5038:– – u u | –, – u u | –, u – u | – – – – u u | –, – u u | –, u – u | – – – – u u | –, – u u | –, u u u u | – – – – u u | –, – u u | – u u u u | – – – – u u | –, – u u | –, u – u | – – – – u u | –, – u u | –, u – u | – – u u – u u | –, – u u | –, u u u u | – – – – u u | –, – u u | –, u – u | – – – – u u | –, – u u | –, u – u | – –
2901:. The speeches of various characters (a gouty man, the goddess Podagra, a messenger, and two hapless doctors) in iambic trimeters are interspersed with choral songs in various metres. Among these songs is a 12-line poem in sotadeans, in which the chorus describe their manner of worshipping the goddess Gout (Podagra).
3505:
The metre has a lot of resolutions, two pure ionic lines, and some trochaic rhythms in the 1st or 2nd metra. But otherwise it is fairly strict with exactly 6 morae in each metron. There is a caesura after the fifth position in almost every line. Whenever a trochaic metron is used, it ia always in the
491:
or time units. The beginning of each metron (marked in bold in the examples below) comes at regular intervals. In some writers, however, such as in the lines quoted by
Stobaeus, or in the Latin sotadeans of Plautus, Accius and Varro, occasionally a metron of 7 time-units is allowed, such as | – u – –
4302:
The style of the metre as written by Accius is of the less strict kind. For example, he sometimes allows – u – – and – – – u to stand in place of – u – u. In such metra, a long syllable, provided it was unaccented, could be used in place of a short syllable, a similar rule to that found
Plautus
2712:
Egyptian. Two of the Greek texts are in the sotadean metre. One of these is an -line sotadean poem supposedly addressed by the pillar itself to passers-by. The first two lines are entirely ionic, but then after that trochaic metra are also used. (One line, the 7th, is entirely trochaic.) Apart from
3605:
In this seven-line extract, an accent (which by this period was a stress accent) is placed on the penultimate syllable of every line; this is also true of some, but not all, of the remaining fragments collected by West. The practice of placing an accent on the penultimate syllable of a line became
5278:
writes the whole section on letters of the alphabet (lines 85–278) in sotadeans. These sotadeans, however, are very different from those of earlier authors in their subject matter. They also differ metrically, and are much simpler. Some lines are pure ionic, and if a trochaic rhythm is used it is
4283:. No other lines in this metre are found in Plautus's 20 plays. The question arises why Plautus used the metre only here. According to Tom Sapsford, in the use of the metre there may be an implication that among the work Sosia was expected to do at night was servicing his master in the bedroom.
3552:
The metre of the fragments has been much discussed, but Martin West classifies them as a kind of ionic metre similar to sotadean. However, it is a different type of sotadean from other examples quoted in this article, with three long syllables in the last metron instead of two. The other metra
803:(a follower of Arius) as resembling "mincing and effeminate sotadeans" which seemed to him to go along "tapping with the foot and clicking with the fingers in time with the rhythm". West comments: "This passage is valuable as an indication of the method of delivery of real sotadeans."
5070:
The metre is much more regular than in Accius and Varro, and apart from the occasional resolution, every line is the same with anaclasis only in the 3rd metron. There is a regular caesura after the 5th syllable and also after the 9th in almost every line (in every line if the prefix
3935:
uu – u – | – – u – | uu – uu | – – – uu – – | uu – uu | – u – – | uu – – uu – uu | uu – uu | – uu – | uu – – – – – | – uu – | – uu – | uu – – – – u | – u – uu | – – – | uu – – uu – u | – u – uu | – u – u | – – – uu u – u | – uu – | – – uu | – – –
1084:
of
Alexandria has been described as a "sort of court jester travelling from one kingdom to another and making a living from poking fun at Hellenistic rulers". Only a few lines from his poetry have survived, some of an obscene or satiric nature. The following gives a flavour:
960:
However, nowadays the hendecasyllable is classed as a type of Aeolic metre, a different species of Greek poetry. The hendecasyllable also lacks the variability seen in the sotadean; for example, it never has resolution or (except in
Catullus' poems 55 and 58B) contraction.
2096:
Again, the style of the metre here is irregular. In the first line above, there is resolution in the first two metra, while the third has seven morae. In the second, the trochaic rhythm is found in the first metron but not in the third. The third line starts with ionic
4105:
Compared with some other poets, these lines seem quite regular. They exhibit anaclasis of the 1st and 2nd metron, resolution (uu for –), and contraction (– for uu). The slightly salacious tone for which
Sotades was famous is illustrated in the first two lines above.
1539:(5th century AD). However, it is not thought that they were composed by Sotades himself, first because the dialect is different, and secondly because the metre has metrical licences, such as 7-mora metra, of the kind not used in the genuine fragments of Sotades.
5443:
uu – u u | –, – u u | –, u – u | – – – – u u | – –, u u | –, – u u | – – – – u u | – –, u u | –, u – u | – – – – u u | – –, u u | –, u – u | – – – – u u | – –, u u | – – u u | – – – – u u | –, – u u | –, – u u | – – – – u u | –, – u u | – u – u | – –
334:
The sotadean was used both in Greek and in Latin literature, and by several authors, but it is not very common. It had a reputation for being vulgar and indecent; but it was also sometimes used for more serious purposes, for example, didactic poems such as
1649:
In the first line above there is a 7-mora iambic metron (– – u –). The second line, apart from the resolution of the first element, is purely ionic. There is a strong caesura after the fifth element in both lines, however, in the manner of
Sotades.
1068:
mocking him for his small stature. If it is true, it puts the beginning of the sotadean metre about 360 BC. However, some scholars believe that the verse may simply be a quotation from a later poem by
Sotades or one of his imitators.
2313:
Dated to the late 1st century AD is an inscription in a temple in
Kalabsha on the border of southern Egypt. It is by a Roman cavalry officer called Paccius Maximus, and the initial letters of the first 22 lines make an acrostic:
4685:
The substitution of – u – – and – – – u for – u – u is the same as that found in Accius's version of the sotadean. In the first two lines the caesuras come at the end of the 1st and 2nd metron, but the 3rd line is regular.
322:
A characteristic of the sotadean metre is its variability. Sometimes the trochaic rhythm is found in the first metron or the second; sometimes the ionic rhythm continues through the whole line. Usually each metron has exactly 6
815:. In the following couplet, an ionic dimeter is combined with an anacreontic. The resultant line resembles a sotadean, except that it has an extra two short syllables at the beginning; and also the caesura is placed later:
2120:
Papyrus P. Oxy. 413 has part of a play, known as the "Charition Mime", mostly in prose, in which an intoxicated Indian king bursts into sotadean verse, addressing the moon goddess Selene. The poem begins with these words:
2557:
u u u u u u | – – u u | – u u u u | – – – u u u u | – – – | – – u u | – – u u – u u | – u u u u | – u u u u | – – – u u u u | – u – u | – u – u | – – – – u u | u – – u | – u – u | – –
5582:
The first type is like the simple pure ionic type of sotadean, except that it is one syllable shorter. The second line has anaclasis of the same type as in the sotadean, but in the second metron rather than the third.
2053:– u u u u | –, u u u u | – – – u | – – – u – u | – u u, u u | – – u u | – – u u – – | u u –, u u | – u – u | – – u u – u u | – –, – | – u – u | – – – – u u | – –, – | – u u u u | – –
624:("passive homosexual"), and refers to the fact that in some cases a dactylic hexameter, if read with the words in the reverse order, becomes a sotadean. He says that these metres are appropriate for the likes of
775:
objected strongly to this rhythm, calling it "weak", "undignified", and "somewhat effeminate". He added: "the line seems to undergo a metamorphosis, just like those men who change from male to female in myths".
4238:– – u u | –, – u u | – u – u | – – – – – | –, u – u | – u – u | – – – u u u u | – – u u u | – u – u | – – – – u u | – u – u | – u – u | – – – – u u | –, – u u | – u – u | – –
4120:. They form part of a song in which the slave Sosia grumbles about the work he is being given to do by his master Amphitruo. The text and translation of the third line are not certain, however.
5496:
No exact equivalent of the sotadean metre is found in
Persian. The following metre, however, is the same as the lines in pure Ionic metre above. The example comes from the 11th-century poet
2247:(homosexual), but the poem is very fragmentary and difficult to interpret. It begins with an entirely trochaic line, though other lines or surviving parts of lines contain ionic metra also:
3996:). This is thought to have been a translation of a poem by Sotades himself. Three complete lines and two part-lines have survived, mainly quoted by grammarians to illustrate unusual words.
3454:– – u u | –, u u u u | u u u – u | – – – u u u u | –, u – u | –, u – u | – – – u u u u | –, – u u | –, u – u | – – – – u u | – –, u u | – – u u | – – (ionic)
3460:
u u u u u u | –, – u u | –, – u u | – – (ionic) u u – u u | –, u – u | –, u – u | – – – – u u | –, u – u | –, u – u | – – u u u – u | –, – u u | u u u – u | – –
542:
in one of his letters feels it necessary to make excuses for his sometimes reading comedies, mimes, lyric poems, and sotadeans, which some people thought undignified for a gentleman.
6085:
3457:
u u – u u | –, u u u u | –, u – u | – – – u u u u | –, – u u | u u, u – u | – – u u u u u u | –, – u u | –, u – u | – – u u – u u | –, u – u | u u, u – u | – –
5493:, L. P. Elwell-Sutton, conjectured that there may have been a continuous tradition of this rhythm in Persian music from ancient times; although evidence for this is lacking.
2578:
The metre is purely ionic until line 4. In line 5 there is an unusual antispast metron (u – – u). However, throughout the poem the metra have the regular length of 6 morae.
381:
rhythm (– – u u). According to
Victorinus there were two main types of sotadean, the pure ionic, consisting of four ionic metra with the last two syllables deleted:
327:, but there is also a less strict type of sotadean found in some writers in which a metron may have 7 morae, such as – u – –, – – – u, or – – u –. There is also frequent
5260:
Although Martial generally refused to write in the sotadean metre, here he uses it speaking on Zoilus's behalf. Elsewhere (3.82) he lampoons Zoilus as very effeminate.
445:
There are frequent variations in the metre. Sometimes the trochaic rhythm (– u – u) is used in the first or second metron as well as the third (rarely in all three):
2231:
There are two further lines but incomplete. The runs of short syllables perhaps give some idea of the exotic frenzied music which presumably accompanied the dance.
1513:– – u u | – – u u | –, u u u u | – – – u – u | –, – u u | – u u u u | – – – u u u u | –, – u u | – u – u | – – – – u u | –, – u u | – u – u | – –
532:
says that love elegies, hendecasyllables, and sotadeans were unsuitable for teaching to boys, adding "concerning sotadeans I do not even need to give a warning" (
4807:– – u u | – u – u | –, u uu u | – – u u – u u | –, – u u | – u – u | – – u u – u u | –, – u u | –, u – u | – – – – u u | –, – u u | –, u – u | – –
3545:. Athanasius characterises the work as effeminate and lax, and criticises it for imitating the ethos and song of the Egyptian Sotades. The church historian
1244:
in the first metron, and anaclasis (inversion of – u) in the third metron and occasionally in the second metron also. The third line has a delayed caesura.
509:
after the fifth syllable. Occasionally, however, the caesura is found after the sixth syllable. There is also often a caesura after the 9th syllable.
354:
is also sometimes said to have been written in sotadean metre, but it has been shown to be in a slightly different type, longer by one syllable.
232:
5198:'s ten books of epigrams. The joke is that Zoilus was once a slave, but now wears the ring of a Roman knight. Both lines have the same rhythm:
2581:
In the 19th line of this poem, Maximus describes the practice of tapping the body with a stick to help in keeping time in this complex metre:
437:
However, he admits that the difference is "purely theoretical". Other scholars have sought to explain the sotadean as a kind of aeolic metre.
4276:. However, this is not necessary if it is assumed that Plautus is following the same rules as Accius does, allowing for the metron – – – u.
2239:
Another papyrus fragment, called the Iolaus Narrative, possibly a novel, also contains a poem in sotadean verse, apparently addressed by a
5874:
A possible alternative translation is: "she was in labour with a mountain, but in the end produced only a mouse": Howard Jacobson (2007).
