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Signac?" in 1897, and in 1899 declared the society "almost dead" did an abrupt about-face in 1901, highly praising the Salon. Art critic Roger Marx highly praised that year's exhibition and importantly, he continued to link its success to the ideals of freedom on which the society had been founded. "Overall, the exhibition of the
Independents is more and better than the protesting Salon des Refusés; it gives the example of an open society where the rights of all are equal, where everyone is answerable only to himself and remains individually responsible. The artist admits and shows himself as he is, openly without pretense; the viewer, meanwhile, receives no watchword from the jury, follows the inclination of his preferences and decides, in his own way, from beginning to end. Fortunate training for the will, is it not true, that which accustoms man to use his independence to act, to think by himself and for himself, consulting no-one, in the blissfulness of free will!"
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1005:"Picasso, keen as a whip, spirited as a devil, mad as a hatter, runs to his studio and contrives a huge nude woman composed entirely of triangles, and presents it in triumph. What wonder Matisse shakes his head and does not smile! He chats thoughtfully of the "Harmony and volume" and "architectural values," and wild Braque climbs to his attic and builds an architectural monster which he names Woman, with balanced masses and parts, with openings and columnar legs and cornices. Matisse praises the direct appeal to instinct of the African wood images, and even a sober Dérain, a co-experimenter, loses his head, moulds a neolithic man into a solid cube, creates a woman of spheres, stretches a cat out into a cylinder, and paints it red and yellow!"
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995:"Though the school was new to me, it was already an old story in Paris. It had been a nine-days’ wonder. Violent discussions had raged over it; it had taken its place as a revolt and held it, despite the fulmination of critics and the contempt of academicians. The school was increasing in numbers, in importance. By many it was taken seriously. At first, the beginners had been called "The Invertebrates." In the Salon of 1905 they were named "The Incoherents." But by 1906, when they grew more perfervid, more audacious, more crazed with theories, they received their present appellation of "Les Fauves"—the Wild Beasts. And so, and so, a-hunting I would go!"
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1010:"Metzinger once did gorgeous mosaics of pure pigment, each little square of color not quite touching the next, so that an effect of vibrant light should result. He painted exquisite compositions of cloud and cliff and sea; he painted women and made them fair, even as the women upon the boulevards fair. But now, translated into the idiom of subjective beauty, into this strange Neo-Classic language, those same women, redrawn, appear in stiff, crude, nervous lines in patches of fierce color."
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877:. Cézanne's explorations of geometric simplification and optical phenomena inspired not just Matisse, Derain, Braque and Metzinger, but the other artists who exhibited earlier with the Fauves. Those who had not transited through a Fauve stage, such as Picasso, experimented, too, with the complex fracturing of form. Cézanne had thus sparked a wholesale transformation in the area of artistic investigation that would profoundly affect the development
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eight other members in 1925. Lhote was of the opinion that the change was mainly intended for the "Sunday painters". Signac and his supporters defended the alphabetical order stressing 'equal attention to all participants' and that there was no place for 'les petites chapelles' (the little chapels). The latter was especially directed against the neo-cubists, who after the First World wished to be associated with well-known artists.
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amounts to a wavering schematicism that proscribes modeling and volumes in the name of I-don't-know-what pictorial abstraction. This new religion hardly appeals to me. I don't believe in this
Renaissance... M. Matisse, fauve-in-chief; M. Derain, fauve deputy; MM. Othon Friesz and Dufy, fauves in attendance... and M. Delaunay (a fourteen-year-old-pupil of M. Metzinger...), infantile fauvelet. (Vauxcelles, Gil Blas, 20 March 1907)
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resulting in the obscurity of the subject matter. The predominance of sharp geometrical faceting and the fact that a group of artists are all working in similar directions, gives rise to the term 'Cubism'. Although this and similar terms have been used before in artistic circles (usually in relation to the works of
Metzinger, Delaunay and Braque), this is the first time the use of the term becomes widespread.
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to Meudon. Both are discontent with the conventional perspective mechanism. They have long conversations about the nature of form and perception. They agree that traditional painting gives a static and incomplete idea of the subject as experienced in life. Things, they conclude, are in fact dynamic, observed to move, are seen from different angles and can be captured at successive moments in time.
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simplified form began to overtake the representational aspect of the works. The simplification of representational form gave way to a new complexity; the subject matter of the paintings progressively became dominated by a network of interconnected geometric planes, the distinction between foreground and background no longer sharply delineated, and the depth of field limited.
343:—created the Salon des Indépendants. The right to present their works to the public with no restrictions was their only condition. Article no. 1 of the By-laws of the organization: "The purpose of Société des Artistes Indépendants—based on the principle of abolishing admission jury—is to allow the artists to present their works to public judgement with complete freedom".
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Every season it appeared renewed, growing like a living body. Its enemies could, eventually, have forgiven it if only it had passed away, like a fashion; but they became even more violent when they realised that it was destined to live a life that would be longer than that of those painters who had been the first to assume the responsibility for it.
1000:"It was Matisse who took the first step into the undiscovered land of the ugly. Matisse himself, serious, plaintive, a conscientious experimenter, whose works are but studies in expression, who is concerned at present with but the working out of the theory of simplicity, denies all responsibility for the excesses of his unwelcome disciples."
1521:. At stake was more than just the future of public funding for exhibitions that included Cubist art. Le Fauconnier, Gleizes, Léger, Metzinger and Archipenko formed the core of the hanging committee at the 1912 Indépendants. The common hall, room 20, in which the Cubists placed themselves became the nucleus of the exhibition.
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1808:, the cubists regrouped. Their first chance to exhibit together presented itself at the Salon des Indépendants of 1920. But the fight wasn't going to be easy. Opening on 28 January, over three thousand works were display, a large number of which were Cubist paintings. For the first time the exhibition took place at the
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1396:, 1910-11 (Haags Gemeentemuseum, Den Haag), partly due to its large size and partly to the treatment of its subject matter, was an eye-catcher, causing a sensation. This painting was soon bought by the Dutchman art critic and painter Conrad Kickert (1882-1965), who was secretary of the Contemporary Art Society (
939:(1 May 1908) Apollinaire claims that Braque's work is the most original effort presented at the salon. Even in the absence of Matisse and Picasso, Vauxcelles, in Gil Blas (20 March 1908) refers to the most innovative artists of the exposition as 'barbarous schematizers'... who want to create an 'abstract art'.
1319:) together with other young painters who also want to emphasise a research into form (as opposed to color) take over the hanging committee of the Salon des Indépendants ensuring that the works of painters now dubbed 'Cubists' would be shown together. Gleizes, Metzinger, Le Fauconnier, Delaunay, Léger and
151:(Salon des Artistes Indépendants) is an annual independent art exhibition aimed at a large audience that takes place in Paris. It was established in response to the rigid traditionalism of the official government-sponsored Salon. Since the first exhibition of 1884, at the Pavilion de la ville de Paris (
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The hanging commission was conducted in opposition to Signac, who was in favor of the alphabetical order system. Léger left the placement committee in 1923. In 1924 placement was classified by nationality and alphabetically. Lhote left the placement committee, which consisted of 20 people, along with
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1902-04 continued the success seen in the 1901 Salon. Critics increasingly praised the harmony and beauty of Neo-Impressionist paintings of the
Mediterranean coast. The art critic Fagus wrote in La Revue Blanche that Henri-Edmond Cross's works that year showed "the quivering of these Provencal pines,
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In the following years the exhibition continued to grow in both numbers and importance. 2,395 works were exhibited in 1904, and in 1905, the Salon showed 4,269 works by 669 artists. By 1908 six thousand works were displayed at the Indépendants. In 1910 the number of artists increased to 1,182, rising
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The term 'Cubism' is employed in June 1911 by
Apollinaire, speaking in the context of 'Les Indépendants', Musée Moderne de Bruxelles in Brussels, which includes works by Gleizes, Delaunay, Léger, and Le Fauconnier. During the summer, Gleizes is in close contact with Metzinger, who has recently moved
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In 1901, however, the society rebounded with more than 1000 paintings exhibited, and critics paying it serious attention again. Reviews of that years show were decidedly positive, even calling it "one of the most brilliant exhibitions" in the group's 17-year history. Fontainas, who had cried "Why M.
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in Paris. After some initial successes in the 1880s, response to the Indépendants waned in the 1890s. By 1897 art critic Andre
Fontainas would complain "The Salon of the Independants reveals itself to be more and more sterile every year. Nothing, nothing and nothing! ... Why M. Signac? Why M. Luce?"
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The changes it had already undergone since the Indépendants of 1911 could leave people in no doubt as to its nature. Cubism was not a school, distinguished by some superficial variation on a generally accepted norm. It was a total regeneration, indicating the emergence of a wholly new cast of mind.
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A movement I consider dangerous (despite the great sympathy I have for its perpetrators) is taking shape among a small clan of youngsters. A chapel has been established, two haughty priests officiating. MM Derain and
Matisse; a few dozen innocent catechumens have received their baptism. Their dogma
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At the Salon des Indépendants of 1906 the elected members of the hanging committee included
Matisse, Signac and Metzinger. Following the Salon d'Automne of 1905 which marked the beginning of Fauvism, the Salon des Indépendants of 1906 marked the first time all the Fauves would exhibit together. The
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The Salon des Indépendants transpired in Paris from 20 March to 16 May 1912. This massive exhibition occurred exactly one year after
Metzinger, Gleizes, Le Fauconnier, Delaunay, Léger and Laurencin were shown together in Room 41 of the 1911 Salon des Indépendants, which provoked the scandal out of
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In the spring of 1911 the cubists made sure they were shown together, infiltrating the placement committee. That Le
Fauconnier was the secretary of the salon facilitated the goal of hanging their works together. Until then, works in alphabetical order of the artists names. In room 41 hung works by
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The Fauvism of Matisse and Derain was virtually over by the spring of the 1907 Indépendants. And by the Salon d'Automne of 1907 it had ended for many others as well. The shift from bright pure colors loosely applied to the canvas gave way to a more calculated geometric approach. The priority of
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On 1 December 1884, Lucien Boué, President of the Paris City Council, opened the first Salon des Artistes Indépendants at the Palais Polychrome (near the Palais de l'Industrie). The Salon became the refuge for artworks deemed unacceptable by the traditional Salon. Among the works exhibited were
155:), the organizing Société des Artistes Indépendants has vowed to bring together the works of artists claiming a certain independence in their art. The event is characterized by the absence of both awards and a selection jury. There are however placement or hanging committees. In contrast to the
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The evolution towards a more linear style with simplified forms continues with greater emphasis on clear geometric principles (derived from Cézanne) not solely visible in the works of Braque, but too in the works of Metzinger, Gleizes, Le Fauconnier and Delaunay (Picasso being absent from the
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The result of the group show is a major scandal. Even though the pictures shown are still conventional representations that generally observe the rules of classical perspective (according to Gleizes), the public is outraged by the representation of subject matter as cones, cubes and spheres,
650:. The painting is Matisse's most important work in which he used the Divisionist technique advocated by Signac, which Matisse had first adopted after reading Signac's essay, "D'Eugène Delacroix au Néo-impressionisme" in 1898. Signac purchased the work after the 1905 Salon des Indépendants.
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Never had a crowd been seen thrown into such a turmoil by works of the spirit, and especially over esemplastic works, paintings, whose nature it is to be silent", writes Albert Gleizes, "Never had the critics been so violent as they were at that time. From which it became clear that these
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Due to space constraints stemming from preparations for the 1900 Exposition Universelle, the 1899 exhibition had only 187 artists, down from more than 1000 in 1897. In 1900, the Indépendants reached its lowpoint, with only 55 exhibitors and few serious or substantial critical reviews.
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The Salon des Indépendants of 1921, which opened in January, had less Cubist paintings than the previous year. Braque and Metzinger were not represented. The artists that did exhibit included Gleizes, Ferat, Hayden, Marcoussis, Hellesen and Survage. With the Cubists were also
194:" was authorised by the Ministry of Fine Arts to arrange an exhibition, while the City of Paris agreed to supply rooms for the presentation. So, from May 15 through July 15, the first "free" exhibition of contemporary art showed more than 5000 works by more than 400 artists.
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of 1904, 1905 and 1906. After Cézanne died in 1906, his paintings were exhibited in Paris in the form of a retrospective at the Salon d'Automne of 1907, greatly attracting interest and affecting the direction taken by the avant-garde artists in Paris prior to the advent of
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paintings—and I specify the names of the painters who were, alone, the reluctant causes of all this frenzy: Jean Metzinger, Henri Le Fauconnier, Fernand Léger, Robert Delaunay and myself—appeared as a threat to an order that everyone thought had been established forever.
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by Guillaume Apollinaire. Braque's works were still Fauve in nature. It wasn't until the autumn of 1907 at L’Estaque that Braque began his transition away from bright hues to more subdued colors, possibly as a result of the memorial exhibition of Cézanne's work at the
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In 1906 Metzinger had acquired enough prestige to be elected to the hanging committee of the Salon des Indépendants, in addition to his entry of eight works. He formed a close friendship at this time with Robert Delaunay, with whom he would share an exhibition at
1389:, who died 2 September 1910. Articles and reviews were numerous and extensive in sheer words employed; including in Gil Blas, Comoedia, Excelsior, Action, L'Oeuvre, and Cri de Paris. Apollinaire wrote a long review in the 20 April 1911 issue of L'Intransigeant.
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The most outrageous Dada eruption to date transpired at the Salon des Indépendants of 1920. The Dadaist saw the Indépendants as decisive in the push to the top of the avant-garde food chain of the Parisian art scene. The plan was as cunning as it was devious:
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Louis Vauxcelles, in his review of the 26th Salon des Indépendants (1910), made a passing and imprecise reference to Metzinger, Gleizes, Delaunay, Léger and Le Fauconnier, as "ignorant geometers, reducing the human body, the site, to pallid cubes."
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exhibited his works for the first time at the Salon des Indépendants. At the exhibition of 1907, held from 20 March to 30 April, six paintings by Braque were exhibited. Five were purchased directly at the Salon des Indépendants by the art dealer
159:, which takes place in Paris during autumn months, the Indépendants is held during the springtime, inspiring artistic production during winter months, as artists prepare for the show. Several important dates have marked the history of the salon.
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epidemic", inaugurated December 1, 1884, by Lucien Boué, President of the Paris City Council. But financially the result was a catastrophe. Nevertheless, in spring 1885, the "Groupe" organised its next exhibition, this time with some success.
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I admit to not understanding. An ugly nude woman is stretched out upon grass of an opaque blue under the palm trees... This is an artistic effect tending toward the abstract that escapes me completely. (Vauxcelles, Gil Blas, 20 March
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Signac becomes president of the 24th Salon des Indépendants. At the exhibition of 1908, held 20 March through 2 May, a painting by Braque strikes Apollinaire by its originality. Though not listed in the catalog, it was described in
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1169:, the 'excessivist' from Genoa was exhibited at the 1910 Salon des Indépendants. Boronali was in fact a Parisian donkey (Lolo), who made the painting with his tail. It is suspected that Lolo belonged to Frédéric Gérard (
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According to John Golding's influential history of Cubism published in 1959, it was at the Salon des Indépendants of 1909, held 25 March through 2 May, that one of the first Cubist painting was exhibited to the public:
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From 24 March to 30 April, the burgeoning of Fauvism was visible at the Indépendants, prior to the infamous Salon d'Automne exhibition of 1905 which historically marks the birth of the term Fauvism, after critic
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1615:'s reviewed the 1912 Salon des Indépendants in the March–April 1912 issue of La Revue de France et des Pays, noting Metzinger's 'refined choice of colors' and the 'precious rarity' of the painting's 'matière'.
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or without support supplied by actual political constellations had little chance to advance. From year to year the number of artists working in Paris, the number of artists submitting works to the official
726:'s gallery early in 1907. The two of them were singled out by one critic (Louis Vauxcelles) in 1907 as Divisionists who used large, mosaic-like 'cubes' to construct small but highly symbolic compositions.
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would appear "in the flesh" on February 5. The crowd heckled when Chaplin (not even aware of the event) never showed up, and Tzara was ready: his group hurled insults back at the crowd from the stage.
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of 1913 in New York City. The painting, already a certain distance from Fauvism, was deemed so ugly students burned it in effigy at the 1913 Armory Show in Chicago, where it had toured from New York.
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present in the audience, fooled as the others, described the happening: "Some young people, solemn, stilted, tied up in knots, got up on the platform and as a chorus declaimed insincere inanities".
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The Salon des Indépendants arose through the need by artists to present their works to the general public independently, rather than through the official selective method of the "Salon" (created by
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The 1914 exhibition, held from 1 March to 30 April, was composed of many Orphist works of large dimension and took place in one of the largest rooms on the ground floor: Robert and Sonia Delaunay,
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1079:, two paintings in which the emphasis on simplified geometric form overwhelms to a large extent the representational interest of the painting. The same tendency is evident in Metzinger's
2752:(The Art of Measure: The Salon d'Automne Exhibition (1903-1914), the Avant-Garde, its Foreigners and the French Nation), electronic distribution Caim for Éditions de l'EHESS (in French)
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Société des artistes indépendants: catalogue de la 21ème exposition, 1905, Digital collection: Rare Books in the Thomas J. Watson Library, Metropolitan Museum of Art (New York, N.Y.)
