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Many popular hardware synthesizers are no longer manufactured but have been emulated in software. The emulation can even extend to having graphics that model the exact placements of the original hardware controls. Some simulators can even import the original sound patches with accuracy that is nearly
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Often a composer or virtual conductor will want a "draft mode" for initial score editing and then use the "production mode" to generate high-quality sound as one gets closer to the final version. The draft mode allows for quicker turn-around, perhaps in real time, but will not have the full quality
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of the production mode. The draft render is roughly analogous to a wire-frame or "big polygon" animation when creating 3D animation or
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and dozens of other classics have been recreated in software. Software Synth developers such as
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indistinguishable from the original synthesizer. Popular synthesizers such as the
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Softsynths can cover a range of synthesis methods, including
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251:offer virtual editions of analog synths like the
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397:Category:Music software plugin architectures
772:Center for New Music and Audio Technologies
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109:Learn how and when to remove this message
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131:is a computer program that generates
16:Computer program that generates audio
47:adding citations to reliable sources
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325:Groove Agent ONE drum sample player
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165:Synthesizer § Sound synthesis
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374:. Also of note is software like
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392:Category:Software synthesizers
143:typically in the context of a
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187:physical modelling synthesis
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183:phase distortion synthesis
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803:Algorithmic composition
193:(including the related
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159:Bristol Mini soft-synth
449:List of music software
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199:sample-based synthesis
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58:"Software synthesizer"
871:Software synthesizers
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171:subtractive synthesis
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341:(CC-BY-SA-3.0 image)
316:Software instruments
274:Some softsynths are
226:Sequential Prophet-5
125:software synthesizer
43:improve this article
782:Oberlin TIMARA Labs
777:Princeton Sound Lab
407:Modular synthesizer
360:sequencing software
348:software instrument
306:Software instrument
267:and version of the
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191:additive synthesis
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32:This article
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837:Illiac Suite
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829:Compositions
617:Programs and
589:Barry Vercoe
569:Curtis Roads
504:Marc Battier
431:
422:Sound module
372:Ableton Live
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265:Rick Wakeman
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179:FM synthesis
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41:Please help
36:verification
33:
711:TidalCycles
676:Music Mouse
619:instruments
549:Gérard Pape
544:Max Mathews
539:Paul Lansky
427:Synthesizer
269:ARP Odyssey
195:resynthesis
173:(including
137:synthesizer
860:Categories
796:Techniques
514:David Cope
455:References
439:TiMidity++
364:GarageBand
214:Yamaha DX7
163:See also:
69:newspapers
732:Bell Labs
696:Riffusion
691:Radiodrum
681:Pure Data
433:SynthFont
368:Logic Pro
129:softsynth
701:Sonic Pi
386:See also
330:bottom:
261:Minimoog
257:ARP 2600
253:Minimoog
244:ARP 2600
686:MUSIC-N
666:Max/MSP
584:Trimpin
579:The Hub
380:Nyquist
249:Arturia
220:Korg M1
197:), and
83:scholar
742:CEMAMu
725:Places
641:Csound
497:People
376:Csound
370:, and
352:violin
337:Cubase
276:sample
255:, the
85:
78:
71:
64:
56:
767:IRCAM
737:CCRMA
646:FAUST
626:ChucK
362:like
356:drums
314:top:
151:Types
90:JSTOR
76:books
876:MIDI
762:ICMA
757:ICEM
716:UPIC
656:Kyma
651:HMSL
631:Cmix
378:and
292:.sf2
281:.wav
62:news
787:IEM
354:or
335:on
300:CGI
290:or
287:.sf
185:),
127:or
45:by
862::
366:,
346:A
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