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357:. She is often praised for her skilful dialogue and characterization, leading many to believe that she would have excelled in theatre. It is interesting that she never acted upon this beyond a single unfinished play; it is assumed that this is because, for Leverson, writing was a hobby rather than a means of financial security.
297:. Leverson and her husband invited Wilde to stay in their nursery, because no hotel or inn would accept him as a guest. Wilde's and Leverson's other friendships were seriously challenged by Leverson's "grand gesture", which, according to James Scanell, is "the dramatic act of welcoming back an outcast."
289:
Leverson's friendship with Wilde helped her career to flourish. There was no separation between their personal relationship and their creative collaboration. Their work had many stylistic differences; for example, Leverson had a stronger interest in human nature. But the two shared many similarities;
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I was so charmed with seeing you yesterday morning that I must write a line to tell you how sweet and good it was of you to be of the very first to greet me. When I think that
Sphinxes are minions of the moon and that you got up early before dawn, I am filled with wonder and joy.
137:
She had eight younger siblings, one of whom died in infancy. Her living siblings were named Evelyn, George, Charles, Sybil, Frank, Arthur and Violet. Sybil (who later married David
Seligman) had a brief affair and long friendship with
308:. Wilde remarked, "Sphinx, how marvellous of you to know exactly the right hat to wear at seven o'clock in the morning to meet a friend who has been away!" Later that day he left for France; the next day he wrote to her:
213:. She also worked as a drama critic, though when and what she wrote is unknown. Much of her work cannot be identified because she wrote anonymously, because she frequently befriended the people she parodied and critiqued.
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recommended that
Leverson's work be read by "those who find laughter no hardship, high comedy a delight, nonsense relaxing, and who are not made uncomfortable by worldlings both comfortable and conscienceless".
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was about. Dennis
Poupard says, "some have found Leverson's characters merely vehicles for her wit, others believe she conveys accomplished characterization deftly and swiftly in the epigrammatic dialogue".
384:, sensitive to the hidden motives of behavior, ready to laugh at vanity, understanding of married couples, parents, and children, yet seemingly preoccupied with all that was going on in the world outside".
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I often thought of you in the long black days and nights of my prison-life, and to find you just as wonderful and dear as ever was no surprise. The beautiful are always beautiful.
153:
At 19 Ada married Ernest
Leverson (1852–1921) without her parents' consent. The marriage broke up when he moved to Canada in 1905. It has been suggested that her trilogy,
290:
they were from the same cultural background, and they shared interests such as the love of conversation and the sense of fantasy. They quickly became fast friends.
540:"The Advisability of Not Being Brought up in a Handbag: A Trivial Tragedy for Wonderful People (Fragment found between the St. James's and Haymarket Theatres),"
326:
Although Ada
Leverson visited Wilde once more in Paris in 1898, their friendship continued largely through telegrams and letters until his death in 1900.
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Harrison, William M. "Ada
Leverson's Wild(e) Yellow Book Stories." The Victorian newsletter, vol. 96 (1999): 21-28. Accessed on 10 June 2014.
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in the early morning of 19 May 1897, Leverson and her husband were part of a small group of friends that met him at the house of
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663:, Jostens Books (2004); and West, Anthony qtd. in Poupard. "Ada Leverson (1895–1933)". Twentieth-Century Literary Criticism.
620:, Virago Press (1993); and Beddington, Frederick. "The Rest of the Family: a letter to Nicolas Bentley", Stellar Press (1963)
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Leverson's work, though not extremely popular, has been critiqued and analyzed from the 19th century to the present.
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summarized several critics' feelings toward
Leverson and reports that she is seen "as a distant descendant of
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Scannell, James. "Welcoming the
Outcast Back into Society: Oscar Wilde and Ada Leverson's Ur Moment."
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Brown, John Mason qtd. in
Poupard. "Ada Leverson (1895–1933)". Twentieth-Century Literary Criticism.
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Burkhart, Charles qtd. in Poupard. "Ada Leverson (1895–1933)". Twentieth-Century Literary Criticism.
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family. Her father was Samuel Henry Beddington, a wool merchant, and her mother's name was Zillah.
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The limits of their friendship were tested in 1895 when Wilde's homosexuality was exposed and
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Poupard, Dennis. "Ada Leverson (1895–1933)". Twentieth-Century Literary Criticism.
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Debelius, Margaret. "Countering a Counterparts: Ada Leverson and Oscar Wilde."
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Debelius, Margaret. "Countering a Counterparts: Ada Leverson and Oscar Wilde."
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in 1923 as his second wife. Her grandson was short story-writer and novelist
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The Sphinx and Her Circle: A Biographical Sketch of Ada Leverson, 1862-1933
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The Sphinx and her Circle: A biographical sketch of Ada Leverson 1862–1933
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Letters to the Sphinx from Oscar Wilde, with Reminiscences of the Author
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Letters to the Sphinx From Oscar Wilde, with Reminiscences of the Author
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Letters to the Sphinx from Oscar Wilde, with Reminiscences of the Author
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Crosland, Margaret. "Ada Leverson (10 October 1862-30 August 1933)".