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sent three paintings to the Salon des Indépendants, and subsequently moved to Paris with the proceeds from their sale. He again exhibiting several paintings, this time along with
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progressively to 2,175 by 1930. But the Société's inclusive principles meant it would always be subject to the criticism that it valued quantity over quality: in 1926 the critic
1346:. The studios of Jacques Villon and Raymond Duchamp-Villon at 7, rue Lemaître, become, together with Gleizes' studio at Courbevoie, regular meeting places for the newly formed
1816:. Picasso was nowhere to be seen, but others were, such as Archipenko, Braque, Csaky, Gleizes, Gris, Hayden, Herbin, Léger, Lhote, Lipchitz, Metzinger, Severini and Survage.
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the beautiful rise towards the arabesque, towards the beautiful line, towards a new classical canon!". This year also featured a retrospective of works by Toulouse-Lautrec.
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1193:, attached a paint brush to the tail of the animal. The donkey did the rest. The painting sold for 400FF (equal to 1,257 Euros today) and was donated by Dorgelès to the
1609:, are close to this real and magnificent result, this victory comes from several centuries: the creation of a school of painting, 'French' and absolutely independent."
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During the First World War there were no exhibitions. After the war, however, there was a revival of Cubism, led by Gleizes and others, which included exhibitions at
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which Cubism emerged and spread throughout Paris. Its wide-ranging repercussions were felt in Germany, Holland, Italy, Russia, Spain and elsewhere (influencing
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For the first time, the establishment journal Gazette des Beaux-Arts reviewed the annual Salon in 1903, marking the coming of age of the Indépendants. In 1903,
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Another Cubist scandal is produced several months later at the Salon d'Automne, where the Indépendants exhibitors develop relations with the Duchamp brothers,
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where the Cubists exhibited their works, this quarrel involved both the French and non-French avant-garde artists. On 3 December 1912 the polemic reached the
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In addition to the works of Matisse, Derain and Braque, the Indépendants of 1907 included six works (each) by Vlaminck, Dufy, Metzinger, Delaunay, Camoin,
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and visited his studio in Courbevoie several days later. In 1907, at Max Jacob's place, Metzinger met Guillaume Krotowsky, who already signed his works
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were among its founders. For the following three decades their annual exhibitions set the trends in art of the early 20th century, along with the
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243:– based on the principle of abolishing admission jury – is to allow the artists to present their works to public judgement with complete freedom.
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Many avant-garde artists, including those associated with the Société des Artistes Indépendants shifted towards commercial venues in the 1890s.
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The art critic Olivier-Hourcade writes of this exhibition in 1912 and its relation to the creation of a new French school: "Metzinger with his
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as "bizarreries cubiques" (cubic oddities). In Room 16 hung works by Derain, Dufy, Friesz, Laprade, Matisse, Jean Puy, Rouault and Vlaminck.
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exhibited in the same salon. According to Apollinaire this was the 'first Cubist portrait'. Apollinaire himself has pointed out in his book
697:. The triangular composition is closely related to Cézanne's Bathers; a series that would soon become a source of inspiration for Picasso's
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Matisse is in charge of the hanging committee, assisted by Metzinger, Bonnard, Camoin, Laprade Luce, Manguin, Marquet, Puy and Vallotton.
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2548:, 1985, Jean Metzinger in Retrospect, The University of Iowa Museum of Art, J. Paul Getty Trust, University of Washington Press, pp. 9-23
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In an attempt to regain their pre-war status at the forefront of the avant-garde, and faced with the possibility of being overthrown by
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2971:, a full text exhibition catalog from The Metropolitan Museum of Art, which includes material on the Société des Artistes Indépendants
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The work of Metzinger, Le Fauconnier and Robert Delaunay were exhibited together. Le Fauconnier showed the geometrically simplified
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1087:(1913), that Metzinger, following Picasso and Braque, was chronologically the third Cubist artist. According to Gleizes's memoirs,
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Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890
1246:, oil on canvas, 146.4 x 114.4 cm. Exhibited at Salon des Indépendants, 1911. Stolen by Nazi occupiers from the home of collector
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487:). Between 1901 and 1907, the exhibition was held in the Grandes Serres de la Ville de Paris (Cours-la-Reine, Paris), also called
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Opus 217. Against the Enamel of a Background Rhythmic with Beats and Angles, Tones, and Tints, Portrait of M. Félix Fénéon in 1890
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Hommage à Marcel Duchamp, Boîte-en-catalogue, 1912-2012, Salon des Indépendants, 1912, n. 1001 of the catalogue, Marcel Duchamp,
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http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/dymond-valiant-independent-and-harmonious
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The offensive event witnessed by the more respectable Cubists solicited a vehement denunciation, declaring Dada an abomination.
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The submission payment was 10 francs for four works. In 1906 ten works could be submitted for 25 francs and from 1909 only two.
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of France, by Frédéric Hattat, chairman of the Fine Art commission in the same council, by Albert Dubois-Pillet, commanding the
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Remarkably, the presence of a painting made by a donkey named Lolo passed by practically unnoticed. The painting was entitled
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As translated and quoted in Anne Dymond, Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900
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For years, the artists had counted on official support. In 1884, finally, the artists began to organise themselves, and a "
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introduces him to Metzinger, but only after the Salon d'Automne do they become seriously interested in each other's work.
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and so on). Just five months prior to this show another polemic developed at the Salon d'Automne of 1912. Originating in
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And regarding the reception received by the Cubists at the Salon des Indépendants and Salon d'Automne Gleizes writes:
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painting based on analogies with music and the progressive abstraction of a subject in motion, joins the discussions.
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545:. Throughout this time, the Société des Artistes Indépendants was strongly associated with the Neo-Impressionists.
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on 29 July 1884. The association began with the organization of massive exhibitions in Paris, choosing the slogan "
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and praised its 'French grace', while noting Metzinger 'illuminated a cubist figure with the virtues of a smile'.
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rented an auditorium at the Grand Palais. A group guided by Tzara distributed flyers and posters saying that
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The newly formed Montparnasse group (who held meetings not just at Le Fauconnier's studio, but at the cafés
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2463:, The Oxford Dictionary of Art, Oxford University Press, 2004. Retrieved from enotes.com, 26 December 2007.
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S. E. Johnson, 1964, Metzinger, Pre-Cubist and Cubist Works, 1900-1930, International Galleries, Chicago
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Matisse, Henri." Encyclopædia Britannica. 2007. Encyclopædia Britannica Online. Retrieved 30 July 2007.
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challenged this foundation and succeeded to have an exhibition arranged "for the victims of the recent
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Picasso and the Chess Player: Pablo Picasso, Marcel Duchamp, and the Battle for the Soul of Modern Art
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Picasso and the Chess Player: Pablo Picasso, Marcel Duchamp, and the Battle for the Soul of Modern Art
2749:
L'art de la mesure, Le Salon d'Automne (1903-1914), l'avant-garde, ses étranger et la nation française
1148:, oil on canvas, 54 x 80 cm, painted by the donkey Lolo. Exhibited at the Salon des Indépendants, 1910
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Martha Ward, Pissarro, Neo-Impressionism and the Spaces of the Avant-Garde, Chicago UP, 1996, p. 193
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The Salon des Indépendants was held March 9 through 18 May, the Cubist works were shown in room 46.
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1032:). On 25 March 1909, Louis Vauxcelles qualifies the works of Braque (Bracke, sic) exhibited at the
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2626:, The Architectural Record, May 1910, documents p. 3, Interview with Jean Metzinger, circa 1908-09
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This exhibition involved more than 6,400 paintings. In room 42 was a retrospective exhibition of
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703:. Critics were horrified by the flatness, bright colors, eclectic style and mixed technique of
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Monneret, Jean: "Catalogue raisonné des artistes Indépendants" Paris, 1999, ed. Eric Koehler *
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begins a series of interviews with the avant-garde working currently in Paris and surrounding
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Gleizes, on the other hand, would write in 1913 of the Cubist movements continual evolution:
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and the number of works refused by the jury increased, but neither the Second Empire nor the
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Metzinger, Gleizes, Léger, Delaunay, Le Fauconnier and Archipenko. In room 43 hung works by
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remained active. Since 1920, the headquarters has been located in the vast basements of the
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1118:. In the same hall hung the works of Matisse, Vlaminck, Dufy, Laurencin, van Dongen and
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According to Metzinger's memoirs, it was at the 1906 Salon des Indépendants that he met
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technique and brightly colored, it was painted in 1904, after a summer spent working in
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chez les fauves" ("Donatello among the wild beasts"), contrasting the paintings with a
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2441:, Gil Blas, 17 October 1905. Screen 5 and 6. Gallica, Bibliothèque nationale de France
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2380:"Valiant, Independent, and Harmonious: Paul Signac and Neo-Impressionism after 1900"
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for a total price of 505 FF. The sixth work was presumably bought by the art dealer
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976:. These interviews and Burgess' impressions of the works produced are published in
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In excess of 1,314 artists exhibit 6,701 works. Matisse does not submit any works.
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was listed in the catalogue (n. 1001) but was withdrawn prior to the exhibition —
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747:. It was around this time that Braque first met Kahnweiler and was introduced to
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mentioned la Salle hollandaise (room 43), which included Jacoba van Heemskerck,
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obtained the Grand Palais for its salon exhibitions. After World War II, the
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Although sustained by Mesureur, deputy chairman of the Council of Paris and
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Salon Annuel du Cercle d'Art 'Les Indépendants', Musée Moderne de Bruxelles
2265:
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2050:
1980:
1955:
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1271:, Sweden. Exhibited at the first Cubist manifestation, Room 41 of the 1911
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87:. This is where artworks were often first displayed and widely discussed.
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2957:
Société des artistes indépendants: catalogue de la 29ème exposition, 1913
2952:
Société des artistes indépendants: catalogue de la 27ème exposition, 1911
2947:
Société des artistes indépendants: catalogue de la 26ème exposition, 1910
2942:
Société des artistes indépendants: catalogue de la 25ème exposition, 1909
2937:
Société des artistes indépendants: catalogue de la 24ème exposition, 1908
2932:
Société des artistes indépendants: catalogue de la 23ème exposition, 1907
2927:
Société des artistes indépendants: catalogue de la 22ème exposition, 1906
2922:
Société des artistes indépendants: catalogue de la 21ème exposition, 1905
2689:
The Mechanics of Expression: Donkeys, Humans, Monkeys, Cats and Elephants
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exhibited at the Indépendants. The works exhibited ranged in style from
398:. The second exhibition was held in 1886 in a temporary building in the
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2015:
1995:
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269:
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had exhibited there. During the period between 1890 and 1914 known as
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6627:
6550:
5969:
5755:
5592:
5349:
5050:
4999:
4897:
4708:
4514:
4485:
4196:
4029:
4014:
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1400:). In 1934 he donated the painting to the Gemeentemuseum, Den Haag.
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6617:
6555:
6487:
6381:
6366:
6040:
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1506:
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1069:
Gleizes exhibits in the Salon des Indépendants for the first time:
973:
614:
578:
1065:. Exhibited at the 1910 Indépendants a few months before his death
661:
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748:
521:
estimated that only 100 of the 3,726 artworks were of any value.
458:
395:
394:
The proceeds of the first show were earmarked for the victims of
257:
5581:
1871:. At the exhibition were also the works of Bissière, Blanchard,
1619:
too, in his review, noted Metzinger's 'refined use of color' in
7473:
7286:
7145:
6637:
6567:
6136:
6048:
5903:
5134:
4221:
4167:
3808:
3803:
3690:
3556:
3377:
3250:
1323:(at the request of Apollinaire) are shown together in Room 41.
874:
466:
19:
10807:
5370:
402:
with 200 paintings exhibited, including the first showing by
60:
7384:
1524:
At the 1912 Salon des Indépendants Albert Gleizes exhibited
1250:
during World War II, returned to its rightful owners in 1997
479:
In 1895 and 1897 the Salon des Indépendants was held at the
7946:
7480:
7222:
6024:
4157:
3828:
1805:
1062:
524:
2975:
Catalogues of the Société des artistes indépendants online
2898:, Grand Palais des Champs-Élysées, April 23 - May 16, 1965
2882:
L'Impressionisme et son époque, dictionnaire international
2861:, New York: New Directions, 1990, p. 40, in Larry Witham,
7213:
Art in the Protestant Reformation and Counter-Reformation
2691:. (Cf. Warnod, 1910; Weiss, 1994, pp. 149–151, 304.)
1197:. The painting forms part of the permanent collection at
2430:
213:, the beginning of the Company, considered as a nest of
690:
centerpiece of the exhibition was Matisse's monumental
1699:
Le modèle nu dans l'atelier (Nude Model In The Studio)
868:
Many of Cézanne's paintings had been exhibited at the
34:, Paris. Exhibited at the Salon des Indépendants, 1905
2905:, préface de Serge Lemoyne, L'Echelle de Jacob, 2003.
729:
1208:
10703:
A Sunday Afternoon on the Island of La Grande Jatte
9383:
A Sunday Afternoon on the Island of La Grande Jatte
2894:Socièté des artistes indépendants, 76e exposition:
2713:
Aux commencements du rire moderne. L'esprit fumiste
1686:1912-13, National Gallery of Art, Washington D.C —
1022:
Little Harbor in Normandy (Petit port en Normandie)
764:, painted during the winter of 1906, and his large
2661:
2659:
2657:
2655:
2653:
2651:
2649:
2471:
2469:
914:. Dimensions and location unknown. Illustrated in
2896:Le Premiers Indépendants: Rétrospective 1884-1894
2668:Albert Gleizes, Chronology of his life, 1881-1953
2540:
2538:
2536:
1224:, oil on canvas, 191 x 123 cm (75.25 x 48.5 in.)
801:also appeared at the 1907 Indépendants, entitled
566:-style sculpture that shared the room with them.
10975:
2780:
2738:
2736:
2734:
613:. This exhibition was reviewed by Vauxcelles in
351:" Signac's "Le Pont d'Austerlitz", and works of
235:Article 1 of the organization's statutes reads,
229:, officially confirmed the establishment of the
2646:
2466:
1664:. Exhibited at the 1913 Salon des Indépendants.
1488:. Exhibited at the 1912 Salon des Indépendants.
1469:. Exhibited at the 1912 Salon des Indépendants.
1448:. Exhibited at the 1912 Salon des Indépendants.
1429:. Exhibited at the 1912 Salon des Indépendants.
884:
425:practically all of the artists associated with
30:, oil on canvas, 98.5 × 118.5 cm (37 x 46 in),
10743:The Channel of Gravelines, Petit Fort Philippe
2839:, University Press of New England (ebook) 2013
2747:, no. XXII -1 (2007), Guerre et statistiques,
2615:
2533:
2302:
2300:
2298:
1904:, with the assistance of Dunoyer de Segonzac,
1799:
1403:
558:described their show of work with the phrase "
10823:
10659:
7400:
4302:
3496:
2996:
2810:, published in German, 1928, under the title
2800:
2798:
2731:
2673:
835:Vauxcelles described this group of 'Fauves':
495:. From 1920 the exhibitions were held at the
10322:
10311:
7505:
7494:
7448:
7437:
674:, oil on canvas, 175 x 241 cm (69 × 95 in),
311:). A small collective of innovative artists—
7576:
2977:. Gallica, Bibliothèque nationale de France
2807:The Epic, From immobile form to mobile form
2792:, Manchester University Press, 2004, p. 107
2453:
2295:
1644:
1294:. Exhibited at Salon des Indépendants, 1911
1043:
620:Matisse exhibited the proto-Fauve painting
225:June 11, 1884, Maître Coursault, notary at
91:brought a closure to the salon, though the
10830:
10816:
10666:
10652:
7407:
7393:
4309:
4295:
3503:
3489:
3003:
2989:
2795:
2776:Salon des Indépendants, 1912, kubisme.info
2495:
2493:
2491:
2489:
2487:
2485:
2483:
2362:
2360:
2358:
2356:
2354:
2352:
2350:
2348:
2307:Société des Artistes Indépendants, History
1744:were emphatically present. Apollinaire in
1684:Les Joueurs de football (Football Players)
481:Palais des Beaux-Arts et des Arts libéraux
16:French artists' salon and exhibiting space
3510:
2830:
2828:
2607:Gelett Burgess, "The Wild Men of Paris",
2346:
2344:
2342:
2340:
2338:
2336:
2334:
2332:
2330:
2328:
2316:
2314:
1125:Apollinaire wrote in the daily newspaper
1014:
832:, Puy, and Valtat, and three by Marquet.
