392:, the film was destined from pre-production to be a silent offering from MGM, at least one without any recorded dialogue. The studio's head of production, Irving Thalberg, opposed Keaton's plans to make the film his first "talkie." Thalberg had both financial and technical reasons for rejecting any proposals by Keaton or others to apply full-sound to the planned comedy. For one, in the fall of 1928, during that transition period into sound, MGM had at its disposal only one set of recording equipment. Secondly, but more importantly, MGM's executive believed that adding the complications and expense of such a new technology to Keaton's film would significantly increase overall production costs, especially for a performer like Buster whose creativity thrived on "time-consuming improvisations" and a high degree of flexibility while shooting. Thalberg therefore insisted on technical simplicity and close script and set supervision of Keaton's second project for the studio to reduce delays and to increase potential profits for the final product.
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502:... is a natural for real laughs that keep coming with practically no let-up right through the footage. There are three outstanding comedy sequences, all hitting the funny bone from a new angle. In one gag that Buster pulls, it is so original and screamingly funny that the audience at the Capitol broke out in spontaneous applause.
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out the fire, leaving him and Trilby alone aboard. The ship is then taken over by crooks. When Trilby is discovered by their lecherous leader, Elmer has to take on the entire gang to save her. He returns to port in triumph. He sees Trilby home and starts to leave, but she stops him, having seen his true worth.
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Trilby is in love with fellow actor Lionel
Benmore. When Lionel temporarily spurns her for the younger Ethyl Norcrosse, she impulsively asks Elmer to marry her. Her manager, worried about the damage it would do to her career if it got out that she had married a pants presser, tells Elmer the next day
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Wanting to have nothing more to do with Trilby, Elmer gets a job on the ship. However, it turns out that she and
Benmore are passengers. When the engine room catches fire, the order is given to abandon ship. Trilby is knocked unconscious when Benmore panics, and is left behind. Elmer manages to put
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was 7,047 feet in length with a running time of 76 minutes. Wide discrepancies in cited running times are not unusual, especially for films produced and presented in the silent and early sound eras. Inconsistent times noted in reviews and in film descriptions can often be attributed to slightly
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characterized Keaton's production as "replete with belly laffs" and also described the
Capitol's audience being in "hysterics" and "mirthful" while watching it. While Green did express some reservations about what he viewed as several of the film's implausible situations and its "mechanized"
266:
Elmer gets into an altercation with
Benmore, eventually punching him. Benmore gets the police to chase him. During the pursuit, Elmer gets into a taxi with an armed gunman. After the driver flees, the crook forces Elmer to drive the taxi into the ocean. He is rescued by a passing ship.
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the nation's leading movie-fan magazine of the period, only added to the accolades and endorsements that the film received in 1929. In its April issue, the magazine labelled the film "hilarious," "intense," and "Chaplinesque." Then, in May,
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a paper published by MGM's sales department, confirmed that the studio had assigned Leila Hyams a "big part" in "the forthcoming Buster Keaton vehicle" in part due to her "distinct success" as a lead in the studio's recent crime drama
539:(1925), Greene, in his review, stated: "The picture is packed with laughs" and reports that the sequence in which Keaton puts his intoxicated wife to bed evoked from the audience "a continual roar for over half a reel."
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which had been released just two weeks earlier. The studio publication in the same news item also confirmed that Sydney Jarvis and Hank Mann had joined the cast, although their roles would be uncredited on the screen.
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in 1929 was generally very well received by critics in leading newspapers, by reviewers in the film industry's major trade journals and papers, as well as by moviegoers. The influential critic for
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Buster Keaton puts over one of the best he has ever done and has 'em fairly rocking in their seats. Dorothy
Sebastian springs a big surprise as a comedienne who can only be compared to
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rated the MGM feature as "the funniest film released in months." In its March 31 review, the paper praised the film and drew special attention to
Sebastian's performance:
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According to the
American Film Institute's catalog, production work on the film started on November 14, 1928, a date generally consistent with a November 27 report in
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provided another, more succinct review to its large readership: "One of the best Buster Keaton has made, with
Dorothy Sebastian excellent. Don't miss."
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announced on
November 16: "Dorothy Sebastian has been given the feminine lead opposite Buster Keaton," and on November 23, "Edward arle is playing the
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different operating speeds of projectors in various locations and to varying time counts by reviewers and others who originally viewed the film.
