2060:
2094:, ending with the loud shouts of "Herr, Herr, Herr!" in the first bars of the chorus. Soon, after the first part of the theme, comes the triple shout again, but this time, at the end of the bars, as a contra answer for the corresponding orchestral deep stresses at the beginning of the bars. Finally, the entire A section is repeated."Herr, unser Herrscher" and "O Mensch, bewein dein Sünde groß" are very different in character. The latter is full of torment in its text, but a serenely majestic piece of music. "Herr, unser Herrscher" sounds as if it has chains of dissonance between the two oboes and the turmoil of the
61:
1848:. The architecture of Part Two shows symmetry around this movement, the music of the preceding chorus #21f "Wir haben ein Gesetz" corresponds to #23b "Lässest du diesen los", the demand #21d "Kreuzige ihn!" is repeated in an intensified way in #23d "Weg, weg mit dem, kreuzige ihn!", #21b "Sei gegrüßet, lieber Judenkönig" reappears as #25b "Schreibe nicht: der Juden König".
2086:'opening chorus': "Herr, unser Herrscher ..." ("Lord, our master, ..."). There is an orchestral intonation of 36 bars before the explosive entrance of the chorus. Each of these bars is a single stress of lower tones, weakening till the end of the bar. These bass beats are accompanied by the remaining instruments of higher tones, by
2145:). This chorale – with alternative lyrics – is still in regular use in the congregations. The beginning of the theme is a descending sequence, but in overall the theme is full of emotion as well. Singing this chorale standalone, however, does not sound as a closing chorale, except if it is sung at the end of a real ceremony.
1843:
For the central chorale (#22) "Durch dein Gefängnis, Gottes Sohn, muß uns die
Freiheit kommen" ("Through Your prison, Son of God, must freedom come to us) Bach adapted the words of an aria from the Johannes-Passion of Christian Heinrich Postel (1700) and used the melody of "Mach's mit mir, Gott, nach
2112:
includes three commenting arias. There is an alto aria, "Von den
Stricken meiner Sünden" (From the bonds of my sins). This includes an intertwined oboe line that brings back many characteristics of the opening chorus. Another aria is an enchanting flute and soprano duet, "Ich folge dir gleichfalls".
2000:
taken as a lesser sacred concert. The text for the opening prayer, "Herr, unser
Herrscher, dessen Ruhm", as well as the arias, chorales and the penultimate chorus "Ruht wohl, ihr heiligen Gebeine", come from various other sources. Two recitative passages, the first dealing with Peter's weeping after
1893:
was subject to several major revisions. The version most familiar to us today is not the original version from 1724, but rather the version of 1739–1749. In the 1724 version, the
Recitative Movement No. 33 reads "Und die Vorhang im Tempel zerriß in zwei Stück; von oben an bis unten aus." (Mark 15,
2172:, who came to the United States in 1937 as a Jewish refugee from Nazi Germany, changed the text from "Juden" to "Leute" (people) when he conducted performances of the work. This has been the trend of numerous mainline Christian denominations since the late 20th century as well, for instance, the
1931:
again, restoring the original opening chorus, removing the final
Chorale (thus ending the work with the choral Movement No. 39), and removing the three new arias. He also excised the two interpolations from the Gospel of Matthew that appeared in the work, probably due to objections by the
369:
needed some repair, all of which, however, could be attended to at little cost; but he requested that a little additional room be provided in the choir loft of St. Nicholas Church, where he planned to place the musicians needed to perform the music. He also asked that the harpsichord be
2196:
contain fewer statements derogatory toward Jews than many other contemporary musical settings of the
Passion. He also noted that Bach used words for the commenting arias and hymns that tended to shift the blame for the death of Jesus from "the Jews" to the congregation of Christians.
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1754:
Bach followed the Gospel of John but added two lines from the Gospel of
Matthew, the account of Peter's weeping and the rending of the veil in the temple (in Version I, this second line was replaced by the line from the Gospel of Mark).
2119:: "Es ist vollbracht! ..." ("It is accomplished; what comfort for suffering human souls! I can see the end of the night of sorrow. The hero from Judah ends his victorious fight. It is accomplished!"). The central part is essentially a
2113:
In this piece the verbs "ziehen" (to pull) and "schieben" (to push) stimulate Bach's delight in musical illustration. The third aria is a passionate tenor solo that is accompanied by all the instruments, "Ach, mein Sinn" (O my soul).
2037:. Hence, by inserting four missing features, the whole Passion could be performed as if it were part of the liturgy. There would have been no applause, either at the beginning or at the end. The Passion contains quite a few
3062:
332:
The work is most often heard today in the 1739–1749 version (never performed during Bach's lifetime). Bach first performed the oratorio in 1724 and revised it in 1725, 1730, and 1749, adding several numbers.
2802:
At the end, the blessing is given by the priest: "The LORD bless you, and keep you; the LORD make His face shine on you, and be gracious to you; the LORD lift up His countenance on you, and give you peace."
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1985:
chapters 18 and 19. To augment these chapters, which he summarized in the music, Bach used an elaborate body of commentary consisting of hymns, which were often called chorales, and arias. He adhered to
237:
1936:. Neither the aria nor the sinfonia has been preserved. Overall, Bach chose to keep the biblical text, and inserted Lutheran hymn verses so that he could return the work to its liturgical substance.
1860:
several times before producing a final version in the 1740s. Alternate numbers that Bach introduced in 1725 but later removed can be found in the appendix to scores of the work, such as that of the
1990:'s translation of the Bible and made no noticeable modifications. Bach proved that the sacred opera as a musical genre did not have to become shallow in liturgical use by remaining loyal to the
1894:
33) and was in 3 measures. From 1725 on, this was replaced by the more familiar 7-measure quote from
Matthew 27: 51–52 (except in the 3rd version, in which this was taken out altogether).
341:", a 1725 replacement for the opening chorus, found a new home in the 1736 St Matthew Passion but several arias from the revisions are found only in the appendices to modern editions.
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ecclesiastical authorities. The first of these he simply removed; he composed a new instrumental sinfonia in lieu of the second. He also inserted an aria to replace the still-missing
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today one can sense an older feel to some of the music, and some scholars believe that those portions are the surviving parts of the Weimar
Passion. Unlike the
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In 1749, he reverted more or less to the original of 1724, making only slight changes to the orchestration, most notably replacing the by-then almost obsolete
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in
Leipzig, but due to a last-minute change by the music council, it was to be first performed at St. Nicholas. Bach quickly agreed to the move,
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In present-day performances the part of Jesus is often given to one bass soloist, Pilate and the bass arias to another. Some tenors sing the
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was not Bach's first passion. While he was working as Konzertmeister (1714–1717) in Weimar, Bach possibly wrote a Passion, known as the
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together, after Jesus' death "Und neiget das Haupt und verschied" and before the aria-chorale "Mein teurer Heiland, lass dich fragen".
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his betrayal and the second portraying the temple veil's ripping during the crucifixion, do not appear in the Gospel of John, but the
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sixteenth notes in the strings. Especially, when they invade the bass, it is full of anguish and therefore it characterizes the
1981:, Bach intended to retain the congregational spirit of the worship service. The text for the body of the work is taken from the
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439:– a very demanding part – and the arias. The smaller parts (Peter, Maid, Servant) are sometimes performed by choir members.
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1950:. Also, Bach's orchestra for this piece would have been very delicate in nature because he called for many gamba strings.
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Paluu kansankielisyyteen ‒ Johannes-passio esitetään Martti Laitisen johdolla ruotsiksi Kokkolassa pitkäperjantaina
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has been described as more extravagant, with an expressive immediacy, at times more unbridled and less "finished".
20:
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Before the beginning of the service, "In the name of the Father, the Son and the Holy Spirit.", announced by the
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2689:"Vi ger åhörarna något de antagligen aldrig tidigare hört" – på långfredagen får musiken dominera i gudstjänsten
378:. The council made the arrangements requested by Bach regarding the harpsichord and space needed for the choir.
