1067:. Producer Goodwin proposed that this story should be the two-hours pilot of the series at a meeting with Eisner on August 3. He would later recall that this specific meeting changed the direction of the franchise, as Eisner declared that Foster's story was the one that he had been looking for to make a feature, not a television, film. At the same time, Paramount had come to realize that the expected advertising revenues for the Paramount Television Service could not support a fourth network, and so there was no possibility of creating the series. By this point, costs for the series had already reached $ 500,000, and the studio was looking to recoup those expenses in some manner. The initial concept was to continue with the pilot, and then attempt to sell the series to NBC,
939:, he included descriptions for a new "Ship's commander" character, and a "Young Vulcan". The latter character was specifically attributed as being a second-cousin of Spock, and also a half-human/half-Vulcan. He also added a new Yeoman character, but Roddenberry was concerned at the time about the character, writing to Livingston "Simply adding a 'flunky' female to the bridge may not satisfy our needs for gender equality." This discussion began the process that resulted in the creation of Ilia, a new female character who was not intended to replace one of the previous cast members. In charge of casting these new members of the crew was Robert Collins, who had been hired to direct the pilot. Xon would later be changed to a full-blooded Vulcan.
891:: owing to the pay he was to receive for the pilot and the first thirteen episodes, the studio wanted a contingency plan to replace him afterwards. Shatner was aware at the time that the plan was either to reduce his appearances after the initial episodes and reduce his ongoing fees, or—he believed—to kill off the character permanently if he refused the pay cut. Negotiations began with Shatner on June 10, but it was not until September 12 that his return was announced.
1513:, and Nimoy signed up for the film, Gautreaux requested that Xon be eliminated from the script entirely instead of being shown in a reduced capacity. Gautreaux would go on to portray Commander Branch in the film instead, in his only appearance in the franchise. At the time of the production on the film, the idea was to keep Xon in reserve for a future film or television series. Gautreaux was subsequently called in for an interview with Nimoy during the early work on
812:, that the writers would not have difficulty in writing new scenes with already established characters. However, Livingston and the writers did not know how the new characters would relate to the original ones. Despite this, Roddenberry claimed at the time that the relationships between the characters would take time to be built over the course of several episodes, and that fan reaction to certain characters and events would define how frequently they would appear.
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958:, this time as a doctor, and the actress was concerned that the romantic chemistry she shared with Nimoy might not work with a younger actor. She instead wanted an older British actor to play the role. Gautreaux, now with an agent, secured a further $ 2,500 fee to return and audition again, since it would cause him to miss out on a guest appearance for the same fee on the television series
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His notes said that while a bald female character would be an interesting addition, it may prevent the audience from feeling at ease with Ilia and so the style may need to be given to a different character entirely. The auditions by this time were not held under the pretence that they were to play a part in a television series, but were openly talking about
827:", and so Livingston suggested that Povill should be recruited in that role permanently. Roddenberry disagreed, but Livingston threatened to quit unless Povill was hired. Povill was subsequently recruited as story editor, but Livingston said that this action was the one that caused a breakdown in the relationship between Roddenberry and himself.
882:, as well as some of the actors who had played recurring characters. While none had been signed at the time, Roddenberry expressed confidence that they could do so with the exception of Leonard Nimoy, who had stated that he would not return to television. However, Nimoy said separately that the first offer he received from Roddenberry for
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December: Collins was dropped as director, for
Paramount wanted a motion picture director and not one with experience only in television; and Livingston allowed his contract to run out and left the production, owing to the poor relationship he had with Roddenberry. By January, Paramount no longer pretended that
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for a further five months after the decision was made that it would not go into production. By
November, Livingston and Roddenberry were no longer working well together. They had each re-drafted "In Thy Image" themselves, and presented these versions to Eisner. The Paramount executive's response was
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was hired to portray Ilia. She had been required to wear a bald cap for her screen test, although at this point the character also wore elaborate headgear in some footage. Roddenberry was insistent on this as a character attribute, but others such as Eisner hated the idea of a bald female character.
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was cast as Xon on
September 26, after approaching the casting director himself, having no agent. He had heard about the part, as he was dating the employee of an agent at the time. The final audition for the role had eight actors, including Gautreaux, of various ages and sizes. Gautreaux later said
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in the syndicated market." Prior to commencing production on the new series, Roddenberry took a two-week vacation in order to rid himself of negative feelings about the way that production on the feature film had gone. He described his concerns saying that he did not want to "drag a corpse of anger,
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was based on the principle that the technology was updated over time, but the general silhouette remained the same. He highlighted that the engines would specifically be designed to be replaced, so the external design of them was completely changed. Brick Price Movie
Miniatures was hired to produce
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as a film, not as a series. One of the changes around the same time as
Barrett's reports was the realization that all the model work completed thus far had to be restarted from scratch, as it was not detailed enough to be blown up on a motion picture-sized screen. Two further changes took place in
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received the assignment to write the story outline for the two-hour pilot, but, with a looming production deadline and unable to find a suitable writer to develop this story into a teleplay, Harold
Livingston took on the writing job himself. Of the remaining 12 script assignments handed out, about
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The casting for first officer
Willard Decker had been delayed, both because of a slight delay in the production but also because the writers were no longer sure that the character was needed at all. This was despite auditions being conducted at the same time that Gautreaux was cast as Xon, during
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announced—internally—that the two-hour pilot script was to be the long sought-after feature film story. However, In order to prevent negative publicity, the "cancellation" of the series and network was not immediately disclosed and development of the series and its scripts continued for a further
1650:, and went into detail about the conception of the planned and later aborted series, looking at several aspects of production, with behind-the-series information, color artwork, storyboards, blueprints, technical information and photos. It also contained two full scripts from the planned series.
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was only for the pilot and then guaranteed appearances in two out of every 11 episodes that followed, which he rejected. Nimoy and
Roddenberry were not on good terms, following a legal suit launched by the actor against Paramount over merchandising rights featuring his likeness; Roddenberry had
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sent into the production team was "Whatever happened to Grace Lee
Whitney?", Whitney herself got in touch with Sackett and was invited along to meet with Roddenberry at his office in Paramount Studios. He was excited and happy to see her, and immediately offered to bring back the character for
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and its crew, both old and new, as they confront a gigantic, aggressive, seemingly omnipotent alien intruder bound for Earth. With a looming production deadline and unable to find a suitable experienced TV writer to develop this story into a teleplay, Harold
Livingston took on the writing job
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that Roddenberry's version was suited for television, and Livingston's was better for a motion picture – and better overall. Collins was assigned to combine certain elements of Roddenberry's version into Livingston's and to complete that draft by the end of the month.
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Each of the returning former cast members was signed to contracts stipulating that they would be paid for the pilot and the 13 episodes regardless of whether the series went into production. They were also given substantial pay increases over what they had received on
495:, with a budget of $ 5 million. However, his contract was terminated in August of the same year after inviting several writers to pitch story ideas for the film. Paramount instead placed Jerry Isenberg in charge of the project as executive producer in July 1976.
552:
was being broadcast on 137 stations in the United States in syndication, and it was expected that the new television service would provide a single evening package that could be broadcast by these independent stations as well as Paramount's recently acquired
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as his greatest mistake and blaming it on NBC executives. He said that "when Captain Kirk came back from having affairs with all these other women on all these other planets – he'd have to deal with . What a great plot-thickener that would have been!".
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background, he was convinced to be a producer on the series instead. Roddenberry described him as the "producer producer", in that Goodwin would deal with all the technical aspects of the production. For the screenwriting aspect of the production,
731:. Other models were built specifically for the pilot film included an open frame orbital drydock, tetrahedron shaped models for a space office complex and space taxi, and the golden head and neck of the impossibly long "Vejur" space entity.
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film was announced in the 1970s, the Paramount executives decided that they could not lose face once more by making an announcement, only to potentially reverse the decision in several months time. Because of this, production continued on
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Several minutes of test footage, including a view of the redesigned Engineering Room, costume tests with crew, screen test footage of Gautreaux as Xon and costume test footage of Khambatta as Ilia, were included in a featurette on the
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makes first contact with the planet Neuterra, the mythical creature Komether appears to claim it, having purchased the planet in exchange for peace millennia ago. A revised version of this script was later filmed as an episode of
808:. In order to have the scripts delivered in an efficient manner, Roddenberry decided that he wanted all the scripts for the first batch of episodes completed prior to filming began on the pilot. He was confident that because of
268:. Three new and younger regular characters were created, science officer Lt. Xon, navigator Lt. Ilia, and ship's executive officer Willard Decker. Xon, Decker and Ilia were later influential in the development of characters on
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instead of the fiberglass resin props used before. The battery packs were detachable, and contained actual batteries that activated strobe lighting on the main body of the prop. Technical advisers were recruited, such as
588:
of both individuals and groups. He also wanted to show 23rd-century Earth for the first time, and said that this had been the answer to Paramount executives asking him if there had been anything he wanted to do on
927:
only had contracts for a certain number of appearances or been freelance players paid a daily rate, but here all were under contract for the initial series order. Roddenberry had expressed interest in including
655:
Roddenberry was given complete creative control over the new television project by Paramount, which had promised him that it would be able to make the project a "first-class effort" with the budget to suit.