1247:
Another line is the following, which Athenaeus and Plutarch inform us was written in criticism of the incestuous marriage between King
4524:– – u u | – u – –, | – – u u | – – – u u – | – – – u, | – u – u | – – – – u u | u u – –, | u u – u u | – – – – u – |
3531:, "Bountiful", the name of one of the Muses) about 320 AD. This work has not survived, but the first seven lines of it were quoted by
2713:
the varied placing of trochaic metra, and the occasional resolutions, the metre is regular, with six morae in each metron. It begins:
923:
In terms of subject-matter (self-emasculation) Catullus's poem 63 is reminiscent of the poem in sotadeans by Petronius quoted below.
811:
D. S. Raven points out that another metre very similar to the sotadean is the anacreontic, made popular by the 6th-century BC singer
4828:
In another poem later in the novel, the narrator, Encolpius, who has been rendered impotent, tries but fails to emasculate himself:
4668:– – –, | u u – u u, | – u – – | – – – – – u, | – – u u, | – u – u | – – – – u u | –, – u u | –, u – – | – – – –
2708:
set up by a certain Moschion to the god Osiris for curing his foot (2nd century AD). This contains six texts in Greek and three in
5666:
425:, follow the same analysis as Hephaestion and Victorinus, although D. S. Raven suggested an alternative analysis based on the
5186:
The sotadean is the purely ionic type. The caesuras also come at the end of each metron, unlike the style used by Petronius.
6316:
5772:
225:
5551:
Most Persian poems use a single metre throughout, without mixing pure and anaclastic forms, but one type of poetry, the
1226:
u u – u u | –, u – u | – u – u | – – u u – u u | –, u – u | – u – u | – – – u u u u | – –, u u | – u – u | – –
520:; that is, the line may end with a short syllable which counts as long because of its position at the end of the line.
4568:
In these verses Accius favours a caesura at the end of the second metron, and sometimes also at the end of the first.
457:(the substitution of two short syllables for a long one) is common, so that lines such as the following may be found:
4579:, a contemporary of Cicero, is also said to have written sotadeans. The following lines are quoted by the grammarian
628:, a grammarian and minor poet of the age of Nero, notorious for his dissolute life, homosexuality, and loose morals.
2858:
uu – u u | – – u u | – – u u | – – – – u u | – – u u | – – u u | – – – u – u | – – u u | – – u u | – –
2321:
1712:
In the second line of the following extract, the trochaic rhythm is found in both the second metron and the third:
6394:
1072:
Because of the resolution in the 3rd metron, it is unclear whether the verse is pure iambic, or has anaclasis.
295:, though in fact it is half ionic and half trochaic. It has several variations, but the usual pattern is this:
218:
6477:
5529:
rhythm, in which the sotadean ends, also occurs in Persian poetry, for example in the following example from
3553:
sometimes have an extra short syllable, making them iambic (– – u –) or trochaic (– u – –). The
2692:
After this poem there are a further six lines, the first line sotadean, the rest dactylic, describing the
5150:, a kind of gladiator armed like a Gaul with sword and shield, who had an image of a fish on his helmet.
5489:
was in this metre. The metre re-emerges in Persian poetry of the 10th century and later. The author of
3546:
2324:
Maximus, wrote this". The poem begins as follows, explaining how Maximus was inspired to write a poem:
689:
attributed to "Demetrius" (possibly 2nd century BC), quotes one of the lines. Taking the Homeric line:
5849:
4116:
2897:(2nd century AD), among other works, wrote a short mock-tragic drama of 334 lines about Gout, called
4070:
The following has the trochaic rhythm in 1st and 3rd metra, while the 2nd has three long syllables:
2876:
There is a second sotadean poem on the pillar, of nine lines, of which the initial letters form the
1318:
But as well as satiric poems such as the above, Sotades is also said to have rewritten the story of
6472:
5736:
To help in reading, the syllable at the beginning of each metron is marked in bold in this article.
3532:
780:
487:
In all these variations, whatever the shape of the metron, in most writers it remains equal to six
405:. However, other metricians do not make this distinction; for example, Quintilian calls both kinds
368:
61:
2682:"And like one who is tapped (or who taps himself) on the body with a stick in time with a melody,
1248:
387:
The other type has two ionic metra followed by an ithyphallic (i.e. two trochees and a spondee):
5466:
while others are completely silent and will block the mouths of those trying to pronounce them."
6396:
A Manual of Classical Persian Prosody, with chapters on Urdu, Karakhanidic and Ottoman prosody.
6145:(i.e. "rich in workmen"); but Sedgwick (1960), de Melo (2011), and Christensen (2000) all take
5121:
4576:
2689:
The second of these lines is unusual in having a trochaic rhythm in all the first three metra.
422:
76:
4710:(camp homosexual) prior to his attempting to make a sexual assault on the narrator Encolpius:
6482:
22:
5481:
The ionic metre was particularly associated with Persia; for example, the opening chorus of
481:
There is also sometimes contraction of two short syllables into one long one, for example:
418:. It is, however, uncertain which of these two rhythms is primary and which is derivative.
81:
8:
4270:, making the second metron of line 3 of seven morae. For this reason some editors delete
1050:
800:
618:"leaning backwards" by Greek and Roman metricians. In the second line he calls Sotades a
4299:, which discusses the history of Greek and Latin poetry, seem all to be in this metre.
3566:
2709:
1241:
613:
488:
454:
415:
340:
328:
324:
186:
156:
111:
71:
41:
5048:(my penis) took fright at the steel, which since I was trembling, was hard to control;
5182:'It's not you I'm aiming for, it's the fish; why are you running away from me, Gaul?'
4063:
791:. He calls the metre effeminate and undignified, and criticises Arius for "imitating
539:
528:
Sotadean verses had a reputation for being indecent and effeminate. The educationist
372:
4354:– – u u u, | – u u u u | – u – –, | – – – u – –, | – – u u,| u u u – –, | – –
4704:. The first consists of the following four lines, spoken at a night-time orgy by a
4580:
4366:
4291:
Another early Latin poet who wrote sotadean verses, a few years after Plautus, was
1045:"the mountains will be in labour, but all that will be born is a ridiculous mouse".
894:
796:
625:
596:
Martial alludes to the fact that galliambic verses (the metre of songs sung by the
554:
252:
201:
181:
136:
1638:– – u u | –, – u – | – u – u | – – u u – u u | –, – u u | – – u u | – – (ionic)
6417:
6221:
5636:
4280:
930:
546:
517:
196:
191:
171:
166:
86:
66:
51:
46:
5476:
287:) was a rhythmic pattern used by and named after the 3rd-century BC Greek poet
116:
3940:"From men chosen by God according to their faith, intelligent children of God,
2685:
I called upon Harmony as an accomplice in the song to help me to inscribe it."
1030:"A mountain was in labour, and Zeus was scared; but it gave birth to a mouse."
6466:
5530:
4436:
4292:
3565:(u u – –) is more common. In the last three lines there are four examples of
1807:
uu – u u | – –, u u | – u – u | – – uu – u u | –, u – u | – u – u | – –
1061:
1034:
The proverb is famous since it recurs in Horace's well known hexameter line:
557:
and the sotadean metres and gives his reasons for refusing to write in them:
336:
161:
121:
36:
31:
2678:– – u u | – u u u u | – u – u | – – – u – u | – u – u | u u u – u | – –
2220:– u u u u | – u u u u | – u – u | – – – u u u u | – – u u | – u – u | – –
1535:
Some lines attributed to Sotades were included in an anthology collected by
642:"the sky holds the stars, the sea fleets, and a threshing-floor the harvest"
5526:
1065:
977:
Possibly one of the earliest lines in the sotadean metre is the following:
131:
96:
56:
5269:
5051:
and now I was no longer able to do what I had been wanting to accomplish;
3606:
common in various types of Greek poetry from the 2nd century AD onwards.
969:
In the following examples, the beginning of each foot is marked in bold.
901:
in his poem 63. This consists of an anacreontic half line, followed by a
292:
126:
6333:
6025:
6005:
5875:
5789:
5249:– – u u | –, – u u, | – u – u | – – – – u u | –, – u u, | – u – u | – –
4424:– – u u | – – u u | – u – – | – – u u u – – | – – – u | – u – – | – –
2117:
Some papyri found in Egypt contain sotadeans, but they are fragmentary.
6409:
5497:
4358:"For, if you please, learn how various are the types of poems, Baebius,
1252:
926:
795:'s dance and playing" instead of using a more solemn style. Similarly,
529:
6321:
Performing the Kinaidos: Unmanly Men in Ancient Mediterranean Cultures
5777:
Performing the Kinaidos: Unmanly Men in Ancient Mediterranean Cultures
5649:
5624:
Performing the Kinaidos: Unmanly Men in Ancient Mediterranean Cultures
5054:
for she (i.e. my penis), from fear colder than the freezing midwinter,
2865:
do you annoy me, wishing me to interpret, since I am carefully wrought
393:
According to Victorinus, some metricians liked to call the first type
6286:
5747:
Aristotle the Poetics, Longinus on the Sublime and Demetrius On Style
5552:
5482:
5133:
5127:
5078:
In the opening lines Petronius parodies the tragic style of Virgil's
4700:
4695:
4031:
The following has the trochaic rhythm in both the 2nd and 3rd metra:
3911:
3888:
3865:
3842:
3819:
3796:
3773:
3539:
written about 340 AD, and twenty years later another 42 lines in his
3430:
3408:
3385:
3362:
3338:
3315:
3292:
3270:
3246:
3224:
3202:
3180:
2834:
2811:
2788:
2693:
2655:
2632:
2533:
2511:
2488:
2466:
2443:
2273:
2196:
2173:
2082:
2071:
2065:
2029:
2006:
1983:
1961:
1938:
1784:
1762:
1680:
1614:
1591:
1490:
1468:
1445:
1423:
1328:
in sotadean metre. The following extract is in a more serious style:
1283:
1203:
1180:
1158:
1057:
1003:
902:
866:
851:
744:
705:
304:
206:
151:
4431:
they return a response differently from the way it was told to them"
3572:
The first seven lines are shown below. To fit the metre, West scans
2568:
my life was being struck in my mind from all sides in a strange way;
5145:
4811:"This way, this way, quickly, come together now, you wanton queers,
3952:
I followed in the footsteps of these men, sharing in their beliefs,
3487:
invisible, hidden, sinking into the innermost part of their joints,
2877:
2058:
1536:
898:
812:
414:
The process whereby – u – u is substituted for – – u u is known as
146:
106:
101:
91:
6203:
Livius Andronicus, Naevius, Pacuvius, Accius: Remains of Old Latin
5460:
but the ones which are consonants, unless you join them to vowels,
4062:"Some soft (i.e, homosexual) men were going to weave a garland of
631:
Quintilian's example of a reversible hexameter is the following:
5195:
4254:
He reckons it's fair, and is not concerned what hard work it is!"
1081:
550:
513:
504:
288:
5042:"Three times I seized the terrifying two-edged (axe) in my hand;
4435:
Another extract from Accius's work on poetic history, quoted by
6456:
are "overlong" and count in Persian metre as equivalent to – u.
6290:
5057:
had fled for refuge into my bowels, hidden in a thousand folds,
4248:
The rich master himself, who has no experience of work or toil,
3977:
2894:
2562:"When I went to catch sight of the blessed place of the desert,
2078:
1240:
This extract shows two features typical of the metre: frequent
792:
787:
for imitating the metre of Sotades in his theological treatise
646:
which when reversed becomes a sotadean of the pure ionic kind:
607:
603:
176:
5909:
Horace's line is also sometimes quoted with the present tense
4251:
whatever happens to take a man's fancy, he thinks it possible;
3946:
I learnt (all) these things, from those who partake of wisdom,
3478:
but when the delicate flower of the elm-tree swells in spring,
318:"three times I seized the terrible two-edged axe with my hand"
6416:, vol 13. (Available on JSTOR.); Elwell-Sutton, L.P. (1976).
4821:
4242:"Nights and days continuously is enough and more than enough.
