864:', as he terms the concept, are those that achieve most relevance through a wide array of weak implicatures and not those meanings that are simply 'read in' by the hearer or reader. Yet the distinguishing instant at which weak implicatures and the hearer or reader's conjecture of meaning diverge remains highly subjective. As Pilkington says: 'there is no clear cut-off point between assumptions which the speaker certainly endorses and assumptions derived purely on the hearer's responsibility.' (Pilkington. 1991, 53) In addition, the stylistic qualities of poetry can be seen as an accompaniment to Pilkington's poetic effects in understanding a poem's meaning.
455:
825:. The first is that there may be an over-preoccupation with one particular feature that may well minimise the significance of others that are equally important (Wetherill. 1974, 133). The second is that any attempt to see a text as simply a collection of stylistic elements will tend to ignore other ways whereby meaning is produced (Wetherill. 1974, 133).
857:. Implicature may be divided into two categories: 'strong' and 'weak' implicature, yet between the two extremes there are a variety of other alternatives. The strongest implicature is what is emphatically implied by the speaker or writer, while weaker implicatures are the wider possibilities of meaning that the hearer or reader may conclude.
770:, for instance, its 'deviant' and abnormal features, rather than the broader structures that are found in whole texts or discourses. For example, the compact language of poetry is more likely to reveal the secrets of its construction to the stylistician than is the language of plays and novels (Crystal. 1987, 71).
753:
of the text (Downes. 1998, 316). Halliday refers to genre as pre-coded language, language that has not simply been used before, but that predetermines the selection of textual meanings. The linguist
William Downes makes the point that the principal characteristic of register, no matter how peculiar
812:
Widdowson makes the point that such sentiments are usually not very interesting and suggests that they may even be dismissed as 'crude verbal carvings' and crude verbal disturbance (Widdowson, 3). Nevertheless, Widdowson recognises that they are a very real attempt to convey feelings of human loss
938:
This language gives the reader a new perspective on familiar themes and allows us to look at them without the personal or social conditioning that we unconsciously associate with them (Widdowson. 1992, 9). So, although the reader may still use the same exhausted words and vague terms like 'love',
817:
but in where it appears. The verse may be given undue reverence precisely because of the sombre situation in which it is placed. Widdowson suggests that, unlike words set in stone in a graveyard, poetry is unorthodox language that vibrates with inter-textual implications (Widdowson. 1992, 4).
766:, Crystal observes that, in practice, most stylistic analysis has attempted to deal with the complex and 'valued' language within literature, i.e. 'literary stylistics'. He goes on to say that in such examination the scope is sometimes narrowed to concentrate on the more striking features of
939:'heart' and 'soul' to refer to human experience, to place these words in a new and refreshing context allows the poet the ability to represent humanity and communicate honestly. This, in part, is stylistics, and this, according to Widdowson, is the point of poetry (Widdowson. 1992, 76).
1084:
Davies, M. (2007) The attraction of opposites: the ideological function of conventional and created oppositions in the construction of in-groups and out-groups in news texts, in L. Jeffries, D. McIntyre, D. Bousfield (eds.) Stylistics and Social
Cognition. Amsterdam:
749:, is what he refers to as the symbolic organisation of the situation. Downes recognises two distinct aspects within the category of mode and suggests that not only does it describe the relation to the medium: written, spoken, and so on, but also describes the
1094:
Simpson, Paul. 2004. Stylistics: A resource book for students. Routledge p. 3: "The preferred object of study in stylistics is literature, whether that be institutionally sanctioned 'literature' as high art or more popular 'non-canonical' forms of
896:
Widdowson notices that when the content of poetry is summarised, it often refers to very general and unimpressive observations, such as 'nature is beautiful; love is great; life is lonely; time passes', and so on (Widdowson. 1992, 9). But to
569:
Stylistics as a conceptual discipline may attempt to establish principles capable of explaining particular choices made by individuals and social groups in their use of language, such as in the literary production and reception of
1612:
880:" (1798), the mystery of the Mariner's abrupt appearance is sustained by an idiosyncratic use of tense. (Widdowson. 1992, 40) For instance, the Mariner 'holds' the wedding-guest with his 'skinny hand' in the
744:
points out that
Halliday's 'tenor' stands as a roughly equivalent term for 'style', which is a more specific alternative used by linguists to avoid ambiguity (Crystal. 1985, 292). Halliday's third category,
565:
has made clear, non-literary texts may be of just as much interest to stylisticians as literary ones. Literariness, in other words, is here conceived as 'a point on a cline rather than as an absolute'.
