continues:
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1993:
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Film historian Marc Spergel notes that director Malmoulian’s stock among Hollywood executives rose with the release of
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Milne, 1969 p. 147-148, p. 149: “...remaining very faithful to the stage version, made several important changes…”
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594:, the film has an aggregate score of 100% based on five critics' reviews, with an average of 7.9/10.
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The score was embellished with the new song "The Ritz Roll and Rock", a parody of the emerging
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Jensen, 2024 p. 263: Astaire “bids farewell to his top hat, white tie, and tails” in the song.
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Callahan, 2007: “Silk Stockings (1957), a musicalization of Lubitsch’s Ninotchka (1939).”
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nominations for Best Film and Best Actress (Charisse) in the Comedy/Musical category.
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Jensen, 2024 p 265: Pan worked strictly with Astaire, Loring with the other dancers.
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Spergel, 1993 p. 178: “...Hermes Pan, Fred Astaire’s career-long choreographer…”
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646:, plot and character development, now replaced by music and dance, are lost.”
1982:
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Spergel, 1993 p. 283: Filmography, “based on the book of the musical play by
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Jensen, 2024 p. 269: The film lost “nearly $ 1.4 million” on its release.
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https://www.slantmagazine.com/film/the-strange-case-of-rouben-mamoulian/
683:, Los Angeles: Margaret Herrick Library, Center for Motion Picture Study
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https://www.sensesofcinema.com/2007/great-directors/mamoulian/Mamoulian
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521:(1934) was the first to be cast. Fred Astaire was enlisted only after
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Jensen, 2024 p. 263: Astaire “reluctant” to join the movie project.
936:"'Silk Stockings' with Fred Astaire, Cyd Charisse and Janis Paige"
515:
Cid Charisse, a “screen dancing star” acclaimed for her role in
359:
1164:, Wisconsin Film Studies, Patrick McGilligan, series editor.
1129:
Callahan, Dan. 2007. "The Strange Case of Rouben Mamoulian".
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1190:
Reinventing Reality: The Art and Life of Rouben Mamoulian.
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ticket and embraces him while the commissars celebrate.
1112:
1110:
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Peerless: Rouben Mamoulian, Hollywood, and Broadway.
1107:
602:Film historian Tom Milne emphasizes that even if
1980:
994:"'Silk Stockings' Amusing Colorful Musical Show"
872:Final Cuts: The Last Films of 50 Great Directors
2044:Films about the Soviet Union in the Stalin era
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1073:, as the crowning achievement of his career.”
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1150:, February, 2007. Great Directors Issue 42
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29:
991:
1185:Limited, London. Catalog no. 500-47012 X
964:
901:
714:
675:
673:
671:
394:
2089:English-language romantic musical films
2069:Films with screenplays by Harry Kurnitz
314:, which had been adapted from the film
2084:English-language romantic comedy films
2049:Films based on musicals based on films
1981:
1041:from the original on November 14, 2022
904:"The Screen: 'Silk Stockings' Arrives"
478:"It's a Chemical Reaction, That's All"
446:as Vassili Markovitch, Commisar of Art
320:(1939). The film was choreographed by
1538:
1361:
1269:
1004:from the original on February 2, 2024
916:from the original on February 2, 2024
825:Milne, 1969 pp. 148-153: Plot summary
732:from the original on October 13, 2022
668:
549:
864:
834:Milne, 1969 p. 172-173: Filmography
13:
2054:Films directed by Rouben Mamoulian
992:Schallert, Edwin (July 25, 1957).
965:Williams, Whitney (May 22, 1957).
902:Crowther, Bosley (July 19, 1957).
798:from the original on March 3, 2016
794:. Sijmen's List of Film Classics.
14:
2100:
1210:
1154:, Rouben Retrieved 19 June 2024.
874:, Bear Manor Media 2013 p 182-184
702:from the original on May 18, 2023
1015:
590:On the review aggregate website
2029:American romantic musical films
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1023:
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958:
928:
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2059:Films produced by Arthur Freed
2024:American romantic comedy films
967:"Film Reviews: Silk Stockings"
810:
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775:
766:
757:
744:
688:
656:List of American films of 1957
312:stage musical of the same name
1:
2019:American musical comedy films
2014:American films based on plays
1162:University of Wisconsin Press
1123:
981:– via Internet Archive.