3991:
3985:
3955:
I, the famous, I who have suffered much for the glory of God,
3748:
3725:
3702:
3679:
3656:
3633:
3610:
3597:
3591:
3585:
3579:
3573:
3526:
3518:
3155:
3133:
3110:
3087:
3063:
3040:
3017:
2995:
2971:
2949:
2927:
2905:
2880:
2763:
2740:
2717:
2705:
2608:
2585:
2418:
2396:
2373:
2351:
2328:
2315:
2251:
2148:
2125:
2089:
1913:
1890:
1867:
1845:
1822:
1738:
1716:
1657:
1566:
1543:
1399:
1377:
1354:
1332:
1324:
1319:
1259:
1134:
1111:
1089:
1060:. It was supposedly said by the 4th-century BC Egyptian King
981:
834:
819:
784:
720:
693:
678:
611:
351:
6205:, Volume II, (Loeb Classical Library vol. 314), pp. 578–587.
3943:
holy right-judging men, who have received God's holy spirit,
2574:
my nature was calling me then to cultivate a mystic labour."
919:"Attis, after sailing over the high seas in a swift ship..."
431:(u u – –) with the first two syllables omitted, as follows:
6047:
Vox Graeca: A Guide to the Pronunciation of Classical Greek
5279:
always in the third metron. The section begins as follows:
4817:
You with supple thighs, waggling buttocks, shameless hands,
4295:, but on a more serious subject. The fragments of his work
2868:
and do not have the simple, regular appearance of standard
1311:
276:
273:
264:
258:
5066:
I took refuge in words, which were able to harm her more.'
5060:
and so I did not manage to uncover her head for execution;
4027:"He, knocked backwards, fell on his bum, flat on his back"
3559:
rhythm (– – u u) is almost entirely absent while the
3498:
it eats, devours, burns, overpowers, inflames and softens,
2704:
Also from Egypt, from Xois in the Delta, is the pillar or
1818:
Another 16-line fragment ends with wry humour as follows:
1708:"You should be a stranger to those who do not think well."
1642:"Imitate the good, and you will remain best among mortals.
6220:"they wish" is pronounced as two short syllables (uu) by
4279:
The metre of 168–172 was first recognised as sotadean by
367:
The sotadean is considered by ancient metricians such as
6338:
Materiali e discussioni per l'analisi dei testi classici
4245:
Whatever needs to be done or said, you can't stay quiet.
3549:
also described it as being "similar to sotadean songs".
3501:
until such time as the goddess orders the pain to flee."
712:"brandishing his Pelian ash-spear on his right shoulder"
343:'s grammatical treatise on the letters of the alphabet.
5514:'Arise and bring fur, since it is the season of autumn'
5463:
some of them will produce a half-sound from themselves,
3464:"We do not shed our impetuous blood with cuts of steel,
1653:
Another example has an irrationally long first metron:
577:"Because I don't boast in poems which lie on their back
5773:"Desert Fragments: Kinaidic Verse in Egypt and Beyond"
5253:"These chains with their twin fetters Zoilus dedicates
3976:
The first poet to use the sotadean metre in Latin was
2074:
died when he choked after eating a grape from a bunch;
1523:
of holy Greece and the sanctum of the ancestral hearth
1520:
on foreign ground, having abandoned the orphaned walls
933:
line appears to be a shorter version of the sotadean:
716:
Sotades rearranged the words to make a sotadean line:
5745:
Hamilton, F. W., & Roberts, W. R. (1991). trans.
5136:
armed with a net and trident, who was set to fight a
3470:
nor are our backs struck with rattling whips of bones
2227:(advancing) to a rhythm with loose barbarian step..."
279:
255:
5448:"The elements, which schoolmasters teach young boys,
4428:"so that while they aim to achieve brevity of words,
3958:
having learnt wisdom from God, I also have obtained
3949:
astute men, divinely taught in everything, and wise;
3467:
no strands of hair are bent round our neck in curls,
1526:
and lovely youth and the beautiful face of the sun."
1233:
through a tree-lined chasm pushed out a thunderclap,
1056:
The Greek verse is included in a story recounted by
466:
Sometimes the line starts with two anapaests, or an
270:
261:
5692:
5690:
5454:
since the former can produce a sound by themselves,
5194:The following couplet is the only example found in
4814:
run quickly, add to your speed, fly with your feet!
4672:"A cow moos, a sheep bleats, horses whinny, a hen's
2862:"Why, waking me as I sleep with dreamless thoughts,
2224:"I lead an immense barbarian chorus, goddess Selene
2068:
was writing something, a tortoise fell on his head;
267:
6351:Gladiators: Violence and Spectacle in Ancient Rome
5045:three times, suddenly softer than a cabbage stalk,
4439:, discusses which plays of Plautus are authentic:
1814:but the life mixed moderately is a righteous one."
1236:an idle one, such as an old plough-ox lets loose."
339:'s now lost history of Greek and Latin poetry, or
331:(substitution of two shorts for a long syllable).
6238:here has a long ū, as sometimes in Plautus (e.g.
5451:some of them they call vowels, others consonants,
4678:sated with warm milk, sacrificed with flour-meal,
4101:"Another wishes to hold an oar in the great sea."
1230:"And he, uncovering the hole of his back passage,
6464:
6410:"The Foundations of Persian Prosody and Metrics"
5687:
4361:and how far distinct they are one from another."
4114:The following five lines are found in Plautus's
3484:then a sharp weapon pierces the devotees' limbs,
3481:and a melodious blackbird sings on its branches,
3473:nor do we feed on the raw meat of torn-up bulls;
5547:"If looking is forbidden, I have plenty of sin"
893:Another related metre of the Ionic type is the
6334:"A proposito dei versi sotadei, greci e romani
6289:explains that Delians were famous for rearing
4365:Another example from the same work, quoted by
1517:"There the dead were lying at the top of pyres
6451:
6445:
6362:cf. 11.37.3. D. R. Shackleton Bailey (1993):
6090:The Cambridge History of Classical Literature
5537:
5504:
5063:but, tricked by deadly fear of that criminal,
3492:foot, knee, hip-socket, ankles, hips, thighs,
2565:to release my soul's beloved breath with air,
1811:"The poor man is pitied, the rich man envied;
637:astra tenet caelum, mare classēs, ārea messem
226:
6036:, New Series, vol. 33, 1, pp. 98–105, p. 98.
5539:man agar nazar harām ast * bas-ī gonāh dāram
4694:The metre next occurs in two short poems in
4675:chick cheeps, a dog barks, and donkeys bray;
4375:"I pay back, recompense", is the following:
3495:hands, shoulder-blades, arms, elbow, wrists,
1645:Law is a god. Honour it always and forever."
882:u u – – | u u – – || u u – u | – u – –
512:The final syllable of the line, as usual in
16:Poetic metre used in Ancient Greek and Latin
6255:
6233:
6215:
6152:
6146:
6140:
6134:
6102:
5910:
5895:
5419:
5396:
5374:
5351:
5328:
5305:
5283:
5273:
5256:to you, Saturn, his rings of earlier days."
5225:
5202:
5154:
5143:
5137:
5125:
5103:
5093:
5083:
5015:
4992:
4970:
4947:
4924:
4901:
4878:
4855:
4832:
4783:
4760:
4737:
4714:
4705:
4656:
4633:
4610:
4587:
4512:
4489:
4466:
4443:
4401:
4379:
4370:
4330:
4307:
4271:
4265:
4259:
4215:
4192:
4170:
4147:
4124:
4074:
4035:
4000:
3560:
3554:
3540:
2104:
2098:
1038:
940:
909:
685:in ionic metre. The author of the treatise
650:
635:
619:
597:
591:
581:
568:
561:
533:
502:
467:
426:
406:
400:
394:
376:
311:
6073:Remains of Old Latin: Ennius and Caecilius
5799:, New Series, Vol. 33, No. 1; pp. 98, 105.
5506:khīzīd o khaz ārīd, ke hengām-e khazān ast
3584:with a long sigma. He also adds the words
2885:"of Moschion". The metre is also regular.
1053:'s version (book 4.24) of Aesop's fables.
291:. It is generally classified as a type of
233:
219:
6366:(Loeb Classical Library vol. 94), p. 209.
5878:parturient montes, nascetur ridiculus mus
5618:
5616:
5614:
5555:or quatrain, mixes two metres at random:
1040:parturient montēs, nāscētur rīdiculus mūs
911:super alta vectus Attis celerī rate maria
6012:, new series, Vol. 45, No. 1, pp. 24–36.
3980:, who wrote a work in this metre called
3569:, sometimes crossing metron boundaries.
475:u u – u u | –, u u u u | –, u – u | – –
6224:, a metrical feature common in Plautus.
6020:
6018:
1530:
535:dē sōtadēīs nē praecipiendum quidem est
498:– u u u u | –, u u u u | – – – u | – –
448:– u – u | – – u u | – u – u | – –
390:– – u u | – – u u | – u – u | – –
6465:
6384:Translation by D. R Shackleton Bailey.
5611:
5544:u u – u – u – – || (u) u – u – (u) – –
5522:suggests division into feet as above.
5120:Of uncertain date is a line quoted by
2571:since I had no proof that I knew evil,
1026:– – u u | –, – u u | – u, u u u | – –
916:u u – u | – u – – || u u – u | u u u –
463:u u u u u u | – – u u | – u – u | – –
350:by the heretical Christian theologian
5844:
5842:
5840:
5758:To be pronounced as three syllables:
5457:and no word can be made without them;
4058:– – u u | –, u – u | u u u – u | – –
2297:– u – u u | – u – u | – u – u u | – –
707:seíōn Pēliáda melíēn katà dexiòn ômon
695:σείων Πηλιάδα μελίην κατὰ δεξιὸν ὦμον
478:u u – – | u u –, u u | – u – u | – –
472:and anapaest, such as the following:
313:ter corripuī terribilem manū bipennem
6086:"The satires of Ennius and Lucilius"
6075:(Loeb Classical Library), pp. 402–5.
6015:
5470:
5178:– – u u, | – – u u, | – – u u | – –
4097:u u u – u | –, – – | – u – u | – –
1306:– – u u | –, – u u | –, u – u | – –
972:
768:– – u u | –, – u u, | – u – u | – –
674:– – u u, | – – u u, | – – u u | – –
501:Many of the surviving verses have a
460:– – u u | – – u u | – u u u u | – –
375:(4th century AD) to be based on the
5511:– – | u u – – | (u) u – – | u u – –
5275:De litteris, de syllabis, de metris
4023:– – u u | –, – u u | – u – u | – –
2234:
13:
6107:: Lindsay (Oxford Classical Text).
6034:The Journal of Theological Studies
6010:The Journal of Theological Studies
5837:
5797:The Journal of Theological Studies
5608:Merriam-Webster online dictionary.
2308:
1704:u u u – – | – – – | – u – u | – –
677:Sotades is said to have rewritten
495:u u u – – | – – – | – u – u | – –
484:– – u u | – – – | – u u u u | – –
451:– – u u | – u – u | – u – u | – –
434:– – | u u – – | u u – u | – u – –
384:– – u u | – – u u | – – u u | – –
14:
6494:
3966:
3509:
2112:
1255:, which took place about 273 BC:
964:
886:"And there is no longer much time
806:
299:– – u u | – – u u | – u – u | – –
6435:is "overlong" and counts as – u.
6317:"The Drumming of a Deviant Beat"
6062:(tr. H. Lloyd-Jones), pp. 15–16.
5115:
5075:is counted as a separate word).
3537:First Oration Against the Arians
3521:wrote a theological work called
2061:died after eating a raw octopus;
799:criticised the prose rhythms of
570:nec retrō lego Sōtadēn cinaedum,
421:Most modern metricians, such as
251:
6438:
6425:
6402:
6387:
6378:
6369:
6356:
6343:
6326:
6309:
6296:
6276:
6263:
6260:is added by an editor (Müller).
6249:
6227:
6208:
6195:
6186:
6173:
6160:
6123:
6110:
6095:
6078:
6065:
6052:
6039:
5998:
5985:
5976:
5967:
5958:
5949:
5936:
5927:
5918:
5903:
5888:
5868:
5859:
5824:
5815:
5802:
5782:
5765:
5752:
5739:
5730:
5721:
5712:
2300:"Noble Iolaus, greetings, and,
1314:into a hole which is not holy."