690:
in 1960, Jakobson's lecture is often credited with being the first coherent formulation of stylistics, and his argument was that the study of poetic language should be a sub-branch of linguistics. The
719:. Dialect refers to the habitual language of a particular user in a specific geographical or social context. Register describes the choices made by the user, choices which depend on three variables:
1113:
Montoro, R. (2006) Analysting literature through films, in G. Watson, S. Zyngier (eds.) Literature and
Stylistics for Language Learners: Theory and Practice. Basingstoke: Palgrave, pp. 48-59.
1058:
Simpson, Paul. 2004. Stylistics : A resource book for students. Routledge p. 2: "Stylistics is a method of textual interpretation in which primacy of place is assigned to language".
644:
linguistics. For Bally, Saussure's linguistics by itself couldn't fully describe the language of personal expression. Bally's programme fits well with the aims of the Prague School.
663:. According to the Prague School, however, this background language isn't constant, and the relationship between poetic and everyday language is therefore always shifting.
674:
had been an active member of the
Russian Formalists and the Prague School, before emigrating to America in the 1940s. He brought together Russian Formalism and American
813:
and preserve affectionate recollections of a beloved friend or family member. However, what may be seen as poetic in this language is not so much in the formulaic
1068:
1122:
Attenborough, F. (2014) Jokes, pranks, blondes and banter: recontextualising sexism in the
British print press, Journal of Gender Studies, 23(2): 137-154.
502:, is the study and interpretation of texts of all types, but particularly literary texts, and/or spoken language in regard to their linguistic and tonal
861:
834:
1602:
1546:
1646:
888:('...his hands dropt he.'); only to hold him again, this time with his 'glittering eye', in the present (Widdowson. 1992, 41).
1537:
482:
545:
as well as linguistics. Sources of study in stylistics may range from canonical works of writing to popular texts, and from
653:, where it is assumed that poetic language is considered to stand apart from non-literary background language, by means of
372:
1008:
695:
1378:
1358:
1338:
1318:
1298:
1278:
1258:
1238:
1218:
1198:
1178:
1158:
1047:
723:("what the participants... are actually engaged in doing", for instance, discussing a specific subject or topic),
877:
332:
392:
337:
110:
1140:
Carter, R., Nash, W. (1990) Seeing through
Language: a guide to styles of English writing. Oxford: Blackwell.
367:
58:
1641:
312:
178:
526:
or choice of words, is often used in a cover letter and résumé and while speaking during a job interview.
712:
583:
432:
138:
537:. It does not function as an autonomous domain on its own, and it can be applied to an understanding of
778:
As well as conventional styles of language there are the unconventional – the most obvious of which is
514:, or everyday language may be used among casual friends, whereas more formal language, with respect to
510:
of language used by different individuals and/or in different situations or settings. For example, the
602:
519:
475:
422:
322:
148:
1607:
715:
to explain the connections between language and its context. For
Halliday register is distinct from
1013:
630:
503:
327:
270:
85:
968:
873:
736:
Fowler comments that different fields produce different language, most obviously at the level of
427:
265:
242:
659:
610:
377:
344:
297:
213:
193:
173:
75:
53:
48:
1069:
Rape is rape (except when it's not): the media, recontextualisation and violence against women
647:
Taking forward the ideas of the
Russian Formalists, the Prague School built on the concept of
927:
641:
507:
153:
1597:
978:
468:
397:
307:
188:
133:
30:
1131:
Jeffries, L., McIntyre, D. (2010) Stylistics. Cambridge: Cambridge
University Press, p. 2.
706:
Linguistic Function and Literary Style: An Inquiry into the Language of William Golding's
8:
1651:
1636:
1613:
Stylistics from Scratch: My 'Take' on Stylistics and How to Go About a Stylistic Analysis
988:
725:
562:
499:
238:
168:
143:
115:
973:
963:
683:
591:
587:
530:
458:
437:
407:
362:
317:
285:
275:
163:
158:
1533:
1374:
1354:
1334:
1314:
1294:
1274:
1254:
1234:
1214:
1194:
1174:
1171:
Mutual Misunderstanding: Scepticism and the Theorizing of Language and Interpretation
1154:
1043:
1018:
998:
767:
626:
454:
302:
280:
223:
754:
or diverse, is that it is obvious and immediately recognisable (Downes. 1998, 309).