1803:, and we've had different cultures modeled on those of ancient Earth, but I tried to think of what the Klingon society would be like. The Japanese came to mind, so basically that's what it was, with the
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at the time of first broadcast in 1970s. While they felt this would not have been the end of the franchise, they suggest it would have resulted in a more immediate reboot with the entire crew re-cast.
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had made on Gautreaux, with the latter telling Nimoy that he had treated it as a play that had been cancelled on the first night of the performance, which had not made a major impact on his career.
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but could not. A further change was to be the number of female cast members, as NBC had a requirement of a maximum of one-third, and Roddenberry wanted to have them appear in authority positions.
233:
revival were announced in early June 1977, with PTS to debut as one evening of programming each Saturday night and to gradually expand to other nights, a strategy successfully employed by the
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payment for the 13 episodes whether or not they were filmed, and a six-year option on his contract. Despite this, he was required to return for a further audition within a couple of weeks.
509:. Bryant and Scott turned in their script on March 1, 1977, which was rejected by Paramount. The duo left the project, citing conflicts in the film's scope between Roddenberry and director
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said that "I wanted something that we had never seen before on the series, and that's a penetration deep into enemy space. I started to think of how the Klingons lived. Obviously for the
1075:. But the Paramount executives were concerned about losing control of a potential franchise, and by moving the pilot into a feature film, it gave them the ability to keep it in-house.
638:
was recruited, who recalled that the technical/screenwriting split of the executive producer role was innovative for the time. Like Goodwin, Livingston had not previously worked on
964:. He retained the part, saying that the other actor was "absolutely abominable". It was only after this further audition that he was told what few others knew at the time: that
324:
Pre-production began in earnest, with the emphasis on what would be the standing sets of the Enterprise, which differed radically in layout, design and detailing from those for
979:, in order to portray the most accurate Vulcan he could. He fasted over the course of ten days and grew his hair long. Gautreaux sought out potential coaches who had worked on
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culture, such as the Emperor, and a general influence of Japanese culture with honor at the forefront, were first explored with the script for the two-part "Kitumba". Writer
971:
Following announcements of Gautreaux's Xon replacing Nimoy's Spock, Gautreaux began to receive threatening fan-mail suggesting that he was going to be poisoned or dosed with
777:
sets were located. By August 9, the foundations of the bridge set was built, with a plaster mould used to produce fiberglass "skins" for the various prop consoles and walls.
727:
the physical models of the vessel in two sizes, an 18-inch (46 cm) version for long shots, and a larger 5-foot (1.5 m) model built by Don Loos cast in moulds of
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film was cancelled on May 9. Kaufman claimed that Paramount attributed this to the idea that science fiction fans would not go see two films released so close together.
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cargo deck. However, the visual effects people hired for the feature film decided that the miniatures under construction were not up to the standards of a post-
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homeworld to help Ksia, a tutor to the underage Klingon leader, to stop his regent from making war on the Federation. This would have been a two-part episode.
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feature, and all were scrapped. Director Robert Collins, who had been hired to direct the pilot, and promised he was to direct the feature, was replaced by
375:
would be returning to television were ended when Paramount announced that instead of a series it would be producing what became the big budget film titled
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was delayed. The producers sought scripts that could be put into production as quickly as possible once the strike was lifted, and so "The Child" from
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Roddenberry said that the show would continue to cover modern themes in a science fiction way as had the first series, saying that these could include
573:
due to launch the new series at a cost of $ 3.2 million – which some claimed would have made it the most expensive television movie ever made to date.
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at the start of December. In response, Paramount released a statement that said the new network had been pushed back to the fall of 1978, and that
773:
Set production was underway by the start of August, with stage 8 on the Paramount lot designated as the "planet set", while stage 9 was where the
332:'s TV return faltered, as the low anticipated advertising revenues for the Paramount Television Service indicated that it was not viable, and the
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sets would be extensively reworked for the film (and its eventual sequels), and an unfinished admiral's office set's walls became part of the
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rescues a female android, Yra, whose planet's successful philosophy of "peace through war" has been corrupted by a leader named Plateous III.
408:
The concept of a "Paramount Network" led by a flagship Star Trek series finally came to fruition in January 1995 when Paramount launched the
601:
The expectation was that the two-hour pilot film would be broadcast in February 1978, with weekly episodes following, broadcast in an 8 pm
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sets were located on stage 9 of the Paramount lot. The main layout and structures remained when those sets were overhauled to appear in
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1717:, whose creation began just over seven years later. The characters of Xon, Decker and Ilia were used as the basis for the creation of
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245:, followed by a movie of the week starting at 9pm. The initial order was for a two-hour pilot, followed by 13 hour-long episodes.
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was paid $ 17,500 for the first four weeks, then $ 7,500 per episode for the rest of the first season. Regulars actors including
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1165:, named "Robot's Return" and was also very similar to the 1960s Star Trek episode "The Changeling". A huge starship crosses the
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The two-hour pilot film was to be based on a story outline Roddenberry had written for the aborted series follow-up to his 1973
686:, and agreed a position that the designer could advise the new show, but would have to choose between it and his main duties on
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was picked as one that could be used in the new series with Ilia's place in the script swapped out in favor of Troi. A further
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that the one thing they all had in common was a slightly alien appearance. He was hired to a $ 15,000 fee for the pilot, a
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218:, which had run from 1966 to 1969. The plans for the series were first developed after several failed attempts to create a
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comes across a sleeper ship where Decker, Scotty, and Sulu get trapped in a simulation of the 16th-century witch-burnings.
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in reference to the abandoned 1970s series. The change was reverted following an announcement by Cawley on June 9, 2015.
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557:. It was hoped that this station could become the fourth national network in the United States; Diller and his assistant
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TV movie. That story, titled "Robot's Return" featured a gigantic alien craft coming to Earth searching for its origin.
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By August 16, Livingston had held pitch meetings with more than 30 writers who were interested in scripting episodes of
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work started to interfere. This occurred quite quickly, after Jefferies conducted design work on the new version of the
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and that casting would include "as many of the old faces as possible, as well as an infusion of new ones". At the time,
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gets caught in a solar system-sized logic game where, if you win, you "attain the All", a huge repository of knowledge.
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had its episode order increased from 13 to between 15 and 22. Despite this, behind the scenes, production continued on
750:' third season—was brought in as a production illustrator, working with Lee Cole in the Art Department under Jennings.
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Derived from part of a discarded script treatment about warring androids on the planet Shadir ("A War to End Wars" by
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which, in his second audition with Barrett, he also read lines against ten actors competing for the role of Decker.
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comes across a derelict Klingon Cruiser with one life form aboard – one Lord Bobby from Earth's late 19th century.
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was to be anything other than a feature film. Livingston was brought back, but only in a writing capacity, and
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and various following films within the franchise. The sets were re-worked and converted prior to the start of
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The problems with Nimoy and Shatner necessitated the creation of two new characters. In Goodwin's first draft
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would be returning to television on the new service, saying that "Hopefully it will be even superior" to
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was otherwise employed and brought in as a "technical advisor" and to update the design of the starship
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during the course of the first season, except this decline would have resulted in the cancellation of
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was absolutely the lead horse of the new network. Because the advertisers recognized the strength of
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A key premise of the "In Thy Image" story was to see Earth itself threatened for the first time in
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328:. Many costumes and props, too, were designed. Ultimately, Paramount's plans for its network and
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975:. He began to prepare for the role by purchasing a television set and watching old episodes of
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was placed in charge of developing the feature films that would follow each week's episode of
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The first public announcement of the cancellation of the Paramount Television Service and
384:(1979), which was itself a massive reworking of the "In Thy Image" two-hour pilot script.
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began working on new designs for the Starfleet uniforms, some based on his creations for
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3013:"New Voyages Latest Episode Back Online – Team Planning New Episodes [UPDATED]"
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The idea of a young male Vulcan scientist was once again proposed early in the work on
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fan previously, he said he had begun looking forward to portraying Xon by that point.