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The numbering of the movements is different in different editions. The following table uses the numbers of the
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falls in two halves, intended to flank a sermon. The anonymous libretto draws on existing works (notably by
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follows exactly the words of that bible. The compiler of the additional poetry is unknown. Models are the
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2300:"Zwei Bach-Funde in Mügeln. C. P. E. Bach, Picander und die Leipziger Kirchenmusik in den 1730er Jahren"
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but pointed out that the booklet was already printed, that there was no room available and that the
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that were in regular use in worship. The congregation and the audience, however, remained silent.
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using hymn tunes and texts familiar to a congregation of Bach's contemporaries. Compared with the
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52:
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For the words of the aria "Ach, mein Sinn" (#13), Bach used an adaptation of a 1675 poem by
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The Triumph of 'Instrumental Melody': Aspects of Musical Poetics in Bach's St John Passion
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singing the prospective theme. The last six bars of the orchestral intro produce a robust
8:
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4097:
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3038:, text (in many languages), details, recordings, reviews, discussions – bach-cantatas.com
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The council agreed and sent a flyer announcing the new location to all the people around
2158:. This accusation is closely connected to a wider controversy regarding the tone of the
478:, and the crowd is not interrupted by reflective elements but a single central chorale.
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2016:. In the early 1950s musicians were allowed to play church music only in the frame of
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was soon to follow. Fred Wolle, with his Choral Union of 1888 at the Moravian town of
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2002:
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of 1724, shortly after Bach's 39th birthday. It was originally planned to be held at
1953:
In the summer of 1815, Bach's Passions began to be studied once again. Parts of the
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474:, and the third finally at the burial site. The dramatic argument between Pilate,
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2079:: Alto enters after these first few bars of Viola da gamba solo. Continuo omitted
1969:
in the Americas. This spurred a revival of Bach's choral music in the New World.
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1767:
451:
262:
250:
48:
2997:
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Johann Sebastian Bach's 'St John Passion' from 1725: A Liturgical Interpretation
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Between the first and second part of the Passion, the priest gives a very short
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2943:"Luther, Bach, and the Jews: The Place of Objectionable Texts in the Classroom"
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In 1725, Bach replaced the opening and closing choruses and added three arias (
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aria. The theme is introduced by the viola da gamba gently accompanied by the
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Performance Practice of the Instrumental-Vocal Works of Johann Sebastian Bach
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in a full-scale Good Friday service was revived in Kokkola, Finland in 2023.
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Die Kriegsknechte aber, da sie Jesum gekreuziget hatten, nahmen seine Kleider
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Johann Sebastian Bach, St John Passion: Genesis, Transmission, and Meaning
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1807:(1633), verse 10 for movement 14, verse 20 for 28, the last verse for 32,
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My heart, in which the whole world in Jesus' suffering likewise suffers
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Wäre dieser nicht ein Übeltäter, wir hätten dir ihn nicht überantwortet.
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1909:, which was later transposed and reused at the end of part one of the
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Lasset uns den nicht zerteilen, sondern darum losen, wes er sein soll.
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If he were not a malefactor, we would not have delivered him to you.
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Then the soldiers, when they had crucified Jesus, took his garments
19:
For other musical settings of the Passion according to St John, see
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Mein Herz, in dem die ganze Welt bei Jesu Leiden gleichfalls leidet
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Bach Perspectives, Volume 8: J. S. Bach and the Oratorio Tradition
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Bach's Latin title is more literally "Passion according to John".
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2017:
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1905:) from the original version. The opening chorus was replaced by
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Herr, unser Herrscher, dessen Ruhm in allen Landen herrlich ist
308:
1913:. The closing chorale was replaced by a brilliant setting of "
1244:
Through thy captivity, Son of God, has come to us the freedom
1239:
Durch dein Gefängnis, Gottes Sohn, muß uns die Freiheit kommen
442:
Bach followed chapters 18 and 19 of the Gospel of John in the
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examines the controversy in detail. He concludes that Bach's
1889:, to which Bach made very few and insignificant changes, the
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Let us not rend it, but cast lots for it, whose it shall be.
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Then led they Jesus from Caiaphas into the hall of judgment
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Lord, our Lord, whose glory is magnificent in all the earth
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And from that hour that disciple took her to his own home.
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Now Annas had sent him bound unto Caiaphas the high priest
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Und Hannas sandte ihn gebunden zu dem Hohenpriester Kaiphas
432:, instruments that were already old-fashioned at the time.
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Lutheranism, Anti-Judaism, and Bach's 'St John's Passion'
1864:(and heard in the recording by Emmanuel Music directed by
1275:
Lässest du diesen los, so bist du des Kaisers Freund nicht
539:
Jesus went forth with his disciples over the brook Cedron
2065:
Audio playback is not supported in your browser. You can
1924:. The three new arias are not known to have been reused.
1898:
1203:
Wir haben ein Gesetz, und nach dem Gesetz soll er sterben
2428:
2276:, 107. Canada: Associated University Presses, Inc. 1981.
1770:(1630), verse 6 for movement 3, verses 7 & 8 for 17,
1617:
Und siehe da, der Vorhang im Tempel zerriß in zwei Stück
2658:
A Deák téri János passió-előadások kulisszatitkaiból I.
2603:
1881:, but it is now lost. Sometimes while listening to the
1676:
The Jews therefore, because it was the preparation day
1221:
Da Pilatus das Wort hörete, fürchtet' er sich noch mehr
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Jesus Christus ist um unsrer Missetat willen verwundet
2837:
Lutheranism, Anti-Judaism, and Bach's St. John Passion
2279:
1298:
When Pilate heard that saying, he brought Jesus forth
1226:
When Pilate heard that saying, he was the more afraid
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Jesus antwortete: Ich hab's euch gesagt, daß ich's sei
400:
with soloists, as well as an instrumental ensemble of
2012:
Hungary demonstrates the congregational character of
207:
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2627:
2615:
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2274:
The Music of Johann Sebastian Bach: The Choral Works
1622:
And, behold, the veil of the temple was torn in two
1280:
If you let this man go, you are not Caesar's friend
1113:
Und die Kriegsknechte flochten eine Krone von Dornen
2591:
2249:, 114. Cambridge: Cambridge University Press. 2004.
1293:
Da Pilatus das Wort hörete, führete er Jesum heraus
915:
Da führeten sie Jesum von Kaiphas vor das Richthaus
381:
2792:, intended to be understood even by non-believers.
2579:
2154:The text Bach set to music has been criticized as
2131:setting. Then comes the solo vocal interpretation.
1856:Researchers have discovered that Bach revised his
1365:Da überantwortete er ihn daß er gekreuziget würde.
534:Jesus ging mit seinen Jüngern über den Bach Kidron
462:, and the second in the palace of the high priest
2691:, 7 April 2023, Österbottens Tidning (in Swedish)
1077:Betrachte, meine Seel', mit ängstlichem Vergnügen
732:Ich folge dir gleichfalls mit freudigen Schritten
214:orchestra of woodwinds, strings and basso contiuo
16:1724 musical composition by Johann Sebastian Bach
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1814:(1531), verse 1 for movement 15, verse 8 for 37,
1712:And after this Joseph of Arimathea asked Pilate
4430:Passions and oratorios by Johann Sebastian Bach
2865:Bach's Major Vocal Works. Music, Drama, Liturgy
2416:Architecture and Sources of the St John Passion
2382:, 100–101. University of Illinois Press. 2011.
2226:
2224:
2222:
1370:Then he delivered him to them to be crucified.
750:Derselbige Jünger war dem Hohenpriester bekannt
2494:
2492:
2490:
2044:More recently, the tradition of including the
1545:Und von Stund' an nahm sie der Jünger zu sich.
1208:We have a law, and by our law he ought to die
3362:
3336:List of compositions by Johann Sebastian Bach
3063:
2839:. New York, Oxford: Oxford University Press.