48:[sɔsjetedez‿aʁtist(z‿)ɛ̃depɑ̃dɑ̃]
1648:
1486:Musée d'Art Moderne de la Ville de Paris
1472:
1467:Musée d'Art Moderne de la Ville de Paris
1451:
1432:
1407:
1278:
1253:
1231:
1212:
1155:Et le soleil s'endormit sur l'Adriatique
1146:Et le soleil s'endormit sur l'Adriatique
1136:
1132:
1047:
900:
888:
859:Musée d’Art Moderne de la Ville de Paris
843:
774:
660:
525:1902-1904: Towards a New Classical Canon
291:
268:
172:in charge of the exhibits at the annual
122:
18:
2546:Jean Metzinger: At the Center of Cubism
2480:
2321:Salon des Indépendants, Merriam-Webster
1691:The Cardiff Team (L'équipe de Cardiff )
1563:La Femme au Cheval (Woman with a horse)
1425:, Denmark. Provenance: Jacques Nayral,
1418:La Femme au Cheval (Woman with a horse)
656:
11009:Arts organizations established in 1884
10976:
6990:Contemporary Indigenous Australian art
3010:
2825:
2814:, the French version was published as
2325:
2311:
1736:. This was the first exhibition where
821:would later create a sensation at the
10811:
10647:
10248:Six Characters in Search of an Author
7388:
5010:Art of the late 16th century in Milan
4290:
3484:
2984:
1923:
897:, Museum Kranenburgh, Bergen, Holland
854:Paysage coloré aux oiseaux aquatiques
507:
247:
166:, artists not backed by the official
46:
10984:French artist groups and collectives
2367:Kubisme.info, Salon des Indépendants
1845:
1228:. Exhibited at the 1911 Indépendants
942:This exhibition was reviewed in the
805:. Vauxcelles writes on the topic of
264:
169:Académie de peinture et de sculpture
2822:, 1929. Translation by Peter Brooke
2595:The Response to Matisse's Blue Nude
2521:UCLA Art Council et al. 1966, p. 11
1165:presented by the fictitious artist
187:found an answer to this situation.
13:
10673:
9443:Nude Descending a Staircase, No. 2
6345:Vienna School of Fantastic Realism
5196:Neoclassical architecture in Milan
2871:
2530:Oxford Art Online, "Henri Matisse"
2504:, Greenwood Publishing Group, 1994
2377:
1916:, Yves Brayer, Aristide Caillaud,
1898:was renewed with the artist group
1713:1912, Philadelphia Museum of Art.
1711:L'Homme dans le Café (Man in Café)
1693:1913, Van Abbemuseum, Eindhoven —
1660:, oil on canvas, 127.6 x 88.3 cm,
1537:Nude Descending a Staircase, No. 2
1358:, the Czech painter interested in
730:1907, the wholesale transformation
14:
11030:
10951:Société des Artistes Indépendants
10769:Société des Artistes Indépendants
6419:American Figurative Expressionism
4755:International Gothic art in Italy
2916:Société des Artistes Indépendants
2909:
1892:Société des Artistes Indépendants
1792:and a revival of the Salon de la
1209:1911, the major scandal of Cubism
950:20 March 1908; by C. Le Senne in
241:Société des Artistes Indépendants
136:, oil on canvas, 73.5 x 92.5 cm,
40:Société des Artistes Indépendants
10899:The Lagoon of Saint Mark, Venice
10630:
10629:
7369:
7368:
5928:Neue Künstlervereinigung München
1763:
1350:(soon to exhibit under the name
980:, May 1910, at the heart of the
946:20 March 1908; by Vauxcelles in
937:La Revue des lettres et des arts
926:, Document 3, May 1910, New York
303:, oil on canvas, 54.5 by 65.4 cm
284:), oil on canvas, 201 x 300 cm,
220:
108:Société Nationale des Beaux-Arts
10837:
6850:Tunisian collaborative painting
6323:International Typographic Style
2851:
2769:
2755:
2722:
2705:
2694:
2682:
2630:
2600:
2593:Tyler Green, Modern Art Notes,
2586:
2577:
2573:, MoMA, Oxford University Press
2562:
2551:
2524:
2515:
2284:French art salons and academies
1465:, oil on canvas, 105 x 171 cm,
1421:, oil on canvas, 162 x 130 cm,
1264:Deux Nus (Two Nudes, Two Women)
548:
497:Grand Palais des Champs-Elysées
67:" ("without jury nor reward").
10790:Sunday in the Park with George
10397:Grosvenor School of Modern Art
10390:Fourth dimension in literature
6603:The Caribbean Artists Movement
2857:Gide quoted in Wayne Andrews,
2421:
2409:
2395:
2386:
2371:
798:Blue Nude (Souvenir de Biskra)
788:, oil on canvas. 92 x 140 cm,
785:Blue Nude (Souvenir de Biskra)
493:Exposition Universelle of 1900
53:Society of Independent Artists
1:
11004:1884 establishments in France
10923:The Pine Tree at Saint Tropez
10859:Cassis, Cap Lombard, Opus 196
10727:Young Woman Powdering Herself
7414:
4959:Dutch and Flemish Renaissance
2903:Dictionnaire des Indépendants
2289:
1716:In room 45 hung the works of
1288:Champs de Mars. La Tour rouge
1267:, oil on canvas, 92 x 66 cm,
968:After this salon, the writer
935:. In his review published in
857:, oil on canvas, 74 x 99 cm,
102:Société des Artistes Français
10962:Jeanne Selmersheim-Desgrange
7074:Modern European ink painting
6446:Bay Area Figurative Movement
2962:Timeline of the Paris salons
1779:
1703:Solomon R. Guggenheim Museum
1527:Les Baigneuses (The Bathers)
1462:Les Baigneuses (The Bathers)
1387:Henri (Le Douanier) Rousseau
885:1908, barbarous schematizers
617:on 4, 18 and 23 March 1905.
192:Group of independent artists
7:
10891:Entrance to the Grand Canal
10490:List of avant-garde artists
9467:The Cabinet of Dr. Caligari
6735:Artificial intelligence art
2272:
1835:The renown literary figure
1800:1920, the emergence of Dada
1404:1912, the scandal continues
1242:Le Chemin, Paysage à Meudon
1199:l'Espace culturel Paul Bédu
893:Henri le Fauconnier, 1908,
10:
11035:
10348:Classical Hollywood cinema
6648:Post-painterly abstraction
6471:Situationist International
5845:Pennsylvania Impressionism
4249:Situationist International
1776:were largely represented.
1662:Philadelphia Museum of Art
1584:Le Chasseur (The Huntsman)
118:
113:Société du Salon d'Automne
10994:Art exhibitions in France
10933:
10845:
10761:
10681:
10611:
10289:
10130:
9998:
9838:
9587:
9576:
9419:Les Demoiselles d'Avignon
9373:
9199:
8759:
8242:
8233:
8110:
7894:
7636:
7627:
7422:
7364:
7168:
6933:
6743:
6523:
6315:
6299:
6231:California Scene Painting
6110:California Scene Painting
6066:Figurative Constructivism
5978:
5783:
5562:
5551:
5381:
5318:
5211:
5127:
5117:Poussinists and Rubenists
5018:
4822:
4555:
4355:
4346:
4333:
4145:
4067:
3906:
3846:
3837:
3719:
3519:
3447:
3426:
3365:
3259:
3221:
3178:Henri de Toulouse-Lautrec
3075:
3020:
2968:Georges Seurat, 1859-1891
2641:, Gil Blas, 25 March 1909
2639:Le Salon des Indépendants
2226:Henri de Toulouse-Lautrec
2191:André Dunoyer de Segonzac
1760:and Lodewijk Schelfhout.
1376:André Dunoyer de Segonzac
1244:(Paysage avec personnage)
1108:Village dans les Montagne
987:Gelett Burgess writes in
700:Les Demoiselles d'Avignon
569:At the 1905 Indépendants
385:Henri de Toulouse-Lautrec
321:Henri de Toulouse-Lautrec
8204:The Master and Margarita
7329:Prehistoric European art
6978:Contemporary African art
6461:Gendai Bijutsu Kondankai
6389:Generación de la Ruptura
6016:Universal Constructivism
5808:California Impressionism
5763:American Barbizon school
2789:Cubism and Its Histories
2764:Nu descendant l’escalier
2743:Béatrice Joyeux-Prunel,
2609:The Architectural Record
2502:Les Fauves: A Sourcebook
1883:, Zadkine and Lipchitz.
1790:Galerie l'Effort Moderne
1645:1913, the peak of Cubism
1446:Art Institute of Chicago
1423:Statens Museum for Kunst
1378:, Luc-Albert Moreau and
1292:Art Institute of Chicago
1269:Gothenburg Museum of Art
1173:), owner of the cabaret
1167:Joachim-Raphaël Boronali
1142:Joachim-Raphaël Boronali
1044:1910, ignorant geometers
1030:Art Institute of Chicago
954:, 22 March 1908; and by
10989:19th-century art groups
10497:List of modernist poets
10383:Fourth dimension in art
9559:Meshes of the Afternoon
7156:Walking Artists Network
6493:Letterist International
6333:Washington Color School
5247:Arts in the Philippines
3759:Experimental literature
2558:Art of the 20th Century
2216:Amadeo de Souza Cardoso
1517:and was debated at the
1226:Gemeentemuseum Den Haag
1222:L'Abondance (Abundance)
1081:Portrait of Apollinaire
790:Baltimore Museum of Art
301:La Plage de Saint-Clair
278:Une baignade à Asnières
227:Montmorency, Val-d'Oise
65:sans jury ni récompense
10907:Le Sentier des Douanes
10875:In the Time of Harmony
10581:Second Viennese School
10323:
10312:
8216:The Sound and the Fury
8120:In Search of Lost Time
7577:
7506:
7495:
7449:
7438:
7267:Illuminated manuscript
6915:The Designers Republic
6865:Neue Slowenische Kunst
6788:Pattern and Decoration
6688:Institutional critique
6328:Abstract expressionism
5308:Latin American Baroque
5264:Colonial Asian Baroque
4025:Second Viennese School
3656:Neue Slowenische Kunst
3527:Abstract expressionism
3408:Salon des Indépendants
3388:Le Barc de Boutteville
3342:Robert Antoine Pinchon
2805:Albert Gleizes, 1925,
2279:Académie de La Palette
2161:Robert Antoine Pinchon
1896:Salon des Indépendants
1665:
1642:
1633:
1552:showed his monumental
1489:
1470:
1449:
1430:
1392:Henri Le Fauconnier's
1340:Raymond Duchamp-Villon
1295:
1276:
1273:Salon des Indépendants
1251:
1229:
1149:
1071:Portrait de René Arcos
1066:
1034:Salon des Indépendants
1015:1909, simplified forms
1012:
927:
898:
861:
842:
816:
792:
734:In the spring of 1906
686:
623:Luxe, Calme et Volupté
489:Grande Serre de l'Alma
349:La baignade à Asnières
304:
289:
276:1884, retouched 1887,
211:Grand Orient de France
149:Salon des Indépendants
144:
57:Salon des Indépendants
35:
28:Luxe, Calme et Volupté
10915:The Port of Marseille
10560:Reactionary modernism
10483:List of art movements
6905:Artist-run initiative
6880:Young British Artists
6845:New European Painting
6781:Moscow Conceptualists
6703:Feminist art movement
6481:Ukrainian underground
6456:Gutai Art Association
5855:Ten American Painters
5359:Western influence in
4336:List of art movements
4132:Theatre of the Absurd
4055:Twelve-tone technique
3934:Electroacoustic music
3373:Artistes Indépendants
3302:Karl Schmidt-Rottluff
3297:Ernst Ludwig Kirchner
3203:Théo van Rysselberghe
2859:The Surrealist Parade
2745:Histoire & Mesure
2719:, Paris, 1997, p.296.
2624:The Wild Men of Paris
1652:
1637:
1628:
1476:
1455:
1444:, oil on canvas, the
1436:
1411:
1309:La Closerie des Lilas
1282:
1257:
1235:
1216:
1140:
1133:1910, Lolo the donkey
1116:Portrait of Maroussia
1055:(Le Douanier), 1910,
1051:
1028:, by Georges Braque (
993:
989:The Wild Men of Paris
920:The Wild Men of Paris
904:
892:
881:of the 20th century.
847:
837:
811:
778:
762:Dancer at Le Rat Mort
716:Guillaume Apollinaire
664:
295:
272:
126:
93:Artistes Indépendants
44:French pronunciation:
22:
10999:Second French Empire
10404:Hanshinkan Modernism
10260:The Threepenny Opera
10176:Pelléas et Mélisande
6715:Saqqakhaneh movement
6608:Chicano art movement
6476:Soviet Nonconformist
6282:Boston Expressionism
6265:Abstraction-Création
6083:Arbeitsrat für Kunst
6076:Cologne Progressives
5796:Art Nouveau in Milan
5599:Anglo-Japanese style
5575:National romanticism
5005:Fontainebleau School
4915:Northern Renaissance
4750:International Gothic
4117:Postdramatic theatre
4102:Experimental theatre
3639:Multidimensional art
2901:Dominique Lobstein,
2500:Russell T. Clement,
2459:Chilver, Ian (Ed.).
2071:Roger de La Fresnaye
2001:Albert Dubois-Pillet
1931:Alexander Archipenko
1774:Arthur Burdett Frost
1672:exhibited his large
1542:Roger de La Fresnaye
1372:Roger de La Fresnaye
1360:non-representational
1024:, no. 215, entitled
978:Architectural Record
924:Architectural Record
911:Baigneuses (Bathers)
770:Museum of Modern Art
657:1906, all the Fauves
361:Albert Dubois-Pillet
329:Albert Dubois-Pillet
138:Museum of Modern Art
69:Albert Dubois-Pillet
10695:Bathers at Asnières
10462:International Style
10212:Afternoon of a Faun
9491:Battleship Potemkin
9395:Mont Sainte-Victoir
7250:Hierarchy of genres
6815:Saint Soleil School
6751:Post-conceptual art
6720:The Stars Art Group
6598:Black Arts Movement
6561:Neo-Dada Organizers
6362:Lyrical abstraction
6095:Australian tonalism
5768:California Tonalism
5440:Hudson River School
5243:Colonial Asian art
4983:English Renaissance
4932:Ghent–Bruges school
4920:Early Netherlandish
4832:Italian Renaissance
4745:Gothic art in Milan
3619:Lyrical Abstraction
3418:Salon des Tuileries
3393:La Libre Esthétique
3158:René Schützenberger
3138:Hippolyte Petitjean
2820:Le Rouge et le Noir
2816:L'Epopée (The Epic)
2711:Daniel Groinowski,
2261:Maurice de Vlaminck
2186:René Schützenberger
2151:Hippolyte Petitjean
2026:Henri Le Fauconnier
1946:Jeanne-Marie Barbey
1770:Patrick Henry Bruce
1605:, Gleizes with his
1592:Portrait of Picasso
1586:— and the newcomer
1580:Henri Le Fauconnier
1519:Assemblée Nationale
1515:Chambre des députés
1442:Portrait of Picasso
1218:Henri Le Fauconnier
1195:Orphelinat des Arts
1089:Alexandre Mercereau
1085:The Cubist Painters
952:Le Courrier du Soir
705:Le Bonheur de Vivre
693:Le Bonheur de Vivre
671:Le bonheur de vivre
603:Maurice de Vlaminck
282:Bathers in Asnières
10341:Buddhist modernism
10298:American modernism
10224:The Rite of Spring
8192:The Sun Also Rises
8168:The Magic Mountain
7292:Landscape painting
6900:New Leipzig School
6840:Neo-conceptual art
6588:Art & Language
6583:Capitalist realism
6505:Florida Highwaymen
6441:Hard-edge painting
6255:Streamline Moderne
6216:Harlem Renaissance
6059:Novecento Italiano
5887:Deutscher Werkbund
5714:Post-Impressionism
5276:Latin American art
5080:Guild of Romanists
4942:German Renaissance
4937:Northern Mannerism
4232:Postmodernist film
4137:Theatre of Cruelty
4020:Rock in Opposition
3961:Free improvisation
3604:Post-Impressionism
3537:Art & Language
3383:Volpini Exhibition
3118:Henri-Edmond Cross
3013:Post-Impressionism
2918:, Official website
2880:Monneret, Sophie:
2787:David Cottington,
2637:Louis Vauxcelles,
2439:Le Salon d'Automne
2437:Louis Vauxcelles,
2031:Alberto Giacometti
1976:Henri-Edmond Cross
1966:Giorgio de Chirico
1924:Notable exhibitors
1920:, amongst others.
1918:Daniel du Janerand
1682:, Albert Gleizes.
1666:
1621:La Femme au Cheval
1490:
1471:
1450:
1431:
1398:Moderne Kunstkring
1316:Café de la Rotonde
1296:
1277:
1252:
1230:
1150:
1112:Femme à l'éventail
1067:
928:
899:
862:
793:
687:
648:Henri-Edmond Cross
508:1901 Turning Point
439:post-Impressionist
353:Henri-Edmond Cross
305:
297:Henri-Edmond Cross
290:
248:Groupe vs. Société
239:...the purpose of
217:, were difficult.
145:
99:(next door to the
36:
10971:
10970:
10946:Neo-Impressionism
10853:List of paintings
10805:
10804:
10784:Neo-Impressionism
10689:List of paintings
10641:
10640:
10369:Experimental film
10285:
10284:
10272:Waiting for Godot
9572:
9571:
8229:
8228:
8132:The Metamorphosis
7382:
7381:
7164:
7163:
7020:Corporate Memphis
6973:Classical Realism
6943:Amazonian pop art
6835:Appropriation art
6803:Neo-expressionism
6673:Environmental art
6578:Nouvelle tendance
6295:
6294:
6243:Socialist realism
6100:Dresden Secession
5719:Neo-Impressionism
5682:Decadent movement
5653:Heidelberg School
5547:
5546:
5445:American luminism
5430:Düsseldorf School
5425:Shoreham Ancients
5415:Nazarene movement
5405:Danish Golden Age
5286:Indochristian art
4964:Antwerp Mannerism
4853:Pittura infamante
4847:Florentine School
4842:Proto-Renaissance
4284:
4283:
4274:Russian symbolism
4259:Socialist realism
4097:Experimental film
4063:
4062:
3769:Hungry generation
3744:Conceptual poetry
3599:Neo-Impressionism
3478:
3477:
3307:Wassily Kandinsky
3030:Neo-Impressionism
2847:978-1-61168-349-3
2818:, in the journal
2131:Amedeo Modigliani
2056:Wassily Kandinsky
1846:1921, a new epoch
1752:, Otto van Rees,
1484:, oil on canvas,
1482:La Ville de Paris
1348:Groupe de Puteaux
1185:and two friends,
962:, 10 April 1908.
