408:, which chronicled his poems as well as football news, music and politics. The zine helped Hooton grow in his confidence as a wordsmith, which he had shied away from after being ridiculed by his school's English teacher. Hooton's band soon became directionless and he was looking to form another band; through a mutual friend, he met Steve Grimes, guitarist for local punk rock act the Excitements. After an audition, Hooton joined the Excitements, replacing Martin Dunbar. The rest of the band consisted of bassist Phil Stephenson, drummer Neil Campbell and dancer Thomas. Around the same time, Phil Jones of zine
538:. Barney Moores had spare money to invest in a business and was interested in helping the band; Hooton told him that £25,000 would cover the cost of an album and two singles. Hooton then contacted Kevin Sampson, who they previously met when the latter was shooting a film some months prior. He had connections around London and was an associate of Suggs. In January 1990, Sampson was asked to become their manager, eventually agreeing to become co-manager with Suggs. Shortly afterwards, Sampson travelled from London to Liverpool to set up a meeting. The outcome of that meeting saw the formation of the
998:"and I don't think we celebrated. We all became blasé even when everywhere on the tour was sold out". "Don't Let Me Down" was released as the album's third single on 22 April 1991; remixes by Farley and Rocky & Diesel were included as its B-sides. Sampson was insistent on reissuing "Stepping Stone" instead of releasing "Don't Let Me Down", while everyone else at Produce Records were in favour of "Don't Let Me Down". The band were concerned they would be seen as
509:'s label Fair Play Committee, but the deal fell through when Cullimore decided to write children's books instead. In discussions, Moran wanted 20% of the proposed £25,000 signing bonus, claiming that as their manager he should be paid more; Hooton remarked that they considered him an equal, not a superior. Moran subsequently parted ways with the band at the same time the deal collapsed. "Body and Soul", their next single, was released in 1988 and saw a shift to
953:-related acts. Following this, they embarked on a UK tour in February and March 1991, all the dates of which sold out. A launch show was scheduled for 7 February 1991, but was cancelled because of a dispute between the band and Flying Records, as the latter had not paid the band for an earlier show. Ahead of the album's release, promotional remixes of "Very Emotional" and "Higher & Higher" done by Farley and Heller were released as a
1284:
1234:
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767:-like backing vocals. The first verse of it grew out of an older, abandoned song titled "That's the Way We Were", with some lines specifically referring to McVann. Hootson said "Family of Man" asks the question of "why don't the police join the family of man, instead of punishing people at every opportunity?" "Tell the Story", which was an update on "Same Old Story", evoked the sound of fellow Liverpool act
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828:. The band did not attempt to match them until after they had bought the aforementioned sampler; while it worked, the song still was void of a chorus section. They refined the song while in the studio, where they came up with an appropriate chorus. At Suggs' recommendation, the six verses were cut down to three, and half of the music for the chorus was similarly dropped. He then included a sample of
688:. Grimes said that the name worked as a "very tongue-in-cheek analogy between the Farm, who, like, for years didn't have a record label and then decided to do it ourselves ... asically, in spite of all the major record companies". He said McVann's death influenced some of the tracks on the album, such as "Don't Let Me Down".
974:
they would make the artwork "as something you'd see in a supermarket, that you wouldn't look twice at". The album featured the Farley and Heller remixes of "Very
Emotional" and "Higher & Higher" as additional tracks; the vinyl version limited the remixes to 30,000 copies. To promote the album, the band appeared on the
274:, released on 4 March 1991 through Produce Records. Following a variety of member changes and single releases, the band solidified their line-up in 1987; after a record deal fell through, they opted to start their own label, Produce Records. They recorded the bulk of their debut album in London in 1990 with former
997:
Hooton, while appreciative of the attention the band was receiving, felt burnt out from interviews, causing him to lose his voice. The other members of the band similarly suffered from restlessness; Hooton recounted how they were performing in
Brighton the same night that the album went to number one
973:
school. Grimes explained that the band were being referred to in the
British music press as a "very unglamorous band. We should be, like, working in a building profession, or we should be electricians, that type of thing". He decided that since the press thought that they looked like ordinary people,
1410:
Some reviewers viewed the Farm as being superior than the baggy tag let on. Erlewine wrote that the album was "one of the more ridiculous by-products of baggy, ... yet very little of its charm, character, or substance". He added that since the genre was "never about substance, this is particularly
1043:
football stadium in Leeds. On 3 September 1991, "Groovy Train" was released as a single in the US; it featured remixes of "Groovy Train", "All
Together Now" and "Stepping Stone", alongside the non-album single "Mind". As Sire did not like the original music video for "Groovy Train", another one was
731:
that stand up for their beliefs even when confronted by authority figures. Discussing "Groovy Train", Grimes said it was an interpretation of people that Hooton knew during school that used to be political, but after acid house, "they've just forgotten about all their politics and just though, 'Sod
630:
in London in
October and November 1990, while "Groovy Train" and "Family of Man" were recorded at Liquidator Studios and "Tell the Story" was recorded at Fairview Recording Studio in Hull. Kevin Petri engineered the majority of the tracks, except for "Groovy Train" (done by Gary Wilkinson) and "All
1402:
countered this by stating that it "keeps you alert and live. There's very little filler, very few signs of exhaustion". He went on to praise the songwriting quality and stated that their "honey appreciation of what a song danceable and memorable guarantees them a longer shelf-life than most". The
450:
in April 1983, where they performed "Information Man", "No Man's Land" and "Memories". In
February 1984, they did another session Peel, playing "Hearts & Minds", "Too Late", "Same Old Story" and "Somewhere". In between these sessions, the band went through multiple bassists until Carl Hunter
31:
542:
Produce
Records with Ian Croft, Wayne Chad, Moors and McKenna as business partners. The label's offices were located in the Holmes Building in Liverpool; its releases would be distributed by Kent-based company Pinnacle. Part of the money the band received was used to purchase a
1077:. Hooton explained that they were "reading about it and we saw the Melody Maker attacking us and we realised they wanted to get rid" of Madchester and baggy and "replace it with something that they were more comfortable with". Around this time, the band's second video album,
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record. As they were unable to recreate it in a London studio, a member of their entourage was tasked with going to Hooton's house in
Liverpool to retrieve it. When they sampled the drum loop, they found that it was partially out of synch with the music they had recorded.
489:. McVann was involved in a fatal car crash in October 1986; the Farm almost broke up when the brass section left after this incident. In 1987, Roy Bulter filled in McVann's role, and second guitarist Keith Mullen and keyboardist Benjamin Leach were added to the line-up.
1171:(2004), "Very Emotional" was included and "How Long" was not ; the accompanying DVD featured the music videos for "Groovy Train", "Don't Let Me Down" and "All Together Now". The whole album was again included on their sixth and seventh compilation albums,
822:, which he learned about from training as a history teacher. "No Man's Land" consisted of six verses sections and lacked a defined chorus. For a few years, Grimes wanted to pair the words with the music of a TV advert, which featured a version of Pachelbel's
598:, the single received positive press coverage. The Farm tried to record "Higher & Higher" soon after, but were not satisfied with the sound, and decided to work on "Groovy Train" with engineer Mark Saunders instead as their next single. They had played a
948:
in London; they were concerned that if they had shot the video in
Liverpool, too many people would try to gain entry. In January 1991, the Farm supported Happy Mondays at the Great British Music Weekend festival, which featured a line up of
635:
studio in London; the majority of the songs were mixed at
Westside Studios in London, while "All Together Now" was done at Mayfair and "Family of Man" and "Tell the Story" were remixed at E-Zee, also based in London. Paula David, who was a
324:
received generally positive reviews from music critics. Although some of them were split on the album's songwriting quality, while others praised it in the context of the baggy scene. The album topped the charts in the United Kingdom.
698:
sound. Its title alludes to a rally cry spoken by celebrities and politicians of the time; two years before including it on the album, Hooton said that some lyrics were added to "incorporate the plastic gangster fraternity". Though
473:
from the Peel sessions. A friend of the Farm's was manning the doors at a Madness show and said the Farm were in need of help. Suggs, who had heard one of the Farm's Peel sessions, let them record some demos at Madness' studio on
1465:
wrote that "All Together Now" was "not only a great anthemic and uniting pop record, it also came out" during "one of those rare periods when people felt optimistic and soundtracked this, add a poignant working class memory".
385:, Peter Hooton decided to become a musician, initially picking up bass briefly before focusing on singing instead. He joined his friend's brother's band after their frontman failed to show up to a rehearsal. The
529:
Around the Christmas period in 1989, Paul McKenna, who had been the Farm's merchandise aid, and Hooton had a meeting at the former's flat. McKenna introduced Hooton to Barney Moores, a fan of theirs and son of
1136:, which included B-sides and remixes. The Farm were originally scheduled to perform the album in its entirety on a UK tour in April and May 2012, but the tour was postponed to September and October 2012.
497:, who was well versed in the Liverpool scene and the Farm's actives, wanted to become their manager after meeting Hooton in a bar, but ultimately did not. After seeing one of the Farm's performances,
1148:
released an EP of "All Together Now" remixes to celebrate the song's 30th anniversary. In March 2021, BMG released a digital expanded edition of the album to celebrate its 30th anniversary.
886:
on 20 August 1990. The CD and 12-inch vinyl versions included different remixes of "Groovy Train"; the CD version also featured a remix of "Stepping Stone". The music video for it featured
1407:
thought the band set themselves apart from "most of the other '70s revivalists, however, by being so darn serious", taking their "big-haired beat and avocado-harvest gold tones to heart".