2725:
2710:
2519:
2504:
2453:
2451:
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1996:and the scriptural word. He did not want the
737:I will follow you likewise with joyful steps
665:Thy will be done, Lord God, at the same time
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992:That the saying of Jesus might be fulfilled
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269:and was first performed on 7 April 1724, at
2909:Johann Sebastian Bach: The Learned Musician
2679:, 7 April 2023, Keskipohjanmaa (in Finnish)
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2549:
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1653:Zerfließe, mein Herze, in Fluten der Zähren
1118:And the soldiers plaited a crown of thorns
755:That disciple was known to the high priest
75:
3369:
3355:
3079:Masses, magnificat, passions and oratorios
3070:
3056:
2827:. Ann Arbor, Michigan: UMI Research Press.
2785:; this is the start of a Lutheran liturgy.
2576:, 11. Maryland, The Scarecrow Press. 2002.
2440:
1671:Die Juden aber, dieweil es der Rüsttag war
611:Jesus answered, I have told you that I am
59:
3029:International Music Score Library Project
2960:
2929:. Oxford: Oxford University Press, 2000.
2881:
2734:
2719:
2609:
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1796:(1647), verses 3 & 4 for movement 11,
2941:McGinnis, Beth; McGinnis, Scott (2017).
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2746:
2542:
2257:
2255:
1828:"Herzlich lieb hab ich dich, o Herr" by
1707:Darnach bat Pilatum Joseph von Arimathia
745:Evangelist, Maid, Peter, Jesus, Servant
660:Dein Will' gescheh', Herr Gott, zugleich
629:O great love, o love beyond all measure
466:. Part Two shows three scenes, one with
2853:
2648:, 10 April 2009, TajKéAp (in Hungarian)
2498:
2481:
2143:O Lord, let your dear little angels ...
1347:Wir haben keinen König denn den Kaiser.
353:was intended for the vesper service on
265:. It was written during his first year
4422:
2887:Choral Masterworks: A Listener's Guide
2862:
2778:These missing features are, in order:
2706:Evangelical-Lutheran Church in Hungary
2297:
2261:
1514:That the scripture might be fulfilled
1005:Ach großer König, groß zu allen Zeiten
267:as director of church music in Leipzig
3637:Jesus and the woman taken in adultery
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2139:Ach Herr, lass dein lieb Engelein ...
1972:
1154:And they smote him with their hands.
1095:Erwäge, wie sein blutgefärbter Rücken
1082:Look, my soul, with anxious pleasure
624:O große Lieb', o Lieb' ohn' alle Maße
2867:. New Haven: Yale University Press.
2858:. New York: Oxford University Press.
2822:
2597:
2585:
2557:
1748:O Lord, let your dear little angels
1599:Mein teurer Heiland, laß dich fragen
1581:Und neiget' das Haupt und verschied.
1100:Consider how his blood-stained back
987:Auf daß erfüllet würde das Wort Jesu
678:Die Schar aber und der Oberhauptmann
420:. For special colors Bach also used
344:
2889:. Oxford: Oxford University Press.
2425:Neuer Basler Kammerchor (in German)
2176:, when they read the gospel during
1810:"Christus, der uns selig macht" by
1743:Ach Herr, lass dein' lieb' Engelein
1658:Melt, my heart, in floods of tears
714:Simon Petrus aber folgete Jesu nach
647:That the saying might be fulfilled
13:
3376:
3019:(video and background information)
3006:(video and background information)
2916:
2400:The Passion of Saint John, BWV 245
2162:'s Gospel of John with regards to
1509:Auf daß erfüllet würde die Schrift
1316:Away, away with him, crucify him!
1010:Oh great king, great at all times
974:We must not put any man to death.
809:Are you not one of his disciples?
804:Bist du nicht seiner Jünger einer?
14:
4446:
2991:
1586:He bowed his head, and departed.
1262:But the Jews cried out, and said
3124:Kyrie–Gloria Masses, BWV 233–236
2008:A modern example originating in
1907:O Mensch, bewein dein Sünde groß
1832:(1571), verse 3 for movement 40.
1825:(1613), verse 3 for movement 26,
1604:My precious Savior, let ask you
1424:Write not, The King of the Jews
1131:Sei gegrüßet, lieber Judenkönig!
382:Musical architecture and sources
337:O Mensch, bewein dein Sünde groß
261:, the earliest of the surviving
21:St John Passion (disambiguation)
4142:Pillar New Testament Commentary
3042:Text and translation to English
2772:
2694:
2682:
2670:
2651:
2639:
2563:
2409:
2393:
2365:
1965:, was the first to perform the
1927:In the 1730s, Bach revised the
1781:(1539), verse 4 for movement 5,
1725:Ruht wohl, ihr heiligen Gebeine
1419:Schreibe nicht: der Juden König
1311:Weg, weg mit dem, kreuzige ihn!
1041:Nicht diesen, sondern Barrabam!
863:Peter, who does not think back
719:And Simon Peter followed Jesus
642:Auf daß das Wort erfüllet würde
3233:Wer ist der, so von Edom kömmt
2763:
2347:
2291:
2266:
2236:
1920:Du wahrer Gott und Davids Sohn
858:Petrus, der nicht denkt zurück
696:Von den Stricken meiner Sünden
683:Then the band and the captain
416:, the latter both doubling on
315:reflecting on the action, and
1:
2212:
2051:
1957:were being rehearsed and the
1766:, was hast du verbrochen" by
1532:He was careful of everything
1383:Eilt, ihr angefochtnen Seelen
1149:Und gaben ihm Backenstreiche.
1064:Now Barabbas was a murderer.
1059:Barrabas aber war ein Mörder.
1028:Pilate therefore said to him
902:Christ, who makes us blessed
897:Christus, der uns selig macht
2298:Wollny, Peter (2018-07-24).
2149:
2062:
1788:O Welt, sieh hier dein Leben
1689:O hilf, Christe, Gottes Sohn
1352:We have no king but Caesar.
1046:Not this man, but Barabbas!
458:. The first scene is in the
7:
3781:The truth will set you free
3238:includes BWV 1088 and
2854:Melamed, Daniel R. (2005).
2795:The congregation prays the
2207:St John Passion discography
2200:
1901:245a-c) while cutting one (
1851:
1694:O help, Christ, Son of God
817:Evangelist, Peter, Servant
396:is written for a four-part
65:First page of the autograph
10:
4451:
4368:Ohrid Glagolitic fragments
2816:
1917:", taken from the cantata
1775:Vater unser im Himmelreich
1527:Er nahm alles wohl in acht
1460:In the bottom of my heart
1216:Evangelist, Pilate, Jesus
1172:Crucify him, crucify him!
1054:Evangelist, Pilate, Jesus
1018:Evangelist, Pilate, Jesus
982:Evangelist, Pilate, Jesus
951:Da sprach Pilatus zu ihnen
768:Wer hat dich so geschlagen
701:From the bonds of my sins
454:and a Johannes-Passion by
385:
18:
4404:American Standard Version
4376:
4205:
4150:
4137:Second Apocalypse of John
4085:
4026:
3935:
3789:
3723:Disciple whom Jesus loved
3705:
3597:
3531:
3399:
3384:
3326:
3251:
3150:
3091:
2911:. New York: W. W. Norton.
1840:, "Der weinende Petrus".
1801:Jesu Leiden, Pein und Tod
1786:
1742:
1724:
1706:
1688:
1670:
1652:
1634:
1616:
1598:
1580:
1562:
1544:
1526:
1508:
1490:
1472:
1454:
1436:
1418:
1406:There they crucified him
1400:
1382:
1364:
1346:
1328:
1310:
1292:
1274:
1256:
1238:
1220:
1202:
1184:
1166:
1148:
1130:
1112:
1094:
1076:
1058:
1040:
1022:
1004:
986:
969:Wir dürfen niemand töten.
