1634:] down in front of an elevated train" for Friedkin. The director stated Scheider at times was "impossible to talk to" and completely indifferent towards any of his suggestions. He summarized the experience by saying the arduous production schedule and difficult conditions in the Dominican Republic were most likely the reasons behind their difficult relationship. Likewise, Scheider also had his reservations about the work with Friedkin, on the one hand praising him as "extraordinarily gifted filmmaker, who told stories with pictures and shot beautifully" but despite his erudition, he was marred with distrusting attitude which made everyone around him very tense. According to Diane Kachmar, Friedkin believed that he inspired others to achieve great results, but Scheider did not favor such working conditions. However, Scheider also admitted that only a director of Friedkin's stature could have persuaded him to perform all the life-threatening scenes he did, and added that upon seeing the
1378:. He was friends with the film editor, Bud Smith, who recalls Ekins being "as cool as cucumber". In some cases stuntmen were employed throughout the making of the film but generally speaking the principal actors acted as their own doubles and were actual truck drivers. For instance, since Roy Scheider's character Jackie Scanlon was meant to be a mob's wheelman, he had to undertake a special preparation for maneuvering a vintage truck with the purpose of gaining the necessary driving skills. He summarized the experience as "rehearsing to stay alive". Scheider has emphasized that no rear-screen projection or any other kinds of "trick photography" were used, due to the distance between the cameras, the vehicles and the surrounding terrain. In a 1977 interview for
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process. The team is forced to use one of the boxes of dynamite to destroy a massive fallen tree blocking their path. The rough terrain on a cliff-side road causes Kassem and Victor's truck to blow a tire, sending the truck over the cliff; it explodes and kills the pair. When Nilo and Jackie stop at the scene of the destruction, bandits surround them in an attempted robbery. They kill the bandits but Nilo is mortally wounded, soon dying from his injuries. Now alone, Jackie struggles to stay sane, overwhelmed by hallucinations and flashbacks. When his truck's engine dies just two miles short of the destination, he is forced to carry the remaining dynamite on foot. Once he finally reaches his destination, he collapses from exhaustion.
2482:), a joint venture between Universal and Paramount specifically established for overseas distribution. This version opens in the village with the drivers already present, and ends with the delivery of explosives. The cuts were made by the international distributor Cinema International Corporation, without Friedkin's consent in order to obtain more screenings. Friedkin referred to this cut as a "mutilated" version of his work. The opening vignettes are somewhat retained, albeit heavily shortened and inserted as flashbacks. Although the European cut is shorter, there are almost sixteen minutes of unique footage not shown in the original American theatrical version.
1369:. However, a part of the population offered help to finish the structure. Ultimately, this river also became stricken with drought, which forced the application of some practical effects to complete the scene. In order to create artificial rain, Friedkin employed sewage pumps draining water from the river and diverting it to a sprinkler system. This scene alone, which lasts 12 minutes, took several months to complete and cost approximately three million dollars. The director has claimed that during this sequence, the truck teetering against the ropes actually tipped over into the river several times, causing numerous retakes.
476:, where he is accused of fraud, Victor is given 24 hours to provide collateral so the charges can be dropped. Victor meets his business partner and brother-in-law, Pascal, and they quarrel; Victor insists that Pascal contact his father for financial assistance. Victor dines with his wife and her friend in a glamorous restaurant; he later receives a message from a butler that Pascal is waiting outside. When he learns that Pascal's father has refused to help, Victor is adamant that they try again. He walks his partner to a car, but Pascal commits suicide. Faced with impending doom, Victor leaves both his wife and the country.
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interested in applying those changes, offering his cooperation. Jim Clark was reportedly assured by Fields that
Friedkin permitted changes, but was very suspicious about the authenticity of this claim. Therefore, Clark wrote an indemnity preventing Friedkin from any form of interference. Some additional dialogue written by Clark and Ken Levinson was later dubbed in. The studio did not possess the original work print; hence it was forced to work on the combined print. Jim Clark said the cut was "at best, passable" and was of the opinion that if he "had left Friedkin's version alone, it would have had exactly the same fate."
1778:, Froese called Friedkin back and asked for video material to be worked on, but Friedkin suggested the band create the score based solely on their impressions of the script, without seeing a single minute of video footage. After initially meeting in Paris, Froese reports Friedkin was delighted with their work; Froese added that they "never had to change anything on that score" and summarized their involvement as "the most uncomplicated work we did for Hollywood". Upon receiving the commissioned audio material, Friedkin was inspired to edit the film according to the music, which he received in a raw, unabridged form.
1347:, contains a scene involving a car crash. It took twelve takes and approximately ten days to achieve what Friedkin intended. The director recalls the sequence as seemingly "impossible to shoot", having involved several stuntmen from New York, the crew wrecked seven vehicles over the course of a week, without satisfying the director's intents. Friedkin then put himself in the passenger seat to evaluate the negative aspects of the scene's execution. The director became fed up with the situation and decided to listen to David Salven, the line producer, who suggested that they employ a well-known specialist,
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soldier, who positioned himself too close to explosives which resulted in injuries. However, after an hour the director ordered a second take, being adamant about the previous accident. Dimitri praised
Friedkin's craftmanship by saying that "when you watch the movie and everything gets obliterated, you can't even tell if it's the first or second take". Moreover, during the realization of the sequence, an actual bombing took place in the vicinity, which prompted Friedkin to capture additional footage which in his opinion added "a documentary reality". The fourth prologue vignette, taking place in
538:. Since the only available dynamite has been improperly stored in a remote depot, the nitroglycerin contained inside has become highly unstable; the faintest vibration could cause an explosion. With all other means ruled out, the only way to transport it the 218 miles (351 km) is to use trucks. The company seeks four drivers to man two vehicles. Kassem, Victor, Jackie and 'Marquez' are offered the job, but they have to assemble the trucks using scrap parts. Shortly before their departure, Nilo kills and replaces 'Marquez', which angers Kassem.
1351:., whom Friedkin described as "short, stocky, part Indian, self-assured, and fearless". After Friedkin supplied him with all the necessary information about the set's infrastracture, Chitwood meticulously analyzed the surroundings himself, and ordered the special effects technicians to construct a forty-feet long slanted ramp which would allow him to "drive the car at top speed on two wheels, flip it in midair, and crash into a fire hydrant". The construction took three days, and the stunt was successful during its very first take.
794:(both the novel and the first film adaptation) seemed to him a metaphor for "the world full of strangers who hated one another, but if they didn't cooperate, if they didn't work together in some way, they would blow up." Walon Green, the screenwriter, said that he and Friedkin "wanted a cynical movie where fate turns the corner for the people before they turn it themselves". Additionally, their intention was to "write a real movie about what we thought was the reality of Latin America and the presence of foreigners there today".
2873:, Bryan McMahan, Friedkin's collaborator since 1994. In addition, Friedkin also confirmed there would be DVD and Blu-ray disc releases. Friedkin also stated that Warner Bros. financed the restoration, and that the distribution rights would be split between Paramount for theatrical, Warner Bros. for home and streaming media, and Universal for television. According to Friedkin, making of the new print was to commence in June, 2013. The director described his efforts to restore and re-release
1584:, Mexico, where the suspension bridge scene was filmed, an undercover federal agent informed Friedkin that several of his crew members, including grip crew men, stuntmen and a makeup artist, were in the possession of drugs and were urged to leave the country or face prison sentences. It reportedly took two weeks to replace the crew workers. Besides internal on-set conflicts, Friedkin, cited by Mucci, said that approximately fifty people "had to leave the film for either injury or
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counterpart is simply a reissued version of the previous DVD release, and has not been authorized by
Friedkin, who himself disowned it, and advised to avoid purchasing it. Furthermore, the director announced that he would supervise the remastering process for its proper DVD re-release, which hit US stores in August. In the US Blu-ray had no extra features, but was accompanied by a booklet with production stills and an excerpt of Friedkin's memoir
900:. The story outline was created by both Friedkin and Green, and the script was finished in four months. Gerard Murphy, who portrayed the head of the Irish gang during the Elizabeth church robbery, was a real-life criminal involved in a similar heist. Friedkin utilized details from Murphy's stories and used them as an inspiration. The remaining members of the gang were "nonactors but part of Gerry's world", including one IRA member.
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himself admitted that he believes in neither. Thus, he envisioned all four principal characters to be anti-heroes and "hard to 'root for'". Friedkin felt very confident about himself at the time, thinking he was "bulletproof nothing was going to stop ", and felt he "could take an audience through this with not the most likable people on Earth." The director also stated that the line "action is character" from
2241:(September 1977) at the time of release, has since reconsidered his initial thoughts and added an afterword in 2010 where he admits he now "read it with embarrassment" and now recognizes elements he previously identified as "inconclusive" as aspects of "Friedkin's narrative economy, visceral impact, and avoidance of visual cliché"; he closed his remarks that his view was a gradual and a long process.
2188:"a good little melodrama surrounded by pulp" and praised Scheider's and Cremer's performances, which he thought were "extremely good"; Scheider brought "the dominant note of reckless desperation". On the other hand, he thought the picture "should have been much, much tighter and less cinematically grand." In addition, he thought the movie would benefit from a different title to separate itself from
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Everyone is killed but Jackie, who escapes with serious injuries. The wounded priest turns out to be the brother of Carlo Ricci, an
Italian Mafia kingpin who also controlled the flow of money in the church and is determined to kill Jackie at all costs. Jackie meets with his friend Vinnie, who reveals his fate and finds a suitable place for him to escape. The only option Jackie has is to agree.
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person
Friedkin could not drop, as he was the leading actor. David Salven, initially chosen as a line producer, had to quit for personal reasons, as he was facing the possibility of a divorce. Friedkin regretted this situation, as he praised Salven greatly for his previous contributions to his movies. He was replaced by Ian Smith, whom the director described as "experienced and efficient". In
2688:"have few equivalents in Hollywood after the 1970s". Furthermore, he states that the last favorable year for New Hollywood was 1976, and "socially critical, stylistically adventurous cinema" would soon be substituted by "ideologically and formally conservative work" of directors like Steven Spielberg and George Lucas. The critic holds the opinion that several financial fiascoes, including
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the last-minute replacement for "Marquez" as one of the truck drivers. He is hated by Kassem and initially disliked by
Scanlon. Despite having an occasion to star in a Hollywood movie, which was the actor's dream, Rabal was slightly disappointed with the movie's international scope and said, " my life, I wanted to make a 'Hollywood' movie hen I finally did, it was filmed in
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had become completely dry, despite the assurance of local engineers that there had not been any recorded fluctuations in water level during the dry season. Studio executives suggested
Friedkin devise a less sophisticated scene, but instead he continued to realize his vision in different locations. Thus, John Box went to scout locations in Mexico and found that the
1766:. The band seemed to him "on the cutting edge of the electronic synthesizer sound" that soon would become a staple in mainstream culture. He assessed their music as a mixture of classical music played on synthesizers and "the new pop sound", and described the experience as "mesmerizing". In an interview for Evolution Garden Music Award,
913:, such as Alex Peterson, who thought both movies are notable for their "ability to create a truly threatening atmosphere out of a lush jungle location, and for asking the dubiously pertinent question of what greed and crazy determination might bring to men." This connection was explored further in Friedkin's 2013 memoir,
2816:, and he was trying to locate it, noting difficulties related to obtaining the print as the studio no longer possessed an adequate capacity to deal with the matter, and off-shore companies involved in the legal matters were now greatly reduced in staff. He said that was why acquiring the film's print was time-consuming.
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612:. He speaks French, English, and German. Throughout the film, he "assumes a take-charge attitude" and stands for a "voice of discipline and reason" as well negotiates the salary with Corlette on behalf of Scanlon, Nilo and Kassem, demanding double what was originally offered, in concert with legal residence.
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is to me one of the greatest movies ever made... The bridge scene is just one of the great suspense moments in cinema. It's one of the great filming of sequences. The imagery itself, the editing." However, Tarantino also said that the casting of Roy
Scheider in the lead role was a flaw: "He's not bad
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over a period of three months, and it required $ 1 million to complete. However, as soon as it was finished, Friedkin's crew faced a problem of abnormally low rainfall. During the construction process, the river's water level decreased dramatically, and by the time the bridge was assembled, the river
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who portrayed themselves in the pursuit scenes. The mock explosion that occurred during the
Jerusalem scenes had such power that it broke a window of the city's mayor's house, which was located 6 metres (20 ft) away. The detonation was controlled by Nick Dimitri, a stuntman portraying an Israeli
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officer who has to make a decision whether to kill a civilian or not. The officer eventually does so, which to Victor means that he was "just another soldier". His wife, counters with an argument that "no one is just anything". For
Friedkin, this phrase stands for "the theme of the film". Film critic
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was "on a level way above most action pictures," and called it "a labor of love for director William Friedkin," and even went as far as to say that "the jungle scenes, the rain and flood, the fire catastrophe are among the most exciting scenes I've ever seen." As far as the themes are concerned, his
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expressed his disappointment about the movie's box office performance by saying that "you could make more than that just by opening in the first week, people stumbling into a wrong theater looking for Bruce Lee," as well as blamed Universal and Paramount for the lack of support. Friedkin stated that
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representative whom he dismissed at some point and which prompted the director to find another trucker crew. The director also fired five production managers, which upset Scheider, who said that he was "tired of going to the airport and saying goodbye to them," as well as adding that he was the only
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look like a picnic." He mentioned that the stuntmen were unhappy because of the fact the leading actors performed their own stunts, and added that the scene involving crossing a suspension rope bridge is "what really happened". Scheider called it the most perilous sequence he has ever taken part in.
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According to Friedkin cited by Kachmar, his artistic intent was to shoot the entire film without "sentiment" or "melodrama", rendering it completely devoid of "heartfelt moments". Friedkin's oeuvre has been frequently noted by critics for its lack of "clear-cut heroes or villains", and the director
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as Nilo. This role was a Hollywood debut for Rabal. Nilo is an enigmatic Mexican professional assassin, skilled in using firearms, who speaks English and Spanish. His visit in Porvenir was meant to be a temporary one, as he was in transit; however, for reasons unknown he decided to stay there. He is
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as Jackie Scanlon / Juan Dominguez, a driver who is marked for execution after his Irish-American gang robs a church and wounds a priest who is the brother of Carlo Ricci, a powerful Mafia crime boss now seeking vengeance. Some time after his escape to Porvenir, local authorities proved he was using
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that cynicism was a ubiquitous attitude in the country during the 1970s, so the studios were receptive to it, which made "filmmakers and the studio heads be in sync" and added that artistic content was never questioned, only the costs. On the other hand, the director thinks this trend is impossible
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Furthermore, the opening sixteen minutes contain no English language, which made the audiences think that it was a foreign subtitled film, and caused walk-outs. Consequently, this prompted movie theatres to put a disclaimer on lobby cards asserting that for the most part, it was an English-language
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During the shooting of the film in Villa Altagracia, a lawsuit was filed against Cinema Dominica (a subsidiary of Gulf and Western) by Dominican businessmen for alleged damages. The newspaper El Caribe said that the lawsuit against Cinema Dominica charged that the company had “failed to comply with
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Prior to the post-production process, the movie contained a significantly larger amount of dialogue, and a detailed analysis of the European and American cuts reveals that certain scenes involving the relationship between Scanlon and Nilo, as well as presenting some of Nilo's motives, were removed.