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and falls in love with a woman living there. The plot is similar to that of the film
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as the main art director on the series; Jennings had worked for Jefferies during the
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of Paramount Pictures between 1974 and 1984, later explained that Arthur Barron, the
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is hit with a blinding light that brainwashes the crew, reverting them to savages.
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refused to support Nimoy in the case. There was also a problem with the return of
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series. Roddenberry was adamant that Jefferies was the right person to update the
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takes care of an infant alien who can foretell the future. Based on the story of
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had already been cancelled, and they were instead going to make a feature film.
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During a Klingon attack, Kirk orders an emergency beamup and is transported to
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1851:(UPN) in January 1995. This was the fifth network, as Diller had moved to the
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and so on." While the episode itself was later filmed for the fan production
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script was adapted later in the series, when "Devil's Due" was converted for
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was announced on June 10, 1977. Seven days later, Roddenberry announced that
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Preproduction work on the series did not entirely go to waste. The standing
312:. Special effects (on set) were to be by Jim Rugg. Science fiction novelist
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2608:
2593:
2581:
2545:
2497:
2442:
2430:
2394:
2351:
2324:
2309:
2297:
2285:
2268:
2256:
2244:
2232:
2187:
2172:
2160:
2148:
2124:
2027:
1692:, Xon was played by Patrick Bell. In February 2008, Cawley announced that
1609:. The presence of a second five-year mission, as would have been shown in
5245:
4736:
4608:
4360:
4270:
3263:
2985:
1974:
1950:
1935:
1911:
1726:
1235:
mediates a dispute between two worlds over "The Monitor", while a clumsy
1116:
1030:
669:
664:, was recruited as a technical advisor. He had designed the original USS
581:
402:
344:, refused to back the plan, resulting in the eventual exit of Paramount
5100:
4915:
4666:
4580:
4541:
4350:
4059:
1569:, which was attributed by later reviewers to the influence of Xon from
1260:
984:
820:
728:
1268:
A being of light impregnates Ilia to experience life as a Deltan. The
482:
as a low-budget film, and that any suggestions that Paramount's owner
39:
5010:
4983:
4573:
4340:
4230:
4148:
3521:
1279:. A revised version of this script was later filmed as an episode of
1240:
1155:. Alan Dean Foster's story outline was based on a premise written by
758:
226:(PTS) as a fourth broadcast television network in the United States.
5107:
4783:
4515:
4225:
4170:
4039:
3991:
1519:. The pair started talking about the impact that Nimoy's return to
1166:
672:, but was unwilling to give up a position on the television series
605:
365:
356:
five months, during which time tests were filmed on the incomplete
998:
878:
By August 1977, discussions had been held with the main cast from
4654:
4165:
4133:
4091:
4069:
4044:
1796:
1788:
1307:
823:, had already been conducting these duties on a script entitled "
447:
soon sought to create a new film from the series. Series creator
443:
being held for the fans of the show. Influenced by this success,
19:
For the fanfilm series briefly known as Star Trek: Phase II, see
2569:
815:
By September, it had become apparent that they needed to hire a
197:
was the initial working title for what officially became titled
3191:
Star Trek Creator: The Authorized Biography of Gene Roddenberry
2990:"Ten For Ward: 10 Favorite Star Trek "Behind the Scenes" Books"
1808:
1666:. He felt that they represented the step between those seen in
1574:
1546:
aired, they were used once more. It was only with the start of
1276:
1193:
854:
and in the process introduce the newly redesigned and refitted
2535:
2533:
1025:
One further change to the cast was to have been the return of
489:
In May 1975, Roddenberry signed a contract with Paramount for
4245:
4086:
1170:
360:
sets in widescreen format - a clear indication that whatever
253:
3489:
3396:
3171:
3085:
2833:
2821:
2809:
2797:
2785:
2773:
2761:
2749:
2737:
2725:
2713:
2701:
2689:
2677:
2665:
2653:
2641:
2629:
2617:
2602:
2587:
2551:
2512:
2491:
2448:
2436:
2418:
2400:
2364:
2333:
2318:
2303:
2291:
2279:
2262:
2250:
2238:
2193:
2181:
2166:
2154:
2130:
2033:
1985:
1956:
1944:
1917:
4081:
4049:
3058:"Return to the original "New Voyages" name on June 9, 2015"
2966:
2557:
2530:
2518:
2382:
2370:
2210:. Reeves-Stevens, Garfield, 1953-. New York: Pocket Books.
2136:
1352:
is recalled to a Starbase to engage in a strange war game.
850:
s series of books, was hired to adapt this story idea for
621:
defeats and double-crossing behind me" onto the new show.
612:, who was placed in charge of the new network, said that "
2015:
1829:", and the themes would be revisited through the series.
1631:
in 1993. This would have taken place after the events of
1600:
1068:
432:
409:
2112:
1962:
1871:
would have seen a similar decline in ratings as seen by
1745:, and it was anticipated that this would be included in
2205:
281:
Behind the cameras, Roddenberry recruited Trek-novices
3153:
3115:
3060:. Star Trek: New Voyages International. Archived from
2406:
1991:
1119:
was hired as director on the film to replace Collins.
3103:
2915:"Robin Curtis Looks Back At Saavik & TNG, Part 1"
1540:
to appear on television for the first time, and when
241:
was to be the flagship show, and be broadcast at 8pm
3091:
2339:
2003:
1923:
1656:
purchased the costumes that would have been used in
1275:
s hull begins to fail as they come across a strange
2938:"You may want to pass on this 'Golden' opportunity"
3405:
3213:
2945:
1556:sets at Paramount were completely changed and the
503:were hired to write a script, which they entitled
431:was cancelled in 1969, following three seasons on
212:as a sequel to (and continuation of) the original
2893:"Looking back at Star Trek II: The Wrath Of Khan"
1703:
5259:
222:based on the property, coupled with plans for a
3379:Star Trek Chronology: The History of the Future
2867:
1660:, and later repurposed them for his fan series
1078:However, because of the number of times that a
753:Other creations that were updated included the
3260:The Greatest Science Fiction Movies Never Made
1638:A book based on the production of the series,
846:in a series of short stories published in the
738:crew members were recruited. Costume designer
278:would be re-developed for use in that series.
4799:
3505:
3448:
3426:
2575:
2563:
2539:
2524:
2388:
2376:
2142:
1897:"'Star Trek' Engenders Cult in U.S., England"
1839:Judith and Garfield Reeves-Stevens described
1737:was. It was originally proposed in Gerrold's
1373:While investigating an ancient starship, the
1005:screen-test photo of Persis Khambatta as Ilia
983:, and later highlighted the help provided by
596:
2868:Höhne Sparborth, Christian (April 8, 2001).
2087:
2085:
2083:
2081:
2079:
2077:
1863:, where he launched the fourth network, the
1394:While searching for a missing starship, the
1348:While searching for a missing starship, the
3234:
2465:
2463:
2461:
2459:
2457:
2021:
1968:
1894:
1888:
1682:", which was based on an unused script for
1674:. The series also made other references to
874:screen-test photo of David Gautreaux as Xon
4806:
4792:
3512:
3498:
3368:
2972:
2208:Star Trek, phase II : the lost series
1741:to have the second-in-command leading the
1149:The two-hour pilot that eventually became
513:. Shortly before the scheduled release of
3241:Captain's Logs: The Complete Trek Voyages
3187:
2424:
2074:
1033:. In 1977, having read the back cover of
932:but she was not contactable at the time.
840:, who had previously adapted episodes of
301:and illustrator Mike Minor. Art director
3412:(2nd ed.). New York: Pocket Books.
3306:(3rd ed.). New York: Pocket Books.