968:
956:Then said Pilate to them
950:
932:
914:
896:
883:
880:
877:
874:
857:
839:
821:
803:
785:
767:
749:
731:
713:
695:
677:
659:
641:
623:
605:
587:
569:
551:
533:
515:
502:
499:
496:
493:
456:Christian Heinrich Postel
388:St John Passion structure
335:
289:Barthold Heinrich Brockes
199:
116:
94:
84:
70:
58:
47:
37:
30:
3769:That they all may be one
3017:Netherlands Bach Society
3004:Netherlands Bach Society
2756:
2378:. In Melamed, Daniel R.
2355:"St John Passion – Bach"
2108:: The first part of the
1819:Valet will ich dir geben
1455:In meines Herzens Grunde
1401:Allda kreuzigten sie ihn
1329:Spricht Pilatus zu ihnen
1136:Hail, King of the Jews!
1023:Da sprach Pilatus zu ihm
3612:Bread of Life Discourse
3315:Ascension Oratorio
3261:Christmas Oratorio
2863:Rathey, Markus (2016).
2856:Hearing Bach's Passions
2067:download the audio file
1963:Bethlehem, Pennsylvania
1915:Christe, du Lamm Gottes
1758:He chose the chorales:
1257:Die Juden aber schrieen
1185:Pilatus sprach zu ihnen
291:) and is compiled from
226:Passio secundum Joannem
144:30 March 1725
77:Passio secundum Joannem
4071:Via et veritas et vita
3862:Mary, sister of Martha
3775:Via et veritas et vita
3167:includes BWV 1084
2977:, Colloquium 4 (2007)
2823:Herz, Gerhard (1985).
2316:10.13141/bjb.v20101883
2024:is an almost complete
1730:Rest well, holy bones
570:Jesus spricht zu ihnen
372:
242:
124:7 April 1724
76:
4409:World English Version
3763:Quod scripsi, scripsi
3692:Resurrection of Jesus
3084:Johann Sebastian Bach
3015:: performance by the
3002:: performance by the
2359:www.bachvereniging.nl
1846:Johann Hermann Schein
363:
285:structure of the work
259:Johann Sebastian Bach
4115:Johannine literature
4038:I am (biblical term)
3697:Restoration of Peter
3307:Easter Oratorio
2825:Essays on J. S. Bach
1334:Pilate says to them
1190:Pilate said to them
4162:(J. S. Bach, 1724)
4108:John the Evangelist
4098:Johannine community
4064:Resurrectio et Vita
3827:Joseph of Arimathea
3740:Feast of Dedication
3627:Healing a paralytic
3622:Healing a blind man
3044:– emmanuelmusic.org
2979:Colloquium 4 (2007)
2437:, pp. 293–294.
1432:Evangelist, Pilate
1324:Evangelist, Pilate
1288:Evangelist, Pilate
1180:Evangelist, Pilate
1167:Kreuzige, kreuzige!
1144:Evangelist, Pilate
946:Evangelist, Pilate
910:Evangelist, Pilate
871:
575:Jesus says to them
490:
278:St. Nicholas Church
4399:King James Version
4195:The Gospel of John
4187:The Gospel of John
4132:Apocryphon of John
4053:Gate for the Sheep
4048:Light of the World
3745:"Love one another"
3672:Farewell Discourse
3647:Raising of Lazarus
3632:Healing a sick son
3200:St Matthew Passion
3093:Latin church music
2984:2013-01-31 at the
2962:10.3390/rel8040053
2883:Steinberg, Michael
2421:2011-07-07 at the
2194:St Matthew Passion
2117:the death of Jesus
1977:While writing the
1973:Congregational use
1959:St Matthew Passion
1911:St Matthew Passion
1887:St Matthew Passion
1823:Valerius Herberger
1563:Es ist vollbracht!
1540:Evangelist, Jesus
1504:Evangelist, Jesus
1437:Pilatus antwortet'
869:
637:Evangelist, Jesus
601:Evangelist, Jesus
593:Jesus of Nazareth
588:Jesum von Nazareth
565:Evangelist, Jesus
557:Jesus of Nazareth
552:Jesum von Nazareth
529:Evangelist, Jesus
488:
322:St Matthew Passion
4435:1724 compositions
4417:
4416:
3593:
3592:
3344:
3343:
2833:Marissen, Michael
2570:Hochreither, Karl
2404:Michael Steinberg
2388:978-0-252-03584-5
2372:Dreyfus, Laurence
2077:Es ist vollbracht
2071:
2031:, focused on the
2003:Gospel of Matthew
1862:Neue Bach-Ausgabe
1764:Herzliebster Jesu
1752:
1751:
1388:Hurry, you souls
867:
866:
483:Neue Bach-Ausgabe
345:First performance
301:Passion of Christ
221:
220:
4442:
4394:Wycliffe Version
4127:Textual variants
4103:John the Apostle
3822:John the Baptist
3713:In the beginning
3662:Passion of Jesus
3642:Walking on water
3617:Feeding the 5000
3397:
3396:
3371:
3364:
3357:
3348:
3347:
3174:Weimarer Passion
3086:
3072:
3065:
3058:
3049:
3048:
3027:: Scores at the
2970:
2964:
2912:
2905:Wolff, Christoph
2900:
2878:
2859:
2850:
2828:
2810:
2776:
2770:
2767:
2750:
2744:
2738:
2732:
2723:
2717:
2708:
2698:
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2680:
2674:
2668:
2655:
2649:
2643:
2637:
2631:
2625:
2619:
2613:
2607:
2601:
2595:
2589:
2583:
2577:
2567:
2561:
2555:
2540:
2534:
2517:
2511:
2502:
2496:
2485:
2479:
2473:
2467:
2461:
2455:
2438:
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2426:
2413:
2407:
2397:
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2369:
2363:
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2351:
2345:
2339:
2328:
2327:
2295:
2289:
2283:
2277:
2270:
2264:
2259:
2250:
2247:The Life of Bach
2240:
2234:
2228:
2182:Michael Marissen
2174:Episcopal Church
2106:commenting arias
1878:Weimarer Passion
1868:, cited below).
1830:Martin Schalling
1791:
1790:
1745:
1744:
1727:
1726:
1709:
1708:
1691:
1690:
1673:
1672:
1655:
1654:
1637:
1636:
1619:
1618:
1601:
1600:
1583:
1582:
1568:It is finished!
1565:
1564:
1547:
1546:
1529:
1528:
1511:
1510:
1493:
1492:
1475:
1474:
1457:
1456:
1442:Pilate answered
1439:
1438:
1421:
1420:
1403:
1402:
1385:
1384:
1367:
1366:
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1348:
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1313:
1312:
1295:
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1223:
1222:
1205:
1204:
1187:
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1168:
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1150:
1133:
1132:
1115:
1114:
1097:
1096:
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1078:
1061:
1060:
1043:
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1025:
1024:
1007:
1006:
989:
988:
971:
970:
953:
952:
935:
934:
917:
916:
899:
898:
872:
868:
860:
859:
842:
841:
824:
823:
822:Er leugnete aber
806:
805:
788:
787:
770:
769:
752:
751:
734:
733:
716:
715:
698:
697:
680:
679:
662:
661:
644:
643:
626:
625:
608:
607:
590:
589:
572:
571:
554:
553:
536:
535:
518:
517:
491:
487:
446:, and the tenor
340:
339:
263:Passions by Bach
243:Johannes-Passion
240:
209:
191:
190:
186:
184:
174:
173:
169:
167:
158:
156:
155:
151:
149:
138:
137:
131:
129:
80:
79:
63:
28:
27:
4450:
4449:
4445:
4444:
4443:
4441:
4440:
4439:
4420:
4419:
4418:
4413:
4372:
4201:
4159:St John Passion
4146:
4081:
4022:
4013:Solomon's Porch
3931:
3837:Mother of Jesus
3785:
3756:Noli me tangere
3728:Doubting Thomas
3701:
3607:Wedding at Cana
3600:(chronological)
3599:
3589:
3527:
3388:
3380:
3375:
3345:
3340:
3322:
3321:
3247:
3246:
3226:St Mark Passion
3219:St Luke Passion
3181:St John Passion
3146:
3145:
3102:Mass in B minor
3087:
3082:
3076:
3035:St John Passion
3024:St John Passion
3011:St John Passion
2999:St John Passion
2994:
2986:Wayback Machine
2973:Markus Rathey.