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if they went with Sampson's proposal, although they later admitted that his idea would have been a better choice. The music video for "Don't Let Me Down" was filmed in London and starred
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and Rocky & Diesel. The music video for "All Together Now", directed by Angus Cameron, sees the band and members of their families drinking in a pub. It was shot in a pub next to
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wrote that it was "as solid as a rock record, yet roomy enough to accommodate" experimentation on tracks such as "Hearts & Minds" and "Tell the Story". Stanley, in a review for
521:. Hooton then convinced popular journalists to cover the faux movement; it received significant press coverage, but did not further the careers of any of the acts grouped under it.
1085:
in Liverpool in March 1991. "All Together Now" was released as a single in the US on 6 February 1992, featuring remixes of "All Together Now" and a live demo of "Over Again".
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547:
to expand their musical style. Sampson drafted up an eight-page plan that Hooton referred to as "how to get the Farm into the Top 40". The band hired Anglo Plugging to
485:
Sometime later, a brass section consisting of Anthony Evans, Steve Levy, George Maher and John Melvin was brought into the band's line-up, shifting their sound towards
559:
John Best of Savage & Best Management, and planned to record at Madness' studio. Hooton admitted that they "didn't know anything" and trusted Sampson's judgement.
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1012:(1969). They had to change one of the lyrics, from "stand up and fight" to "stand up, stand up", as the song would not have received airplay or TV airings due to the
929:. He had been to several of the band's performances, which led to them being signed to the label some months later. Up to that point, the song had some success on
1386:, praised the band for having "the most astute lyrics" out of their contemporaries, making "it that much sadder that this LP is worthy but dull". Doug Iverson of
723:. Hooton explained that the song talked about politicians rooting for change as long as it served their own ambitions. "Sweet Inspiration" was written around
626:. "Hearts & Minds", "How Long", "Sweet Inspiration", "Higher & Higher", "Don't Let Me Down", "Very Emotional" and "All Together Now" were recorded at
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was released on 4 March 1991 through Produce Records in the UK. The album's artwork was created by Hunter, who had experience illustrating from attending a
2230:
854:
By mid-1990, the Farm were being slotted into the baggy scene, much to the chagrin of Hooton. After some persuading from Sampson, the band travelled to
416:
when it became popular throughout Liverpool. Hooton played his debut show with the Excitements in 1982 at a friend's party. Despite him wanting to keep
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443:. Andy McVann, who had seen Hooton's first show, joined the Farm as their drummer. Positive reviews from the music press earned the band their first
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shot with the band travelling around Manhattan on a London-themed bus. Shortly afterwards, they went on a US tour alongside Big Audio Dynamite and
1431:, said that when compared to their contemporaries, the Farm were "older, wiser, and in far greater command of a killer commercial sensibility" as
2801:
787:. "Very Emotion" evolved out of their 1985 song "Steps of Emotion" and was dedicated to their technician Ray Toohey. He had been involved in a
2088:
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was playing a show in the city that same night and had affected the attendance as a result. Unbeknownst to the Farm, the success of Nirvana's
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wrote that the song's lyrics propose that the "derelict buildings and waste-ground tell a truer story about the band's hometown than thousand
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cultures. The film coincided with the release of "Groovy Train", helping to grow the band's stature. Soon afterwards, they performed at the
779:-fuelled platitudes". It initially had six verses, which were then edited down to two for the final version; Hooton said it referred to the
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478:
for free. Suggs would subsequently produce their debut single, "Hearts & Minds", later in the year. Simon Moran, who would later found
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3386:
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795:, but was arrested and imprisoned for 30 months. The band changed the song's lyrics to reflect Toohey's situation, with influence from "
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4899:
4687:
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3814:
3413:
3325:
2276:
1121:
4894:
3848:
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921:, but all of these were declined. Produce Records also received orders to license out "Groovy Train". One such request was from
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Several more local gigs ensued, with them changing their name to the Farm, reflecting that they rehearsed on a farm plot in
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4241:
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241:
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felt that aside from the first two singles, "it's doubly disappointing that Spartacus ... is so lame". In a review for
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622:, save for "Tell the Story", which had been recorded in 1987 and was produced by Cullimore and Housemartins bandmate
535:
470:
4157:
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1518:
1144:(2015) box set, alongside all of the band's studio albums plus bonus discs of B-sides, remixes and radio sessions.
736:". Hooton wrote the lyrics in the weeks following an encounter with a girl at a nightclub in Liverpool. Journalist
394:
334:
228:
1642:
1151:"Groovy Train", "Don't Let Me Down" and "All Together Now" were included on the Farm's second compilation album,
2226:
2704:
1765:– the 1990 album by contemporaries the Charlatans, who similarly founded their own label to release their debut
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745:
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version of "Groovy Train" for a Peel session; for the released version, Farley moved Mullen's guitar from the
4680:
711:(1978), Hooton was adamant that they used impersonators for the audio clips. "How Long" recalled the work of
994:
in December 1990. It also included interviews and the music videos to "Stepping Stone" and "Groovy Train".
337:" in November 1990. "Don't Let Me Down" appeared in April 1991, and was promoted with a supporting slot for
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3532:
3443:
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3228:
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3109:
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2532:
2174:
849:
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567:
544:
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1167:(2001), included all of the albums tracks except for "Very Emotional". For their fifth compilation album,
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The album's opening track, "Hearts & Minds", was slowed down from its original recording, and has an
4889:
2299:
1031:
was brought in to help the band at alternative radio stations in the hopes of having them crossover to
982:, where they performed "Don't Let Me Down" and "How Long". Around this time, they released their first
836:" during the middle eight. At Farley's suggestion, the band wanted to include a beat they knew from a
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945:
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songwriting. While noting that a few of the songs had been previously released, Andrew Collins of
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and the Excitements as separate entities, readers of the zine started attending the band's shows.
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N.B. The High Point number in the NAT column represents the release's peak on the national chart.
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796:
707:
673:
632:
475:
271:
156:
43:
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772:
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587:
432:
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three singles, plus "Stepping Stone" and "Mind", was released on 12-inch vinyl under the name
802:"All Together Now" began as "No Man's Land", which Hooton had written after the reaction from
582:. Farley, serving as mixing engineer, suggested the band slow the track down and incorporate
570:
as their next single. Sampson felt they needed an outside influence to aid them, and proposed
482:
SJM Concerts, became one of the band's early supporters, helping to organise shows for them.
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4324:
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2058:
1145:
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447:
436:
386:
4537:
3638:"Groovy Train: The Very Best of the Farm [Deluxe Edition] - The Farm / Release Info"
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stations. Initially support came from the "Groovy Train" video being on active rotation at
1024:
913:
824:
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740:
wrote that the song consisted of an "iridescent African hi-life , quintessentially baggy '
8:
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1051:
Later in the year, the band failed to sell-out a show in Newcastle; Moran told them that
803:
603:
3822:
3409:
2272:
1048:. At that point, Suggs stopped managing the band and returned to this own music career.
517:
under the name Urchin Rock that would include them and fellow Liverpools bands Rain and
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was "conclusive proof that the Farm are more than just another baggy band". Journalist
875:
780:
768:
755:"Higher & Higher" talks about a person facing rejection, which Hooton compared to "
728:
346:
180:
3844:
1159:
were included, albeit in a different running order, on their third compilation album,
917:. Produce Records received offers from various labels to buy them out, including from
897:, cut with some footage of their trip to Ibiza. Before the end of the following week,
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4143:
4113:
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4008:
3987:
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3359:
3355:
2793:
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1997:
1675:
1529:
1427:
1394:
1329:
1317:
1125:
599:
514:
398:
2396:"The Farm's 'Groovy Train' 25th anniversary. Great piece of writing by Peter Hooton"
4807:
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1457:
placed the album at number 32 in their list of the Top 50 Albums of 1991. In 1998,
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283:
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on 26 November 1990. The CD edition featured remixes of the song by Farley &
907:
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72:
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2513:"Produce Records" (Press release). United Kingdom: Anglo Plugging. August 1990.
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in November 1981. Alongside this, Hooton had read newspaper articles about the
715:, while part of its lyrics referred to Hooton and drummer Boulter visiting the
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Together Now" (done by Noel Rafferty). Saunders mixed "Groovy Train" at the
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echoed a similar statement, praising the band's creativity, remarking that
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215:
120:
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3322:"The Song Remains the Same: A Review of the Legalities of Music Sampling"
2863:"Don't Let Me Down 25 Years On – 'things would never be the same again!'"
1989:
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later reported that BMG settled out of court on the matter. In May 2004,
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supported them in Liverpool in May 1987. The Farm then went on tour with
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142:
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2300:"Pop Music : Fans Provide Spark as Farm Shuffles Through Its Songs"
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575:
513:. In an attempt to draw more attention to the band, Hooton concocted a
462:
440:
303:
267:
97:
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990:; it consisted of a live performance of the entire album shot at the
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considered it the 20th worst album of all time. In 2014, journalist
850:"Groovy Train" and "All Together Now" singles, and initial promotion
574:. Around this time, Farley was growing in popularity as a DJ in the
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football stadium in Leeds. They then toured the United States with
3955:
Ian Phillips Interviews The Farm's Peter Hooton & Keith Mullin
365:
included the album on their lists of the year's best 50 releases.
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494:
424:
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382:
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30:
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reported that Produce Records initiated a legal dispute against
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After initially being planned for release on 25 February 1991,
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after its first week of release. It was Album of the Month in
905:. The success of "Groovy Train" allowed the band to appear on
759:" (1982) by the Clash. "Don't Let Me Down" targeted Britain's
676:
said it had all of the hallmarks of baggy, from "its rolling,
4374:"Godfather of Soul struggles to regain his voice of the past"
4059:
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855:
657:
591:
469:. Around this time, the Farm had little money, surviving off
458:
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93:
38:
862:. The location was rising in popularity amongst the British
4665:
894:
2227:"Spartacus – Straight in at Number One – 25th Anniversary"
1435:
conveys "final confirmation of their sharp musical suss".
