19:
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297:. One of these tones in each chord is the E above middle C, tuned to 330 Hz. In the first chord this functions as the ninth partial, in the second chord as the eighth partial, and so on to the fifth chord, where it is the fifth partial. Compositionally, the harmonic structure fluctuates between an extreme situation in which all five groups share the same chord and the opposite extreme where each group's chord is different.
2286:
383:(percussion, from Gentle Fire). 2-LP recording. Recorded in the Studio des Dames, Paris, June 24–26, 1975. Polydor 2612 031 (2335 116 and 2335 117). : Polydor International; Deutsche Grammophon 2707 123 (2531 281 & 2531 282). : Deutsche Grammophon, 1976. Reissued on 2-CD set, Stockhausen Complete Edition CD 18A–B. Kürten: Stockhausen-Verlag, 1992.
249:. The loudspeaker towers were scheduled to be set up in the park on 21 July, five days before the first performance, but by that time uninterrupted rain had been falling for a week with no improvement in sight, so the decision was made to relocate the performance indoors, into the large auditorium of the
330:
for many in the park on
Tuesday night the experience was unique and estimable: not a soul I talked to disliked it. Quite what came down to Earth that night as a result of this community endeavour has to be a matter of personal experience. At the very least those who brought this astonishing event to
321:
They stayed a while at the same place to listen to a group, then moved away in the park in the direction of another group. As I walked from group to group … I began to encounter the same people. Those located in the central listening area did not remain there long, at most five minutes, then went
68:
is "park music", to be performed outdoors at night by 21 singers and/or instrumentalists divided into five groups, at widely separated locations. The sounds from each performer are separately amplified and projected over loudspeakers. "Sound runners" transport musical "models" from one group to
292:
creates a sense of "non-progressive or circular time by blurring complex relationships between pitch and rhythm based on the overtone series so that the structure is perceived as inexhaustible and thus appears static". The entire composition is based on five just-intoned harmonic sounds, each
257:
of the harmonies, etc.), and so decided henceforth to authorise such performances and drew up special instructions for those conditions. In connection with this extension of performance practice
Stockhausen decided also that even a single group out of the five specified in the score, or any
363:(electronium); Group 3: Helga Hamm-Albrecht (mezzo-soprano), Wolfgang Fromme (tenor), Helmut Clemens (tenor), Peter Sommer (trombone with synthesizer); Group 4 (Gentle Fire): Stuart Jones (violin with synthesizer),
69:
another, while a percussionist stationed at a central position helps synchronise the groups to common tempos at ten points in the piece. The piece has been described as "a twilight fantasy … an extended outdoor
110:'s ensemble, Intermodulation, from Cambridge. About four thousand people attended the performance. Despite the unusually difficult performance requirements, there have been a number of subsequent performances:
956:
202:
231:
300:
The rhythms, tone colours, and pitch intervals in the "models" are directly derived from star constellations observed in the sky and integrated as musical figures.
785:—Korrekturen der USA-Premiere beim 'Olympic Arts Festival' 1984". In his Texte 7, edited by Christoph von Blumröder, 185–193. Kürten: Stockhausen-Verlag.
239:
353:
993:
253:. Stockhausen found that there were certain advantages to an indoor venue (better auditory contact among the performers, improved control of the
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2264:
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234:, performers from Nordic Voices, the Birmingham Contemporary Music Group and Das Neue Ensemble, with musical direction by Stephan Meier.
160:
352:(synthesizer); Group 2: Annette Meriweather (soprano); Wolfgang König (trombone with synthesizer), Hans-Alderich Billig (bass),
2113:
646:
Gilbert, Janet. 1983–84. "New Music and Myth: The
Olympic Arts Festival of Contemporary Music: Los Angeles June 18–24, 1984",
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75:". From a technical point of view, it tackles and solves the problem of coordinating independent harmonic groups.
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367:(clarinet with synthesizer), Graham Hearn (synthesizer), Michael Robinson (cello with synthesizer); Group 5:
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928:. 2000. "Von der 'Sternenmusik' zur Musik des Weltraums: Karlheinz Stockhausens musikalischer Kosmos".
224:
86:. The first performance took place from 8:30 to 11:30pm on 5 June 1971 in the Englischer Garten of the
42:, and bears the work number 34 in his catalogue of compositions. The score is dedicated to his spouse,
849:. Mainz, London, Berlin, Madrid, New York, Paris, Prague, Tokyo, Toronto: Schott Musik International.
