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668:"If there are geometric forms, it is because these simple and manageable elements have appeared suitable for the distribution of colors whose relations constitute the real object of our search, but these geometric forms do not characterize our art. The distribution of colors can be effected as well with complex forms, such as flowers, etc. ... only the handling of these would be a little more delicate."
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373:"About 1911 I had the idea of making for my son, who had just been born, a blanket composed of bits of fabric like those I had seen in the houses of Ukrainian peasants. When it was finished, the arrangement of the pieces of material seemed to me to evoke cubist conceptions and we then tried to apply the same process to other objects and paintings." Sonia Delaunay
260:, Russian Empire (now Russia), where she was cared for by her mother's brother, Henri Terk. Henri, a successful and affluent lawyer, and his wife Anna wanted to adopt her but her mother would not allow it. Finally in 1890 she was adopted by the Terks. She assumed the name Sonia Terk and received a privileged upbringing with the Terks. They spent their summers in
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Papers. London: Thames and Hudson, 1998, pp. 12, 98-99; Madsen, Axel. Sonia
Delaunay: Artist of the Lost Generation. New York: McGraw-Hill, 1989, pp. 74-89; Thiel, H. "Wilhelm Uhde: Ein offener und engagierter Marchand-Amateur in Paris vor dem Ersten Weltkrieg."in, Junge-Gent, Henrike, ed. Avantgarde und Publikum, Cologne: Böhlau, 1992, pp. 307-20
336:, was a regular visitor to Uhde's gallery, sometimes accompanied by her son. Sonia Terk met Robert Delaunay in early 1909. They became lovers in April of that year and it was decided that she and Uhde should divorce. The divorce was finalised in August 1910. Sonia was pregnant and she and Robert married on 15 November 1910. Their son
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Stein, Gertrude. The
Autobiography of Alice B. Toklas. New York: Harcourt & Brace, 1933; Uhde, Wilhelm. Von Bismarck bis Picasso: Erinnerungen und Bekenntnisse. ZĂĽrich: Verlag Oprecht, 1938; Kultermann, Udo. The History of Art History. New York: Abaris, 1993, p. 133; Kraus, Rosalind. The Picasso
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alités as a fundraiser for French medical research. She designed the pattern for a Matra 530 by experimenting with optical effects causing the car to recompose the pattern into a light blue shade when in motion 'so as not to attract other drivers' attention to the point of causing accidents through
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point out that much about Sonia
Delaunay's early life is ambiguous or unknown: "(...) there were parts of her past that she did not easily discuss. (...) the first twenty years of her life (...) can hardly be called a detailed account. Even the actual date of her birth is ambiguous." (page 7).
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and travelled widely in Europe, introducing Sonia to art museums and galleries. When she was 16, she attended a well-regarded secondary school in St. Petersburg, where her skill at drawing was noted by her teacher. When she was 18, at her teacher's suggestion, she was sent to art school in
456:, by creating a 2m-long accordion-pleated book. Using simultaneous design principles the book merged text and design. The book, which was sold almost entirely by subscription, created a stir amongst Paris critics. The simultaneous book was later shown at the
733:. Sonia however did not want to be part of the contract for the commission, but chose to help Robert if she wanted. She said "I am free and mean to remain so." The murals and painted panels for the exhibition were executed by fifty artists including
297:. Unhappy with the mode of teaching, which she thought was too critical, she spent less time at the Académie and more time in galleries around Paris. Her own work during this period was strongly influenced by the art she was viewing including the
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1798:: "The exhibition comprises some ninety works by Robert and Sonia Delaunay, chosen from the donation which itself totals one hundred and fourteen paintings, drawings, bound books, reliefs and mosaics."
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329:, allowing her access to her dowry, and giving Uhde cover for his homosexuality. Sonia Terk gained entrance into the art world via exhibitions at Uhde's gallery and benefited from his connections.
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Sonia, Robert and their son
Charles returned to Paris permanently in 1921 and moved into Boulevard Malesherbes 19. The Delaunays' most acute financial problems were solved when they sold
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who was to become her friend and collaborator. Sonia
Delaunay described in an interview that the discovery of Cendrars' work “gave me a push, a shock.” She illustrated Cendrars' poem
608:. Sonia Delaunay made clothes for private clients and friends, and in 1923 created fifty fabric designs using geometrical shapes and bold colours, commissioned by a manufacturer from
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494:, in the Basque Country, with their son still in Madrid. They decided not to return to France. In August 1915 they moved to Portugal, where they shared a home with
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823:. From 1976 she developed a range of textiles, tableware and jewellery with French company Artcurial, inspired by her work from the 1920s. Her autobiography,
401:) in which primary colour dots placed next to each other are "mixed" by the eye and affect each other. Sonia's first large-scale painting in this style was
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brought an end to the financial support Sonia received from her family in Russia, and a different source of income was needed. In 1917 the
Delaunays met
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1326:: p. 51 all mention an Eduardo Vianna, but there is no trace of a painter with that name. Viana, however, was acquainted with the Delaunays
405:(1912–13), a painting known for both its use of colour and movement. Other works from this time include her series of paintings entitled
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caused a decline in business. After closing her business, Sonia
Delaunay returned to painting, but she still designed for Jacques Heim,
706:). During this period, she also designed haute couture textiles for Robert Perrier, while participating actively in his artistic salon,
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Sonia
Delaunay travelled to Paris twice in 1920 looking for opportunities in the fashion business, and in August she wrote a letter to
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stating she wanted to expand her business and include some of his designs. Poiret declined, claiming she had copied designs from his
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393:. Simultaneous design occurs when one design, when placed next to another, affects both; this is similar to the theory of colours (
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was so impressed with her use of squares in her binding of
Cendrars' poem that they became an enduring feature in his own work.