695:(The Joy of Life)
676:Barnes Foundation
640:neo-Impressionist
451:Neo-impressionist
369:Armand Guillaumin
265:Early exhibitions
11026:
10956:Françoise Cachin
10832:
10825:
10818:
10809:
10808:
10719:Parade de cirque
10668:
10661:
10654:
10645:
10644:
10633:
10632:
10604:
10602:Vulgar modernism
10597:
10595:Underground film
10590:
10583:
10576:
10569:
10562:
10555:
10548:
10541:
10534:
10527:
10520:
10513:
10506:
10499:
10492:
10485:
10478:
10471:
10464:
10457:
10448:
10441:
10434:
10427:
10420:
10418:Hippie modernism
10413:
10406:
10399:
10392:
10385:
10378:
10371:
10364:
10357:
10350:
10343:
10336:
10334:Bloomsbury Group
10329:
10328:
10318:
10317:
10307:
10300:
10278:
10277:
10266:
10265:
10254:
10253:
10242:
10241:
10230:
10229:
10218:
10217:
10206:
10205:
10194:
10193:
10182:
10181:
10170:
10169:
10158:
10157:
10146:
10145:
10123:
10116:
10109:
10102:
10095:
10088:
10081:
10074:
10067:
10060:
10053:
10046:
10039:
10032:
10025:
10018:
10011:
9991:
9984:
9977:
9970:
9963:
9956:
9949:
9942:
9935:
9928:
9921:
9914:
9907:
9900:
9893:
9886:
9879:
9872:
9865:
9858:
9851:
9831:
9824:
9817:
9810:
9803:
9796:
9789:
9782:
9775:
9768:
9761:
9754:
9747:
9740:
9733:
9726:
9719:
9712:
9705:
9698:
9691:
9684:
9677:
9670:
9663:
9656:
9649:
9642:
9635:
9628:
9621:
9614:
9607:
9600:
9585:
9584:
9565:
9564:
9553:
9552:
9541:
9540:
9531:
9530:
9521:
9520:
9515:Un Chien Andalou
9509:
9508:
9497:
9496:
9485:
9484:
9479:Ballet Mécanique
9473:
9472:
9461:
9460:
9449:
9448:
9437:
9436:
9425:
9424:
9413:
9412:
9407:The Starry Night
9401:
9400:
9389:
9388:
9366:
9359:
9352:
9345:
9338:
9331:
9324:
9317:
9310:
9303:
9296:
9289:
9282:
9275:
9268:
9261:
9254:
9247:
9240:
9233:
9226:
9219:
9212:
9192:
9185:
9178:
9171:
9164:
9157:
9150:
9143:
9136:
9129:
9122:
9115:
9108:
9101:
9094:
9087:
9080:
9073:
9066:
9059:
9052:
9045:
9038:
9031:
9024:
9017:
9010:
9003:
8996:
8989:
8982:
8975:
8968:
8961:
8954:
8947:
8940:
8933:
8926:
8919:
8912:
8905:
8898:
8891:
8884:
8877:
8870:
8863:
8856:
8849:
8842:
8835:
8828:
8821:
8814:
8807:
8800:
8793:
8786:
8779:
8772:
8752:
8745:
8738:
8736:Toulouse-Lautrec
8731:
8724:
8717:
8710:
8703:
8696:
8689:
8682:
8675:
8668:
8661:
8654:
8647:
8640:
8633:
8626:
8619:
8612:
8605:
8598:
8591:
8584:
8577:
8570:
8563:
8556:
8549:
8542:
8535:
8528:
8521:
8514:
8507:
8500:
8493:
8486:
8479:
8472:
8465:
8458:
8451:
8444:
8437:
8430:
8423:
8416:
8409:
8402:
8395:
8388:
8381:
8374:
8367:
8360:
8353:
8346:
8339:
8332:
8325:
8318:
8311:
8304:
8297:
8290:
8283:
8276:
8269:
8262:
8255:
8240:
8239:
8222:
8221:
8210:
8209:
8198:
8197:
8186:
8185:
8174:
8173:
8162:
8161:
8150:
8149:
8138:
8137:
8126:
8125:
8103:
8096:
8089:
8082:
8075:
8068:
8061:
8054:
8047:
8040:
8033:
8026:
8019:
8012:
8005:
7998:
7991:
7984:
7977:
7970:
7963:
7956:
7949:
7942:
7935:
7928:
7921:
7914:
7907:
7887:
7880:
7873:
7866:
7859:
7852:
7845:
7838:
7831:
7824:
7817:
7810:
7803:
7796:
7789:
7782:
7775:
7768:
7761:
7754:
7747:
7740:
7733:
7726:
7719:
7712:
7705:
7698:
7691:
7684:
7677:
7670:
7663:
7656:
7649:
7634:
7633:
7620:
7613:
7606:
7599:
7592:
7583:
7582:
7572:
7565:
7558:
7551:
7542:
7535:
7528:
7519:
7512:
7511:
7501:
7500:
7497:Der Blaue Reiter
7490:
7483:
7476:
7469:
7462:
7455:
7454:
7444:
7443:
7433:
7409:
7402:
7395:
7386:
7385:
7372:
7371:
7356:Western painting
7302:Modern sculpture
7260:History painting
6963:Art intervention
6756:Installation art
6573:Nouveau réalisme
6313:
6312:
6287:Leningrad School
6179:Mexican muralism
6152:Grosvenor School
5892:American Realism
5875:Der Blaue Reiter
5833:Berlin Secession
5828:Vienna Secession
5823:Munich Secession
5741:Pont-Aven School
5560:
5559:
5410:Troubadour style
5388:(c. 1770 – 1862)
5355:Qing handicrafts
5321:Western elements
5252:Letras y figuras
5225:African-American
5220:African diaspora
5191:Directoire style
5102:Heptanese school
5085:Dutch Golden Age
5070:Stroganov School
5063:Lutheran Baroque
5058:Louis XIII style
5031:Baroque in Milan
4893:Bolognese School
4888:High Renaissance
4871:Forlivese School
4866:Ferrarese School
4589:Migration Period
4353:
4352:
4311:
4304:
4297:
4288:
4287:
4178:Russian Futurism
4122:Remodernist film
4040:Stochastic music
3995:Musique concrète
3973:Microtonal music
3951:Experimental pop
3944:Industrial music
3939:Electronic music
3844:
3843:
3666:Nouveau réalisme
3574:Grosvenor School
3505:
3498:
3491:
3482:
3481:
3398:Ambroise Vollard
3347:Henriette Tirman
3241:Der Blaue Reiter
3213:Édouard Vuillard
3198:Vincent van Gogh
3128:Georges Dufrénoy
3014:
3005:
2998:
2991:
2982:
2981:
2866:
2855:
2849:
2832:
2823:
2802:
2793:
2784:
2778:
2773:
2767:
2759:
2753:
2740:
2729:
2726:
2720:
2709:
2703:
2701:Conversion table
2698:
2692:
2686:
2680:
2677:
2671:
2663:
2644:
2634:
2628:
2622:Gelett Burgess,
2619:
2613:
2604:
2598:
2590:
2584:
2581:
2575:
2566:
2560:
2555:
2549:
2544:Daniel Robbins,
2542:
2531:
2528:
2522:
2519:
2513:
2497:
2478:
2473:
2464:
2457:
2451:
2434:
2428:
2425:
2419:
2413:
2407:
2406:
2399:
2393:
2390:
2384:
2383:
2375:
2369:
2364:
2323:
2318:
2309:
2304:
2256:Édouard Vuillard
2236:Vincent van Gogh
2231:Henriette Tirman
2096:Kazimir Malevich
2011:Georges Dufrénoy
1971:Luigi Corbellini
1786:Léonce Rosenberg
1734:Macdonald-Wright
1601:, Delaunay with
1163:
556:Louis Vauxcelles
543:Vincent van Gogh
519:Louis Vauxcelles
491:, built for the
400:Tuileries Garden
389:Vincent van Gogh
325:Camille Pissarro
286:National Gallery
209:, member of the
207:Republican Guard
50:
45:
11034:
11033:
11029:
11028:
11027:
11025:
11024:
11023:
10974:
10973:
10972:
10967:
10958:(granddaughter)
10929:
10841:
10836:
10806:
10801:
10757:
10677:
10672:
10642:
10637:
10628:
10620:
10607:
10600:
10593:
10588:Structural film
10586:
10579:
10572:
10565:
10558:
10551:
10544:
10539:New Objectivity
10537:
10530:
10525:Neo-romanticism
10523:
10518:Neo-primitivism
10516:
10509:
10502:
10495:
10488:
10481:
10474:
10467:
10460:
10453:
10444:
10437:
10430:
10423:
10416:
10409:
10402:
10395:
10388:
10381:
10374:
10367:
10360:
10353:
10346:
10339:
10332:
10321:
10310:
10303:
10296:
10281:
10275:
10269:
10263:
10257:
10251:
10245:
10239:
10233:
10227:
10221:
10215:
10209:
10203:
10197:
10191:
10185:
10179:
10173:
10167:
10164:Verklärte Nacht
10161:
10155:
10149:
10143:
10137:
10126:
10119:
10112:
10105:
10098:
10091:
10084:
10077:
10070:
10063:
10056:
10049:
10042:
10035:
10028:
10021:
10014:
10007:
9994:
9987:
9980:
9973:
9966:
9959:
9952:
9945:
9938:
9931:
9924:
9917:
9910:
9903:
9896:
9889:
9882:
9875:
9868:
9861:
9854:
9847:
9834:
9827:
9820:
9813:
9806:
9799:
9792:
9785:
9778:
9771:
9764:
9757:
9750:
9743:
9736:
9729:
9722:
9715:
9708:
9701:
9694:
9687:
9680:
9673:
9666:
9659:
9652:
9645:
9638:
9631:
9624:
9617:
9610:
9603:
9596:
9579:
9568:
9562:
9556:
9550:
9544:
9538:
9534:
9528:
9524:
9518:
9512:
9506:
9500:
9494:
9488:
9482:
9476:
9470:
9464:
9458:
9452:
9446:
9440:
9434:
9428:
9422:
9416:
9410:
9404:
9398:
9392:
9386:
9380:
9369:
9362:
9355:
9348:
9341:
9334:
9327:
9320:
9313:
9306:
9299:
9292:
9285:
9278:
9271:
9264:
9257:
9250:
9243:
9236:
9229:
9222:
9215:
9208:
9195:
9188:
9181:
9174:
9167:
9160:
9153:
9146:
9139:
9132:
9125:
9118:
9111:
9104:
9097:
9090:
9083:
9076:
9069:
9062:
9055:
9048:
9041:
9034:
9027:
9020:
9013:
9006:
8999:
8992:
8985:
8978:
8971:
8964:
8957:
8950:
8943:
8936:
8929:
8922:
8915:
8908:
8901:
8894:
8887:
8880:
8873:
8866:
8859:
8852:
8845:
8838:
8831:
8824:
8817:
8810:
8803:
8796:
8789:
8782:
8775:
8768:
8755:
8748:
8741:
8734:
8727:
8720:
8713:
8706:
8699:
8692:
8685:
8678:
8671:
8664:
8657:
8650:
8643:
8636:
8629:
8622:
8615:
8608:
8601:
8594:
8587:
8580:
8573:
8566:
8559:
8552:
8545:
8538:
8531:
8524:
8517:
8510:
8503:
8496:
8489:
8482:
8475:
8468:
8461:
8454:
8447:
8440:
8433:
8426:
8419:
8412:
8405:
8398:
8391:
8384:
8377:
8370:
8363:
8356:
8349:
8342:
8335:
8328:
8321:
8314:
8307:
8300:
8293:
8286:
8279:
8272:
8265:
8258:
8251:
8225:
8219:
8213:
8207:
8201:
8195:
8189:
8183:
8177:
8171:
8165:
8159:
8153:
8147:
8141:
8135:
8129:
8123:
8117:
8106:
8099:
8092:
8085:
8078:
8071:
8064:
8057:
8050:
8043:
8036:
8029:
8022:
8015:
8010:Lowell (Robert)
8008:
8001:
7994:
7987:
7980:
7973:
7966:
7959:
7952:
7945:
7938:
7931:
7924:
7917:
7910:
7903:
7890:
7883:
7876:
7869:
7862:
7855:
7848:
7841:
7834:
7827:
7820:
7813:
7806:
7799:
7792:
7785:
7778:
7771:
7764:
7757:
7750:
7743:
7736:
7729:
7722:
7715:
7708:
7701:
7694:
7687:
7680:
7673:
7666:
7659:
7652:
7645:
7623:
7616:
7609:
7602:
7595:
7588:
7575:
7568:
7561:
7554:
7547:
7538:
7531:
7524:
7515:
7504:
7493:
7486:
7479:
7472:
7465:
7458:
7447:
7436:
7429:
7418:
7413:
7383:
7378:
7360:
7277:Interactive art
7160:
7134:SoFlo Superflat
7059:Kitsch movement
6983:Africanfuturism
6935:
6929:
6808:Transavantgarde
6739:
6693:Light and Space
6678:Performance art
6658:Psychedelic art
6541:Nueva Presencia
6531:Otra Figuración
6519:
6451:Les Plasticiens
6436:New York School
6414:Action painting
6399:Metcalf Chateau
6308:
6303:
6291:
6211:Cercle et Carré
6147:New Objectivity
6054:Return to order
5996:School of Paris
5974:
5818:School of Paris
5779:
5665:Arts and Crafts
5570:Neo-romanticism
5555:
5543:
5539:Etching revival
5491:Barbizon school
5435:Pre-Raphaelites
5387:
5384:
5377:
5320:
5314:
5207:
5181:Louis XVI style
5123:
5112:Louis XIV style
5075:Animal painting
5036:Flemish Baroque
5014:
4925:World landscape
4876:Venetian School
4818:
4805:Majorcan school
4772:Novgorod School
4762:Lucchese School
4734:Opus Anglicanum
4726:Norman-Sicilian
4670:Italo-Byzantine
4570:Early Christian
4551:
4535:Pompeian Styles
4348:
4342:
4329:
4315:
4285:
4280:
4141:
4127:Structural film
4069:
4059:
3914:Aleatoric music
3902:
3833:
3721:
3715:
3676:Performance art
3515:
3509:
3479:
3474:
3443:
3422:
3403:Salon d'Automne
3361:
3332:Francis Picabia
3255:
3223:
3217:
3208:Félix Vallotton
3193:Maximilien Luce
3108:Marius Borgeaud
3088:Charles Angrand
3071:
3022:
3016:
3012:
3009:
2912:
2874:
2872:Further reading
2869:
2856:
2852:
2833:
2826:
2803:
2796:
2785:
2781:
2774:
2770:
2760:
2756:
2741:
2732:
2727:
2723:
2710:
2706:
2699:
2695:
2687:
2683:
2678:
2674:
2664:
2647:
2643:, Gallica (BnF)
2635:
2631:
2620:
2616:
2605:
2601:
2591:
2587:
2582:
2578:
2567:
2563:
2556:
2552:
2543:
2534:
2529:
2525:
2520:
2516:
2498:
2481:
2474:
2467:
2458:
2454:
2435:
2431:
2426:
2422:
2414:
2410:
2401:
2400:
2396:
2391:
2387:
2376:
2372:
2365:
2326:
2319:
2312:
2305:
2296:
2292:
2275:
2270:
2246:Félix Vallotton
2211:Léopold Survage
2156:Francis Picabia
2091:Maximilien Luce
2061:František Kupka
2021:Alexandra Exter
1986:Robert Delaunay
1926:
1853:Hélène Pordriat
1848:
1830:Charlie Chaplin
1802:
1782:
1766:
1746:L'Intransigeant
1726:František Kupka
1718:Robert Delaunay
1688:Robert Delaunay
1647:
1550:Robert Delaunay
1478:Robert Delaunay
1406:
1356:František Kupka
1321:Marie Laurencin
1284:Robert Delaunay
1211:
1183:Roland Dorgelès
1157:
1135:
1127:L'Intransigeant
1046:
1017:
1007:
1006:
1002:
1001:
997:
996:
960:La Grande revue
944:New York Herald
933:L'Intransigeant
887:
870:Salon d'Automne
803:Tableau no. III
754:Salon d'Automne
732:
659:
595:Kees van Dongen
573:exhibited with
551:
539:Robert Delaunay
527:
510:
373:Charles Angrand
267:
252:Members of the
250:
223:
215:revolutionaries
157:Salon d'Automne
121:
115:, and others).