936:"All Together Now" was released as the second single from
618:. Suggs produced nearly every track that would feature on
562:
Shortly afterwards, the band began working on a cover of "
4182:
4180:
Collins, Andrew (23 February 1991). "Do the Spart, Man".
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1036:
701:
355:
3188:(sleeve). Sire/Reprise/Produce Records. 1992. 9 40333-2.
712:
2273:"The Farm - Spartacus Album Reviews, Songs & More"
2052:
1535:"Very Emotional" (remixed by Heller and Farley) – 6:22
1061:(1991) some months earlier allowed for the success of
1039:. On 1 June 1991, they supported Happy Mondays at the
644:
contributed backing vocals throughout the recordings.
1081:, was released, featuring footage from a show at the
427:. The band's punk rock sound was out of place in the
401:, inspired Hooton to become a writer. He started the
4538:"Liverpudlian boys on the Farm: Workers or rockers?"
2267:
1027:
product management vice president Steven Baker said
933:
stations in the United States as an import release.
3872:
4156:
2161:
2159:
2157:
2155:
2153:
2151:
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1104:; a CD version followed in 1993. In January 1999,
1006:, who the band hired based on his performance in
282:as producer; one track from 1987 was produced by
4881:
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1982:
1980:
1978:
1976:
555:Martin Horn of International Talent Booking and
3785:"Vox Magazine End Of Year Lists... 1990 - 1997"
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2169:(sleeve). Sire/Reprise Records. 1991. CD 26600.
2146:
333:in August 1990, followed by the second single "
4325:"Jones' B.A.D remake is new, but not improved"
3472:"Press Release: 'All Together Now. The Mixes'"
2659:(sleeve). Produce Records. 1991. MILK LP 1 RT.
2457:
2455:
2453:
2048:
2046:
2044:
2042:
2040:
2038:
2036:
2034:
2032:
2030:
1988:
1088:
594:. Though the song stalled at number 59 on the
4681:
4037:Happy Mondays – Excess All Areas: A Biography
2597:(sleeve). Produce Records. 1990. CD milk 102.
2527:(sleeve). Produce Records. 1990. CD milk 102.
2461:
2393:
1973:
1367:Critical opinion was split on the quality of
783:and the planned redevelopment of Liverpool's
705:reported that the band had used samples from
684:hooks". The album's title was taken from the
4349:
4084:
3698:
3686:
3527:(booklet). Crimson Records. 2001. CRIMCD304.
3319:
2829:(sleeve). Produce Records. 1991. CDMILK 104.
2360:
2358:
2356:
2354:
2352:
2350:
2340:
2338:
2336:
1335:
1261:
1211:
960:
306:album that takes influence from the work of
3679:
3677:
3599:All Together Now: The Very Best of the Farm
3525:All Together Now: The Very Best of the Farm
2562:(sleeve). Produce Records. 1990. milk 102T.
2464:"How we made: All Together Now by the Farm"
2450:
2427:
2425:
2423:
2263:
2261:
2259:
2257:
2027:
1173:All Together Now: The Very Best of the Farm
1165:All Together Now: The Very Best of the Farm
1120:had copied from "Higher & Higher". The
578:movement, and was formerly a subscriber to
431:scene in Liverpool, featuring the likes of
4688:
4674:
3733:
3731:
3560:Alltogethernow – The Very Best of the Farm
3258:(sleeve). Produce Records. 1993. MILK BC1.
3223:(sleeve). Produce Records. 1991. MILK BT1.
2297:
1169:Alltogethernow – The Very Best of the Farm
505:; they almost signed to the Housemartins'
29:
4570:
4239:
4198:
4128:
3438:(sleeve). Edsel Records. 2015. FARMBOX01.
3174:and then click on the 107th entry listed.
3065:
3063:
3061:
2443:
2441:
2439:
2437:
2347:
2333:
2121:
2119:
2117:
2115:
2020:
2018:
2016:
1966:
1964:
1918:
1916:
1895:"The Farm Biography, Songs, & Albums"
1892:
1163:(2001). Thieir fourth compilation album,
771:with its acoustic production. Journalist
647:
4402:(March 1991). "Reviews: The New Discs".
3994:
3984:The Complete Studio Recordings 1983–2004
3951:
3815:"Albums and Tracks of the Year for 1991"
3674:
3469:
3436:The Complete Studio Recordings 1983–2004
3407:
3380:
3326:World Intellectual Property Organization
2926:and then click on the 66th entry listed.
2860:
2742:and then click on the 49th entry listed.
2420:
2389:
2387:
2385:
2383:
2381:
2379:
2254:
2224:
2211:
2209:
2207:
2205:
2203:
2201:
2199:
2197:
2082:
2078:
2076:
2074:
2072:
2070:
2068:
1888:
1886:
1884:
1820:
1818:
1799:
1797:
1142:The Complete Studio Recordings 1983–2004
1122:World Intellectual Property Organization
899:A Short Film About Chilling... Ibiza '90
860:A Short Film About Chilling... Ibiza '90
412:and Mick Potter started contributing to
4662:with the Xs Noize Podcast – via YouTube
4633:(23 February 1991). "Ordinary People".
4629:
4535:
4398:
4371:
4179:
4154:
4110:The Charlatans – Northwich Country Boys
3728:
2993:and then click on the 6th entry listed.
1453:magazine's 50 Albums of 1991 list. The
1182:
1177:Groovy Train: The Very Best of the Farm
4882:
4278:
4107:
4087:The Charlatans: The Authorised History
4033:
3911:
3058:
2854:
2434:
2408:from the original on 16 September 2021
2251:Phillips 2022, event occurs at 28:21–8
2112:
2013:
1961:
1934:
1925:
1913:
878:. "Groovy Train" was released as the
524:
4669:
4496:
4457:
4418:
4322:
4135:
4085:Wills, Dominic; Sheehan, Tom (1999).
4058:
3904:
3880:"The Farm ARIA chart history to 2024"
3496:
2746:
2376:
2194:
2065:
1881:
1815:
1794:
1192:
680:grooves" to the "blissfully colorful
266:is the debut studio album by British
4605:
4593:from the original on 15 January 2023
4558:from the original on 15 January 2023
4386:from the original on 15 January 2023
4337:from the original on 15 January 2023
4310:from the original on 5 November 2022
4266:from the original on 4 November 2022
4227:from the original on 4 November 2022
4136:Anon. (10 May 1991). "Sound Bites".
4021:from the original on 15 January 2023
3978:
3962:from the original on 6 November 2022
3939:from the original on 15 January 2023
3644:from the original on 6 November 2022
3505:from the original on 1 November 2022
3478:from the original on 1 November 2022
3416:from the original on 3 November 2022
3389:from the original on 2 November 2022
3332:from the original on 2 November 2022
3301:from the original on 2 November 2022
3143:from the original on 19 January 2018
2962:from the original on 19 January 2018
2895:from the original on 19 January 2018
2869:from the original on 3 November 2022
2807:from the original on 2 November 2022
2711:from the original on 19 January 2018
2476:from the original on 4 November 2022
2279:from the original on 2 November 2022
2233:from the original on 4 November 2022
2091:from the original on 4 November 2022
1901:from the original on 2 November 2022
1547:
1132:as double-CD edition under the name
664:, taking influence from the work of
4536:Petruso, Annette (4 October 1991).
2085:"All Together Now 25th Anniversary"
13:
4571:Richliano, Jim (12 October 1991).
3795:from the original on 29 April 2008
3665:
3139:. United States Copyright Office.
3015:/Produce Records. 1991. 9 40067-2.
2958:. United States Copyright Office.
2891:. United States Copyright Office.
1524:"Higher & Higher" (remixed by
890:singing into a piece of rock at a
14:
4911:
4653:
4523:from the original on 14 July 2022
4484:from the original on 22 June 2022
4445:from the original on 20 June 2022
3918:The Encyclopedia of Popular Music
3851:from the original on 31 July 2017
3845:"Sgt Pepper scorned by new stars"
3765:from the original on 19 July 2017
3499:"New Release : Spartacus 30"
2462:Simpson, Dave (18 January 2021).
2312:from the original on 8 March 2014
2298:Rosenbluth, Jean (10 June 1991).
2053:Sampson, Kevin; The Farm (1998).
1337:
1263:
1256:The Encyclopedia of Popular Music
1213:
732:this! Let's just have a good time
606:to the intro section and added a
393:, coupled with anger towards the
18:1991 studio album by the Farm
4900:Depictions of Spartacus in music
4372:Iverson, Doug (11 August 1991).
4155:Alberts, Sheldon (12 May 1991).
3383:"The Farm – Spartacus 2012 Tour"
2394:Hooton, Peter (27 August 2015).
1469:
1356:
1351:
1346:
1341:
1336:
1282:
1277:
1272:
1267:
1262:
1232:
1227:
1222:
1217:
1212:
810:wearing a coat that resembled a
3952:Phillips, Ian (11 March 2022).
3899:
3863:
3837:
3807:
3777:
3747:
3738:"Official Albums Chart Top 100"
3719:
3710:
3656:
3630:
3591:
3552:
3517:
3490:
3463:
3428:
3401:
3374:
3344:
3313:
3283:
3248:
3213:
3178:
3129:
3090:
3081:
3072:
3049:
3040:
2997:
2948:
2939:
2930:
2881:
2819:
2773:
2764:
2755:
2693:
2684:
2649:
2640:
2631:
2622:
2587:
2552:
2517:
2506:
2497:
2488:
2367:
2324:
2291:
2245:
2218:
2137:
2128:
2103:
2004:
1952:
1943:
1872:
1863:
4895:The Farm (British band) albums
4581:. Vol. 103, no. 41.