741:(Sotades, fragment 4a (Powell))
563:quod nec carmine glōrior supīnō
492:| or | – – – u |. For example:
357:
5699:
5674:
5668:An Introduction to Greek Metre
5659:
5642:
5629:
5602:
5593:
5263:
4303:and Terence's iambic senarii.
610:) were regularly described as
1:
6422:. Cambridge University Press.
5650:"Three topics in Greek metre"
5635:Marius Victorinus, ed. Keil,
5586:
905:anacreontic with resolution:
523:
440:
362:
6408:Elwell-Sutton, L.P. (1975).
6353:(London: Routledge), p. 105.
5682:Latin Metre: An Introduction
4689:
612:
7:
6452:
6446:
5538:
5505:
5268:The 2nd-century grammarian
4820:old queens, castrated by a
2699:
553:writes dismissively of the
10:
6499:
6399:Wiesbaden; pp. 132, 263–4.
6349:Roger Dunkle (2008/2013),
6006:"Arius in Modern Research"
6004:Christopher Stead (1994).
5933:Sotades, frag. 2 (Powell).
5821:Anacreon, fr. 44 D(2).5–8.
5599:Oxford English Dictionary.
5474:
5189:
4109:
3992:
3986:
3749:
3726:
3703:
3680:
3657:
3634:
3611:
3598:
3592:
3586:
3580:
3574:
3547:Socrates of Constantinople
3527:
3156:
3134:
3111:
3088:
3064:
3041:
3018:
2996:
2972:
2950:
2928:
2906:
2881:
2764:
2741:
2718:
2609:
2586:
2419:
2397:
2374:
2352:
2329:
2316:
2252:
2149:
2126:
1914:
1891:
1868:
1846:
1823:
1739:
1717:
1658:
1567:
1544:
1400:
1378:
1355:
1333:
1260:
1135:
1112:
1090:
1075:
982:
835:
820:
721:
694:
6340:, (9), 59-105; pp. 85–86.
6071:E. H. Warmington (1935).
5973:"Sotades", Powell 10.1-2.
5749:. Loeb Classical Library.
5656:, 32(2), 281–297; p. 285.
4286:
3971:
3517:The heretical theologian
2888:
6242:168; cf. W. M. Lindsay,
6192:Sapsford (2022), p. 154.
6151:as genitive singular of
5964:"Sotades", Powell 7.2–3.
4571:
2317:ΜΑΞΙΜΟΣ ΔΕΚΟΥΡΙΩΝ ΕΓΡΑΨΑ
1310:"You are thrusting your
781:Athanasius of Alexandria
606:devotees of the goddess
62:Latin rhythmic hexameter
6364:Martial Epigrams vol 1.
6179:W. B. Sedgwick (1960),
5924:Athenaeus, XIV, 616d-e.
5865:Sotades, fr. 22 Powell.
5654:The Classical Quarterly
5124:, supposedly said by a
2092:, famine consumed him."
1249:Ptolemy II Philadelphus
779:In the 4th century AD,
6393:Thiesen, Finn (1982).
6256:
6234:
6216:
6166:W. M. Lindsay (1922),
6153:
6147:
6141:
6139:as ablative plural of
6135:
6103:
6049:, 3rd edition, p. 130.
5911:
5896:
5779:(Oxford), pp. 110–111.
5420:
5397:
5375:
5352:
5329:
5306:
5284:
5274:
5226:
5203:
5155:
5144:
5138:
5126:
5104:
5094:
5092:2.792–3, 6.700–2; for
5084:
5016:
4993:
4971:
4948:
4925:
4902:
4879:
4856:
4833:
4784:
4766:mor(e) <õ> facil
4761:
4738:
4715:
4706:
4657:
4634:
4611:
4588:
4528:"For neither were the
4513:
4490:
4467:
4444:
4402:
4380:
4371:
4331:
4308:
4272:
4266:
4260:
4216:
4193:
4171:
4148:
4125:
4075:
4036:
4001:
3561:
3555:
3541:
2696:of the god Mandoulis.
2105:
2099:
1039:
941:
910:
783:repeatedly castigates
651:
636:
620:
598:
592:
582:
569:
562:
534:
503:
468:
427:
407:
401:
395:
377:
312:
77:Metres of Roman comedy
6315:Tom Sapsford (2022).
6026:"The Metre of Arius'
5848:Kwapisz, Jan (2016).
5790:"The Metre of Arius'
5771:Tom Sapsford (2022),
5622:Tom Sapsford (2022),
5475:Further information:
3578:as one syllable, and
2103:instead of the usual
1080:The 3rd-century poet
937:x x – u u – u – u – –
586:Sotades backwards..."
371:(2nd century AD) and
23:Greek and Latin metre
6478:Ancient Greek poetry
6332:Bettini, M. (1982).
6045:W. S. Allen (1987),
5946:4. 31–4 = Powell 4b.
5808:D. S. Raven (1965),
5680:D. S. Raven (1965),
5665:West, M. L. (1987):
5648:West, M. L. (1982).
4720:c hūc <cito> c
4258:In Plautus the word
3599:θε<ι>οδιδάκτων
1531:Stobaeus's anthology
1251:and his full-sister
1064:to the Spartan king
399:and the second type
82:Trochaic septenarius
6024:M. L. West (1982).
5830:D. S. Raven (1965)
5727:Quintilian, 9.5.90.
5626:(Oxford), pp. 202–3
5518:The internal rhyme
5102:2.479, 11.651; for
4597:vis bālat, equ(ī) h
4198:dcumqu(e) homin(ī)
3624:ν <τε> θεοῦ π
1970:ntí <ti> epip
1854:ντί <τι> ἐπιπ
889:of sweet life left"
801:Eunomius of Cyzicus
6419:The Persian Metres
6282:Lewis and Short's
6201:E. H. Warmington,
6181:Plautus: Amphitruo
6129:Lewis and Short's
6058:Paul Maas (1962).
5850:"Sotades on kings"
5788:M. L. West (1982)
5718:Martial, 2.86.1–2.
5696:Quintilian, 1.8.6.
5491:The Persian Metres
5270:Terentianus Maurus
4554:nor were even the
4369:for its rare word
4005:ll(e) ictu(s) retr
3990:, a short form of
2088:As for the divine
1049:It also occurs in
929:suggests that the
580:nor do I read the
346:The lost treatise
341:Terentianus Maurus
187:Resolution (meter)
157:Anaclasis (poetry)
112:Asclepiad (poetry)
72:Saturnian (poetry)
42:Dactylic hexameter
6168:Early Latin Verse
6084:A. S. Gratwick, '
5982:Sapsford, p. 117.
5955:Sapsford, p. 113.
5883:Museum Helveticum
5876:"Horace, AP 139:
5471:Persian parallels
5095:corripui bipennem
4681:a piglet grunts."
4340:stīnct(a) ali(a)
3662:ντ᾽> ἔμαθον ἔγ
1428:nth' hoi mèn ep'
973:The mouse proverb
950:sbi(a) atqu(e) am
540:Pliny the Younger
373:Marius Victorinus
243:
242:
6490:
6457:
6455:
6449:
6442:
6436:
6429:
6423:
6406:
6400:
6391:
6385:
6382:
6376:
6373:
6367:
6360:
6354:
6347:
6341:
6330:
6324:
6313:
6307:
6300:
6294:
6284:Latin Dictionary
6280:
6274:
6267:
6261:
6259:
6253:
6247:
6237:
6231:
6225:
6219:
6212:
6206:
6199:
6193:
6190:
6184:
6177:
6171:
6164:
6158:
6156:
6150:
6144:
6138:
6131:Latin Dictionary
6127:
6121:
6114:
6108:
6106:
6099:
6093:
6082:
6076:
6069:
6063:
6056:
6050:
6043:
6037:
6022:
6013:
6002:
5996:
5989:
5983:
5980:
5974:
5971:
5965:
5962:
5956:
5953:
5947:
5940:
5934:
5931:
5925:
5922:
5916:
5914:
5907:
5901:
5899:
5892:
5886:
5872:
5866:
5863:
5857:
5856:27, pp. 121–136.
5846:
5835:
5834:(Faber), p. 134.
5828:
5822:
5819:
5813:
5812:(Faber), p. 131.
5806:
5800:
5786:
5780:
5769:
5763:
5756:
5750:
5743:
5737:
5734:
5728:
5725:
5719:
5716:
5710:
5703:
5697:
5694:
5685:
5684:(Faber), p. 129.
5678:
5672:
5671:(Oxford), p. 74.
5663:
5657:
5646:
5640:
5633:
5627:
5620:
5609:
5606:
5600:
5597:
5574:– | u – u – | –
5563:– | – u u – | –
5541:
5508:
5439:
5416:
5393:
5371:
5348:
5325:
5302:
5277:
5245:
5222:
5174:
5149:
5141:
5131:
5107:
5097:
5087:
5034:
5012:
4989:
4967:
4944:
4921:
4898:
4875:
4852:
4803:
4780:
4757:
4747:rs(um) addite, c
4734:
4709:
4664:
4653:
4630:
4607:
4564:Maccus Titus's."
4520:
4509:
4486:
4463:
4420:
4398:
4374:
4350:
4327:
4275:
4269:
4263:
4234:
4212:
4189:
4167:
4144:
4093:
4054:
4019:
3995:
3994:
3989:
3988:
3931:
3908:
3885:
3862:
3839:
3816:
3793:
3768:
3767:
3745:
3744:
3722:
3721:
3699:
3698:
3676:
3675:
3653:
3652:
3630:
3629:
3601:
3600:
3595:
3594:
3589:
3588:
3583:
3582:
3577:
3576:
3564:
3562:ionicus a minore
3558:
3556:ionicus a maiore
3544:
3530:
3529:
3450:
3427:
3405:
3382:
3357:
3335:
3312:
3289:
3265:
3243:
3221:
3199:
3175:
3174:
3152:
3151:
3130:
3129:
3107:
3106:
3082:
3081:
3060:
3059:
3037:
3036:
3014:
3013:
2990:
2989:
2968:
2967:
2946:
2945:
2924:
2923:
2884:
2883:
2854:
2831:
2808:
2783:
2782:
2760:
2759:
2737:
2736:
2674:
2652:
2627:
2626:
2605:
2604:
2553:
2530:
2508:
2485:
2463:
2438:
2437:
2415:
2414:
2393:
2392:
2370:
2369:
2348:
2347:
2319:
2318:
2292:
2270:
2269:
2235:Iolaus Narrative
2216:
2193:
2168:
2167:
2145:
2144:
2108:
2102:
2049:
2026:
2012:nes hoi katà Thr
2003:
1980:
1958:
1933:
1932:
1910:
1909:
1887:
1886:
1864:
1863:
1842:
1841:
1803:
1781:
1757:
1756:
1735:
1734:
1700:
1677:
1676:
1634:
1611:
1586:
1585:
1563:
1562:
1509:
1487:
1465:
1442:
1418:
1417:
1396:
1395:
1374:
1373:
1351:
1350:
1302:
1278:
1277:
1222:
1200:
1177:
1153:
1152:
1131:
1130:
1108:
1107:
1042:
1022:
1012:s, Zeùs d’ ephob
1000:
999:
956:
913:
878:
863:
846:
845:
831:
830:
797:Gregory of Nyssa
764:
740:
739:
709:
697:
696:
670:
639:
623:
617:
601:
595:
585:
572:
565:
537:
508:
471:
469:ionicus a minore
430:
428:ionicus a minore
410:
404:
398:
380:
378:ionicus a maiore
315:
303:An example from
286:
285:
282:
281:
278:
275:
272:
269:
266:
263:
260:
257:
235:
228:
221:
202:Arsis and thesis
182:Biceps (prosody)
137:Galliambic verse
19:
18:
6498:
6497:
6493:
6492:
6491:
6489:
6488:
6487:
6473:Types of verses
6463:
6462:
6461:
6460:
6443:
6439:
6430:
6426:
6407:
6403:
6392:
6388:
6383:
6379:
6374:
6370:
6361:
6357:
6348:
6344:
6331:
6327:
6319:, chapter 5 in
6314:
6310:
6301:
6297:
6281:
6277:
6268:
6264:
6254:
6250:
6232:
6228:
6222:brevis brevians
6213:
6209:
6200:
6196:
6191:
6187:
6178:
6174:
6165:
6161:
6128:
6124:
6115:
6111:
6100:
6096:
6083:
6079:
6070:
6066:
6057:
6053:
6044:
6040:
6023:
6016:
6003:
5999:
5990:
5986:
5981:
5977:
5972:
5968:
5963:
5959:
5954:
5950:
5941:
5937:
5932:
5928:
5923:
5919:
5908:
5904:
5893:
5889:
5885:, 64(1), 59-61.