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In 1967 (25 February – 5 April) she was a part of an exhibition of artist-decorated cars entitled 'Cinq voitures personnalis
518:, 1916), which she later says was "inspired by the beauty of the country". Sonia had a solo exhibition in Stockholm (1916).
865:, became an expert in jazz music during the 1930s. He was a jazz critic, organizer of jazz concerts and a founder of the
141:; 14 November 1885 – 5 December 1979) was a French artist born to Jewish parents, who spent most of her working life in
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es par cinq artistes contemporains' ('Five Cars
Personalized by Five Contemporary Artists') organized by the journal R
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Maison Robert Perrier (Fédération Nationale du Tissu), 2000, Exhibit, Mairie du 4e arrondissement de Paris, Paris
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Sonia designed costumes and contributed to styling the set, several of Robert's paintings were part of the set.
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Sonia said about Robert: "In Robert Delaunay I found a poet. A poet who wrote not with words but with colours".
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was born on 18 January 1911. They were supported by an allowance sent from Sonia's aunt in St. Petersburg.
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Quoted in Manifestations of Venus, Caroline Arscott, Katie Scott Manchester University Press, 2000, p. 131
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devoted his fall 1984 collection to Delaunay, producing knits and prints in Delaunay colors and patterns.
256:, to poor Jewish parents. Her father was foreman of a nail factory. At five she was orphaned and moved to
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Sofia Ilinitchna Stern, or Sarah Elievna Stern was born youngest of three children on 14 November 1885 in
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In 1911, Sonia Delaunay made a patchwork quilt for Charles's crib, which is now in the collection of the
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in Berlin in 1913, along with paintings and other applied artworks such as dresses, and it is said that
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for several years. Sonia and her son Charles in 1964 donated 114 works by Sonia and Robert to the
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The Delaunays travelled to Spain in 1914, staying with friends in Madrid. At the outbreak of the
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Contemporary art critics recognize this as the point where she moved away from perspective and
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and others. She was the first living female artist to have a retrospective exhibition at the
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Odessa is mentioned as alternative place of birth, 4 November 1885 as less likely date.
1070:"Delaunay Terk, Sonia (Russian painter, textile designer, 1885-1979, active in France)"
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in Berlin showed works by Sonia and Robert from their Portuguese period the same year.
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Sonia Delaunay was one of the artists presented in the retrospective group exhibition
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she designed the set and costumes. In 1924 she opened a fashion studio together with
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works were being shown in Paris and Robert had been studying the colour theories of
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1306:: p. 55. Sonia returned to Paris briefly to make arrangements for their absence.
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Sonia Delaunay, Aberbach Fine Art, 988 Madison Avenue January - February 1974
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Sonia Delaunay, Aberbach Fine Art, 988 Madison Avenue January - February 1974
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in Paris. This quilt was created spontaneously and uses geometry and colour.
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Perry Ellis dedicated a large portion of his collection to Sonia Delaunay...
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Plaque at 16 rue Saint-Simon where the Delaunays lived and where Sonia died
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The divorce took place on 28 February and became final on 11 August 1910.
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Sonia Delaunay died 5 December 1979, in Paris, aged 94. She was buried in
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2396:"Sonia Delaunay's Robe Simultanée: Modernity, Fashion and Transmediality"
2015:
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Robert Delaunay - Sonia Delaunay: Das Centre Pompidou zu Gast in Hamburg
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502:. They discussed an artistic partnership with Viana and their friends
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Exposition Internationale des Arts DĂ©coratifs et Industriels Modernes
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was featured on a stamp jointly released by the French Post Office,
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Exposition Internationale des Arts et Techniques dans la Vie Moderne
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in 1913. It was through Apollinaire that in 1912 Sonia met the poet
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923:, UmeĂĄ University, Sweden, running from 2017-11-17 to 2018-05-20.
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1390:(p. 19), branches in Bilbao and Barcelona never actually opened.
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Aberbach Fine Art, 988 Madison Avenue, January - February 1974.