3304:Star Trek: The Next Generation Companion
3172:Reeves-Stevens & Reeves-Stevens 1997
3086:Reeves-Stevens & Reeves-Stevens 1997
2834:Reeves-Stevens & Reeves-Stevens 1997
2822:Reeves-Stevens & Reeves-Stevens 1997
2810:Reeves-Stevens & Reeves-Stevens 1997
2798:Reeves-Stevens & Reeves-Stevens 1997
2786:Reeves-Stevens & Reeves-Stevens 1997
2774:Reeves-Stevens & Reeves-Stevens 1997
2762:Reeves-Stevens & Reeves-Stevens 1997
2750:Reeves-Stevens & Reeves-Stevens 1997
2738:Reeves-Stevens & Reeves-Stevens 1997
2726:Reeves-Stevens & Reeves-Stevens 1997
2714:Reeves-Stevens & Reeves-Stevens 1997
2702:Reeves-Stevens & Reeves-Stevens 1997
2690:Reeves-Stevens & Reeves-Stevens 1997
2678:Reeves-Stevens & Reeves-Stevens 1997
2666:Reeves-Stevens & Reeves-Stevens 1997
2654:Reeves-Stevens & Reeves-Stevens 1997
2642:Reeves-Stevens & Reeves-Stevens 1997
2630:Reeves-Stevens & Reeves-Stevens 1997
2618:Reeves-Stevens & Reeves-Stevens 1997
2603:Reeves-Stevens & Reeves-Stevens 1997
2588:Reeves-Stevens & Reeves-Stevens 1997
2552:Reeves-Stevens & Reeves-Stevens 1997
2513:Reeves-Stevens & Reeves-Stevens 1997
2492:Reeves-Stevens & Reeves-Stevens 1997
2454:
2449:Reeves-Stevens & Reeves-Stevens 1997
2437:Reeves-Stevens & Reeves-Stevens 1997
2401:Reeves-Stevens & Reeves-Stevens 1997
2365:Reeves-Stevens & Reeves-Stevens 1997
2334:Reeves-Stevens & Reeves-Stevens 1997
2319:Reeves-Stevens & Reeves-Stevens 1997
2304:Reeves-Stevens & Reeves-Stevens 1997
2292:Reeves-Stevens & Reeves-Stevens 1997
2280:Reeves-Stevens & Reeves-Stevens 1997
2263:Reeves-Stevens & Reeves-Stevens 1997
2251:Reeves-Stevens & Reeves-Stevens 1997
2239:Reeves-Stevens & Reeves-Stevens 1997
2194:Reeves-Stevens & Reeves-Stevens 1997
2182:Reeves-Stevens & Reeves-Stevens 1997
2167:Reeves-Stevens & Reeves-Stevens 1997
2155:Reeves-Stevens & Reeves-Stevens 1997
2131:Reeves-Stevens & Reeves-Stevens 1997
2034:Reeves-Stevens & Reeves-Stevens 1997
1986:Reeves-Stevens & Reeves-Stevens 1997
1957:Reeves-Stevens & Reeves-Stevens 1997
1945:Reeves-Stevens & Reeves-Stevens 1997
1918:Reeves-Stevens & Reeves-Stevens 1997
997:
866:
800:. Also pitching to write an episode was
297:were few, and included costume designer
3454:The Longest Trek: My Tour of the Galaxy
3320:
3301:
3280:
3216:Star Trek: Where No One Has Gone Before
3208:
3159:
3121:
3109:
3097:
3033:
3010:
2845:
2412:
2118:
2091:
2009:
1929:
1821:first visited the Klingon homeworld in
5260:
5156:Star Trek: The Motion Picture. A Novel
3257:
3034:Pascale, Anthony (February 18, 2008).
3011:Pascale, Anthony (September 5, 2007).
2935:
2890:
2094:"A Conversation with Gene Roddenberry"
2046:
2044:
2042:
1997:
1050:, describing the removal of Rand from
478:at the time, was pushing for renewing
371:On March 28, 1978, any illusions that
4787:
4588:How William Shatner Changed the World
3493:
3434:. New York: HarperCollinsPublishers.
3344:
3133:
2469:
2345:
1832:
1749:– it was instead first introduced in
1603:release of the Director's Edition of
1477:
1456:
1435:
1403:
1382:
1357:
1336:
1315:
1290:
1248:
1219:
1178:
1137:
1041:book and discovering that one of the
796:, had previously written episodes of
768:Massachusetts Institute of Technology
351:. In August 1977 Paramount president
274:, and two of the scripts written for
4813:
3408:Star Trek: Phase II: The Lost Series
2984:
1847:, in that it was used to launch the
1758:1988 Writers Guild of America strike
1398:comes across a world in need of men.
2052:"'Star Trek' will be new TV Series"
2039:
1678:, as Xon was added in the episode "
1640:Star Trek Phase II: The Lost Series
1516:Star Trek III: The Search for Spock
260:were contracted to return, notably
13:
3456:. Clovis, CA: Quill Driver Books.
2936:Rahner, Mark (November 13, 2001).
1648:Judith and Garfield Reeves-Stevens
486:had some involvement were untrue.
14:
5294:
5283:American sequel television series
3472:
3136:"Star Trek: 10 Unfilmed Episodes"
2891:Carter, Alex (January 26, 2015).
2472:"Casualty of the Lost Generation"
1509:After production was underway on
4696:The Last Voyage of the Starship
3725:
2870:"Rick Sternbach On Voyager Sets"
2206:Reeves-Stevens, Judith. (1997).
1560:foundations no longer remained.
702:, while on a location shoot for
678:for a 13-episode order on a new
455:in March 1972 that NBC wanted a
144:Pilot, plus 13 scripts (planned)
38:
3134:Gross, Edward (April 7, 2016).
3127:
3050:
3036:"New Voyages Heads To Phase II"
3027:
3004:
2978:
2929:
2917:. StarTrek.com. January 4, 2012
2907:
2884:
2861:
2839:
2470:Gross, Edward (February 1989).
2199:
1566:Star Trek II: The Wrath of Khan
1212:The City on the Edge of Forever
1058:
770:, and his wife Gloria Rudisch.
506:Star Trek: Planet of the Titans
435:. Afterward, it saw success in
4884:Star Trek: The Next Generation
4877:Star Trek: The Animated Series
4870:Star Trek: The Original Series
1895:Buck, Jerry (March 14, 1972).
1843:as the "conceptual cousin" of
1705:Star Trek: The Next Generation
1685:Star Trek: The Next Generation
1537:Star Trek: The Next Generation
1427:Star Trek: The Next Generation
1282:Star Trek: The Next Generation
843:Star Trek: The Animated Series
722:. Jefferies' re-design of the
428:Star Trek: The Original Series
271:Star Trek: The Next Generation
138:
1:
5138:Star Trek: The Motion Picture
3519:
3180:
2092:Sackett, Susan (March 1978).
1606:Star Trek: The Motion Picture
1592:Star Trek IV: The Voyage Home
1383:"Are Unheard Melodies Sweet?"
1152:Star Trek: The Motion Picture
531:
526:
421:
208:television series created by
44:Artist's illustration of the
4908:Television pilots written by
4855:Television series created by
4726:Where No Fan Has Gone Before
4411:Where no man has gone before
4144:United Federation of Planets
3330:. New York: G. P. Putnam's.
538:Paramount Television Service
364:would be, it would not be a
224:Paramount Television Service
185:Paramount Television Service
7:
5278:Unproduced television shows
5273:Star Trek television series
2062:. June 18, 1977. p. 13
1713:would prove influential on
1581:in that film, and later by
1196:, just before the Japanese
1169:looking for its creator on
819:. Roddenberry's assistant,
704:Little House on the Prairie
688:Little House on the Prairie
675:Little House on the Prairie
441:science fiction conventions
16:Un-aired television program
10:
5299:
4429:Accolades (film franchise)
3382:. New York: Pocket Books.
3220:. New York: Pocket Books.
1122:
1043:frequently asked questions
597:Crew and production design
18:
5232:
5211:
5190:
5165:
5147:
5130:Pretty Maids All in a Row
5121:
5083:
5032:The Return of the Archons
4993:
4981:
4907:
4854:
4821:
4766:
4632:
4595:Beyond the Final Frontier
4558:
4533:
4510:A Klingon Christmas Carol
4476:
4437:
4375:
4201:
4028:
4000:
3943:
3901:
3894:
3872:
3840:
3799:
3744:
3735:
3723:
3654:
3566:
3557:
3529:
3188:Alexander, David (1995).
2576:Whitney & Denney 1998
2564:Shatner & Kreski 1993
2540:Shatner & Kreski 1993
2525:Shatner & Kreski 1993
2389:Shatner & Kreski 1993
2377:Shatner & Kreski 1993
2143:Shatner & Kreski 1993
1867:. They hypothesised that
1642:was published in 1997 by
1504:
1487:
1478:"The War to End All Wars"
1466:
1445:
1417:
1392:
1371:
1346:
1325:
1300:
1266:
1229:
1186:
1147:
1132:
1129:
1095:came at the hands of the
1018:becoming a feature film.
784:. Some of these, such as
555:Hughes Television Network
317:half were to veterans of
180:
175:
167:
153:
148:
137:
129:
121:
75:
65:
55:
37:
30:
5181:Star Trek: The God Thing
4740:(2017 television series)
3841:Reboot (Kelvin Timeline)
3790:The Undiscovered Country
3432:Star Trek Movie Memories
3430:; Kreski, Chris (1993).
3402:Reeves-Stevens, Garfield
1882:
1865:Fox Broadcasting Company
1849:United Paramount Network
1436:"Lord Bobby's Obsession"
1412:William Douglas Lansford
1179:"Tomorrow and the Stars"
569:into production, with a
492:Star Trek: The God Thing
410:United Paramount Network
235:Fox Broadcasting Company
3302:Nemecek, Larry (2003).
