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Stuckism International Gallery

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separation between the art and the viewer. People could come in, sit down, maybe have a cup of tea and experience the art as part of their environment, if they wanted to. The upstairs walls were either brick or painted maroon, and the downstairs a deep green. It was a small oasis in the greyness of the outside environment...
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If Hirst’s shark is recognised as great art, then how come Eddie’s, which was on exhibition for two years beforehand, isn’t? "Do we perhaps have here an undiscovered artist of genius, who got there first, or is it that a dead shark isn’t art at all? Not only did Eddie catch it himself — unlike Hirst
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of Transition Gallery said, "Work presented here is always a wonder to behold... The best painted space in town—the coloured walls are themselves better than some galleries' shows... Art with attitude, whatever style you happen to enjoy. And there are more styles here than you'd be led to
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The space was designed to fulfill the belief stated in our manifesto that the best space for art is not a white wall gallery but the more human space of a home (or a musty museum). The main space was my living room. It had sofas and normal home lighting, not gallery spotlights, which create a
191:. The show had Stuckist art from around the world including Melbourne, Pittsburgh and the Ivory Coast. It ran till October 2002, reinforcing the Stuckist manifesto endorsement of content, meaning and communication through painting as the most viable contemporary form of art. 220:
In October 2002 the Gallery displayed a betting slip by Sean Hall. This was a bet that "Charles Saatchi, the renowned contemporary art collector, will purchase the original of this betting slip for pounds 1,000 or more on or before 31 December 2005."
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We can’t see why Hirst’s shark was made so much fuss of when Eddie’s has been in a public London venue all this time. A lot of people admired it in his shop, but I doubt that anyone considered it a work of artistic
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David Prudames of 24 Hour Museum reviewed the show, "This exhibition of Stuckist work from around the world at a purpose built gallery lays the movement's foundations and states it is here to stay."
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from private collections and named after the title of one of them. It was curated by Louise Urwin and Tom Cowley. Bold was invited to participate in the show, but did not reply or attend it.
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shark had been caught off Florida in 1989, two years before Hirst's work was made, by Eddie Saunders, who displayed it in his Shoreditch shop, JD Electrical Supplies. Thomson asked:
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and in 2002 was "expelled from the painting course for doing paintings." He was given a show, before the official opening of the gallery, with the title
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arrived in a black cab to visit the gallery, but failed to gain admission, as Thomson was upstairs drinking coffee and Saatchi did not ring the bell.
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Thomson moved in 2005 and the premises were taken over by La Viande gallery, which staged a Stuckist exhibition in September 2005, called
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In February 2004, the gallery exterior was turned into a 1960s and 1970s sex shop frontage as a set for the BBC2 gangster drama,
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which the Stuckists oppose. Thomson lived on the premises, using the ground floor and basement for a studio. He said:
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The gallery staged group and solo shows of Stuckist paintings, and displayed a preserved shark as a challenge to
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in a vitrine), the Stuckism gallery displayed a stuffed shark in their window. This 148 kg (325 lb)
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To celebrate the opening of the gallery, the Stuckists carried a cardboard coffin round to the nearby
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Buckman, David: "Dictionary of Artists in Britain since 1945", page 775. Art Dictionaries, 2006
1888: 1633: 1600: 1385: 888: 848: 341: 323: 213:, "it will prove their undoing. These vociferous opportunists are revealed to be a bunch of 1725: 1550: 1535: 534: 407: 330:, who is normally somebody we would attack." The next month, the gallery's scheduled show, 245: 8: 1580: 1511: 910: 542: 373: 307:
The Stuckists suggested Hirst may got the idea for his work from Saunders' shop display.
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Guest, Katy. "Jacobson set to thrash Amis—at ping-pong", Pandora (6th article),
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Shakespeare, Sebastian (11 April 2003). "Bushy tales: The real Jaws comes to town".