1042:
Widdowson, H.G. 1975. Stylistics and the teaching of literature. Longman: London.
993:
701:
402:
233:
228:
203:
198:
183:
1603:
Checklist of American and British programs in stylistics and literary linguistics
1517:
787:
1291:
The Cambridge History of Literary Criticism: From Formalism to Poststructuralism
704:
is an important figure in the development of British stylistics. His 1971 study
1497:
854:
671:
247:
20:
1571:
Language as Social Semiotic: The Social Interpretation of Language and Meaning
821:
Two problems with a stylistic analysis of poetry are noted by PM Wetherill in
1630:
1507:
1393:
1371:
Structure and Function: a Guide to Three Major Structural-Functional Theories
1231:
The English Studies Book: an Introduction to Language, Literature and Culture
881:
741:
711:
is a key essay. One of Halliday's contributions has been the use of the term
675:
649:
637:
1566:
1556:
1438:
1412:
Literary Reading, Cognition and Emotion: An Exploration of the Oceanic Mind
597:
Plain language has different features. Common stylistic features are using
561:. Indeed, as recent work in critical stylistics, multimodal stylistics and
290:
80:
1598:
A CC licensed introductory course to Stylistics from Lancaster University
983:
850:
846:
842:
814:
554:
546:
534:
442:
417:
38:
1023:
923:
885:
737:
542:
538:
511:
412:
95:
1502:
Style in Fiction: A Linguistic Introduction to English Fictional Prose
1003:
953:
606:
558:
387:
382:
218:
208:
100:
90:
640:
proposed stylistics as a distinct academic discipline to complement
958:
948:
622:
598:
579:
575:
791:
716:
523:
515:
1405:
Context and Language: A Functional Linguistic Theory of Register
1331:
Language and Context: a Functional Linguistic Theory of Register
1104:
Jeffries, L. (2010) Critical Stylistics. Basingstoke: Palgrave.
779:
105:
750:
571:
550:
1485:
The Stylistics Reader: From Roman Jakobson to the Present
621:
The analysis of literary style goes back to the study of
1618:
1191:
Status and Function of Languages and Language Varieties
1333:, Continuum International Publishing Group, 1995, p6.
920:
Nor hours, days months, which are the rags of time ...
1578:
Language in Literature: An Introduction to Stylistics
1459:, 2nd edition (Cambridge: Cambridge University Press)
1435:, 2nd edition (Cambridge: Cambridge University Press)
794:, as found on headstones in a cemetery. For example:
1373:, John Benjamins Publishing Company, 2003, p 373.
1585:Literary Text: An Examination of Critical Methods
1387:
902:Like as the waves make towards the pebbled shore,
823:Literary Text: An Examination of Critical Methods
1628:
1527:
1445:, 2nd edition (Oxford: Oxford University Press)
733:(the use to which the language is being put).
1608:Stylistics – Theoretical issues of stylistics
613:length prevalence and language register use.
476:
1464:The Linguistic Science and Language Teaching
625:, though modern stylistics has its roots in
1469:Adrian Pilkington. 1991. 'Poetic Effects',
1073:Journal of Language Aggression and Conflict
917:Love, all alike, no season knows nor clime,
1353:, Cambridge University Press, 2007, p 12.
1273:, Cambridge University Press, 2007, p 10.
616:
483:
469:
1419:A Dictionary of Linguistics and Phonetics
1293:, Cambridge University Press, 1989, p83.
1153:, Cambridge University Press, 2010, p 1.
905:So do our minutes hasten to their end ...
849:', as instigated in the previous work of
729:(who is taking part in the exchange) and
666:
657:(from the norms of everyday language) or
1311:Stylistics: a Resource Book for Students
845:Adrian Pilkington analyses the idea of '
557:, as well as to political and religious
1421:, 2nd edition (Oxford: Basil Blackwell)
1629:
1433:The Cambridge Encyclopedia of Language
1351:Style: Language Variation and Identity
1271:Style: Language Variation and Identity
1251:A Linguistic History of English Poetry
891:
764:The Cambridge Encyclopedia of Language
757:
586:, and can be applied to areas such as
1173:, Duke University Press, 1992, p 91.