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Sonia Delaunay or Robert Delaunay (or both), 1922, published in
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2338:"Robert et Sonia Delaunay, Donation Sonia et Charles Delaunay"
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After the second world war, Sonia was a board member of the
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By the end of 1934 Sonia was working on designs for the 1937
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2287:(English translation by Thames and Hudson Ltd, London, 1991)
2002:
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Robert Delaunay's mother had commissioned Rousseau to paint
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2312:"L'histoire du Salon des réalités nouvelles de 1946 à 1956"
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Marie-Jacques Perrier; Le Village de Montmartre, C’est Vous
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Sonia Delaunay wearing Casa Sonia creations, Madrid, c.1920
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Prose of the Trans-Siberian and of Little Jehanne of France
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La prose du Transsibérien et de la Petite Jehanne de France
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La prose du Transsibérien et de la Petite Jehanne de France
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1040:. Vol. 1. Oxford University Press. 31 October 2011.
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in Madrid. Sonia designed costumes for his production of
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Sonia Delaunay, Jacques Damase, Patrick Raynaud (1978):
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were the only living painters to have been shown at the
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is an artists' book in a limited edition of 500 copies.
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277:. She studied in Germany until 1905 and then moved to
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Translated quote from Sonia Delaunay's lecture, from
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Sonia delaunay : artist of the lost generation
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506:, whom the Delaunays had already met in Paris, and
187:Her work in modern design included the concepts of
2236:The Modern Woman Revisited: Paris Between the Wars
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1885:"Sonia Delaunay – Le service Sonia au quotidien".
2343:. Centre Pompidou. 1 October 2003. Archived from
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941:Sonia Delaunay patterns and designs in full color
180:in 1964, and in 1975 was named an officer of the
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1919:
1406:at this salon. The two would later cooperate on
756:Robert Delaunay died of cancer in October 1941.
2368:"Sonia Delaunay: interview, Spring 1978, Paris"
2233:Chadwick, Whitney; True Latimer, Tirza (2003).
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426:The Delaunays' friend, the poet and art critic
2011:"After Her Husband Died She Came Into Her Own"
673:Sonia Delaunay, speaking at the Sorbonne, 1927
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289:When she arrived in Paris she enrolled at the
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1046:10.1093/benz/9780199773787.article.b00048591
986:Gronberg, Tag (2003), Bernheim, Nele (ed.),
893:in 2004 to commemorate the centenary of the
819:. In 1975 Sonia was named an officer of the
3529:Emigrants from the Russian Empire to France
2097:Sonia Delaunay : the life of an artist
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3329:The Cubist Painters, Aesthetic Meditations
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2166:Women Artists in the 20th and 21st Century
2114:Delaunay, Robert; Delaunay, Sonia (1978).
1952:: CS1 maint: location missing publisher (
971:: CS1 maint: location missing publisher (
549:in Barcelona. In Madrid she decorated the
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2291:Delaunay, Sonia; Damase, Jacques (1978).
2254:Delaunay, Sonia; Damase, Jacques (1966).
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1074:Getty Research Union List of Artist Names
1000:10.1093/oao/9781884446054.013.90000370035
664:on the influence of painting on fashion.
652:With Heim she had a pavilion at the 1925
490:in 1914 Sonia and Robert were staying in
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2464:(in Italian). teknemedia. Archived from
2376:. No. 2/Winter 1982. Archived from
2310:d'Orgeval, Domitille (7 November 2003).
2095:Baron, Stanley; Damase, Jacques (1995).
2074:Baron, Stanley; Damase, Jacques (1995).
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468:Spanish and Portuguese years (1914–1920)
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2273:Sonia Delaunay, mode et tissus imprimés
1683:, Paris Montmartre, 29 June 2011, Print
1287:"Masters of Photography: Lothar Wolleh"
678:Sonia designed costumes for two films:
660:. Sonia Delaunay gave a lecture at the
3574:Academy of Fine Arts, Karlsruhe alumni
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1528:The name of the company is not known.
1151:Julio, Maryann De (13 December 1999).
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2317:. Le Journal des Arts. Archived from
2077:Sonia Delaunay: The Life of an Artist
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232:, 1938, oil on canvas, 182 x 149 cm,
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2009:Mellow, James R. (27 January 1974).
1920:Delaunay, Sonia. (20 October 2015).
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2924:Portrait of Daniel-Henry Kahnweiler
2445:Revolutionary Mother of Abstraction
1858:in a limited edition of 120 copies.
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873:, the club's official publication.
858:, next to Robert Delaunay's grave.
482:, Volume 13, Number 3, 5 March 1922
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3060:Still Life with Checked Tablecloth
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2454:Istituto Nazionale per la Grafica
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2050:"Dada is Dada – Bildmuseet, Umeå"
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799:(colour-rhythms), with 11 of her
616:became her registered trademark.
561:. She was the center of a Madrid
3549:Officers of the Legion of Honour
2490:, exhibition poster (lithograph)
2412:10.2752/175174113X13502904240695
2216:Sonia Delaunay: art into fashion
2039:, exhibition poster (lithograph)
1979:Morris, Bernadine (4 May 1984).
939:Sonia, Delaunay (January 1989).
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3401:Daniel Robbins (art historian)
2188:. Hamburger Kunsthalle. 1999.