541:
510:
16:1957 film by Rouben Mamoulian
2039:1950s English-language films
2004:1950s romantic musical films
1750:Take Me Out to the Ball Game
1257:AFI Catalog of Feature Films
1195:, Filmmakers series No. 57,
536:
7:
1012:– via Newspapers.com.
649:
10:
2105:
1999:1957 romantic comedy films
942:. May 25, 1957. p. 82
610:’s Broadway production of
310:. It is based on the 1955
2074:Metro-Goldwyn-Mayer films
2009:Remakes of American films
1994:1957 musical comedy films
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698:. Broadway Musical Home.
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1846:It's Always Fair Weather
1758:The Barkleys of Broadway
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506:"The Ritz Roll and Rock"
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1862:Invitation to the Dance
1702:Till the Clouds Roll By
1474:High, Wide and Handsome
1418:Dr. Jekyll and Mr. Hyde
1181:The Cinema One Series,
1139:Retrieved 19 June 2024.
852:Jensen, 2024 p. 263-264
681:The Eddie Mannix Ledger
598:Retrospective appraisal
452:as Peter Ilyitch Boroff
390:
346:
227:July 18, 1957
1082:Milne, 1969 p. 159-160
636:
606:is not a facsimile of
416:as Ninotchka Yoschenko
403:
402:as Ninotchka Yoschenko
1814:The Belle of New York
1678:Yolanda and the Thief
1188:Spergel, Mark. 1993.
1142:Danks, Adrian. 2007.
1135:, September 4, 2007.
861:Spergel, 1993 p. 207:
726:Turner Classic Movies
628:
398:
2079:1950s American films
1806:An American in Paris
1670:Meet Me in St. Louis
1506:Rings on Her Fingers
1157:Jensen, Kurt. 2024.
1116:Spergel, 1993 p. 219
792:"Golden Globes 1957"
573:Whitney Williams of
475:"Stereophonic Sound"
472:"Paris Loves Lovers"
461:Music and lyrics by
1966:Light in the Piazza
1942:Any Number Can Play
1822:Singin' in the Rain
1646:Du Barry Was a Lady
1598:Little Nellie Kelly
1193:The Scarecrow Press
883:Jensen, 2024 p. 264
494:"Fated to Be Mated"
291:is a 1957 American
213:Metro-Goldwyn-Mayer
2064:Films set in Paris
1774:Annie Get Your Gun
1590:Strike Up the Band
1388:Films directed by
1245:TCM Movie Database
1000:. Part IV, p. 10.
940:Harrison's Reports
909:The New York Times
752:George S. Kaufmann
567:Harrison's Reports
560:The New York Times
404:
333:Golden Globe Award
331:The film received
63:Leonard Spigelgass
2034:CinemaScope films
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1975:
1958:The Subterraneans
1886:Bells Are Ringing
1654:Best Foot Forward
1630:For Me and My Gal
1614:Babes on Broadway
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1490:The Mark of Zorro
1466:The Gay Desperado
1434:The Song of Songs
1355:
1354:
1183:Thames and Hudson
1179:Rouben Mamoulian.
1170:978-0-299-34820-5
998:Los Angeles Times
583:Los Angeles Times
550:Critical reaction
410:as Steve Canfield
298:film directed by
284:
283:
172:Robert J. Bronner
93:George S. Kaufman
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1907:The Wizard of Oz
1694:Ziegfeld Follies
1686:The Harvey Girls
1638:Cabin in the Sky
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1742:Words and Music
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555:Bosley Crowther
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1299:'s "Ninotchka"
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1132:Slant Magazine
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58:Leonard Gershe
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432:Jules Munshin
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340:rock and roll
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322:Eugene Loring
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302:and starring
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280:$ 2.8 million
279:
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272:$ 2.6 million
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256:United States
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150:Jules Munshin
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68:Harry Kurnitz
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51:Screenplay by
49:
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39:
32:
27:
22:
19:
1964:
1956:
1948:
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1932:
1926:Non-musicals
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1606:Lady Be Good
1604:
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1566:Arthur Freed
1521:
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1504:
1496:
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1410:City Streets
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1045:November 13,
1043:. Retrieved
1034:
1025:
1006:. Retrieved
997:
987:
975:. Retrieved
970:
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950:– via
944:. Retrieved
939:
930:
918:. Retrieved
907:
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848:
839:
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821:
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802:September 8,
800:. Retrieved
786:
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746:
734:. Retrieved
716:
704:. Retrieved
690:
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581:
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414:Cyd Charisse
408:Fred Astaire
400:Cyd Charisse
385:
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366:
364:
357:
350:
337:
330:
315:
308:Cyd Charisse
304:Fred Astaire
287:
286:
285:
244:Running time
220:Release date
201:(uncredited)
135:Cyd Charisse
130:Fred Astaire
117:Arthur Freed
82:
70:(uncredited)
18:
1899:as producer
1897:Uncredited
1766:On the Town
1574:As producer
1568:productions
1458:Becky Sharp
1347:(1960 film)
1337:(1957 film)
1317:(1939 film)
1305:Adaptations
1008:February 1,
977:February 1,
973:. p. 6
946:February 1,
920:February 2,
736:October 12,
722:"Ninotchka"
608:Cole Porter
527:Howard Keel
523:Bing Crosby
497:"Josephine"
463:Cole Porter
434:as Bibinski
426:Peter Lorre
420:Janis Paige
248:117 minutes
235: (U.S.)