805:(Ernest C. Draper 'Ern'. Died 4.1.38)
790:examines the traditional form of the
1473:, ed. Roger Sell (London: Routledge)
373:Conservative and innovative language
1621:Poetics and Linguistics Association
1009:Poetics and Linguistics Association
13:
1528:Hernández-Campoy, Juan M. (2016).
1213:, Pearson Education, 2001, p 315.
1193:, Walter de Gruyter, 1989, p 518.
1149:Lesley Jeffries, Daniel McIntyre,
529:As a discipline, stylistics links
14:
1663:
1591:
1561:Inside the Whale and Other Essays
1524:(Oxford: Oxford University Press)
740:(Fowler. 1996, 192) The linguist
682:at a conference on stylistics at
1553:, 2nd edition, (Harlow: Longman)
1462:A McIntosh and P Simpson. 1964.
1428:(London and New York: Routledge)
1414:(London and New York: Routledge)
633:of the early twentieth century.
506:, where style is the particular
453:
1363:
1343:
1323:
1303:
1283:
1263:
1243:
1223:
1203:
1183:
1163:
1143:
1134:
878:The Rime of the Ancient Mariner
1483:ed. Jean Jacques Weber. 1996.
1388:References and related reading
1125:
1116:
1107:
1098:
1088:
1078:
1061:
1052:
1036:
828:
802:As in the hour he passed away.
1:
1647:Language varieties and styles
1450:The Language of George Orwell
872:Widdowson points out that in
698:he described in the lecture.
16:Branch of applied linguistics
1500:and Michael H. Short. 1981.
1490:ed. Thomas A. Sebeok. 1960.
313:Functional discourse grammar
179:Ethnography of communication
7:
942:
433:Second-language acquisition
10:
1668:
1551:A Dictionary of Stylistics
1494:(Cambridge, MA: MIT Press)
1480:(Edinburgh: Penbury Press)
1407:(London, New York: Pinter)
1211:A Dictionary of Stylistics
1067:Attenborough, F. (2014). "
908:William Shakespeare, '60'.
605:and individual idioms (or
111:Syntax–semantics interface
18:
1587:(Oxford: Basil Blackwell)
1452:(London: Macmillan Press)
1233:, Routledge, 2002, p 88.
884:, but releases it in the
773:
578:, in the study of spoken
423:Philosophy of linguistics
323:Interactional linguistics
1431:Richard Bradford. 1997.
1424:Richard Bradford. 1997.
1417:Richard Bradford. 1985.
1313:, Routledge, 2004, p75.
1253:, Routledge, 1993, p 8.
1029:
1014:Quantitative linguistics
867:
799:His memory is dear today
1580:(London: Hodder Arnold)
1573:(London: Edward Arnold)
1563:(London: Penguin Books)
1487:(London: Arnold Hodder)
1403:ed. David Birch. 1995.
1369:Christopher S. Butler,
969:Gender role in language
874:Samuel Taylor Coleridge
694:was one of six general
688:Linguistics and Poetics
617:Early twentieth century
609:). Stylistically, also
520:pronunciation or accent
1576:Michael Toolan. 1998.
1530:Sociolinguistic Styles
1455:William Downes. 1998.
1448:William Downes. 1995.
686:in 1958. Published as
667:Late twentieth century
260:Theoretical frameworks
214:Philosophy of language
194:History of linguistics
1410:Michael Burke. 2010.
696:functions of language
154:Conversation analysis
1615:Professor Mick Short
1583:PM Wetherill. 1974.
1522:Practical Stylistics
1512:Nineteen Eighty-Four
1476:Brian Lamont. 2005.
1457:Language and Society
1443:Linguistic Criticism
1329:Helen Leckie-Tarry,
1169:, Talbot J. Taylor,
979:Internet linguistics
808:(Widdowson. 1992, 6)
784:Practical Stylistics
398:Internet linguistics
308:Construction grammar
1642:Applied linguistics
1532:. Wiley-Blackwell.