3287:. New York: W. Morrow.
3284:The Keys to the Kingdom
2022:Gross & Altman 1993
1969:Gross & Altman 1993
1853:Fox Entertainment Group
1739:The Worlds of Star Trek
991:". Despite not being a
862:
476:chief financial officer
472:chief executive officer
346:chief executive officer
204:an unproduced American
3452:; Denney, Jim (1998).
3398:Reeves-Stevens, Judith
3354:. New York: Hyperion.
3258:Hughes, David (2008).
2973:Okuda & Okuda 1993
1814:Star Trek: New Voyages
1663:Star Trek: New Voyages
1613:, was included in the
1552:that the setup of the
1198:attack on Pearl Harbor
1006:
875:
248:With the exception of
21:Star Trek: New Voyages
5094:Encounter at Farpoint
4972:Encounter at Farpoint
4923:A Very Private Affair
4891:Earth: Final Conflict
4826:Early life and career
4642:Kirk and Uhura's kiss
4616:For the Love of Spock
3281:Masters, Kim (2000).
2988:(November 20, 2014).
1855:in the years between
1549:Star Trek: Enterprise
1001:
987:who had appeared in "
954:was due to return as
870:
437:broadcast syndication
5039:A Private Little War
4453:Planet of the Titans
4075:Rules of Acquisition
3769:The Search for Spock
2950:on November 21, 2018
1787:Certain elements of
1670:and the uniforms in
1646:. It was written by
1620:Star Trek Chronology
1587:The Search for Spock
1577:. She was played by
1482:Arthur Bernard Lewis
1316:"Practice in Waking"
1039:Letters to Star Trek
660:, who had worked on
642:, but had worked on
608:on Saturday nights.
171:50 minutes (planned)
70:Paramount Television
5268:Star Trek: Phase II
5219:Lincoln Enterprises
5174:Star Trek: Phase II
5166:Unproduced projects
5085:The Next Generation
4995:The Original Series
4987:episodes written by
4623:What We Left Behind
4398:Composers and music
3801:The Next Generation
3746:The Original Series
3596:The Next Generation
3589:The Animated Series
3575:The Original Series
3480:Star Trek: Phase II
3243:. London: Boxtree.
2836:, pp. 295–302.
2824:, pp. 289–294.
2812:, pp. 284–288.
2800:, pp. 280–283.
2788:, pp. 270–279.
2776:, pp. 264–269.
2764:, pp. 258–263.
2752:, pp. 254–257.
2740:, pp. 244–253.
2728:, pp. 303–349.
2716:, pp. 240–243.
2704:, pp. 236–239.
2578:, pp. 130–131.
2427:, pp. 481–428.
2056:The Free Lance-Star
1823:The Next Generation
1793:John Meredyth Lucas
1778:The Next Generation
1766:The Next Generation
1751:The Next Generation
1715:The Next Generation
1696:would be re-titled
1668:The Original Series
1457:"To Attain the All"
1295:John Meredyth Lucas
1203:The Final Countdown
1052:The Original Series
981:The Original Series
925:The Original Series
897:The Original Series
880:The Original Series
810:The Original Series
798:The Original Series
748:The Original Series
744:The Original Series
740:William Ware Theiss
720:The Original Series
662:The Original Series
652:television series.
645:Mission: Impossible
591:The Original Series
550:The Original Series
546:The Original Series
326:The Original Series
319:The Original Series
299:William Ware Theiss
295:The Original Series
258:The Original Series
239:Star Trek: Phase II
194:Star Trek: Phase II
154:Executive producers
32:Star Trek: Phase II
5224:Norway Corporation
5074:Turnabout Intruder
5067:The Savage Curtain
5053:Bread and Circuses
4634:Cultural influence
4418:Beam me up, Scotty
4393:Norway Corporation
3783:The Final Frontier
3755:The Motion Picture
3705:Strange New Worlds
3450:Whitney, Grace Lee
2851:"Star Trek Report"
2849:(September 1978).
1899:. Associated Press
1834:Star Trek: Voyager
1827:Sins of the Father
1672:The Motion Picture
1633:The Motion Picture
1543:Star Trek: Voyager
1532:The Motion Picture
1511:The Motion Picture
1206:(1980) and of the
1007:
876:
734:Only a few former
708:Joseph R. Jennings
650:Desilu Productions
563:Jeffrey Katzenberg
466:for a new series.
445:Paramount Pictures
415:Star Trek: Voyager
381:The Motion Picture
334:Paramount Pictures
5255:
5254:
5240:Pan Am Flight 121
5117:
5116:
5060:Assignment: Earth
4958:The Questor Tapes
4937:Assignment: Earth
4781:
4780:
4371:
4370:
4317:Klingon starships
4221:Deflector shields
4015:Galactic quadrant
3890:
3889:
3762:The Wrath of Khan
3721:
3720:
3712:Starfleet Academy
3559:Television series
3463:978-1-884956-03-4
3441:978-0-060-17617-4
3389:978-0-671-79611-2
3361:978-0-786-86182-8
3322:Nichols, Nichelle
3294:978-0-68817-449-1
3273:978-1-84576-755-6
3250:978-1-85283-899-7
3194:. New York: Roc.
2975:, pp. 70–71.
2960:HighBeam Research
2942:The Seattle Times
2692:, pp. 76–77.
2494:, pp. 48–49.
2121:, pp. 80–81.
2000:, pp. 21–26.
1502:
1501:
1440:Shimon Wincelberg
1358:"Savage Syndrome"
1224:Theodore Sturgeon
1027:Grace Lee Whitney
989:The Cloud Minders
930:Grace Lee Whitney
786:Theodore Sturgeon
636:Harold Livingston
283:Harold Livingston
229:Both PTS and the
190:
189:
162:Harold Livingston
130:Original language
122:Country of origin
116:Grace Lee Whitney
5290:
4991:
4990:
4815:Gene Roddenberry
4808:
4801:
4794:
4785:
4784:
4677:Shakespeare and
4524:Very Short Treks
4478:Spin-off fiction
4388:Gene Roddenberry
3899:
3898:
3742:
3741:
3729:
3564:
3563:
3514:
3507:
3500:
3491:
3490:
3467:
3445:
3428:Shatner, William
3423:
3411:
3393:
3365:
3341:
3317:
3298:
3277:
3254:
3231:
3219:
3205:
3175:
3169:
3163:
3157:
3151:
3150:
3148:
3146:
3131:
3125:
3119:
3113:
3107:
3101:
3095:
3089:
3083:
3074:
3073:
3071:
3069:
3064:on April 4, 2016
3054:
3048:
3047:
3045:
3043:
3031:
3025:
3024:
3022:
3020:
3008:
3002:
3001:
2999:
2997:
2982:
2976:
2970:
2964:
2963:
2957:
2955:
2949:
2944:. Archived from
2933:
2927:
2926:
2924:
2922:
2911:
2905:
2904:
2902:
2900:
2888:
2882:
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1617:timeline in the
1274:
1157:Gene Roddenberry
1142:Alan Dean Foster
1127:
1126:
1097:gossip columnist
1011:Persis Khambatta
956:Christine Chapel
909:Nichelle Nichols
838:Alan Dean Foster
484:Charles Bluhdorn
453:Associated Press
449:Gene Roddenberry
342:Charles Bluhdorn
338:Gulf and Western
314:Alan Dean Foster
237:a decade later.
210:Gene Roddenberry
176:Original release
140:
104:Persis Khambatta
96:Nichelle Nichols
60:Gene Roddenberry
42:
28:
27:
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5046:The Omega Glory
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4745:Please Stand By
4710:Free Enterprise
4628:
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4501:Reference books
4472:
4438:Unmade projects
4433:
4367:
4278:Earth Spacedock
4266:Deep Space Nine
4211:Cloaking device
4197:
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4020:Mirror Universe
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3968:Prime Directive
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3235:Gross, Edward;
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1215:
1208:Original Series
1182:Larry Alexander
1174:
1125:
1061:
1009:On October 28,
943:David Gautreaux
901:DeForest Kelley
899:. For example,
889:William Shatner
865:
700:Tucson, Arizona
599:
571:television film
534:
529:
519:on May 25, the
460:television film
439:, resulting in
424:
336:parent company
262:William Shatner
206:science fiction
160:
114:
110:
106:
102:
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92:David Gautreaux
90:
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84:DeForest Kelley
82:
80:William Shatner
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4690:The Experience
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4685:The Exhibition
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4647:Comparison to
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4010:Class M planet
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3473:External links
3471:
3469:
3468:
3462:
3446:
3440:
3424:
3419:978-0671568399
3418:
3394:
3388:
3370:Okuda, Michael
3366:
3360:
3346:Nimoy, Leonard
3342:
3336:
3318:
3312:
3299:
3293:
3278:
3272:
3255:
3249:
3232:
3226:
3206:
3200:
3184:
3182:
3179:
3177:
3176:
3174:, p. 350.