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1981:"The Mannish Look Takes Over"
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1386:: p. 52, p. 91. According to
1265:Sonia Delaunay/Jacques Damase
1037:Benezit Dictionary of Artists
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2239:. Rutgers University Press.
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1374:: p. 72, Valérie Guillaume:
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781:Musée National d'Art Moderne
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367:Musée National d'Art Moderne
332:Comtesse de Rose, mother of
234:Musée National d'Art Moderne
214:Musée National d'Art Moderne
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3396:Paul Rosenberg (art dealer)
3052:Still Life with Candlestick
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1903:, Editions Robert Laffont,
1721:rue Saint-Simon 16, Paris:
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994:, Oxford University Press,
727:Pavillon des Chemins de Fer
588:Return to Paris (1921–1944)
10:
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2293:Nous irons jusqu'au soleil
1901:Nous irons jusqu'au soleil
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1210:admin (21 February 2018).
1128:Interview in BOMB Magazine
1112:Ukrainian Jewish Encounter
825:Nous irons jusqu'au soleil
553:(a nightclub) and founded
510:. In Portugal she painted
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889:and the United Kingdom's
876:
831:) was published in 1978.
829:We shall go up to the sun
795:". In 1966 she published
771:painted by Sonia Delaunay
633:. Her customers included
452:) about a journey on the
113:
105:
97:
75:
42:
30:
23:
16:French artist (1885–1979)
3539:French costume designers
3499:Ukrainian women painters
3494:French abstract painters
2841:Stanton Macdonald-Wright
2271:Damase, Jacques (1991).
2202:
1883:Artcurial advertisement
1740:48.8558389°N 2.3235167°E
1667:
1634:
1613:
1585:
1569:
1533:
1505:La Charmeuse de serpents
1483:48.8720250°N 2.3218278°E
1387:
1034:"Delaunay-Terk, Sonia".
926:
760:Later life (1945 – 1979)
619:For the 1923 staging of
598:La Charmeuse de serpents
508:José de Almada Negreiros
3463:Fourth dimension in art
3384:Daniel-Henry Kahnweiler
3020:Les Joueurs de football
2473:Sonia Delaunay artworks
2458:"Sonia Delaunay: Carte"
2439:New York Public Library
2162:Grosenick, Uta (2001).
2139:DĂĽchting, Hajo (1995).
2099:. Thames & Hudson.
1402:: p. 72. Diaghilev met
504:Amadeo de Souza-Cardoso
269:where she attended the
3564:Jewish School of Paris
3504:Russian women painters
3424:John Quinn (collector)
2648:Raymond Duchamp-Villon
1408:The Three-Cornered Hat
1177:Madsen, Axel. (2015).
1157:Jewish Women's Archive
839:
821:French Legion of Honor
772:
676:
526:
483:
454:Trans-Siberian Railway
423:
408:Simultaneous Contrasts
387:Michel Eugène Chevreul
375:
362:
291:Académie de La Palette
237:
221:
208:Sonia Delaunay, 1914,
200:Early life (1885–1904)
182:French Legion of Honor
145:. She was born in the
3569:Ukrainian avant-garde
3524:French women painters
3514:French cubist artists
3360:Guillaume Apollinaire
2054:www.bildmuseet.umu.se
1889:(386/Avril 1985): 37.
1827:. 2019. p. 118.
1745:48.8558389; 2.3235167
1488:48.8720250; 2.3218278
1181:. : Open Road Media.
837:
767:
666:
524:
475:
428:Guillaume Apollinaire
417:
371:
354:
227:
207:
189:geometric abstraction
138:[sɔnjadəlonɛ]
2663:Roger de La Fresnaye
2608:Alexander Archipenko
2394:Slevin, Tom (2010).
2324:on 24 September 2015
2124:. The Viking Press.
2121:The New Art of Color
2060:on 24 December 2017.
1631:The New Art of Color
900:US fashion designer
881:Delaunay's painting
355:The last section of
271:Academy of Fine Arts
47:Sarah Elievna Shtern
2876:Alexander Rodchenko
2816:Patrick Henry Bruce
2748:Jeanne Rij-Rousseau
2658:Henri Le Fauconnier
2618:Constantin Brâncuși
2590:Henri Le Fauconnier
2495:Parce que je t'aime
2380:on 18 December 2014
2350:on 15 February 2010
2080:. Harry N. Abrams.
1821:Great women artists
1736: /
1479: /
1431:Valérie Guillaume:
700:Parce que je t'aime
574:Ateliers de Martine
347:Orphism (1911–1913)
252:, then part of the
210:Prismes Ă©lectriques
165:and co-founded the
3440:Arthur Jerome Eddy
2988:La Femme aux Phlox
2964:La Femme au Cheval
2881:Nadezhda Udaltsova
2693:Jean Lambert-Rucki
2673:Natalia Goncharova
2295:. Robert Laffont.
2275:. Jacques Damase.