1514:(London: Heinemann)
1471:Literary Pragmatics
989:Liturgical language
892:The point of poetry
839:Literary Pragmatics
758:Literary stylistics
563:mediated stylistics
553:, non-fiction, and
500:applied linguistics
333:Systemic functional
128:Applied linguistics
70:General linguistics
1349:Nikolas Coupland,
1269:Nikolas Coupland,
1249:Richard Bradford,
974:Gianfranco Contini
964:Classical language
684:Indiana University
623:classical rhetoric
592:literary criticism
588:discourse analysis
531:literary criticism
438:Theory of language
408:Origin of language
363:Autonomy of syntax
318:Grammaticalization
164:Discourse analysis
159:Corpus linguistics
19:For the band, see
1539:978-1-118-73764-4
1504:(London: Longman)
1492:Style in Language
1478:First Impressions
1466:(London: Longman)
1400:(London: Penguin)
1019:Standard language
999:Official language
768:literary language
680:Closing Statement
627:Russian Formalism
493:
492:
281:Distributionalism
224:Psycholinguistics
1659:
1543:
1381:
1367:
1361:
1347:
1341:
1327:
1321:
1307:
1301:
1287:
1281:
1267:
1261:
1247:
1241:
1227:
1221:
1207:
1201:
1187:
1181:
1167:
1161:
1147:
1141:
1138:
1132:
1129:
1123:
1120:
1114:
1111:
1105:
1102:
1096:
1092:
1086:
1082:
1076:
1075:. 2(2): 183-203.
1065:
1059:
1056:
1050:
1040:
994:Media stylistics
702:Michael Halliday
629:and the related
485:
478:
471:
457:
403:LGBT linguistics
393:Internationalism
368:Compositionality
229:Sociolinguistics
204:Neurolinguistics
199:Interlinguistics
184:Ethnomethodology
26:
25:
1667:
1666:
1662:
1661:
1660:
1658:
1657:
1656:
1627:
1626:
1594:
1540:
1518:H. G. Widdowson
1390:
1385:
1384:
1368:
1364:
1348:
1344:
1328:
1324:
1308:
1304:
1288:
1284:
1268:
1264:
1248:
1244:
1228:
1224:
1208:
1204:
1188:
1184:
1168:
1164:
1148:
1144:
1139:
1135:
1130:
1126:
1121:
1117:
1112:
1108:
1103:
1099:
1093:
1089:
1083:
1079:
1066:
1062:
1057:
1053:
1041:
1037:
1032:
945:
913:
898:
894:
870:
831:
795:
776:
760:
692:poetic function
669:
619:
574:, the study of
555:popular culture
489:
448:
447:
358:
350:
349:
261:
253:
252:
248:Writing systems
139:Anthropological
129:
121:
120:
71:
63:
24:
17:
12:
11:
5:
1665:
1655:
1654:
1649:
1644:
1639:
1625:
1624:
1616:
1610:
1605:
1600:
1593:
1592:External links
1590:
1589:
1588:
1581:
1574:
1564:
1554:
1544:
1538:
1525:
1515:
1505:
1498:Geoffrey Leech
1495:
1488:
1481:
1474:
1467:
1460:
1453:
1446:
1436:
1429:
1422:
1415:
1408:
1401:
1389:
1386:
1383:
1382:
1362:
1342:
1322:
1309:Paul Simpson,
1302:
1289:Raman Selden,
1282:
1262:
1242:
1222:
1202:
1189:Ulrich Ammon,
1182:
1162:
1142:
1133:
1124:
1115:
1106:
1097:
1087:
1077:
1060:
1051:
1034:
1033:
1031:
1028:
1027:
1026:
1021:
1016:
1011:
1006:
1001:
996:
991:
986:
981:
976:
971:
966:
961:
956:
951:
944:
941:
936:
935:
928:The Sun Rising
921:
918:
910:
909:
906:
903:
893:
890:
869:
866:
862:poetic effects
860:Pilkington's '
855:Deirdre Wilson
835:Poetic Effects
830:
827:
810:
809:
806:
803:
800:
775:
772:
759:
756:
708:The Inheritors
672:Roman Jakobson
668:
665:
618:
615:
498:, a branch of
491:
490:
488:
487:
480:
473:
465:
462:
461:
450:
449:
446:
445:
440:
435:
430:
428:Prescriptivism
425:
420:
415:
410:
405:
400:
395:
390:
385:
380:
375:
370:
365:
359:
356:
355:
352:
351:
348:
347:
342:
341:
340:
335:
330:
325:
320:
315:
310:
305:
295:
294:
293:
288:
283:
278:
273:
262:
259:
258:
255:
254:
251:
250:
245:
236:
231:
226:
221:
216:
211:
206:
201:
196:
191:
186:
181:
176:
171:
166:
161:
156:
151:
146:
141:
136:
130:
127:
126:
123:
122:
119:
118:
113:
108:
103:
98:
93:
88:
83:
78:
72:
69:
68:
65:
64:
62:
61:
56:
51:
45:
42:
41:
35:
34:
21:The Stylistics
15:
9:
6:
4:
3:
2:
1664:
1653:
1650:
1648:
1645:
1643:
1640:
1638:
1635:
1634:
1632:
1623:
1622:
1617:
1614:
1611:
1609:
1606:
1604:
1601:
1599:
1596:
1595:
1586:
1582:
1579:
1575:
1572:
1568:
1565:
1562:
1558:
1555:
1552:
1548:
1545:
1541:
1535:
1531:
1526:
1523:
1519:
1516:
1513:
1509:
1508:George Orwell
1506:
1503:
1499:
1496:
1493:
1489:
1486:
1482:
1479:
1475:
1472:
1468:
1465:
1461:
1458:
1454:
1451:
1447:
1444:
1440:
1437:
1434:
1430:
1427:
1423:
1420:
1416:
1413:
1409:
1406:
1402:
1399:
1398:Language Play
1395:
1394:David Crystal
1392:
1391:
1380:
1379:1-58811-361-2
1376:
1372:
1366:
1360:
1359:0-521-85303-6
1356:
1352:
1346:
1340:
1339:1-85567-272-3
1336:
1332:
1326:
1320:
1319:0-415-28104-0
1316:
1312:
1306:
1300:
1299:0-521-30013-4
1296:
1292:
1286:
1280:
1279:0-521-85303-6
1276:
1272:
1266:
1260:
1259:0-415-07057-0
1256:
1252:
1246:
1240:
1239:0-415-25710-7
1236:
1232:
1226:
1220:
1219:0-582-31737-1
1216:
1212:
1209:Katie Wales,
1206:
1200:
1199:0-89925-356-3
1196:
1192:
1186:
1180:
1179:0-8223-1249-2
1176:
1172:
1166:
1160:
1159:0-521-72869-X
1156:
1152:
1146:
1137:
1128:
1119:
1110:
1101:
1091:
1081:
1074:
1070:
1064:
1055:
1049:
1048:0-582-55076-9
1045:
1039:
1035:
1025:
1022:
1020:
1017:
1015:
1012:
1010:
1007:
1005:
1002:
1000:
997:
995:
992:
990:
987:
985:
982:
980:
977:
975:
972:
970:
967:
965:
962:
960:
957:
955:
952:
950:
947:
946:
940:
933:
929:
925:
922:
919:
916:
915:
914:
907:
904:
901:
900:
899:
889:
887:
883:
882:present tense
879:
875:
865:
863:
858:
856:
852:
848:
844:
840:
836:
826:
824:
819:
816:
807:
804:
801:
798:
797:
796:
793:
789:
785:
781:
771:
769:
765:
755:
752:
748:
743:
742:David Crystal
739:
734:
732:
728:
727:
722:
718:
714:
710:
709:
703:
699:
697:
693:
689:
685:
681:
677:
676:New Criticism
673:
664:
662:
661:
656:
652:
651:
650:foregrounding
645:
643:
639:
638:Charles Bally
634:
632:
631:Prague School
628:
624:
614:
612:
608:
604:
600:
595:
593:
589:
585:
581:
577:
573:
567:
564:
560:
556:
552:
548:
544:
540:
536:
532:
527:
525:
521:
517:
513:
509:
505:
501:
497:
486:
481:
479:
474:
472:
467:
466:
464:
463:
460:
456:
452:
451:
444:
441:
439:
436:
434:
431:
429:
426:
424:
421:
419:
416:
414:
411:
409:
406:
404:
401:
399:
396:
394:
391:
389:
386:
384:
381:
379:
378:Descriptivism
376:
374:
371:
369:
366:
364:
361:
360:
354:
353:
346:
345:Structuralism
343:
339:
336:
334:
331:
329:
328:Prague circle
326:
324:
321:
319:
316:
314:
311:
309:
306:
304:
301:
300:
299:
296:
292:
289:
287:
284:
282:
279:
277:
274:
272:
269:
268:
267:
264:
263:
257:
256:
249:
246:
244:
240:
237:
235:
232:
230:
227:
225:
222:
220:
217:
215:
212:
210:
207:
205:
202:
200:
197:
195:
192:
190:
187:
185:
182:
180:
177:
175:
174:Documentation
172:
170:
167:
165:
162:
160:
157:
155:
152:
150:
149:Computational
147:
145:
142:
140:
137:
135:
132:
131:
125:
124:
117:
114:
112:
109:
107:
104:
102:
99:
97:
94:
92:
89:
87:
84:
82:
79:
77:
74:
73:
67:
66:
60:
57:
55:
52:
50:
47:
46:
44:
43:
40:
37:
36:
32:
28:
27:
22:
1620:
1584:
1577:
1570:
1567:MAK Halliday
1560:
1557:MAK Halliday
1550:
1529:
1521:
1511:
1501:
1491:
1484:
1477:
1470:
1463:
1456:
1449:
1442:
1439:Roger Fowler
1432:
1425:
1418:
1411:
1404:
1397:
1370:
1365:
1350:
1345:
1330:
1325:
1310:
1305:
1290:
1285:
1270:
1265:
1250:
1245:
1230:
1225:
1210:
1205:
1190:
1185:
1170:
1165:
1150:
1145:
1136:
1127:
1118:
1109:
1100:
1090:
1080:
1072:
1063:
1054:
1038:
937:
931:
911:
895:
871:
859:
838:
832:
822:
820:
811:
788:HG Widdowson
783:
777:
763:
761:
746:
735:
730:
724:
720:
707:
705:
700:
691:
687:
679:
670:
658:
654:
648:
646:
635:
620:
596:
568:
528:
495:
494:
291:Glossematics
271:Constituency
243:interpreting
81:Lexicography
1547:Katie Wales
984:Leo Spitzer
912:Or, indeed:
851:Dan Sperber
847:implicature
829:Implicature
815:phraseology
660:parallelism
601:, regional
590:as well as
547:advertising
535:linguistics
443:Terminology
418:Orthography
338:Usage-based
239:Translating
134:Acquisition
39:Linguistics
1652:Literature
1637:Stylistics
1631:Categories
1426:Stylistics
1229:Rob Pope,
1151:Stylistics
1095:writing.".
1024:Stylometry
924:John Donne
886:past tense
738:vocabulary
642:Saussurean
543:journalism
539:literature
512:vernacular
496:Stylistics
413:Orismology
298:Functional
286:Generative
276:Dependency
96:Pragmatics
86:Morphology
76:Diachronic
1004:Philology
954:Aureation
876:'s poem "
655:deviation
636:In 1909,
607:idiolects
584:registers
559:discourse
388:Iconicity
383:Etymology
303:Cognitive
266:Formalist
219:Phonetics
209:Philology
101:Semantics
91:Phonology
1569:. 1978.
1559:. 1964.
1549:. 2001.
1520:. 1992.
1510:. 1949.
1441:. 1996.
1396:. 1998.
959:Basilect
949:Acrolect
943:See also
843:linguist
713:register
611:sentence
599:dialogue
580:dialects
576:folk art
549:copy to
189:Forensic
169:Distance
116:Typology
31:a series
29:Part of
1085:Rodopi.
837:' from
792:epitaph
717:dialect
678:in his
603:accents
524:lexicon
516:grammar
508:variety
144:Applied
54:History
49:Outline
1536:
1377:
1357:
1337:
1317:
1297:
1277:
1257:
1237:
1217:
1197:
1177:
1157:
1046:
934:(1633)
841:, the
780:poetry
774:Poetry
522:, and
459:Portal
357:Topics
106:Syntax
1030:Notes
932:Poems
868:Tense
782:. In
751:genre
726:tenor
721:field
572:genre
504:style
59:Index
1619:The
1534:ISBN
1375:ISBN
1355:ISBN
1335:ISBN
1315:ISBN
1295:ISBN
1275:ISBN
1255:ISBN
1235:ISBN
1215:ISBN
1195:ISBN
1175:ISBN
1155:ISBN
1044:ISBN
897:say:
853:and
833:In '
747:mode
731:mode
582:and
551:news
541:and
241:and
234:Text
1071:".
930:',
926:, '
762:In
533:to
1633::
786:,
594:.
518:,
33:on
1542:.
484:e
477:t
470:v
23:.
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.