4353:(June 1991). "Five Bob Show".
4323:Hayes, John (4 October 1991).
4040:(paperback ed.). London:
3320:Challis, Ben (November 2009).
2705:United States Copyright Office
1854:
1845:
1836:
1827:
1806:
1785:
1776:
1155:(1998). All of the songs from
832:' rendition of the 1969 song "
451:joined. They then appeared on
1:
4066:(hardback ed.). London:
3847:. BBC News. 9 December 1998.
3744:. Retrieved 6 November 2022.
3470:The Farm (13 December 2020).
3078:Wills; Sheehan 1999, pp. 72–3
2792:. 20 April 1991. p. 23.
2083:The Farm (26 November 2015).
1769:
725:the release of Nelson Mandela
568:Paul Revere & the Raiders
397:following a speech by leader
368:
4695:
1747:
1732:
1595:Paula David – backing vocals
1539:
1498:"Higher & Higher" – 4:38
1023:in the US on 30 April 1991.
757:Should I Stay or Should I Go
7:
3999:. In Buckley, Peter (ed.).
1754:
1601:– additional backing vocals
1482:"Hearts & Minds" – 4:24
1411:damning". Gary Crossing of
1089:Related releases and events
806:towards British politician
373:Influenced by the likes of
10:
4916:
4660:Interview with Pete Hooton
4606:Robb, John (12 May 1990).
3381:The Farm (30 March 2012).
2225:The Farm (11 March 2016).
2061:. ESSCD 595/GSA0000595ESS.
1636:Gary Wilkinson – engineer
1488:"Sweet Inspiration" – 5:29
844:
686:1960 film of the same name
234:Released: 26 November 1990
4824:
4815:The Very Best of The Farm
4799:
4769:
4703:
4497:Mann, Bill, ed. (1991c).
4458:Mann, Bill, ed. (1991b).
4419:Mann, Bill, ed. (1991a).
3995:Simmonds, Jeremy (2003).
2945:Spence 2015, pp. 258, 259
2761:Higginbotham 1991, p. 114
1994:The Very Best of the Farm
1737:
1725:
1718:
1715:
1702:
1669:Noel Rafferty – engineer
1200:
1197:
1161:The Very Best of the Farm
961:Album release and touring
858:, where they would shoot
668:, the Clash and the Jam.
549:promote them on the radio
255:
208:
197:
193:
163:
155:
129:
119:
103:
87:
66:
58:
50:
37:
28:
23:
4242:"Have you seen Ben Hur?"
4240:Crossing, Gary (1991b).
4199:Crossing, Gary (1991a).
3410:"Rescheduled Tour Dates"
2269:Erlewine, Stephen Thomas
1614:Graham "Suggs" McPherson
925:, which was operated by
919:Sony Music Entertainment
652:Musically, the sound of
459:Graham "Suggs" McPherson
280:Graham "Suggs" McPherson
221:Released: 20 August 1990
138:Graham "Suggs" McPherson
4330:Pittsburgh Post-Gazette
4001:The Rough Guide to Rock
3742:Official Charts Company
3497:Leigh (21 March 2021).
3408:The Farm (4 May 2012).
2861:The Farm (6 May 2016).
1628:(tracks 1–3, 5–7 and 9)
1626:Kevin Petri – engineer
1514:"Very Emotional" – 4:41
1511:"Tell the Story" – 3:39
799:" (1978) by the Clash.
674:Stephen Thomas Erlewine
476:Caledonian Road, London
433:Echo & the Bunnymen
247:Released: 22 April 1991
4129:Journals and magazines
4108:Wilson, Susan (1997).
4034:Spence, Simon (2015).
3890:– via Imgur.com.
1708:Chart performance for
1544:Personnel per sleeve.
1508:"Family of Man" – 4:44
1093:In 1991, a box set of
1019:Sire Records released
957:12-inch vinyl record.
946:Shepherd's Bush Empire
656:has been described as
648:Composition and lyrics
329:" was released as its
4608:"Digging for Victory"
4112:. London: UFO Music.
3683:Crossing 1991a, p. 20
3102:Castle Music Pictures
2936:Richliano 1991, p. 36
2494:Simmonds 2003, p. 361
2330:Crossing 1991b, p. 29
2215:Crossing 1991b, p. 30
1958:Robb 2015, pp. 26, 28
1833:Robb 2015, pp. 17, 18
1608:Production and design
1567:Steve Grimes – guitar
1564:Keith Mullin – guitar
1474:All songs written by
1146:BMG Rights Management
640:that Suggs knew, and
437:the Teardrop Explodes
4139:St. Petersburg Times
3755:"Groove on the Move"
3671:Larkin 2006, p. 1084
3291:"Rustlers Raid Farm"
2690:Mann ed. 1991b, p. 2
2646:Mann ed. 1991c, p. 2
2637:Mann ed. 1991a, p. 2
2010:Robb 2015, pp. 29–30
1618:(all except track 8)
1590:Additional musicians
1405:St. Petersburg Times
1188:Professional ratings
1183:Reception and legacy
1025:Warner Bros. Records
793:Risley Remand Centre
341:in June 1991 at the
4573:"New on the Charts"
3825:on 14 November 2011
3789:rocklistmusic.co.uk
3695:Linehan 1991, p. 72
3662:Alberts 1991, p. 51
3611:cite AV media notes
3572:cite AV media notes
3533:cite AV media notes
3444:cite AV media notes
3297:. 28 January 1999.
3264:cite AV media notes
3229:cite AV media notes
3194:cite AV media notes
3110:cite AV media notes
3021:cite AV media notes
2835:cite AV media notes
2827:"Don't Let Me Down"
2665:cite AV media notes
2628:Spence 2015, p. 246
2603:cite AV media notes
2568:cite AV media notes
2533:cite AV media notes
2431:Stanley 1991, p. 35
2364:Collins 1991, p. 31
2344:Petruso 1991, p. 10
2175:cite AV media notes
2143:Robb 2015, pp. 31–2
2109:Robb 2015, pp. 30–1
1992:; The Farm (2001).
1949:Spence 2015, p. 323
1791:Robb 2015, pp. 13–4
1726:Australian Albums (
1712:
1189:
1083:Royal Court Theatre
911:twice, and once on
752:-aping guitarwork.
729:political prisoners
525:Label and recording
465:, both formerly of
4800:Compilation albums
4784:Love See No Colour
4543:The Michigan Daily
4351:Higginbotham, Adam
3905:Books and AV media
3716:Iverson 1991, p. 3
3707:Harris 1991, p. 44
3618:Unknown parameter
3579:Unknown parameter
3540:Unknown parameter
3451:Unknown parameter
3271:Unknown parameter
3236:Unknown parameter
3201:Unknown parameter
3186:"All Together Now"
3117:Unknown parameter
3087:Wilson 1997, p. 18
3055:Suggs 2013, p. 214
3028:Unknown parameter
2842:Unknown parameter
2672:Unknown parameter
2657:Spartacus Re-mixes
2610:Unknown parameter
2575:Unknown parameter
2540:Unknown parameter
2373:Petruso 1991, p. 8
2182:Unknown parameter
2059:Essential! Records
1707:
1689:(tracks 11 and 12)
1680:(tracks 11 and 12)
1478:and Steve Grimes.
1449:, and included in
1187:
876:Big Audio Dynamite
769:the Pale Fountains
347:Big Audio Dynamite
181:Love See No Colour
78:Liquidator, London
4890:1991 debut albums
4877:
4876:
4868:Don't You Want Me
4854:Don't Let Me Down
4158:"Recent Releases"
4077:978-0-85738-953-4
4051:978-1-78131-499-9
4014:978-1-84353-105-0
3725:Anon. 1991, p. 18
3605:. 2009. MCDLX110.
3603:Music Club Deluxe
3566:. 2004. DMGTV006.
3362:on 30 August 2004
3356:Demon Music Group
3156:All Together Now
3104:. 1991. CMP 6063.
3046:Hayes 1991, p. 18
2305:Los Angeles Times
1752:
1751:
1699:
1698:
1690:
1681:
1672:
1666:
1657:
1648:
1639:
1633:
1629:
1623:
1619:
1503:Don't Let Me Down
1485:"How Long" – 3:38
1365:
1364:
1134:Spartacus... Plus
1112:, claiming that "
1110:BMG Entertainment
785:Royal Albert Dock
763:, anchored by as
532:Littlewoods Pools
457:, where they met
399:Margaret Thatcher
259:
258:
242:Don't Let Me Down
189:
188:
4907:
4847:All Together Now
4808:Best of The Farm
4690:
4683:
4676:
4667:
4666:
4648:
4626:
4612:
4602:
4600:
4598:
4567:
4565:
4563:
4532:
4530:
4528:
4522:
4503:
4493:
4491:
4489:
4483:
4464:
4454:
4452:
4450:
4444:
4425:
4415:
4395:
4393:
4391:
4368:
4346:
4344:
4342:
4319:
4317:
4315:
4309:
4288:
4282:(2 March 1991).