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Alberge, Dalya. "Students accuse art college of failing to teach them the basics",
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Stuckist artists leave a coffin, marked "The death of conceptual art", outside the
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Intellectual Property photography show by Larry Dunstan at Stuckism International
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was presented with the inaugural 3AM Good Sex Prize at the gallery for his book,
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This event also launched the first formal group show at the gallery which was
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The Stuckism International Gallery opened July 2002 at 3 Charlotte Road,
91:. The premises were taken over by La Viande gallery, which shut in 2008. 1949: 1820: 1683: 1605: 1590: 1575: 1560: 1429: 1128: 794: 672: 377: 33: 20: 1292: 1176: 860: 1878: 1851: 1671: 1565: 627: 455: 434: 430: 285: 275: 233: 126: 84: 117:, in a four-story Victorian warehouse, 70 yards (64 m) away from the 1873: 1810: 1774: 1643: 1638: 1616: 1504: 1485: 1457: 1451: 1440: 778: 650: 641: 632: 463: 422: 358: 199: 122: 107: 1307: 586:
featured a brick by Mike Dawson and a Saatchi betting slip by Sean Hall.
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in hosting a charity show and auction with paintings including ones by
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should be for paintings. The four artists shown at the gallery—
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The last exhibition at the Gallery, in July 2004, was a solo show,
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The Physical Impossibility of Death in the Mind of Someone Living
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Former buildings and structures in the London Borough of Hackney
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indicate artists no longer in the movement (as of November 2011)
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For an account of Paul Myners' encounter with the Stuckists see
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Adams, Guy. "Pandora: Saatchi stuck in street", (4th article),
1052:"A Dead Shark Isn't Art" on the Stuckism International web site 459: 365: 991:"The Real Turner Prize 2002 - The Stuckists Alternative Award" 1315: 229: 1081:, "A Stuckist on Stuckism" in: Milner, Frank ed. (2004), 950:"Britart Beware The First Stuckist International Is Here" 1259:"Vine's Stuckist rival sticks one on her at exhibition" 696:
I Don't Want a Painting Degree if it Means Not Painting
217:-style daubers without an original idea between them." 151:
I Don't Want a Painting Degree if it Means Not Painting
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Kent, Sarah. "The Stuckists: Stuckism International",
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Alberge, Dalya. "Artists brandish brushes at rivals",
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The Pinhole Photography of a Gifted Gentleman Amateur
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The Pinhole Photography of a Gifted Gentleman Amateur
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A large photo was displayed in the gallery window of
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In September 2003, the gallery collaborated with the
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Being On The Dole Is Like Playing Chess with Hitler