744:
1795:
1787:
1582:
847:
Karlheinz
Stockhausen II: Die Werke 1950–1977; Gespräch mit Karlheinz Stockhausen, "Es geht aufwärts"
648:
331:
fulfilment can rest secure in the knowledge that they have given
Birmingham a night unlike any other.
768:
5, edited by
Christoph von Blumröder, 60–70. DuMont Dokumente. Cologne: Verlag M. DuMont Schauberg.
163:. Performers from five British universities prepared by Peter Britton and supervised by the composer
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was first conceived in 1969, it was only composed two years later, on a commission from
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At the
Birmingham performance in 1992, the composer observed members of the audience:
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Smaczny, Jan. 1998. "Once in a Blue Moon: Jan
Smaczny on a Moonlit Performance of
326:
The overall response of the audience attending was described by another observer:
238:
The two Bonn performances in 1980 had been planned for outdoor performance in the
2203:
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The self-similarity of the time and pitch structures recalls the same composer's
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containing eight tones corresponding to the second through ninth partials of the
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348:(electric viola with synthesizer), Robin Thompson (bassoon with synthesizer),
212:, and Suono Mobile, under the auspices of Sounding D—Neue Musik in Deutschland
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toward a group—who knows what prompted them to choose this one over another?
270:
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combination of two to five groups may perform freely selected excerpts from
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46:, and a performance of the work lasts from two-and-a-half to three hours.
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633:. Sainte-Etienne: Éditions Telo Martius (available at www.dirmeikis.org)
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764:, Parkmusik fĂĽr 5 Gruppen (1971): AuffĂĽhrungen in einem Saal". In his
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375:(clarinet with synthesizer), Atsuko Iwami (alto voice and recorder),
275:
1851:
1752:
1696:
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27 August 2022, in
Schlosspark BrĂĽhl, BrĂĽhl (Germany). Part of the
71:
54:
747:, 170–180. DuMont Dokumente. Cologne: Verlag M. DuMont Schauberg.
38:(Star Sound), is "park music for five groups" composed in 1971 by
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344:. Group 1 (Intermodulation): Peter Britton (synthesizer),
631:
Le souffle du temps: quodlibet pour
Karlheinz Stockhausen
554:
491:
467:
98:, an expanded version of Stockhausen's touring ensemble,
503:
479:
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395:
Omnibus: Tuning in with Stockhausen and the Sing Circle
876:, introduction by Giulio Sforza. Country: Kappa Roma.
707:. Lanham, Maryland, Toronto, Oxford: Scarecrow Press.
652:
22, nos. 1 and 2 (Fall–Winter/Spring–Summer): 478–482.
581:
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8 September 1972, in the Parc Delgosha as part of the
2274:
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197:, Stuttgart, by the ensembles of the Netzwerk SĂĽd:
61:was performed in Parc de St. Cloud, Paris, in 1975
705:Other Planets: The Music of Karlheinz Stockhausen
530:
2298:
952:". Sonoloco Reviews (Accessed 14 February 2012).
156:Arts Festival of Contemporary Music, Los Angeles
102:and his group, The Gentle Fire from London, and
811:s Models: By What Criteria Are They Composed?"
131:2 July 1974, in the Parc Franck-Delmas at the
987:
918:: Karlheinz Stockhausens astronische Musik".
889:Stockhausen on Music: Lectures and Interviews
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734:
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413:
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739:, Parkmusik fĂĽr 5 Gruppen (1971)". In his
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968:(August): 44 (Accessed 14 February 2012).
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223:, performers from Nordic Voices and the
161:Huddersfield Contemporary Music Festival
53:
17:
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170:, Birmingham (UK), performers from the
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934:161, no. 6 (November–December): 38–43.
895:. London and New York: Marion Boyars.
679:. London and Boston: Faber and Faber.
660:. 1974a. "Stockhausen in the Autumn".
49:
2307:Compositions by Karlheinz Stockhausen
975:
670:
614:
536:
461:
184:Joseph Chamberlain Sixth Form College
2332:Music dedicated to family or friends
920:Positionen: Beiträge zur Neuen Musik
152:18 and 19 June 1984, as part of the
869:115, no. 1579 (September): 777–778.
13:
2114:Center for Art and Media Karlsruhe
798:
14:
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874:Musica mundi: Percorsi di ascolto
342:Karlheinz Stockhausen: Sternklang
159:23 November 1988, as part of the
2284:
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2259:
615:Anon. 2010. "Musik & Park".