1985:The New York Times
867:Hot Club of France
840:
787:told her "she and
773:
704:Because I love you
658:boutique simultané
531:Russian Revolution
527:
484:
430:, coined the term
424:
418:Sonia Delaunay by
397:, as used by e.g.
363:
299:Post-Impressionist
238:
222:
37:Sonia Terk, c.1912
3509:People from Odesa
3471:
3470:
3337:La Maison Cubiste
3186:Chronophotography
3156:Neo-impressionism
2302:978-2-221-00063-2
2282:978-2-904632-34-1
2258:. Galerie Motte.
2246:978-0-8135-3292-9
2208:Morano, Elizabeth
1931:978-1-84976-317-2
1188:978-1-5040-0872-3
1055:978-0-19-977378-7
1009:978-1-884446-05-4
992:Oxford Art Online
988:"Delaunay, Sonia"
871:Jazz Hot Magazine
647:Gabrielle Dorziat
602:The Snake Charmer
582:Galerie der Sturm
541:(stage design by
285:Paris (1905–1910)
127:
126:
3581:
3544:Art Deco artists
3390:LĂ©once Rosenberg
3354:Louis Vauxcelles
3294:Russian Futurism
3212:Cubist sculpture
3171:Symbolism (arts)
3087:Groupe de femmes
3004:Man on a Balcony
2972:Dancer in a café
2932:The Accordionist
2886:Marie Vassilieff
2851:Kazimir Malevich
2831:Lyonel Feininger
2781:
2728:Louis Marcoussis
2713:Jacques Lipchitz
2529:
2522:
2515:
2506:
2505:
2469:
2468:on 31 July 2017.
2423:
2389:
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2329:
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2267:
2256:Rythmes-Couleurs
2250:
2229:
2218:. G. Braziller.
2199:
2181:
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2158:
2135:
2110:
2091:
2062:
2061:
2056:. Archived from
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1887:Maison Française
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1852:Rythmes-Couleurs
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1785:Journal des Arts
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1713:
1704:: p. 60, p. 91,
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1684:
1679:Clary, Michèle,
1677:
1671:
1668:Art into fashion
1665:
1659:
1644:
1638:
1627:
1621:
1614:Art into Fashion
1611:
1605:
1584:: p. 81, p. 83.
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936:
895:Entente Cordiale
863:Charles Delaunay
797:Rythmes-Couleurs
785:Alberto Magnelli
712:Great Depression
696:René Le Somptier
691:Le p'tit Parigot
686:Marcel L'Herbier
674:
643:Lucienne Bogaert
535:Sergei Diaghilev
258:Saint Petersburg
228:Sonia Delaunay,
140:
135:
82:
57:14 November 1885
56:
54:
35:
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20:
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3534:Jewish painters
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3467:
3452:Blaise Cendrars
3442:(art collector)
3431:(art collector)
3420:(art collector)
3408:(art collector)
3342:
3308:
3190:
3151:Esprit Jouffret
3146:Maurice Princet
3131:Gustave Courbet
3109:
3074:
3068:Three Musicians
2895:
2891:Marie Vorobieff
2794:
2785:Georges Valmier
2775:
2763:LĂ©opold Survage
2738:Francis Picabia
2698:Marie Laurencin
2688:František Kupka
2653:Alexandra Exter
2628:Robert Delaunay
2613:MarĂa Blanchard
2594:
2570:Robert Delaunay
2538:
2533:
2484:theartstory.org
2443:Sonia Delaunay
2437:, video by The
2433:Sonia Delaunay
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2212:Vreeland, Diana
2204:Delaunay, Sonia
2196:
2178:
2155:
2132:
2116:Arthur A. Cohen
2107:
2088:
2070:
2068:Further reading
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1720:
1716:
1712:: p. 93, p. 100
1700:
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1654:: pp. 33, 216,
1645:
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1600:: p. 33, cites
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1404:Manuel de Falla
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739:LĂ©opold Survage
731:Palais de l'Air
675:
672:
590:
543:Robert Delaunay
516:Market in Minho
512:Marché au Minho
488:First World War
470:
440:Blaise Cendrars
349:
334:Robert Delaunay
287:
218:Centre Pompidou
202:
197:
174:Robert Delaunay
163:School of Paris
133:
122:School of Paris
101:Russian, French
93:
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79:5 December 1979
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3455:
3449:
3446:Pierre Reverdy
3443:
3437:
3432:
3429:Leonard Lauder
3426:
3421:
3415:
3409:
3406:Gertrude Stein
3403:
3398:
3393:
3387:
3381:
3380:(poet, critic)
3378:Maurice Raynal
3375:
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3362:(poet, critic)
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3259:Crystal Cubism
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3136:Georges Seurat
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3012:Les Baigneuses
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2871:Morgan Russell
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2790:Jacques Villon
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2733:Jean Metzinger
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2683:Auguste Herbin
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2668:Albert Gleizes
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2660:
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2638:Marcel Duchamp
2635:
2633:Sonia Delaunay
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2585:Marcel Duchamp
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2565:Albert Gleizes
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2560:Jean Metzinger
2557:
2555:Georges Braque
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2482:Sonia Delaunay
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2428:External links
2426:
2425:
2424:
2400:Fashion Theory
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2364:Seidner, David
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1322:: p. 209, and
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1139:Jacques Damame
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1114:. 3 June 2021.
