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a more negative review, awarding it six stars out of ten. Although he described Wilson's vocals as "deep and delicious", and the tracks as "fun and funky", his opinion was that the album "rehashed" her Wilson's previous work. He said that although new listeners might be impressed, fans would not find
712:
noted the equality between Wilson and her band and the balance between her vocals and their instrumentals. He enjoyed the contrast between Wilson's soft vocals and the fast tempo of the songs and noted the seamless transitions between live and studio-recorded tracks. He praised Wilson's growth as an
673:
gave the album a positive review. He praised "Beneath a Silver Moon" and "Saddle Up My Pony" in particular, and described Wilson's band as "exceptional". He questioned the inclusion of the two instrumental tracks because of the change in pace they brought but said that overall, the album "reaffirms
774:
gave the album a rating of three and a half stars. They noted the album's mix of live and studio recordings and commented that this was Wilson "back to her trademark eclectic ways". The reviewer praised the band and particularly enjoyed their improvisation on "Lover Come Back to Me". Overall, they
733:
a "commendable" rating of 7.6 out of 10. He described "Went Down to St James
Infirmary" and "Saddle Up My Pony" as the best tracks on the album. He praised the band and called them the "true stars" of the album. Although he commented that Wilson voice has improved over the years, on this album he
655:; "A man came around ... with a pony and camera, and you could pay to get your picture taken." Although Wilson's brothers were not interested, her mother allowed her to be photographed on the pony, and the image of Wilson is used on the album cover.
678:
gave the album a rating of four stars out of five. He described it as "a light, shimmering sound" and felt that despite the different styles and mix of live and studio material, the album remains cohesive. In a review for
535:
The album received mixed, but generally positive, reviews from critics. Reviewers complimented Wilson's vocals and particularly enjoyed the focus on her band. More negative reviews came from critics who felt that
524:. A mixture of live and studio-recorded tracks, it was produced by Wilson and John Fischbach. The release includes jazz, blues and pop standards, as well as original music by Wilson and her band. Saxophonist
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anything new. He praised the band, and enjoyed the renditions of "Forty Days and Forty Nights" and "If It's Magic". However, overall he found the album "inessential and merely fine".
1518:
1491:
783:, Steve Greenlee commented that Wilson's mixed-genre style is no longer innovative, but feels natural. He particularly praised the contributions of Wilson's band members.
763:, Ivan Hewlett gave the album a three star rating. He noted that it was "firmly in the territory" of Wilson's usual eclectic style, that combines blues, funk and the
1572:
1905:
616:
The album was produced by Wilson and John
Fischbach. In addition to the recordings made on tour in Europe, the album was recorded and produced at Fischbach's
1632:
767:. He complimented Wilson's "astonishing" voice and "wonderful" band but felt that the album as a whole was "all too smooth to be really engaging".
1130:
557:
is a jazz and blues album, with some elements of pop music. The tracks include live improvisations created by Wilson and her band on tour in
1809:
757:
s Phil
Johnson gave the album a similarly mixed review, suggesting that it "might mark time more than break new ground". Writing for
1961:
160:
685:, John Fordham gave the album four stars out of five. He noted a continuation of "confidence and focus" from her previous album,
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felt that she was just a "support player", and enjoyed least the songs that strongly featured her voice.
598:
587:. This is one of three live tracks that appeared as studio-recorded versions on Wilson's previous album,
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Tracks 3, 4 and 8 written by, tracks 2 and 5 arranged by Wilson, Riley, Batiste, Babalola, Sewell, Veal.
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was below Wilson's usual standard and contained little originality. The album reached No. 6 on the
1739:
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Associate producers – Lekan
Babalola, Jonathan Batiste, Herlin Riley, Marvin Sewell, Reginald Veal
1768:
1873:
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594:
1573:"Cassandra Wilson's 'Silver Pony' Review: Singer Towns Down to Vocals Spar with Band on Equal Level"
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696:, John Eyles was complimentary and said that it continues a "rich vein of form" begun with 1993's
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Tracks 4, 6 – 8, 10 and 11 were recorded at Piety Street
Recording studio in New Orleans, LA.