3164:
3162:, p. 120.
3152:
3126:
3124:, p. 154.
3114:
3102:
3090:
3088:, p. 352.
3075:
3049:
3026:
3003:
2992:. StarTrek.com
2977:
2965:
2928:
2906:
2883:
2860:
2847:Sackett, Susan
2838:
2826:
2814:
2802:
2790:
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2517:
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2453:
2441:
2429:
2425:Alexander 1995
2417:
2415:, p. 215.
2405:
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2369:
2350:
2348:, p. 151.
2338:
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2014:
2002:
1990:
1973:
1961:
1949:
1934:
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1836:
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1805:Sacred Emperor
1760:, work on the
1707:
1702:
1680:Blood and Fire
1506:
1503:
1500:
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1461:Norman Spinrad
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1362:Margaret Armen
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1139:
1138:"In Thy Image"
1135:
1134:
1131:
1124:
1121:
1060:
1057:
961:Fantasy Island
864:
861:
856:USS Enterprise
794:Norman Spinrad
698:at a hotel in
658:Matt Jefferies
648:, a different
623:Robert Goodwin
598:
595:
586:radicalization
559:Michael Eisner
533:
530:
528:
525:
511:Philip Kaufman
423:
420:
412:(UPN) and the
353:Michael Eisner
303:Matt Jefferies
293:. Veterans of
287:Robert Goodwin
188:
187:
182:
178:
177:
173:
172:
169:
165:
164:
158:Robert Goodwin
155:
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5204:
5201:
5199:
5198:Majel Barrett
5196:
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5135:
5133:(also writer)
5132:
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5033:
5029:
5026:
5025:The Menagerie
5022:
5019:
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5012:
5008:
5005:
5001:
5000:
4998:
4996:
4992:
4989:
4986:
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4860:
4859:
4857:
4853:
4847:
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4837:
4834:
4832:
4831:Personal life
4829:
4827:
4824:
4823:
4820:
4816:
4809:
4804:
4802:
4797:
4795:
4790:
4789:
4786:
4774:
4773:
4769:
4768:
4765:
4758:
4754:
4753:USS Callister
4750:
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4559:Documentaries
4557:
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4546:
4544:
4543:
4539:
4538:
4536:
4532:
4526:
4525:
4521:
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4516:Klingon opera
4514:
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4457:
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4448:
4447:
4446:The God Thing
4443:
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4419:
4415:
4412:
4408:
4404:
4403:musical theme
4401:
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4399:
4396:
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4391:
4389:
4386:
4384:
4383:List of staff
4381:
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4279:
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4273:
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4264:
4263:
4262:
4259:
4257:
4254:
4252:
4249:
4247:
4244:
4242:
4239:
4237:
4236:Impulse drive
4234:
4232:
4229:
4227:
4224:
4222:
4219:
4217:
4214:
4212:
4209:
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4110:
4108:
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4098:
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4041:
4038:
4037:
4035:
4033:
4027:
4021:
4018:
4016:
4013:
4011:
4008:
4007:
4005:
4003:
3999:
3993:
3990:
3988:
3985:
3981:
3978:
3977:
3976:
3973:
3969:
3966:
3965:
3964:
3961:
3959:
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3936:
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3921:
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3916:
3914:
3911:
3910:
3909:
3908:
3906:
3904:
3900:
3897:
3893:
3883:
3882:
3878:
3877:
3875:
3871:
3865:
3864:
3860:
3858:
3857:
3856:Into Darkness
3853:
3851:
3850:
3846:
3845:
3843:
3839:
3833:
3832:
3828:
3826:
3825:
3821:
3819:
3818:
3817:First Contact
3814:
3812:
3811:
3807:
3806:
3804:
3802:
3798:
3792:
3791:
3787:
3785:
3784:
3780:
3778:
3777:
3773:
3771:
3770:
3766:
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3759:
3757:
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3728:
3714:
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3700:
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3528:
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3515:
3510:
3508:
3503:
3501:
3496:
3495:
3492:
3486:
3482:
3481:
3477:
3476:
3465:
3459:
3455:
3451:
3447:
3443:
3437:
3433:
3429:
3425:
3421:
3415:
3410:
3409:
3403:
3399:
3395:
3391:
3385:
3381:
3380:
3375:
3374:Okuda, Denise
3371:
3367:
3363:
3357:
3353:
3352:
3347:
3343:
3339:
3337:0-3991-3993-1
3333:
3329:
3328:
3323:
3319:
3315:
3313:0-7434-5798-6
3309:
3305:
3300:
3296:
3290:
3286:
3285:
3279:
3275:
3269:
3265:
3261:
3256:
3252:
3246:
3242:
3238:
3233:
3229:
3227:0-671-51149-1
3223:
3218:
3217:
3211:
3210:Dillard, J.M.
3207:
3203:
3201:0-451-45440-5
3197:
3193:
3192:
3186:
3185:
3173:
3168:
3161:
3156:
3141:
3137:
3130:
3123:
3118:
3112:, p. 66.
3111:
3106:
3099:
3094:
3087:
3082:
3080:
3063:
3059:
3053:
3037:
3030:
3014:
3007:
2991:
2987:
2981:
2974:
2969:
2961:
2948:
2943:
2939:
2932:
2916:
2910:
2895:. Den of Geek
2894:
2887:
2871:
2864:
2856:
2852:
2848:
2842:
2835:
2830:
2823:
2818:
2811:
2806:
2799:
2794:
2787:
2782:
2775:
2770:
2763:
2758:
2751:
2746:
2739:
2734:
2727:
2722:
2715:
2710:
2703:
2698:
2691:
2686:
2680:, p. 75.
2679:
2674:
2668:, p. 73.
2667:
2662:
2656:, p. 69.
2655:
2650:
2644:, p. 67.
2643:
2638:
2632:, p. 60.
2631:
2626:
2620:, p. 35.
2619:
2614:
2612:
2605:, p. 34.
2604:
2599:
2597:
2590:, p. 33.
2589:
2584:
2577:
2572:
2566:, p. 50.
2565:
2560:
2554:, p. 56.
2553:
2548:
2542:, p. 54.
2541:
2536:
2534:
2527:, p. 49.
2526:
2521:
2515:, p. 54.
2514:
2509:
2507:
2505:
2503:
2501:
2493:
2488:
2486:
2478:(139): 12–14.
2477:
2473:
2466:
2464:
2462:
2460:
2458:
2451:, p. 40.
2450:
2445:
2439:, p. 30.
2438:
2433:
2426:
2421:
2414:
2409:
2403:, p. 43.
2402:
2397:
2391:, p. 46.
2390:
2385:
2379:, p. 47.
2378:
2373:
2367:, p. 28.
2366:
2361:
2359:
2357:
2355:
2347:
2342:
2336:, p. 31.
2335:
2330:
2328:
2321:, p. 45.
2320:
2315:
2313:
2306:, p. 44.
2305:
2300:
2294:, p. 46.
2293:
2288:
2282:, p. 39.
2281:
2276:
2274:
2272:
2265:, p. 37.
2264:
2259:
2253:, p. 36.
2252:
2247:
2241:, p. 29.
2240:
2235:
2227:
2223:
2219:
2217:0-671-56839-6
2213:
2209:
2202:
2196:, p. 27.
2195:
2190:
2184:, p. 26.
2183:
2178:
2176:
2169:, p. 25.
2168:
2163:
2157:, p. 23.
2156:
2151:
2145:, p. 44.
2144:
2139:
2133:, p. 22.
2132:
2127:
2120:
2115:
2099:
2095:
2088:
2086:
2084:
2082:
2080:
2078:
2061:
2057:
2053:
2047:
2045:
2043:
2036:, p. 21.
2035:
2030:
2024:, p. 85.
2023:
2018:
2012:, p. 64.
2011:
2006:
1999:
1994:
1988:, p. 19.
1987:
1982:
1980:
1978:
1971:, p. 84.
1970:
1965:
1959:, p. 17.
1958:
1953:
1947:, p. 16.
1946:
1941:
1939:
1932:, p. 65.
1931:
1926:
1920:, p. 12.