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908:Retrospectives
906:
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851:distraction.'
811:, and in 1969
809:Jacques Damase
803:reproduced as
761:
758:
747:Roger Bissière
743:Jacques Villon
735:Albert Gleizes
694:, directed by
670:
639:Gloria Swanson
606:Jacques Doucet
594:Henri Rousseau
589:
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496:Samuel Halpert
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399:Georges Seurat
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311:Henri Rousseau
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254:Russian Empire
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147:Russian Empire
130:Sonia Delaunay
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2879:
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2869:
2867:
2864:
2862:
2861:Lyubov Popova
2859:
2857:
2854:
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2827:
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2814:
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2809:
2807:
2806:Giacomo Balla
2804:
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2797:
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2788:
2786:
2783:
2779:
2774:
2773:Henry Valensi
2771:
2769:
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2761:
2759:
2758:Gino Severini
2756:
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2749:
2746:
2744:
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2736:
2734:
2731:
2729:
2726:
2724:
2723:Jean Marchand
2721:
2719:
2716:
2714:
2711:
2709:
2708:Fernand LĂ©ger
2706:
2704:
2703:Henri Laurens
2701:
2699:
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2649:
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2644:
2643:Pierre Dumont
2641:
2639:
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2580:Fernand LĂ©ger
2578:
2576:
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2558:
2556:
2553:
2551:
2550:Pablo Picasso
2548:
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2373:BOMB Magazine
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2225:0-8076-1112-3
2221:
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2213:
2209:
2205:
2201:
2197:
2195:3-7701-5216-6
2191:
2187:
2183:
2179:
2177:3-8228-5854-4
2173:
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2167:
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2156:
2154:3-8228-9191-6
2150:
2146:
2142:
2137:
2133:
2131:0-670-50636-2
2127:
2123:
2122:
2117:
2112:
2108:
2106:0-500-23703-4
2102:
2098:
2093:
2089:
2087:0-8109-3222-9
2083:
2079:
2078:
2072:
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2059:
2055:
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2045:
2038:
2033:
2018:
2017:
2012:
2005:
1998:
1986:
1982:
1975:
1968:
1963:
1955:
1949:
1941:
1937:
1933:
1927:
1923:
1916:
1910:
1909:2-221-00063-3
1906:
1902:
1896:
1888:
1880:
1873:
1869:
1864:
1857:
1856:artist's book
1853:
1849:
1844:
1836:
1830:
1826:
1825:Phaidon Press
1822:
1816:
1809:
1804:
1797:
1792:
1786:
1781:
1774:
1769:
1762:
1757:
1749:
1728:48°51′21.02″N
1718:
1711:
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1698:
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1500:
1492:
1471:48°52′19.29″N
1461:
1454:
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1445:
1438:
1434:
1428:
1421:
1416:
1409:
1405:
1401:
1396:
1389:
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1377:
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1356:
1349:
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1337:
1332:
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1317:
1312:
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1300:
1292:
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1282:
1273:
1266:
1261:
1254:
1249:
1247:
1239:
1233:
1218:
1213:
1212:"Uhde, Willy"
1206:
1198:
1194:
1190:
1184:
1180:
1173:
1158:
1154:
1147:
1140:
1135:
1129:
1124:
1122:
1113:
1109:
1103:
1095:
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1075:
1071:
1065:
1057:
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1047:
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1038:
1030:
1028:
1026:
1011:
1005:
1001:
997:
993:
989:
982:
974:
968:
960:
956:
952:
946:
942:
935:
931:
924:
922:
918:
913:
905:
903:
898:
896:
892:
888:
884:
874:
872:
868:
864:
859:
857:
852:
849:
845:
836:
832:
830:
826:
822:
818:
814:
810:
807:and texts by
806:
802:
798:
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790:
786:
782:
778:
770:
766:
757:
754:
752:
748:
744:
740:
736:
732:
728:
724:
719:
717:
716:Metz & Co
713:
709:
705:
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697:
693:
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683:
682:
669:
665:
663:
659:
655:
650:
648:
644:
640:
636:
632:
628:
627:
626:Le CĹ“ur Ă Gaz
622:
621:Tristan Tzara
617:
615:
611:
607:
603:
599:
595:
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583:
579:
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523:
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517:
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505:
501:
500:Eduardo Viana
497:
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481:
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451:
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437:
433:
429:
421:
420:Lothar Wolleh
416:
412:
410:
409:
404:
400:
396:
392:
391:simultanéisme
388:
384:
380:
374:
370:
368:
360:
359:
353:
344:
341:
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335:
330:
328:
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100:
96:
92:
88:
78:
74:
70:
66:
62:
45:
41:
34:
29:
22:
19:
3418:Wilhelm Uhde
3414:(art dealer)
3412:Berthe Weill
3392:(art dealer)
3386:(art dealer)
3366:André Salmon
3335:
3327:
3321:Du "Cubisme"
3319:
3299:Ego-Futurism
3239:Abstract art
3217:Czech Cubism
3202:Section d'Or
3181:Proto-Cubism
3126:Paul Gauguin
3121:Paul CĂ©zanne
3101:
3093:
3085:
3066:
3058:
3050:
3042:
3034:
3026:
3018:
3010:
3002:
2994:
2986:
2978:
2970:
2962:
2954:
2948:La Coiffeuse
2946:
2938:
2930:
2922:
2914:
2906:
2866:Diego Rivera
2846:August Macke
2836:El Lissitzky
2811:Alice Bailly
2753:Diego Rivera
2678:Henri Hayden
2632:
2623:Joseph Csaky
2600:Section d'Or
2494:
2466:the original
2461:
2406:(1): 27–54.