85:Salon d'Automne
43:
17:
12:
11:
5:
11032:
11022:
11021:
11016:
11011:
11006:
11001:
10996:
10991:
10986:
10969:
10968:
10966:
10965:
10959:
10953:
10948:
10943:
10937:
10935:
10931:
10930:
10928:
10927:
10919:
10911:
10903:
10895:
10887:
10879:
10871:
10863:
10855:
10849:
10847:
10843:
10842:
10835:
10834:
10827:
10820:
10812:
10803:
10802:
10800:
10799:
10794:
10793:(1984 musical)
10786:
10781:
10776:
10771:
10765:
10763:
10759:
10758:
10756:
10755:
10747:
10739:
10731:
10723:
10715:
10707:
10699:
10691:
10685:
10683:
10679:
10678:
10675:Georges Seurat
10671:
10670:
10663:
10656:
10648:
10639:
10638:
10621:
10613:
10612:
10609:
10608:
10606:
10605:
10598:
10591:
10584:
10577:
10570:
10563:
10556:
10549:
10546:Poetic realism
10542:
10535:
10528:
10521:
10514:
10507:
10500:
10493:
10486:
10479:
10476:Late modernity
10472:
10469:Late modernism
10465:
10458:
10451:
10450:
10449:
10442:
10435:
10421:
10414:
10411:High modernism
10407:
10400:
10393:
10386:
10379:
10372:
10365:
10358:
10355:Degenerate art
10351:
10344:
10337:
10330:
10325:Ballets Russes
10319:
10308:
10301:
10293:
10291:
10287:
10286:
10283:
10282:
10280:
10279:
10267:
10255:
10243:
10231:
10219:
10207:
10195:
10183:
10171:
10159:
10147:
10134:
10132:
10128:
10127:
10125:
10124:
10117:
10110:
10103:
10096:
10089:
10082:
10075:
10068:
10061:
10054:
10047:
10040:
10033:
10026:
10019:
10012:
10004:
10002:
9996:
9995:
9993:
9992:
9985:
9978:
9971:
9964:
9957:
9950:
9943:
9936:
9929:
9922:
9915:
9908:
9901:
9894:
9887:
9880:
9873:
9866:
9859:
9852:
9844:
9842:
9836:
9835:
9833:
9832:
9825:
9818:
9811:
9804:
9797:
9790:
9783:
9776:
9769:
9762:
9755:
9748:
9741:
9734:
9727:
9720:
9713:
9706:
9699:
9692:
9685:
9678:
9671:
9664:
9657:
9650:
9643:
9636:
9629:
9622:
9615:
9608:
9601:
9593:
9591:
9582:
9574:
9573:
9570:
9569:
9567:
9566:
9554:
9542:
9532:
9522:
9510:
9498:
9486:
9474:
9462:
9450:
9438:
9426:
9414:
9402:
9390:
9377:
9375:
9371:
9370:
9368:
9367:
9360:
9353:
9346:
9339:
9332:
9325:
9318:
9311:
9304:
9297:
9290:
9283:
9276:
9269:
9262:
9255:
9248:
9241:
9234:
9227:
9220:
9213:
9205:
9203:
9197:
9196:
9194:
9193:
9186:
9179:
9172:
9165:
9158:
9151:
9144:
9137:
9130:
9123:
9116:
9109:
9102:
9095:
9088:
9081:
9074:
9071:Ray (Satyajit)
9067:
9064:Ray (Nicholas)
9060:
9053:
9046:
9039:
9032:
9025:
9018:
9011:
9004:
8997:
8990:
8983:
8976:
8969:
8962:
8955:
8948:
8941:
8934:
8927:
8920:
8913:
8906:
8899:
8892:
8885:
8878:
8871:
8864:
8857:
8850:
8843:
8836:
8829:
8822:
8815:
8808:
8801:
8794:
8787:
8780:
8773:
8765:
8763:
8757:
8756:
8754:
8753:
8746:
8739:
8732:
8725:
8718:
8711:
8704:
8697:
8690:
8683:
8676:
8669:
8662:
8655:
8648:
8641:
8634:
8627:
8620:
8613:
8606:
8599:
8592:
8585:
8578:
8571:
8564:
8557:
8550:
8543:
8536:
8529:
8522:
8515:
8508:
8501:
8494:
8487:
8480:
8473:
8466:
8459:
8452:
8445:
8438:
8431:
8424:
8417:
8410:
8403:
8396:
8389:
8382:
8375:
8368:
8361:
8354:
8347:
8340:
8333:
8326:
8319:
8312:
8305:
8298:
8291:
8284:
8277:
8270:
8263:
8256:
8248:
8246:
8237:
8231:
8230:
8227:
8226:
8224:
8223:
8211:
8199:
8187:
8175:
8163:
8156:The Waste Land
8151:
8139:
8127:
8114:
8112:
8108:
8107:
8105:
8104:
8097:
8090:
8083:
8076:
8069:
8062:
8055:
8048:
8041:
8034:
8027:
8020:
8013:
8006:
7999:
7992:
7985:
7978:
7971:
7964:
7957:
7950:
7943:
7936:
7929:
7922:
7915:
7908:
7900:
7898:
7892:
7891:
7889:
7888:
7881:
7874:
7867:
7860:
7853:
7846:
7839:
7832:
7825:
7818:
7811:
7804:
7797:
7790:
7783:
7776:
7769:
7762:
7755:
7748:
7741:
7734:
7727:
7720:
7713:
7706:
7699:
7692:
7685:
7678:
7671:
7664:
7657:
7650:
7642:
7640:
7631:
7625:
7624:
7622:
7621:
7614:
7607:
7600:
7593:
7586:
7585:
7584:
7566:
7559:
7552:
7545:
7544:
7543:
7529:
7522:
7521:
7520:
7513:
7502:
7484:
7477:
7470:
7467:Constructivism
7463:
7456:
7445:
7434:
7426:
7424:
7420:
7419:
7412:
7411:
7404:
7397:
7389:
7380:
7379:
7377:
7376:
7365:
7362:
7361:
7359:
7358:
7353:
7346:
7341:
7336:
7331:
7326:
7321:
7316:
7311:
7310:
7309:
7307:Late modernism
7304:
7294:
7289:
7284:
7279:
7274:
7269:
7264:
7263:
7262:
7257:
7255:Genre painting
7247:
7242:
7237:
7232:
7231:
7230:
7225:
7220:
7215:
7205:
7203:Ballets Russes
7200:
7195:
7190:
7189:
7188:
7186:Asemic writing
7178:
7176:History of art
7172:
7170:
7169:Related topics
7166:
7165:
7162:
7161:
7159:
7158:
7153:
7148:
7143:
7142:
7141:
7136:
7126:
7121:
7116:
7111:
7106:
7104:Relational art
7101:
7096:
7091:
7086:
7081:
7076:
7071:
7066:
7061:
7056:
7051:
7050:
7049:
7039:
7034:
7029:
7027:Hypermodernism
7024:
7023:
7022:
7012:
7007:
7002:
6997:
6992:
6987:
6986:
6985:
6975:
6970:
6965:
6960:
6955:
6950:
6945:
6939:
6937:
6931:
6930:
6928:
6927:
6922:
6917:
6912:
6907:
6902:
6897:
6892:
6887:
6882:
6877:
6872:
6867:
6862:
6857:
6852:
6847:
6842:
6837:
6832:
6827:
6822:
6817:
6812:
6811:
6810:
6800:
6795:
6790:
6785:
6784:
6783:
6773:
6768:
6766:Postminimalism
6763:
6758:
6753:
6747:
6745:
6741:
6740:
6738:
6737:
6732:
6727:
6722:
6717:
6712:
6711:
6710:
6700:
6695:
6690:
6685:
6680:
6675:
6670:
6665:
6660:
6655:
6650:
6645:
6643:Generative art
6640:
6635:
6630:
6625:
6620:
6615:
6613:Conceptual art
6610:
6605:
6600:
6595:
6590:
6585:
6580:
6575:
6570:
6565:
6564:
6563:
6553:
6548:
6543:
6538:
6533:
6527:
6525:
6521:
6520:
6518:
6517:
6512:
6510:Cybernetic art
6507:
6502:
6501:
6500:
6498:Ultra-Lettrist
6495:
6485:
6484:
6483:
6473:
6468:
6463:
6458:
6453:
6448:
6443:
6438:
6433:
6428:
6427:
6426:
6416:
6411:
6406:
6401:
6396:
6391:
6386:
6385:
6384:
6379:
6374:
6372:Arte Informale
6369:
6359:
6354:
6349:
6348:
6347:
6337:
6336:
6335:
6325:
6319:
6317:
6310:
6309:(1945–present)
6297:
6296:
6293:
6292:
6290:
6289:
6284:
6279:
6274:
6269:
6268:
6267:
6257:
6252:
6251:
6250:
6245:
6238:Heroic realism
6235:
6234:
6233:
6223:
6218:
6213:
6208:
6203:
6198:
6191:
6186:
6181:
6176:
6175:
6174:
6172:Latin American
6169:
6159:
6154:
6149:
6144:
6142:Group of Seven
6139:
6134:
6129:
6124:
6123:
6122:
6112:
6107:
6105:Social realism
6102:
6097:
6092:
6091:
6090:
6088:November Group
6080:
6079:
6078:
6073:
6063:
6062:
6061:
6051:
6046:
6045:
6044:
6032:
6027:
6022:
6021:
6020:
6019:
6018:
6011:Latin American
6006:Constructivism
6003:
6001:Crystal Cubism
5998:
5993:
5988:
5982:
5980:
5976:
5975:
5973:
5972:
5967:
5962:
5957:
5952:
5947:
5942:
5941:
5940:
5930:
5925:
5918:
5917:
5916:
5911:
5901:
5900:
5899:
5889:
5884:
5879:
5878:
5877:
5872:
5862:
5857:
5852:
5847:
5842:
5841:
5840:
5835:
5830:
5825:
5815:
5810:
5805:
5800:
5799:
5798:
5787:
5785:
5781:
5780:
5778:
5777:
5772:
5771:
5770:
5760:
5759:
5758:
5753:
5748:
5743:
5738:
5733:
5728:
5727:
5726:
5711:
5706:
5704:Volcano School
5701:
5700:
5699:
5694:
5684:
5679:
5674:
5673:
5672:
5662:
5657:
5656:
5655:
5650:
5645:
5640:
5639:
5638:
5633:
5618:
5613:
5608:
5603:
5602:
5601:
5589:
5584:
5579:
5578:
5577:
5566:
5564:
5557:
5549:
5548:
5545:
5544:
5542:
5541:
5536:
5535:
5534:
5529:
5528:
5527:
5512:
5511:
5510:
5509:
5508:
5498:
5493:
5483:
5478:
5477:
5476:
5466:
5461:
5459:Norwich School
5456:
5451:
5450:
5449:
5448:
5447:
5437:
5432:
5427:
5422:
5417:
5412:
5407:
5402:
5400:Fairy painting
5391:
5389:
5379:
5378:
5376:
5375:
5374:
5373:
5368:
5357:
5352:
5347:
5342:
5337:
5336:
5335:
5324:
5322:
5316:
5315:
5313:
5312:
5311:
5310:
5305:
5304:
5303:
5298:
5293:
5291:Chilote School
5283:
5281:Casta painting
5273:
5272:
5271:
5266:
5261:
5260:
5259:
5257:Tipos del País
5254:
5241:
5240:
5239:
5238:
5237:
5227:
5215:
5213:
5209:
5208:
5206:
5205:
5200:
5199:
5198:
5193:
5188:
5183:
5178:
5166:
5165:
5164:
5157:
5152:
5147:
5145:Louis XV style
5142:
5131:
5129:
5125:
5124:
5122:
5121:
5120:
5119:
5114:
5104:
5099:
5094:
5093:
5092:
5082:
5077:
5072:
5067:
5066:
5065:
5060:
5055:
5054:
5053:
5048:
5038:
5033:
5022:
5020:
5016:
5015:
5013:
5012:
5007:
5002:
4997:
4992:
4991:
4990:
4980:
4979:
4978:
4977:
4976:
4971:
4966:
4956:
4955:
4954:
4949:
4947:Cologne School
4939:
4934:
4929:
4928:
4927:
4912:
4911:
4910:
4909:
4908:
4900:
4895:
4890:
4880:
4879:
4878:
4873:
4868:
4858:
4857:
4856:
4849:
4844:
4828:
4826:
4820:
4819:
4817:
4816:
4815:
4814:
4807:
4802:
4800:Italian school
4791:
4786:
4785:
4784:
4782:Sienese School
4774:
4769:
4764:
4759:
4758:
4757:
4752:
4747:
4737:
4730:
4729:
4728:
4718:
4717:
4716:
4711:
4701:
4696:
4695:
4694:
4692:Pre-Romanesque
4689:
4684:
4674:
4673:
4672:
4667:
4662:
4657:
4647:
4642:
4641:
4640:
4628:
4623:
4621:Donor portrait
4618:
4617:
4616:
4611:
4606:
4601:
4596:
4586:
4585:
4584:
4574:
4573:
4572:
4561:
4559:
4553:
4552:
4550:
4549:
4548:
4547:
4542:
4537:
4532:
4530:Julio-Claudian
4527:
4522:
4512:
4507:
4502:
4497:
4492:
4491:
4490:
4489:
4488:
4483:
4482:
4481:
4479:Greco-Buddhist
4471:
4461:
4456:
4451:
4446:
4441:
4436:
4431:
4426:
4421:
4419:Protogeometric
4416:
4406:
4405:
4404:
4399:
4394:
4389:
4379:
4374:
4373:
4372:
4361:
4359:
4350:
4344:
4343:
4334:
4331:
4330:
4314:
4313:
4306:
4299:
4291:
4282:
4281:
4279:
4278:
4277:
4276:
4266:
4261:
4256:
4254:Social realism
4251:
4246:
4241:
4239:Late modernism
4236:
4235:
4234:
4224:
4219:
4214:
4212:Neo-minimalism
4209:
4207:Postminimalism
4204:
4199:
4194:
4189:
4188:
4187:
4186:
4185:
4170:
4165:
4160:
4155:
4153:Constructivism
4149:
4147:
4143:
4142:
4140:
4139:
4134:
4129:
4124:
4119:
4114:
4112:Poetic realism
4109:
4107:Modernist film
4104:
4099:
4094:
4089:
4084:
4079:
4073:
4071:
4065:
4064:
4061:
4060:
4058:
4057:
4052:
4047:
4045:Textural music
4042:
4037:
4035:Spectral music
4032:
4027:
4022:
4017:
4012:
4007:
4002:
4000:New Complexity
3997:
3992:
3987:
3986:
3985:
3975:
3970:
3965:
3964:
3963:
3953:
3948:
3947:
3946:
3936:
3931:
3926:
3921:
3916:
3910:
3908:
3904:
3903:
3901:
3900:
3899:
3898:
3893:
3888:
3878:
3873:
3872:
3871:
3866:
3856:
3850:
3848:
3841:
3835:
3834:
3832:
3831:
3826:
3821:
3816:
3811:
3806:
3801:
3796:
3791:
3789:Neoavanguardia
3786:
3784:Language poets
3781:
3776:
3771:
3766:
3761:
3756:
3751:
3746:
3741:
3739:Asemic writing
3736:
3734:Angry Penguins
3731:
3725:
3723:
3717:
3716:
3714:
3713:
3708:
3703:
3698:
3693:
3688:
3683:
3678:
3673:
3668:
3663:
3658:
3653:
3652:
3651:
3641:
3636:
3631:
3626:
3621:
3616:
3611:
3606:
3601:
3596:
3591:
3586:
3581:
3576:
3571:
3570:
3569:
3559:
3554:
3549:
3547:Constructivism
3544:
3542:Conceptual art
3539:
3534:
3529:
3523:
3521:
3517:
3516:
3508:
3507:
3500:
3493:
3485:
3476:
3475:
3473:
3472:
3467:
3462:
3457:
3451:
3449:
3445:
3444:
3442:
3441:
3436:
3430:
3428:
3424:
3423:
3421:
3420:
3415:
3413:Salon des Cent
3410:
3405:
3400:
3395:
3390:
3385:
3380:
3375:
3369:
3367:
3363:
3362:
3360:
3359:
3354:
3349:
3344:
3339:
3334:
3329:
3324:
3322:Jean Metzinger
3319:
3314:
3312:Sonia Lewitska
3309:
3304:
3299:
3294:
3292:Albert Gleizes
3289:
3284:
3279:
3274:
3272:Charles Camoin
3269:
3267:Georges Braque
3263:
3261:
3257:
3256:
3254:
3253:
3248:
3243:
3238:
3233:
3227:
3225:
3219:
3218:
3216:
3215:
3210:
3205:
3200:
3195:
3190:
3188:Georges Lemmen
3185:
3180:
3175:
3170:
3168:Georges Seurat
3165:
3160:
3155:
3153:Henri Rousseau
3150:
3145:
3140:
3135:
3130:
3125:
3120:
3115:
3110:
3105:
3103:Pierre Bonnard
3100:
3095:
3090:
3085:
3079:
3077:
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2569:Lewis Kachur,
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2427:Dymond, op cit
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2403:"RIHA Journal"
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2378:Dymond, Anne.