1919:
1914:
1898:
1891:
1887:
1880:
1878:
1874:
1870:
1866:
1862:
1858:
1854:
1850:
1846:
1842:
1835:
1830:
1828:
1824:
1820:
1816:
1815:
1810:
1806:
1802:
1798:
1794:
1790:
1785:
1783:
1782:fourth season
1779:
1775:
1771:
1767:
1763:
1762:second season
1759:
1756:Owing to the
1754:
1752:
1748:
1744:
1740:
1736:
1732:
1728:
1724:
1723:William Riker
1720:
1716:
1712:
1706:
1701:
1699:
1695:
1691:
1687:
1686:
1681:
1677:
1673:
1669:
1665:
1664:
1659:
1655:
1651:
1649:
1645:
1641:
1636:
1634:
1630:
1626:
1622:
1621:
1616:
1612:
1608:
1607:
1602:
1596:
1594:
1593:
1588:
1584:
1580:
1579:Kirstie Alley
1576:
1572:
1568:
1567:
1561:
1559:
1555:
1551:
1550:
1545:
1544:
1539:
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1533:
1529:
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1522:
1518:
1517:
1512:
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1476:
1471:
1465:
1462:
1459:
1455:
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1444:
1441:
1438:
1434:
1429:
1428:
1422:
1416:
1413:
1410:
1407:
1402:
1397:
1391:
1388:
1387:Worley Thorne
1385:
1381:
1376:
1370:
1367:
1366:Alfred Harris
1363:
1360:
1356:
1351:
1345:
1342:
1341:David Ambrose
1339:
1335:
1330:
1324:
1321:
1318:
1314:
1309:
1305:
1299:
1296:
1293:
1289:
1284:
1283:
1278:
1271:
1265:
1262:
1258:
1257:Jaron Summers
1255:
1252:
1247:
1242:
1238:
1234:
1228:
1225:
1222:
1218:
1213:
1209:
1205:
1204:
1199:
1195:
1191:
1185:
1181:
1177:
1172:
1168:
1164:
1163:
1158:
1154:
1153:
1146:
1143:
1140:
1136:
1128:
1120:
1118:
1114:
1109:
1105:
1101:
1098:
1094:
1089:
1086:
1081:
1076:
1074:
1070:
1066:
1056:
1053:
1049:
1044:
1040:
1036:
1035:Susan Sackett
1032:
1028:
1023:
1019:
1017:
1012:
1004:
1000:
996:
994:
990:
986:
982:
978:
974:
969:
967:
963:
962:
957:
953:
952:Majel Barrett
949:
944:
940:
938:
933:
931:
926:
922:
921:Majel Barrett
918:
917:Walter Koenig
914:
910:
906:
902:
898:
892:
890:
885:
881:
873:
869:
860:
857:
853:
849:
848:Star Trek Log
845:
844:
839:
835:
834:
828:
826:
822:
818:
813:
811:
807:
806:Walter Koenig
803:
799:
795:
791:
790:David Gerrold
787:
783:
778:
776:
771:
769:
765:
764:Marvin Minsky
760:
756:
751:
749:
745:
741:
737:
732:
730:
725:
721:
717:
713:
709:
705:
701:
697:
693:
689:
685:
681:
677:
676:
671:
667:
663:
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653:
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647:
646:
641:
637:
632:
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624:
619:
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611:
607:
604:
594:
592:
587:
583:
579:
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572:
568:
564:
560:
556:
551:
547:
543:
539:
524:
522:
518:
517:
512:
508:
507:
502:
498:
494:
493:
487:
485:
481:
477:
473:
469:
465:
461:
458:
454:
450:
446:
442:
438:
434:
430:
429:
419:
417:
416:
411:
406:
404:
400:
399:
394:
390:
385:
383:
382:
379:
374:
369:
367:
363:
359:
354:
350:
347:
343:
340:'s chairman,
339:
335:
331:
327:
322:
320:
315:
311:
310:
304:
300:
296:
292:
288:
284:
279:
277:
273:
272:
267:
263:
259:
255:
251:
250:Leonard Nimoy
246:
244:
240:
236:
232:
227:
225:
221:
217:
216:
211:
207:
203:
201:
196:
195:
186:
183:
179:
174:
170:
166:
163:
159:
156:
152:
147:
143:
136:
132:
128:
125:United States
124:
120:
117:
113:
112:Majel Barrett
109:
108:Walter Koenig
105:
101:
97:
93:
89:
85:
81:
78:
74:
71:
68:
64:
61:
58:
54:
50:
47:
41:
36:
33:
29:
26:
22:
5244:
5179:
5173:
5172:
5154:
5136:
5128:
5084:
5018:Mudd's Women
4994:
4982:
4963:
4956:
4951:Planet Earth
4949:
4942:
4914:
4896:
4889:
4882:
4875:
4868:
4861:
4770:
4757:Black Mirror
4756:
4743:
4735:
4729:
4718:Galaxy Quest
4716:
4709:
4702:
4697:
4678:
4672:Memory Alpha
4648:
4622:
4614:
4607:
4602:The Captains
4601:
4594:
4586:
4579:
4572:
4566:
4547:
4540:
4523:
4508:
4466:
4459:
4458:
4452:
4445:
4327:
4322:Shuttlecraft
4283:
4271:
4216:Communicator
4139:Species 8472
4097:High Council
3955:
3880:
3862:
3855:
3848:
3830:
3824:Insurrection
3823:
3816:
3809:
3800:
3789:
3782:
3775:
3768:
3761:
3754:
3745:
3711:
3704:
3697:
3690:
3683:
3676:
3662:
3637:
3623:
3609:
3595:
3588:
3574:
3520:
3485:Memory Alpha
3479:
3453:
3431:
3407:
3378:
3350:
3327:Beyond Uhura
3326:
3303:
3283:
3259:
3240:
3215:
3190:
3167:
3160:Nemecek 2003
3155:
3143:. Retrieved
3139:
3129:
3122:Nemecek 2003
3117:
3110:Nemecek 2003
3105:
3100:, p. 4.
3098:Nemecek 2003
3093:
3066:. Retrieved
3062:the original
3052:
3040:. Retrieved
3029:
3017:. Retrieved
3006:
2994:. Retrieved
2986:Ward, Dayton
2980:
2968:
2958:– via
2952:. Retrieved
2947:the original
2941:
2931:
2919:. Retrieved
2909:
2897:. Retrieved
2886:
2874:. Retrieved
2872:. TrekNation
2863:
2857:(16): 20–21.