5873:
5869:
5864:
5860:
5847:
5838:
5829:
5825:
5820:
5816:
5807:
5803:
5787:
5783:
5775:, chapter 4 in
5770:
5766:
5757:
5753:
5744:
5740:
5735:
5731:
5726:
5722:
5717:
5713:
5704:
5700:
5695:
5688:
5679:
5675:
5664:
5660:
5647:
5643:
5637:vol. vi, p. 128
5634:
5630:
5621:
5612:
5607:
5603:
5598:
5594:
5589:
5479:
5473:
5445:
5357:llumque sin(e)
5266:
5250:
5192:
5179:
5118:
5039:
4930:mqu(e) illa met
4808:
4692:
4669:
4574:
4551:ever Plautus's,
4525:
4472:t(ī) Anus nec B
4425:
4355:
4344:b aliīs, sīs, n
4289:
4281:Richard Bentley
4264:was pronounced
4239:
4220:qu(om) esse put
4175:pse dominu(s) d
4153:d fact(ō) aut d
4112:
4098:
4059:
4024:
3974:
3969:
3937:
3685:ων, θε<ι>
3596:and an iota in
3515:
3461:
3458:
3455:
3436:khris àn hē the
3417:, phlégei, krat
3368:da, gónu, kotúl
3093:δα, γόνυ, κοτύλ
2891:
2859:
2702:
2679:
2559:
2311:
2309:Paccius Maximus
2237:
2221:
2202:s rhuthmòn anét
2115:
2054:
1997:s pnigeìs téthn
1808:
1705:
1639:
1533:
1514:
1337:νθ' οἱ μὲν ἐπ'
1307:
1227:
1078:
1027:
990:ς, Ζεὺς δ’ ἐφοβ
975:
967:
931:hendecasyllable
883:
809:
769:
675:
656:ss(em) ārea, cl
547:hendecasyllabic
526:
518:brevis in longo
499:
496:
485:
479:
476:
464:
461:
452:
449:
443:
435:
391:
385:
365:
360:
254:
250:
239:
192:Brevis brevians
172:Brevis in longo
167:Metron (poetry)
87:Hendecasyllable
67:Iambic trimeter
52:Alcmanian verse
47:Elegiac couplet
17:
12:
11:
5:
6496:
6486:
6485:
6480:
6475:
6459:
6458:
6444:The syllables
6437:
6424:
6401:
6386:
6377:
6368:
6355:
6342:
6325:
6308:
6295:
6275:
6262:
6248:
6226:
6214:Here the word
6207:
6194:
6185:
6172:
6159:
6122:
6109:
6094:
6077:
6064:
6051:
6038:
6014:
5997:
5984:
5975:
5966:
5957:
5948:
5935:
5926:
5917:
5902:
5887:
5867:
5858:
5836:
5823:
5814:
5801:
5781:
5764:
5751:
5738:
5729:
5720:
5711:
5698:
5686:
5673:
5658:
5641:
5628:
5610:
5601:
5591:
5590:
5588:
5585:
5580:
5579:
5568:
5549:
5548:
5545:
5542:
5516:
5515:
5512:
5509:
5477:Persian metres
5472:
5469:
5468:
5467:
5464:
5461:
5458:
5455:
5452:
5449:
5442:
5441:
5440:
5417:
5394:
5372:
5349:
5326:
5319:nt, cōnsona qu
5303:
5272:, in his work
5265:
5262:
5258:
5257:
5254:
5248:
5247:
5246:
5223:
5191:
5188:
5184:
5183:
5177:
5176:
5175:
5117:
5114:
5068:
5067:
5064:
5061:
5058:
5055:
5052:
5049:
5046:
5043:
5037:
5036:
5035:
5013:
4990:
4968:
4961:ll(e) operta r
4945:
4922:
4911:m, quod modo c
4899:
4888:t, quod trepid
4876:
4853:
4826:
4825:
4818:
4815:
4812:
4806:
4805:
4804:
4781:
4770:, clūn(e) agil
4758:
4735:
4728:nc, spatalocin
4691:
4688:
4683:
4682:
4679:
4676:
4673:
4667:
4666:
4665:
4654:
4631:
4608:
4573:
4570:
4566:
4565:
4562:
4560:Dying Together
4552:
4537:
4523:
4522:
4521:
4510:
4499:(ō) Agroecus n
4495:it, nequ(e) ad
4487:
4464:
4433:
4432:
4429:
4423:
4422:
4421:
4406:liter ac sīt r
4399:
4363:
4362:
4359:
4353:
4352:
4351:
4336:mqu(e) longē d
4328:
4313:m quam varia s
4288:
4285:
4256:
4255:
4252:
4249:
4246:
4243:
4237:
4236:
4235:
4228:t labōri(s) qu
4213:
4190:
4179:ves(s) operis
4168:
4161:s, quiētu(s) n
4157:ct(ō) adest op
4145:
4111:
4108:
4103:
4102:
4096:
4095:
4094:
4068:
4067:
4057:
4056:
4055:
4029:
4028:
4022:
4021:
4020:
3973:
3970:
3968:
3967:Latin examples
3965:
3964:
3963:
3956:
3953:
3950:
3947:
3944:
3941:
3934:
3933:
3932:
3909:
3886:
3871:n kat' íkhnos
3863:
3840:
3825:nt᾽ émathon ég
3817:
3794:
3770:
3769:
3746:
3723:
3700:
3677:
3654:
3631:
3514:
3508:
3506:third metron.
3503:
3502:
3499:
3496:
3493:
3489:
3488:
3485:
3482:
3479:
3475:
3474:
3471:
3468:
3465:
3459:
3456:
3453:
3452:
3451:
3428:
3406:
3383:
3359:
3358:
3343:phanés, krúphi
3336:
3313:
3302:s kóssuphos ep
3290:
3267:
3266:
3244:
3222:
3200:
3177:
3176:
3153:
3142:, φλέγει, κρατ
3131:
3108:
3084:
3083:
3061:
3038:
3015:
2992:
2991:
2969:
2947:
2925:
2890:
2887:
2874:
2873:
2866:
2863:
2857:
2856:
2855:
2832:
2809:
2785:
2784:
2761:
2738:
2701:
2698:
2687:
2686:
2683:
2677:
2676:
2675:
2653:
2629:
2628:
2606:
2576:
2575:
2572:
2569:
2566:
2563:
2556:
2555:
2554:
2531:
2509:
2486:
2464:
2457:s tópon esathr
2449:kárion hót᾽ eb
2440:
2439:
2416:
2394:
2371:
2349:
2310:
2307:
2306:
2305:
2298:
2294:
2293:
2271:
2243:(eunuch) to a
2236:
2233:
2229:
2228:
2225:
2219:
2218:
2217:
2194:
2170:
2169:
2146:
2114:
2113:Charition Mime
2111:
2094:
2093:
2086:
2075:
2069:
2062:
2052:
2051:
2050:
2027:
2004:
1993:phagṑn staphul
1981:
1959:
1935:
1934:
1911:
1896:νες οἱ κατὰ Θρ
1888:
1881:ς πνιγεὶς τέθν
1865:
1843:
1816:
1815:
1812:
1806:
1805:
1804:
1782:
1759:
1758:
1736:
1710:
1709:
1703:
1702:
1701:
1686:nos opheíleis
1678:
1647:
1646:
1643:
1637:
1636:
1635:
1612:
1601:n, kaì meneîs
1588:
1587:
1564:
1553:ν, καὶ μενεῖς
1532:
1529:
1528:
1527:
1524:
1521:
1518:
1512:
1511:
1510:
1488:
1477:s, kaì mukhòn
1466:
1443:
1420:
1419:
1397:
1375:
1352:
1316:
1315:
1305:
1304:
1303:
1280:
1279:
1238:
1237:
1234:
1231:
1225:
1224:
1223:
1201:
1178:
1155:
1154:
1132:
1109:
1077:
1074:
1047:
1046:
1043:
1032:
1031:
1025:
1024:
1023:
1016:to, tò d’ étek
1001:
994:το, τὸ δ’ ἔτεκ
974:
971:
966:
965:Greek examples
963:
958:
957:
938:
921:
920:
917:
914:
891:
890:
887:
881:
880:
879:
864:
848:
847:
832:
808:
807:Similar metres
805:
771:The author of
767:
766:
765:
742:
714:
713:
710:
703:
673:
672:
671:
644:
643:
640:
588:
587:
578:
574:
573:
566:
545:In one of his
525:
522:
497:
494:
483:
477:
474:
462:
459:
450:
447:
442:
439:
433:
389:
383:
364:
361:
359:
356:
320:
319:
316:
301:
300:
247:sotadean metre
241:
240:
238:
237:
230:
223:
215:
212:
211:
210:
209:
204:
199:
194:
189:
184:
179:
174:
169:
164:
159:
154:
149:
144:
142:Sotadean metre
139:
134:
129:
124:
119:
117:Sapphic stanza
114:
109:
104:
99:
94:
89:
84:
79:
74:
69:
64:
59:
54:
49:
44:
39:
34:
26:
25:
15:
9:
6:
4:
3:
2:
6495:
6484:
6481:
6479:
6476:
6474:
6471:
6470:
6468:
6454:
6448:
6441:
6434:
6431:The syllable
6428:
6421:
6420:
6415:
6411:
6405:
6398:
6397:
6390:
6381:
6375:Martial 3.29.