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2036:Albert Gleizes
2033:
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2018:
2013:
2008:
2006:Marcel Duchamp
2003:
1998:
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1991:Sonia Delaunay
1988:
1983:
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1973:
1968:
1963:
1961:Georgette Chen
1958:
1953:
1951:Charles Camoin
1948:
1943:
1941:Bernard Buffet
1938:
1936:Georges Braque
1933:
1927:
1925:
1922:
1914:Maurice Boitel
1906:Bernard Buffet
1901:Jeune création
1890:From 1920 the
1869:Sonia Lewitska
1857:Marthe Laurens
1847:
1844:
1814:Champs-Elysées
1801:
1798:
1781:
1778:
1765:
1762:
1730:Morgan Russell
1722:Sonia Delaunay
1680:Albert Gleizes
1670:Jean Metzinger
1646:
1643:
1590:exhibited his
1558:Jean Metzinger
1554:Ville de Paris
1532:Marcel Duchamp
1503:Constructivism
1457:Albert Gleizes
1413:Jean Metzinger
1405:
1402:
1344:Marcel Duchamp
1336:Jacques Villon
1259:Jean Metzinger
1237:Albert Gleizes
1210:
1207:
1203:Milly-la-Forêt
1191:Jules Depaquit
1134:
1131:
1120:Henri Rousseau
1053:Henri Rousseau
1045:
1042:
1016:
1013:
970:Gelett Burgess
916:Gelett Burgess
906:Jean Metzinger
886:
883:
849:Jean Metzinger
760:exhibited his
736:Georges Braque
731:
728:
712:Albert Gleizes
658:
655:
638:alongside the
636:French Riviera
611:Jean Metzinger
607:Charles Camoin
575:Albert Marquet
550:
547:
535:Jean Metzinger
526:
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412:Jean Metzinger
408:Pierre Bonnard
404:Henri Rousseau
337:Georges Seurat
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153:Champs-Élysées
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10532:New Hollywood
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7629:Literary arts
7626:
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7608:
7605:
7601:
7598:
7594:
7591:
7587:
7581:
7580:
7574:
7573:
7571:
7570:Neoplasticism
7567:
7564:
7560:
7557:
7553:
7550:
7546:
7541:
7537:
7536:
7534:
7533:Functionalism
7530:
7527:
7523:
7518:
7514:
7510:
7509:
7503:
7499:
7498:
7492:
7491:
7489:
7488:Expressionism
7485:
7482:
7478:
7475:
7471:
7468:
7464:
7461:
7460:Ashcan School
7457:
7453:
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7240:Fantastic art
7238:
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7208:Christian art
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7109:Skeuomorphism
7107:
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7097:
7095:
7092:
7090:
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7085:
7082:
7080:
7077:
7075:
7072:
7070:
7069:Massurrealism
7067:
7065:
7064:Lightpainting
7062:
7060:
7057:
7055:
7052:
7048:
7047:Post-Internet
7045:
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6920:Grunge design
6918:
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6901:
6898:
6896:
6893:
6891:
6888:
6886:
6883:
6881:
6878:
6876:
6875:Retrofuturism
6873:
6871:
6870:Scratch video
6868:
6866:
6863:
6861:
6858:
6856:
6855:Memphis Group
6853:
6851:
6848:
6846:
6843:
6841:
6838:
6836:
6833:
6831:
6830:Telematic art
6828:
6826:
6823:
6821:
6820:Guerrilla art
6818:
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6809:
6806:
6805:
6804:
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6771:Endurance art
6769:
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6759:
6757:
6754:
6752:
6749:
6748:
6746:
6742:
6736:
6733:
6731:
6728:
6726:
6723:
6721:
6718:
6716:
6713:
6709:
6706:
6705:
6704:
6701:
6699:
6696:
6694:
6691:
6689:
6686:
6684:
6681:
6679:
6676:
6674:
6671:
6669:
6666:
6664:
6661:
6659:
6656:
6654:
6651:
6649:
6646:
6644:
6641:
6639:
6636:
6634:
6631:
6629:
6626:
6624:
6621:
6619:
6616:
6614:
6611:
6609:
6606:
6604:
6601:
6599:
6596:
6594:
6591:
6589:
6586:
6584:
6581:
6579:
6576:
6574:
6571:
6569:
6566:
6562:
6559:
6558:
6557:
6554:
6552:
6549:
6547:
6544:
6542:
6539:
6537:
6534:
6532:
6529:
6528:
6526:
6522:
6516:
6513:
6511:
6508:
6506:
6503:
6499:
6496:
6494:
6491:
6490:
6489:
6486:
6482:
6479:
6478:
6477:
6474:
6472:
6469:
6467:
6464:
6462:
6459:
6457:
6454:
6452:
6449:
6447:
6444:
6442:
6439:
6437:
6434:
6432:
6431:New media art
6429:
6425:
6422:
6421:
6420:
6417:
6415:
6412:
6410:
6409:Nanyang Style
6407:
6405:
6402:
6400:
6397:
6395:
6392:
6390:
6387:
6383:
6380:
6378:
6375:
6373:
6370:
6368:
6365:
6364:
6363:
6360:
6358:
6355:
6353:
6350:
6346:
6343:
6342:
6341:
6340:Visionary art
6338:
6334:
6331:
6330:
6329:
6326:
6324:
6321:
6320:
6318:
6314:
6311:
6307:
6302:
6298:
6288:
6285:
6283:
6280:
6278:
6275:
6273:
6270:
6266:
6263:
6262:
6261:
6258:
6256:
6253:
6249:
6246:
6244:
6241:
6240:
6239:
6236:
6232:
6229:
6228:
6227:
6224:
6222:
6219:
6217:
6214:
6212:
6209:
6207:
6206:Scuola Romana
6204:
6202:
6199:
6197:
6196:
6192:
6190:
6187:
6185:
6182:
6180:
6177:
6173:
6170:
6168:
6165:
6164:
6163:
6160:
6158:
6155:
6153:
6150:
6148:
6145:
6143:
6140:
6138:
6135:
6133:
6132:Anthropophagy
6130:
6128:
6125:
6121:
6118:
6117:
6116:
6115:Functionalism
6113:
6111:
6108:
6106:
6103:
6101:
6098:
6096:
6093:
6089:
6086:
6085:
6084:
6081:
6077:
6074:
6072:
6069:
6068:
6067:
6064:
6060:
6057:
6056:
6055:
6052:
6050:
6047:
6043:
6042:
6038:
6037:
6036:
6035:Neoplasticism
6033:
6031:
6028:
6026:
6023:
6017:
6014:
6013:
6012:
6009:
6008:
6007:
6004:
6002:
5999:
5997:
5994:
5992:
5989:
5987:
5984:
5983:
5981:
5977:
5971:
5968:
5966:
5963:
5961:
5958:
5956:
5953:
5951:
5948:
5946:
5943:
5939:
5938:Cubo-Futurism
5936:
5935:
5934:
5931:
5929:
5926:
5924:
5923:
5919:
5915:
5912:
5910:
5907:
5906:
5905:
5902:
5898:
5897:Ashcan School
5895:
5894:
5893:
5890:
5888:
5885:
5883:
5880:
5876:
5873:
5871:
5868:
5867:
5866:
5865:Expressionism
5863:
5861:
5858:
5856:
5853:
5851:
5850:Mir iskusstva
5848:
5846:
5843:
5839:
5836:
5834:
5831:
5829:
5826:
5824:
5821:
5820:
5819:
5816:
5814:
5811:
5809:
5806:
5804:
5801:
5797:
5794:
5793:
5792:
5789:
5788:
5786:
5782:
5776:
5773:
5769:
5766:
5765:
5764:
5761:
5757:
5754:
5752:
5749:
5747:
5744:
5742:
5739:
5737:
5734:
5732:
5729:
5725:
5722:
5721:
5720:
5717:
5716:
5715:
5712:
5710:
5707:
5705:
5702:
5698:
5695:
5693:
5690:
5689:
5688:
5685:
5683:
5680:
5678:
5675:
5671:
5668:
5667:
5666:
5663:
5661:
5658:
5654:
5651:
5649:
5646:
5644:
5641:
5637:
5636:Boston School
5634:
5632:
5631:Hoosier Group
5629:
5628:
5627:
5624:
5623:
5622:
5621:Impressionism
5619:
5617:
5616:Peredvizhniki
5614:
5612:
5609:
5607:
5606:Beuron School
5604:
5600:
5597:
5596:
5595:
5594:
5590:
5588:
5585:
5583:
5580:
5576:
5573:
5572:
5571:
5568:
5567:
5565:
5561:
5558:
5554:
5550:
5540:
5537:
5533:
5530:
5526:
5523:
5522:
5521:
5520:Munich School
5518:
5517:
5516:
5513:
5507:
5504:
5503:
5502:
5499:
5497:
5494:
5492:
5489:
5488:
5487:
5484:
5482:
5479:
5475:
5472:
5471:
5470:
5467:
5465:
5462:
5460:
5457:
5455:
5452:
5446:
5443:
5442:
5441:
5438:
5436:
5433:
5431:
5428:
5426:
5423:
5421:
5418:
5416:
5413:
5411:
5408:
5406:
5403:
5401:
5398:
5397:
5396:
5393:
5392:
5390:
5386:
5380:
5372:
5369:
5367:
5364:
5363:
5362:
5358:
5356:
5353:
5351:
5348:
5346:
5343:
5341:
5338:
5334:
5331:
5330:
5329:
5326:
5325:
5323:
5319:Art borrowing
5317:
5309:
5306:
5302:
5299:
5297:
5294:
5292:
5289:
5288:
5287:
5284:
5282:
5279:
5278:
5277:
5274:
5270:
5269:Company style
5267:
5265:
5262:
5258:
5255:
5253:
5250:
5249:
5248:
5245:
5244:
5242:
5236:
5233:
5232:
5231:
5228:
5226:
5223:
5222:
5221:
5217:
5216:
5214:
5210:
5204:
5201:
5197:
5194:
5192:
5189:
5187:
5184:
5182:
5179:
5177:
5176:
5172:
5171:
5170:
5169:Neoclassicism
5167:
5163:
5162:
5158:
5156:
5153:
5151:
5148:
5146:
5143:
5141:
5138:
5137:
5136:
5133:
5132:
5130:
5126:
5118:
5115:
5113:
5110:
5109:
5108:
5105:
5103:
5100:
5098:
5095:
5091:
5088:
5087:
5086:
5083:
5081:
5078:
5076:
5073:
5071:
5068:
5064:
5061:
5059:
5056:
5052:
5049:
5047:
5044:
5043:
5042:
5039:
5037:
5034:
5032:
5029:
5028:
5027:
5024:
5023:
5021:
5017:
5011:
5008:
5006:
5003:
5001:
4998:
4996:
4995:Cretan School
4993:
4989:
4986:
4985:
4984:
4981:
4975:
4972:
4970:
4967:
4965:
4962:
4961:
4960:
4957:
4953:
4952:Danube school
4950:
4948:
4945:
4944:
4943:
4940:
4938:
4935:
4933:
4930:
4926:
4923:
4922:
4921:
4918:
4917:
4916:
4913:
4907:
4906:
4901:
4899:
4896:
4894:
4891:
4889:
4886:
4885:
4884:
4881:
4877:
4874:
4872:
4869:
4867:
4864:
4863:
4862:
4859:
4855:
4854:
4850:
4848:
4845:
4843:
4840:
4839:
4838:
4835:
4834:
4833:
4830:
4829:
4827:
4825:
4821:
4813:
4812:
4808:
4806:
4803:
4801:
4798:
4797:
4796:
4792:
4790:
4787:
4783:
4780:
4779:
4778:
4775:
4773:
4770:
4768:
4765:
4763:
4760:
4756:
4753:
4751:
4748:
4746:
4743:
4742:
4741:
4738:
4736:
4735:
4731:
4727:
4724:
4723:
4722:
4719:
4715:
4712:
4710:
4707:
4706:
4705:
4702:
4700:
4697:
4693:
4690:
4688:
4685:
4683:
4680:
4679:
4678:
4675:
4671:
4668:
4666:
4663:
4661:
4658:
4656:
4653:
4652:
4651:
4648:
4646:
4643:
4639:
4638:
4634:
4633:
4632:
4629:
4627:
4624:
4622:
4619:
4615:
4612:
4610:
4607:
4605:
4602:
4600:
4597:
4595:
4592:
4591:
4590:
4587:
4583:
4580:
4579:
4578:
4575:
4571:
4568:
4567:
4566:
4563:
4562:
4560:
4558:
4554:
4546:
4543:
4541:
4538:
4536:
4533:
4531:
4528:
4526:
4523:
4521:
4518:
4517:
4516:
4513:
4511:
4508:
4506:
4503:
4501:
4498:
4496:
4493:
4487:
4484:
4480:
4477:
4476:
4475:
4472:
4470:
4467:
4466:
4465:
4462:
4460:
4457:
4455:
4452:
4450:
4447:
4445:
4442:
4440:
4437:
4435:
4432:
4430:
4429:Orientalizing
4427:
4425:
4422:
4420:
4417:
4415:
4414:Sub-Mycenaean
4412:
4411:
4410:
4407:
4403:
4400:
4398:
4395:
4393:
4390:
4388:
4385:
4384:
4383:
4380:
4378:
4375:
4371:
4368:
4367:
4366:
4363:
4362:
4360:
4358:
4354:
4351:
4345:
4341:
4337:
4332:
4328:art movements
4327:
4323:
4319:
4312:
4307:
4305:
4300:
4298:
4293:
4292:
4289:
4275:
4272:
4271:
4270:
4267:
4265:
4262:
4260:
4257:
4255:
4252:
4250:
4247:
4245:
4242:
4240:
4237:
4233:
4230:
4229:
4228:
4227:Postmodernism
4225:
4223:
4220:
4218:
4215:
4213:
4210:
4208:
4205:
4203:
4200:
4198:
4195:
4193:
4190:
4184:
4183:Cubo-Futurism
4181:
4180:
4179:
4176:
4175:
4174:
4171:
4169:
4166:
4164:
4163:Expressionism
4161:
4159:
4156:
4154:
4151:
4150:
4148:
4144:
4138:
4135:
4133:
4130:
4128:
4125:
4123:
4120:
4118:
4115:
4113:
4110:
4108:
4105:
4103:
4100:
4098:
4095:
4093:
4090:
4088:
4085:
4083:
4080:
4078:
4075:
4074:
4072:
4066:
4056:
4053:
4051:
4048:
4046:
4043:
4041:
4038:
4036:
4033:
4031:
4028:
4026:
4023:
4021:
4018:
4016:
4013:
4011:
4008:
4006:
4003:
4001:
3998:
3996:
3993:
3991:
3990:Music theatre
3988:
3984:
3981:
3980:
3979:
3978:Minimal music
3976:
3974:
3971:
3969:
3966:
3962:
3959:
3958:
3957:
3954:
3952:
3949:
3945:
3942:
3941:
3940:
3937:
3935:
3932:
3930:
3927:
3925:
3924:Ars subtilior
3922:
3920:
3917:
3915:
3912:
3911:
3909:
3905:
3897:
3894:
3892:
3889:
3887:
3884:
3883:
3882:
3879:
3877:
3874:
3870:
3867:
3865:
3862:
3861:
3860:
3857:
3855:
3852:
3851:
3849:
3845:
3842:
3840:
3836:
3830:
3827:
3825:
3824:Visual poetry
3822:
3820:
3817:
3815:
3812:
3810:
3807:
3805:
3802:
3800:
3799:Nouveau roman
3797:
3795:
3792:
3790:
3787:
3785:
3782:
3780:
3777:
3775:
3772:
3770:
3767:
3765:
3762:
3760:
3757:
3755:
3752:
3750:
3747:
3745:
3742:
3740:
3737:
3735:
3732:
3730:
3727:
3726:
3724:
3718:
3712:
3709:
3707:
3706:Temporary art
3704:
3702:
3699:
3697:
3694:
3692:
3689:
3687:
3684:
3682:
3679:
3677:
3674:
3672:
3669:
3667:
3664:
3662:
3661:Nonconformism
3659:
3657:
3654:
3650:
3647:
3646:
3645:
3644:Neoplasticism
3642:
3640:
3637:
3635:
3634:Mir iskusstva
3632:
3630:
3627:
3625:
3622:
3620:
3617:
3615:
3612:
3610:
3607:
3605:
3602:
3600:
3597:
3595:
3594:Impressionism
3592:
3590:
3587:
3585:
3582:
3580:
3577:
3575:
3572:
3568:
3565:
3564:
3563:
3562:Functionalism
3560:
3558:
3555:
3553:
3550:
3548:
3545:
3543:
3540:
3538:
3535:
3533:
3530:
3528:
3525:
3524:
3522:
3518:
3513:
3506:
3501:
3499:
3494:
3492:
3487:
3486:
3483:
3471:
3468:
3466:
3463:
3461:
3458:
3456:
3455:Impressionism
3453:
3452:
3450:
3446:
3440:
3439:Albert Aurier
3437:
3435:
3432:
3431:
3429:
3425:
3419:
3416:
3414:
3411:
3409:
3406:
3404:
3401:
3399:
3396:
3394:
3391:
3389:
3386:
3384:
3381:
3379:
3376:
3374:
3371:
3370:
3368:
3364:
3358:
3355:
3353:
3352:Jean Marchand
3350:
3348:
3345:
3343:
3340:
3338:
3337:Pablo Picasso
3335:
3333:
3330:
3328:
3327:Henry Ottmann
3325:
3323:
3320:
3318:
3315:
3313:
3310:
3308:
3305:
3303:
3300:
3298:
3295:
3293:
3290:
3288:
3287:Henri Matisse
3285:
3283:
3280:
3278:
3275:
3273:
3270:
3268:
3265:
3264:
3262:
3258:
3252:
3249:
3247:
3246:Expressionism
3244:
3242:
3239:
3237:
3234:
3232:
3229:
3228:
3226:
3222:20th-century
3220:
3214:
3211:
3209:
3206:
3204:
3201:
3199:
3196:
3194:
3191:
3189:
3186:
3184:
3183:Charles Laval
3181:
3179:
3176:
3174:
3171:
3169:
3166:
3164:
3163:Paul Sérusier
3161:
3159:
3156:
3154:
3151:
3149:
3146:
3144:
3141:
3139:
3136:
3134:
3131:
3129:
3126:
3124:
3123:Maurice Denis
3121:
3119:
3116:
3114:
3111:
3109:
3106:
3104:
3101:
3099:
3096:
3094:
3093:Émile Bernard
3091:
3089:
3086:
3084:
3081:
3080:
3078:
3074:
3068:
3065:
3063:
3060:
3058:
3055:
3053:
3052:
3048:
3046:
3043:
3041:
3038:
3036:
3033:
3031:
3028:
3027:
3025:
3021:19th-century
3019:
3015:
3006:
3001:
2999:
2994:
2992:
2987:
2986:
2983:
2976:
2973:
2970:
2969:
2965:
2963:
2960:
2958:
2955:
2953:
2950:
2948:
2945:
2943:
2940:
2938:
2935:
2933:
2930:
2928:
2925:
2923:
2920:
2917:
2914:
2913:
2904:
2900:
2897:
2893:
2891:
2890:2-221-05222-6
2887:
2884:, Paris 1980
2883:
2879:
2876:
2875:
2864:
2860:
2854:
2848:
2844:
2840:
2838:
2831:
2829:
2821:
2817:
2813:
2809:
2808:
2801:
2799:
2791:
2790:
2783:
2777:
2772:
2766:
2765:
2758:
2751:
2750:
2746:
2739:
2737:
2735:
2725:
2718:
2714:
2708:
2702:
2697:
2690:
2685:
2676:
2670:
2669:
2662:
2660:
2658:
2656:
2654:
2652:
2650:
2642:
2640:
2633:
2627:
2625:
2618:
2612:
2610:
2603:
2597:
2596:
2589:
2580:
2574:
2572:
2565:
2559:
2554:
2547:
2541:
2539:
2537:
2527:
2518:
2512:
2511:0-313-28333-8
2508:
2505:
2503:
2496:
2494:
2492:
2490:
2488:
2486:
2484:
2477:
2472:
2470:
2462:
2456:
2450:
2446:
2442:
2440:
2433:
2424:
2418:
2412:
2404:
2398:
2389:
2381:
2374:
2368:
2363:
2361:
2359:
2357:
2355:
2353:
2351:
2349:
2347:
2345:
2343:
2341:
2339:
2337:
2335:
2333:
2331:
2329:
2322:
2317:
2315:
2308:
2303:
2301:
2299:
2294:
2285:
2282:
2280:
2277:
2276:
2267:
2264:
2262:
2259:
2257:
2254:
2252:
2249:
2247:
2244:
2242:
2239:
2237:
2234:
2232:
2229:
2227:
2224:
2222:
2219:
2217:
2214:
2212:
2209:
2207:
2206:Alfred Sisley
2204:
2202:
2199:
2197:
2194:
2192:
2189:
2187:
2184:
2182:
2179:
2177:
2174:
2172:
2169:
2167:
2164:
2162:
2159:
2157:
2154:
2152:
2149:
2147:
2146:Henry Ottmann
2144:
2142:
2139:
2137:
2136:Piet Mondrian
2134:
2132:
2129:
2127:
2124:
2122:
2119:
2117:
2114:
2112:
2111:Henri Matisse
2109:
2107:
2106:Albert Marque
2104:
2102:
2099:
2097:
2094:
2092:
2089:
2087:
2084:
2082:
2081:Fernand Léger
2079:
2077:
2074:
2072:
2069:
2067:
2066:Kiki of Paris
2064:
2062:
2059:
2057:
2054:
2052:
2049:
2047:
2044:
2042:
2041:Henryk Gotlib
2039:
2037:
2034:
2032:
2029:
2027:
2024:
2022:
2019:
2017:
2014:
2012:
2009:
2007:
2004:
2002:
1999:
1997:
1994:
1992:
1989:
1987:
1984:
1982:
1979:
1977:
1974:
1972:
1969:
1967:
1964:
1962:
1959:
1957:
1954:
1952:
1949:
1947:
1944:
1942:
1939:
1937:
1934:
1932:
1929:
1928:
1921:
1919:
1915:
1911:
1907:
1903:
1902:
1897:
1893:
1888:
1884:
1882:
1878:
1874:
1870:
1866:
1865:Alice Halicka
1862:
1858:
1854:
1843:
1840:
1838:
1833:
1831:
1827:
1823:
1822:Tristan Tzara
1817:
1815:
1811:
1807:
1797:
1795:
1791:
1787:
1777:
1775:
1771:
1764:1914, Orphism
1761:
1759:
1755:
1751:
1750:Piet Mondrian
1747:
1743:
1739:
1735:
1731:
1727:
1723:
1719:
1714:
1712:
1708:
1705:, New York —
1704:
1700:
1696:
1695:Fernand Léger
1692:
1689:
1685:
1681:
1677:
1676:
1675:L'Oiseau bleu
1671:
1663:
1659:
1658:Man in a Café
1655:
1651:
1641:
1636:
1632:
1627:
1624:
1622:
1618:
1614:
1610:
1608:
1604:
1600:
1595:
1593:
1589:
1585:
1581:
1577:
1573:
1572:Fernand Léger
1569:
1565:
1564:
1559:
1555:
1551:
1548:(no. 1235) —
1547:
1543:
1539:
1538:
1533:
1530:(no. 1347) —
1529:
1528:
1522:
1520:
1516:
1512:
1508:
1504:
1500:
1496:
1487:
1483:
1479:
1475:
1468:
1464:
1463:
1458:
1454:
1447:
1443:
1439:
1435:
1428:
1424:
1420:
1419:
1415:, 1911-1912,
1414:
1410:
1401:
1399:
1395:
1390:
1388:
1383:
1381:
1377:
1373:
1369:
1363:
1361:
1357:
1353:
1349:
1345:
1341:
1337:
1332:
1328:
1324:
1322:
1318:
1317:
1312:
1310:
1306:
1302:
1293:
1289:
1285:
1281:
1274:
1270:
1266:
1265:
1260:
1256:
1249:
1248:Alphonse Kann
1245:
1243:
1238:
1234:
1227:
1223:
1219:
1215:
1206:
1204:
1200:
1196:
1192:
1188:
1184:
1180:
1176:
1172:
1171:Le Père Frédé
1168:
1164:
1161:
1156:
1147:
1143:
1139:
1130:
1128:
1123:
1121:
1117:
1113:
1110:, along with
1109:
1105:
1101:
1096:
1092:
1090:
1086:
1082:
1078:
1077:
1072:
1064:
1060:
1059:
1054:
1050:
1041:
1037:
1035:
1031:
1027:
1023:
1011:
1008:
1003:
998:
992:
990:
985:
983:
979:
975:
971:
966:
963:
961:
957:
956:Maurice Denis
953:
949:
945:
940:
938:
934:
925:
921:
917:
913:
912:
907:
903:
896:
891:
882:
880:
876:
871:
866:
860:
856:
855:
850:
846:
841:
836:
833:
831:
826:
824:
820:
815:
810:
808:
804:
800:
799:
791:
787:
786:
781:
780:Henri Matisse
777:
773:
771:
767:
763:
759:
755:
750:
746:
742:
737:
727:
725:
719:
717:
713:
708:
706:
702:
701:
696:
694:
685:
681:
677:
673:
672:
667:
666:Henri Matisse
663:
654:
651:
649:
645:
641:
637:
633:
629:
625:
624:
618:
616:
612:
608:
604:
600:
596:
592:
588:
584:
583:Henri Manguin
580:
576:
572:
571:Henri Matisse
567:
565:
561:
557:
546:
544:
540:
536:
531:
522:
520:
514:
505:
501:
498:
494:
490:
486:
485:Champ de Mars
482:
477:
474:
472:
468:
464:
463:Expressionist
460:
456:
452:
448:
444:
440:
436:
432:
428:
424:
423:
417:
416:Henri Matisse
413:
409:
405:
401:
397:
392:
390:
386:
382:
378:
374:
370:
366:
362:
358:
354:
350:
344:
342:
338:
334:
330:
326:
322:
318:
314:
310:
302:
298:
294:
287:
283:
279:
275:
271:
262:
259:
255:
242:
238:
237:
236:
233:
232:
228:
221:Establishment
218:
216:
212:
208:
204:
200:
195:
193:
188:
186:
182:
181:
175:
171:
170:
165:
164:Second Empire
160:
158:
154:
150:
143:
142:New York City
139:
135:
134:
129:
125:
116:
114:
110:
109:
104:
103:
98:
94:
90:
86:
82:
78:
74:
70:
66:
62:
58:
54:
49:
41:
33:
32:Musée d'Orsay
29:
25:
24:Henri Matisse
21:
10950:
10921:
10913:
10905:
10897:
10889:
10883:Capo di Noli
10881:
10873:
10865:
10857:
10797:Topiary Park
10788:
10768:
10749:
10741:
10733:
10725:
10717:
10709:
10701:
10693:
10622:
10615:
10362:Ecomodernism
10270:
10258:
10246:
10234:
10222:
10210:
10200:The Firebird
10198:
10186:
10174:
10162:
10150:
10138:
9557:
9547:Citizen Kane
9545:
9536:Fallingwater
9526:Villa Savoye
9513:
9501:
9489:
9477:
9465:
9455:Black Square
9453:
9441:
9429:
9417:
9405:
9393:
9381:
9273:Le Corbusier
9201:Architecture
8214:
8202:
8190:
8180:Mrs Dalloway
8178:
8166:
8154:
8142:
8130:
8118:
8003:Lowell (Amy)
7350:Trompe-l'œil
7348:
7319:Outsider art
7272:Illustration
7228:Lutheran art
7218:Catholic art
7181:Abstract art
7151:Unilalianism
7114:Software art
7089:Neosymbolism
7079:Neo-futurism
7042:Internet art
7032:Hyperrealism
6885:Superfiction
6668:Photorealism
6536:Afrofuturism
6301:Contemporary
6277:Dimensionism
6260:Concrete art
6193:
6189:Precisionism
6039:
5986:Sosaku-hanga
5960:Productivism
5950:Metaphysical
5920:
5909:Proto-Cubism
5813:Secessionism
5775:Costumbrismo
5660:Aestheticism
5611:Hague School
5591:
5515:Academic art
5496:Costumbrismo
5464:Empire style
5301:Quito School
5296:Cusco School
5212:Colonial art
5173:
5161:Fête galante
5159:
5128:18th century
5090:Delft School
5041:Caravaggisti
5019:17th century
4904:
4861:Quattrocento
4851:
4809:
4732:
4635:
4565:Late antique
4449:Severe style
4439:Black-figure
4326:Contemporary
4092:Epic theatre
3929:Atonal music
3764:Flarf poetry
3754:Ego-Futurism
3552:Proto-Cubism
3470:Secessionism
3434:Félix Fénéon
3372:
3357:Othon Friesz
3277:André Derain
3148:Odilon Redon
3133:Paul Gauguin
3113:Paul Cézanne
3098:Edvard Munch
3049:
2967:
2902:
2895:
2881:
2862:
2858:
2853:
2836:
2819:
2815:
2811:
2806:
2788:
2782:
2771:
2763:
2757:
2748:
2744:
2724:
2712:
2707:
2696:
2684:
2675:
2667:
2638:
2632:
2623:
2617:
2608:
2602:
2594:
2588:
2579:
2570:
2564:
2553:
2545:
2526:
2517:
2501:
2455:
2438:
2432:
2423:
2411:
2397:
2388:
2373:
2266:Othon Friesz
2241:Louis Valtat
2166:Odilon Redon
2141:Edvard Munch
2116:Vadim Meller
2051:Louise Janin
1981:Joseph Csaky
1956:Marc Chagall
1899:
1895:
1891:
1889:
1885:
1849:
1841:
1834:
1826:André Breton
1818:
1810:Grand Palais
1803:
1794:Section d'Or
1789:
1783:
1767:
1754:Jan Sluyters
1745:
1715:
1710:
1698:
1690:
1683:
1673:
1667:
1657:
1638:
1634:
1629:
1625:
1620:
1617:André Salmon
1613:Roger Allard
1611:
1606:
1602:
1598:
1596:
1591:
1583:
1575:
1567:
1561:
1556:(no. 868) —
1553:
1545:
1535:
1525:
1523:
1518:
1510:
1491:
1481:
1460:
1441:
1416:
1393:
1391:
1384:
1364:
1352:Section d'Or
1347:
1333:
1329:
1325:
1314:
1299:
1297:
1287:
1262:
1240:
1221:
1198:
1194:
1187:André Warnod
1153:
1151:
1145:
1126:
1124:
1115:
1111:
1107:
1103:
1102:landscapes:
1099:
1097:
1093:
1084:
1080:
1074:
1070:
1068:
1056:
1038:
1025:
1021:
1018:
1009:
1004:
999:
994:
988:
986:
982:proto-Cubist
977:
967:
964:
959:
951:
947:
943:
941:
936:
932:
929:
919:
909:
894:
867:
863:
852:
838:
834:
827:
818:
817:
812:
806:
802:
796:
794:
783:
765:
761:
758:André Derain
741:Wilhelm Uhde
733:
724:Berthe Weill
720:
709:
704:
698:
691:
688:
684:Pennsylvania
680:Philadelphia
669:
652:
621:
619:
599:André Derain
587:Othon Friesz
568:
552:
549:1905 Fauvism
532:
528:
515:
511:
502:
488:
478:
475:
471:Abstract art
422:Belle Époque
419:
393:
381:Paul Gauguin
377:Paul Cézanne
365:Louis Valtat
357:Odilon Redon
345:
333:Odilon Redon
317:Paul Gauguin
313:Paul Cézanne
306:
300:
281:
277:
253:
251:
240:
234:
230:
224:
199:Grand Master
196:
191:
189:
178:
173:
167:
161:
148:
146:
131:
106:
100:
97:Grand Palais
92:
73:Odilon Redon
64:
56:
52:
39:
37:
27:
11019:Western art
10964:(companion)
10941:Pointillism
10839:Paul Signac
10779:Pointillism
10774:Divisionism
10754:(1890–1891)
10738:(1889–1890)
10730:(1889–1890)
10722:(1887–1888)
10714:(1884–1886)
10706:(1884–1886)
10617:Romanticism
10574:Remodernism
10455:Incoherents
10314:Avant-garde
10305:Armory Show
9912:Maeterlinck
9815:Villa-Lobos
9801:Szymanowski
9780:Stockhausen
9717:Lutosławski
9435:(1909–1910)
8235:Visual arts
8208:(1928–1940)
8124:(1913–1927)
7647:Apollinaire
7611:Synchromism
7451:Art Nouveau
7235:Digital art
7198:Avant-garde
7139:Superstroke
7015:Flat design
7010:Fictive art
7005:Excessivism
6953:Art for art
6948:Altermodern
6890:Taring Padi
6825:Lowbrow art
6793:Pliontanism
6730:Yoru no Kai
6683:Process art
6623:Systems art
6593:Arte Povera
6515:Antipodeans
6424:in New York
6394:Jikken Kōbō
6357:Color field
6226:Regionalism
6195:Aeropittura
6184:Neo-Fauvism
6157:Neues Sehen
6127:Kinetic art
5991:Suprematism
5965:Synchromism
5882:Noucentisme
5803:Primitivism
5791:Art Nouveau
5746:Cloisonnism
5736:Pointillism
5731:Divisionism
5709:Incoherents
5670:Art pottery
5556:(1863–1944)
5506:Macchiaioli
5481:Biedermeier
5469:Historicism
5454:Orientalism
5395:Romanticism
5366:Akita ranga
5218:Art of the
5203:Picturesque
5155:Chinoiserie
5150:Frederician
4988:Tudor court
4883:Cinquecento
4824:Renaissance
4811:Mappa mundi
4795:cartography
4687:Carolingian
4682:Merovingian
4665:Palaeologan
4637:Repoblación
4594:Anglo-Saxon
4525:Gallo-Roman
4464:Hellenistic
4459:Kerch style
4397:Minyan ware
4244:Primitivism
4070:and theatre
4010:Noise music
3983:Drone music
3814:Slam poetry
3701:Suprematism
3686:Process art
3614:Incoherents
3609:Color Field
3584:Divisionism
3532:Art Nouveau
3512:Avant-garde
3366:Exhibitions
3173:Paul Signac
3143:Paul Ranson
3067:Art Nouveau
3045:Cloisonnism
3040:Pointillism
3035:Divisionism
2201:Paul Signac
2171:Jelka Rosen
2086:André Lhote
1910:Jean Carzou
1861:Irène Lagut
1742:Synchromism
1499:Suprematism
1368:André Lhote
1311:, Le Select
1261:, 1910-11,
1220:, 1910-11,
1175:Lapin Agile
1158: [
1100:Ploumanac'h
895:Ploumanac'h
823:Armory Show
668:, 1905-06,
644:Paul Signac
628:Divisionist
564:Renaissance
455:Divisionist
431:avant-garde
341:Paul Signac
327:along with
203:Grand Lodge
162:During the
128:Paul Signac
89:World War I
81:Paul Signac
11014:Modern art
10978:Categories
10751:The Circus
10504:Maximalism
10439:Literature
10114:Wiesenthal
10016:Cunningham
10009:Balanchine
9989:Witkiewicz
9961:Strindberg
9947:Pirandello
9919:Mayakovsky
9794:Stravinsky
9766:Schoenberg
9578:Performing
9503:Metropolis
9294:Mendelsohn
9099:Rossellini
9092:Richardson
8903:Fassbinder
8889:Eisenstein
8826:Cassavetes
8582:Modigliani
8456:Goncharova
8442:Giacometti
7836:Dos Passos
7638:Literature
7597:Surrealism
7508:Die Brücke
7282:Jewish art
7094:Passionism
7054:iPhone art
7000:Cyborg art
6995:Crypto art
6968:Brandalism
6860:Cyberdelic
6725:Tropicália
6698:Street art
6653:Intermedia
6633:Minimalism
6352:Spatialism
6306:Postmodern
6162:Surrealism
6030:Shin-hanga
5870:Die Brücke
5838:Sonderbund
5751:Synthetism
5474:Revivalism
5383:Transition
5340:Manichaean
5186:Adam style
5107:Classicism
5046:in Utrecht
4974:Still life
4704:Romanesque
4660:Macedonian
4655:Iconoclast
4614:Visigothic
4520:Republican
4474:Indo-Greek
4444:Red-figure
4264:Surrealism
4202:Minimalism
4077:Cinéma pur
3722:and poetry
3720:Literature
3629:Minimalism
3520:Visual art
3465:Modern art
3317:Franz Marc
3282:Raoul Dufy
3236:Die Brücke
3083:Cuno Amiet
3057:Synthetism
2717:José Corti
2611:, May 1910
2290:References
2221:Sonia Terk
2101:André Mare
2016:Raoul Dufy
1996:Jean Dries
1837:André Gide
1758:Leo Gestel
1607:Baigneuses
1560:exhibited
1546:Artillerie
1544:exhibited
1427:Niels Bohr
1380:André Mare
1305:La Coupole
1179:Montmartre
908:, c.1908,
879:modern art
795:Matisse's
745:Kahnweiler
632:St. Tropez
591:Raoul Dufy
406:. By 1905
347:Seurat's "
10846:Paintings
10735:Le Chahut
10682:Paintings
10553:Pulp noir
10511:Modernity
10376:Film noir
10100:St. Denis
10023:Diaghilev
9759:Schaeffer
9682:Hindemith
9654:Dutilleux
9626:Boulanger
9431:The Dance
9127:Tarkovsky
9120:Sternberg
8952:Hitchcock
8868:Dovzhenko
8784:Antonioni
8729:Stieglitz
8568:Metzinger
8519:Kokoschka
8498:Kandinsky
7912:Aldington
7905:Akhmatova
7822:Marinetti
7815:Mansfield
7766:Hemingway
7604:Symbolism
7423:Movements
7416:Modernism
7344:Shock art
7334:Queer art
7314:Naïve art
7297:Modernism
7129:Superflat
7119:Sound art
7099:Post-YBAs
7084:Neomodern
6925:Verdadism
6895:Superflat
6744:1970–1999
6708:in the US
6628:Video art
6551:Happening
6524:1960–1969
6316:1945–1959
5979:1915–1944
5970:Vorticism
5922:A Nyolcak
5784:1900–1914
5756:Les Nabis
5687:Symbolism
5643:Amsterdam
5593:Japonisme
5563:1863–1899
5525:in Greece
5385:to modern
5230:Caribbean
5175:Goût grec
5097:Capriccio
5051:Tenebrism
5000:Turquerie
4898:Mannerism
4793:Medieval
4650:Byzantine
4631:Mozarabic
4582:Ethiopian
4486:Neo-Attic
4469:"Baroque"
4454:Classical
4424:Geometric
4402:Mycenaean
4349:(Western)
4347:Premodern
4318:Premodern
4269:Symbolism
4197:Modernism
4030:Serialism
4015:Post-rock
3956:Free jazz
3864:Free funk
3819:Ultraísmo
3774:Imaginism
3749:Cyberpunk
3711:Vorticism
3514:movements
3460:Modernism
3224:movements
3062:Symbolism
3051:Les Nabis
3023:movements
2461:"Fauvism"
2449:1149-9397
2126:Joan Miró
2046:Juan Gris
1780:1915-1919
1707:Juan Gris
1701:1912-13,
1654:Juan Gris
1588:Juan Gris
1438:Juan Gris
1394:Abundance
1058:The Dream
1040:salons).
