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the playwright, but blocking is usually done by the director, sometimes in collaboration with performers and designers. In the modern theater, there are purely mechanical reasons why blocking is crucial. Stage lighting is focused on specific parts of the stage at specific moments, and the performer must be sure to be on his or her "mark" or "spike" or they may not be well lit. Blocking also ensures that the stage picture gives the proper focus to the proper places, and that transitions occur smoothly. This becomes even more crucial as modern stage technology allows for ever more elaborate special effects.
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While from a critical standpoint, "staging" can refer to the spectacle that a play presents in performance, the term is also frequently used interchangeably with the term "blocking", referring to how the performers are placed and moved around the stage. Major points of blocking are often set down by
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repeatedly reminded his directors to take full advantage of the screen width by staging action all the way across the frame - in his words, 'keep the people spread out'. He wanted the audience to experience the full width of the new screen shape. The 'washing line' staging demanded by Zanuck not
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Staging is also used to mean the result of this process, in other words the spectacle that a play presents in performance, its visual detail. This can include such things as positions of actors on stage (often referred to as
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Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article.
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only was a commercial imperative, it also was a practical solution for the lack of color film sensitivity as well for inability to employ
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Content in this edit is translated from the existing German
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