6372:
6365:
6359:
6352:
6346:
6339:
6335:
6329:
6322:
6318:
6312:
6305:
6299:
6292:
6288:
6285:
6279:
6272:
6266:
6258:
6252:
6245:
6241:
6236:
6230:
6223:
6218:
6211:
6204:
6198:
6189:
6182:
6176:
6169:
6163:
6155:
6149:
6143:
6137:
6132:
6126:
6119:
6113:
6105:
6098:
6091:
6087:
6081:
6074:
6068:
6061:
6055:
6048:
6042:
6035:
6031:
6029:
6021:
6019:
6011:
6007:
6001:
5994:
5988:
5979:
5970:
5961:
5952:
5945:
5939:
5930:
5921:
5913:
5906:
5898:
5891:
5884:
5881:
5879:
5871:
5862:
5855:
5851:
5845:
5843:
5841:
5833:
5827:
5818:
5811:
5805:
5798:
5794:
5793:
5785:
5778:
5774:
5768:
5761:
5755:
5748:
5742:
5733:
5724:
5715:
5708:
5702:
5693:
5691:
5683:
5677:
5670:
5669:
5662:
5655:
5651:
5645:
5638:
5632:
5625:
5619:
5617:
5615:
5605:
5596:
5592:
5584:
5577:
5573:
5569:
5566:
5562:
5558:
5557:
5556:
5554:
5546:
5543:
5540:
5536:
5535:
5534:
5532:
5528:
5523:
5521:
5513:
5510:
5507:
5503:
5502:
5501:
5499:
5494:
5492:
5488:
5484:
5478:
5465:
5462:
5459:
5456:
5453:
5450:
5447:
5446:
5438:
5436:
5432:
5428:
5424:
5418:
5415:
5413:
5409:
5405:
5401:
5395:
5392:
5390:
5386:
5382:
5378:
5373:
5370:
5368:
5364:
5360:
5356:
5350:
5347:
5345:
5341:
5337:
5333:
5327:
5324:
5322:
5318:
5314:
5310:
5304:
5301:
5299:
5295:
5291:
5287:
5282:
5281:
5280:
5276:
5271:
5261:
5255:
5252:
5251:
5244:
5242:
5238:
5234:
5230:
5224:
5221:
5219:
5215:
5211:
5207:
5201:
5200:
5199:
5197:
5187:
5181:
5180:
5173:
5171:
5168:d mē fugis, G
5167:
5164:scem peto, qu
5163:
5159:
5153:
5152:
5151:
5148:
5147:
5140:
5135:
5130:
5129:
5123:
5116:The gladiator
5113:
5111:
5106:
5101:
5096:
5091:
5086:
5081:
5076:
5074:
5065:
5062:
5059:
5056:
5053:
5050:
5047:
5044:
5041:
5040:
5033:
5031:
5027:
5023:
5019:
5014:
5011:
5009:
5005:
5001:
4997:
4991:
4988:
4986:
4982:
4978:
4974:
4969:
4966:
4964:
4960:
4956:
4952:
4946:
4943:
4941:
4937:
4933:
4929:
4923:
4920:
4918:
4914:
4910:
4906:
4900:
4897:
4895:
4891:
4887:
4883:
4877:
4874:
4872:
4868:
4864:
4860:
4854:
4851:
4849:
4845:
4841:
4837:
4831:
4830:
4829:
4823:
4819:
4816:
4813:
4810:
4809:
4802:
4800:
4796:
4792:
4788:
4782:
4779:
4777:
4773:
4769:
4765:
4759:
4756:
4754:
4750:
4746:
4743:de tendite, c
4742:
4736:
4733:
4731:
4727:
4723:
4719:
4713:
4712:
4711:
4708:
4703:
4702:
4698:'s novel the
4697:
4687:
4680:
4677:
4674:
4671:
4670:
4663:
4661:
4655:
4652:
4650:
4646:
4642:
4638:
4632:
4629:
4627:
4623:
4619:
4616:pat pullu', g
4615:
4609:
4606:
4604:
4600:
4596:
4592:
4586:
4585:
4584:
4582:
4578:
4569:
4563:
4561:
4557:
4553:
4550:
4549:Boeotian Girl
4546:
4542:
4538:
4535:
4531:
4527:
4526:
4519:
4517:
4511:
4508:
4506:
4502:
4498:
4494:
4488:
4485:
4483:
4479:
4476:s Compressa n
4475:
4471:
4465:
4462:
4460:
4456:
4452:
4448:
4442:
4441:
4440:
4438:
4437:Aulus Gellius
4430:
4427:
4426:
4419:
4417:
4413:
4409:
4405:
4400:
4397:
4395:
4391:
4387:
4383:
4378:
4377:
4376:
4373:
4368:
4360:
4357:
4356:
4349:
4347:
4343:
4339:
4335:
4329:
4326:
4324:
4320:
4316:
4312:
4306:
4305:
4304:
4300:
4298:
4294:
4293:Lucius Accius
4284:
4282:
4277:
4274:
4268:
4262:
4253:
4250:
4247:
4244:
4241:
4240:
4233:
4231:
4227:
4223:
4219:
4214:
4211:
4209:
4205:
4201:
4197:
4191:
4188:
4186:
4182:
4178:
4174:
4169:
4166:
4164:
4160:
4156:
4152:
4146:
4143:
4141:
4137:
4134:squ(e) assidu
4133:
4129:
4123:
4122:
4121:
4119:
4118:
4107:
4100:
4099:
4092:
4090:
4086:
4082:
4078:
4073:
4072:
4071:
4065:
4061:
4060:
4053:
4051:
4047:
4043:
4039:
4034:
4033:
4032:
4026:
4025:
4018:
4016:
4012:
4008:
4004:
3999:
3998:
3997:
3983:
3979:
3961:
3957:
3954:
3951:
3948:
3945:
3942:
3939:
3938:
3930:
3928:
3924:
3921:phían, kaì gn
3920:
3916:
3910:
3907:
3905:
3901:
3897:
3894:klutóss, ho p
3893:
3887:
3884:
3882:
3878:
3874:
3870:
3864:
3861:
3859:
3856:tà pánta soph
3855:
3851:
3847:
3841:
3838:
3836:
3832:
3829:g᾽ hupò tôn s
3828:
3824:
3818:
3815:
3813:
3810:oû pneûma lab
3809:
3805:
3801:
3795:
3792:
3790:
3786:
3783:n theoû sunet
3782:
3778:
3772:
3771:
3765:
3761:
3757:
3753:
3747:
3742:
3738:
3734:
3730:
3724:
3719:
3715:
3711:
3708:ν κατ' ἴχνος
3707:
3701:
3696:
3692:
3688:
3684:
3678:
3673:
3669:
3665:
3661:
3655:
3650:
3647:οῦ πνεῦμα λαβ
3646:
3642:
3638:
3632:
3627:
3623:
3619:
3615:
3609:
3608:
3607:
3603:
3570:
3568:
3563:
3557:
3550:
3548:
3543:
3538:
3534:
3524:
3520:
3513:
3507:
3500:
3497:
3494:
3491:
3490:
3486:
3483:
3480:
3477:
3476:
3472:
3469:
3466:
3463:
3462:
3449:
3447:
3444:pophugeîn kel
3443:
3439:
3435:
3429:
3426:
3424:
3420:
3416:
3412:
3407:
3404:
3402:
3398:
3394:
3390:
3384:
3381:
3379:
3375:
3371:
3367:
3361:
3360:
3356:
3354:
3351:pò mukhoîsi g
3350:
3346:
3342:
3337:
3334:
3332:
3328:
3324:
3320:
3314:
3311:
3309:
3305:
3301:
3297:
3291:
3288:
3286:
3282:
3278:
3274:
3269:
3268:
3264:
3262:
3258:
3254:
3250:
3245:
3242:
3240:
3236:
3232:
3228:
3223:
3220:
3218:
3214:
3210:
3207:trikhòs aphét
3206:
3201:
3198:
3196:
3192:
3189:n prokhéomen
3188:
3185:kh haîma lábr
3184:
3179:
3178:
3172:
3168:
3164:
3160:
3154:
3149:
3145:
3141:
3137:
3132:
3127:
3123:
3119:
3115:
3109:
3104:
3100:
3096:
3092:
3086:
3085:
3079:
3075:
3071:
3067:
3062:
3057:
3053:
3049:
3045:
3039:
3034:
3030:
3027:ς κόσσυφος ἐπ
3026:
3022:
3016:
3011:
3007:
3003:
2999:
2994:
2993:
2987:
2983:
2979:
2975:
2970:
2965:
2961:
2957:
2953:
2948:
2943:
2939:
2935:
2931:
2926:
2921:
2917:
2913:
2909:
2904:
2903:
2902:
2900:
2896:
2893:The satirist
2886:
2879:
2871:
2867:
2864:
2861:
2860:
2853:
2851:
2847:
2843:
2840:kh haplên ékh
2839:
2833:
2830:
2828:
2824:
2820:
2816:
2810:
2807:
2805:
2801:
2798:s phrontísin
2797:
2793:
2787:
2786:
2780:
2776:
2772:
2768:
2762:
2757:
2753:
2749:
2745:
2739:
2734:
2730:
2726:
2722:
2716:
2715:
2714:
2711:
2707:
2697:
2695:
2690:
2684:
2681:
2680:
2673:
2671:
2668:pekáloun khar
2667:
2663:
2659:
2654:
2651:
2649:
2645:
2641:
2637:
2631:
2630:
2624:
2620:
2616:
2612:
2607:
2602:
2598:
2594:
2590:
2584:
2583:
2582:
2579:
2573:
2570:
2567:
2564:
2561:
2560:
2552:
2550:
2546:
2542:
2538:
2532:
2529:
2527:
2523:
2519:
2515:
2510:
2507:
2505:
2501:
2498:perì phréna p
2497:
2493:
2487:
2484:
2482:
2479:s pneûma epar
2478:
2474:
2470:
2465:
2462:
2460:
2456:
2452:
2448:
2442:
2441:
2435:
2431:
2427:
2423:
2417:
2412:
2408:
2404:
2400:
2395:
2390:
2386:
2382:
2378:
2372:
2367:
2364:ς πνεῦμα ἐπαρ
2363:
2359:
2355:
2350:
2345:
2342:ς τόπον ἐσαθρ
2341:
2337:
2334:κάριον ὅτ᾽ ἐβ
2333:
2327:
2326:
2325:
2323:
2303:
2299:
2296:
2295:
2291:
2289:
2285:
2281:
2277:
2272:
2267:
2263:
2259:
2255:
2250:
2249:
2248:
2246:
2242:
2232:
2226:
2223:
2222:
2215:
2213:
2209:
2205:
2201:
2195:
2192:
2190:
2186:
2182:
2178:
2172:
2171:
2165:
2161:
2157:
2154:ς ῥυθμὸν ἀνέτ
2153:
2147:
2142:
2138:
2134:
2130:
2124:
2123:
2122:
2118:
2110:
2107:
2101:
2091:
2087:
2084:
2080:
2076:
2073:
2070:
2067:
2063:
2060:
2056:
2055:
2048:
2046:
2042:
2038:
2034:
2028:
2025:
2023:
2019:
2015:
2011:
2005:
2002:
2000:
1996:
1992:
1988:
1982:
1979:
1977:
1973:
1969:
1966:skhúlōi gráph
1965:
1960:
1957:
1955:
1951:
1947:
1943:
1937:
1936:
1930:
1926:
1922:
1918:
1912:
1907:
1903:
1899:
1895:
1889:
1884:
1880:
1876:
1872:
1866:
1861:
1857:
1853:
1849:
1844:
1839:
1835:
1831:
1827:
1821:
1820:
1819:
1813:
1810:
1809:
1802:
1800:
1796:
1792:
1788:
1783:
1780:
1778:
1774:
1771:tai, ho dè pl
1770:
1766:
1761:
1760:
1754:
1750:
1746:
1742:
1737:
1732:
1728:
1724:
1720:
1715:
1714:
1713:
1707:
1706:
1699:
1697:
1693:
1689:
1685:
1679:
1674:
1670:
1666:
1663:νος ὀφείλεις
1662:
1656:
1655:
1654:
1651:
1644:
1641:
1640:
1633:
1631:
1627:
1623:
1619:
1613:
1610:
1608:
1604:
1600:
1596:
1590:
1589:
1583:
1579:
1575:
1571:
1565:
1560:
1556:
1552:
1548:
1542:
1541:
1540:
1538:
1525:
1522:
1519:
1516:
1515:
1508:
1506:
1502:
1498:
1494:
1489:
1486:
1484:
1480:
1476:
1472:
1467:
1464:
1462:
1458:
1454:
1450:
1444:
1441:
1439:
1435:
1431:
1427:
1422:
1421:
1415:
1411:
1407:
1403:
1398:
1393:
1389:
1386:ς, καὶ μυχὸν
1385:
1381:
1376:
1371:
1367:
1363:
1359:
1353:
1348:
1344:
1340:
1336:
1331:
1330:
1329:
1327:
1326:
1321:
1313:
1309:
1308:
1301:
1299:
1296:n tò kéntron
1295:
1291:
1287:
1282:
1281:
1275:
1272:ν τὸ κέντρον
1271:
1267:
1263:
1258:
1257:
1256:
1254:
1250:
1245:
1243:
1235:
1232:
1229:
1228:
1221:
1219:
1215:
1211:
1207:
1202:
1199:
1197:
1193:
1189:
1185:
1179:
1176:
1174:
1170:
1166:
1162:
1157:
1156:
1150:
1146:
1142:
1138:
1133:
1128:
1124:
1120:
1116:
1110:
1105:
1101:
1097:
1093:
1088:
1087:
1086:
1083:
1073:
1070:
1067:
1063:
1059:
1054:
1052:
1044:
1041:
1037:
1036:
1035:
1029:
1028:
1021:
1019:
1015:
1011:
1007:
1002:
997:
993:
989:
985:
980:
979:
978:
970:
962:
955:
953:
949:
945:
939:
936:
935:
934:
932:
928:
924:
918:
915:
912:
908:
907:
906:
904:
900:
896:
888:
885:
884:
877:
875:
871:
865:
862:
860:
856:
850:
849:
843:
839:
833:
828:
824:
818:
817:
816:
814:
804:
802:
798:
794:
790:
786:
782:
777:
774:
763:
761:
757:
753:
749:
743:
737:
733:
729:
725:
719:
718:
717:
711:
708:
704:
701:
692:
691:
690:
688:
684:
680:
669:
667:
663:
659:
655:
649:
648:
647:
641:
638:
634:
633:
632:
629:
627:
622:
616:
615:
609:
605:
600:
594:
584:
579:
576:
575:
571:
567:
564:
560:
559:
558:
556:
552:
548:
543:
541:
536:
531:
521:
519:
515:
510:
507:
506:
493:
490:
482:
473:
470:
458:
456:
446:
438:
432:
429:
424:
419:
417:
412:
409:
403:
397:
388:
382:
379:
374:
370:
355:
353:
349:
344:
342:
338:
337:Lucius Accius
332:
330:
326:
317:
314:
310:
309:
308:
306:
298:
297:
296:
294:
290:
284:
249:(pronounced:
248:
236:
231:
229:
224:
222:
217:
216:
214:
213:
208:
205:
203:
200:
198:
195:
193:
190:
188:
185:
183:
180:
178:
175:
173:
170:
168:
165:
163:
162:Metrical foot
160:
158:
155:
153:
150:
148:
145:
143:
140:
138:
135:
133:
130:
128:
125:
123:
122:Alcaic stanza
120:
118:
115:
113:
110:
108:
105:
103:
100:
98:
95:
93:
90:
88:
85:
83:
80:
78:
75:
73:
70:
68:
65:
63:
60:
58:
55:
53:
50:
48:
45:
43:
40:
38:
37:Latin prosody
35:
33:
32:Greek prosody
30:
29:
28:
27:
24:
21:
20:
6483:Latin poetry
6440:
6432:
6427:
6418:
6413:
6404:
6395:
6389:
6380:
6371:
6363:
6358:
6350:
6345:
6337:
6328:
6320:
6311:
6303:
6298:
6283:
6278:
6270:
6265:
6251:
6243:
6239:
6229:
6210:
6202:
6197:
6188:
6180:
6175:
6167:
6162:
6130:
6125:
6117:
6112:
6104:ips' dominus
6097:
6092:, chapter 7.