145:was a member of the Students for Stuckism group at 1702:Sir Nicholas Serota Makes an Acquisitions Decision 1163:web site, 12 August 2004. Retrieved from the 927:"Follow me to the edge: Cool in your code, Hoxton" 297:— but it is also in considerably better condition. 861:"Archive: Stuckism International Gallery, London" 437:. He had also told them that their popular show, 1986:Art museums and galleries disestablished in 2005 1947: 1028: 1026: 943: 941: 160:The White Cube gallery is at the end of the road 1267:, 13 February 2008. Retrieved 13 February 2008. 935:, 9 February 2007. Retrieved 12 September 2009. 64:art movement. It was open from 2002 to 2005 in 1981:Art museums and galleries established in 2002 1331: 1279:, La Viande. Retrieved 15 November 2008. 1023: 938: 466:'s paintings. La Viande closed in July 2008. 1961:Defunct contemporary art galleries in London 1034:"Traditionalists mark shark attack on Hirst" 372:, after an event which included readings by 1113:, stuckism.com. Retrieved 17 February 2008. 1042:, 10 April 2003. Retrieved 6 February 2008. 1014: 863:, stuckism.com. Retrieved 17 February 2008. 590:The Real Turner Prize Show 2003 (cancelled) 1338: 1324: 1209: 1207: 1205: 1157:"Stuckism International: Hysterical Shock" 837: 835: 334:, was cancelled because of a dispute with 1183:web site. Retrieved 6 February 2008. 1132:, 5 July 2004. Retrieved 6 February 2008. 1045: 677:, presented by Madame Tytania (with whip) 411:Stuckist show at La Viande gallery, 2005. 988: 947: 473: 406: 340: 322:and, said Thomson, "a painting from the 254: 170: 155: 47: 1202: 909:(London), 7 August 2002, p.60. Reprint 832: 106:warehouse building with his then-wife, 1948: 1905: 1293:Stuckism International Gallery Archive 1251: 921: 919: 899: 897: 866: 52:Stuckism International Gallery in 2004 1319: 1298:Stuckism International Online Gallery 1111:"Stuckism International as porn shop" 617:The Vagina Monologues Of An Essex Boy 395:, consisting of 12 paintings by 1917: 1186: 224:In December 2002 the gallery staged 989:Prudames, David (6 December 2002). 916: 894: 450:In February 2008, La Viande staged 252:—shared the Stuckist prize. 13: 948:Prudames, David (12 August 2002). 454:, a show of two Stuckist artists, 452:Disney Heroines Committing Suicide 14: 1997: 1971:2005 disestablishments in England 1795:The Romantic Anonymous Fellowship 1286: 102:had originally intended to buy a 1916: 1904: 806: 786: 767: 752: 737: 730:The First Stuckist International 722: 715:The First Stuckist International 707: 688: 492:The First Stuckist International 469: 447:in Liverpool, was "a travesty". 189:The First Stuckist International 1270: 1235: 1222: 1170: 1150: 1135: 1116: 1104: 1072: 1057: 1008: 745:The Real Turner Prize Show 2002 502:The Real Turner Prize Show 2002 462:, the latter's work satirising 262:, Stuckism International, 2003. 1966:2002 establishments in England 1749:Stuckism International Gallery 1101:, retrieved 12 September 2009. 982: 978:. 31 October 2002. p. 10. 967: 913:, retrieved 12 September 2009. 875: 854: 529:charity show included work by 58:Stuckism International Gallery 1: 1381:Stuckism in the United States 851:, retrieved 17 February 2008. 847:, 20 July 2002, p. 3. Online 825: 522:The Stuckist Summer Show 2003 1720:The Stuckists Punk Victorian 1345: 1244:, La Viande. Retrieved from 1195:, La Viande. Retrieved from 1083:The Stuckists Punk Victorian 887:, 8 July 2009, p. 9. Online 440:The Stuckists Punk Victorian 402: 7: 481:outside the gallery in 2004 266:On 17 April 2003, when the 10: 2002: 1087:National Museums Liverpool 1069:, p.17, 18 September 2003. 974:"Bizarre bet on Saatchi". 681: 332:The Real Turner Prize Show 270:opened in new premises at 226:The Real Turner Prize Show 147:Camberwell College of Arts 121:gallery, which represents 94: 1932: 1897: 1834: 1803: 1762: 1736: 1711: 1693: 1664: 1626: 1521: 1472: 1417: 1394: 1353: 891:, retrieved 4 March 2007. 