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News updates about the film in 1928 trade publications indicate that casting was still being finalized in the latter half of
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and recorded laughter, applause and other sound effects in some scenes. Keaton later wrote gags for some up-and-coming MGM stars like
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establishment, idolizes stage actress Trilby Drew. He goes to see her performances all the time, pretending to be a wealthy admirer.
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ranks" but also "one of the best pieces of comedy business ever developed in a picture." Comparing
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786:(New York, N.Y.), March 31, 1929, p.28. Internet Archive. Retrieved September 22, 2019.
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weeks before its premiere in New York, reviewer Walter R. Greene of the trade journal
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March 25, 1929, p.32. ProQuest Historical Newspapers. Retrieved September 22, 2019.
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judging Keaton's work to be not only his best film "since he graduated from the
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also reported the same day that "Buster Keaton will do his initial speaking in
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and his last silent film, although he had wanted it to be a "talkie" or full
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March 27, 1929, pp.12-24. Internet Archive. Retrieved September 22, 2019.
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February 2, 1929, p.368. Internet Archive. Retrieved September 23, 2019.
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September 12, 1928, p.4. Internet Archive. Retrieved September 23, 2019.
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December 1, 1928, p.41. Internet Archive. Retrieved September 23, 2019.
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In its September 12, 1928 issue, the widely read entertainment paper
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822:(Chicago, Illinois), April 1929, p.54. Retrieved September 27, 2019.
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677:"14 Finished, 5 Are Talk Films, Warners on Last of '28-'29 List"
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which announces that Keaton began work on the film "last week."
593:(AFI), Los Angeles, California. Retrieved September 23, 2019.
734:(MGM), November 30, 1928, p.4. Retrieved September 24, 2019.
627:, San Francisco, California. Retrieved September 23, 2019.
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December 1928, (left to right) Hyams, Earle, set visitor
388:" Despite those announcements by popular, well-connected
667:(TCM), Atlanta, Georgia. Retrieved September 18, 2022.
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832:"Brief Reviews of Current Pictures: Spite Marriage"
728:"Leila Hyams Assigned Big Part in 'Spite Marriage'"
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800:"Spite Marriage/Keaton's Best in Several Years"
838:May 1929, p.146. Retrieved September 27, 2019.
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1324:Go West: Music for the Films of Buster Keaton
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816:"The Shadow Stage: Spite Marriage (M.-G.-M.)"
399:Actors playing cards during break in filming
343:as Man in Audience Next to Elmer (uncredited)
623:(New York, N.Y.), September 12, 1928, p.7.
413:Exhibitors Herald and Motion Picture World,
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215:. It is the second film Keaton made for
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1281:Buster Keaton: A Hard Act to Follow
517:praised the feature even more than
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376:announced: "Buster Keaton's next,
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2002:Ma and Pa Kettle Back on the Farm
1297:Buster Keaton: A Filmmaker's Life
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661:"Articles: Spite Marriage (1928)"
1594:The Ridin' Kid from Powder River
2053:Films directed by Buster Keaton
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892:AFI Catalog of Feature Films
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426:in Buster Keaton's picture,
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255:Elmer, a humble worker in a
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405:William "Buster" Collier
211:and starring Keaton and
141:March 25, 1929
1874:Father Brown, Detective
1265:The Buster Keaton Story
700:Exhibitors Daily Review
591:American Film Institute
587:"Spite Marriage (1929)"
420:Exhibitors Daily Review
382:Exhibitors Daily Review
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2010:I Love Lucy: The Movie
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1332:The High Sign/One Week
1316:The Buster Keaton Show
637:"All M-G-M Stars Talk"
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1954:Burn 'Em Up O'Connor
1882:Death on the Diamond
1866:Here Comes the Groom
1658:The Flaming Frontier
804:Motion Picture News,
162:76 minutes (8 reels)
1890:Murder in the Fleet
1858:I'll Tell the World
1842:Saturday's Millions
1690:Slide, Kelly, Slide
1682:Under Western Skies
1650:The Runaway Express
1247:Love Nest on Wheels
1171:Steamboat Bill, Jr.
1048:My Wife's Relations
759:Green, Abel (1929).
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513:Motion Picture News
456:The New York Times,
196:is a 1929 American
127:Metro-Goldwyn-Mayer
1898:The Virginia Judge
1794:A Dangerous Affair
1554:Ride for Your Life
1380:Films directed by
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1069:The Electric House
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880:TCM Movie Database
780:"'Spite Marriage'"
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301:as Ethyl Norcrosse
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1962:So You Won't Talk
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1308:Miscellaneous
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1178:The Cameraman
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49:Buster Keaton
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2008:
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1992:
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1818:Speak Easily
1816:
1808:
1802:The Big Shot
1800:
1792:
1786:Maker of Men
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1474:Romance Land
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1122:Sherlock Jr.