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Serdar Yegulalp notes distinctive characteristics and traits of each of the protagonists and praises Friedkin's execution by saying that the film "never falls into the trap of having each character shine on cue: they only do their thing when they’re backed up against the abyss, much as we all do in
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at the time. Instead, he proposed that MacGraw become an associate producer or that a part be written for her in the film; however, Friedkin declined both his wishes, stating that "there's hardly a major role as a woman…and we don't have associate producers who don't do anything, we're not going to
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The film received generally negative reviews upon its release. Its domestic (including rentals) and worldwide gross of $ 5.9 million and $ 9 million respectively did not recoup its costs. A considerable number of critics, as well as Friedkin himself, attributed the film's commercial failure to its
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We're working off the original negative, which is in pretty good shape, but without changing the original concept we have to bring it back in terms of color saturation, sharpness and all the stuff... The film been in a legal whirlpool for 30 or 35 years. And a lot of people have come and gone from
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When our trailer faded to black, the curtains closed and opened again, and they kept opening and opening, and you started feeling this huge thing coming over your shoulder overwhelming you, and heard this noise, and you went right off into space. It made our film look like this little, amateurish
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with whom he had worked under David L. Wolper. Stephens applied necessary changes, including the employment of reflectors balancing "the deep shadows of the tall trees", as well as replacing lenses and film stock. This resulted in a leap of cinematographic quality which delighted the director, who
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to process the film and view dailies. The director described the prologues as "beautifully shot", but he was dissatisfied with the jungle scenes which he deemed "underexposed" and "dark". He told Dick Bush a reshoot would be necessary. Bush, on the other hand, argued that filming should have taken
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is Friedkin at the top of his game") and was "at least equal to the original." He also applauded the atmosphere, which he said had "a wonderful tone to it and a real sense of dread and desperation it's tight and suspenseful, every scene grabs you by the collar, and it's beautifully shot. You can
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nominee Roy Scheider and being directed by William Friedkin, an Oscar winner. Furthermore, he stated the movie had "lots of fun" and praised the suspension bridge scene in particular, saying it "is maybe the most astonishing scene of the whole film. It's a combination of desperation, suspense and
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praised the cinematography and craftsmanship, and stated that "Friedkin has a commitment to this story," but concluded that "somehow technique overwhelms meaning and emotion." Furthermore, he described the picture as "more restrained" than Friedkin's earlier work, as well as calling it "a grandly
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Friedkin said the most important scene in the film was "the bridge-crossing sequence, wherein the two trucks have to separately cross an old wooden suspension bridge that appears completely unstable". He also deemed it the most arduous scene he has ever filmed. The bridge was designed by John Box
1158:, increased the studio's confidence. Production notes on the 1998 Universal DVD release tell a different story, noting that the casting of Scheider as Scanlon/Dominguez was a "foregone conclusion" and "the ideal (perhaps the only) choice for the role" since Friedkin had directed him previously in
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contrasts with frequent self-indulgence of the 1970s and stated that the film is tremendously thrilling with a great deal of tension which he attributed to the plot's construction as "a probing descent into the psyche of an archetypal character driven insane by circumstance". He also praised the
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and thought the audiences at the time were either bored with yet another film about exorcisms or that was precisely what they wanted and upon seeing the movie, they got confused, asking themselves "where's the devil?" Siskel also thought each of the production companies would think the other one
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and of whom he thought very highly. He was joined by Robert Knudson, who also was a sound effects supervisor for Friedkin's previous movie as well as Robert Glass and Richard Tyler. The sound crew employed distorted samples of tiger and cougar roars for the truck engines' sound. C.J. Schexnayder
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Friedkin's intention was not to create a remake, but to direct a film using only the same basic outline with completely original protagonists. He also wanted the film to be "grittier than Clouzot's , with the 'documentary feel' for which had become known." Friedkin initially also wanted to get
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The Sorcerer is an evil wizard and in this case the evil wizard is fate. The fact that somebody can walk out of their front door and a hurricane can take them away, an earthquake or something falling through the roof. And the idea that we don’t really have control over our own fates, neither our
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release followed on December 15, 1990. The DVD was released in the U.S. and Canada on November 17, 1998, and used the laserdisc transfer presented in a 1.33:1 non-widescreen version, which is not its original theatrical aspect ratio; it was shown in cinemas at a ratio of 1.85:1. However, since
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praised the movie's narrative set-up; however, he thought that in spite of it, it was impossible to attach oneself to the characters. He concluded the review by saying that with "films like this, feeling is everything." One complaint was that some of the scene cuts were too abrupt. Gene Siskel
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bridge crossing scene and lauded it "one of the most elaborately filmed suspense sequences in cinema history", noting an overwhelming amount of camera set-ups which in his opinion amounted to creating "an exruciating level of tension" and such dedication is palpable throughout the whole film.
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After the film's poor reception, its financial disaster prompted Universal executives to void their contract with Friedkin immediately. Friedkin moved to France with Moreau where he recuperated from a malaria infection contracted during the filming, and wanted to sever ties with American film
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The four drivers embark upon a perilous journey of over 218 miles (351 km), facing many hazards and internal conflicts. Despite their differences, they are forced to cooperate. They traverse a rotten bridge during a violent thunderstorm, Kassem and Victor nearly losing their truck in the
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games. During the robbery, one of the Irish-American gangsters shoots and wounds one of the priests counting the proceeds of the bingo. Back in their car, the Irish gang members engage in a heated argument that causes Jackie Scanlon, the driver, to lose concentration and collide with a truck.
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transfer was planned for June 28, 2013. Moreover, he also revealed an audio commentary and extra features would be part of the Blu-ray release. On July 17, 2013, Friedkin announced that the film's soundtrack has been remastered. Two days before the Venice screening, Friedkin announced that a
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In September 2013, Friedkin announced that new, remastered home video releases on Blu-ray and DVD were supposed to be released on April 14, 2014, however, both ended up being pushed to April 22. While the 2014 Blu-ray release contains a new, digitally remastered version of the movie, its DVD
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The aforementioned changes were approved by Verna Fields and commissioned to Jim Clark, who reluctantly agreed, and Cynthia Scheider. Fields was a Universal Studios executive who thought shortening and restructuring the movie would increase the film's commercial potential. Scheider was also
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was filmed during a ten-month production schedule, using approximately 1,200 camera set-ups. The director attempted to complete the picture "without relying on dialogue", and "telling the story through imagery" instead. In the film's pressbook Friedkin states that for him creating a film is
886:. Friedkin described Green as a multilingual person, fluently speaking French, Spanish, Italian, and German, as well as having "an encyclopedic knowledge of classical music and literature". Prior to writing the script, Green expressed enthusiasm about the project and suggested Friedkin read
38:
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church. Scanlon's role was written specifically for McQueen after Friedkin met him in person and he turned out to be very keen on the idea. McQueen loved the script, and even went as far as to say "This is the best script I've ever read", but did not want to leave the country or wife
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described the film as "self-consciously arty and pretentious fatally trapped between America and Europe, commerce and art," claiming the result represented "the worst of both worlds", as well as noting that the audience of the time was strikingly different from the one that adored
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in California with a settlement to be announced by November 26. Had no settlement been reached by that time, the jury would have to set a trial date for March 2013. The director emphasized that his intent was not dictated by profits but by the desire to have it released on DVD and
1555:, going by the pseudonym "Marvin the Torch", who arrived at the Dominican Republic three days after the call and utilizing flammable materials obliterated the tree in one take the following morning. A week into the shooting in the Dominican Republic, Friedkin and his crew went to
1201:"needed stars" and claimed that the actors hired for the roles of Scanlon and Manzon were his fifth, sixth or seventh preferred choices. Rabal, however, was his "about second or third choice". Despite liking Cremer, Friedkin felt that this role would benefit from the presence of
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YOUR ATTENTION, PLEASE. To dramatize the diverse backgrounds of the principal characters in 'Sorcerer', two of the opening sequences were filmed in the appropriate foreign languages – with sub-titles in English. Other than these opening scenes, 'Sorcerer' is an English language
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The one sequence left to shoot was the last leg of the journey of the surviving truck, the Lazaro, and I wanted it to be different from the other locations… and John Box found it in a place called the Bisti Badlands in northwestern New Mexico, 35 miles south of the town called
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he added that "almost half the crew went into the hospital or had to be sent home." Friedkin himself lost fifty pounds (23 kg) and was stricken with malaria, which was diagnosed after the film's premiere. Tim Applegate concluded an account of the troubled film-making of
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and offended him, as from the very beginning he had wanted to shoot the entire film on location. Upon seeing the underexposed scenes, Bush reportedly "lost confidence" and was subsequently dismissed, which forced Friedkin to employ a new camera crew. He replaced Bush with
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to return, because he feels that nowadays "a film has to serve the greater good of the corporation in order to get made and it cannot be subversive in nature. As well as, has to have the broadest possible appeal, so that it will help other divisions of the corporation".
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as "remarkably lacklustre", and did not appreciate the unstable tone of the movie which he called "impenetrably obscure". Additionally, he considered Scheider's role to be severely underdeveloped and "consist of meaningful stares off camera and mournful grimaces."
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Friedkin, an admirer of the band, stated in the liner notes for the soundtrack that "ad heard them sooner would have asked them to score ", and that he considers the film and the score to be "inseparable". Apart from Tangerine Dream's score, some excerpts from
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Although the majority of the film was filmed in the Dominican Republic, Friedkin did not hesitate to look for other locales to achieve the desired effect. One of the most notable ones is depicted in the film's climax. It features a surrealistic landscape on
2494:
The film's release on video was held up for many years; executives at Paramount and Universal argued it was ownership issues that was preventing a release, though a Universal spokesperson suggested that a lack of public interest might be another reason. A
934:. Phil Mucci indicated a similarity in terms of the premise as a "tale of desperate men in desperate times, bound together by fate and circumstance," and Thomas D. Clagett likened Jackie Scanlon's characteristics and appearance to Fred C. Dobbs (played by
786:. No matter how much you struggle, you get blown up. It's about revenge, vengeance, betrayal – this is how I feel about life ... life is filled with betrayal ... false promises ... fate is waiting around the corner to kick you in the ass.
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he "knew it was worth it". Despite the mutual tensions, the director rated Scheider highly, did not hold any grudges, and regretted he did not receive more recognition for his body of work. However, their relationship eventually "drifted apart".
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One of my themes is that there is good and evil in everyone. I was not out to make these guys heroes. I really don't believe in heroes. The best of people have a dark side and it's a constant struggle for the better side to survive and to
1808:. For the film's screening, Paramount and William Friedkin prepared specific instructions regarding music: they demanded a three-and-half-minute musical overture to be played prior to each screening, and prohibited any alterations to it.
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possessed similar characteristics. The previously constructed bridge had to be disassembled and re-anchored. Friedkin's crew's arrival caused a major disturbance in the vicinity among the locals because of his reputation as a director of
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re-released in American theaters but could not convince any major studio to do so. He felt that American audiences had very limited exposure to Clouzot's film and that the English-speaking world in general was not very familiar with it.
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summarized the film as "a visual and aural textbook on everything that is wrong with current movies," as well as stating that the movie reset Friedkin's status to the beginning of his career, and compared him unfavourably to Clouzot,
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feel the humidity down there in South America. You can feel the sweat on the sticks of dynamite." He concluded the review by saying that the only aspect in which the movie failed was the fact that it came out around the same time as
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impression of Friedkin's intentions was that "he wanted to show human behavior at its extremes; men in torment to complete a life-or-death mission against all odds and discovering their own limits at the same time." Ebert considered
968:, where he states that by employing similar techniques to Pontecorvo, in the prologues he "establish credibility" as well as makes " histories as realistic as possible." Stempel additionally alluded the film's episodic structure to
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During a sequence involving the detonation of an enormous kaoba tree, Friedkin was faced with a problem of inadequate explosive power. Initially, Marcel Vercoutere, a special effects man who previously worked with the director on
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Kassem, Victor, and Jackie all assume fake identities and end up in Porvenir, a remote village somewhere in South America. Its conditions are in stark contrast to their previous lives. The village economy is heavily reliant on an
1486:, supported the Dominican Republic financially and intended to create a film-making centre there. Paul Rowlands, a critic, stated that "it's likely the decision to film in the Dominican Republic was one favoured by Bluhdorn."
2792:, a company granted an ownership by Universal Studios and Paramount Pictures, and commissioned to release films in international markets. Friedkin said he believed any issues related to the matter were of bookkeeping nature.
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The film's European as well as Australian cinema release cut 28 minutes from the original (but not in France, where the movie was distributed in its full-length version). In most regions of the world it was also retitled as
1319:. Since shooting the film required a prolonged stay in South America, Scheider asked Friedkin if she could stay with him and have a job in an editing capacity. The director fulfilled his wish and was reportedly "delighted".
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dialog is kept to such a minimum that not only you don't feel for these four losers, but you never really get to know them." He also considered the film's mixture of realist and surrealist moments as "pain in the mind".
2260:, described the film as "superior to both its model and the novel from which both are loosely taken", as well as deeming the opening vignettes as an "innovation". According to Holm, one of the most prominent threads in
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because of enormous praise he had received at the time for his two recent pictures. Friedkin offered Clouzot a percentage of the film's shares, for which the French director was thankful. In 2013, after a screening of
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sensibilities", which in his opinion allow the director to capture "its grimy realism". Dancynger also touches upon this thread and assesses the Jerusalem prologue sequence as shot entirely in "cinema verite fashion".
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in Ecuador and researched the peculiar ornaments on cargo trucks he had seen there, he noticed there were names painted on them, which ranged from relatives to mythological references. Firstly he came up with the name
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993:"First we had to acquire the rights, and this proved to be complicated. The Clouzot film is of iconic stature, but Clouzot didn't own the rights. The novelist Georges Arnaud, who wrote the original source material,
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would require a considerable amount of work, stating that he did not, at the time, possess any prints of good quality. He added that Paramount had made a print around the beginning of 2012, which was shown at the
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noted that such a technical exercise was "relatively unique for the period"; but, over the years, techniques such as these became a staple of film-making. The sound design eventually garnered the movie's sole
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as "Spider", an acquaintance of Scanlon in Porvenir who takes part in the truck-driving test but fails; Rosario Almontes as Agrippa, a bar maid in El Corsario who seems to be fond of Manzon as she gives him a
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contributed to "infantilizing the audience", as well as "obliterating irony, self-consciousness, and critical reflection", and to Tom Shone, who drew from Kael, was impossible to compete with by Friedkin and
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Justin Wyatt concludes that the downfall of "the experimental period" was followed by a retreat to "large-scale grand filmmaking", a Hollywood staple from early to mid-1960s and adds that filmmakers such as
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set the trends in Hollywood cinema for the decades to come. This was, in contrast to the "subversive attitude" which then journalists heralded as the pinnacle of filmmaking. Hall observes that films such as
2859:'s first annual film festival, with Friedkin in attendance. He remarked that the film "hasn't dated... It's set in a kind of limbo and neither the haircuts nor the wardrobes nor the sets have aged poorly."
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multi-faceted experience: "very film is actually three films There is the film you conceive and plan. There is the film you actually shoot. And there is the film that emerges with you in the editing room".
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was also acclaimed, leading the band to become popular soundtrack composers in the 1980s. After a lengthy lawsuit filed against Universal Studios and Paramount, Friedkin supervised a digital restoration of
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great special effects as Roy Scheider and his partners try to maneuver a giant truck filled with nitrogliceryne through the heart of this jungle across a suspension bridge." Moreover, he emphasized that
2704:, were auteur movies aspiring to achieve mainstream success but were panned by the movie-goers and critics alike. This belief is also held by J. Hoberman to whom the period immediately following 1975's
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as Corlette, an oil company representative who seeks four experienced drivers to transport dynamite to extinguish a fire on a remote oil well. He believes the explosion was caused by local terrorists.
1081:, but once the movie's budget escalated beyond $ 10 million, the studio decided that " name wasn't big enough to carry that big a picture." They eventually worked together on Friedkin's follow-up to
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for a dance. As the two dance, Carlo Ricci's henchmen, along with Jackie's old friend Vinnie, emerge from a taxi and walk into the bar wielding guns. From outside, the faint sound of either a single
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In March 2013, Friedkin revealed that he had dropped his lawsuit against Universal and Paramount, and that he and a "major studio" were involved in the creation of a new, recolored digital print of
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is now a subject of critical revaluation and rejuvenated interest, opposed to other less-known films of its era. Certain contemporary critics and artists also declared that Friedkin's adaptation of
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The film opens with a prologue that consists of four segments described by critics as "vignettes". They show the principal characters in different parts of the world and provide their backstories.
