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The Storm on the Sea of Galilee

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161: 40: 1198: 216:(a style of dramatic illustration with stark contrasts of light and dark), as a way to emphasize visually Christ’s miracle in calming the sea. Light emanates from the upper left of the painting, and a glimpse of the blue sky may be seen through the storm. As the scene moves toward the right, the boat and the crew are thrown back into shadow. 183:
The painting, in vertical format, shows a close-up view of Christ's disciples struggling frantically against the heavy storm to regain control of their fishing boat. A huge wave beats the bow and rips the sail. One of the disciples is seen vomiting over the side. Another one, looking directly at the
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in charge of the vessel were scared by the sudden storm and awoke a sleeping Jesus in their panic. Rembrandt's version is considered among the more accurate depictions of the event as described in the Bible. The perspective is lowered, so that the sky occupies more space than the sea, but the boat,
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Dutch seascapes became popular in the early 17th century and were largely considered a response to the manner in which painting style had been changing. Vertical surfaces, cartographic perspective and religious themes became less common, and imaginary depth, lower horizons and a more realistic
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fishing vessel. Rembrandt changed the hull to make it appear more asymmetrical, while the mast appears heavier than the classical square or triangular sail. Although Dutch artists of the time often strived for accuracy in their portrayal of ships in seascapes German art historian
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in Antwerp in 1583. Rembrandt's painting follows the portrait format of Collaert's print and also depicts the boat in a forward tilting position. As with the print, most of the space is consumed by the main motif of the disciples on the boat struggling against the elements.
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attributes this shift to four changes within Dutch society: an increase in trade, wars fought at sea, techniques such as cartography and navigation that had become part of Dutch culture and the incorporation of political and maritime motifs in art.
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contributed to the popularity of seascapes. These paintings were classified as naval battles, ship portraiture or seascape scenes. It was common for religious elements to be integrated into seascapes, as Rembrandt had done with
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is an oil-on-canvas painting and is about 160 x 128 cm in size. It was Rembrandt's earliest painting, completed when he was 29 years old, and it is the largest known historical work that he completed. The creation of
518:, the painting is seen hanging in the living room of billionaire antagonist Terry Silver. By the end of the episode, the painting is stolen by Mike Barnes as compensation for the loss of his furniture store. 530:
In Season 1 Episode 1of Leverage: Redemption a fake is made to entice the antagonist, who is a renowned art collector to purchase it. The Leverage crew then hoping to expose his whole art collection as
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After Gardner purchased the painting, it was hung in the room Gardner called the Dutch Room. The painting was added to a collection including a Rembrandt self-portrait as well as
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announced that it knew who was responsible for the crime. However, no arrests have been made to date and all 13 pieces of art remain missing. The investigation remains open.
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painted interpretations of the 13 stolen works from the Isabella Stewart Gardner Museum. The paintings were displayed to the public between March 1 and March 17, 2019.
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is credited with popularizing seascapes within the Netherlands; the trend spread throughout Europe and to America in the late 18th and 19th centuries.
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noted Rembrandt's tendency to use earlier Bible illustrations as a basis for adapting props, such as the disciples' ship, to fit his own imagination.
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for $ 6,000 (equivalent to $ 219,744 in 2023) from the art dealers Asher Wertheimer and Colnaghi & Co., who had received it from
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and is arranging its sale. A forgery is also seen in the 2017 episode "Greyson Blaise (No. 37)" (Season 5, Episode 2).