2403:
2399:
2382:. Retrieved
2378:the original
2371:
2352:. Retrieved
2345:the original
2326:. Retrieved
2319:the original
2292:
2272:
2255:
2235:
2215:
2203:
2185:
2165:
2140:
2120:
2096:
2076:
2058:the original
2053:
2044:
2032:
2020:. Retrieved
2014:
2004:
1996:
1989:. Retrieved
1987:. p. B8
1984:
1974:
1967:Baron/Damase
1962:
1921:
1915:
1900:
1895:
1886:
1879:
1872:Robes Poèmes
1871:
1863:
1848:Baron/Damase
1843:
1820:
1815:
1808:Baron/Damase
1803:
1791:
1780:
1768:
1761:Baron/Damase
1756:
1731:2°19′24.66″E
1717:
1710:Baron/Damase
1697:
1688:
1680:
1675:
1663:
1648:Baron/Damase
1642:
1625:
1618:Baron/Damase
1609:
1582:Baron/Damase
1577:
1561:
1546:Baron/Damase
1541:
1530:Baron/Damase
1524:
1513:Baron/Damase
1504:
1499:
1474:2°19′18.58″E
1460:
1444:
1432:
1427:
1420:Baron/Damase
1415:
1400:Baron/Damase
1395:
1375:
1372:Baron/Damase
1367:
1355:
1343:
1331:
1316:Baron/Damase
1311:
1304:Baron/Damase
1299:
1290:
1281:
1272:
1260:
1253:Baron/Damase
1238:Baron/Damase
1232:
1220:. Retrieved
1215:
1205:
1178:
1172:
1160:. Retrieved
1156:
1146:
1134:
1111:
1102:
1089:
1077:. Retrieved
1073:
1064:
1036:
1013:, retrieved
991:
981:
943:. New York.
940:
934:
917:Dada is Dada
916:
914:
911:
899:
882:
880:
870:
860:
853:
847:
843:
841:
828:
824:
813:Robes poèmes
812:
796:
774:
755:
730:
726:
720:
703:
689:
684:directed by
679:
677:
667:
657:
651:
635:Nancy Cunard
631:Jacques Heim
624:
618:
613:
601:
597:
591:
573:
567:
554:
551:Petit Casino
550:
538:
528:
515:
511:
485:
477:
458:Autumn Salon
449:
443:
425:
406:
402:
390:
376:
372:
364:
356:
342:
331:
327:Wilhelm Uhde
295:Montparnasse
288:
239:
229:
209:
186:
170:art movement
129:
128:
81:(1979-12-05)
18:
3489:1979 deaths
3484:1885 births
3458:Armory Show
3332:(1913 book)
3324:(1912 book)
3269:Suprematism
3244:Synchromism
3222:Rondocubism
3166:Divisionism
3161:Pointillism
3141:Paul Signac
2983:(Metzinger)
2975:(Metzinger)
2967:(Metzinger)
2959:(Metzinger)
2821:Carlo CarrĂ
2776: [
2718:André Lhote
2448:Tate Modern
2170:. Taschen.
2022:16 November
2016:nytimes.com
1743: /
1486: /
1240:: pp. 17-20
902:Perry Ellis
769:Matra M530A
751:Jean Crotti
570:Paul Poiret
492:Hondarribia
403:Bal Bullier
395:Pointillism
98:Nationality
3559:Odesa Jews
3478:Categories
3229:Die BrĂĽcke
3195:Influenced
3114:Influences
3079:Sculptures
2856:Franz Marc
1870:: p. 221.
1868:Kunsthalle
1850:: p. 194.
1708:: p. 218,
1706:Kunsthalle
1652:Kunsthalle
1616:: p. 102,
1602:Guévrékian
1596:: p. 115.