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as Kassem / Martinez, a politically motivated Arab bomber-terrorist with "improvised engineering skills". His attitude is permeated by "angry determination" and he shows a strong dislike for Nilo.
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as transport trucks. Using the knowledge gained from the visits to Ecuador, Friedkin employed a Dominican artisan in order to embellish the vehicles with symbols and paintings based on the names
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who is Kassem's friend, wanting to help him to move abroad from Porvenir. He is initially chosen as one of the four drivers. "Marquez" was Karl John's final role, as he died on December 22, 1977.
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corporate photo for a scene that featured the evil board of directors of the fictional company which hired the men to deliver dynamite. Walon Green recalled the experience in the following way:
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watched the science-fiction epic at Mann's Chinese Theater and nervously saw the gigantic crowds that attended, knowing that his film would soon replace it. Friedkin's fears were correct; when
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as Blanche, Victor Manzon's wife, who gives him a specially engraved watch as a wedding anniversary gift, which later on Victor tries in vain to sell in exchange for a way out of Porvenir;
464:, they split up; two are killed and one is apprehended. The only one who manages to escape is Kassem. The segment finishes as he helplessly stares from a crowd at his captured companion.
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also panned the film, criticizing camera placement as "faulty", which in his opinion led to substandard exposition. Moreover, he also deemed the film's editing "ridiculous" and thought
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a forged ID; as compensation they are taking one third of his daily wages. Moreover, they have proven that he does not speak Spanish. His appearance as an "everyman" is modeled after
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The film has enjoyed a critical re-evaluation and some critics have lauded it as an overlooked masterpiece, perhaps "the last undeclared of the American '70s". Friedkin considered
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The only actor who was Friedkin's original choice was the French-Moroccan Amidou, who played the Palestinian terrorist, Kassem. Friedkin was so impressed with his performance in
997:, controlled them, and he had a longstanding feud with Clouzot. He was happy to sell the rights to us, but I felt I had to meet with Clouzot in Paris and get his blessing first".
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2019:, the evaluation is even more harsh, and the author found the film "truly insulting", going as far as to say: "Why anyone would want to spend 20 million dollars on a remake of
1980:, Friedkin stated that in retrospect he never stopped believing in the movie: "I measure the success or failure of a film on one thing – how close I came to my vision of it."
2543:. However, in the UK Blu-ray was released on November 6, 2017, and included a 74-minute ‘In Conversation’ film with the director, conducted by director Nicolas Winding Refn.
1533:… It was the landscape we chose for the end of the journey, in which Scanlon embraces madness, abandons his truck, and carries the dynamite two miles to the burning oilfield.
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as Vinnie, a friend of Scanlon who directs him to the Baltimore docks from where he has to flee to a yet undisclosed location in order to evade execution from the Mafia; and
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While discussing a book his wife is editing, Victor Manzon discovers an anniversary gift from her: a watch with a special dedication. After meeting with the president of the
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or Lino Ventura. The abundance of foreign actors on the cast list prompted Sidney Sheinberg to ask the director whether he would like them to have Anglicized pseudonyms.
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In December 2012, Friedkin revealed that the film rights were in fact owned by Universal, as the Paramount lease had expired after 25 years. He also added he would meet
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In a July 2012 interview, Friedkin said Universal and Paramount both claimed they did not own the film and did not know who did, a consequence of the bankruptcy of
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in the movie. He's not the actor the movie needs. And it's more to the fact the movie needed bigger shoulders to place this type of an epic on... Steve McQueen or
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marked a distinctive demographic shift among the audiences, as well as altering trends in the movie industry drastically, which at the same time contributed to
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Marcello Mastroianni was offered the role of Nilo, which he initially accepted, but due to problems related to his daughter's custody after his separation from
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put Bluhdorn's picture on the wall in the office in the scene where finds out that the well is blown by terrorists and they can't do anything about it. When
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described him as "believable, gutsy, and most important, desperately human". His characteristics are "most likely to reflect the self-image of the spectator".
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his attitude throughout the making of the film "alienated the top management of two studios", and as a consequence they did not feel compelled to support it.
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using carefully hidden hydraulic components allowing control of the movements of the bridge and the trucks alike. Its first iteration was constructed in the
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2304:. In that world Hollywood has spent the next 30 years making smart, edgy movies for grown-ups, the literacy rate is 100%, we haven't been in a war since
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McQueen was the director's first choice for Jackie Scanlon, a small-time criminal who ends up a fugitive from the law and the Mafia after a robbery of a
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as "below the usual par", in spite of the involvement of reputable lead actor Scheider and a "topnotch director", Friedkin. In the August 1997 issue of
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1462:, which impressed Friedkin tremendously. However, such a diversity of locations caused serious concerns about the budget. After strong opposition from
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2539:, and was well-received upon release, with good reviews praising the quality of the transfer and reaching #1 in Drama and # 2 in Action/Adventure on
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widescreen televisions have become popular, Friedkin has allowed many of his other films to be released on DVD in their original widescreen formats (
6753:"I LOVE Patton Oswalt but the Aero screening tonite is Not a restored print. It's the best 35 mm available. We Make a new digital copy in June"
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440:. Nilo immediately executes the unsuspecting tenant with a silenced revolver and proceeds to casually walk out of the building and onto the square.
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wrote of how Friedkin 'spent twenty-one million dollars to perpetrate a film that could be usefully studied in courses on how not to make movies'.
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Several critics theorized that another probable factor in the film's box office failure was the confusion related to its title. Cyriaque Lamar of
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claimed that the characters "seem to be a little cold", as well as expressing an opinion that the special effects overpowered the protagonists.
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make her an AP." It eventually led to McQueen's declining the offer, upsetting the director greatly, and making him later regret this decision.
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town square, Mexico – a location used for the first prologue sequence, featuring Nilo, although it was filmed as the last during the production
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for spring 2014. On September 12, 2013, Friedkin revealed April 14, 2014 would be the release date of the film's Blu-ray home video version.
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place on a stage where he could have adequately adjusted the lighting. The response reminded Friedkin of his previous problems on the set of
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and universities. He also noted that if the case were to become precedential, he hoped it would help other pictures in a similar situation.
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6120:"Friends. Sorcerer will be on WB blu-ray April 14. In theatres before that, from Paramount, Then TV from Universal. The print is Fantastic"
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6601:"Re: SORCERER. The original negative is in good condition And it's now being budgeted to make a new digital master. I'll keep you updated"
6151:"The Rotten Tomatoes review of SORCERER is the Bad unauthorized DVD, not the new remastered WB Blu-ray. Don't buy the DVD until corrected"
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Friedkin recalls working with Scheider as difficult, stating the actor had frequent mood swings which did not occur during the filming of
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was earmarked at $ 15 million, escalating to $ 22 million following a troubled production with various filming locations—primarily in the
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would handle the promotion, and nobody perceived it as a "sole project of their own, it was dropped in-between them." On the other hand,
6663:"SORCERER will be rereleased this year with a new digital Print. The world premiere is on my birthday, Aug.29, At the Venicice festival"
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I wasn't prepared for my success or failure. I felt ... buffeted by fate without any control over destiny. That's one of the themes of
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served as an inspiration to name the other truck, though the word was painted in French: "Sorcier". Friedkin then decided to change his
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marshal;" Chico Martinez as Bobby Del Rios, an explosives specialist and Corlette's advisor who assesses the situation at the oil well;
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2007:'s annual "Movie Guide" ratings book, the film receives only two-and-a-half out of four stars, with the critique, "Expensive remake of
1152:. With Universal unenthusiastic about the project, acquiring Scheider, who had recently enjoyed enormous success in Steven Spielberg's
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estimated that at the time, the film would have needed a gross of around $ 45–50m to just "break even". It was released a month after
460:, after which they take shelter at their hideout, where they assemble weaponry and plan their escape. After getting surrounded by the
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Gloria Heifetz has added that Friedkin's direction prevents this line from becoming sentimental, and ties in with the film's finale.
6815:"SORCERER color timing, first pass is complete. Color has not been altered, just restored. Friday, the sound transfer to 5.1 begins"
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do it badly, and give it a misleading title is anybody's guess. The result is dire." Andrew Sarris in his July 18, 1977, review for
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as the main location. Friedkin described the place as "a prison without walls" with a "sense of timeless poverty and persecution".
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2292:. Olson felt that "the movie deserved a huge audience" as well as fantasizing that "somewhere there's an alternate universe where
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would commence on June 10, 2013, which said was completed by June 25. There was no distortion of original colors, he said, and a
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the studios during that time, so it just takes awhile to unravel everything, but we're very close to announcing a premiere date.
938:) from Huston's movie. According to Clagett, who cites Friedkin, this was intentional. Phil Mucci notes the visual influence of
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2216:, which obstinately motors along on its unpredictable speed, features ambitious sequences of insane white-knuckle tension." On
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has an 83% approval rating, with an average score 7.6 out of 10, based on 52 reviews. The website's critical consensus reads, "
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is that "coping with frustration is the 'journey' of life", which in his opinion "excellently set up" the cliffhanger finale.
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1194:(released in 1968) that he wrote down his name immediately upon seeing the movie, expecting to collaborate with him one day.
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in February 2015, in which they discussed the film at length. It was produced by the French distribution company La Rabbia.
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as Pascal, Manzon's brother-in-law who fails to receive help from his father to save their company from execution of fraud;
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6784:"Color timing for the digital print of Sorcerer starts on Monday, June 10th. Premiere at Venice Film Festival, August 29th"
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Bill Gibron marks the demise of unrestrained writer-director creative control in favor of studio-governed film-making with
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changed the movie-going demography, considerably "reset American cinema back to comforting fantasy". According to reviewer
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was not received as well by the public or film critics as Friedkin's previous two films had been. American movie reviewer
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births nor our deaths, it’s something that has haunted me since I was intelligent enough to contemplate something like it.
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from Paris whose firm, Preville & Fils, is accused of false representation of collateral amounting to fifteen million
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2163:, called the film an "overlooked classic", and was shocked that the film "was so completely overlooked" despite starring
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hinted that all criticisms might have stemmed from the very fact that Friedkin even dared to reimagine a French classic.
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And it was only a week later that I realized a close up of Steve McQueen was worth the greatest landscape you could find.
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as the film's screenwriter. The director got to know Green in the 1960s, and was since highly impressed with his work in
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328:, although Friedkin disagreed with this assessment. The plot depicts four outcasts from varied backgrounds meeting in a
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After casting Scheider in the main role, Lino Ventura refused to take second billing to him. The actor was replaced by
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era, which was characterized by "financial experimentation". Nat Segaloff observes that cinematic trends presented in
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6182:"Next week I'll make the new SORCERER DVD. Warner's hopes to release it on or about June 5. I'll keep you all posted"
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before his departure; Richard Holley as Billy White, a helicopter pilot who rules out shipping the dynamite by air;
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2803:; if the outcome was negative, he would have to resort to a legal case. Friedkin also indicated that restoration of
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for a share of the movie's profits. In a July 2012 interview, Friedkin said that the film's case was pending at the
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Paramount Pictures and Universal Pictures reached an agreement in which Paramount would distribute the film in the
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Before the actual production could take place, William Friedkin had to resolve the problem with licensing, because
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During a scene in Paris involving a conversation between Victor and his wife, she reads him a memoir of a retired
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stands for a cinematic style that is unlikely to be seen again". William Friedkin states in the 2003 documentary
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entitled "Stephen King's Reliable Rentals". In his list of "20 that never disappoint," King placed the original
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had to be assembled by the protagonists themselves, using parts salvaged from wrecks. The production got two GMC
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naive gesture of self-indulgence," and trivialized his effort to a mere attempt at remaking "his hero Clouzot".
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still continued their cinematic involvement but their most ambitious work had been produced during the peak of
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6086:"In answer to your questions, yes there will be a DVD and a blu-ray Supervised by my friend Ned Price, and me"
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On February 11, 2013, Friedkin announced that money had been budgeted to create a new, digital master copy of
2557:
s box office flop status had since led to comparisons with other financial failures of the time, particularly
2107:, was of the opinion that even if the film had been truncated, it would not improve its quality. He described
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for two or three months to fall out of a truck? I can do that outside my house." The role was then offered to
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6694:"Warner Bros and Universal will share the release In all media. Gratitude to all of you who lobbied for this"
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Top 10 Lists from Quentin Tarantino, Edgar Wright, Martin Scorsese, Guillermo del Toro, Woody Allen and More"
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for the characters' respective backstories, Friedkin shot each of the vignettes on location, respectively in
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left the most lasting impression on him since he "refused to have a substitute and paid for it physically."
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and payment for the job by the oil company, as well as an offer of another job. Before he leaves, he asks a
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On May 2, 2013, the director announced the pending re-release, a new, digital print, and a premiere at the
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In April 2012, it was reported that Friedkin was suing Universal and Paramount over the domestic rights of
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896:. Friedkin described it as "another lifechanging work" which served as a workprint for their adaptation of
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726:); the narrative features no supernatural or magical character or event. As director William Friedkin went
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2823:. He also asserted that the original negative is in a good state. He followed this with a statement that
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were later abandoned by the studio system, an opinion mirrored by Phil Mucci, who holds the opinion that
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6241:"'Sorcerer,' William Friedkin's lost 1977 'magnum opus,' makes Blu-ray debut (full home-video listings)"
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was "too episodic, dark, and star-challenged" to achieve mainstream appreciation. RH Greene argues that
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The film today is more positively received by professional film critics. The review-aggregation website
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as "a truly Lazarus moment" and said he was gratified that "it’s going to have a new life in cinema".
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Upon Friedkin revealing his intentions to Clouzot, Clouzot was surprised Friedkin wanted to reimagine
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6570:"AICN Legends: William Friedkin Talks KILLER JOE, Clarence Carter, SORCERER And More With Mr. Beaks!"
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1458:, Mexico, for Nilo. The main part of the film was, on the other hand, originally meant to be shot in
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6632:"Guys I can only tell you that SORCERER will not be Released by Criterion. More info as it develops"
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which is now unfavourably criticized regarding certain aspects in comparison to Friedkin's version.
1762:. William Friedkin, during his visit in Germany, attended their concert in a derelict church in the
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who, despite appreciating the script, sternly declined, asking Friedkin "Why would I want to go to
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did not own the rights for the intellectual property. It was owned by the novelist Georges Arnaud:
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piece of shit. I told Billy , 'We're freaking being blown off the screen. You gotta go see this.'
1774:, about which Froese was not enthusiastic. However, upon learning Friedkin intended to reimagine
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at the time, Friedkin had to opt out from shooting there. The director eventually settled on the
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6846:"I will do a commentary for Sorcerer, there will be a blu-ray And extras; first, the theatrical"
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that Friedkin managed to cast the leading role of Jackie Scanlon. They had previously worked on
837:, which presumably nullified the project. Peter Biskind theorized that Friedkin had always seen
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as a "little 2.5 million in-between movie", a stepping stone to realize his next major project,
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6014:"Not So Obscure Trailer, But Still MIA on DVD in Widescreen: Sorcerer (1977, William Friedkin)"
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walked out of theaters ads that Sorcerer was 'NOT A FILM ABOUT THE SUPERNATURAL'." Film critic
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marked the point when "experimental films became less and less able to recoup their costs".
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webseries in 2007. He praised the movie highly, stating that it is Friedkin's best effort ("
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After scouting locations with Walon Green and John Box, the production designer, they chose
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6537:"Interview: William Friedkin Talks Killer Joe and Shares Some Choice Words About Hollywood"
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novel surpasses that of H. G. Clouzot's. This trend also led to a revisionism of Clouzot's
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the film has a score of 68% based on reviews from 13 critics. Numerous outlets noted that
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The stunt coordinator for the film was Bud Ekins, who was Steve McQueen's stunt double in
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as Lefevre, the president of the Paris Stock Exchange, who accuses Manzon of money fraud;
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Easy Riders, Raging Bulls: How the Sex-Drugs-and-Rock 'N' Roll Generation Saved Hollywood
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1815:. It included the complete score by Tangerine Dream and liner notes by William Friedkin.