608:
781:Stockhausen, Karlheinz. 1998. "
760:Stockhausen, Karlheinz. 1989. "
735:Stockhausen, Karlheinz. 1978. "
282:, both used for proportions in
887:Stockhausen, Karlheinz. 1989.
387:
335:
114:29 and 31 August 1972, at the
1:
872:Luciani, Maria Teresa. 2004.
401:
2312:20th-century classical music
946:Stockhausen Edition No. 18 (
371:(trumpet with synthesizer),
312:
203:Neue Vocalsolisten Stuttgart
145:26 and 27 July 1980, in the
138:20 and 22 June 1975, in the
7:
944:Nordin, Ingvar Loco. n.d. "
922:, no. 46 (February): 25–28.
265:
10:
2348:
1149:Helikopter-Streichquartett
931:Neue Zeitschrift fĂĽr Musik
621:, no. 191 (20 August): 15.
225:Norwegian Academy of Music
94:. The performers were the
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830:: Timbral Organisation".
649:Perspectives of New Music
193:7 September 2010, in the
2169:Gottfried Michael Koenig
804:Britton, Peter. 1989a. "
673:Stockhausen: A Biography
172:Birmingham Conservatoire
1618:Klavierstücke Nos. 1–19
957:Karlheinz Stockhausen:
914:Ulrich, Thomas. 2001. "
845:Frisius, Rudolf. 2008.
826:Britton, Peter. 1989b "
745:Christoph von Blumröder
863:. 1974. "LaRochelle".
671:Kurtz, Michael. 1992.
551:, pp. 60, 62, 70.
333:
324:
286:
215:16 September 2016, in
62:
30:
27:Planisphærium Coeleste
2119:Collegium Vocale Köln
1236:Hymnen (Third Region)
1003:Karlheinz Stockhausen
379:(bass and recorder);
328:
319:
273:
232:Acht BrĂĽcken Festival
188:Birmingham University
118:in Munich during the
96:Collegium Vocale Köln
57:
40:Karlheinz Stockhausen
21:
2054:Stockhausen Ensemble
1689:Gesang der JĂĽnglinge
1380:Aus den sieben Tagen
1031:Atmen gibt das Leben
1012:List of compositions
832:Ideas and Production
813:Ideas and Production
452:, pp. 170, 174.
219:, Oslo. Part of the
176:Midlands Arts Centre
126:Shiraz Arts Festival
120:1972 Summer Olympics
84:Sender Freies Berlin
2322:Serial compositions
1396:FĂĽr kommende Zeiten
618:Stuttgarter Zeitung
416:, pp. 174–175.
140:Parc de Saint-Cloud
92:Akademie der KĂĽnste
90:, Berlin, near the
50:History and concept
2005:Markus Stockhausen
1955:Alphabet für Liège
1939:Musik fĂĽr ein Haus
369:Markus Stockhausen
287:
274:Constellations of
180:Anglia Polytechnic
142:in Paris-St. Cloud
63:
31:
2317:1971 compositions
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2271:
2252:
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2189:MesĂas Maiguashca
2154:Nicolaus A. Huber
2109:Boudewijn Buckinx
2011:Simon Stockhausen
1999:Doris Stockhausen
1981:Mary Bauermeister
1918:
1917:
1729:Unsichtbare Chöre
1634:NatĂĽrliche Dauern
1297:
1296:
1112:
1111:
866:The Musical Times
855:978-3-7957-0249-6
166:14 July 1992, in
116:Englischer Garten
44:Mary Bauermeister
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2288:
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2164:David C. Johnson
2139:Karel Goeyvaerts
2066:Johannes Fritsch
2035:Cornelius Cardew
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1993:Suzanne Stephens
1987:Kathinka Pasveer
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834:, no. 11:19–22.