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and likely rolled up despite it needing to be kept flat to avoid cracking the paint. On March 18, 2013, the
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On the morning of March 18, 1990, two thieves disguised as police officers entered the museum and stole
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with Spain. Naval trade would become an important new aspect of Dutch life, and the formations of the
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The painting was not purchased directly by Gardner; the sale was handled by art historian and critic
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and is among the largest and earliest of Rembrandt's works. It was purchased by Bernard Berenson for
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in American history. The heist remains unsolved. The canvas was crudely cut with a blade out of its
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The close-up treatment of the subject and the painting's overall composition are evocative of a
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viewer, is a self-portrait of the artist. Only Christ, depicted on the right, remains calm.
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its crew and Christ remain the main focal point of the painting. The ship is similar to a
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160 cm × 128 cm (63.00 in × 50.39 in)
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The Netherlands began to emerge as a new world power after the end of the
883: 668:"Observations on Rembrandt's "Christ in the Storm on the Sea of Galilee"" 486: 288: 1035: 964: 755: 351: 775: 391:, and the two would write to each other frequently about the process. 1239: 1003: 932: 836:"Bible Gateway passage: Matthew 14:22-33 - New International Version" 514: 423: 291:
attempts to walk toward Jesus but instead sinks and must be rescued.
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The Isabella Stewart Gardner Museum: A Companion Guide and History
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2013 episode "Gina Zanetakos (No. 152)" (Season 1, Episode 6),
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depiction of nature became more prevalent. Visual artist
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Pendant portraits of Maerten Soolmans and Oopjen Coppit
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Diana Bathing with her Nymphs with Actaeon and Callisto
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in 1896. Berenson was involved in the establishment of
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Christ in the Storm on the Sea of Galilee (Rembrandt)
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at Sammlungen der Georg-August-Universität Göttingen
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The painting is shown on the cover of the 1996 book
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occurred during the time that he had relocated from
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of the Pirate: On the Origin of the Dutch Seascape"
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The Making of a Connoisseur" 1002:Rump, Gerhard Charles; Samuels, Ernest (1981). 599: 2203:Self-Portrait Wearing a White Feathered Bonnet 712: 445:Against the Gods: The Remarkable Story of Risk 2243:Self-Portrait with Beret and Turned-Up Collar 2227:Self-Portrait in a Black Beret and Gold Chain 1224: 1049:Guy Darst; Ulrich Boser (February 20, 2009). 595: 593: 591: 1630:The Archangel Raphael Leaving Tobias' Family 930: 496:appears in Season 1, Episode 13 of Marvel's 287:toward his disciples in a fishing boat, and 187:The painting depicts the event described in 2191:Portrait of a Young Man with a Golden Chain 1069: 1001: 602:"Ripped from the Walls (and the Headlines)" 223:print after a design by the Flemish artist 1890:Ahasuerus and Haman at the Feast of Esther 1231: 1217: 588: 521:In episode 2 of the first season of AMC's 454:The painting is used as the cover art for 38: 762:. Vol. 7527. SPIE. pp. 75270V. 730: 106:Christ in the Storm on the Sea of Galilee 1165: 631: 279:. This sketch was based on a passage in 265:. It is unknown if it was painted for a 227:. The print was included in the 12-part 159: 2052:Portrait of a Man Rising from His Chair 1398:The Anatomy Lesson of Dr. Nicolaes Tulp 861: 229:Vita, passio et Resvrrectio Iesv Christ 14: 2659: 1294:Suffer little children to come unto me 931:Bangs, Jeremy D.; Russell, M. (1985). 760:Human Vision and Electronic Imaging XV 719:BMGN - Low Countries Historical Review 572: 570: 568: 566: 564: 562: 1882:Moses Breaking the Tablets of the Law 1212: 915: 911: 909: 753: 713:Haitsma Mulier, E.O.G. (1994-01-01). 665: 636:. Yale University Press. p. 97. 