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530:. After some time, Nilo arrives in the village, raising suspicions. In the meantime, an
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Canby, Vincent (July 10, 1977). "Let's Call It The Accountant's Theory of Filmmaking".
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Restoration of the print is supervised by Friedkin himself, along with Ned Price and a
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review, called the movie "the toughest, most relentless American film in a long time."
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was a "very bad title". To him the title might have indicated a certain likeness to
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The sound design crew included Jean-Louis Ducarme, with whom Friedkin had worked on
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saw his picture on the wall as chairman of the oil company he had a shit hemorrhage!
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The film was selected for screening as part of the Cannes Classics section at the
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quickly returned. Friedkin agreed with this assessment during an interview on the
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as Carlo Ricci, a vengeful Mafia leader and a brother of a priest who was shot in
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5154:
5107:
4651:"At the Movies; Roy Scheider, 'Sorcerer' Star, Talks of Thrillers (fee required)"
3582:"Director William Friedkin on Rising and Falling and Rising in the Film Industry"
3076:
2986:"William Friedkin's Misunderstood 1977 'Sorcerer' Getting Re-Release (Exclusive)"
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among his favorite works, and the most personal and difficult film he ever made.
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This article is about the 1977 U.S. film. For other films with similar name, see
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Good with Their Hands: Boxers, Bluesmen, and Other Characters from the Rust Belt
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opened theatrically in the United States on June 24, 1977, and ended up being a
1098:, he ultimately declined the director's offer. He was replaced by Spanish actor
604:
as Victor Manzon / Serrano. Manzon was Cremer's first English-speaking role, an
6294:"William Friedkin Interview: 'You Don't Need to Know About My Sexual Liaisons'"
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4909:
4876:
4070:"Ultra Rare Sorcerer Screening, Followed by Director William Friedkin Q&A!"
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William Friedkin's afterthoughts on losing Steve McQueen as the leading actor
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and earn meager salaries. All want out, but their savings are inadequate for
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6395:"Craftsmanship vs. Crap: Criterion's Planned Re-release of 'Heaven's Gate'"
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2333:"is considered one of the greatest movies of the modern age", he preferred
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the rental contract it signed for use of the town's commercial locations.”
1474:, after receiving a green light from the studio's executives. In a memoir,
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739:; then after some time struggling to find another moniker, a listen to the
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as Donnelly, a head of the Irish gang of which Jackie Scanlon is a member;
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village, where they are assigned to transport cargoes of aged, poorly kept
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6478:"Sorcerers: A Conversation with William Friedkin and Nicolas Winding Refn"
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4459:
The Remake Chronicles: The Good, The Bad, The Familiar and the Blasphemous
1123:
Manzon's role was intended for one of the most prominent European actors,
778:
Friedkin elaborated on this theme in an interview with Thomas D. Clagett:
594:, with a "battered hat, unshaven face and tough guy stance". Screenwriter
346:
was originally conceived as a side-project to Friedkin's next major film,
336:
that is so unstable that it is 'sweating' its dangerous basic ingredient,
7216:
5200:"'Star Wars' Flashback: When No Theater Wanted to Show the Movie in 1977"
4940:"Exclusive Interview with Edgar Froese (Tangerine Dream) by Lenny Kalcic"
3324:"(some of) The Best Films You've (probably) Never Seen, Part 3: Sorcerer"
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on August 29. where he would also receive a lifetime achievement award.
1609:"Friedkin took his camera crew to the jungle and never quite returned."
1496:
7208:
6569:
6337:
Blockbuster: How Hollywood Learned to Stop Worrying and Love the Summer
6215:"William Friedkin's Remastered "Sorcerer" Blu-ray Scores Solid Success"
5619:
2890:
2540:
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1997:
1605:
by comparing Friedkin to Francis Ford Coppola during the production of
1521:
1504:
1479:
1427:
1274:
1049:
707:
6447:
Hoberman, J. (June 1985). "1975-1985:Ten Years That Shook the World".
4199:
The Technique of Film and Video Editing: History, Theory, and Practice
1273:-ton capacity M211 military trucks, first deployed in 1952 during the
1236:
served as an inspiration for him in all the movies he made, including
966:
The Technique of Film and Video Editing: History, Theory, and Practice
7037:
2504:
1751:
1576:
1447:
1335:
1197:
Friedkin overall felt dissatisfied with the casting process. He felt
760:, which he described as "an intentional but ill-advised reference to
560:
489:
457:
138:
3552:"William Friedkin Says Hollywood Has Been 'Reduced to Blockbusters'"
1887:, but Paramount insisted on the company fulfilling its contract for
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during the robbery who puts a bounty on the head of Jackie Scanlon.
673:
as Carlos, an owner of the El Corsario bar and a supposedly former "
2146:
1585:
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1439:
1431:
683:
535:
531:
333:
37:
6424:
Hall, Sheldon (2006). Linda Ruth Williams, Michael Hammond (ed.).
4912:. Voices in the Net: The Collector's Tangerine Dream Discography.
4619:
4455:"One Pothole Away From Death: Two versions of "The Wages of Fear""
1903:
debuted at the theater, it was so unsuccessful by comparison that
1244:
the real world" and adding that "their desperation's not a pose".
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UK newspaper advert for Sorcerer retitled 'Wages of Fear' in 1978
2235:
Film critic Robert C. Cumbow, who heavily criticized the film in
1861:, grossing $ 5.9 million domestically and $ 9 million worldwide.
1635:
1593:
1459:
1066:
718:
The film's title refers to one of the trucks, which has the name
564:
7048:
Director William Friedkin On Sorcerer and Copyright Legal Issues
5406:"William Friedkin Pulls a Turkey out of His Hat with 'Sorcerer'"
4125:"Re-Make/Re-Model: The Wages of Fear (1953) vs. Sorcerer (1977)"
2244:
On March 16, 2001, writer-director Peter Hanson summarized that
2119:
garnered some acclaim from several major critics, including the
6727:
William Friedkin celebrates a Golden Lion, restored 'Sorcerer.'
5648:"Fifty Years of Filmmaking: An Interview with William Friedkin"
5491:
American Film Now: The People, The Power, The Money, The Movies
4562:"Sarasota Stuntman Says His Profession Pverdue for Recognition"
3331:
2011:
never really catches hold despite a few astounding scenes." In
1624:
he became "difficult", which contrasted with his attitude from
1548:
1334:
and depicted Victor Manzon's backstory. The sequence filmed in
638:
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6981:
Hurricane Billy: The Stormy Life And Times Of William Friedkin
6935:
William Friedkin: Films of Aberration, Obsession, and Reality
5072:"Record Time:New & Notable Vinyl Releases (January 2020)"
4681:"Amidou: Moroccan Officials Should Stamp Out Artistic Piracy"
1443:
1331:
921:, the man who built an opera house in the Brazilian jungle."
620:
2530:
2014 US home video re-release and 2017 UK home video release
534:
explodes, and the only way to extinguish the fire is to use
2052:
assessed the movie's dialogues unfavourably, stating that "
1148:'s insistence—refused to cast Scheider as Father Karras in
654:
415:
released the film remastered on Blu-ray on April 22, 2014.
5144:
Ebert, Roger (host); Siskel, Gene (host) (November, 1979)
4761:
4737:
3434:"25 Movies That Bombed in Theaters But Are Actually Great"
3151:
Framework: A History of Screenwriting in the American Film
2851:
On April 14, 2013, the aforementioned 35 mm print of
2763:
2601:
s financial and critical fiasco. Sean Macaulay notes that
2296:
is a massive game-changing hit in Hollywood and I'm doing
1792:
were employed. Friedkin also featured one licensed song, "
958:
Framework: A History of Screenwriting in the American Film
2496:
2348:," adding, however, that "only an idiot would argue that
1630:
1102:, whom Friedkin had wanted for the role of "Frog One" in
1061:
After the disagreement with McQueen, Friedkin approached
972:'s work. Crawford also observes that the film possesses "
769:
Friedkin thought the title fit the film's general theme:
479:
6364:"RH Greene reevaluates Wm Friedkin's 'flop,' 'Sorcerer'"
5595:
4165:"...On Film: Phil Mucci Examines WAGES OF FEAR/SORCERER"
3504:""The Wages of Fear" at MoMA and Film Forum (Dec 08-22)"
2781:, and to have a film print for various outlets, such as
518:. Kassem befriends a man called 'Marquez', presumably a
6343:
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4092:
4000:
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Friedkin sat for an interview with the Danish director
1920:
notes that "udiences expecting mystical weirdness a la
1811:
In 2019, the soundtrack was released on green vinyl by
1507:, used as a backdrop in the film's hallucinatory climax
903:
Some reviewers likened certain elements of the film to
5983:"LaserDisc Database – Sorcerer (1977) [12009]"
4749:
4104:
3383:
3168:
Hollywood Bloodshed: Violence in 1980s American Cinema
1572:
has said "the locations looked beautiful to the eye".
1399:
in 2005, stated that out of all movies in his oeuvre,
952:, the latter comment also mirrored by Shaun Crawford,
370:, with both studios sharing the U.S. distribution and
4877:"The 50th Academy Awards (1978) Nominees and Winners"
4810:"Dominicans Sue G. & W. On Filming of 'Sorcerer'"
4348:
2889:
theatrical screening had been booked at Los Angeles'
2760:
as "the only film I’ve made that I can still watch."
1750:
marked the first Hollywood film score for the German
1476:
Infamous Players: A Tale of Movies, the Mob (And Sex)
4402:"Sorcerer (Comparison: US Version – German Version)"
1575:
Apart from Bush, Friedkin had a feud with the chief
1220:
William Friedkin's attitude towards characterization
5800:
5252:"5 Great Careers Destroyed By The Post-Oscar Curse"
4192:
4190:
3681:"William Friedkin's SORCERER Goes Blu-ray In April"
1033:Friedkin originally envisioned an all-star cast of
384:, which instantly became a pop-culture phenomenon.
6997:
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5488:
5455:
4784:"Friedkin, William: Sorcerer / Shooting with Guns"
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2590:In the opinion of several critics, the release of
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5846:
5197:
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3933:
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2267:Academy Award nominee, screenwriter and director
1847:while Universal would distribute the film in the
1835:Film editor Bud Smith, on his reaction to seeing
1144:together, but had lost contact after Friedkin—at
841:as his competitor, so when Coppola headed to the
443:
436:Nilo, an elegantly dressed man, enters a flat in
374:being responsible for the international release.
7377:
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2880:On June 4, 2013, the director declared that the
2855:from the Paramount archives was screened at the
1620:and theorized that after achieving stardom with
1537:
1297:after seeing the film version of the rock opera
431:
7000:High Concept: Movies and Marketing in Hollywood
6273:High Concept: Movies and Marketing in Hollywood
6264:
6262:
6064:: CS1 maint: others in cite AV media (notes) (
5520:Badder, David (January 1978). "Wages of Fear".
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2300:commentary on some unknown cult classic called
1183:and whom Friedkin described as a "good actor".
555:At the bar back in Porvenir, Jackie is given a
452:disguised as Jews causes an explosion near the
6877:"Sorcerer soundtrack remastered. Sounds great"
6417:
6217:(Press release). Warner Bros. April 30, 2014.
5843:
5639:
5140:
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5134:
5055:"Par Instructs, And Warns, As To 'Sorcerer'".
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4823:
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3541:
3407:"Trailers From Hell. Josh Olson on "Sorcerer""
3217:
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2645:also significantly contributed to this trend.
2046:lacked character involvement. John Marlowe of
1482:theorized that the owner of Gulf and Western,
1208:
42:Theatrical release poster by Richard L. Albert
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6113:
6111:
5902:"Hollywood Sorcerer Is Casting His Old Spell"
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3115:
1895:film editor Bud Smith, Friedkin and his wife
1307:, and after finding out that Bush had filmed
467:
7087:
6328:
6259:
6079:
6077:
6075:
6036:
5567:Canby, Vincent (June 25, 1977). "Sorcerer".
5344:"A Devil of a Bad Movie, But Not Diabolical"
3833:
3831:
3829:
3827:
3825:
3823:
3821:
3819:
3817:
3815:
3497:
3495:
3493:
3144:
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3138:
1693:Cascading down infinite corridors of burning
722:painted across the hood (the other is named
508:
6386:
5933:"Film Classics Still Eluding Video Viewers"
5157:. Chicago, IL: WTTW. Retrieved 2013-06-24.
5131:
5097:
5095:
5093:
5069:
4841:
4820:
4531:"Actor Roy Scheider Is At His Wife's Mercy"
4522:
4516:Dream Repairman: Adventures in Film Editing
4446:
4319:
4317:
4216:. University of Kentucky Press. p. 22.
3751:
3641:
3639:
3637:
3635:
3633:
3196:
3126:
2384:, "20 Movie Rentals That Never Let Me Down"
1725:Reminding of white suns eclipsing oceans of
1689:Rumor of distant thunder trembles along the
1686:And white sun eclipsed by pale yellow moon.
7080:
7066:
6868:
6530:
6528:
6462:Demme, Ted (director) (January 19, 2003).
6455:
6285:
6173:
6142:
6108:
5747:"The Greatest Film Polls: Sight&Sound"
5741:
5739:
5675:
5673:
5582:
5580:
5578:
5528:
5245:
5243:
5241:
5234:(DVD). Lionsgate Home Entertainment. 2007.
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4323:
4278:
4235:. University of California Press. p.
4064:
4062:
4060:
4058:
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4054:
4052:
4050:
4048:
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3699:
3675:
3673:
3575:
3573:
3461:
3459:
2979:
2977:
2975:
2973:
2971:
2943:
2277:, made a video review of Sorcerer for the
1727:stars shrieking through the midnight dawn.
1708:becoming clusters of starfall that scatter
1680:In the bottomless silence. Without warning
1311:'s biography as well as collaborated with
1116:, but the casting director mistakenly got
851:, Friedkin went to Latin America to shoot
790:In the director's opinion, the premise of
36:
6837:
6806:
6775:
6744:
6685:
6654:
6623:
6592:
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6466:(Motion picture). Constant Communication.
6440:
6072:
5819:C. Gamble, Patrick (September 30, 2011).
5818:
5775:
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3798:
3762:
3648:"Venice Fest to Lionize William Friedkin"
3645:
3490:
3317:
3315:
3313:
3311:
3309:
3157:
3153:. Syracuse University Press. p. 194.
3135:
3107:Turan, Kenneth (August 1997). "Remakes".
3039:
3037:
3035:
3033:
3031:
3015:
3013:
3011:
1710:from hidden places. Pulsating. Relentless
867:
571:is heard, leaving Jackie's fate unknown.
6978:
6951:
6446:
6291:
6118:William Friedkin (September 12, 2013).
6005:
5864:
5707:
5705:
5703:
5601:
5458:Reverse Angle: A Decade of American Film
5191:
5090:
5048:
5026:"Sorcerer- (1977) Dir- William Friedkin"
4778:
4776:
4743:
4712:
4553:
4367:Borrelli, Christopher (April 15, 2013).
4366:
4314:
4304:
4302:
4162:
4122:
4098:
4006:
3994:
3902:
3892:
3890:
3862:
3630:
3501:
3468:"The Uncanny Cinema of William Friedkin"
3465:
3400:
3398:
3321:
3163:
3100:
3069:
3067:
2460:
1715:Centaurs throb within the blood crossing
1684:A midnight dawn. A whisper of chill wind
1495:
1426:
1406:Friedkin antagonized Paramount, using a
980:
6969:
6932:
6909:
6721:
6719:
6630:William Friedkin (February 11, 2013).