4275:
4273:
4271:
4265:
4246:
4236:
4234:
4232:
4226:
4205:
4195:
4176:
4160:
4151:
4123:
4104:
4081:
4068:Quercus Editions
4055:
4030:
4028:
4026:
3991:
3975:
3969:
3967:
3948:
3946:
3944:
3893:
3891:
3889:
3887:
3876:
3870:
3869:Robb 2015, p. 36
3867:
3861:
3860:
3858:
3856:
3841:
3835:
3834:
3832:
3830:
3821:. Archived from
3811:
3805:
3804:
3802:
3800:
3781:
3775:
3774:
3772:
3770:
3751:
3745:
3735:
3726:
3723:
3717:
3714:
3708:
3705:
3696:
3693:
3684:
3681:
3672:
3669:
3663:
3660:
3654:
3653:
3651:
3649:
3634:
3628:
3627:
3621:
3616:
3614:
3606:
3595:
3589:
3588:
3582:
3577:
3575:
3567:
3556:
3550:
3549:
3543:
3538:
3536:
3528:
3521:
3515:
3514:
3512:
3510:
3494:
3488:
3487:
3485:
3483:
3467:
3461:
3460:
3454:
3449:
3447:
3439:
3432:
3426:
3425:
3423:
3421:
3405:
3399:
3398:
3396:
3394:
3378:
3372:
3371:
3369:
3367:
3358:. Archived from
3352:"Latest Release"
3348:
3342:
3341:
3339:
3337:
3317:
3311:
3310:
3308:
3306:
3287:
3281:
3280:
3274:
3269:
3267:
3259:
3252:
3246:
3245:
3239:
3234:
3232:
3224:
3217:
3211:
3210:
3204:
3199:
3197:
3189:
3182:
3176:
3172:Date (ascending)
3152:
3150:
3148:
3137:"Public Catalog"
3133:
3127:
3126:
3120:
3115:
3113:
3105:
3094:
3088:
3085:
3079:
3076:
3070:
3069:Robb 2015, p. 37
3067:
3056:
3053:
3047:
3044:
3038:
3037:
3031:
3026:
3024:
3016:
3001:
2995:
2991:Date (ascending)
2971:
2969:
2967:
2956:"Public Catalog"
2952:
2946:
2943:
2937:
2934:
2928:
2924:Date (ascending)
2904:
2902:
2900:
2889:"Public Catalog"
2885:
2879:
2878:
2876:
2874:
2858:
2852:
2851:
2845:
2840:
2838:
2830:
2823:
2817:
2816:
2814:
2812:
2806:
2785:
2777:
2771:
2770:Robb 2015, p. 34
2768:
2762:
2759:
2753:
2750:
2744:
2740:Date (ascending)
2720:
2718:
2716:
2701:"Public Catalog"
2697:
2691:
2688:
2682:
2681:
2675:
2670:
2668:
2660:
2653:
2647:
2644:
2638:
2635:
2629:
2626:
2620:
2619:
2613:
2608:
2606:
2598:
2591:
2585:
2584:
2578:
2573:
2571:
2563:
2556:
2550:
2549:
2543:
2538:
2536:
2528:
2521:
2515:
2514:
2510:
2504:
2503:Robb 2015, p. 32
2501:
2495:
2492:
2486:
2485:
2483:
2481:
2459:
2448:
2447:Robb 2015, p. 33
2445:
2432:
2429:
2418:
2417:
2415:
2413:
2391:
2374:
2371:
2365:
2362:
2345:
2342:
2331:
2328:
2322:
2321:
2319:
2317:
2295:
2289:
2288:
2286:
2284:
2265:
2252:
2249:
2243:
2242:
2240:
2238:
2222:
2216:
2213:
2192:
2191:
2185:
2180:
2178:
2170:
2163:
2144:
2141:
2135:
2134:Robb 1990, p. 12
2132:
2126:
2125:Robb 2015, p. 31
2123:
2110:
2107:
2101:
2100:
2098:
2096:
2080:
2063:
2062:
2055:Best of the Farm
2050:
2025:
2024:Robb 2015, p. 30
2022:
2011:
2008:
2002:
2001:
1986:
1971:
1970:Robb 2015, p. 29
1968:
1959:
1956:
1950:
1947:
1941:
1940:Robb 2015, p. 22
1938:
1932:
1931:Robb 2015, p. 28
1929:
1923:
1922:Robb 2015, p. 27
1920:
1911:
1910:
1908:
1906:
1890:
1879:
1878:Robb 2015, p. 23
1876:
1870:
1869:Robb 2015, p. 21
1867:
1861:
1860:Robb 2015, p. 20
1858:
1852:
1851:Robb 2015, p. 19
1849:
1843:
1842:Robb 2015, p. 18
1840:
1834:
1831:
1825:
1824:Robb 2015, p. 16
1822:
1813:
1812:Robb 2015, p. 14
1810:
1804:
1803:Robb 2015, p. 15
1801:
1792:
1789:
1783:
1782:Robb 2015, p. 12
1780:
1713:
1706:
1688:
1679:
1670:
1664:
1655:
1646:
1637:
1631:
1627:
1621:
1617:
1548:
1519:All Together Now
1373:
1361:
1360:
1359:
1355:
1354:
1350:
1349:
1345:
1344:
1340:
1339:
1287:
1286:
1285:
1281:
1280:
1276:
1275:
1271:
1270:
1266:
1265:
1237:
1236:
1235:
1231:
1230:
1226:
1225:
1221:
1220:
1216:
1215:
1190:
1186:
1153:Best of the Farm
1140:was included in
1099:
1046:Downtown Science
872:Alexandra Palace
804:right-wing press
789:peaceful protest
735:
638:session vocalist
596:UK Singles Chart
503:the Housemartins
454:Oxford Road Show
351:Downtown Science
335:All Together Now
284:the Housemartins
248:
245:
235:
232:
229:All Together Now
222:
219:
165:
164:
115:
114:
110:
33:
21:
20:
4915:
4914:
4910:
4909:
4908:
4906:
4905:
4904:
4880:
4879:
4878:
4873:
4820:
4795:
4765:
4699:
4694:
4656:
4651:
4610:
4596:
4594:
4561:
4559:
4526:
4524:
4520:
4501:
4499:"First Reports"
4487:
4485:
4481:
4462:
4460:"First Reports"
4448:
4446:
4442:
4423:
4421:"First Reports"
4400:Linehan, Graham
4389:
4387:
4340:
4338:
4313:
4311:
4307:
4286:
4269:
4267:
4263:
4244:
4230:
4228:
4224:
4203:
4131:
4126:
4120:
4101:
4078:
4052:
4024:
4022:
4015:
3965:
3963:
3942:
3940:
3933:
3907:
3902:
3897:
3896:
3885:
3883:
3878:
3877:
3873:
3868:
3864:
3854:
3852:
3843:
3842:
3838:
3828:
3826:
3813:
3812:
3808:
3798:
3796:
3783:
3782:
3778:
3768:
3766:
3753:
3752:
3748:
3736:
3729:
3724:
3720:
3715:
3711:
3706:
3699:
3694:
3687:
3682:
3675:
3670:
3666:
3661:
3657:
3647:
3645:
3636:
3635:
3631:
3619:
3617:
3608:
3607:
3597:
3596:
3592:
3580:
3578:
3569:
3568:
3558:
3557:
3553:
3541:
3539:
3530:
3529:
3523:
3522:
3518:
3508:
3506:
3495:
3491:
3481:
3479:
3468:
3464:
3452:
3450:
3441:
3440:
3434:
3433:
3429:
3419:
3417:
3406:
3402:
3392:
3390:
3379:
3375:
3365:
3363:
3350:
3349:
3345:
3335:
3333:
3318:
3314:
3304:
3302:
3289:
3288:
3284:
3272:
3270:
3261:
3260:
3254:
3253:
3249:
3237:
3235:
3226:
3225:
3219:
3218:
3214:
3202:
3200:
3191:
3190:
3184:
3183:
3179:
3146:
3144:
3135:
3134:
3130:
3118:
3116:
3107:
3106:
3096:
3095:
3091:
3086:
3082:
3077:
3073:
3068:
3059:
3054:
3050:
3045:
3041:
3029:
3027:
3018:
3017:
3003:
3002:
2998:
2965:
2963:
2954:
2953:
2949:
2944:
2940:
2935:
2931:
2898:
2896:
2887:
2886:
2882:
2872:
2870:
2859:
2855:
2843:
2841:
2832:
2831:
2825:
2824:
2820:
2810:
2808:
2804:
2783:
2779:
2778:
2774:
2769:
2765:
2760:
2756:
2752:Robb 2015, p. 5
2751:
2747:
2714:
2712:
2699:
2698:
2694:
2689:
2685:
2673:
2671:
2662:
2661:
2655:
2654:
2650:
2645:
2641:
2636:
2632:
2627:
2623:
2611:
2609:
2600:
2599:
2593:
2592:
2588:
2576:
2574:
2565:
2564:
2558:
2557:
2553:
2541:
2539:
2530:
2529:
2523:
2522:
2518:
2512:
2511:
2507:
2502:
2498:
2493:
2489:
2479:
2477:
2460:
2451:
2446:
2435:
2430:
2421:
2411:
2409:
2401:Louder Than War
2392:
2377:
2372:
2368:
2363:
2348:
2343:
2334:
2329:
2325:
2315:
2313:
2296:
2292:
2282:
2280:
2266:
2255:
2250:
2246:
2236:
2234:
2223:
2219:
2214:
2195:
2183:
2181:
2172:
2171:
2165:
2164:
2147:
2142:
2138:
2133:
2129:
2124:
2113:
2108:
2104:
2094:
2092:
2081:
2066:
2051:
2028:
2023:
2014:
2009:
2005:
1987:
1974:
1969:
1962:
1957:
1953:
1948:
1944:
1939:
1935:
1930:
1926:
1921:
1914:
1904:
1902:
1893:Ankeny, Jason.