2940:
2919:
2917:Further reading
2897:
2875:
2847:
2819:
2814:
2813:
2805:Numbers 6:24–26
2777:
2773:
2768:
2764:
2759:
2754:
2753:
2745:
2741:
2733:
2726:
2718:
2711:
2699:
2695:
2687:
2683:
2675:
2671:
2656:
2652:
2644:
2640:
2632:
2628:
2620:
2616:
2608:
2604:
2596:
2592:
2584:
2580:
2568:
2564:
2556:
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2535:
2520:
2512:
2505:
2497:
2488:
2480:
2476:
2468:
2464:
2456:
2441:
2433:
2429:
2423:Wayback Machine
2414:
2410:
2398:
2394:
2370:
2366:
2353:
2352:
2348:
2340:
2331:
2296:
2292:
2284:
2280:
2271:
2267:
2260:
2253:
2243:Williams, Peter
2241:
2237:
2229:
2220:
2215:
2203:
2190:St John Passion
2152:
2135:closing chorale
2110:St John Passion
2100:St John Passion
2083:
2082:
2081:
2080:
2074:
2073:
2072:
2070:
2054:
2046:St John Passion
2022:St John Passion
2020:. However, the
2014:St John Passion
1979:St John Passion
1975:
1967:St John Passion
1955:St John Passion
1929:St John Passion
1891:St John Passion
1883:St John Passion
1873:St John Passion
1858:St John Passion
1854:
1844:deiner Güt" by
1838:Christian Weise
1768:Johann Heermann
1648:Aria (soprano)
1630:Arioso (tenor)
773:Who hit you so
727:Aria (soprano)
452:Brockes Passion
410:flauti traversi
394:St John Passion
390:
384:
351:St John Passion
347:
327:St John Passion
303:as told in the
236:
232:St John Passion
217:
195:
188:
182:
180:
178:
171:
165:
163:
161:
153:
147:
145:
143:
142:
133:
127:
125:
123:
112:
106:madrigal poetry
74:
66:
43:
32:St John Passion
24:
17:
12:
11:
5:
4448:
4438:
4437:
4432:
4415:
4414:
4412:
4411:
4406:
4401:
4396:
4391:
4386:
4380:
4378:
4374:
4373:
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4370:
4365:
4360:
4355:
4350:
4345:
4340:
4335:
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4310:
4305:
4300:
4295:
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4285:
4280:
4275:
4270:
4265:
4260:
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4230:
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4183:
4175:
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4168:
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4145:
4144:
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4134:
4129:
4124:
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4112:
4111:
4110:
4105:
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4089:
4087:
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4074:
4067:
4060:
4055:
4050:
4045:
4040:
4034:
4032:
4024:
4023:
4021:
4020:
4015:
4010:
4008:Sea of Galilee
4005:
4000:
3995:
3990:
3985:
3980:
3975:
3970:
3965:
3960:
3955:
3950:
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3930:
3929:
3924:
3919:
3914:
3909:
3904:
3900:
3899:
3894:
3889:
3884:
3882:Pontius Pilate
3879:
3874:
3869:
3864:
3859:
3857:Mary Magdalene
3854:
3849:
3844:
3839:
3834:
3832:Judas Iscariot
3829:
3824:
3819:
3814:
3809:
3804:
3799:
3793:
3791:
3787:
3786:
3784:
3783:
3778:
3771:
3766:
3759:
3752:
3747:
3742:
3737:
3730:
3725:
3720:
3715:
3709:
3707:
3703:
3702:
3700:
3699:
3694:
3689:
3684:
3679:
3674:
3669:
3664:
3659:
3654:
3649:
3644:
3639:
3634:
3629:
3624:
3619:
3614:
3609:
3603:
3601:
3595:
3594:
3591:
3590:
3588:
3587:
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3577:
3572:
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3529:
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3519:
3518:
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3503:
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3493:
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3473:
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3471:
3466:
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3456:
3451:
3446:
3441:
3436:
3431:
3426:
3421:
3411:
3405:
3403:
3394:
3382:
3381:
3378:Gospel of John
3374:
3373:
3366:
3359:
3351:
3342:
3341:
3339:
3338:
3333:
3327:
3324:
3323:
3320:
3319:
3311:
3309:, BWV 249
3303:
3302:
3301:
3296:
3291:
3286:
3281:
3276:
3270:
3263:, BWV 248
3256:
3255:
3253:
3249:
3248:
3245:
3244:
3243:
3242:
3229:
3222:
3215:
3214:
3213:
3208:
3196:
3195:
3194:
3189:
3177:
3170:
3169:
3168:
3157:
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3154:
3148:
3147:
3144:
3143:
3142:
3141:
3136:
3126:
3121:
3120:
3119:
3114:
3109:
3098:
3097:
3095:
3089:
3088:
3075:
3074:
3067:
3060:
3052:
3046:
3045:
3039:
3031:
3020:
3013:(1725 version)
3007:
2993:
2992:External links
2990:
2989:
2988:
2971:
2938:
2918:
2915:
2914:
2913:
2901:
2895:
2879:
2874:978-0300217209
2873:
2860:
2851:
2845:
2829:
2818:
2815:
2812:
2811:
2809:
2808:
2800:
2793:
2786:
2771:
2761:
2760:
2758:
2755:
2752:
2751:
2739:
2735:Steinberg 2005
2724:
2720:Steinberg 2005
2709:
2693:
2681:
2669:
2667:(in Hungarian)
2663:2012-08-02 at
2650:
2638:
2636:, p. 293.
2626:
2624:, p. 292.
2614:
2610:Steinberg 2005
2602:
2600:, p. 199.
2590:
2578:
2562:
2541:
2537:Steinberg 2005
2518:
2514:Steinberg 2005
2503:
2486:
2474:
2472:, p. 297.
2462:
2439:
2427:
2408:
2402:commentary of
2392:
2364:
2346:
2329:
2290:
2286:Steinberg 2005
2278:
2272:Daw, Stephen.