6089:
6080:
6072:
6067:
6059:
6054:
6046:
6041:
6033:
6027:
6009:
6000:
5992:
5987:
5978:
5969:
5960:
5951:
5943:
5938:
5929:
5920:
5905:
5890:
5882:
5877:
5870:
5861:
5853:
5831:
5826:
5817:
5809:
5804:
5796:
5791:
5784:
5776:
5767:
5759:
5754:
5746:
5741:
5732:
5723:
5714:
5706:
5701:
5681:
5676:
5667:
5661:
5653:
5644:
5631:
5623:
5604:
5595:
5581:
5575:
5571:
5564:
5560:
5550:
5524:
5519:
5517:
5495:
5490:
5486:
5480:
5434:
5430:
5426:
5422:
5411:
5407:
5403:
5399:
5388:
5384:
5383:sunt, nisi v
5380:
5379:t cōnsona qu
5376:
5366:
5362:
5358:
5354:
5343:
5339:
5335:
5331:
5320:
5316:
5312:
5308:
5297:
5296:s docent mag
5293:
5289:
5288:lementa, rud
5285:
5267:
5259:
5240:
5236:
5232:
5228:
5217:
5213:
5209:
5205:
5193:
5185:
5169:
5165:
5161:
5160:n tē peto, p
5157:
5132:, a kind of
5119:
5109:
5105:trepido male
5099:
5089:
5079:
5077:
5072:
5069:
5029:
5028:nt nocēre, f
5025:
5024:s quae poter
5021:
5020:d verba, mag
5017:
5007:
5003:
4999:
4995:
4984:
4980:
4976:
4972:
4962:
4958:
4954:
4950:
4939:
4938:r rigente br
4935:
4931:
4927:
4916:
4912:
4908:
4904:
4893:
4889:
4885:
4881:
4870:
4866:
4862:
4858:
4847:
4843:
4839:
4835:
4827:
4798:
4794:
4790:
4786:
4775:
4771:
4767:
4763:
4752:
4748:
4744:
4740:
4729:
4725:
4721:
4717:
4699:
4693:
4684:
4659:
4648:
4644:
4640:
4636:
4625:
4621:
4620:nnit canis,
4617:
4613:
4602:
4601:nniunt, gall
4598:
4594:
4590:
4575:
4567:
4559:
4555:
4548:
4544:
4540:
4533:
4529:
4515:
4504:
4500:
4496:
4492:
4481:
4480:c Boeōti(a)
4477:
4473:
4469:
4458:
4454:
4450:
4446:
4434:
4415:
4411:
4407:
4403:
4393:
4389:
4388:tem velĭnt c
4385:
4384:t dum brevit
4381:
4364:
4345:
4341:
4337:
4333:
4322:
4318:
4317:nt genera po
4314:
4310:
4301:
4296:
4290:
4278:
4257:
4229:
4225:
4224:t, nōn reput
4221:
4217:
4207:
4203:
4199:
4195:
4184:
4180:
4176:
4172:
4162:
4158:
4154:
4150:
4139:
4135:
4131:
4127:
4115:
4113:
4104:
4088:
4084:
4080:
4076:
4069:
4049:
4045:
4041:
4037:
4030:
4014:
4010:
4006:
4002:
3981:
3975:
3959:
3926:
3922:
3918:
3914:
3912:
3903:
3899:
3898:llà pathṑn d
3895:
3891:
3889:
3880:
3876:
3872:
3868:
3866:
3857:
3853:
3849:
3845:
3843:
3834:
3833:phíēs metekh
3830:
3826:
3822:
3820:
3811:
3807:
3806:n, hágion th
3803:
3799:
3797:
3788:
3787:n te theoû p
3784:
3780:
3776:
3774:
3763:
3759:
3758:φίαν, καὶ γν
3755:
3751:
3740:
3736:
3732:
3728:
3717:
3713:
3709:
3705:
3694:
3693:τὰ πάντα σοφ
3690:
3686:
3682:
3671:
3667:
3666:γ᾽ ὑπὸ τῶν σ
3663:
3659:
3648:
3644:
3640:
3636:
3625:
3621:
3620:ν θεοῦ συνετ
3617:
3613:
3604:
3571:
3551:
3536:
3522:
3516:
3511:
3504:
3445:
3441:
3440:s tòn pónon
3437:
3433:
3431:
3422:
3421:, puroî, mal
3418:
3414:
3413:sthei, német
3410:
3409:
3400:
3399:s, kórōna, k
3396:
3392:
3391:ras, ōmoplát
3388:
3386:
3377:
3376:s, iskhía, m
3373:
3369:
3365:
3363:
3352:
3348:
3344:
3340:
3339:
3330:
3326:
3322:
3318:
3316:
3307:
3303:
3299:
3295:
3293:
3284:
3280:
3276:
3272:
3271:
3260:
3256:
3252:
3248:
3247:
3238:
3234:
3230:
3226:
3225:
3216:
3215:strophaîsin
3212:
3208:
3204:
3203:
3194:
3193:potomaîs sid
3190:
3186:
3182:
3181:
3170:
3169:ποφυγεῖν κελ
3166:
3165:ς τὸν πόνον
3162:
3161:χρις ἂν ἡ θε
3158:
3147:
3146:, πυροῖ, μαλ
3143:
3139:
3135:
3125:
3124:ς, κόρωνα, κ
3121:
3117:
3116:ρας, ὠμοπλάτ
3113:
3102:
3098:
3094:
3090:
3077:
3076:πὸ μυχοῖσι γ
3073:
3069:
3068:φανές, κρύφι
3065:
3055:
3051:
3047:
3043:
3032:
3028:
3024:
3020:
3009:
3005:
3001:
2997:
2985:
2981:
2977:
2973:
2963:
2959:
2955:
2951:
2941:
2937:
2933:
2929:
2919:
2918:ποτομαῖς σιδ
2915:
2914:ν προχέομεν
2911:
2907:
2898:
2892:
2875:
2869:
2849:
2845:
2841:
2837:
2835:
2826:
2822:
2818:
2814:
2812:
2803:
2799:
2795:
2791:
2789:
2778:
2774:
2770:
2766:
2755:
2751:
2747:
2743:
2732:
2728:
2727:ς φροντίσιν
2724:
2720:
2703:
2691:
2688:
2669:
2665:
2661:
2657:
2656:
2647:
2643:
2639:
2638:bdōi dé tis
2635:
2633:
2622:
2621:πεκάλουν χαρ
2618:
2614:
2610:
2600:
2596:
2592:
2588:
2580:
2577:
2548:
2544:
2543:klēsken phús
2540:
2536:
2534:
2525:
2521:
2517:
2513:
2512:
2503:
2502:ntothen edon
2499:
2495:
2491:
2489:
2480:
2476:
2472:
2468:
2467:
2458:
2454:
2450:
2446:
2444:
2433:
2429:
2425:
2421:
2410:
2406:
2402:
2398:
2388:
2384:
2383:περὶ φρένα π
2380:
2376:
2365:
2361:
2357:
2353:
2343:
2339:
2335:
2331:
2312:
2301:
2287:
2283:
2279:
2275:
2274:
2265:
2261:
2257:
2253:
2244:
2240:
2238:
2230:
2211:
2207:
2203:
2199:
2197:
2188:
2184:
2183:khoròn áplet
2180:
2176:
2174:
2163:
2159:
2155:
2151:
2140:
2136:
2132:
2128:
2119:
2116:
2095:
2077:The dogs in
2044:
2040:
2036:
2035:n theîon Hóm
2032:
2030:
2021:
2017:
2013:
2009:
2007:
1998:
1994:
1990:
1989:phoklês rhâg
1986:
1984:
1975:
1971:
1967:
1963:
1962:
1953:
1952:s ōmòn téthn
1949:
1945:
1941:
1939:
1928:
1924:
1920:
1916:
1905:
1901:
1897:
1893:
1882:
1878:
1877:φαγὼν σταφυλ
1874:
1870:
1859:
1855:
1851:
1847:
1837:
1833:
1829:
1825:
1817:
1798:
1794:
1790:
1786:
1785:
1776:
1772:
1768:
1764:
1763:
1752:
1748:
1744:
1740:
1730:
1726:
1725:ται, ὁ δὲ πλ
1722:
1718:
1711:
1695:
1691:
1687:
1683:
1681:
1672:
1668:
1664:
1660:
1652:
1648:
1629:
1625:
1621:
1620:mos estì the
1617:
1615:
1606:
1605:n brotoîs ár
1602:
1598:
1594:
1592:
1581:
1577:
1573:
1569:
1558:
1557:ν βροτοῖς ἄρ
1554:
1550:
1546:
1534:
1504:
1500:
1499:n kaì kalòn
1496:
1492:
1491:
1482:
1478:
1474:
1470:
1469:
1460:
1456:
1455:s, orphanà t
1452:
1448:
1446:
1437:
1433:
1429:
1425:
1424:
1413:
1409:
1408:ν καὶ καλὸν
1405:
1401:
1391:
1387:
1383:
1379:
1369:
1365:
1361:
1357:
1346:
1342:
1338:
1334:
1323:
1317:
1297:
1293:
1289:
1285:
1284:
1273:
1269:
1265:
1261:
1246:
1239:
1217:
1216:r gérōn khal
1213:
1209:
1208:lématon, hok
1205:
1204:
1195:
1191:
1187:
1186:à dendrophór
1183:
1181:
1172:
1168:
1167:s tò trêma t
1164:
1163:d’ apostegás
1160:
1159:
1148:
1144:
1140:
1136:
1126:
1122:
1118:
1114:
1103:
1099:
1098:ς τὸ τρῆμα τ
1095:
1094:δ’ ἀποστεγάσ
1091:
1079:
1071:
1055:
1048:
1033:
1017:
1013:
1009:
1005:
1004:
995:
991:
987:
983:
976:
968:
959:
951:
947:
943:
925:
922:
892:
873:
869:
867:
858:
854:
852:
841:
837:
826:
822:
810:
788:
778:
772:
770:
759:
755:
751:
747:
745:
735:
731:
727:
723:
715:
706:
699:
686:
682:
676:
665:
661:
660:ssēs mare, c
657:
653:
645:
630:
590:In the word
589:
544:
527:
511:
500:
486:
480:
465:
453:
444:
436:
420:
413:
392:
386:
366:
358:Construction
347:
345:
333:
321:
302:
246:
244:
197:Porson's Law
141:
132:Anacreontics
97:Aeolic verse
57:Archilochian
6302:Petronius,
6269:Petronius,
6060:Greek Metre
5942:Dion. Hal.
