Knowledge

Site-specific art

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272: 326: 345: 251: 307: 291: 357: 1862: 31: 2358: 212: 2348: 2368: 920: 97:(1970), Oppenheim attempted a series of standing jumps at a selected site in Idaho, where "the width of the creek became a specific goal to which I geared a bodily activity," with his two successful jumps being "dictated by a land form." Site specific environmental art was first described as a movement by architectural critic Catherine Howett and art critic 223:
project, initiated in 2004, is conceived specifically for the Plaine de Plainpalais, a public square of 95'000 square meters, in the heart of the city. The concept consists of commissioning luminous artistic works for the rooftops of the buildings bordering the plaza, in the same way, advertisements
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Modernist art objects were transportable, nomadic, could only exist in the museum space and were the objects of the market and commodification. Since 1960 the artists were trying to find a way out of this situation, and thus drew attention to the site and the context around this site. The work of
239:, South Africa. The site-specific nature of the work allows artists to interrogate the contemporary and historic reality of the Central Business District and create work that allows the city's users to engage and interact with public spaces in new and memorable ways. 56:
created to exist in a certain place. Typically, the artist takes the location into account while planning and creating the artwork. Site-specific art is produced both by commercial artists, and independently, and can include some instances of work such as
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is a current location, which comprises a unique combination of physical elements: depth, length, weight, height, shape, walls, temperature. Works of art began to emerge from the walls of the museum and galleries
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created especially for the site. More broadly, the term is sometimes used for any work that is more or less permanently attached to a particular location. In this sense, a building with interesting
344: 271: 134:, Hartford Wash: Washing Tracks, Maintenance Outside, Wadsworth Atheneum, Hartford, 1973), thus criticizing the museum as an institution that sets the rules for artists and viewers. 325: 224:
are installed on the city's glamorous lakefront. The 14 artists invited had to respect the same legal sizes of luminous advertisements in Geneva. The project thus creates a
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In Geneva, Switzerland, the Contemporary Art Funds are looking for original ways to integrate art into architecture and the public space since 1980. The
356: 1764: 306: 1708: 1487: 501: 250: 1437: 1237: 220: 574: 476: 2376: 2407: 2371: 1492: 30: 1200: 1757: 17: 122:, Within and Beyond the Frame, John Weber Gallery, New York, 1973), were created specifically for the museum and galleries ( 2400: 1514: 316: 1636: 952: 290: 2103: 1646: 1536: 924: 653: 2605: 2361: 1750: 1704: 1470: 761: 711: 561: 1913: 1700: 1671: 1614: 205: 177:
reacted with what can be considered a definition of site-specific art: "To move the work is to destroy the work."
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art was created in the site and could only exist and in such circumstances - it can not be moved or changed.
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Site-specific performance art, site-specific visual art and interventions are commissioned for the annual
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both between locations, and messages, but also by the way one interprets neon signs in the public realm.
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Site specific dance by Blue Lapis Light at the Texas State History Museum in Austin, Texas, 2010.
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program of subtracting from the artwork all cues that interfere with the fact that it is "art",
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The Neon Parallax: luminous artworks specifically designed for the public space
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but it was actually first used in the mid-1970s by young sculptors, such as
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The term "site-specific art" was promoted and refined by Californian artist
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Kaye, Nick (2000). "Embodying Site: Dennis Oppenheim and Vito Acconci".
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One Place After Another: Site-Specific Art and Locational Identity
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Site-Specific Art: Performance, Place and Documentation
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could also be considered a piece of site-specific art.
756:. Cambridge (Massachusetts), London: MIT. p. 3. 173:(1981) resulted in its removal in 1989, its author 616: 197:. Outdoor site-specific artworks can also include 960: 2562: 1438:Timeline of 20th century printmaking in America 156:construction related to Ar. Co,’s architecture 362:O, Die Stimme in der Kunst, Klinikverwartung, 2408: 1758: 946: 185:Outdoor site-specific artworks often include 1772: 614: 534:"Silence / Shapes – Filippo Minelli Studio" 2415: 2401: 1765: 1751: 953: 939: 554:The World Atlas of Street Art and Graffiti 648:. Hirshhorn Museum and Sculpture Garden. 726: 668: 210: 29: 646:Robert Irwin: All the Rules Will Change 643: 14: 2563: 499: 193:elements; it is sometimes linked with 2396: 1746: 934: 2367: 891:"Infecting The City - Africa Centre" 751: 693: 474: 406:(online museum of environmental art) 336:Waterfalls under the Brooklyn Bridge 317:Knockan Crag National Nature Reserve 27:Artwork created for a certain place 24: 1537:Index of painting-related articles 25: 2627: 912: 2366: 2357: 2356: 2346: 1914:Traditional ecological knowledge 1860: 918: 727:Chowdhry, Pritika (2021-11-06). 702:. New York: Routledge. pp.  669:Chowdhry, Pritika (2021-11-06). 355: 343: 324: 305: 289: 270: 249: 189:combined with permanently sited 105:, site-specific art opposed the 2422: 2212:Science, technology and society 883: 859: 834: 825: 801: 792: 783: 770: 745: 720: 687: 662: 637: 608: 587: 567: 546: 526: 500:Brooks, Raillan (2013-12-06). 493: 468: 425:Land Arts of the American West 130:, Condensation Cube, 1963–65, 13: 1: 2053:Religion and environmentalism 461: 2116:Environmental interpretation 1476:Museum collection management 1399:Art history (academic study) 1278:alternative exhibition space 846:institutions.ville-geneve.ch 552:Rafael Schacter, author of " 265:from atop Rozel Point, 2005. 167:When the public debate over 95:Two Jumps for Dead Dog Creek 7: 2089:Environmental communication 1637:Colossal sculptures in situ 1341:Artist-in-residence program 371: 180: 39:Site-specific installation, 10: 2632: 1904:Environmental anthropology 1647:Contemporary art galleries 1542:Outline of the visual arts 776:Kaye (citing O'Docherty's 475:TACO, L. 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Index

Site-specific land art

Dan Flavin
Menil Collection
artwork
sculpture
stencil graffiti
rock balancing
Robert Irwin
Patricia Johanson
Dennis Oppenheim
Athena Tacha
Lucy Lippard
minimalism
Modernist
Daniel Buren
Michael Asher
Hans Haacke
Mierle Laderman Ukeles
Jean-Max Albert
Sculptures Bachelard
Parc de la Villette
trellis
Lisbon
Carlos Zingaro
Tilted Arc
Richard Serra
landscaping
sculptural
environmental art

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