2854:
2841:
2829:
2817:
2805:
2793:
2781:
2769:
2757:
2745:
2733:
2721:
2709:
2697:
2685:
2673:
2661:
2649:
2637:
2625:
2583:
2571:
2559:
2547:
2520:
2475:
2444:
2432:
2420:
2413:Nichols 1994
2408:
2396:
2384:
2372:
2341:
2299:
2287:
2258:
2246:
2234:
2207:
2201:
2189:
2162:
2150:
2138:
2126:
2119:Masters 2000
2114:
2104:December 12,
2102:. Retrieved
2097:
2064:. Retrieved
2055:
2029:
2017:
2010:Dillard 1994
2005:
1993:
1964:
1952:
1930:Masters 2000
1925:
1913:
1901:. Retrieved
1890:
1876:
1872:
1868:
1860:
1856:
1844:
1840:
1838:
1833:
1822:
1818:
1812:
1786:
1777:
1773:
1769:
1765:
1755:
1750:
1746:
1738:
1734:
1730:
1714:
1710:
1709:
1704:
1697:
1693:
1689:
1683:
1675:
1671:
1667:
1661:
1657:
1654:James Cawley
1652:
1644:Pocket Books
1639:
1637:
1632:
1629:Denise Okuda
1618:
1614:
1610:
1604:
1597:
1590:
1586:
1583:Robin Curtis
1570:
1564:
1562:
1557:
1553:
1547:
1541:
1535:
1531:
1527:
1525:
1520:
1514:
1510:
1508:
1494:
1491:Richard Bach
1469:
1448:
1425:
1420:
1395:
1374:
1349:
1328:
1320:Richard Bach
1303:
1280:
1269:
1232:
1207:
1201:
1190:Pearl Harbor
1160:
1150:
1112:
1107:
1103:
1100:Rona Barrett
1092:
1090:
1084:
1079:
1077:
1064:
1062:
1059:Cancellation
1051:
1047:
1038:
1024:
1020:
1015:
1008:
1002:
992:
980:
976:
970:
965:
959:
941:
934:
924:
913:George Takei
905:James Doohan
896:
893:
883:
879:
877:
871:
855:
851:
847:
841:
832:
829:
817:story editor
814:
809:
801:
797:
781:
779:
774:
772:
752:
747:
743:
735:
733:
723:
719:
703:
695:
691:
687:
683:
679:
673:
665:
661:
654:
643:
639:
630:
626:
617:
613:
610:Gary Nardino
600:
590:
575:
566:
549:
545:
541:
535:
520:
514:
504:
497:Chris Bryant
490:
488:
479:
468:Barry Diller
456:
426:
425:
413:
407:
396:
392:
388:
386:
380:
377:
372:
370:
361:
357:
349:Barry Diller
329:
325:
323:
318:
308:
294:
280:
275:
269:
266:Captain Kirk
257:
247:
238:
230:
228:
220:feature film
213:
200:Star Trek II
199:
198:
193:
192:
191:
168:Running time
100:George Takei
88:James Doohan
66:Developed by
48:
45:
31:
25:
5246:Trek Nation
4846:Filmography
4748:(2017 film)
4737:The Orville
4721:(1999 film)
4713:(1999 film)
4660:productions
4609:Trek Nation
4467:Star Trek 4
4336:Transporter
4181:nerve pinch
4032:and species
3810:Generations
3691:Lower Decks
3677:Short Treks
3264:Titan Books
2100:(12): 25–29
1998:Hughes 2008
1727:Deanna Troi
1694:New Voyages
1690:New Voyages
1406:Devil's Due
1220:"Cassandra"
1117:Robert Wise
1031:Janice Rand
718:seasons of
670:Pato Guzman
582:nationalism
501:Allan Scott
403:Robert Wise
141:of episodes
5262:Categories
5101:Hide and Q
4944:Genesis II
4916:A.P.O. 923
4698:Enterprise
4667:Kirk/Spock
4581:Trekkies 2
4542:After Trek
4534:Aftershows
4376:Production
4351:Warp drive
4284:Enterprise
4261:Spacecraft
4256:Replicator
4203:Technology
4159:Section 31
4060:Cardassian
3935:Crossovers
3903:Characters
3881:Section 31
3873:Television
3638:Enterprise
3351:I am Spock
3262:. London:
3181:References
2346:Nimoy 1995
1495:Enterprise
1470:Enterprise
1449:Enterprise
1421:Enterprise
1396:Enterprise
1375:Enterprise
1350:Enterprise
1337:"Deadlock"
1329:Enterprise
1304:Enterprise
1270:Enterprise
1261:Jon Povill
1233:Enterprise
1133:Written by
985:Jeff Corey
948:guaranteed
937:show bible
833:Genesis II
821:Jon Povill
775:Enterprise
729:fiberglass
724:Enterprise
696:Enterprise
684:Enterprise
668:alongside
666:Enterprise
565:to manage
561:had hired
532:Conception
527:Production
422:Background
393:Enterprise
389:Enterprise
378:Star Trek:
358:Enterprise
309:Enterprise
149:Production
56:Created by
49:Enterprise
5212:Companies
5011:Charlie X
4984:Star Trek
4898:Andromeda
4841:Accolades
4679:Star Trek
4649:Star Wars
4574:Mind Meld
4341:Tricorder
4231:Hypospray
4149:Starfleet
4002:Locations
3987:Sexuality
3980:Dilithium
3975:Materials
3849:Star Trek
3663:Discovery
3655:Streaming
3567:Broadcast
3522:Star Trek
2876:August 3,
1825:episode "
1819:Star Trek
1743:away team
1735:Star Trek
1615:Star Trek
1554:Star Trek
1521:Star Trek
1291:"Kitumba"
1251:The Child
1241:Cassandra
1210:episode "
1162:Genesis 2
1113:Star Trek
1108:Star Trek
1080:Star Trek
1065:Star Trek
1016:Star Trek
993:Star Trek
977:Star Trek
859:himself.
852:Star Trek
825:The Child
802:Star Trek
759:aluminium
736:Star Trek
692:Star Trek
680:Star Trek
640:Star Trek
631:Star Trek
627:Star Trek
618:Star Trek
614:Star Trek
578:hijacking
567:Star Trek
542:Star Trek
521:Star Trek
516:Star Wars
480:Star Trek
457:Star Trek
451:told the
398:Star Wars
373:Star Trek
362:Star Trek
330:Star Trek
291:producers
254:Mr. Spock
231:Star Trek
215:Star Trek
5108:Datalore
5004:The Cage
4930:The Cage
4772:Category
4759:episode)
4755:" (2017
4732:episode)
4730:Futurama
4728:" (2002
4701:" (1976
4567:Trekkies
4460:Phase II
4424:Redshirt
4361:Bat'leth
4346:Uniforms
4295:NCC-1701
4251:Medicine
4226:Holodeck
4171:Vidiians
4107:language
4065:Dominion
4040:Andorian
4030:Cultures
3992:Stardate
3944:Concepts
3669:episodes
3644:episodes
3630:episodes
3616:episodes
3602:episodes
3581:episodes
3539:Timeline
3404:(1997).
3376:(1993).
3348:(1995).
3324:(1994).
3239:(1993).
3212:(1994).
3145:July 24,
3068:July 24,
3042:July 24,
3019:July 24,
2996:July 24,
2954:July 24,
2921:July 24,
2899:July 24,
2226:36358128
1903:March 4,
1877:Phase II
1869:Phase II
1857:Phase II
1845:Phase II
1797:Romulans
1774:Phase II
1770:Phase II
1747:Phase II
1731:Phase II
1711:Phase II
1698:Phase II
1676:Phase II
1658:Phase II
1623:book by
1611:Phase II
1571:Phase II
1558:Phase II
1528:Phase II
1167:universe
1104:Phase II
1093:Phase II
1085:Phase II
1048:Phase II
1003:Phase II
966:Phase II
884:Phase II
872:Phase II
782:Phase II
606:timeslot
418:series.
366:TV movie
276:Phase II
76:Starring
46:Phase II
5233:Related
4965:Spectre
4705:sketch)
4356:Weapons
4328:Voyager
4272:Defiant
4166:Tribble
4154:Academy
4134:Romulan
4112:grammar
4102:culture
4092:Klingon
4070:Ferengi
4045:Bajoran
3895:Setting
3831:Nemesis
3698:Prodigy
3624:Voyager
3534:Outline
2855:Starlog
2476:Starlog
2098:Starlog
1873:Voyager
1861:Voyager
1841:Voyager
1809:Warlord
1799:we had
1789:Klingon
1780:in the
1625:Michael
1493:), the
1419:As the
1308:Klingon
1123:Scripts
923:had on
690:if the
181:Network
133:English
5191:Family
5148:Novels
4836:Legacy
4655:Fandom
4505:Stage
4496:Novels
4491:Comics
4186:salute
4176:Vulcan
4119:Maquis
3863:Beyond
3684:Picard
3460:
3438:
3416:
3386:
3358:
3334:
3310:
3291:
3270:
3247:
3224:
3198:
3140:Empire
2224:
2214:
2066:25 May
1807:, the
1801:Romans
1575:Saavik
1505:Legacy
1277:nebula
1237:ensign
1194:Hawaii
919:, and
804:actor
755:phaser
712:second
584:, and
470:, the
4486:Games
4290:NX-01
4246:LCARS
4193:Xindi
4124:Orion
4087:Kazon
4055:Breen
3951:Games
3737:Films
3549:Lists
3544:Canon
1883:Notes
1688:. In
1273:'
1171:Earth
1130:Title
1071:, or
766:, of
716:third
464:pilot
4082:Gorn
4050:Borg
3458:ISBN
3436:ISBN
3414:ISBN
3384:ISBN
3356:ISBN
3332:ISBN
3308:ISBN
3289:ISBN
3268:ISBN
3245:ISBN
3222:ISBN
3196:ISBN
3147:2016
3070:2016
3044:2016
3021:2016
2998:2016
2956:2016
2923:2016
2901:2016
2878:2016
2222:OCLC
2212:ISBN
2106:2014
2068:2012
1905:2011
1859:and
1725:and
1719:Data
1627:and
1589:and
1526:The
1468:The
1447:The
1364:and
1327:The
1302:The
1259:and
1231:The
1159:for
863:Cast
792:and
714:and
536:The
499:and
307:USS
285:and
4703:SNL
3963:Law
3928:T–Z
3923:N–S
3918:G–M
3913:A–F
3483:at
1764:of
1601:DVD
1585:in
1073:ABC
1069:CBS
1037:'s
1029:as
973:LSD
603:EST
462:as
433:NBC
289:as
264:as
252:as
243:EST
139:No.
5264::
3400:;
3372:;
3266:.
3138:.
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2940:.
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2610:^
2595:^
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2499:^
2484:^
2474:.
2456:^
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2326:^
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2270:^
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2174:^
2096:.
2076:^
2060:AP
2058:.
2054:.
2041:^
1976:^
1937:^
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