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675:, translated by
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576:Stockhausen 1978
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498:Stockhausen 1998
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373:Suzanne Stephens
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168:Cannon Hill Park
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2291:Classical music
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2104:Fritz Bornemann
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2076:Aloys Kontarsky
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1575:Chöre für Doris
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1444:In Freundschaft
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861:Griffiths, Paul
815:, no. 11:24–43
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799:Further reading
766:Texte zur Musik
741:Texte zur Musik
727:The Independent
658:Griffiths, Paul
627:Dirmeikis, Paul
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2217:
2215:
2212:
2210:
2209:Nam June Paik
2207:
2205:
2202:
2200:
2197:
2195:
2192:
2190:
2187:
2185:
2184:György Ligeti
2182:
2180:
2177:
2175:
2172:
2170:
2167:
2165:
2162:
2160:
2157:
2155:
2152:
2150:
2149:Hans G. Helms
2147:
2145:
2142:
2140:
2137:
2135:
2132:
2130:
2127:
2125:
2122:
2120:
2117:
2115:
2112:
2110:
2107:
2105:
2102:
2100:
2097:
2095:
2092:
2091:
2088:
2082:
2079:
2077:
2074:
2072:
2071:Rolf Gehlhaar
2069:
2067:
2064:
2062:
2059:
2058:
2056:
2052:
2046:
2043:
2041:
2038:
2036:
2033:
2032:
2030:
2026:
2023:
2021:Collaborators
2019:
2012:
2009:
2006:
2003:
2000:
1997:
1994:
1991:
1988:
1985:
1982:
1979:
1978:
1976:
1972:
1965:
1964:
1960:
1957:
1956:
1952:
1949:
1948:
1944:
1941:
1940:
1936:
1933:
1932:
1928:
1927:
1925:
1921:
1910:
1909:
1905:
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1901:
1897:
1894:
1893:
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1878:
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1870:
1869:
1865:
1862:
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1857:
1854:
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1849:
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1838:
1837:
1833:
1830:
1829:
1825:
1822:
1821:
1817:
1814:
1813:
1809:
1806:
1805:
1801:
1798:
1797:
1793:
1790:
1789:
1788:Mikrophonie I
1785:
1784:
1782:
1780:With soloists
1778:
1771:
1770:
1766:
1763:
1762:
1761:Cosmic Pulses
1758:
1755:
1754:
1750:
1747:
1746:
1742:
1739:
1738:
1734:
1731:
1730:
1726:
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1457:
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1369:
1366:
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1361:
1358:
1357:
1353:
1350:
1349:
1345:
1342:
1341:
1337:
1334:
1333:
1329:
1326:
1325:
1324:Kontra-Punkte
1321:
1318:
1317:
1313:
1310:
1307:
1306:
1304:
1300:
1289:
1288:
1284:
1281:
1280:
1276:
1273:
1272:
1268:
1267:
1265:
1263:With soloists
1261:
1254:
1253:
1249:
1246:
1245:
1241:
1238:
1237:
1233:
1230:
1229:
1225:
1222:
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1217:
1214:
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1209:
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1198:
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1190:
1189:
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1177:
1176:
1173:
1170:
1166:
1159:
1158:
1154:
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1135:
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1127:
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1103:
1099:
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1079:
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1067:
1064:
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1059:
1056:
1055:
1051:
1050:
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1033:
1032:
1028:
1027:
1024:
1021:
1017:
1013:
1008:
1004:
997:
992:
990:
985:
983:
978:
977:
974:
967:
966:
961:
960:
954:
951:
949:
943:
942:
933:
932:
927:
926:Toop, Richard
924:
921:
917:
913:
910:
909:0-7145-2918-4
906:
902:
901:0-7145-2887-0
898:
894:
893:Robin Maconie
890:
886:
883:
882:88-7890-619-0
879:
875:
871:
868:
867:
862:
859:
856:
852:
848:
844:
841:
837:
833:
829:
825:
822:
818:
814:
807:
803:
802:
792:
791:3-00-002131-0
788:
784:
779:
775:
774:3-7701-2249-6
771:
767:
763:
758:
754:
753:3-7701-0493-5
750:
746:
743:4, edited by
742:
738:
733:
729:
728:
723:
718:
714:
713:0-8108-5356-6
710:
706:
702:
698:
694:
693:0-571-17146-X
690:
686:
685:0-571-14323-7
682:
678:
674:
669:
665:
664:
659:
655:
651:
650:
644:
640:
639:2-905023-37-6
636:
632:
628:
624:
620:
619:
613:
612:
609:Cited sources
602:, p. 51.
601:
596:
589:
584:
577:
572:
570:
562:
557:
550:
545:
538:
533:
526:
521:
519:
511:
506:
499:
494:
488:, p. 60.