1120:
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1034:The Paleface
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317:Joe Bordeaux
293:Edward Earle
269:
265:
261:
257:dry cleaning
254:
232:
192:
191:
190:
158:Running time
134:Release date
18:
1978:Easy to Wed
1914:Pick a Star
1754:Estrellados
1586:Hit and Run
1466:Out of Luck
1458:Do and Dare
1442:The Bearcat
1402:Bar Nothin'
1257:Works about
1240:Mixed Magic
1233:Blue Blazes
1157:The General
940:Filmography
589:, catalog,
480:slapsticker
329:Mike Donlin
307:as Nussbaum
299:Leila Hyams
229:Red Skelton
201:comedy film
183:intertitles
87:Productions
81:Produced by
41:Directed by
2033:1929 films
2027:Categories
1834:Horse Play
1714:West Point
1418:Live Wires
1108:Three Ages
1076:Day Dreams
971:Convict 13
836:Photoplay,
567:References
471:Abel Green
366:Production
335:Pat Harmon
311:John Byron
250:Lobby card
221:sound film
145:1929-03-25
76:(adaption)
70:Lew Lipton
55:Written by
1762:Doughboys
1498:Dead Game
1212:Allez Oop
999:Hard Luck
985:Neighbors
820:Photoplay
549:Photoplay
542:Photoplay
467:Manhattan
447:Reception
353:Hank Mann
323:Ray Cooke
313:as Scarzi
234:I Dood It
181:(English
115:Edited by
16:1929 film
1674:Tin Hats
1394:Fantômas
1027:The Boat
1013:The Goat
964:One Week
869:AllMovie
765:Variety,
555:See also
523:two reel
475:Variety,
175:Language
92:Starring
66:Story by
61:(titles)
1164:College
1143:Go West
889:at the
878:at the
621:Variety
373:Variety
167:Country
143: (
2013:(1953)
2005:(1951)
1997:(1951)
1989:(1948)
1981:(1946)
1973:(1943)
1965:(1940)
1957:(1939)
1949:(1939)
1941:(1938)
1933:(1937)
1925:(1937)
1917:(1937)
1909:(1936)
1901:(1935)
1893:(1935)
1885:(1934)
1877:(1934)
1869:(1934)
1861:(1934)
1853:(1934)
1845:(1933)
1837:(1933)
1829:(1933)
1821:(1932)
1813:(1932)
1805:(1931)
1797:(1931)
1789:(1931)
1781:(1931)
1773:(1930)
1765:(1930)
1757:(1930)
1749:(1930)
1741:(1929)
1733:(1928)
1725:(1928)
1717:(1927)
1709:(1927)
1701:(1927)
1693:(1927)
1685:(1926)
1677:(1926)
1669:(1926)
1661:(1926)
1653:(1926)
1645:(1925)
1637:(1925)
1629:(1925)
1621:(1925)
1613:(1925)
1605:(1925)
1597:(1924)
1589:(1924)
1581:(1924)
1573:(1924)
1565:(1924)
1557:(1924)
1549:(1924)
1541:(1923)
1533:(1923)
1525:(1923)
1522:Blinky
1517:(1923)
1509:(1923)
1501:(1923)
1493:(1923)
1485:(1923)
1477:(1923)
1469:(1923)
1461:(1922)
1453:(1922)
1445:(1922)
1437:(1922)
1429:(1922)
1421:(1921)
1413:(1921)
1405:(1921)
1397:(1920)
1335:(1995)
1327:(1995)
1319:(1950)
1300:(2022)
1292:(2018)
1284:(1987)
1276:(1965)
1268:(1957)
500:
198:silent
179:Silent
424:heavy
225:score
1041:Cops
858:IMDb
275:Cast
241:Plot
207:and
867:at
856:at
533:'s
529:to
482:."
465:in
217:MGM
2029::
834:,
818:,
802:,
791:^
782:,
772:^
763:,
752:^
730:,
714:,
698:,
679:,
663:,
648:^
639:,
619:,
575:^
1373:e
1366:t
1359:v
921:e
914:t
907:v
544:,
515:,
440:,
236:.
185:)
147:)
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