5897:Ars Poetica
5832:Latin Metre
5810:Latin Metre
5527:anacreontic
5520:-īd ... -īd
5425:rs mūta son
5410:s prōferet
5361:llīs potis
5342:m valent se
5334:c reddere v
5292:s quae puer
5264:Terentianus
5208:s cum gemin
5085:ter ... ter
4975:ta nōn potu
4957:n viscera m
4915:nficere lib
4907:c iam poter
4892:male dabat
4789:llēs, veter
4774:, manū proc
4647:r molā mact
4624:t rudunt as
4556:Country Man
4545:Twice Raped
4503:que Commori
4449:m nec Gemin
4414:stiant resp
4410:llātum redh
4392:nsequī verb
4297:Didascalica
4206:re, posse r
4079:lius in mar
4013:n natem sup
3917:oû mathṑn s
3902:tḕn theoû d
3875:lthon egṑ b
3779:stin eklékt
3735:λλὰ παθὼν δ
3731:κλυτός, ὁ π
3616:στιν ἐκλέκτ
3395:s, brakhíon
3372:n, astragál
3347:n, dedukòs
3321:te dià melé
3275:te dè ptelé
3255:stôn kréa s
3237:s péplēge n
3229:dè polukrót
3138:σθει, νέμετ
3101:ς, ἰσχία, μ
3097:ν, ἀστραγάλ
3072:ν, δεδυκὸς
3046:τε διὰ μελέ
3000:τε δὲ πτελέ
2980:στῶν κρέα σ
2962:ς πέπληγε ν
2954:δὲ πολυκρότ
2940:στροφαῖσιν
2932:τριχὸς ἀφέτ
2910:χ αἷμα λάβρ
2848:n eútheton
2825:n, hōs perí
2817:lleis, aner
2794:me tḕn aǘpn
2746:λλεις, ἀνερ
2723:με τὴν ἀΰπν
2646:s démas don
2599:ς δέμας δον
2591:βδῳ δέ τις
2539:stēn tóte k
2494:na moi biot
2471:éri tò poth
2428:κλησκεν φύσ
2424:στην τότε κ
2387:ντοθεν ἐδον
2379:να μοι βιοτ
2304:, silence!"
2210:rbárōi prob
2187:n, theà Sel
2179:rbaron anág
2135:χορὸν ἄπλετ
2131:ρβαρον ἀνάγ
2043:s katedapán
1948:n ho Diogén
1944:lúpoda phag
1927:ς κατεδαπάν
1836:ς ὠμὸν τέθν
1789:mésōs dè bí
1775:sios phthon
1743:μέσως δὲ βί
1694:kalôs phron
1624:s. toûton a
1576:ς. τοῦτον ἀ
1572:μος ἐστὶ θε
1495:bēn t' erat
1473:lládos hier
1459:khea prolip
1436:s nékues ék
1404:βην τ' ἐρατ
1364:ς, ὀρφανὰ τ
1345:ς νέκυες ἔκ
1288:s oukh hosí
1171:s ópisthe l
1147:ρ γέρων χαλ
1139:λέματον, ὁκ
1117:ὰ δενδροφόρ
872:khrónos lél
754:n Pēliáda d
730:ν Πηλιάδα δ
614:anaclomenon
423:Martin West
369:Hephaestion
293:ionic metre
127:Ionic metre
6467:Categories
5912:parturiunt
5587:References
5498:Manuchehri
5429:comprimet
5406:m vōcis op
5365:st coīre v
5231:turne, tib
5142:(Gaul) or
4998:d furcifer
4983:caput aper
4884:rrum tremu
4869:repente th
4861:r languidi
4846:m manū bip
4751:nvolāte pl
4639:nnit tepid
4532:, nor the
4530:Twin Lions
4321:matōrum, B
4202:ccidit lub
4183:t labōris
4142:rque (e)st
4130:ctēsque di
4048:neriam cor
4040:bant malac
3852:didáktōn k
3802:n orthotóm
3754:οῦ μαθὼν σ
3739:τὴν θεοῦ δ
3712:λθον ἐγὼ β
3689:διδάκτων κ
3670:φίης μετεχ
3658:τάδε <π
3643:ν, ἅγιον θ
3581:περικλυτός
3542:de Synodis
3533:Athanasius
3329:s pépēge m
3306:kládoisin
3283:tò leptòn
3259:toúmetha t
3251:d᾿ ōmà lak
3233:s astragál
3120:ς, βραχίον
3054:ς πέπηγε μ
3031:κλάδοισιν
3008:τὸ λεπτὸν
2976:δ᾿ ὠμὰ λακ
2958:ς ἀστραγάλ
2777:ν εὔθετον
2769:χ ἁπλῆν ἔχ
2754:ν, ὡς περί
2660:rmogḕn mél
2642:a katà mél
2613:ρμογὴν μέλ
2595:α κατὰ μέλ
2547:s pónon ge
2524:k ékhōn él
2520:s emautòn
2516:stora kakí
2432:ς πόνον γε
2405:ς ἐμαυτὸν
2401:στορα κακί
2356:έρι τὸ ποθ
2286:kinaidè si
2282:e khaîre k
2264:κιναιδὲ σι
2162:ρβάρῳ προβ
2139:ν, θεὰ Σελ
1974:ptōke khel
1919:ν θεῖον Ὅμ
1873:φοκλῆς ῥᾶγ
1850:σχύλῳ γράφ
1832:ν ὁ Διογέν
1828:λύποδα φαγ
1797:s díkaiós
1793:s kekramén
1751:ς δίκαιός
1747:ς κεκραμέν
1671:καλῶς φρον
1597:moû tò kal
1549:μοῦ τὸ καλ
1481:stíēs patr
1432:kraisi pur
1390:στίης πατρ
1382:λλάδος ἱερ
1368:χεα προλιπ
1341:κραισι πυρ
1253:Arsinoe II
1242:resolution
1190:phárangos
1102:ς ὄπισθε λ
927:Quintilian
903:catalectic
897:, used by
895:galliambic
857:d᾽oukéti p
840:χρόνος λέλ
825:δ᾽οὐκέτι π
758:xiòn kat᾽
734:ξιὸν κατ᾽
664:lum tenet
555:galliambic
530:Quintilian
524:Reputation
516:verse, is
455:Resolution
441:Variations
363:Basic form
329:resolution
6323:(Oxford).
6304:Satyricon
6271:Satyricon
6246:, p. 18).
6170:, p. 142.
6118:Amphitruo
6116:Plautus,
5760:pēl-ya-da
5483:Aeschylus
5402:rs dīmidi
5338:cem quoni
5315:dam memor
5239:nulõs pri
5216:dicat cat
5212:compede d
5134:gladiator
5128:retiarius
4953:nfūgerat
4865:r cōlicul
4838:r corripu
4824:'s hand!"
4793:s, Dēliac
4724:nvenīte n
4701:Satyricon
4696:Petronius
4690:Petronius
4643:lacte sat
4593:git bōs,
4541:Old Woman
4518:ccī Titī.
4457:c Condali
4372:redhostio
4138:satis sup
4117:Amphitruo
4083:vult magn
4009:reccidit
3879:nōn homod
3639:ν ὀρθοτόμ
3567:anaclasis
3325:n oxù bél
3298:polukélad
3211:n lugízet
3050:ν ὀξὺ βέλ
3023:πολυκέλαδ
2984:τούμεθα τ
2936:ν λυγίζετ
2882:ΜΟΣΧΙΩΝΟΣ
2844:san kanón
2821:nân ethél
2802:dousan eg
2773:σαν κανόν
2731:δουσαν ἐγ
2694:theophany
2664:sunergòn
2617:συνεργὸν
2475:nòn psukh
2409:κ ἔχων ἔλ
2260:ε χαῖρε κ
2083:Euripides
2081:devoured
2072:Sophocles
2066:Aeschylus
2020:pídēn étr
1904:πίδην ἔτρ
1858:πτωκε χελ
1767:pénēs ele
1729:σιος φθον
1721:πένης ἐλε
1628:pántote t
1580:πάντοτε τ
1503:líou prós
1451:s epì xén
1412:λίου πρόσ
1360:ς ἐπὶ ξέν
1292:n trumali
1268:ν τρυμαλι
1264:ς οὐχ ὁσί
1121:φάραγγος
1066:Agesilaus
1058:Athenaeus
946:mus mea L
702:, 22.133)
416:anaclasis
396:sotadicus
305:Petronius
207:Catalexis
152:Lekythion
6183:, p. 67.
6120:168–172.
5991:Lucian,
5894:Horace,
5854:Eikasmos
5487:Persians
5387:cālibus
5311:cālia qu
5235:Zōilus,
5146:murmillo
5108:compare
5098:compare
5088:compare
5006:timōre l
5002:mortifer
4979:supplici
4842:terribil
4797:manū rec
4707:cinaedus
4547:nor the
4543:nor the
4453:Leōnēs n
4087:tenēre t
3925:sin egṑ
3848:ōn, thei
3762:σιν ἐγὼ
3716:νων ὁμοδ
3510:Arius's
3279:éari brú
3004:ἔαρι βρύ
2878:acrostic
2750:νᾶν ἐθέλ
2700:Moschion
2322:Decurion
2302:kinaidos
2278:genê Iól
2256:γενῆ Ἰόλ
2245:kinaidos
2206:bḗmati b
2158:βήματι β
2106:a maiore
2100:a minore
2059:Diogenes
1690:nai tôn
1667:ναι τῶν
1537:Stobaeus
1194:xéōse br
1125:ξέωσε βρ
1051:Phaedrus
1008:dinen ór
986:δινεν ὄρ
899:Catullus
813:Anacreon
773:On Style
698:(Homer,
687:On Style
626:Palaemon
621:cinaedus
583:cinaedus
408:sotadeus
402:sotadeus
147:Dochmiac
107:Glyconic
102:Choriamb
92:Choliamb
6273:, 23.3.
6244:Captivi
6157:"work".
5995:113–24.
5993:Podagra
5705:Pliny,
5433:ra mōli
5196:Martial
5190:Martial
5112:2.753.
4934:frīgidi
4558:or the
4110:Plautus
4044:viēre V
3993:Σωτάδης
3913:hupò th
3535:in his
2899:Podagra
2710:demotic
2453:n ēremí
2360:νὸν ψυχ
2338:ν ἠρεμί
2039:ron lim
2016:kēn Eur
1923:ρον λιμ
1900:κην Εὐρ
1212:ēn arot
1143:ην ἀροτ
1082:Sotades
1076:Sotades
750:ōn melí
726:ων μελί
551:Martial
514:stichic
505:caesura
289:Sotades
6306:, 132.
6291:capons
6217:velint
6148:operis
6136:operīs
6133:takes
6028:Thalia
5792:Thalia
5709:5.3.2.
5570:– | –
5559:– | –
5553:ruba'i
5139:Gallus
5122:Festus
5110:Aeneid
5100:Aeneid
5090:Aeneid
5082:: for
5080:Aeneid
4822:Delian
4581:Nonius
4367:Nonius
4287:Accius
4267:dīvess
4232:d sīt.
4187:xpers,
3984:(from
3978:Ennius
3972:Ennius
3960:gnosis
3890:ho per
3821:táde p
3775:katà p
3612:κατὰ π
3528:Θαλεία
3523:Thalia
3512:Thalia
3333:stais,
3058:σταις,
2895:Lucian
2889:Lucian
2870:stelae
2650:theís,
2241:gallos
2079:Thrace
1300:theîs.
1062:Tachōs
853:gluker
821:γλυκερ
793:Salome
789:Thalia
608:Cybele
604:eunuch
593:supīnō
549:poems
348:Thalia
177:Anceps
6287:Delos
6240:Persa
6142:opera
6088:. In
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