1891:
1882:
1877:
1873:
1868:
1864:
1859:
1855:
1850:
1846:
1841:
1837:
1832:
1828:
1823:
1816:
1811:
1807:
1802:
1795:
1790:
1786:
1781:
1777:
1772:
1757:
1720:
1705:
1700:
1542:
1472:
1443:UK Albums Chart
1371:
1357:
1352:
1347:
1342:
1283:
1278:
1273:
1268:
1233:
1228:
1223:
1218:
1185:
1097:
1091:
1067:Alice in Chains
1029:Reprise Records
963:
908:Top of the Pops
874:in London with
852:
847:
820:First World War
816:Christmas truce
733:
678:neo-psychedelic
650:
628:Mayfair Studios
527:
519:the Real People
410:Time for Action
371:
251:
246:
239:
238:
233:
226:
225:
220:
213:
212:
184:
175:
112:
108:
107:
46:
19:
12:
11:
5:
4913:
4903:
4902:
4897:
4892:
4875:
4874:
4872:
4871:
4864:
4857:
4850:
4843:
4836:
4833:Stepping Stone
4828:
4826:
4822:
4821:
4819:
4818:
4811:
4803:
4801:
4797:
4796:
4794:
4793:
4786:
4781:
4773:
4771:
4767:
4766:
4764:
4763:
4760:
4757:
4754:
4751:
4748:
4747:Phil Strongman
4744:
4743:
4736:
4731:
4724:
4717:
4712:
4704:
4701:
4700:
4693:
4692:
4685:
4678:
4670:
4664:
4663:
4655:
4654:External links
4652:
4650:
4649:
4627:
4603:
4568:
4533:
4494:
4455:
4416:
4396:
4369:
4347:
4320:
4276:
4237:
4196:
4177:
4164:Calgary Herald
4152:
4132:
4130:
4127:
4125:
4124:
4118:
4105:
4099:
4082:
4076:
4056:
4050:
4031:
4013:
3992:
3976:
3949:
3931:
3908:
3906:
3903:
3901:
3898:
3895:
3894:
3871:
3862:
3836:
3806:
3776:
3746:
3727:
3718:
3709:
3697:
3685:
3673:
3664:
3655:
3629:
3590:
3551:
3516:
3489:
3462:
3427:
3400:
3373:
3343:
3312:
3282:
3247:
3212:
3177:
3162:field, select
3128:
3098:Spartacus Live
3089:
3080:
3071:
3057:
3048:
3039:
3005:"Groovy Train"
2996:
2981:field, select
2947:
2938:
2929:
2914:field, select
2880:
2853:
2818:
2772:
2763:
2754:
2745:
2730:field, select
2692:
2683:
2648:
2639:
2630:
2621:
2595:"Groovy Train"
2586:
2560:"Groovy Train"
2551:
2525:"Groovy Train"
2516:
2505:
2496:
2487:
2449:
2433:
2419:
2375:
2366:
2346:
2332:
2323:
2290:
2253:
2244:
2217:
2193:
2145:
2136:
2127:
2111:
2102:
2064:
2026:
2012:
2003:
1972:
1960:
1951:
1942:
1933:
1924:
1912:
1880:
1871:
1862:
1853:
1844:
1835:
1826:
1814:
1805:
1793:
1784:
1774:
1773:
1771:
1768:
1767:
1766:
1756:
1753:
1750:
1749:
1746:
1735:
1734:
1731:
1723:
1722:
1717:
1704:
1701:
1697:
1696:
1692:
1691:
1682:
1673:
1667:
1661:Stan Cullimore
1658:
1649:
1640:
1634:
1624:
1604:
1603:
1602:
1596:
1587:
1586:
1580:
1579:– synthesizers
1574:
1568:
1565:
1562:
1546:
1541:
1538:
1537:
1536:
1533:
1522:
1515:
1512:
1509:
1506:
1499:
1496:
1489:
1486:
1483:
1471:
1468:
1400:Graham Linehan
1363:
1362:
1333:
1325:
1324:
1321:
1313:
1312:
1309:
1301:
1300:
1297:
1289:
1288:
1259:
1251:
1250:
1247:
1244:Calgary Herald
1239:
1238:
1209:
1203:
1202:
1199:
1195:
1194:
1184:
1181:
1090:
1087:
1079:Spartacus Live
1004:Frankie Howerd
992:London Astoria
976:Nicky Campbell
962:
959:
851:
848:
846:
843:
791:in regards to
748:and slashing"
649:
646:
564:Stepping Stone
526:
523:
507:Stan Cullimore
493:, one half of
370:
367:
292:Stan Cullimore
257:
256:
253:
252:
250:
249:
236:
223:
209:
206:
205:
195:
194:
191:
190:
187:
186:
177:
168:
161:
160:
153:
152:
151:
150:
148:Stan Cullimore
145:
140:
133:
127:
126:
123:
117:
116:
105:
101:
100:
91:
85:
84:
83:
82:
81:Fairview, Hull
79:
76:
68:
64:
63:
60:
56:
55:
52:
48:
47:
42:
35:
34:
26:
25:
17:
9:
6:
4:
3:
2:
4912:
4901:
4898:
4896:
4893:
4891:
4888:
4887:
4885:
4869:
4865:
4862:
4858:
4855:
4851:
4848:
4844:
4841:
4837:
4834:
4830:
4829:
4827:
4823:
4817:
4816:
4812:
4810:
4809:
4805:
4804:
4802:
4798:
4792:
4791:
4787:
4785:
4782:
4780:
4779:
4775:
4774:
4772:
4770:Studio albums
4768:
4761:
4758:
4755:
4753:Anthony Evans
4752:
4749:
4746:
4745:
4742:
4741:
4737:
4735:
4732:
4730:
4729:
4725:
4723:
4722:
4718:
4716:
4713:
4711:
4710:
4706:
4705:
4702:
4698:
4691:
4686:
4684:
4679:
4677:
4672:
4671:
4668:
4661:
4658:
4657:
4646:
4642:
4638:
4637:
4632:
4628:
4624:
4620:
4616:
4609:
4604:
4592:
4588:
4584:
4580:
4579:
4574:
4569:
4557:
4553:
4549:
4545:
4544:
4539:
4534:
4519:
4515:
4511:
4507:
4500:
4495:
4480:
4476:
4472:
4468:
4461:
4456:
4441:
4437:
4433:
4429:
4422:
4417:
4413:
4409:
4405:
4401:
4397:
4385:
4381:
4380:
4375:
4370:
4366:
4362:
4358:
4357:
4352:
4348:
4336:
4332:
4331:
4326:
4321:
4306:
4302:
4298:
4294:
4293:
4285:
4281:
4277:
4262:
4258:
4254:
4250:
4249:Record Mirror
4243:
4238:
4223:
4219:
4215:
4211:
4210:
4209:Record Mirror
4202:
4197:
4193:
4189:
4185:
4184:
4178:
4174:
4170:
4166:
4165:
4159:
4153:
4149:
4145:
4141:
4140:
4134:
4133:
4121:
4119:0-7535-0494-4
4115:
4111:
4106:
4102:
4100:0-7535-0194-5
4096:
4092:
4088:
4083:
4079:
4073:
4069:
4065:
4061:
4057:
4053:
4047:
4043:
4039:
4038:
4032:
4020:
4016:
4010:
4006:
4002:
3998:
3993:
3989:
3988:Edsel Records
3985:
3981:
3977:
3973:
3961:
3957:
3956:
3950:
3938:
3934:
3932:9780857125958
3928:
3924:
3923:Omnibus Press
3920:
3919:
3914:
3913:Larkin, Colin
3910:
3909:
3881:
3875:
3866:
3850:
3846:
3840:
3824:
3820:
3816:
3810:
3794:
3790:
3786:
3780:
3764:
3760:
3756:
3750:
3743:
3739:
3734:
3732:
3722:
3713:
3704:
3702:
3692:
3690:
3680:
3678:
3668:
3659:
3643:
3639:
3633:
3625:
3620:|people=
3612:
3604:
3600:
3594:
3586:
3581:|people=
3573:
3565:
3561:
3555:
3547:
3542:|people=
3534:
3526:
3520:
3504:
3500:
3493:
3477:
3473:
3466:
3458:
3453:|people=
3445:
3437:
3431:
3415:
3411:
3404:
3388:
3384:
3377:
3361:
3357:
3353:
3347:
3331:
3327:
3323:
3316:
3300:
3296:
3292:
3286:
3278:
3273:|people=
3265:
3257:
3251:
3243:
3238:|people=
3230:
3222:
3216:
3208:
3203:|people=
3195:
3187:
3181:
3175:
3171:
3167:
3163:
3159:
3155:
3142:
3138:
3132:
3124:
3119:|people=
3111:
3103:
3099:
3093:
3084:
3075:
3066:
3064:
3062:
3052:
3043:
3035:
3030:|people=
3022:
3014:
3010:
3006:
3000:
2994:
2990:
2986:
2982:
2978:
2975:Groovy Train
2974:
2961:
2957:
2951:
2942:
2933:
2927:
2923:
2919:
2915:
2911:
2907:
2894:
2890:
2884:
2868:
2864:
2857:
2849:
2844:|people=
2836:
2828:
2822:
2803:
2799:
2795:
2791:
2790:
2782:
2776:
2767:
2758:
2749:
2743:
2739:
2735:
2731:
2727:
2723:
2710:
2706:
2702:
2696:
2687:
2679:
2674:|people=
2666:
2658:
2652:
2643:
2634:
2625:
2617:
2612:|people=
2604:
2596:
2590:
2582:
2577:|people=
2569:
2561:
2555:
2547:
2542:|people=
2534:
2526:
2520:
2509:
2500:
2491:
2475:
2471:
2470:
2465:
2458:
2456:
2454:
2444:
2442:
2440:
2438:
2428:
2426:
2424:
2407:
2403:
2402:
2397:
2390:
2388:
2386:
2384:
2382:
2380:
2370:
2361:
2359:
2357:
2355:
2353:
2351:
2341:
2339:
2337:
2327:
2311:
2307:
2306:
2301:
2294:
2278:
2274:
2270:
2264:
2262:
2260:
2258:
2248:
2232:
2228:
2221:
2212:
2210:
2208:
2206:
2204:
2202:
2200:
2198:
2189:
2184:|people=
2176:
2168:
2162:
2160:
2158:
2156:
2154:
2152:
2150:
2140:
2131:
2122:
2120:
2118:
2116:
2106:
2090:
2086:
2079:
2077:
2075:
2073:
2071:
2069:
2060:
2056:
2049:
2047:
2045:
2043:
2041:
2039:
2037:
2035:
2033:
2031:
2021:
2019:
2017:
2007:
1999:
1995:
1991:
1985:
1983:
1981:
1979:
1977:
1967:
1965:
1955:
1946:
1937:
1928:
1919:
1917:
1900:
1896:
1889:
1887:
1885:
1875:
1866:
1857:
1848:
1839:
1830:
1821:
1819:
1809:
1800:
1798:
1788:
1779:
1775:
1764:
1763:
1762:Some Friendly
1759:
1758:
1744:
1740:
1736:
1729:
1724:
1716:Chart (1991)
1714:
1711:
1695:
1686:
1683:
1677:
1674:
1668:
1662:
1659:
1653:
1650:
1644:
1643:Mark Saunders
1641:
1635:
1625:
1615:
1612:
1611:
1610:
1609:
1605:
1600:
1597:
1594:
1593:
1592:
1591:
1584:
1581:
1578:
1575:
1572:
1569:
1566:
1563:
1561:– lead vocals
1560:
1557:
1556:
1555:
1554:
1550:
1549:
1545:
1534:
1531:
1527:
1523:
1520:
1516:
1513:
1510:
1507:
1504:
1500:
1497:
1494:
1490:
1487:
1484:
1481:
1480:
1479:
1477:
1470:Track listing
1467:
1464:
1460:
1456:
1452:
1448:
1444:
1440:
1436:
1434:
1430:
1429:
1425:, writing in
1424:
1420:
1416:
1415:
1414:Record Mirror
1408:
1406:
1401:
1397:
1396:
1391:
1390:
1385:
1384:
1379:
1378:
1370:
1334:
1332:
1331:
1327:
1326:
1322:
1320:
1319:
1315:
1314:
1310:
1308:
1307:
1306:Record Mirror
1303:
1302:
1298:
1296:
1295:
1291:
1290:
1260:
1258:
1257:
1253:
1252:
1248:
1246:
1245:
1241:
1240:
1210:
1208:
1205:
1204:
1196:
1193:Review scores
1191:
1180:
1178:
1174:
1170:
1166:
1162:
1158:
1154:
1149:
1147:
1143:
1139:
1135:
1131:
1127:
1126:Edsel Records
1123:
1119:
1115:
1111:
1107:
1103:
1096:
1086:
1084:
1080:
1076:
1072:
1068:
1065:acts such as
1064:
1060:
1059:
1054:
1049:
1047:
1042:
1038:
1034:
1030:
1026:
1022:
1017:
1015:
1011:
1010:
1005:
1001:
995:
993:
989:
985:
981:
977:
972:
968:
958:
956:
952:
947:
943:
939:
934:
932:
928:
927:Seymour Stein
924:
920:
916:
915:
910:
909:
904:
901:premiered on
900:
896:
893:
889:
885:
881:
877:
873:
869:
865:
861:
857:
842:
839:
835:
831:
827:
826:
821:
817:
813:
812:donkey jacket
809:
805:
800:
798:
794:
790:
786:
782:
778:
777:Jimmy Tarbuck
774:
770:
766:
762:
758:
753:
751:
747:
743:
742:Funky Drummer
739:
730:
727:and is about
726:
722:
718:
714:
710:
709:
704:
703:
697:
694:
689:
687:
683:
679:
675:
671:
667:
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645:
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639:
634:
629:
625:
621:
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613:
609:
605:
601:
597:
593:
589:
585:
581:
577:
573:
569:
565:
560:
558:
557:press officer
554:
553:booking agent
550:
546:
541:
537:
533:
522:
520:
516:
512:
508:
504:
500:
499:Happy Mondays
496:
492:
491:Bill Drummond
488:
487:Northern soul
483:
481:
477:
472:
468:
464:
460:
456:
455:
449:
446:
442:
438:
434:
430:
426:
421:
419:
415:
411:
407:
404:
400:
396:
392:
388:
384:
380:
377:acts such as
376:
366:
364:
363:
358:
357:
352:
348:
344:
340:
339:Happy Mondays
336:
332:
328:
323:
319:
317:
313:
309:
305:
301:
297:
293:
289:
285:
281:
277:
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118:
106:
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99:
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74:
71:
70:
69:
65:
61:
57:
53:
49:
45:
40:
36:
32:
27:
22:
16:
4840:Groovy Train
4813:
4806:
4788:
4783:
4777:
4776:
4759:George Maher
4738:
4734:Keith Mullin
4733:
4726:
4719:
4715:Steve Grimes
4714:
4709:Peter Hooton
4707:
4636:Melody Maker
4634:
4631:Stanley, Bob
4614:
4595:. Retrieved
4576:
4560:. Retrieved
4541:
4525:. Retrieved
4505:
4486:. Retrieved
4466:
4447:. Retrieved
4427:
4403:
4388:. Retrieved
4379:Toledo Blade
4377:
4354:
4339:. Retrieved
4328:
4312:. Retrieved
4290:
4280:Harris, John
4268:. Retrieved
4248:
4229:. Retrieved
4207:
4181:
4162:
4137:
4109:
4091:Virgin Books
4086:
4063:
4035:
4023:. Retrieved
4005:Rough Guides
4000:
3990:. FARMBOX01.
3983:
3970:– via
3964:. Retrieved
3954:
3941:. Retrieved
3917:
3900:Bibliography
3884:. Retrieved
3874:
3865:
3853:. Retrieved
3839:
3829:11 September
3827:. Retrieved
3823:the original
3818:
3809:
3797:. Retrieved
3788:
3779:
3767:. Retrieved
3758:
3749:
3721:
3712:
3667:
3658:
3646:. Retrieved
3640:. AllMusic.
3632:
3598:
3593:
3559:
3554:
3524:
3519:
3507:. Retrieved
3501:. The Farm.
3492:
3480:. Retrieved
3474:. The Farm.
3465:
3435:
3430:
3418:. Retrieved
3412:. The Farm.
3403:
3391:. Retrieved
3385:. The Farm.
3376:
3364:. Retrieved
3360:the original
3346:
3334:. Retrieved
3315:
3303:. Retrieved
3294:
3285:
3255:
3250:
3220:
3215:
3185:
3180:
3173:
3169:
3168:begin search
3165:
3161:
3157:
3153:
3145:. Retrieved
3131:
3097:
3092:
3083:
3074:
3051:
3042:
3004:
2999:
2992:
2988:
2987:begin search
2984:
2980:
2976:
2972:
2964:. Retrieved
2950:
2941:
2932:
2925:
2921:
2920:begin search
2917:
2913:
2909:
2905:
2897:. Retrieved
2883:
2871:. Retrieved
2865:. The Farm.
2856:
2826:
2821:
2809:. Retrieved
2787:
2775:
2766:
2757:
2748:
2741:
2737:
2736:begin search
2733:
2729:
2725:
2721:
2713:. Retrieved
2695:
2686:
2656:
2651:
2642:
2633:
2624:
2594:
2589:
2559:
2554:
2524:
2519:
2508:
2499:
2490:
2478:. Retrieved
2469:The Guardian
2467:
2410:. Retrieved
2399:
2369:
2326:
2314:. Retrieved
2303:
2293:
2281:. Retrieved
2275:. AllMusic.
2247:
2235:. Retrieved
2229:. The Farm.
2220:
2166:
2139:
2130:
2105:
2093:. Retrieved
2087:. The Farm.
2054:
2006:
1993:
1990:Lester, Paul
1954:
1945:
1936:
1927:
1903:. Retrieved
1897:. AllMusic.
1874:
1865:
1856:
1847:
1838:
1829:
1808:
1787:
1778:
1760:
1709:
1693:
1676:Terry Farley
1607:
1606:
1589:
1588:
1559:Peter Hooton
1552:
1551:
1543:
1530:Terry Farley
1493:Groovy Train
1476:Peter Hooton
1473:
1459:Melody Maker
1458:
1454:
1450:
1446:
1438:
1437:
1432:
1426:
1418:
1412:
1409:
1404:
1393:
1389:Toledo Blade
1387:
1383:Melody Maker
1381:
1375:
1368:
1366:
1328:
1316:
1304:
1292:
1254:
1242:
1176:
1172:
1168:
1164:
1160:
1156:
1152:
1150:
1141:
1137:
1133:
1129:
1116:" (1993) by
1105:
1101:
1094:
1092:
1078:
1056:
1050:
1020:
1018:
1007:
996:
988:Groovy Times
987:
971:graphic arts
966:
964:
937:
935:
923:Sire Records
912:
906:
898:
883:
859:
853:
823:
808:Michael Foot
801:
754:
706:
700:
690:
653:
651:
619:
614:" (1989) by
612:The Gas Face
604:middle eight
590:" (1990) by
579:
572:Terry Farley
566:" (1966) by
561:
540:record label
528:
484:
452:
422:
417:
413:
409:
405:
372:
360:
354:
327:Groovy Train
321:
320:
295:
262:
261:
260:
216:Groovy Train
202:
179:
171:
170:
54:4 March 1991
39:Studio album
15:
4762:John Melvin
4750:Andy McVann
4728:Roy Boulter
4721:Carl Hunter
4597:15 November
4562:15 November
4390:15 November
4341:15 November
4042:Aurum Press
3986:(booklet).
3601:(booklet).
3562:(booklet).
2057:(booklet).
2000:. MCCD 456.
1996:(booklet).