2265:
2251:
2235:
2231:Steinberg 2005
2217:
2216:
2214:
2211:
2210:
2209:
2202:
2199:
2151:
2148:
2147:
2146:
2132:
2129:basso continuo
2121:viola da gamba
2114:
2103:
2075:
2064:
2061:
2058:
2057:
2056:
2055:
2053:
2050:
1983:Gospel of John
1974:
1971:
1934:Ach, mein Sinn
1903:Ach, mein Sinn
1853:
1850:
1834:
1833:
1826:
1815:
1808:
1805:Paul Stockmann
1797:
1782:
1771:
1750:
1749:
1746:
1739:
1736:
1732:
1731:
1728:
1721:
1718:
1714:
1713:
1710:
1703:
1700:
1696:
1695:
1692:
1685:
1682:
1678:
1677:
1674:
1667:
1664:
1660:
1659:
1656:
1649:
1646:
1642:
1641:
1638:
1631:
1628:
1624:
1623:
1620:
1613:
1610:
1606:
1605:
1602:
1595:
1592:
1588:
1587:
1584:
1577:
1574:
1570:
1569:
1566:
1559:
1556:
1552:
1551:
1548:
1541:
1538:
1534:
1533:
1530:
1523:
1520:
1516:
1515:
1512:
1505:
1502:
1498:
1497:
1494:
1487:
1484:
1480:
1479:
1476:
1469:
1466:
1462:
1461:
1458:
1451:
1448:
1444:
1443:
1440:
1433:
1430:
1426:
1425:
1422:
1415:
1412:
1408:
1407:
1404:
1397:
1394:
1390:
1389:
1386:
1379:
1376:
1372:
1371:
1368:
1361:
1358:
1354:
1353:
1350:
1343:
1340:
1336:
1335:
1332:
1325:
1322:
1318:
1317:
1314:
1307:
1304:
1300:
1299:
1296:
1289:
1286:
1282:
1281:
1278:
1271:
1268:
1264:
1263:
1260:
1253:
1250:
1246:
1245:
1242:
1235:
1232:
1228:
1227:
1224:
1217:
1214:
1210:
1209:
1206:
1199:
1196:
1192:
1191:
1188:
1181:
1178:
1174:
1173:
1170:
1163:
1160:
1156:
1155:
1152:
1145:
1142:
1138:
1137:
1134:
1127:
1124:
1120:
1119:
1116:
1109:
1106:
1102:
1101:
1098:
1091:
1088:
1084:
1083:
1080:
1073:
1072:Arioso (bass)
1070:
1066:
1065:
1062:
1055:
1052:
1048:
1047:
1044:
1037:
1034:
1030:
1029:
1026:
1019:
1016:
1012:
1011:
1008:
1001:
998:
994:
993:
990:
983:
980:
976:
975:
972:
965:
962:
958:
957:
954:
947:
944:
940:
939:
936:
929:
926:
922:
921:
918:
911:
908:
904:
903:
900:
893:
890:
886:
885:
882:
879:
876:
865:
864:
861:
854:
851:
847:
846:
843:
840:Ach, mein Sinn
836:
833:
829:
828:
825:
818:
815:
811:
810:
807:
800:
797:
793:
792:
789:
782:
779:
775:
774:
771:
764:
761:
757:
756:
753:
746:
743:
739:
738:
735:
728:
725:
721:
720:
717:
710:
707:
703:
702:
699:
692:
689:
685:
684:
681:
674:
671:
667:
666:
663:
656:
653:
649:
648:
645:
638:
635:
631:
630:
627:
620:
617:
613:
612:
609:
602:
599:
595:
594:
591:
584:
581:
577:
576:
573:
566:
563:
559:
558:
555:
548:
545:
541:
540:
537:
530:
527:
523:
522:
519:
512:
509:
505:
504:
501:
498:
495:
468:Pontius Pilate
430:viola da gamba
418:oboe da caccia
408:with pairs of
406:basso continuo
386:Main article:
383:
380:
346:
343:
305:Gospel of John
299:narrating the
219:
218:
216:
215:
212:
211:choir and solo
203:
201:
197:
196:
194:
193:
176:
159:
140:
120:
118:
114:
113:
111:
110:
107:
104:
102:John 18–19
98:
96:
92:
91:
86:
82:
81:
72:
68:
67:
64:
56:
55:
45:
44:
38:
35:
34:
15:
9:
6:
4:
3:
2:
4447:
4436:
4433:
4431:
4428:
4427:
4425:
4410:
4407:
4405:
4402:
4400:
4397:
4395:
4392:
4390:
4389:Latin Vulgate
4387:
4385:
4382:
4381:
4379:
4375:
4369:
4366:
4364:
4361:
4359:
4356:
4354:
4351:
4349:
4346:
4344:
4341:
4339:
4336:
4334:
4331:
4329:
4326:
4324:
4321:
4319:
4316:
4314:
4311:
4309:
4306:
4304:
4301:
4299:
4296:
4294:
4291:
4289:
4286:
4284:
4281:
4279:
4276:
4274:
4271:
4269:
4266:
4264:
4261:
4259:
4256:
4254:
4251:
4249:
4246:
4244:
4241:
4239:
4236:
4234:
4231:
4229:
4226:
4224:
4221:
4219:
4216:
4214:
4211:
4210:
4208:
4204:
4197:
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4192:
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4188:
4184:
4181:
4180:
4176:
4172:
4169:
4167:
4164:
4163:
4161:
4160:
4156:
4155:
4153:
4149:
4143:
4140:
4138:
4135:
4133:
4130:
4128:
4125:
4121:
4118:
4117:
4116:
4113:
4109:
4106:
4104:
4101:
4099:
4096:
4095:
4094:
4091:
4090:
4088:
4084:
4078:
4075:
4073:
4072:
4068:
4066:
4065:
4061:
4059:
4058:Good Shepherd
4056:
4054:
4051:
4049:
4046:
4044:
4043:Bread of Life
4041:
4039:
4036:
4035:
4033:
4030:
4025:
4019:
4016:
4014:
4011:
4009:
4006:
4004:
4001:
3999:
3996:
3994:
3991:
3989:
3986:
3984:
3981:
3979:
3976:
3974:
3971:
3969:
3966:
3964:
3961:
3959:
3956:
3954:
3951:
3949:
3946:
3944:
3941:
3940:
3938:
3934:
3928:
3925:
3923:
3920:
3918:
3915:
3913:
3910:
3908:
3905:
3902:
3901:
3898:
3895:
3893:
3890:
3888:
3885:
3883:
3880:
3878:
3875:
3873:
3870:
3868:
3865:
3863:
3860:
3858:
3855:
3853:
3850:
3848:
3845:
3843:
3840:
3838:
3835:
3833:
3830:
3828:
3825:
3823:
3820:
3818:
3815:
3813:
3812:Herod Antipas
3810:
3808:
3805:
3803:
3800:
3798:
3795:
3794:
3792:
3788:
3782:
3779:
3777:
3776:
3772:
3770:
3767:
3765:
3764:
3760:
3758:
3757:
3753:
3751:
3748:
3746:
3743:
3741:
3738:
3736:
3735:
3731:
3729:
3726:
3724:
3721:
3719:
3716:
3714:
3711:
3710:
3708:
3704:
3698:
3695:
3693:
3690:
3688:
3685:
3683:
3680:
3678:
3675:
3673:
3670:
3668:
3665:
3663:
3660:
3658:
3655:
3653:
3650:
3648:
3645:
3643:
3640:
3638:
3635:
3633:
3630:
3628:
3625:
3623:
3620:
3618:
3615:
3613:
3610:
3608:
3605:
3604:
3602:
3596:
3586:
3583:
3581:
3578:
3576:
3573:
3571:
3568:
3566:
3562:
3558:
3554:
3550:
3546:
3542:
3539:
3538:
3536:
3534:
3530:
3524:
3521:
3517:
3514:
3512:
3509:
3507:
3504:
3502:
3499:
3497:
3494:
3492:
3489:
3487:
3484:
3482:
3479:
3478:
3477:
3476:Book of Glory
3474:
3470:
3467:
3465:
3462:
3460:
3457:
3455:
3452:
3450:
3447:
3445:
3442:
3440:
3437:
3435:
3432:
3430:
3427:
3425:
3422:
3420:
3417:
3416:
3415:
3414:Book of Signs
3412:
3410:
3407:
3406:
3404:
3402:
3398:
3395:
3392:
3391:New Testament
3387:
3383:
3379:
3372:
3367:
3365:
3360:
3358:
3353:
3352:
3349:
3337:
3334:
3332:
3329:
3328:
3325:
3318:
3317:, BWV 11
3316:
3312:
3310:
3308:
3304:
3300:
3297:
3295:
3292:
3290:
3287:
3285:
3282:
3280:
3277:
3275:
3271:
3269:
3266:
3265:
3264:
3262:
3258:
3257:
3254:
3250:
3241:
3237:
3236:
3235:
3234:
3230:
3228:
3227:
3223:
3221:
3220:
3216:
3212:
3209:
3207:
3204:
3203:
3202:
3201:
3197:
3193:
3190:
3188:
3185:
3184:
3183:
3182:
3178:
3176:
3175:
3171:
3166:
3165:
3164:
3163:
3159:
3158:
3155:
3153:
3149:
3140:
3137:
3135:
3134:early version
3132:
3131:
3130:
3127:
3125:
3122:
3118:
3115:
3113:
3110:
3108:
3107:early version
3105:
3104:
3103:
3100:
3099:
3096:
3094:
3090:
3085:
3080:
3073:
3068:
3066:
3061:
3059:
3054:
3053:
3050:
3043:
3040:
3037:
3036:
3032:
3030:
3026:
3025:
3021:
3018:
3014:
3012:
3008:
3005:
3001:
3000:
2996:
2995:
2987:
2983:
2980:
2976:
2972:
2968:
2963:
2958:
2954:
2950:
2949:
2944:
2939:
2936:
2935:0-19-816240-5
2932:
2928:
2924:
2921:
2920:
2910:
2906:
2902:
2898:
2896:0-19-802921-7
2892:
2888:
2884:
2880:
2876:
2870:
2866:
2861:
2857:
2852:
2848:
2846:9780195344349
2842:
2838:
2834:
2830:
2826:
2821:
2820:
2806:
2801:
2798:
2794:
2791:
2787:
2784:
2780:
2779:
2775:
2766:
2762:
2748:
2747:Marissen 1998
2743:
2736:
2731:
2729:
2721:
2716:
2714:
2707:
2703:
2697:
2690:
2685:
2678:
2673:
2666:
2665:archive.today
2662:
2659:
2654:
2647:
2642:
2635:
2630:
2623:
2618:
2612:, p. 20.