487:
482:
475:
470:
463:
458:
451:
446:
439:
434:
427:
422:
415:
410:
406:
396:
392:
391:
382:
378:
374:
370:
366:
360:
355:
351:
350:Roger Smalley
347:
343:
340:
339:
332:
327:
323:
318:
310:
308:
307:
301:
298:
296:
291:
285:
281:
277:
272:
263:
261:
256:
252:
246:
241:
240:Rheinauenpark
233:
229:
226:
222:
218:
217:Ekebergparken
214:
209:
204:
200:
196:
192:
189:
185:
181:
177:
173:
169:
165:
162:
158:
155:
151:
148:
144:
141:
137:
134:
130:
127:
123:
121:
117:
113:
112:
111:
109:
105:
104:Roger Smalley
101:
97:
93:
89:
85:
81:
76:
74:
73:
67:
60:
56:
47:
45:
41:
37:
36:
28:
24:
20:
16:
2258:
2239:Thomas Wells
2199:John McGuire
2099:Junsang Bahk
2061:Péter Eötvös
2040:Richard Toop
1961:
1953:
1946:
1945:
1937:
1929:
1906:
1898:
1890:
1882:
1874:
1866:
1858:
1850:
1842:
1834:
1826:
1818:
1810:
1802:
1794:
1786:
1767:
1759:
1751:
1743:
1735:
1727:
1719:
1711:
1703:
1695:
1687:
1679:
1671:
1640:
1632:
1624:
1616:
1597:
1589:
1581:
1573:
1565:
1546:
1538:
1530:
1522:
1514:
1506:
1498:
1490:
1482:
1474:
1467:
1458:
1452:Europa-Gruss
1450:
1442:
1434:
1426:
1418:
1410:
1402:
1394:
1388:Dr K–Sextett
1386:
1378:
1370:
1362:
1354:
1346:
1338:
1330:
1322:
1314:
1285:
1277:
1269:
1250:
1242:
1234:
1226:
1218:
1210:
1202:
1194:
1186:
1178:
1155:
1147:
1139:
1131:
1123:
1100:
1092:
1084:
1076:
1068:
1060:
1052:
1042:
1029:
963:
958:
947:
929:
919:
915:
888:
873:
864:
846:
831:
827:
812:
805:
782:
765:
761:
740:
736:
725:
721:
704:
677:Richard Toop
672:
661:
647:
630:
616:
595:
588:Maconie 2005
583:
556:
544:
532:
525:Smaczny 1998
505:
493:
481:
469:
457:
445:
438:Maconie 2005
433:
421:
409:
394:
341:
329:
325:
320:
316:
304:
302:
299:
289:
288:
283:
262:in concert.
259:
237:
79:
77:
70:
65:
64:
58:
34:
33:
32:
26:
15:
2229:Tim Souster
2194:Tomás Marco
2174:Jerome Kohl
2159:Alden Jenks
2144:Georg Heike
2124:Hugh Davies
2094:David Ahern
2081:David Tudor
1923:Other works
1642:Himmelfahrt
1621:(1952–2003)
1583:Drei Lieder
1157:Himmels-TĂĽr
1125:Herbstmusik
388:Filmography
365:Hugh Davies
357: [
354:Harald Bojé
346:Tim Souster
336:Discography
255:just tuning
243: [
206: [
133:La Rochelle
108:Tim Souster
100:Hugh Davies
2301:Categories
2219:Otto Piene
2045:Jill Purce
2028:Assistants
2001:(1st wife)
1983:(2nd wife)
1947:Sternklang
1820:Kurzwellen
1812:Prozession
1737:Oktophonie
1654:Electronic
1599:Litanei 97
1460:Trumpetent
1364:Plus-Minus
1332:Schlagtrio
1316:Kreuzspiel
1168:Orchestral
1054:Donnerstag
965:Gramophone
959:Sternklang
948:Sternklang
916:Sternklang
828:Sternklang
806:Sternklang
783:Sternklang
762:Sternklang
737:Sternklang
730:(16 July).
722:Sternklang
537:Anon. 2010
462:Kurtz 1992
402:References
397:. BBC TV.
290:Sternklang
284:Sternklang
260:Sternklang
88:Tiergarten
80:Sternklang
66:Sternklang
59:Sternklang
35:Sternklang
2234:Avo Sõmer
1995:(partner)
1989:(partner)
1713:Telemusik
1681:Studie II
1500:Schönheit
1484:Harmonien
1428:Tierkreis
1133:Originale
903:(cloth);
840:0264-4940
821:0264-4940
663:The Times
313:Reception
78:Although
2265:Category
1966:(2004–7)
1931:Ensemble
1900:Paradies
1892:Orvonton
1852:Strahlen
1753:Strahlen
1745:Weltraum
1697:Kontakte
1673:Studie I
1610:Keyboard
1591:Stimmung
1540:Hoffnung
1516:Erwachen
1492:Katikati
1412:Harlekin
1340:ZeitmaĂźe
1309:Sonatine
1252:Jubiläum
1094:Mittwoch
1078:Dienstag
703:. 2005.