6599:William Friedkin (February 11, 2013).
6525:
6349:
6322:
6011:
5969:
5930:
5736:
5670:
5645:
5575:
5403:
5397:
5274:
5238:
5224:
5078:from the original on September 20, 2020
4970:"Music: Keith Jarrett: Hymns / Spheres"
4933:
4931:
4904:
4902:
4842:Schexnayder, C.J. (February 29, 2008).
4829:
4767:
4755:
4648:
4354:
4308:
4226:
4220:
4110:
4043:
4019:Clint Caffeinated (November 25, 2002).
3896:
3720:
3670:
3618:from the original on September 26, 2013
3570:
3535:
3531:
3529:
3456:
3425:
3389:
3300:
3148:
3058:
3043:
2968:
2939:
2937:
2909:
2764:Court case, restoration, and re-release
409:70th Venice International Film Festival
407:, with the new print premiering at the
7378:
6991:. Film Properties international. 1977.
6580:from the original on December 30, 2012
6392:
6361:
6304:from the original on February 19, 2018
6209:
6207:
6024:from the original on December 22, 2014
5951:from the original on December 11, 2015
5899:
5679:
5627:from the original on December 23, 2020
5557:
5519:
5486:
5480:
5341:
5335:
5212:from the original on December 12, 2015
5198:Pamela McClintock (December 9, 2015).
4916:from the original on December 21, 2013
4708:
4706:
4572:from the original on December 22, 2014
4500:
4453:Castro, Adam-Troy (January 31, 2011).
4452:
4369:"Director William Friedkin Comes Home"
4243:
4147:
4080:from the original on December 19, 2013
3976:from the original on November 29, 2014
3950:
3948:
3908:
3875:from the original on November 24, 2012
3843:
3795:
3658:from the original on November 21, 2013
3502:Atkinson, Michael (December 8, 2011).
3444:from the original on February 16, 2013
3431:
3306:
3073:
3028:
3008:
2903:
1706:Glass shatters, shrieks and spins away
924:Several critics compared the movie to
480:Vignette #4: Elizabeth, New Jersey, US
269:$ 5.9 million (theatrical and rentals)
16:1977 American film by William Friedkin
7566:Films with screenplays by Walon Green
7061:
6995:
6963:Film Soleil (Pocket Essential series)
6567:
6561:
6534:
6432:. McGraw-Hill International. p.
6405:from the original on January 30, 2013
6355:
6334:
6277:. University of Texas Press. p.
6268:
5975:
5724:from the original on October 22, 2012
5700:
5586:
5566:
5539:"Ebert's 10 Best Lists: 1967-present"
5453:
5354:from the original on October 19, 2021
5280:
5250:Lamar, Cyriaque (February 17, 2009).
5249:
5169:"May 25, 1977: A Day Long Remembered"
5167:Coate, Michael (September 21, 2004).
5166:
5119:from the original on February 2, 2022
5036:from the original on January 28, 2015
4962:
4950:from the original on January 29, 2014
4854:from the original on October 29, 2013
4835:
4773:
4611:
4590:
4584:
4528:
4513:
4326:"William Friedkin's Sorcerer Revived"
4299:
4266:from the original on January 28, 2015
4211:
4205:
3962:
3887:
3579:
3413:from the original on January 18, 2013
3404:
3395:
3355:
3353:
3351:
3349:
3106:
3064:
3054:
3052:
2649:theorizes that success of films like
2456:
2271:, most famous for his screenplay for
2153:Ebert, in a November 1979 episode of
1983:
1869:'s runaway box-office smash of 1977,
1169:, who, among other pictures prior to
1130:It was not until Universal executive
653:as Marquez, an old German and former
7461:Films shot in the Dominican Republic
6960:
6716:
6423:
6149:William Friedkin (April 24, 2014).
5806:
5776:C. Cumbow, Robert (April 13, 2011).
5711:
5545:from the original on January 5, 2011
5495:. Oxford University Press. pp.
5373:C. Cumbow, Robert (April 13, 2011).
4928:
4899:
4725:from the original on August 17, 2013
4618:D'Augustine, Joe (October 9, 2007).
4163:Smithson, Sean (November 16, 2011).
3806:
3614:. Tangerine Dream official website.
3526:
3294:
2983:
2944:Sobczynski, Peter (April 10, 2013).
2934:
2834:, to be tentatively screened at the
2308:and world hunger is just a memory."
1988:
1106:because he loved his performance in
541:
378:release at roughly the same time as
6987:
6875:William Friedkin (July 17, 2013).
6844:William Friedkin (June 25, 2013).
6813:William Friedkin (June 25, 2013).
6568:Smith, Jeremy (December 20, 2012).
6339:. Simon & Schuster. p. 10.
6247:from the original on April 14, 2016
6221:from the original on April 21, 2016
6204:
5900:Maddox, Garry (November 29, 2002).
5688:from the original on March 30, 2012
5513:
5147:Sneak Previews: Overlooked Classics
4715:"SORCERER (William Friedkin, 1977)"
4713:Rowlands, Paul (January 13, 2013).
4703:
4691:from the original on April 24, 2014
4630:from the original on April 24, 2014
4559:
4494:
4465:from the original on March 20, 2012
4293:
4123:Peterson, Alex (January 13, 2013).
3945:
3939:
3921:from the original on March 26, 2016
3863:Yegulalp, Serdar (April 12, 2010).
3837:
3739:from the original on March 14, 2016
3514:from the original on March 17, 2014
2996:from the original on April 20, 2013
2827:would not be the film's publisher.
2503:was released on October 4, 1990. A
1976:s failure, in a 2013 interview for
1717:arteries of storming cavalries that
1695:mirrors reflecting and rereflecting
1628:, where he "would've lied [
713:
426:
13:
7536:Israeli–Palestinian conflict films
7436:Films directed by William Friedkin
6782:William Friedkin (June 4, 2013).
6725:Turan, Kenneth (August 27, 2013).
6549:from the original on July 30, 2012
6374:from the original on July 28, 2013
6012:Merrill, Ned (February 18, 2009).
5931:BENESCH, CONNIE (April 30, 1988).
5912:from the original on July 20, 2013
5865:Chitwood, Adam (August 23, 2012).
5682:"Every 70s Movie: Sorcerer (1977)"
5423:
4937:
4887:from the original on April 2, 2015
4336:from the original on July 28, 2014
4256:"William Friedkin on Roy Scheider"
3958:(DVD). Universal Home Video. 1998.
3909:Bergan, Ronald (August 25, 2010).
3604:
3432:Knight, Rich (February 13, 2013).
3346:
3049:
2910:Lindsey, Robert (August 7, 1977).
1682:A curtain slowly ascends revealing
834:Close Encounters of the Third Kind
810:
665:as Lartigue, Corlette's superior;
318:, it has been widely considered a
183:Film Properties International N.V.
14:
7582:
7009:
6954:The Friedkin Connection: A Memoir
6751:William Friedkin (May 9, 2013).
6692:William Friedkin (May 2, 2013).
6661:William Friedkin (May 2, 2013).
6180:William Friedkin (May 1, 2014).
6084:William Friedkin (May 2, 2013).
5993:from the original on July 7, 2022
5881:from the original on May 26, 2013
5788:from the original on May 18, 2013
5714:"Stephen King's Reliable Rentals"
5712:King, Stephen (August 21, 2009).
5385:from the original on May 18, 2013
5323:from the original on May 10, 2013
5293:from the original on May 16, 2012
5262:from the original on July 8, 2013
5006:from the original on May 18, 2016
4980:from the original on July 7, 2022
4649:Flatley, Guy (January 21, 1977).
4541:from the original on July 7, 2022
4408:from the original on May 10, 2013
4379:from the original on May 27, 2013
3683:. January 6, 2014. Archived from
3580:Ebiri, Bilge (January 13, 2013).
3371:from the original on July 8, 2017
3322:Crawford, Shaun (June 26, 2012).
3288:The Friedkin Connection: A Memoir
3078:Leonard Maltin's 2010 Movie Guide
2956:from the original on June 2, 2013
2922:from the original on June 6, 2015
2374:
2340:A prominent English film critic,
1719:crash though the top of your head
1338:was realized with cooperation of
7456:Films set in fictional countries
7446:American remakes of French films
6509:. April 20, 2016. Archived from
6470:
6393:Gibron, Bill (August 27, 2012).
6368:Southern California Public Radio
6292:Macaulay, Sean (June 18, 2013).
6233:
5924:
5893:
5858:
5812:
5769:
5680:Hanson, Peter (March 16, 2011).
5607:
5462:. Crown Publishers Inc. p.
5342:Sarris, Andrew (July 18, 1977).
5179:from the original on May 5, 2007
5070:Ham, Robert (January 31, 2020).
3970:"Friedpark: Friedhof Heerstraße"
3865:"Movie Reviews: Sorcerer (1977)"
3592:from the original on May 5, 2013
2857:Chicago Film Critics Association
2790:Cinema International Corporation
2476:Cinema International Corporation
2371:, they would have been perfect.
1393:Amidou, in an interview for the
1293:Friedkin chose Dick Bush as his
931:The Treasure of the Sierra Madre
591:The Treasure of the Sierra Madre
372:Cinema International Corporation
7441:Films scored by Tangerine Dream
6983:. William Morrow & Company.
6903:
5447:
5438:
5366:
5063:
5018:
4992:
4802:
4673:
4529:Scott, Vernon (July 11, 1986).
4420:
4116:
4012:
3765:"On Wages of Fear and Sorcerer"
3763:Applegate, Tim (October 2004).
3721:Heifetz, Gloria (Winter 1979).
3646:Vivarelli, Nick (May 2, 2013).
3190:
2774:Ninth District Court of Appeals
2706:One Flew Over the Cuckoo's Nest
2673:One Flew Over the Cuckoo's Nest
2452:International and home releases
2448:in 1978 for work on this film.
2199:
1675:William Friedkin, untitled poem
831:at that point had already made
496:that is connected with a rival
7541:Films about the American Mafia
7471:Films shot in New York (state)
7416:American action thriller films
7411:American adventure drama films
7257:The Caine Mutiny Court-Martial
7121:The Night They Raided Minsky's
6972:Roy Scheider: A Film Biography
5684:. Every70smovie.blogspot.com.
5646:Burchby, Casey (May 1, 2013).
4324:D'Arcy, David (June 2, 2013).
3405:Olson, Josh (April 14, 2010).
2984:Lang, Brent (March 21, 2013).
2912:"The New Tycoons of Hollywood"
1730:Never ending. Without warning.
1697:momentous oceans of stampeding
1384:, Scheider said that shooting
815:Friedkin originally conceived
588:'s Fred C. Dobbs character in
444:Vignette #2: Jerusalem, Israel
1:
7571:English-language action films
5281:Konow, David (May 14, 2012).
4021:"Interview: William Friedkin"
3956:Production notes for Sorcerer
2896:
2489:
2480:United International Pictures
2329:at #1, stating that although
1823:
1656:nomination, which it lost to
1538:On-set conflicts and problems
893:One Hundred Years of Solitude
805:
432:Vignette #1: Veracruz, Mexico
7551:1970s English-language films
7451:Films based on French novels
7421:1970s Spanish-language films
7350:Conversation with Fritz Lang
7335:Mayhem on a Sunday Afternoon
7042:endorsed by William Friedkin
7004:. University of Texas Press.
6535:Adams, Sam (July 27, 2012).
6464:A Decade Under the Influence
6428:Contemporary American Cinema
6243:. NOLA.com. April 22, 2014.
4944:Evolution Garden Music Award
4560:Cox, Billy (June 12, 2011).
3020:"Big Buck Pix vs. Rentals".
2756:In 2017, Friedkin described
2735:A Decade Under the Influence
2442:Academy Award for Best Sound
2419:
1422:
7:
7431:1970s German-language films
7426:1970s French-language films
7391:1970s adventure drama films
7363:The Devil and Father Amorth
6956:. HarperCollins Publishers.
6933:Clagett, Thomas D. (1990).
5652:Los Angeles Review of Books
5404:Marlowe, John (June 1977).
4657:. p. 6. Archived from
4201:. Focal Press. p. 385.
3131:. HarperCollins Publishers.
2311:On August 21, 2009, author
1712:like a recurring nightmare.
1209:Characterization and design
823:, the planned follow-up to
661:Other cast members include
550:
310:. The second adaptation of
10:
7587:
6952:Friedkin, William (2013).
6732:September 5, 2013, at the
6362:Greene, RH (May 2, 2013).
5434:. March 1978. p. 246.
3286:Friedkin, William (2013).
2415:personal top 10 films poll
2404:personal top 12 films poll
1955: — Disclaimer put on
1818:
1800:, and a cover version of "
1667:
1518:Bisti/De-Na-Zin Wilderness
1501:Bisti/De-Na-Zin Wilderness
1454:, for Jackie Scanlon, and
1288:
1017:
468:Vignette #3: Paris, France
18:
7546:Films about the Irish Mob
7319:The People vs. Paul Crump
7310:
7284:C.A.T. Squad: Python Wolf
7267:
7096:
6937:. McFarland and Company.
6050:. Hollywood, California:
5283:"A Look Back at Sorcerer"
4591:Emery, Robert J. (2002).
4214:Warren Oates: A Wild Life
3127:John Walker, ed. (1993).
2751:2016 Cannes Film Festival
2546:
1330:commenced on location in
1012:Brooklyn Academy of Music
910:Aguirre, the Wrath of God
509:Part II: Life in Porvenir
290:produced and directed by
265:
257:
243:
235:
225:
202:
188:
174:
164:
147:
126:
90:
82:
67:
57:
47:
35:
30:
7491:Films shot in New Mexico
7486:Universal Pictures films
7481:Paramount Pictures films
7466:Films shot in New Jersey
6974:. McFarland and Company.
6918:. Simon & Schuster.
5821:"Interview Mark Kermode"
4212:Compo, Susan A. (2009).
3164:Kendrick, James (2009).
3082:. Signet Books. p.
3074:Maltin, Leonard (2009).
2825:The Criterion Collection
2391:, top 10 films from 1977
2252:American movie reviewer
1663:
1642:
1192:La Vie, l'amour, la mort
500:crew and organizes cash
7501:Films set in New Jersey
7185:To Live and Die in L.A.
6970:Kachmar, Diane (2002).
6910:Biskind, Peter (1998).
5002:. Library of Congress.
4594:The Directors: Take Two
4566:Sarasota Herald-Tribune
4227:Rotella, Carlo (2002).
4197:Dancynger, Ken (2010).
3911:"Bruno Crémer Obituary"
3723:"Film Maudit: Sorcerer"
2946:"The Wages Of Sorcerer"
2685:All the President's Men
2537:The Friedkin Connection
2523:To Live and Die in L.A.
2440:were nominated for the
2352:is a better movie than
1796:", by jazz saxophonist
1598:The Friedkin Connection
1466:, who was the owner of
1340:Israeli security forces
1295:director of photography
915:The Friedkin Connection
574:
418:
271:$ 9 million (worldwide)
211:June 24, 1977
7506:Films set in Jerusalem
6996:Wyatt, Justin (1994).
6979:Segaloff, Nat (1990).
6503:"Cannes Classics 2016"
6269:Wyatt, Justin (1994).
5751:British Film Institute
5487:Monaco, James (1979).
5205:The Hollywood Reporter
4428:"1952 M211 Deuce 2/12"
3466:Segaloff, Nat (2009).
3129:Halliwell's Film Guide
2849:
2466:
2017:Halliwell's Film Guide
1952:
1885:Mann's Chinese Theater
1841:
1734:
1535:
1508:
1435:
1420:
1223:
1031:
999:
888:Gabriel García Márquez
868:Writing and influences
788:
776:
450:Palestinian terrorists
7556:Henri-Georges Clouzot
7516:Films set in Colombia
7137:The French Connection
5855:. Quoiat Films, 2018.