194:Cole Porter
145:Peter Lorre
140:Janis Paige
113:Produced by
103:Abe Burrows
41:Directed by
1989:1957 films
1983:Categories
1726:The Pirate
1662:Girl Crazy
1482:Golden Boy
1199:, editor.
1175:Milne, Tom
1124:References
706:August 19,
634:musicals.”
616:(1955) or
542:Box office
511:Production
483:All of You
428:as Brankov
326:Hermes Pan
277:Box office
231:1957-07-18
1934:The Clock
1838:Brigadoon
1798:Show Boat
1710:Good News
1344:Ninotchka
1314:Ninotchka
623:Ninotchka
537:Reception
518:Brigadoon
500:"Siberia"
469:"Too Bad"
440:as Ivanov
317:Ninotchka
177:Edited by
1402:Applause
1234:AllMovie
1177:. 1969.
1039:Archived
1002:Archived
914:Archived
796:Archived
730:Archived
700:Archived
650:See also
618:Lubitsch
358:Back in
261:Language
187:Music by
123:Starring
78:Based on
1254:at the
1243:at the
971:Variety
576:Variety
293:musical
264:English
253:Country
229: (
1969:(1962)
1961:(1960)
1953:(1950)
1950:Crisis
1945:(1949)
1937:(1945)
1918:(1944)
1910:(1939)
1889:(1960)
1881:(1958)
1873:(1957)
1865:(1956)
1857:(1955)
1854:Kismet
1849:(1955)
1841:(1954)
1833:(1953)
1825:(1952)
1817:(1952)
1809:(1951)
1801:(1951)
1793:(1951)
1785:(1950)
1777:(1950)
1769:(1949)
1761:(1949)
1753:(1949)
1745:(1948)
1737:(1948)
1729:(1948)
1721:(1948)
1713:(1947)
1705:(1946)
1697:(1946)
1689:(1946)
1681:(1945)
1673:(1944)
1665:(1943)
1657:(1943)
1649:(1943)
1641:(1943)
1633:(1942)
1625:(1942)
1617:(1941)
1609:(1941)
1601:(1940)
1593:(1940)
1585:(1939)
1525:(1957)
1517:(1948)
1509:(1942)
1501:(1941)
1493:(1940)
1485:(1939)
1477:(1937)
1469:(1936)
1461:(1935)
1453:(1934)
1445:(1933)
1437:(1933)
1429:(1932)
1421:(1931)
1413:(1931)
1405:(1929)
1203:
1168:
360:Moscow
269:Budget
662:Notes
457:Songs
353:Paris
1878:Gigi
1223:IMDb
1201:ISBN
1166:ISBN
1047:2022
1010:2024
979:2024
948:2024
922:2024
804:2017
738:2022
708:2016
525:and
391:Cast
347:Plot
324:and
306:and
1232:at
1221:at
620:’s
557:of
465:.:
351:In
88:by
1985::
1146:.
1109:^
1037:.
1033:.
996:.
969:.
938:.
906:.
754:.”
728:.
724:.
670:^
328:.
1558:e
1551:t
1544:v
1381:e
1374:t
1367:v
1289:e
1282:t
1275:v
1049:.
954:.
924:.
806:.
740:.
710:.
685:.
485:"
481:"
233:)
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
