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Speedy (film)

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Streetcar magnate W.S. Wilton (Byron Douglas) comes to Pop's home to ask for his price to sell the car line, but Speedy spots a newspaper article and realizes that this is part of a plan to form a streetcar monopoly in the city. He surreptitiously raises Pop's written price from $ 10,000 to $ 70,000.
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At the stadium, Speedy happens to overhear Wilton on the telephone. Wilton has learned that if Pop fails to operate the horsecar every 24 hours he will lose his right to the line, and orders goons to be sent to disrupt the operation. Speedy rushes home and arranges with small-business owners on the
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Again helped by his dog, Speedy finds out where the car has been taken and manages to steal it back. In a madcap chase scene, he brings it back across the city to Pop's tracks, stealing fresh horses, tricking police to avoid being stopped, and replacing a broken wheel with a manhole cover lid.
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on to the kitchen staff by arranging food items in a display case (such as doughnuts for zeroes). But he loses the job after he is ordered to deliver some flowers and lets someone close a car door on them when he gets distracted by a display of baseball scores in a shop window.
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In addition to sequences with audible dialogue or talking sequences, the sound version of the film featured a synchronized musical score and sound effects along with English intertitles. The soundtrack was recorded using the Western Electric sound-on-film system.
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When Wilton sees the horsecar in place, he agrees to meet Pop's price. Speedy says that Pop is a bit deaf and won't hear him until he offers $ 100,000. Wilton agrees, and Speedy suggests to Jane that they plan a visit to Niagara Falls by horsecar.
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in the eponymous leading role. It was Lloyd's last silent film before he converted to sound production. Due to the general public's apathy towards silent films, a sound version was prepared and released in the latter half of 1928.
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Everybody in New York City "is in such a hurry that they take Saturday's bath on Friday so they can do Monday's washing on Sunday." But in one slower-paced, "old-fashioned corner of the city," Pop Dillon
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Speedy is hired as a taxi driver, but for some time a series of mishaps prevents him from actually taking a passenger, and he antagonizes a policeman. Then, to his delight,
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At the end of the scene where Speedy gives Babe Ruth a ride in his taxi, sharp-eyed viewers can look for an easily missed cameo appearance by
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scenes cost a reported $ 150,000. Then they reissued in December 1928 and re-filmed with three dialogue sequences are taken on July 12, 1928.
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street to organize a defense. The goons are beaten off with the help of Speedy's dog, but return and steal the horse and car.
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Speedy is unworried about being unemployed, he is very much used to losing jobs and finding new ones. He and Jane go to
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A theme song entitled “Speedy Boy” was composed by Raymond Klages (words) and Jesse Greer (music) and was released on
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to himself while looking in a distorted mirror. This may be the earliest motion picture depiction of that gesture.
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Both the silent and sound-on-film versions survive complete and preserved by the
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essay by Jeffrey Vance for the San Francisco Silent Film Festival
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Wilton angrily refuses and threatens to force Pop out instead.
