93:, London, with both the first and second floors available to lease. Wood left Levy's and the pair knocked out the middle of the second floor to obtain a high ceiling from the first floor in the centre of the room, and created a workshop and a control room from the two remaining sections of the second floor, both accessed via stairways from the first floor. With a limited budget, Wood and Frost designed and built most of the equipment themselves, utilising Frost's experience as chief engineer at Levy's. The studio opened its doors for business in mid-1965.
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81:"Geoff rang me up from Peter Godfrey's office, who was our solicitor, saying, 'We've got to have a name for the company!', and I'm sitting in the control room at Levy's, and there's a Pultec on the rack and an Altec compressor and I see Pulse Techniques underneath Pultec so I said, 'Well, what about Sotec or Sound Techniques?' and that's literally where our name came from. And it was a great name!"
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Geoff Frost and John Wood had both been working at Levy's Sound Studio in the centre of London. When studio owner Morris Levy sold the studio in 1964, the pair decided that they would start their own studio. Frost left Levy's in
September 1964 and began looking for premises for the studio while the
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In addition to building the mixing desk at Sound
Techniques, Frost and his team (including engineer Vernon Morris) manufactured desks for other studios such as the Music Centre and
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recorded an album of songs written by the artists on
Witchseason, as an attempt to make them more widely known through a more commercial style.
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The studio closed in 1976 when the lease on the building ran out and Frost and Wood were unable to purchase the property due to lack of funds.
30:, London that was operational between 1965 and 1976. Housed in a former dairy, it was founded by recording engineers Geoff Frost and
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Sound
Techniques gained a reputation for the sound it could obtain for string sections, following a commission from composer
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pair raised funds to start the company. They registered the name of the company in
December 1964, with Wood explaining to
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465:"Glenn Cornick: Bassist whose solid yet supple playing helped to crystallise the sound and direction of Jethro Tull"
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Other acts also recorded at Sound
Techniques in their early days before finding fame. The first two singles by
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was recorded at Sound
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Massey, Howard (2015). "Other
Important Studios of the Era: Sound Techniques".
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Frost eventually found a property that had been a former dairy located at 46a
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Buildings and structures in the Royal
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Captain
Fantastic: Elton John's Stellar Trip Through the '70s
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A documentary film about the studio, provisionally titled
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Partial list of artists who recorded at Sound Techniques
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16:Recording studio in London, England 1965–1976
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137:Sandy Denny
62:were made.
60:Jethro Tull
48:John Martyn
643:Categories
553:51°29′04″N
370:References
331:Stackridge
311:Pink Floyd
299:The End...
269:Elton John
227:Nick Drake
180:Neil Innes
166:Elton John
144:Pink Floyd
125:Nick Drake
56:Elton John
52:Pink Floyd
44:Nick Drake
556:0°10′20″W
306:Pentangle
242:Hard Meat
198:John Cale
32:John Wood
476:Archived
262:This Was
161:This Was
117:Joe Boyd
36:Joe Boyd
535:20 June
482:20 June
401:20 June
358:The Who
150:" and "
91:Chelsea
66:History
28:Chelsea
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22:was a
598:is a
448:Uncut
237:Focus
600:stub
537:2018
503:ISBN
484:2018
422:ISBN
403:2018
294:Nico
212:and
203:Fear
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