437: 414:Isabella Stewart Gardner Museum theft 2426:Descent from the Cross by Torchlight 1582:Samson Threatening His Father-In-Law 857: 855: 661: 659: 657: 655: 653: 627: 625: 623: 621: 2159:Self-Portrait with Dishevelled Hair 1084: 819:Christus und die Jünger im Seesturm 810: 559: 24: 2132:Portrait of a Man with Arms Akimbo 1914:The Conspiracy of Claudius Civilis 906: 460:(2012), the third studio album by 422:and 12 other works in the largest 25: 2713: 2259:Self-Portrait as the Apostle Paul 1858:Jacob Blessing the Sons of Joseph 1850:The Anatomy Lesson of Dr. Deijman 1654:Landscape with the Good Samaritan 1190: 852: 754:Tyler, Christopher (2010-02-04). 650: 618: 348:Henry Francis Pelham-Clinton-Hope 294: 129:in 1869 and was displayed at the 27:Stolen 1633 painting by Rembrandt 2482:Cultural depictions of Rembrandt 2267:Self-Portrait as Zeuxis Laughing 1754:Abraham Serving the Three Angels 1196: 323:The Storm on the Sea of Galilee. 2442:The Virgin and Child with a Cat 2116:Portrait of Catharina Hooghsaet 1550:The Prodigal Son in the Brothel 1462:The Storm on the Sea of Galilee 1159: 1135: 1110: 1096:Federal Bureau of Investigation 1063: 1042: 995: 971: 924: 582:Isabella Stewart Gardner Museum 494:The Storm on the Sea of Galilee 479:The Storm on the Sea of Galilee 420:The Storm on the Sea of Galilee 368:The Storm on the Sea of Galilee 344:The Storm on the Sea of Galilee 255:The Storm on the Sea of Galilee 250:The Storm on the Sea of Galilee 131:Isabella Stewart Gardner Museum 33:The Storm on the Sea of Galilee 2450:Christ Presented to the People 2291:Self-Portrait at the Age of 63 2275:Self-Portrait with Two Circles 2211:Self-Portrait at the Age of 34 2036:Portrait of Jacob de Gheyn III 1986:The Return of the Prodigal Son 1802:Aristotle with a Bust of Homer 1390:Andromeda Chained to the Rocks 1070:Matt Pearce (March 18, 2013). 828: 747: 706: 632:Goldfarb, Hilliard T. (1995). 547:List of paintings by Rembrandt 372:A Painting of St. Peter's Ship 178: 98:Whereabouts unknown since 1990 13: 1: 2515: (1954 documentary film) 1930:Syndics of the Drapers' Guild 1622:The Preacher Eleazar Swalmius 1470:A Lady and Gentleman in Black 1238: 600:Robert M. Poole (July 2005). 552: 370:in 1644 when it was known as 333: 1614:Landscape with Arched Bridge 1558:Raising of the Cross (study) 1454:The Shipbuilder and his Wife 1350:The Parable of the Rich Fool 1286:The Stoning of Saint Stephen 7: 2084:Portrait of Petronella Buys 2068:Portrait of Marten Soolmans 2044:Aeltje Pietersdr Uylenburgh 1922:Saint Matthew and the Angel 1810:A Woman Bathing in a Stream 1738:The Holy Family with Angels 1722:The Woman Taken in Adultery 1670:The Girl in a Picture Frame 1646:The Wedding Feast of Samson 1334:Tobit and Anna with the Kid 672:Notes in the History of Art 535: 389:Gardner's public collection 272:Christ Walking on the Waves 18:Storm on the Sea of Galilee 10: 2718: 2512:Rembrandt: A Self-Portrait 2322:Joseph and Potiphar's Wife 1938:Homer Dictating his Verses 1678:The Scholar at the Lectern 862:Siegert, Bernhard (2014). 524:Interview with the Vampire 512:In the Season 5 finale of 411: 239: 2634: 2586: 2568:I Am Rembrandt's Daughter 2477:Bibliography of Rembrandt 2465: 2301: 2183:Self-Portrait in a Gorget 2150: 2076:Portrait of Oopjen Coppit 2012:Portrait of Nicolaes Ruts 2003: 1970:Young Woman with a Lapdog 1898:The Denial of Saint Peter 1430:Philosopher in Meditation 1422:Old Man with a Gold Chain 1318:The Baptism of the Eunuch 1267: 1246: 983:cruise-handbook.npolar.no 937:Sixteenth Century Journal 920:– via academia.edu. 153:. 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It is classified as a 2354:The Death of the Virgin 1994:Landscape with a Castle 1866:Courtesan at her Mirror 1438:The Abduction of Europa 1166:Peselman, Rina (2019). 1056:The Wall Street Journal 732:10.18352/bmgn-lchr.3793 356:Tymen Jacobsz Hinloopen 233:Jan and Raphael Sadeler 2682:Paintings by Rembrandt 2100:Portrait of Maria Trip 1786:Descent from the Cross 1762:Susanna and the Elders 1606:The Blinding of Samson 1526:Descent from the Cross 1486:Descent from the Cross 1382:The Raising of Lazarus 916:Domin, Victor (2012). 175: 111:oil-on-canvas painting 2697:Paintings of apostles 2394:Hundred Guilder Print 1818:Bathsheba at Her Bath 1446:Adoration of the Magi 1342:The Flight into Egypt 1174:. 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Index

Storm on the Sea of Galilee

Rembrandt van Rijn
Oil canvas
Movement
Dutch Golden Age painting
oil-on-canvas painting
Dutch Golden Age
Rembrandt van Rijn
history painting
Isabella Stewart Gardner
Isabella Stewart Gardner Museum
theft in 1990
calmed the storm
Sea of Galilee
the fourth chapter
Gospel of Mark
seascape

Adriaen Collaert
Maerten de Vos
Luke 8:22–25
disciples
North Sea
Christian Tümpel
tenebrism
Adriaen Collaert
Maerten de Vos
Jan and Raphael Sadeler
history painting

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