5522:Monthly Film Bulletin
5232:Bug (Special Edition)
5153:May 28, 2013, at the
4687:. November 25, 2005.
4262:. February 13, 2008.
3172:. SIU Press. p.
3149:Stempel, Tom (2000).
2844:
2810:American Cinematheque
2620:The French Connection
2511:The French Connection
2464:
2325:at #2 and Friedkin's
2315:posted an article in
2274:A History of Violence
2104:Monthly Film Bulletin
2064:The French Connection
1945:
1849:western United States
1845:eastern United States
1827:
1677:
1670:Sorcerer (soundtrack)
1626:The French Connection
1618:The French Connection
1526:
1499:
1452:Elizabeth, New Jersey
1430:
1412:
1345:Elizabeth, New Jersey
1328:Principal photography
1212:
1160:The French Connection
1141:The French Connection
1104:The French Connection
1021:
995:Le Salaire de la peur
991:
987:Henri-Georges Clouzot
981:Obtaining the license
949:The Battle of Algiers
799:French Foreign Legion
780:
771:
671:Friedrich von Ledebur
462:Israel Defense Forces
316:Le Salaire de la peur
314:'s 1950 French novel
72:Le Salaire de la peur
7561:1970s American films
7526:Films shot in Israel
7496:Films shot in Mexico
7406:Existentialist films
7129:The Boys in the Band
6965:. Pocket Essentials.
6513:on February 10, 2017
6507:Cannes Film Festival
6298:The Sunday Telegraph
6052:Universal Home Video
5718:Entertainment Weekly
5454:Simon, John (1982).
4260:Entertainment Weekly
3783:on September 3, 2005
3472:Harvard Film Archive
2864:Venice Film Festival
2836:Venice Film Festival
2744:Nicolas Winding Refn
2569:Francis Ford Coppola
2382:Entertainment Weekly
2380:1st – Stephen King,
2318:Entertainment Weekly
1563:The Boys in the Band
1146:William Peter Blatty
1039:Marcello Mastroianni
839:Francis Ford Coppola
821:The Devil's Triangle
516:American oil company
474:Paris Stock Exchange
411:on August 29, 2013.
348:The Devil's Triangle
7531:Films shot in Paris
7521:Films set in Mexico
7401:1977 thriller films
7356:The Painter's Voice
7225:Rules of Engagement
7177:Deal of the Century
6989:Sorcerer Press Book
6961:Holm, D.K. (2005).
6335:Shone, Tom (2004).
6060:cite AV media notes
5444:Turan (1997), p. 39
5317:lesliehalliwell.com
5313:"Favourite Reviews"
5032:. January 6, 2013.
4844:"The Wages of Fear"
4770:, pp. 310–311.
4535:Schenectady Gazette
4514:Clark, Jim (2010).
3024:. January 13, 1982.
2474:and distributed by
2446:50th Academy Awards
2387:9th – Roger Ebert,
2256:, in his 2005 book
2115:On the other hand,
1794:I'll Remember April
1739:Sorcerer soundtrack
1446:for Victor Manzon,
1228:F. Scott Fitzgerald
872:Friedkin appointed
667:Anne-Marie Deschodt
522:. They all live in
282:is a 1977 American
7511:Films set in Paris
7343:The Thin Blue Line
7113:The Birthday Party
7033:TCM Movie Database
6574:Ain't It Cool News
5778:"Review: Sorcerer"
5757:on August 27, 2012
5375:"Review: Sorcerer"
5173:The Screening Room
5074:. Paste Magazine.
4814:The New York Times
4790:. December 5, 2002
4746:, pp. 163–64.
4620:"R.I.P. Bud Ekins"
4597:. Allworth Press.
3899:, pp. 166–167
3558:. October 20, 2017
2916:The New York Times
2886:5.1 surround sound
2698:One From the Heart
2694:New York, New York
2584:New York, New York
2574:One from the Heart
2478:(later renamed as
2467:
2457:International cuts
2438:Jean-Louis Ducarme
2298:Trailers from Hell
2280:Trailers from Hell
2177:one of the top 10
2136:chief film critic
2132:The New York Times
2021:The Wages of Fear,
1984:Critical reception
1969:industry. Despite
1509:
1472:Dominican Republic
1436:
1381:The New York Times
1357:Dominican Republic
1203:Jean-Paul Belmondo
633:Dominican Republic
557:Colombian passport
368:Paramount Pictures
364:Universal Pictures
360:major film studios
356:Dominican Republic
197:Paramount Pictures
193:Universal Pictures
7396:1977 action films
7373:
7372:
7038:The Sorcerer Blog
6944:978-0-89950-262-5
6738:Los Angeles Times
6018:Obscure One-Sheet
5937:Los Angeles Times
5869:Sight & Sound
5506:978-0-19-502570-5
5432:Films Illustrated
5348:The Village Voice
5103:"Sorcerer (1977)"
5000:"SORCERER (1977)"
4976:. March 9, 2013.
4816:. August 3, 1976.
4661:on April 24, 2014
4518:. Landmarc Press.
4175:on March 10, 2013
3093:978-0-451-22764-5
2838:and to receive a
2801:Universal Studios
2714:Peter Bogdanovich
2679:Dog Day Afternoon
2413:Sight & Sound
2401:Sight & Sound
2396:Quentin Tarantino
2389:Chicago Sun-Times
2360:Quentin Tarantino
2122:Chicago Sun-Times
2101:David Badder, in
2068:Films Illustrated
2026:The Village Voice
2009:The Wages of Fear
1989:Initial reception
1776:The Wages of Fear
1721:Recycle and recur
1468:Universal Studios
1253:The Wages of Fear
1096:Catherine Deneuve
792:The Wages of Fear
728:location scouting
606:investment banker
542:Part III: Journey
520:Nazi war criminal
413:Warner Home Video
325:The Wages of Fear
322:of the 1953 film
275:
274:
157:Robert K. Lambert
7578:
7090:William Friedkin
7082:
7075:
7068:
7059:
7058:
7049:
7005:
7003:
6992:
6984:
6975:
6966:
6957:
6948:
6929:
6917:
6897:
6896:
6890:
6888:
6872:
6866:
6865:
6859:
6857:
6841:
6835:
6834:
6828:
6826:
6810:
6804:
6803:
6797:
6795:
6779:
6773:
6772:
6766:
6764:
6748:
6742:
6723:
6714:
6713:
6707:
6705:
6689:
6683:
6682:
6676:
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6554:
6532:
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6518:
6499:
6493:
6492:
6490:
6488:
6474:
6468:
6467:
6459:
6453:
6452:
6444:
6438:
6437:
6431:
6421:
6415:
6414:
6412:
6410:
6390:
6384:
6383:
6381:
6379:
6359:
6353:
6347:
6341:
6340:
6332:
6326:
6320:
6314:
6313:
6311:
6309:
6289:
6283:
6282:
6276:
6266:
6257:
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6252:
6237:
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6230:
6228:
6226:
6211:
6202:
6201:
6195:
6193:
6177:
6171:
6170:
6164:
6162:
6146:
6140:
6139:
6133:
6131:
6115:
6106:
6105:
6099:
6097:
6081:
6070:
6069:
6063:
6055:
6048:William Friedkin
6040:
6034:
6033:
6031:
6029:
6009:
6003:
6002:
6000:
5998:
5979:
5973:
5967:
5961:
5960:
5958:
5956:
5928:
5922:
5921:
5919:
5917:
5897:
5891:
5890:
5888:
5886:
5862:
5856:
5850:
5841:
5840:
5838:
5836:
5831:on July 15, 2013
5827:. Archived from
5825:Subtitled Online
5816:
5810:
5804:
5798:
5797:
5795:
5793:
5773:
5767:
5766:
5764:
5762:
5753:. Archived from
5743:
5734:
5733:
5731:
5729:
5709:
5698:
5697:
5695:
5693:
5677:
5668:
5667:
5665:
5663:
5654:. Archived from
5643:
5637:
5636:
5634:
5632:
5611:
5605:
5599:
5593:
5592:
5584:
5573:
5572:
5564:
5555:
5554:
5552:
5550:
5535:
5526:
5525:
5517:
5511:
5510:
5494:
5484:
5478:
5477:
5461:
5451:
5445:
5442:
5436:
5435:
5427:
5421:
5420:
5418:
5416:
5401:
5395:
5394:
5392:
5390:
5370:
5364:
5363:
5361:
5359:
5339:
5333:
5332:
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5328:
5309:
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5300:
5298:
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5267:
5247:
5236:
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5228:
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5219:
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5195:
5189:
5188:
5186:
5184:
5164:
5158:
5142:
5129:
5128:
5126:
5124:
5099:
5088:
5087:
5085:
5083:
5067:
5061:
5060:
5059:. June 15, 1977.
5052:
5046:
5045:
5043:
5041:
5022:
5016:
5015:
5013:
5011:
4996:
4990:
4989:
4987:
4985:
4966:
4960:
4959:
4957:
4955:
4935:
4926:
4925:
4923:
4921:
4906:
4897:
4896:
4894:
4892:
4873:
4864:
4863:
4861:
4859:
4839:
4833:
4827:
4818:
4817:
4806:
4800:
4799:
4797:
4795:
4780:
4771:
4765:
4759:
4753:
4747:
4741:
4735:
4734:
4732:
4730:
4719:Money Into Light
4710:
4701:
4700:
4698:
4696:
4677:
4671:
4670:
4668:
4666:
4646:
4640:
4639:
4637:
4635:
4615:
4609:
4608:
4588:
4582:
4581:
4579:
4577:
4557:
4551:
4550:
4548:
4546:
4526:
4520:
4519:
4511:
4498:
4492:
4475:
4474:
4472:
4470:
4450:
4444:
4443:
4441:
4439:
4434:on March 4, 2016
4430:. Archived from
4424:
4418:
4417:
4415:
4413:
4398:
4389:
4388:
4386:
4384:
4364:
4358:
4352:
4346:
4345:
4343:
4341:
4321:
4312:
4306:
4297:
4291:
4276:
4275:
4273:
4271:
4252:
4241:
4240:
4234:
4224:
4218:
4217:
4209:
4203:
4202:
4194:
4185:
4184:
4182:
4180:
4171:. Archived from
4160:
4145:
4144:
4142:
4140:
4135:on June 30, 2013
4131:. Archived from
4129:Spectrum Culture
4120:
4114:
4108:
4102:
4096:
4090:
4089:
4087:
4085:
4076:. May 10, 2013.
4066:
4041:
4040:
4038:
4036:
4031:on March 4, 2016
4027:. Archived from
4016:
4010:
4004:
3998:
3992:
3986:
3985:
3983:
3981:
3966:
3960:
3959:
3952:
3943:
3937:
3931:
3930:
3928:
3926:
3906:
3900:
3894:
3885:
3884:
3882:
3880:
3860:
3841:
3835:
3810:
3804:
3793:
3792:
3790:
3788:
3779:. Archived from
3769:The Film Journal
3760:
3749:
3748:
3746:
3744:
3738:
3727:
3718:
3697:
3696:
3694:
3692:
3677:
3668:
3667:
3665:
3663:
3643:
3628:
3627:
3625:
3623:
3608:
3602:
3601:
3599:
3597:
3577:
3568:
3567:
3565:
3563:
3548:
3539:
3533:
3524:
3523:
3521:
3519:
3499:
3488:
3487:
3485:
3483:
3474:. Archived from
3463:
3454:
3453:
3451:
3449:
3438:Complex Magazine
3429:
3423:
3422:
3420:
3418:
3402:
3393:
3387:
3381:
3380:
3378:
3376:
3357:
3344:
3343:
3341:
3339:
3334:on June 26, 2013
3330:. Archived from
3319:
3304:
3298:
3292:
3291:
3283:
3194:
3188:
3187:
3171:
3161:
3155:
3154:
3146:
3133:
3132:
3124:
3113:
3112:
3104:
3098:
3097:
3081:
3071:
3062:
3056:
3047:
3041:
3026:
3025:
3017:
3006:
3005:
3003:
3001:
2981:
2966:
2965:
2963:
2961:
2941:
2932:
2931:
2929:
2927:
2907:
2716:, Friedkin, and
2641:, and adds that
2600:
2556:
2192:. Kroll, in his
2013:Leslie Halliwell
1975:
1960:
1839:
1743:
1691:edge of a galaxy
1569:John M. Stephens
1491:Villa Altagracia
1484:Charlie Bluhdorn
1478:, film producer
1408:Gulf and Western
1375:The Great Escape
1362:Papaloapan River
1349:Joie Chitwood Jr
1313:Lindsay Anderson
1272:
1271:
1267:
1264:
1233:The Great Gatsby
1221:
1180:Section spéciale
1173:, had played in
1132:Sidney Sheinberg
1029:
944:Gillo Pontecorvo
829:Steven Spielberg
714:Title and themes
704:Cosmo Allegretti
692:Jacques François
427:Part I: Prologue
397:electronic music
292:William Friedkin
218:
216:
134:John M. Stephens
86:William Friedkin
52:William Friedkin
40:
28:
27:
7586:
7585:
7581:
7580:
7579:
7577:
7576:
7575:
7376:
7375:
7374:
7369:
7306:
7263:
7161:The Brink's Job
7092:
7086:
7047:
7012:
6945:
6926:
6906:
6901:
6900:
6886:
6884:
6873:
6869:
6855:
6853:
6842:
6838:
6824:
6822:
6811:
6807:
6793:
6791:
6780:
6776:
6762:
6760:
6749:
6745:
6734:Wayback Machine
6724:
6717:
6703:
6701:
6690:
6686:
6672:
6670:
6659:
6655:
6641:
6639:
6628:
6624:
6610:
6608:
6597:
6593:
6583:
6581:
6566:
6562:
6552:
6550:
6533:
6526:
6516:
6514:
6501:
6500:
6496:
6486:
6484:
6476:
6475:
6471:
6461:
6460:
6456:
6445:
6441:
6422:
6418:
6408:
6406:
6391:
6387:
6377:
6375:
6360:
6356:
6348:
6344:
6333:
6329:
6321:
6317:
6307:
6305:
6290:
6286:
6267:
6260:
6250:
6248:
6239:
6238:
6234:
6224:
6222:
6213:
6212:
6205:
6191:
6189:
6178:
6174:
6160:
6158:
6147:
6143:
6129:
6127:
6116:
6109:
6095:
6093:
6082:
6073:
6057:
6056:
6046:(Liner notes).
6042:
6041:
6037:
6027:
6025:
6010:
6006:
5996:
5994:
5981:
5980:
5976:
5968:
5964:
5954:
5952:
5929:
5925:
5915:
5913:
5898:
5894:
5884:
5882:
5867:"Check Out the
5863:
5859:
5851:
5844:
5834:
5832:
5817:
5813:
5805:
5801:
5791:
5789:
5774:
5770:
5760:
5758:
5745:
5744:
5737:
5727:
5725:
5710:
5701:
5691:
5689:
5678:
5671:
5661:
5659:
5658:on May 21, 2013
5644:
5640:
5630:
5628:
5613:
5612:
5608:
5600:
5596:
5585:
5576:
5565:
5558:
5548:
5546:
5541:. Roger Ebert.
5537:
5536:
5529:
5518:
5514:
5507:
5485:
5481:
5474:
5452:
5448:
5443:
5439:
5429:
5428:
5424:
5414:
5412:
5402:
5398:
5388:
5386:
5371:
5367:
5357:
5355:
5340:
5336:
5326:
5324:
5311:
5310:
5306:
5296:
5294:
5279:
5275:
5265:
5263:
5248:
5239:
5230:
5229:
5225:
5215:
5213:
5196:
5192:
5182:
5180:
5165:
5161:
5155:Wayback Machine
5143:
5132:
5122:
5120:
5108:Rotten Tomatoes
5101:
5100:
5091:
5081:
5079:
5068:
5064:
5054:
5053:
5049:
5039:
5037:
5024:
5023:
5019:
5009:
5007:
4998:
4997:
4993:
4983:
4981:
4968:
4967:
4963:
4953:
4951:
4938:Kalcic, Lenny.