1568:: p. 218,
1566:Kunsthalle
1552:: p. 216,
1550:Kunsthalle
1511:: p. 210,
1509:Kunsthalle
1451:: p. 216,
1449:Kunsthalle
1437:Kunsthalle
1380:Kunsthalle
1360:Kunsthalle
1348:Kunsthalle
1320:Kunsthalle
1162:7 February
1079:5 November
1015:5 November
950:0486259757
921:Bildmuseet
891:Royal Mail
883:Coccinelle
681:Le Vertige
555:Casa Sonia
379:naturalism
317:including
248:, both in
53:1885-11-14
3372:Max Jacob
3304:Vorticism
3071:(Picasso)
3031:(Duchamp)
3023:(Gleizes)
3015:(Gleizes)
3007:(Gleizes)
2999:(Gleizes)
2991:(Gleizes)
2956:Le goûter
2951:(Picasso)
2943:(Picasso)
2935:(Picasso)
2927:(Picasso)
2919:(Picasso)
2911:(Picasso)
2900:Paintings
2826:Paul Klee
2575:Juan Gris
2420:191341807
2264:460063028
1991:4 January
1948:cite book
1940:894842561
1650:: p. 84,
1598:Guillaume
1592:: p. 56,
1588:: p. 21.
1548:: p. 80,
1532:: p. 83,
1515:: p. 83,
1382:: p. 31,
1318:: p. 56,
1197:908991085
967:cite book
861:Her son,
817:Matra 530
656:, called
614:simultané
539:Cleopatra
479:Der Sturm
462:Paul Klee
275:Karlsruhe
195:Biography
3368:(critic)
3356:(critic)
3289:Art Deco
3284:De Stijl
3254:Futurism
3095:Danseuse
3044:The City
2435:Art Deco
2366:(1982).
2354:19 April
2328:19 April
2214:(1986).
2141:Delaunay
1969:: p. 201
1810:: p. 170
1773:DĂĽchting
1763:: p. 102
1702:DĂĽchting
1670:: p. 102
1658:: p. 58.
1656:DĂĽchting
1594:Gronberg
1590:DĂĽchting
1554:DĂĽchting
1517:DĂĽchting
1453:DĂĽchting
1384:DĂĽchting
1362:: p. 202
1350:: p. 209
1336:DĂĽchting
1324:DĂĽchting
1141:: p. 171
959:18907745
887:La Poste
805:pochoirs
801:gouaches
729:and the
671:—
662:Sorbonne
623:'s play
313:and the
303:Van Gogh
244:, or in
114:Movement
109:Painting
3347:Related
3313:Related
3176:Fauvism
3106:(Csaky)
3098:(Csaky)
3090:(Csaky)
3055:(LĂ©ger)
3047:(LĂ©ger)
3039:(Kupka)
2543:Leaders
2477:Ben Uri
2384:23 June
2145:Taschen
2118:(ed.).
1775:: p. 71
1637:: p. 22
1620:: p. 84
1572:: p. 21
1556:: p. 56
1536:: p. 20
1519:: p. 33
1455:: p. 91
1439:: p. 31
1422:: p. 75
1338:: p. 52
1267:: p. 31
1255:: p. 20
1222:4 March
856:Gambais
432:Orphism
338:Charles
319:Matisse
307:Gauguin
301:art of
267:Germany
262:Finland
250:Ukraine
242:Hradyzk
236:, Paris
220:, Paris
167:Orphism
159:Germany
151:Ukraine
134:French:
118:Orphism
61:Hradyzk
3454:(poet)
3448:(poet)
3374:(poet)
3264:Purism
3249:Tubism
3063:(Gris)
2799:Others
2768:Tobeen
2536:Cubism
2462:arskey
2418:
2299:
2279:
2262:
2243:
2222:
2192:
2174:
2151:
2128:
2103:
2084:
1938:
1928:
1907:
1854:is an
1831:
1635:Morano
1586:Morano
1570:Morano
1534:Morano
1388:Morano
1195:
1185:
1052:
1006:
957:
947:
877:Legacy
793:Louvre
789:Braque
710:. The
578:Robert
559:Bilbao
436:Cubism
422:, 1978
383:cubist
361:, 1913
323:Derain
315:Fauves
230:Rythme
178:Louvre
155:Russia
149:, now
91:France
2780:]
2416:S2CID
2348:(PDF)
2341:(PDF)
2322:(PDF)
2315:(PDF)
1435:. In
1378:. In
927:Notes
604:) to
563:Salon
279:Paris
246:Odesa
143:Paris
87:Paris
65:Odesa
63:, or
3274:Dada
3103:Head
2500:IMDb
2386:2013
2356:2010
2330:2010
2297:ISBN
2277:ISBN
2260:OCLC
2241:ISBN
2220:ISBN
2190:ISBN
2172:ISBN
2149:ISBN
2126:ISBN
2101:ISBN
2082:ISBN
2024:2022
1993:2022
1954:link
1936:OCLC
1926:ISBN
1905:ISBN
1829:ISBN
1224:2019
1193:OCLC
1183:ISBN
1164:2022
1081:2023
1050:ISBN
1017:2023
1004:ISBN
973:link
955:OCLC
945:ISBN
749:and
708:R-26
688:and
645:and
610:Lyon
547:Aida
529:The
498:and
321:and
309:and
157:and
76:Died
43:Born
2498:at
2475:at
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