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1519:"Jazz Breaking News: Picture This: Cassandra Wilson To Release New Album Silver Pony"
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was "above-average", but inconsistent and below Wilson's usual standard. Writing for
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The album title and cover art are inspired by an incident from Wilson's childhood in
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Tracks 1 – 3, 5 and 9 were recorded live in Europe (Granada, Seville and Warsaw).
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as well as jazz and blues standards. The album opens with a live version of "
525:
1492:"Cassandra Wilson: Jazz Diva, Priestess – And Descendant of Henry VIII"
891:"Watch the Sunrise" (J. Stephens, Luke Laird, Steven Dale Jones) – 3:31
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Cassandra Wilson – vocals, synthesizer (track 4), bass drum (11)
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1693:, Los Angeles Newspaper Group, Associated Press, November 21, 2010
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Assistant studio engineer and Pro Tools wizard – Wes
Fontenot
1945:
605:. "Saddle Up My Pony" is a version of the 1929 Delta blues song "
589:
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562:
142:
706:, her band are no longer overshadowed. Jim Farber of New York's
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artist in the time since her last live recordings, on 1991's
36:
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Wilson's status as a premier jazz singer". Steve
Leggett of
689:. He described the track list as "powerfully compatible".
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on percussion. The album features guest appearances by
932:
Marvin Sewell – electric guitar, acoustic guitar
1633:"Album: Cassandra Wilson, Silver Pony (Blue Note)"
996:Producers – John Fischbach, Cassandra Wilson
944:Reginald Veal – acoustic bass, electric bass
800:Jazz Albums chart and reached No. 21 on the
2058:
1002:Studio engineer and mixing – John Fischbach
702:. He praised Wilson's voice and noted that with
644:on "Watch the Sunrise" and a saxophone solo by
1417:
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1008:Live recording engineer – Don Juan Holder
262:
224:
1803:
1547:"Cassandra Wilson: Silver Pony – Review"
1424:"Silver Pony – Cassandra Wilson: Review"
593:(2008); the others are the traditional song "
1393:"Jazz Reviews: Silver Pony Cassandra Wilson"
1011:Live recording assistant – Tobias Lange
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2021:Love Phases Dimensions: From the JMT Years
1810:
1796:
1661:"Cassandra Wilson: Silver Pony, CD review"
1485:
1483:
1481:
1334:"Cassandra Wilson: Silver Pony, CD review"
516:is a studio album by American jazz singer
27:
1129:Whittington, Lewis J. (13 January 2011).
1100:
1048:Burton Yount – art direction, design
1036:Shanieka D. Brooks – product manager
16:2010 studio album by Cassandra Wilson
1710:
1704:
1685:"CD Reviews for the Week of November 21"
1383:
1381:
1361:"Tom Hull: Grade List: Cassandra Wilson"
1246:"Cassandra Wilson: Silver Pony – review"
1042:Rachel Salomon – cover illustration
975:Brandon Ross – acoustic guitar (11)
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1517:Graham, Stephen (September 28, 2010),
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1212:
1039:Gordon H. Jee – creative director
1791:
1769:"Silver Pony – Cassandra Wilson"
1459:"Cassandra Wilson Silver Pony Review"
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1275:Deusner, Stephen (November 9, 2010),
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624:. Wilson's regular band consisted of
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1711:Greenlee, Steve (November 8, 2010),
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1490:Culshaw, Peter (November 10, 2010),
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911:
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1659:Hewlett, Ivan (November 26, 2010),
1545:Fordham, John (November 25, 2011),
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1421:
1156:
1033:Larry Blumenfeld – liner notes
981: – acoustic rhythm guitar (11)
838:"Beneath a Silver Moon" – 6:39
264:
226:
13:
1631:Johnson, Phil (November 7, 2010),
1603:Layman, Will (February 21, 2011),
1581:, Daily News, L.P., archived from
1332:Hewlett, Ivan (26 November 2010).
1178:
14:
2088:
1740:"CASSANDRA WILSON: CHART HISTORY"
1713:"Cassandra Wilson, 'Silver Pony'"
1571:Farber, Jim (November 12, 2010),
1457:Eyles, John (November 23, 2010),
1303:LAYMAN, WILL (20 February 2011).