2611:
2606:
2599:
2594:
2588:, p. 94.
2587:
2582:
2575:
2571:
2566:
2559:
2554:
2552:
2550:
2548:
2546:
2538:
2533:
2531:
2529:
2527:
2525:
2523:
2515:
2510:
2508:
2500:
2495:
2493:
2491:
2483:
2478:
2471:
2466:
2460:, p. 294
2459:
2454:
2452:
2450:
2448:
2446:
2444:
2436:
2431:
2424:
2420:
2417:
2412:
2405:
2401:
2396:
2389:
2385:
2381:
2377:
2373:
2368:
2360:
2356:
2350:
2344:, p. 291
2343:
2338:
2336:
2334:
2325:
2321:
2317:
2313:
2309:
2306:(in German).
2305:
2304:Bach-Jahrbuch
2301:
2294:
2288:, p. 22.
2287:
2282:
2275:
2269:
2263:
2258:
2256:
2248:
2244:
2239:
2232:
2227:
2225:
2223:
2218:
2208:
2205:
2204:
2198:
2195:
2191:
2187:
2183:
2179:
2175:
2171:
2167:
2165:
2161:
2160:New Testament
2157:
2144:
2140:
2136:
2133:
2130:
2126:
2122:
2118:
2115:
2111:
2107:
2104:
2101:
2097:
2093:
2089:
2085:
2084:
2078:
2068:
2049:
2047:
2042:
2040:
2036:
2035:
2030:
2027:
2023:
2019:
2015:
2011:
2006:
2004:
1999:
1995:
1994:
1993:cantus firmus
1989:
1988:Martin Luther
1984:
1980:
1970:
1968:
1964:
1960:
1956:
1951:
1949:
1946:
1942:
1941:viola d'amore
1937:
1935:
1930:
1925:
1923:
1921:
1916:
1912:
1908:
1904:
1900:
1895:
1892:
1888:
1884:
1880:
1879:
1874:
1869:
1867:
1863:
1859:
1849:
1847:
1841:
1839:
1831:
1827:
1824:
1820:
1816:
1813:
1812:Michael Weiße
1809:
1806:
1802:
1798:
1795:
1794:Paul Gerhardt
1789:
1783:
1780:
1779:Martin Luther
1776:
1772:
1769:
1765:
1761:
1760:
1759:
1756:
1747:
1740:
1737:
1734:
1733:
1729:
1722:
1719:
1716:
1715:
1711:
1704:
1701:
1698:
1697:
1693:
1686:
1683:
1680:
1679:
1675:
1668:
1665:
1662:
1661:
1657:
1650:
1647:
1644:
1643:
1639:
1632:
1629:
1626:
1625:
1621:
1614:
1611:
1608:
1607:
1603:
1596:
1593:
1590:
1589:
1585:
1578:
1575:
1572:
1571:
1567:
1560:
1557:
1554:
1553:
1549:
1542:
1539:
1536:
1535:
1531:
1524:
1521:
1518:
1517:
1513:
1506:
1503:
1500:
1499:
1495:
1488:
1485:
1482:
1481:
1477:
1470:
1467:
1464:
1463:
1459:
1452:
1449:
1446:
1445:
1441:
1434:
1431:
1428:
1427:
1423:
1416:
1413:
1410:
1409:
1405:
1398:
1395:
1392:
1391:
1387:
1380:
1377:
1374:
1373:
1369:
1362:
1359:
1356:
1355:
1351:
1344:
1341:
1338:
1337:
1333:
1326:
1323:
1320:
1319:
1315:
1308:
1305:
1302:
1301:
1297:
1290:
1287:
1284:
1283:
1279:
1272:
1269:
1266:
1265:
1261:
1254:
1251:
1248:
1247:
1243:
1236:
1233:
1230:
1229:
1225:
1218:
1215:
1212:
1211:
1207:
1200:
1197:
1194:
1193:
1189:
1182:
1179:
1176:
1175:
1171:
1164:
1161:
1158:
1157:
1153:
1146:
1143:
1140:
1139:
1135:
1128:
1125:
1122:
1121:
1117:
1110:
1107:
1104:
1103:
1099:
1092:
1090:Aria (tenor)
1089:
1086:
1085:
1081:
1074:
1071:
1068:
1067:
1063:
1056:
1053:
1050:
1049:
1045:
1038:
1035:
1032:
1031:
1027:
1020:
1017:
1014:
1013:
1009:
1002:
999:
996:
995:
991:
984:
981:
978:
977:
973:
966:
963:
960:
959:
955:
948:
945:
942:
941:
937:
930:
927:
924:
923:
919:
912:
909:
906:
905:
901:
894:
891:
888:
887:
873:
862:
855:
852:
849:
848:
845:Oh, my sense
844:
837:
835:Aria (tenor)
834:
831:
830:
827:He denied it
826:
819:
816:
813:
812:
808:
801:
798:
795:
794:
790:
783:
780:
777:
776:
772:
765:
762:
759:
758:
754:
747:
744:
741:
740:
736:
729:
726:
723:
722:
718:
711:
708:
705:
704:
700:
693:
690:
687:
686:
682:
675:
672:
669:
668:
664:
657:
654:
651:
650:
646:
639:
636:
633:
632:
628:
621:
618:
615:
614:
610:
603:
600:
597:
596:
592:
585:
582:
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4193:
4185:
4182:(Pärt, 1982)
4177:
4158:
4157:
4069:
4062:
3988:Jordan River
3978:Jacob's Well
3817:Jesus Christ
3773:
3761:
3754:
3732:
3657:Foot washing
3523:Epilogue: 21
3314:
3306:
3260:
3231:
3224:
3217:
3198:
3180:
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3172:
3160:
3034:
3023:
3010:
2998:
2974:
2965:– via
2952:
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2926:
2908:
2886:
2864:
2855:
2836:
2824:
2797:Pater noster
2774:
2765:
2742:
2737:, p. 26
2722:, p. 23
2696:
2684:
2672:
2653:
2641:
2629:
2617:
2605:
2593:
2581:
2573:
2565:
2560:, p. 58
2539:, p. 21
2516:, p. 25
2501:, p. 75
2499:Melamed 2005
2484:, p. 72
2482:Melamed 2005
2477:
2465:
2430:
2411:
2395:
2379:
2375:
2367:
2358:
2349:
2307:
2303:
2293:
2281:
2273:
2268:
2246:
2238:
2233:, p. 19
2193:
2189:
2185:
2168:
2156:anti-Semitic
2153:
2142:
2138:
2134:
2123:solo and an
2116:
2109:
2105:
2099:
2076:
2045:
2043:
2032:
2021:
2013:
2007:
1997:
1991:
1978:
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1966:
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1757:
1753:
1594:Aria (bass)
1558:Aria (alto)
1378:Aria (bass)
691:Aria (alto)
480:
444:Luther Bible
441:
434:
393:
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373:
364:
350:
348:
331:
326:
320:
282:
231:
230:
225:
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222:
31:
25:
4206:Manuscripts
4198:(2014 film)
4190:(2003 film)
4171:Discography
4151:Adaptations
4120:Holy Spirit
3887:Simon Peter
3677:Crucifixion
3667:Last Supper
3268:discography
3211:discography
3192:discography
3139:discography
3117:discography
2923:Alfred Dürr
2310:: 111–131.