760:The Stuckists Summer Show 345:Gallery as a BBC set for 1366:List of Stuckist artists 1167:, 15 November 2008. 584:Cabinet of Conceptualism 539:Charles Thomson (artist) 1376:Stuckist demonstrations 1219:, p.26, 4 October 2005. 1193:"Some past exhibitions" 1054:Retrieved 20 March 2006 60:was the gallery of the 1785:Stuckist Photographers 1371:List of Stuckist shows 602:A Dead Shark Isn't Art 482: 412: 357:(based on the book by 350: 263: 260:A Dead Shark Isn't Art 184: 161: 76:" to the neighbouring 53: 1889:Young British Artists 1634:Jeffrey Scott Holland 1386:Stuckism in Australia 1248:on 12 September 2009. 1177:"Stuckism: Gina Bold" 608:Intellectual Property 477: 410: 344: 258: 174: 159: 51: 1277:"La Viande: Gallery" 1199:, 12 September 2009. 429:in 2004 against the 380:. Later that month, 228:to protest that the 34:51.52639°N 0.08111°W 1835:Stuckism opposed to 1826:Sir Nicholas Serota 1804:Stuckism opposed by 1512:Odysseus Yakoumakis 1311:on the BBC web site 1147:, p.8, 18 May 2004. 1124:"A riot of our own" 517:Stuckist Classics 3 512:Stuckist Classics 2 507:Stuckist Classics.. 278:'s work, including 203:believe." However, 198:magazine edited by 30: /  1934:Artists' names in 1541:Jonathon Coudrille 483: 445:Walker Art Gallery 413: 370:The Demented Dance 351: 274:with a display of 264: 185: 162: 54: 39:51.52639; -0.08111 1943: 1942: 1665:Artists elsewhere 1492:Michael Dickinson 1473:Artists in Europe 1122:Stevens, Andrew. 290:golden hammerhead 68:, and was run by 1993: 1920: 1919: 1908: 1907: 1857:Installation art 1842:Art intervention 1790:The Medway Poets 1780:Remodernist Film 1464:Charles Williams 1340: 1333: 1326: 1317: 1316: 1280: 1274: 1268: 1255: 1249: 1246:Internet Archive 1239: 1233: 1226: 1220: 1216:Evening Standard 1211: 1200: 1197:Internet Archive 1190: 1184: 1174: 1168: 1165:Internet Archive 1154: 1148: 1139: 1133: 1120: 1114: 1108: 1102: 1079:Thomson, Charles 1076: 1070: 1061: 1055: 1049: 1043: 1032:Alberge, Dalya. 1030: 1021: 1020: 1017:Evening Standard 1012: 1006: 1005: 1003: 1001: 986: 980: 979: 976:Evening Standard 971: 965: 964: 962: 960: 945: 936: 923: 914: 901: 892: 879: 873: 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December 2002 742: 733: 727: 718: 712: 703: 700:Stephen Howarth 693: 684: 479:Charles Thomson 472: 405: 382:Charles Saatchi 312:Prince of Wales 268:Saatchi Gallery 183:, 25 July 2002. 143:Stephen Howarth 100:Charles Thomson 97: 89:Charles Saatchi 70:Charles Thomson 38: 36: 32: 29: 24: 21: 19: 17: 16: 12: 11: 5: 1999: 1989: 1988: 1983: 1978: 1973: 1968: 1963: 1958: 1941: 1940: 1933: 1930: 1929: 1927: 1926: 1914: 1901: 1899: 1895: 1894: 1892: 1891: 1886: 1881: 1876: 1871: 1868:The Upper Room 1864: 1859: 1854: 1849: 1847:Conceptual art 1844: 1838: 1836: 1832: 1831: 1829: 1828: 1823: 1818: 1813: 1807: 1805: 1801: 1800: 1798: 1797: 1792: 1787: 1782: 1777: 1772: 1766: 1764: 1763:Related groups 1760: 1759: 1757: 1756: 1751: 1746: 1740: 1738: 1734: 1733: 1731: 1730: 1723: 1715: 1713: 1709: 1708: 1706: 1705: 1697: 1695: 1691: 1690: 1688: 1687: 1681: 1675: 1668: 1666: 1662: 1661: 1659: 1658: 1653: 1650:Jesse Richards 1646: 1641: 1636: 1630: 1628: 1624: 1623: 1621: 1620: 1613: 1608: 1603: 1598: 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Index

51°31′35″N 0°4′52″W / 51.52639°N 0.08111°W / 51.52639; -0.08111

Stuckist
Shoreditch
Charles Thomson
conceptual art
White Cube
Damien Hirst
Charles Saatchi
Charles Thomson
Shoreditch
Stella Vine
Shoreditch
White Cube
Tracey Emin
Damien Hirst
conceptual art
Stephen Howarth
Camberwell College of Arts

White Cube

White Cube
Shoreditch
Cathy Lomax
Sarah Kent
Time Out
Bayswater Road
Tate
Turner Prize

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