4936:
4929:
4919:
4917:
4908:
4907:
4900:
4890:
4888:
4875:
4874:
4867:
4857:
4855:
4840:
4836:
4828:
4821:
4808:
4807:
4803:
4793:
4791:
4782:
4781:
4774:
4766:
4762:
4754:
4750:
4742:
4738:
4728:
4726:
4711:
4704:
4694:
4692:
4679:
4678:
4674:
4664:
4662:
4647:
4643:
4633:
4631:
4616:
4612:
4605:
4589:
4585:
4575:
4573:
4558:
4554:
4544:
4542:
4527:
4523:
4512:
4501:
4493:
4478:
4468:
4466:
4451:
4447:
4437:
4435:
4426:
4425:
4421:
4411:
4409:
4400:
4399:
4392:
4382:
4380:
4373:Chicago Tribune
4365:
4361:
4353:
4349:
4339:
4337:
4322:
4315:
4307:
4300:
4292:
4279:
4269:
4267:
4254:
4253:
4244:
4225:
4221:
4210:
4206:
4195:
4188:
4178:
4176:
4161:
4148:
4138:
4136:
4121:
4117:
4109:
4105:
4097:
4093:
4083:
4081:
4068:
4067:
4044:
4034:
4032:
4017:
4013:
4005:
4001:
3993:
3989:
3979:
3977:
3968:
3967:
3963:
3954:
3953:
3946:
3938:
3934:
3924:
3922:
3907:
3903:
3895:
3888:
3878:
3876:
3861:
3844:
3836:
3813:
3805:
3796:
3786:
3784:
3761:
3752:
3742:
3740:
3736:
3725:
3719:
3700:
3690:
3688:
3687:on May 17, 2014
3679:
3678:
3671:
3661:
3659:
3644:
3631:
3621:
3619:
3610:
3609:
3605:
3595:
3593:
3578:
3571:
3561:
3559:
3550:
3549:
3542:
3534:
3527:
3517:
3515:
3500:
3491:
3481:
3479:
3478:on June 4, 2018
3464:
3457:
3447:
3445:
3430:
3426:
3416:
3414:
3403:
3396:
3388:
3384:
3374:
3372:
3359:
3358:
3347:
3337:
3335:
3320:
3307:
3299:
3295:
3285:
3284:
3197:
3191:
3184:
3162:
3158:
3147:
3136:
3125:
3116:
3105:
3101:
3094:
3072:
3065:
3057:
3050:
3042:
3029:
3019:
3018:
3009:
2999:
2997:
2982:
2969:
2959:
2957:
2950:eFilmCritic.Com
2942:
2935:
2925:
2923:
2908:
2904:
2899:
2766:
2598:
2579:Martin Scorsese
2554:
2549:
2532:
2492:
2459:
2454:
2422:
2409:Benjamin Safdie
2377:
2206:Rotten Tomatoes
2202:
2077:The Progressive
1991:
1986:
1973:
1962:
1959:lobby placards.
1954:
1879:wanted to keep
1859:box office flop
1840:
1834:
1826:
1821:
1813:Waxwork Records
1772:The Exorcist II
1760:Tangerine Dream
1745:
1736:
1733:
1732:
1731:
1728:
1726:
1724:
1723:Again and again
1722:
1720:
1718:
1716:
1714:
1713:
1711:
1709:
1707:
1704:
1700:
1698:
1696:
1694:
1692:
1690:
1688:
1687:
1685:
1683:
1681:
1676:
1672:
1666:
1645:
1607:Apocalypse Now:
1540:
1438:To create four
1425:
1291:
1269:
1265:
1262:
1260:
1222:
1219:
1211:
1100:Francisco Rabal
1088:The Brink's Job
1030:
1027:
1020:
983:
940:French New Wave
936:Humphrey Bogart
870:
813:
811:Pre-development
808:
716:
700:Randy Jurgensen
688:Jean-Luc Bideau
616:Francisco Rabal
586:Humphrey Bogart
577:
553:
544:
524:extreme poverty
511:
494:Catholic church
482:
470:
446:
434:
429:
421:
393:Tangerine Dream
304:Francisco Rabal
270:
261:$ 21–22 million
252:
250:
248:
228:
221:
214:
212:
205:
195:
184:
179:
177:
169:Tangerine Dream
160:
143:
122:
108:Francisco Rabal
74:
43:
24:
17:
12:
11:
5:
7584:
7574:
7573:
7568:
7563:
7558:
7553:
7548:
7543:
7538:
7533:
7528:
7523:
7518:
7513:
7508:
7503:
7498:
7493:
7488:
7483:
7478:
7473:
7468:
7463:
7458:
7453:
7448:
7443:
7438:
7433:
7428:
7423:
7418:
7413:
7408:
7403:
7398:
7393:
7388:
7371:
7370:
7368:
7367:
7359:
7353:
7347:
7339:
7331:
7323:
7314:
7312:
7308:
7307:
7305:
7304:
7296:
7288:
7280:
7271:
7269:
7265:
7264:
7262:
7261:
7253:
7245:
7237:
7229:
7221:
7213:
7205:
7197:
7189:
7181:
7173:
7165:
7157:
7149:
7141:
7133:
7125:
7117:
7109:
7100:
7098:
7094:
7093:
7085:
7084:
7077:
7070:
7062:
7056:
7055:
7044:
7035:
7024:
7011:
7010:External links
7008:
7007:
7006:
6993:
6985:
6976:
6967:
6958:
6949:
6943:
6930:
6924:
6905:
6902:
6899:
6898:
6867:
6836:
6805:
6774:
6743:
6715:
6684:
6653:
6622:
6591:
6560:
6524:
6494:
6469:
6454:
6439:
6416:
6385:
6354:
6352:, p. 338.
6342:
6327:
6325:, p. 344.
6315:
6284:
6258:
6232:
6203:
6172:
6141:
6107:
6071:
6035:
6004:
5974:
5972:, p. 144.
5962:
5923:
5892:
5857:
5853:Friedkin Uncut
5842:
5811:
5799:
5768:
5735:
5699:
5669:
5638:
5606:
5604:, p. 346.
5594:
5589:New York Times
5574:
5569:New York Times
5556:
5527:
5512:
5505:
5479:
5472:
5446:
5437:
5430:"Background".
5422:
5410:The Miami News
5396:
5365:
5334:
5304:
5273:
5237:
5223:
5190:
5159:
5130:
5113:Fandango Media
5089:
5062:
5047:
5030:On Second Look
5017:
4991:
4961:
4927:
4898:
4865:
4834:
4819:
4801:
4788:Urban Cinefile
4772:
4760:
4758:, p. 311.
4748:
4736:
4702:
4672:
4655:New York Times
4641:
4610:
4603:
4583:
4552:
4521:
4499:
4476:
4445:
4419:
4390:
4359:
4347:
4313:
4298:
4277:
4242:
4219:
4204:
4186:
4146:
4115:
4113:, p. 309.
4103:
4101:, p. 156.
4091:
4042:
4011:
4009:, p. 329.
3999:
3997:, p. 322.
3987:
3961:
3944:
3932:
3901:
3886:
3842:
3811:
3794:
3750:
3698:
3669:
3629:
3603:
3569:
3540:
3525:
3489:
3455:
3424:
3394:
3392:, p. 337.
3382:
3345:
3305:
3293:
3195:
3189:
3182:
3156:
3134:
3114:
3099:
3092:
3063:
3048:
3027:
3007:
2967:
2933:
2901:
2900:
2898:
2895:
2783:film societies
2765:
2762:
2559:Michael Cimino
2548:
2545:
2531:
2528:
2491:
2488:
2458:
2455:
2453:
2450:
2426:Robert Knudson
2421:
2418:
2417:
2416:
2405:
2392:
2385:
2376:
2375:Top film lists
2373:
2238:Movietone News
2201:
2198:
2156:Sneak Previews
2049:The Miami News
2040:Movietone News
2005:Leonard Maltin
1990:
1987:
1985:
1982:
1944:
1832:
1825:
1822:
1820:
1817:
1798:Charlie Parker
1703:
1702:
1678:
1674:
1673:
1668:Main article:
1665:
1662:
1644:
1641:
1590:food poisoning
1588:," as well as
1539:
1536:
1424:
1421:
1303:, directed by
1290:
1287:
1217:
1210:
1207:
1188:Claude Lelouch
1075:Jack Nicholson
1071:Clint Eastwood
1063:Robert Mitchum
1025:
1019:
1016:
982:
979:
907:'s 1972 movie
883:The Wild Bunch
869:
866:
848:Apocalypse Now
812:
809:
807:
804:
715:
712:
659:
658:
648:
642:
636:
613:
599:
576:
573:
552:
549:
543:
540:
510:
507:
481:
478:
469:
466:
445:
442:
433:
430:
428:
425:
420:
417:
330:South American
312:Georges Arnaud
273:
272:
267:
263:
262:
259:
255:
254:
245:
241:
240:
237:
233:
232:
229:
226:
223:
222:
220:
219:
208:
206:
203:
200:
199:
190:
189:Distributed by
186:
185:
182:
180:
175:
172:
171:
166:
162:
161:
159:
158:
155:
151:
149:
145:
144:
142:
141:
136:
130:
128:
127:Cinematography
124:
123:
121:
120:
115:
110:
105:
100:
94:
92:
88:
87:
84:
80:
79:
77:Georges Arnaud
69:
65:
64:
59:
55:
54:
49:
45:
44:
41:
33:
32:
15:
9:
6:
4:
3:
2:
7583:
7572:
7569:
7567:
7564:
7562:
7559:
7557:
7554:
7552:
7549:
7547:
7544:
7542:
7539:
7537:
7534:
7532:
7529:
7527:
7524:
7522:
7519:
7517:
7514:
7512:
7509:
7507:
7504:
7502:
7499:
7497:
7494:
7492:
7489:
7487:
7484:
7482:
7479:
7477:
7476:Trucker films
7474:
7472:
7469:
7467:
7464:
7462:
7459:
7457:
7454:
7452:
7449:
7447:
7444:
7442:
7439:
7437:
7434:
7432:
7429:
7427:
7424:
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7311:Documentaries
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7097:Feature films
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6887:September 22,
6882:
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6542:The A.V. Club
6538:
6531:
6529:
6512:
6508:
6504:
6498:
6483:
6479:
6473:
6465:
6458:
6451:. p. 38.
6450:
6449:American Film
6443:
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6430:
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6404:
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6130:September 22,
6125:
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6091:
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5870:
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5849:
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5830:
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5809:, p. 86.
5808:
5803:
5787:
5783:
5782:Parallax View
5779:
5772:
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5616:
5610:
5603:
5602:Friedkin 2013
5598:
5591:. p. 78.
5590:
5583:
5581:
5579:
5571:. p. 73.
5570:
5563:
5561:
5544:
5540:
5534:
5532:
5524:. p. 78.
5523:
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5502:
5498:
5493:
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5483:
5475:
5473:9780517544716
5469:
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5379:Parallax View
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4744:Segaloff 1990
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4685:Morocco TIMES
4682:
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4356:
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4327:
4320:
4318:
4311:, p. 141
4310:
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4099:Segaloff 1990
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4007:Friedkin 2013
4003:
3996:
3995:Friedkin 2013
3991:
3975:
3971:
3965:
3957:
3951:
3949:
3942:, p. 13.
3941:
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3607:
3591:
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3583:
3576:
3574:
3557:
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3547:
3545:
3538:, p. 154
3537:
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3314:
3312:
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3303:, p. 309
3302:
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3183:9780809328888
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3141:
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3119:
3111:. p. 39.
3110:
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3095:
3089:
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3080:
3079:
3070:
3068:
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3060:
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3046:, p. 337
3045:
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2882:color grading
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2722:New Hollywood
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2702:Heaven's Gate
2699:
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2472:Wages of Fear
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2434:Richard Tyler
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2424:Crew members
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2197:
2195:
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2187:
2184:Canby called
2182:
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2179:films of 1977
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2165:Academy Award
2162:
2158:
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2138:Vincent Canby
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2055:
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2018:
2014:
2010:
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1515:
1514:Navajo Nation
1506:
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1113:Belle de Jour
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1035:Steve McQueen
1024:
1015:
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1009:
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1003:Wages of Fear
998:
996:
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978:
975:
974:cinema verite
971:
970:Robert Altman
967:
963:
959:
955:
951:
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945:
942:, as well as
941:
937:
933:
932:
927:
922:
920:
916:
912:
911:
906:
905:Werner Herzog
901:
899:
898:Wages of Fear
895:
894:
889:
885:
884:
879:
878:Sam Peckinpah
875:
865:
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861:Wages of Fear
856:
854:
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751:working title
748:
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705:
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696:Gerard Murphy
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525:
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517:
506:
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498:Italian Mafia
495:
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477:
475:
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459:
455:
454:Damascus Gate
451:
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338:nitroglycerin
335:
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294:and starring
293:
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288:thriller film
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239:United States
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58:Screenplay by
56:
53:
50:
46:
39:
34:
29:
26:
22:
7361:
7355:
7349:
7341:
7333:
7327:The Bold Men
7325:
7317:
7300:12 Angry Men
7298:
7292:Jailbreakers
7290:
7282:
7276:C.A.T. Squad
7274:
7255:
7247:
7239:
7231:
7223:
7215:
7207:
7201:The Guardian
7199:
7191:
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7151:
7145:The Exorcist
7143:
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7111:
7103:
7027:
7016:
6999:
6988:
6980:
6971:
6962:
6953:
6934:
6913:
6904:Bibliography
6891:– via
6885:. Retrieved
6870:
6860:– via
6854:. Retrieved
6839:
6829:– via
6823:. Retrieved
6808:
6798:– via
6792:. Retrieved
6777:
6767:– via
6761:. Retrieved
6746:
6736:
6708:– via
6702:. Retrieved
6687:
6677:– via
6671:. Retrieved
6656:
6646:– via
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6625:
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6609:. Retrieved
6594:
6582:. Retrieved
6573:
6563:
6551:. Retrieved
6540:
6515:. Retrieved
6511:the original
6506:
6497:
6485:. Retrieved
6481:
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6463:
6457:
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6442:
6427:
6419:
6407:. Retrieved
6398:
6388:
6376:. Retrieved
6367:
6357:
6350:Biskind 1998
6345:
6336:
6330:
6323:Biskind 1998
6318:
6306:. Retrieved
6297:
6287:
6272:
6249:. Retrieved
6235:
6223:. Retrieved
6196:– via
6190:. Retrieved
6175:
6165:– via
6159:. Retrieved
6144:
6134:– via
6128:. Retrieved
6100:– via
6094:. Retrieved
6044:Sorcerer DVD
6043:
6038:
6026:. Retrieved
6017:
6007:
5995:. Retrieved
5986:
5977:
5970:Kachmar 2002
5965:
5953:. Retrieved
5936:
5926:
5914:. Retrieved
5905:
5895:
5883:. Retrieved
5874:
5868:
5860:
5852:
5833:. Retrieved
5829:the original
5824:
5814:
5802:
5790:. Retrieved
5781:
5771:
5759:. Retrieved
5755:the original
5750:
5726:. Retrieved
5717:
5690:. Retrieved
5660:. Retrieved
5656:the original
5651:
5641:
5631:December 12,
5629:. Retrieved
5618:
5609:
5597:
5588:
5568:
5547:. Retrieved
5521:
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5490:
5482:
5457:
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5409:
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5255:
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5214:. Retrieved
5203:
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4973:
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4952:. Retrieved
4943:
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4889:. Retrieved
4880:
4856:. Retrieved
4847:
4837:
4832:, p. 72
4830:Kachmar 2002
4813:
4804:
4792:. Retrieved
4787:
4768:Biskind 1998
4763:
4756:Biskind 1998
4751:
4739:
4727:. Retrieved
4718:
4693:. Retrieved
4684:
4675:
4663:. Retrieved
4659:the original
4654:
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4623:
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4586:
4574:. Retrieved
4565:
4555:
4543:. Retrieved
4534:
4524:
4515:
4497:, p. 15
4467:. Retrieved
4458:
4448:
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4432:the original
4422:
4410:. Retrieved
4381:. Retrieved
4372:
4362:
4355:Kachmar 2002
4350:
4338:. Retrieved
4330:The National
4329:
4309:Clagett 1990
4296:, p. 14
4268:. Retrieved
4259:
4230:
4222:
4213:
4207:
4198:
4177:. Retrieved
4173:the original
4168:
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4133:the original
4128:
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4111:Biskind 1998
4106:
4094:
4082:. Retrieved
4073:
4033:. Retrieved
4029:the original
4024:
4014:
4002:
3990:
3978:. Retrieved
3964:
3955:
3935:
3923:. Retrieved
3915:The Guardian
3914:
3904:
3897:Clagett 1990
3877:. Retrieved
3868:
3840:, p. 12
3809:, p. 85
3785:. Retrieved
3781:the original
3768:
3741:. Retrieved
3729:
3689:. Retrieved
3685:the original
3660:. Retrieved
3651:
3620:. Retrieved
3606:
3594:. Retrieved
3585:
3560:. Retrieved
3555:
3536:Clagett 1990
3516:. Retrieved
3507:
3480:. Retrieved
3476:the original
3471:
3446:. Retrieved
3437:
3427:
3415:. Retrieved
3390:Biskind 1998
3385:
3373:. Retrieved
3364:
3336:. Retrieved
3332:the original
3327:
3301:Biskind 1998
3296:
3287:
3192:
3167:
3159:
3150:
3128:
3108:
3102:
3077:
3059:Biskind 1998
3044:Biskind 1998
3021:
2998:. Retrieved
2989:
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2949:
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2915:
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2363:
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2353:
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2342:Mark Kermode
2339:
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2310:
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2200:Reassessment
2193:
2190:The Exorcist
2189:
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2174:
2169:
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2130:
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2095:James Monaco
2093:
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2063:
2053:
2047:
2043:
2039:
2024:
2020:
2016:
2008:
2002:
1993:
1992:
1978:The National
1977:
1970:
1967:
1963:
1956:
1953:
1947:
1946:
1934:The Exorcist
1933:
1929:
1922:The Exorcist
1921:
1915:
1908:
1904:
1900:
1892:
1891:. Warned by
1888:
1880:
1870:
1867:George Lucas
1854:
1851:
1842:
1836:
1828:
1810:
1787:
1780:
1775:
1771:
1768:Edgar Froese
1764:Black Forest
1747:
1746:
1737:
1735:
1705:
1699:wild horses.