2262:Rathey 2016
2178:Good Friday
1866:Craig Smith
1702:Evangelist
1666:Evangelist
1612:Evangelist
1576:Evangelist
1468:Evangelist
1396:Evangelist
1360:Evangelist
1252:Evangelist
1108:Evangelist
781:Evangelist
709:Evangelist
673:Evangelist
367:harpsichord
355:Good Friday
293:recitatives
271:Good Friday
192:(version 4)
175:(version 3)
157:(version 2)
139:(version 1)
89:Good Friday
71:Native name
4424:Categories
4384:Greek Text
4093:Authorship
3922:Samaritans
3750:Jesus wept
3687:Empty tomb
3331:Evangelist
3129:Magnificat
2634:Wolff 2000
2622:Wolff 2000
2470:Wolff 2000
2458:Wolff 2000
2435:Wolff 2000
2342:Wolff 2000
2213:References
2180:services.
2170:Lukas Foss
2052:Highlights
2034:Evangelium
448:Evangelist
437:Evangelist
359:St. Thomas
249:245, is a
183:1739/1749?
179:1739/1749?
148:1725-03-30
128:1724-04-07
53:J. S. Bach
4213:Papyrus 2
4166:Structure
4077:True Vine
4031:" sayings
3983:Jerusalem
3968:Capernaum
3958:Bethsaida
3948:Bethabara
3927:Sanhedrin
3917:Sadducees
3912:Pharisees
3872:Nicodemus
3867:Nathanael
3734:Ecce homo
3652:Anointing
3252:Oratorios
3206:structure
3187:structure
3112:structure
2955:(4): 53.
2948:Religions
2702:the score
2598:Herz 1985
2586:Herz 1985
2324:0084-7682
2150:Criticism
2092:crescendo
2010:Communist
870:Part Two
489:Part One
470:, one at
370:repaired.
238:‹See Tfd›
117:Performed
3807:Caiaphas
3541:John 1:1
3401:Chapters
3152:Passions
2982:Archived
2907:(2000).
2885:(2005).
2835:(1998).
2661:Archived
2558:Herz1985
2419:Archived
2201:See also
2039:chorales
2026:Lutheran
1922:, BWV 23
1852:Versions
1738:Chorale
1684:Chorale
1522:Chorale
1450:Chorale
1234:Chorale
1000:Chorale
892:Chorale
884:English
853:Chorale
763:Chorale
655:Chorale
619:Chorale
503:English
472:Golgatha
317:chorales
297:choruses
255:oratorio
241:German:
170:/1730?:
109:chorales
85:Occasion
4377:Sources
4086:Related
4003:Samaria
3973:Galilee
3953:Bethany
3897:Zebedee
3847:Malchus
3842:Lazarus
3706:Phrases
3585:20:1–31
3272:Parts:
2817:Sources
2704:of the
2646:BWV 245
2164:Judaism
2096:roiling
2029:liturgy
2018:liturgy
1998:Passion
1948:violins
881:German
878:Voices
500:German
497:Voices
485:(NBA).
464:Kaiphas
402:strings
376:Leipzig
309:ariosos
276:at the
274:Vespers
251:Passion
200:Scoring
189:Leipzig
181: (
172:Leipzig
164: (
154:Leipzig
146: (
135:Leipzig
126: (
49:Passion
4179:Passio
4018:Sychar
3998:Kidron
3936:Places
3907:Angels
3903:Groups
3892:Thomas
3877:Philip
3852:Martha
3797:Andrew
3790:People
3682:Burial
3598:Events
3533:Verses
3409:John 1
2933:
2893:
2871:
2843:
2790:sermon
2783:priest
2406:(2004)
2386:
2322:
2088:legato
325:, the
3993:Judea
3802:Annas
3718:Logos
3580:18:38
3386:Bible
2757:Notes
1945:muted
1943:with
1821:" by
1803:" by
1792:" by
1777:" by
1720:Coro
1486:Coro
1414:Coro
1342:Coro
1306:Coro
1270:Coro
1198:Coro
1162:Coro
1126:Coro
1036:Coro
964:Coro
928:Coro
799:Coro
583:Coro
547:Coro
511:Coro
476:Jesus
414:oboes
398:choir
313:arias
4029:I AM
3963:Cana
3943:Ænon
3575:14:6
3570:3:16
3240:1149
2967:MDPI
2931:ISBN
2891:ISBN
2869:ISBN
2841:ISBN
2700:see
2384:ISBN
2320:ISSN
2192:and
2125:alto
1871:The
1501:27c
1483:27b
1465:27a
1429:25c
1411:25b
1393:25a
1357:23g
1339:23f
1321:23e
1303:23d
1285:23c
1267:23b
1249:23a
1213:21g
1195:21f
1177:21e
1159:21d
1141:21c
1123:21b
1105:21a
1051:18c
1033:18b
1015:18a
979:16e
961:16d
943:16c
925:16b
907:16a
875:NBA
814:12c
796:12b
778:12a
494:NBA
428:and
422:lute
412:and
404:and
392:The
349:The
311:and
295:and
283:The
223:The
208:SATB
166:1728
162:1728
95:Text
4363:128
4358:122
4353:121
4348:120
4343:119
4338:109
4333:108
4328:107
4323:106
3284:III
3081:by
2957:doi
2312:doi
2184:'s
1899:BWV
1735:40
1717:39
1699:38
1681:37
1663:36
1645:35
1627:34
1609:33
1591:32
1573:31
1555:30
1537:29
1519:28
1447:26
1375:24
1231:22
1087:20
1069:19
997:17
889:15
850:14
832:13
760:11
742:10
598:2e
580:2d
562:2c
544:2b
526:2a
257:by
253:or
247:BWV
245:),
229:or
51:by
42:245
40:BWV
4426::
4318:95
4313:93
4308:90
4303:84
4298:80
4293:76
4288:75
4283:66
4278:63
4273:60
4268:59
4263:55
4258:52
4253:45
4248:44
4243:39
4238:36
4233:28
4228:22
3565:42
3561:35
3559:;
3557:33
3553:25
3551:;
3549:23
3547:;
3545:20
3516:20
3511:19
3506:18
3501:17
3496:16
3491:15
3486:14
3481:13
3469:12
3464:11
3459:10
3299:VI
3289:IV
3279:II
2951:.
2945:.
2925:.
2807:).
2727:^
2712:^
2572:.
2544:^
2521:^
2506:^
2489:^
2442:^
2374:.
2357:.
2332:^
2318:.
2308:96
2302:.
2254:^
2245:.
2221:^
2166:.
2137::
2005:.
724:9
706:8
688:7
670:6
652:5
634:4
616:3
508:1
424:,
307:,
280:.
187::
152::
132::
4223:6
4218:5
4027:"
3563:–
3555:–
3543:–
3454:9
3449:8
3444:7
3439:6
3434:5
3429:4
3424:3
3419:2
3393:)
3389:(
3370:e
3363:t
3356:v
3294:V
3274:I
3071:e
3064:t
3057:v
2969:.
2959::
2953:8
2937:.
2899:.
2877:.
2849:.
2803:(
2749:.
2390:.
2361:.
2326:.
2314::
2141:(
2102:.
2069:.
1817:"
1799:"
1784:"
1773:"
1762:"
333:"
235:(
185:)
168:)
150:)
130:)
23:.
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