1213:Hobart, Mike (27 November 2010).
1074:"SILVER PONY by Cassandra Wilson"
632:on piano, Reginald Veal on bass,
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409:
371:
338:
300:
1185:Simon, Jeff (November 5, 2010).
1101:Milkowski, Bill (9 April 2013).
1045:Will Sterling – photography
1023: – Antwon Jackson, Eli Wolf
953:Lekan Babalola – percussion
835:"A Night in Seville" – 3:00
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1605:"Cassandra Wilson: Silver Pony"
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1305:"Cassandra Wilson: Silver Pony"
1215:"Cassandra Wilson: Silver Pony"
1131:"Cassandra Wilson: Silver Pony"
1103:"Cassandra Wilson: Silver Pony"
830:Went Down to St James Infirmary
595:Went Down to St James Infirmary
520:, released in November 2010 on
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1277:"Cassandra Wilson: Silve Pony"
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1:
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770:An unnamed reviewer from the
573:", a 1920s popular song from
1721:, The New York Times Company
906:
863:" (Bernard Roth) – 4:59
832:" (Irving Mills) – 7:14
794:peaked at No. 6 on the
658:
648:on "Beneath a Silver Moon".
7:
2028:Closer to You: The Pop Side
1641:, Independent Print Limited
968:Helen Gillet – cello,
959: – tenor saxophone (4)
871:A Day in the Life of a Fool
861:Forty Days and Forty Nights
599:A Day in the Life of a Fool
10:
2093:
965: – piano, vocals (11)
52:November 9, 2010
2038:
1999:
1980:
1874:After the Beginning Again
1825:
1391:(January–February 2011),
866:"Silver Pony" – 0:36
550:Composition and recording
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2077:Blue Note Records albums
1882:Dance to the Drums Again
692:Reviewing the album for
532:make guest appearances.
2072:Cassandra Wilson albums
1527:, Jazzwise Publications
765:Great American Songbook
1690:Los Angeles Daily News
1553:, Guardian Media Group
618:Piety Street Recording
68:Piety Street Recording
815:Lover Come Back to Me
571:Lover Come Back to Me
1890:Blue Light 'til Dawn
1244:(25 November 2010).
819:Oscar Hammerstein II
699:Blue Light 'til Dawn
653:Jackson, Mississippi
581:Oscar Hammerstein II
176:Professional ratings
1970:Coming Forth by Day
1665:The Daily Telegraph
1497:The Daily Telegraph
1339:The Daily Telegraph
760:The Daily Telegraph
546:Jazz Albums chart.
177:
74:and other locations
1613:, PopMatters Media
1432:, Rovi Corporation
1285:, Wolfgang's Vault
1108:The Absolute Sound
719:. In a review for
219:The Absolute Sound
175:
2054:
2053:
1898:New Moon Daughter
1057:
1056:
1014:Mastering –
852:"If It's Magic" (
843:Saddle Up My Pony
787:Chart performance
522:Blue Note Records
509:
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2039:Related articles
1922:Belly of the Sun
1819:Cassandra Wilson
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1585:on July 24, 2012
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1082:. metacritic.com
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936:Jonathan Batiste
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886:Lennon/McCartney
772:Associated Press
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630:Jonathan Batiste
518:Cassandra Wilson
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124:Cassandra Wilson
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84:Jazz, blues, pop
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2014:Sings Standards
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737:Will Layman of
727:Stephen Deusner
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611:Charley Patton
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1834:Point of View
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1159:"Silver Pony"
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957:Ravi Coltrane
955:
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950: – drums
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940:Fender Rhodes
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888:) – 6:45
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856:) – 4:34
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854:Stevie Wonder