687:(cloth)
629:. 1999.
266:Analysis
135:Festival
72:Stimmung
1884:Nebadon
1876:Jerusem
1860:Edentia
1508:Balance
1348:Refrain
1302:Chamber
1271:Momente
1196:Gruppen
1117:Theatre
1102:Sonntag
1086:Freitag
1062:Samstag
306:Gruppen
199:ascolta
154:Olympic
128:in Iran
2277:Portal
1974:Family
1958:(1972)
1950:(1971)
1942:(1968)
1934:(1967)
1911:(2007)
1908:Uversa
1903:(2007)
1895:(2007)
1887:(2007)
1879:(2007)
1871:(2007)
1868:Havona
1863:(2007)
1855:(2002)
1847:(1970)
1839:(1970)
1831:(1968)
1828:Spiral
1823:(1968)
1815:(1967)
1807:(1966)
1799:(1965)
1791:(1964)
1772:(2006)
1764:(2006)
1756:(2002)
1748:(1994)
1740:(1991)
1732:(1979)
1724:(1967)
1721:Hymnen
1716:(1966)
1708:(1964)
1705:Mixtur
1700:(1960)
1692:(1956)
1684:(1954)
1676:(1953)
1668:(1952)
1645:(2005)
1637:(2006)
1629:(1970)
1626:Mantra
1602:(1997)
1594:(1968)
1586:(1950)
1578:(1950)
1570:(1950)
1567:Choral
1551:(2007)
1543:(2007)
1535:(2007)
1527:(2007)
1519:(2007)
1511:(2007)
1503:(2006)
1495:(2006)
1487:(2006)
1479:(2005)
1476:Freude
1471:(1997)
1468:Rotary
1463:(1995)
1455:(1992)
1447:(1977)
1439:(1976)
1431:(1975)
1423:(1975)
1415:(1975)
1407:(1972)
1399:(1971)
1391:(1969)
1383:(1968)
1375:(1966)
1367:(1963)
1359:(1959)
1356:Zyklus
1351:(1959)
1343:(1956)
1335:(1952)
1327:(1952)
1319:(1951)
1311:(1951)
1290:(1974)
1282:(1964)
1279:Mixtur
1274:(1964)
1255:(1977)
1247:(1971)
1239:(1969)
1231:(1969)
1228:Fresco
1223:(1965)
1215:(1962)
1212:Punkte
1207:(1960)
1199:(1957)
1191:(1952)
1183:(1951)
1180:Formel
1160:(2005)
1152:(1993)
1144:(1977)
1141:Sirius
1136:(1961)
1128:(1974)
1105:(2003)
1097:(1997)
1089:(1994)
1081:(1991)
1073:(1988)
1070:Montag
1065:(1983)
1057:(1980)
1034:(1977)
1019:Operas
911:(pbk).
907:
899:
880:
853:
838:
819:
789:
772:
751:
711:
695:(pbk).
691:
683:
637:
393:1980.
276:Boötes
186:, and
174:, the
149:, Bonn
29:(1670)
2013:(son)
2007:(son)
1963:Klang
1769:TĂĽrin
1559:Vocal
1548:Treue
1532:GlĂĽck
1524:Glanz
1436:Amour
1372:Adieu
1287:Inori
1244:Trans
1204:Carré
1188:Spiel
1044:Licht
809:'
361:]
247:]
210:]
1844:Pole
1836:Expo
1804:Solo
1404:Ylem
1220:Stop
905:ISBN
897:ISBN
878:ISBN
851:ISBN
836:ISSN
817:ISSN
787:ISBN
770:ISBN
749:ISBN
709:ISBN
689:ISBN
681:ISBN
635:ISBN
278:and
106:and
962:".
724:".
2303::
568:^
517:^
359:de
309:.
245:de
208:de
182:,
178:,
25::
2279::
995:e
988:t
981:v
950:)
884:.
857:.
842:.
823:.
793:.
776:.
755:.
715:.
641:.
539:.
527:.
428:.
227:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