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During the Coney Island sequence, at one point Speedy gives
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May 1928. Vol. XXXIII. No. 6. p 52. Web. May 14, 2017
651:"The 1st Academy Awards (1929) Nominees and Winners" 457:and sheet music at the time of the film's release. 319:
The film's copyright was renewed and it entered the
761:as Rhode Island International Film Festival notice 694:is available for free viewing and download at the 524:, the director of the film, was nominated for the 598:Catalog of Copyright Entries.musical Compositions 292:(story), J.A. Howe (story), Lex Neal (story) and 884: 815: 304:(dialogue sequences). The film was directed by 801: 569:List of early sound feature films (1926–1929) 211: (reissued with three dialogue sequences) 655:Academy of Motion Pictures Arts and Sciences 772:Speedy: The Comic Figure of the Average Man 632:Goldstein, Bruce & McGee Scott (2015). 627: 625: 623: 526:Academy Award for Best Director of a Comedy 808: 794: 382:(playing himself) hails the cab to get to 29: 516: 344:) is in love with Harold "Speedy" Swift ( 620: 468: 296:(story) with uncredited assistance from 247: 885: 545: 789: 736:Progressive Silent Film List : 336:) owns and operates the city's last 71:(dialogue sequences, all uncredited) 963:Films with screenplays by John Grey 496: 13: 574:List of United States comedy films 14: 989: 672: 340:. His granddaughter Jane Dillon ( 155:Don Peake (1974 additional music) 552:UCLA Film and Television Archive 321:public domain on January 1, 2024 312:with uncredited assistance from 923:American black-and-white films 643: 604: 586: 426:as Pop Dillon - Her Granddaddy 260:The silent version of the film 1: 913:American silent feature films 579: 484: 464: 973:1920s English-language films 958:Films set in amusement parks 908:Silent American comedy films 730:AFI Catalog of Feature Films 639:(DVD). Criterion Collection. 528:, which was used during the 7: 948:Films shot in New York City 928:Films directed by Ted Wilde 759:www.film-festival.org Still 557: 203:December 15, 1928 51:(sound version, uncredited) 10: 994: 943:Films set in New York City 477:Location shooting for the 938:Films set in Coney Island 824: 236: 228: 218: 183: 173: 159: 139: 131: 123: 103: 93: 75: 55: 40: 28: 23: 968:Paramount Pictures films 903:Transitional sound films 564:Harold Lloyd filmography 448: 284:The film was written by 168:Harold Lloyd Corporation 401: 326: 192:April 7, 1928 517:Awards and nominations 474: 261: 933:Films set in Brooklyn 870:Clancy in Wall Street 830:The Haunted Honeymoon 472: 355:fan, is working at a 338:horse-drawn streetcar 259: 200: (silent version) 146:(original film score) 978:1920s American films 953:Rail transport films 781:Criterion Collection 610:"The Shadow Stage." 294:Howard Emmett Rogers 88:Howard Emmett Rogers 546:Preservation status 539:Two Arabian Knights 269:is a 1928 American 240:Sound (Part-Talkie) 816:Films directed by 749:at Virtual History 718:TCM Movie Database 536:, the director of 530:1st Academy Awards 475: 455:phonograph records 276:starring comedian 262: 178:Paramount Pictures 153:Don Hulette (1974) 918:Part-talkie films 898:1928 comedy films 880: 879: 316:(sound version). 302:Paul Gerard Smith 257: 246: 245: 69:Paul Gerard Smith 985: 810: 803: 796: 787: 786: 741:at silentera.com 696:Internet Archive 666: 665: 663: 661: 647: 641: 640: 636:commentary track 629: 618: 608: 602: 601: 590: 497:Lou Gehrig cameo 353:New York Yankees 351:Speedy, an avid 258: 210: 208: 199: 197: 33: 21: 20: 993: 992: 988: 987: 986: 984: 983: 982: 883: 882: 881: 876: 846:Babe Comes Home 838:The Kid Brother 820: 814: 675: 670: 669: 659: 657: 649: 648: 644: 631: 630: 621: 609: 605: 592: 591: 587: 582: 560: 548: 534:Lewis Milestone 519: 499: 487: 467: 451: 438:as Steve Carter 436:Brooks Benedict 404: 329: 248: 241: 221: 214: 206: 204: 195: 193: 186: 169: 164: 162: 154: 152: 147: 116: 112: 108: 86: 84: 82: 67: 63: 47: 36: 17: 12: 11: 5: 991: 981: 980: 975: 970: 965: 960: 955: 950: 945: 940: 935: 930: 925: 920: 915: 910: 905: 900: 895: 878: 877: 875: 874: 866: 858: 850: 842: 834: 825: 822: 821: 813: 812: 805: 798: 790: 784: 783: 777:Phillip Lopate 768: 762: 756: 755:at Archive.org 