851:
849:) – 9:32
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808:Track listing
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646:Ravi Coltrane
643:
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636:on drums and
635:
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626:Marvin Sewell
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2000:Compilations
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1872:
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1832:
1776:, retrieved
1772:
1763:
1751:. Retrieved
1743:
1734:
1723:, retrieved
1716:
1706:
1695:, retrieved
1688:
1679:
1668:, retrieved
1664:
1654:
1643:, retrieved
1636:
1626:
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1608:
1598:
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1583:the original
1576:
1566:
1555:, retrieved
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1522:
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1501:, retrieved
1495:
1469:, retrieved
1462:
1434:, retrieved
1427:
1403:, retrieved
1396:
1389:Wolff, Carlo
1368:. Retrieved
1355:
1343:. Retrieved
1337:
1327:
1315:. Retrieved
1308:
1298:
1287:, retrieved
1280:
1255:. Retrieved
1251:The Guardian
1249:
1236:
1224:. Retrieved
1218:
1208:
1196:. Retrieved
1190:
1180:
1168:. Retrieved
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1112:. Retrieved
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948:Herlin Riley
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37:Studio album
2067:2010 albums
2046:Discography
1981:Live albums
1954:Silver Pony
1938:Thunderbird
1842:Days Aweigh
963:John Legend
792:Silver Pony
777:Silver Pony
745:Silver Pony
731:Silver Pony
704:Silver Pony
671:Carlo Wolff
642:John Legend
628:on guitar,
622:New Orleans
555:Silver Pony
538:Silver Pony
530:John Legend
528:and singer
513:Silver Pony
152:Silver Pony
72:New Orleans
22:Silver Pony
2061:Categories
1906:Rendezvous
1850:Blue Skies
1718:Boston.com
1610:PopMatters
1578:Daily News
1345:16 January
1310:PopMatters
1142:16 January
1114:16 January
1079:Metacritic
1061:References
991:Production
979:Luke Laird
875:Luiz Bonfá
781:Boston.com
740:PopMatters
709:Daily News
620:studio in
607:Pony Blues
603:Luiz Bonfá
452:PopMatters
195:Metacritic
132:chronology
56:2010-11-09
1930:Glamoured
1858:Jumpworld
1744:Billboard
1464:BBC Music
1398:JazzTimes
1198:18 August
907:Personnel
882:Blackbird
797:Billboard
694:BBC Music
666:JazzTimes
659:Reception
543:Billboard
111:Blue Note
2007:Songbook
1778:June 30,
1524:Jazzwise
1429:Allmusic
1365:Tom Hull
1226:3 August
1164:AllMusic
1016:Bob Katz
775:thought
676:Allmusic
501:Tom Hull
294:AllMusic
118:Producer
49:Released
39: by
1946:Loverly
1773:Discogs
1370:10 July
1187:"Discs"
1021:A&R
918:Discogs
687:Loverly
597:" and "
590:Loverly
567:Granada
563:Seville
165:(2012)
156:(2010)
147:(2008)
143:Loverly
54: (
2031:(2009)
2023:(2004)
2017:(2002)
2009:(1995)
1992:(1991)
1973:(2015)
1965:(2012)
1957:(2010)
1949:(2008)
1941:(2006)
1933:(2003)
1925:(2002)
1917:(1999)
1909:(1997)
1901:(1995)
1893:(1993)
1885:(1992)
1877:(1992)
1869:(1991)
1861:(1990)
1853:(1988)
1845:(1987)
1837:(1986)
1753:19 May
1317:25 May
1257:25 May
1170:25 May
1086:25 May
1052:
1028:Design
970:vielle
565:, and
559:Warsaw
445:7.6/10
212:Rating
209:Source
199:75/100
189:Rating
186:Source
89:Length
64:Studio
1467:, BBC
1282:Paste
916:From
755:'
743:gave
729:gave
722:Paste
609:" by
601:" by
440:Paste
106:Label
80:Genre
1989:Live
1780:2012
1755:2019
1727:2011
1699:2011
1672:2011
1647:2011
1619:2011
1591:2010
1559:2011
1533:2011
1505:2011
1473:2011
1438:2011
1407:2011
1372:2020
1347:2019
1319:2018
1291:2011
1259:2018
1228:2020
1200:2020
1172:2018
1144:2019
1116:2019
1088:2018
972:(11)
924:Band
716:Live
583:and
457:6/10
884:" (
873:" (
845:" (
817:" (
579:by
2063::
1771:,
1746:.
1742:.
1715:,
1687:,
1663:,
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1174:.
1146:.
1118:.
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880:"
869:"
859:"
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828:"
821:/
813:"
505:B
96::
58:)
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