1687:– remixing
1685:Pete Heller
1678:– remixing
1663:– producer
1654:– producer
1652:Paul Heaton
1630:, remixing
1620:, remixing
1616:– producer
1583:Roy Boulter
1571:Carl Hunter
1526:Pete Heller
1441:topped the
1423:John Harris
1175:(2009) and
1118:Los del Río
1075:Soundgarden
1041:Elland Road
1009:Up Pompeii!
984:video album
980:BBC Radio 1
955:white label
942:Pete Heller
931:modern rock
880:lead single
830:Sid Vicious
818:during the
781:slade trade
773:Bob Stanley
750:Steve Jones
746:shufflebeat
738:Paul Lester
721:East Berlin
717:Berlin Wall
708:Taxi Driver
624:Paul Heaton
600:psychedelic
536:John Moores
515:music scene
391:John Lennon
343:Elland Road
331:lead single
288:Paul Heaton
143:Paul Heaton
4884:Categories
4790:Hullabaloo
4756:Steve Levy
4527:5 November
4488:5 November
4449:5 November
4314:5 November
4270:4 November
4231:4 November
4089:. London:
4064:That Close
4025:2 November
4003:. London:
3997:"The Farm"
3980:Robb, John
3966:6 November
3943:2 November
3855:2 November
3648:6 November
3509:2 November
3482:3 November
3420:2 November
3393:2 November
3366:2 November
3336:2 November
3305:2 November
3256:Boxsetacus
3221:Boxsetacus
3160:Search for
3147:2 November
3100:(sleeve).
3007:(sleeve).
2979:Search for
2966:2 November
2912:Search for
2908:Spartacus
2899:2 November
2873:3 November
2811:2 November
2789:Music Week
2728:Search for
2724:Spartacus
2715:2 November
2480:4 November
2412:3 November
2283:30 October
2237:4 November
2095:4 November
1998:Music Club
1905:26 October
1770:References
1671:(track 10)
1599:Pete Wylie
1157:Sparatacus
1102:Boxsetacus
951:Madchester
825:Canon in D
761:underclass
662:dance-rock
642:Pete Wylie
576:acid house
463:Chas Smash
395:Tory party
369:Background
304:dance-rock
296:Spartacus
203:Spartacus
159:chronology
98:dance-rock
62:1987, 1990
4778:Spartacus
4740:Ben Leach
4645:0025-9012
4623:0144-5774
4587:0006-2510
4578:Billboard
4552:0745-967X
4514:0144-5774
4475:0144-5774
4436:0144-5774
4412:0959-8367
4365:0959-8367
4301:0144-5774
4257:0144-5804
4218:0144-5804
4192:0028-6362
4173:1197-2823
4148:2327-9052
3622:ignored (
3583:ignored (
3544:ignored (
3455:ignored (
3275:ignored (
3240:ignored (
3205:ignored (
3170:. Sort by
3166:and then
3121:ignored (
3032:ignored (
2989:. Sort by
2985:and then
2922:. Sort by
2918:and then
2846:ignored (
2798:0265-1548
2781:"Singles"
2738:. Sort by
2734:and then
2676:ignored (
2614:ignored (
2579:ignored (
2544:ignored (
2186:ignored (
2167:Spartacus
1739:UK Albums
1721:position
1710:Spartacus
1665:(track 8)
1656:(track 8)
1647:(track 4)
1645:– mixing
1638:(track 4)
1632:(track 8)
1622:(track 8)
1577:Ben Leach
1540:Personnel
1463:John Robb
1439:Spartacus
1433:Spartacus
1419:Spartacus
1403:staff at
1398:, writer
1369:Spartacus
1138:Spartacus
1130:Spartacus
1128:released
1095:Spartacus
1071:Pearl Jam
1058:Nevermind
1021:Spartacus
1000:sell outs
978:show for
967:Spartacus
938:Spartacus
903:Channel 4
892:Southport
888:Bill Dean
884:Spartacus
797:Stay Free
672:reviewer
666:Buzzcocks
654:Spartacus
620:Spartacus
588:The Power
511:synth-pop
471:residuals
445:John Peel
429:post-punk
379:the Clash
375:punk rock
322:Spartacus
312:the Clash
308:Buzzcocks
278:frontman
263:Spartacus
172:Spartacus
24:Spartacus
4697:The Farm
4591:Archived
4556:Archived
4518:Archived
4479:Archived
4440:Archived
4384:Archived
4335:Archived
4305:Archived
4284:"Albums"
4261:Archived
4222:Archived
4201:"Albums"
4062:(2013).
4019:Archived
3982:(2015).
3960:Archived
3937:Archived
3915:(2007).
3849:Archived
3793:Archived
3763:Archived
3642:Archived
3503:Archived
3476:Archived
3414:Archived
3387:Archived
3330:Archived
3299:Archived
3141:Archived
2960:Archived
2893:Archived
2867:Archived
2802:Archived
2709:Archived
2474:Archived
2406:Archived
2310:Archived
2277:Archived
2231:Archived
2089:Archived
1899:Archived
1755:See also
1553:The Farm
1532:) – 6:09
1521:" – 5:41
1505:" – 4:37
1495:" – 4:10
1207:AllMusic
1179:(2017).
1114:Macarena
1014:Gulf War
914:The Word
895:fun fair
670:AllMusic
616:3rd Bass
480:promoter
286:members
272:the Farm
157:The Farm
131:Producer
75:, London
59:Recorded
51:Released
44:the Farm
41: by
4825:Singles
3972:YouTube
3886:26 July
3799:4 March
3769:4 March
3158:in the
3013:Reprise
2977:in the
2910:in the
2726:in the
2316:1 March
1585:– drums
1053:Nirvana
845:Release
838:hip hop
693:offbeat
584:samples
580:The End
545:sampler
495:the KLF
467:Madness
448:session
425:Lydiate
418:The End
414:The End
406:The End
403:fanzine
383:the Jam
316:the Jam
276:Madness
199:Singles
185:(1992)
176:(1991)
125:Produce
73:Mayfair
4643:
4621:
4615:Sounds
4585:
4550:
4512:
4506:Sounds
4473:
4467:Sounds
4434:
4428:Sounds
4410:
4404:Select
4363:
4359:(12).
4356:Select
4299:
4292:Sounds
4255:
4216:
4190:
4171:
4146:
4116:
4097:
4074:
4048:
4011:
3929:
3882:. ARIA
3759:Select
3564:DMG TV
2796:
1703:Charts
1694:
1573:– bass
1447:Select
1428:Sounds
1395:Select
1330:Sounds
1318:Select
1201:Rating
1198:Source
1063:grunge
1033:top 40
834:My Way
765:gospel
696:reggae
610:from "
586:from "
534:owner
104:Length
67:Studio
4611:(PDF)
4521:(PDF)
4502:(PDF)
4482:(PDF)
4463:(PDF)
4443:(PDF)
4424:(PDF)
4406:(9).
4308:(PDF)
4287:(PDF)
4264:(PDF)
4245:(PDF)
4225:(PDF)
4204:(PDF)
4060:Suggs
3164:Title
3154:Enter
2983:Title
2973:Enter
2916:Title
2906:Enter
2805:(PDF)
2784:(PDF)
2732:Title
2722:Enter
1372:'
1098:'
882:from
868:dance
864:youth
856:Ibiza
658:baggy
592:Snap!
387:death
300:baggy
298:is a
270:band
201:from
121:Label
94:Baggy
89:Genre
4861:Mind
4641:ISSN
4619:ISSN
4599:2022
4583:ISSN
4564:2022
4548:ISSN
4529:2022
4510:ISSN
4490:2022
4471:ISSN
4451:2022
4432:ISSN
4408:ISSN
4392:2022
4361:ISSN
4343:2022
4316:2022
4297:ISSN
4272:2022
4253:ISSN
4233:2022
4214:ISSN
4188:ISSN
4169:ISSN
4144:ISSN
4114:ISBN
4095:ISBN
4072:ISBN
4046:ISBN
4027:2022
4009:ISBN
3968:2022
3945:2022
3927:ISBN
3888:2024
3857:2022
3831:2013
3801:2017
3771:2017
3650:2022
3624:help
3585:help
3546:help
3511:2022
3484:2022
3457:help
3422:2022
3395:2022
3368:2022
3338:2022
3307:2022
3277:help
3242:help
3207:help
3149:2022
3123:help
3034:help
3009:Sire
2968:2022
2901:2022
2875:2022
2848:help
2813:2022
2794:ISSN
2717:2022
2678:help
2616:help
2581:help
2546:help
2482:2022
2414:2022
2318:2014
2285:2022
2239:2022
2188:help
2097:2022
1907:2022
1733:106
1728:ARIA
1719:Peak
1528:and
1311:9/10
1299:9/10
1073:and
866:and
660:and
633:Konk
608:loop
461:and
441:Wah!
439:and
381:and
359:and
349:and
314:and
302:and
290:and
268:rock
4183:NME
3819:NME
3295:NME
1743:OCC
1455:NME
1451:Vox
1377:NME
1323:4/5
1294:NME
1106:NME
1037:MTV
719:in
702:NME
682:pop
389:of
362:Vox
356:NME
4886::
4639:.
4617:.
4613:.
4589:.
4575:.
4554:.
4546:.
4540:.
4516:.
4508:.
4504:.
4477:.
4469:.
4465:.
4438:.
4430:.
4426:.
4382:.
4376:.
4333:.
4327:.
4303:.
4295:.
4289:.
4259:.
4251:.
4247:.
4220:.
4212:.
4206:.
4186:.
4167:.
4161:.
4142:.
4093:.
4070:.
4044:.
4017:.
4007:.
3958:.
3935:.
3925:.
3921:.
3817:.
3791:.
3787:.
3761:.
3757:.
3740:.
3730:^
3700:^
3688:^
3676:^
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