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Crosland, Margaret. "Ada Leverson (10 October 1862-30 August 1933)".
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Critics disagree on which of her novels is the best, some suggesting
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The Importance of Being Earnest, A Trivial Comedy for Serious People
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142:. Violet (1874–1962) turned down a marriage proposal from composer
637:, Oxford University Press, January 2008, accessed 26 October 2012.
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in which she tries, unsuccessfully, to get Moore to see the young
531:, Volume 108, 12 January 1895, p. 24; a parody of Oscar Wilde's
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Dictionary of Literary Biography (1995). Accessed 29 May 2014.
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Dictionary of Literary Biography (1995). Accessed 29 May 2014.
544:, Volume 108, 2 March 1895, p. 107; a parody of Oscar Wilde's
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Late-Victorian and Edwardian British Novelists, First Series.
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Late-Victorian and Edwardian British Novelists, First Series.
518:, Volume 107, 21 July 1894, p. 33; a parody of Oscar Wilde's
499:, Volume 105, 15 July 1893, p. 13; a parody of Oscar Wilde's
334:, to be a remembrance of the friend who expanded her career.
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Leverson began writing during the 1890s, as a contributor to
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believes that it is most fitting for Leverson's last work,
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841:Burkhart, Charles. "Ada Leverson and Oscar Wilde."
767:. New York: The Vanguard Press, Inc. (1963), p. 59.
780:. New York: Twayne Publishers, Inc. (1973), p. 23.
739:Oscar Wilde: The Man, His Writings, and His World
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1404:Gross Indecency: The Three Trials of Oscar Wilde
872:Wonderful Sphinx: The Biography of Ada Leverson
300:Two years later, after Wilde was released from
220:; her writing has been compared to the work of
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1061:Lord Arthur Savile's Crime and Other Stories
118:and for her work as a witty novelist of the
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832:. The University of Virginia Press (1999).
728:. London: National Portrait Gallery (2000)
680:. The University of Virginia Press (1999).
165:. Ernest Leverson's cousins include actor
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1325:Music based on the works of Oscar Wilde
635:Oxford Dictionary of National Biography
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312:20 May 1897, Hotel Sandwich, Dieppe.
527:"Overheard Fragment of A Dialogue,"
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754:. London: Duckworth, 1930, p. 45.
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845:, Vol.13 (3), 1970, pp. 193-200.
1298:A Conversation with Oscar Wilde
1195:The Importance of Being Earnest
1004:The Soul of Man Under Socialism
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927:2014 reissue by Michael Walmer
919:2013 reissue by Michael Walmer
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1374:The Importance of Being Oscar
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550:(premiered 14 February 1895).
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537:(premiered 3 January 1895).
505:(published April 1891) and
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1330:Biographies of Oscar Wilde
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979:The Picture of Dorian Gray
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511:(premiered 19 April 1893).
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524:(published 11 June 1894).
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1454:Oscar Wilde bibliography
1167:A Woman of No Importance
864:Charles Burkhart (1973)
559:"In the Change of Years"
508:A Woman of No Importance
468:(Virago, 1982) omnibus:
18:Suggestion (short story)
1540:British women novelists
1139:Vera; or, The Nihilists
1075:A House of Pomegranates
819:. Accessed 9 June 2014.
806:. Accessed 9 June 2014.
741:. AMS Press Inc. (2003)
715:. Accessed 9 June 2014.
667:. Accessed 9 June 2014.
858:Violet Wyndham (1963)
659:Myers, Robert Manson.
629:Whitworth, Michael H.
495:"An Afternoon Party,"
462:(Grant Richards, 1916)
456:(Grant Richards, 1914)
450:(Grant Richards, 1912)
444:(Grant Richards, 1911)
438:(Grant Richards, 1908)
432:(Grant Richards, 1907)
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1228:Vyvyan Wilde Holland
1153:Lady Windermere's Fan
1036:The Canterville Ghost
899:Works by Ada Leverson
884:Works by Ada Leverson
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302:HM Prison Pentonville
285:Friendship with Wilde
275:Whom You Should Marry
252:wrote an anecdote in
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1160:A Florentine Tragedy
1146:The Duchess of Padua
1011:The Critic as Artist
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460:Love at Second Sight
355:Love at Second Sight
271:Love at Second Sight
199:St. Stephen's Review
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1471:Lord Alfred Douglas
1287:Merrion Square home
1279:Oscar Wilde Centre
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646:Burkhart, Charles.
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224:and the stories of
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1437:(2018 film)
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1377:(1960 play)
1367:(1960 film)
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1347:(1936 play)
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1053:Collections
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382:Jane Austen
363:The Bookman
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112:Beddington
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556:"Mimosa"
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