1679:
1657:
1649:The Exorcist
1648:
1646:
1629:
1625:
1621:
1617:
1615:
1611:
1606:
1602:
1597:
1574:
1561:
1545:The Exorcist
1544:
1541:
1527:
1510:
1488:
1475:
1450:for Kassem,
1437:
1413:
1405:
1400:
1394:
1389:
1385:
1379:
1373:
1371:
1367:The Exorcist
1366:
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1317:The Exorcist
1316:
1298:
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1185:
1178:
1175:Costa-Gavras
1170:
1167:Bruno Cremer
1164:
1159:
1153:
1150:The Exorcist
1149:
1139:
1136:Roy Scheider
1129:
1125:Lino Ventura
1122:
1118:Fernando Rey
1111:
1103:
1093:
1086:
1082:
1079:Warren Oates
1060:
1047:
1043:Lino Ventura
1032:
1022:
1007:
1002:
1000:
994:
992:
984:
965:
962:Ken Dancyger
957:
956:in his book
947:
929:
923:
919:Fitzcarraldo
914:
908:
902:
897:
891:
881:
871:
860:
857:
852:
846:
832:
825:The Exorcist
824:
820:
816:
814:
796:
791:
789:
783:
781:
777:
772:
768:
763:The Exorcist
761:
757:
753:
744:
732:
723:
719:
717:
663:Peter Capell
660:
602:Bruno Cremer
589:
581:Roy Scheider
554:
545:
512:
483:
471:
447:
435:
422:
404:
388:
386:
379:
376:
351:
347:
343:
342:
323:
315:
300:Bruno Cremer
296:Roy Scheider
278:
277:
276:
227:Running time
204:Release date
103:Bruno Cremer
98:Roy Scheider
71:
25:
5692:October 27,
5256:cracked.com
4974:Genji Press
4169:twitch film
4074:The Podwits
3869:Genji Press
3787:October 27,
3612:"Biography"
3328:T-SQUAT.COM
3109:Progressive
2718:Arthur Penn
2667:Deliverance
2499:version of
2407:unranked –
2394:unranked –
2362:has said, "
2258:Film Soleil
2161:Gene Siskel
2127:Roger Ebert
2070:summarized
2032:John Huston
1939:Roger Ebert
1926:Gene Siskel
1918:Cracked.com
1863:Roger Ebert
1806:Miles Davis
1557:Los Angeles
1305:Ken Russell
1108:Luis Buñuel
1055:Ali MacGraw
954:Tom Stempel
926:John Huston
880:'s western
874:Walon Green
843:Philippines
827:. However,
754:Ballbreaker
741:Miles Davis
679:Joe Spinell
675:Third Reich
645:Ramon Bieri
596:Walon Green
448:A group of
231:121 minutes
118:Ramon Bieri
83:Produced by
62:Walon Green
48:Directed by
7386:1977 films
7380:Categories
7268:Television
7249:Killer Joe
7233:The Hunted
7209:Blue Chips
7105:Good Times
6487:August 26,
6399:PopMatters
5906:smh.com.au
5620:Metacritic
5615:"Sorcerer"
4910:"Sorcerer"
4891:October 5,
4881:oscars.org
4624:Film Forno
3730:Cinemonkey
3562:August 13,
3361:"SORCERER"
2897:References
2891:Cinefamily
2634:obsolete.
2541:Amazon.com
2490:Home media
2269:Josh Olson
2254:D. K. Holm
2218:Metacritic
2208:indicates
2142:Jack Kroll
2089:John Simon
2054:Sorcerer's
2036:David Lean
1998:D. K. Holm
1824:Box office
1756:electronic
1742:back cover
1531:Farmington
1522:New Mexico
1505:New Mexico
1480:Peter Bart
1275:Korean War
1134:suggested
1050:New Jersey
859:Clouzot's
845:to direct
806:Production
708:New Jersey
567:or a tire
528:emigration
490:Irish gang
266:Box office
215:1977-06-24
176:Production
6517:April 21,
5955:August 4,
5945:0458-3035
5807:Holm 2005
5082:August 7,
4848:Kleph.com
4025:MOVIEHOLE
3807:Holm 2005
3777:1542-0868
3556:IndieWire
3508:altscreen
3375:March 20,
2842:release:
2655:Star Wars
2628:Star Wars
2611:Star Wars
2603:Star Wars
2592:Star Wars
2505:laserdisc
2420:Accolades
2302:Star Wars
2290:Star Wars
1905:Star Wars
1881:Star Wars
1872:Star Wars
1837:Star Wars
1752:krautrock
1658:Star Wars
1577:Teamsters
1448:Jerusalem
1440:prologues
1423:Locations
1336:Jerusalem
1230:'s novel
1120:instead.
1085:, titled
890:'s novel
651:Karl John
561:charwoman
486:Elizabeth
458:Jerusalem
381:Star Wars
244:Languages
154:Bud Smith
148:Edited by
139:Dick Bush
7169:Cruising
7153:Sorcerer
7088:Work by
7028:Sorcerer
7017:Sorcerer
6856:June 28,
6825:June 28,
6794:June 28,
6763:June 28,
6730:Archived
6704:June 28,
6673:June 28,
6642:June 28,
6611:June 28,
6584:June 28,
6578:Archived
6553:June 28,
6547:Archived
6403:Archived
6372:Archived
6302:Archived
6251:April 8,
6245:Archived
6225:April 7,
6219:Archived
6096:June 28,
6028:June 23,
6022:Archived
5997:June 23,
5991:Archived
5987:lddb.com
5949:Archived
5910:Archived
5879:Archived
5875:Collider
5835:June 24,
5786:Archived
5761:June 27,
5728:June 28,
5722:Archived
5686:Archived
5662:June 28,
5625:Archived
5549:June 24,
5543:Archived
5415:June 25,
5389:June 25,
5383:Archived
5358:June 25,
5352:Archived
5327:June 23,
5321:Archived
5297:June 24,
5291:Archived
5266:June 24,
5260:Archived
5210:Archived
5177:Archived
5151:Archived
5123:July 30,
5117:Archived
5076:Archived
5034:Archived
5004:Archived
4978:Archived
4948:Archived
4914:Archived
4885:Archived
4858:June 26,
4852:Archived
4723:Archived
4689:Archived
4634:June 29,
4628:Archived
4576:June 26,
4570:Archived
4539:Archived
4495:SPB 1977
4463:Archived
4406:Archived
4377:Archived
4340:June 24,
4334:Archived
4294:SPB 1977
4264:Archived
4078:Archived
3980:June 28,
3974:Archived
3940:SPB 1977
3925:June 26,
3919:Archived
3879:June 26,
3873:Archived
3838:SPB 1977
3734:Archived
3656:Archived
3616:Archived
3590:Archived
3512:Archived
3442:Archived
3411:Archived
3369:Archived
3000:June 28,
2994:Archived
2990:The Wrap
2954:Archived
2926:June 26,
2920:Archived
2875:Sorcerer
2871:colorist
2853:Sorcerer
2832:Sorcerer
2821:Sorcerer
2805:Sorcerer
2770:Sorcerer
2758:Sorcerer
2730:Sorcerer
2726:Sorcerer
2690:Sorcerer
2643:Sorcerer
2632:Sorcerer
2624:Sorcerer
2616:Sorcerer
2596:Sorcerer
2552:Sorcerer
2517:Cruising
2501:Sorcerer
2364:Sorcerer
2350:Sorcerer
2335:Sorcerer
2327:Sorcerer
2294:Sorcerer
2285:Sorcerer
2262:Sorcerer
2246:Sorcerer
2222:Sorcerer
2214:Sorcerer
2210:Sorcerer
2194:Newsweek
2186:Sorcerer
2175:Sorcerer
2170:Sorcerer
2147:Newsweek
2117:Sorcerer
2109:Sorcerer
2072:Sorcerer
2044:Sorcerer
1994:Sorcerer
1971:Sorcerer
1957:Sorcerer
1930:Sorcerer
1928:thought
1901:Sorcerer
1893:Sorcerer
1889:Sorcerer
1855:Sorcerer
1833:—
1748:Sorcerer
1603:Sorcerer
1586:gangrene
1582:Tuxtepec
1553:New York
1456:Veracruz
1432:Veracruz
1416:Bluhdorn
1401:Sorcerer
1386:Sorcerer
1321:Sorcerer
1283:Sorcerer
1257:Sorcerer
1238:Sorcerer
1218:—
1199:Sorcerer
1171:Sorcerer
1083:Sorcerer
1026:—
1008:Sorcerer
853:Sorcerer
817:Sorcerer
784:Sorcerer
758:Sorcerer
746:Sorcerer
720:Sorcerer
684:crucifix
631:and the
551:Epilogue
536:dynamite
532:oil well
438:Veracruz
405:Sorcerer
389:Sorcerer
352:Sorcerer
344:Sorcerer
334:dynamite
279:Sorcerer
251:Spanish
247:English
165:Music by
91:Starring
68:Based on
31:Sorcerer
21:Sorcerer
7193:Rampage
7053:YouTube
7031:at the
6893:Twitter
6862:Twitter
6831:Twitter
6800:Twitter
6769:Twitter
6710:Twitter
6679:Twitter
6648:Twitter
6617:Twitter
6482:YouTube
6409:July 1,
6378:July 1,
6308:July 1,
6198:Twitter
6192:May 15,
6167:Twitter
6161:May 15,
6136:Twitter
6102:Twitter
6054:. 1998.
5916:May 25,
5885:May 27,
5792:May 21,
5497:149–150
5287:TGDAILY
5183:May 11,
5057:Variety
5040:May 29,
5010:May 29,
4984:May 24,
4954:May 24,
4920:May 24,
4794:June 3,
4729:May 25,
4695:May 26,
4665:May 27,
4545:May 28,
4469:May 27,
4438:May 27,
4412:May 27,
4383:May 28,
4270:May 25,
4179:May 29,
4139:May 23,
4084:May 23,
4035:May 21,
3743:May 27,
3691:May 15,
3662:June 3,
3652:Variety
3622:May 24,
3596:May 27,
3586:Vulture
3518:June 3,
3482:May 29,
3448:May 30,
3417:May 14,
3365:AFI.com
3338:May 29,
3022:Variety
2960:May 29,
2840:Blu-ray
2779:Blu-ray
2661:M*A*S*H
2444:at the
2411:, 2012
2398:, 2012
2306:Vietnam
1819:Release
1802:So What
1636:dailies
1594:malaria
1460:Ecuador
1289:Filming
1268:⁄
1251:Unlike
1215:thrive.
1067:Ecuador
1018:Casting
1010:at the
737:Lazarus
569:blowout
565:gunshot
492:robs a
249:French
236:Country
213: (
178:company
7366:(2017)
7358:(2007)
7352:(1975)
7346:(1966)
7338:(1965)
7330:(1965)
7322:(1962)
7303:(1997)
7295:(1994)
7287:(1988)
7279:(1986)
7260:(2023)
7252:(2011)
7244:(2006)
7236:(2003)
7228:(2000)
7220:(1995)
7212:(1994)
7204:(1990)
7196:(1987)
7188:(1985)
7180:(1983)
7172:(1980)
7164:(1978)
7156:(1977)
7148:(1973)
7140:(1971)
7132:(1970)
7124:(1968)
7116:(1968)
7108:(1967)
6941:
6922:
5943:
5503:
5470:
4601:
3775:
3180:
3090:
2700:, and
2622:, and
2577:, and
2547:Legacy
2140:, and
1965:film.
1549:Queens
1388:"made
1279:Lazaro
1041:, and
960:, and
743:album
735:after
733:Lazaro
724:Lazaro
639:Amidou
629:Mexico
625:Israel
610:francs
320:remake
308:Amidou
306:, and
284:action
258:Budget
253:German
113:Amidou
6881:Tweet
6850:Tweet
6819:Tweet
6788:Tweet
6757:Tweet
6698:Tweet
6667:Tweet
6636:Tweet
6605:Tweet
6186:Tweet
6155:Tweet
6124:Tweet
6090:Tweet
3737:(PDF)
3726:(PDF)
2599:'
2555:'
2159:with
1974:'
1949:film.
1913:DVD.
1804:" by
1758:band
1664:Music
1643:Sound
1596:. In
1444:Paris
1332:Paris
1300:Tommy
621:Paris
502:bingo
488:, an
400:score
7217:Jade
7022:IMDb
6939:ISBN
6920:ISBN
6889:2013
6858:2013
6827:2013
6796:2013
6765:2013
6706:2013
6675:2013
6644:2013
6613:2013
6586:2013
6555:2013
6519:2016
6489:2022
6411:2013
6380:2013
6310:2013
6253:2016
6227:2016
6194:2014
6163:2014
6132:2013
6098:2013
6066:link
6030:2013
5999:2013
5957:2018
5941:ISSN
5918:2013
5887:2013
5837:2013
5794:2013
5763:2013
5730:2013
5694:2012
5664:2013
5633:2020
5551:2013
5501:ISBN
5468:ISBN
5417:2013
5391:2013
5360:2013
5329:2013
5299:2013
5268:2013
5218:2015
5185:2007
5125:2024
5084:2020
5042:2013
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