750: 742: 733: 732: 720: 709: 698: 687: 674: 673:External links 671: 668: 667: 642: 619: 603: 584: 583: 581: 578: 577: 576: 571: 566: 559: 556: 547: 544: 518: 515: 498: 495: 486: 483: 466: 463: 450: 447: 446: 445: 439: 433: 432:as W.S. Wilton 427: 421: 420:as Jane Dillon 415: 403: 400: 384:Yankee Stadium 328: 325: 314:Clyde Bruckman 244: 243: 238: 234: 233: 230: 226: 225: 222: 219: 216: 215: 213: 212: 201: 189: 187: 184: 181: 180: 175: 174:Distributed by 171: 170: 167: 165: 160: 157: 156: 141: 137: 136: 133: 129: 128: 125: 124:Cinematography 121: 120: 105: 101: 100: 95: 91: 90: 77: 73: 72: 57: 53: 52: 49:Clyde Bruckman 42: 38: 37: 34: 26: 25: 15: 9: 6: 4: 3: 2: 990: 979: 976: 974: 971: 969: 966: 964: 961: 959: 956: 954: 951: 949: 946: 944: 941: 939: 936: 934: 931: 929: 926: 924: 921: 919: 916: 914: 911: 909: 906: 904: 901: 899: 896: 894: 891: 890: 888: 872: 871: 867: 864: 863: 859: 856: 855: 851: 848: 847: 843: 840: 839: 835: 832: 831: 827: 826: 823: 819: 811: 806: 804: 799: 797: 792: 791: 788: 782: 778: 774: 773: 769: 766: 763: 760: 757: 754: 751: 748: 747: 743: 740: 739: 734: 731: 728: 726: 725: 721: 719: 715: 714: 710: 708: 704: 703: 699: 697: 693: 692: 688: 686: 682: 681: 677: 676: 656: 652: 646: 638: 635: 628: 626: 624: 616: 614: 607: 599: 595: 589: 585: 575: 572: 570: 567: 565: 562: 561: 555: 553: 543: 541: 540: 535: 532:. He lost to 531: 527: 523: 514: 512: 508: 504: 494: 492: 482: 480: 471: 462: 458: 456: 443: 440: 437: 434: 431: 430:Byron Douglas 428: 425: 424:Bert Woodruff 422: 419: 416: 413: 409: 406: 405: 399: 395: 391: 387: 385: 381: 376: 374: 369: 365: 362: 358: 354: 349: 347: 343: 339: 335: 334:Burt Woodruff 324: 322: 317: 315: 311: 310:New York City 307: 303: 299: 295: 291: 287: 286:Albert DeMond 282: 279: 275: 272: 268: 267: 239: 235: 232:United States 231: 227: 223: 217: 202: 191: 190: 188: 185:Release dates 182: 179: 176: 172: 166: 158: 150: 145: 142: 138: 134: 130: 127:Walter Lundin 126: 122: 119: 115: 114:Bert Woodruff 111: 106: 102: 99: 96: 92: 89: 81: 78: 74: 70: 66: 61: 60:Albert DeMond 58: 54: 50: 46: 43: 39: 32: 27: 22: 19: 868: 862:Loose Ankles 860: 853: 852: 844: 836: 828: 775:an essay by 771: 745: 737: 723: 712: 701: 689: 679: 658:. Retrieved 645: 637: 633: 611: 606: 597: 588: 549: 537: 520: 500: 488: 479:Coney Island 476: 459: 452: 411: 408:Harold Lloyd 396: 392: 388: 377: 373:Coney Island 370: 366: 350: 346:Harold Lloyd 330: 318: 283: 278:Harold Lloyd 265: 264: 263: 220:Running time 107:Harold Lloyd 98:Harold Lloyd 18: 418:Ann Christy 361:line scores 342:Ann Christy 298:Al Boasberg 274:comedy film 144:Jesse Greer 110:Ann Christy 94:Produced by 65:Al Boasberg 41:Directed by 893:1928 films 887:Categories 580:References 507:Bob Meusel 503:Lou Gehrig 491:the finger 485:The Finger 473:Lobby card 465:Production 444:as himself 410:as Harold 288:(titles), 224:86 minutes 207:1928-12-15 196:1928-04-07 161:Production 149:Carl Davis 56:Written by 818:Ted Wilde 613:Photoplay 522:Ted Wilde 513:footage. 442:Babe Ruth 380:Babe Ruth 357:soda shop 306:Ted Wilde 290:John Grey 237:Languages 135:Carl Himm 132:Edited by 118:Babe Ruth 83:J.A. Howe 80:John Grey 45:Ted Wilde 16:1928 film 707:AllMovie 558:See also 511:newsreel 151:(recent) 140:Music by 104:Starring 85:Lex Neal 76:Story by 62:(titles) 779:at the 753:Trailer 727:at the 716:at the 660:May 19, 634:Speedy 600:. 1891. 242:English 229:Country 205: ( 194: ( 163:company 873:(1930) 865:(1930) 857:(1928) 854:Speedy 849:(1927) 841:(1927) 833:(1925) 765:Speedy 746:Speedy 738:Speedy 724:Speedy 713:Speedy 702:Speedy 691:Speedy 680:Speedy 412:Speedy 271:silent 266:Speedy 35:Poster 24:Speedy 449:Music 414:Swift 685:IMDb 662:2019 402:Cast 327:Plot 300:and 705:at 683:at 348:). 889:: 653:. 622:^ 596:. 542:. 323:. 809:e 802:t 795:v 664:. 615:. 332:( 209:) 198:)

Index


Ted Wilde
Clyde Bruckman
Albert DeMond
Al Boasberg
Paul Gerard Smith
John Grey
Howard Emmett Rogers
Harold Lloyd
Ann Christy
Bert Woodruff
Babe Ruth
Jesse Greer
Carl Davis
Paramount Pictures
silent
comedy film
Harold Lloyd
Albert DeMond
John Grey
Howard Emmett Rogers
Al Boasberg
Paul Gerard Smith
Ted Wilde
New York City
Clyde Bruckman
public domain on January 1, 2024
Burt Woodruff
horse-drawn streetcar
Ann Christy

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