974:banlieues
819:Blue Nude
756:of 1907.
642:painters
626:. In the
560:Donatello
447:Symbolist
427:modernism
309:Louis XIV
10635:Category
10236:Fountain
10140:Don Juan
10079:Nijinsky
9975:Wedekind
9954:Piscator
9849:Anderson
9773:Scriabin
9689:Honegger
9343:Sullivan
9329:Saarinen
9322:Rietveld
9315:Niemeyer
9287:Melnikov
9217:Bunshaft
9148:Truffaut
9113:Sjöström
9057:Pudovkin
9029:Minnelli
8994:Kurosawa
8987:Kuleshov
8917:Flaherty
8743:Vuillard
8722:Steichen
8680:Rousseau
8645:Pissarro
8624:O'Keeffe
8589:Mondrian
8540:Malevich
8533:Magritte
8505:Kirchner
8449:van Gogh
8400:Doesburg
8379:Delaunay
8372:Delaunay
8295:Brâncuși
8281:Boccioni
8244:Painting
8094:Williams
8017:Mallarmé
7933:Cendrars
7843:Platonov
7801:Lawrence
7794:Koestler
7731:Flaubert
7724:Faulkner
7689:Bulgakov
7618:Tonalism
7579:De Stijl
7563:Lettrism
7549:Futurism
7440:Art Deco
7374:Category
7324:Portrait
7245:Folk art
7193:Anti-art
7124:Stuckism
7037:Idea art
6958:Art game
6910:Artivism
6798:Punk art
6776:Sots Art
6761:Artscene
6618:Land art
6556:Neo-Dada
6488:Lettrism
6382:Nuagisme
6367:Tachisme
6248:Nazi art
6041:De Stijl
5955:Rayonism
5945:Art Deco
5933:Futurism
5724:Luminism
5692:Romanian
5677:Tonalism
5648:Canadian
5626:American
5532:Neo-Grec
5140:Rocaille
4969:Romanism
4903:Counter-
4837:Trecento
4777:Duecento
4767:Crusades
4699:Ottonian
4677:Frankish
4557:Medieval
4540:Trajanic
4500:Scythian
4495:Etruscan
4387:Cycladic
4365:Thracian
4217:Neo-Dada
4192:Lettrism
4173:Futurism
4087:Drop Art
4082:Dogme 95
4050:Totalism
3968:Futurism
3919:Ars nova
3847:By style
3794:Neoteric
3696:Rayonism
3649:De Stijl
3624:Mail art
3579:Devětsil
2812:Kubismus
2273:See also
1656:, 1912,
1511:Salle XI
1507:De Stijl
1495:Futurism
1480:, 1912,
1459:, 1912,
1440:, 1912,
1286:, 1911,
1239:, 1911,
1144:, 1910,
1104:Le Ravin
984:period.
948:Gil Blas
851:, 1907,
782:, 1907,
615:Gil Blas
579:Jean Puy
429:and the
299:, 1896,
288:, London
130:, 1890,
26:, 1904,
10934:Related
10762:Related
10290:Related
10152:Ubu Roi
10107:Tamiris
10093:Sokolow
10072:Massine
9940:Osborne
9933:O'Neill
9926:O'Casey
9884:Chekhov
9870:Beckett
9856:Anouilh
9840:Theatre
9787:Strauss
9745:Russolo
9724:Milhaud
9703:Janáček
9675:Górecki
9668:Feldman
9647:Debussy
9640:Copland
9598:Antheil
9336:Steiner
9259:Johnson
9238:Guimard
9231:Gropius
9078:Resnais
8980:Kubrick
8910:Fellini
8896:Epstein
8882:Edwards
8847:Cocteau
8833:Chaplin
8805:Bresson
8798:Bergman
8777:Aldrich
8770:Akerman
8715:Soutine
8687:Schiele
8638:Picasso
8631:Picabia
8561:Matisse
8435:Gauguin
8407:Duchamp
8365:Kooning
8344:Claudel
8337:Chirico
8330:Chagall
8323:Cézanne
8316:Cassatt
8288:Bonnard
8274:Bellows
8267:Balthus
8144:Ulysses
8066:Stevens
8059:Seferis
7878:Unamuno
7717:Forster
7696:Chekhov
7661:Beckett
7590:Orphism
7556:Imagism
7540:Bauhaus
7526:Fauvism
7431:Acmeism
7339:Realism
6936:present
6663:Nut Art
6466:Pop art
6404:Mono-ha
6272:The Ten
6221:Kapists
6167:Iranian
6120:Bauhaus
5914:Orphism
5860:Fauvism
5697:Russian
5587:Nihonga
5501:Verismo
5486:Realism
5420:Purismo
5333:Moorish
5328:Islamic
5235:Haitian
5026:Baroque
4905:Maniera
4789:Mudéjar
4714:Spanish
4626:Pictish
4609:Lombard
4604:Insular
4545:Severan
4510:Gaulish
4505:Iberian
4434:Archaic
4377:Nuragic
4357:Ancient
4340:periods
4146:General
4005:No wave
3779:Imagism
3729:Acmeism
3681:Pop art
3671:Orphism
3589:Fauvism
3567:Bauhaus
3448:Related
3427:Critics
3260:Artists
3231:Fauvism
3076:Artists
1738:Orphism
1576:La Noce
1574:showed
1568:Le Port
1301:Le Dôme
1275:, Paris
1076:L'Arbre
1026:Paysage
807:Nu bleu
766:Bathers
749:Picasso
634:on the
435:Realist
396:cholera
258:cholera
231:Société
201:of the
119:History
10926:(1909)
10918:(1907)
10910:(1905)
10902:(1905)
10894:(1905)
10886:(1898)
10878:(1895)
10870:(1890)
10862:(1889)
10746:(1890)
10711:Models
10698:(1884)
10276:(1953)
10264:(1928)
10252:(1921)
10240:(1917)
10228:(1913)
10216:(1912)
10204:(1910)
10192:(1905)
10188:Salome
10180:(1902)
10168:(1899)
10156:(1896)
10144:(1888)
10121:Wigman
10051:Graham
10044:Fuller
10037:Fokine
10030:Duncan
9982:Wilder
9968:Toller
9905:Kaiser
9877:Brecht
9863:Artaud
9822:Webern
9808:Varèse
9738:Partch
9710:Ligeti
9633:Boulez
9605:Bartók
9563:(1943)
9551:(1941)
9539:(1936)
9529:(1931)
9519:(1929)
9507:(1927)
9495:(1925)
9483:(1923)
9471:(1920)
9459:(1915)
9447:(1912)
9423:(1907)
9411:(1889)
9399:(1887)
9387:(1886)
9364:Wright
9350:Tatlin
9308:Neutra
9210:Breuer
9176:Welles
9162:Vertov
9085:Renoir
9036:Murnau
9022:Marker
9015:Lupino
8973:Keaton
8959:Hubley
8945:Godard
8931:Fuller
8875:Dreyer
8854:Dassin
8812:Buñuel
8708:Sisley
8701:Signac
8694:Seurat
8666:Renoir
8484:Hopper
8386:Demuth
8309:Calder
8302:Braque
8253:Albers
8220:(1929)
8196:(1926)
8184:(1925)
8172:(1924)
8160:(1922)
8148:(1922)
8136:(1915)
8087:Valéry
8073:Thomas
8038:Pessoa
7982:George
7975:Elytis
7968:Éluard
7954:Desnos
7926:Cavafy
7896:Poetry
7857:Proust
7850:Porter
7752:Hamsun
7710:Döblin
7703:Conrad
7675:Breton
7654:Barnes
7474:Cubism
7287:Kitsch
7146:Toyism
6638:Fluxus
6568:Op art
6137:Mingei
6071:Stupid
6049:Purism
5904:Cubism
5553:Modern
5345:Mughal
5135:Rococo
4740:Gothic
4721:Norman
4645:Viking
4599:Hunnic
4577:Coptic
4392:Minoan
4382:Aegean
4370:Dacian
4322:Modern
4222:Neoism
4168:Fluxus
4068:Cinema
3907:Others
3809:Oulipo
3804:Oberiu
3691:Purism
3557:Cubism
3378:Les XX
3251:Cubism
2888:
2865:, 2013
2845:
2509:
2447:
1881:Tirman
1313:, and
922:, The
875:Cubism
830:Herbin
467:Cubist
387:, and
254:Groupe
111:, the
105:, the
10446:Post-
10432:Music
10131:Works
10086:Shawn
10065:Laban
10000:Dance
9898:Jarry
9891:Ibsen
9829:Weill
9752:Satie
9661:Falla
9619:Berio
9589:Music
9374:Works
9301:Nervi
9245:Horta
9224:Gaudí
9183:Wiene
9155:Varda
9141:Trnka
9050:Pabst
9008:Losey
8966:Jones
8938:Gance
8861:Deren
8840:Clair
8819:Carné
8791:Avery
8673:Rodin
8659:Redon
8617:Nolde
8610:Munch
8603:Moore
8596:Monet
8547:Manet
8526:Léger
8491:Kahlo
8470:Grosz
8428:Ernst
8421:Ensor
8358:Degas
8111:Works
8101:Yeats
8080:Tzara
8052:Rilke
8045:Pound
8024:Moore
7996:Lorca
7989:Jacob
7961:Eliot
7940:Crane
7919:Auden
7885:Woolf
7871:Svevo
7864:Stein
7829:Musil
7787:Kafka
7780:Joyce
7773:Hesse
7759:Hašek
7682:Broch
7517:Music
6934:2000–
6377:COBRA
5371:Uki-e
5361:Japan
5350:Qajar
4709:Mosan
4515:Roman
4409:Greek
3896:Metal
3839:Music
1877:Lhote
1603:Paris
1162:]
958:, in
814:1907)
459:Fauve
443:Nabis
180:Salon
174:Salon
61:Paris
55:) or
10058:Holm
9731:Nono
9696:Ives
9612:Berg
9580:arts
9357:Mies
9280:Loos
9266:Kahn
9190:Wood
9169:Vigo
9134:Tati
9106:Sirk
9001:Lang
8924:Ford
8761:Film
8750:Wood
8575:Miró
8554:Marc
8512:Klee
8477:Höch
8463:Gris
8414:Dufy
8351:Dalí
8031:Owen
7947:H.D.
7808:Mann
7745:Gide
7738:Ford
7668:Bely
7481:Dada
7223:Icon
6546:ZERO
6304:and
6201:Asso
6025:Dada
5582:Yōga
4324:and
4158:Dada
3891:Punk
3886:Prog
3881:Rock
3869:Yass
3859:Jazz
3854:Funk
3829:Zaum
2886:ISBN
2843:ISBN
2507:ISBN
2445:ISSN
1873:Dufy
1867:and
1824:and
1812:des
1806:Dada
1772:and
1740:and
1732:and
1599:Port
1566:and
1342:and
1114:and
1106:and
1073:and
1063:MoMA
646:and
609:and
469:and
414:and
147:The
79:and
38:The
9043:Ozu
8652:Ray
8393:Dix
8260:Arp
3876:Pop
1788:'s
1756:en
1534:'s
1354:).
1205:).
1189:et
1177:in
437:to
420:La
10980::
10614:←
4320:,
2841:,
2827:^
2797:^
2733:^
2715:,
2648:^
2535:^
2482:^
2468:^
2443:,
2327:^
2313:^
2297:^
1912:,
1908:,
1879:,
1875:,
1863:,
1859:,
1855:,
1796:.
1728:,
1724:,
1720:,
1709:,
1697:,
1678:—
1594:.
1582:,
1578:—
1570:—
1505:,
1501:,
1497:,
1382:.
1374:,
1370:,
1338:,
1307:,
1303:,
1290:,
1181:.
1160:fr
1122:.
1061:,
991::
918:,
809::
718:.
707:.
682:,
678:,
605:,
601:,
597:,
593:,
589:,
585:,
581:,
577:,
473:.
465:,
461:,
457:,
449:,
445:,
441:,
410:,
391:.
383:,
379:,
375:,
371:,
367:,
363:,
359:,
355:,
339:,
335:,
331:,
323:,
319:,
315:,
140:,
75:,
71:,
51:,
10831:e
10824:t
10817:v
10667:e
10660:t
10653:v
10627:→
7408:e
7401:t
7394:v
4338:/
4310:e
4303:t
4296:v
3504:e
3497:t
3490:v
3004:e
2997:t
2990:v
2405:.
2382:.
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