Surrealism - Knowledge

803: 998: 5912:"...the tendency to interpret Bosch's imagery in terms of modern Surrealism or Freudian psychology is anachronistic. We forget too often that Bosch never read Freud and that modern psychoanalysis would have been incomprehensible to the medieval mind... Modern psychology may explain the appeal Bosch's pictures have for us, but it cannot explain the meaning they had for Bosch and his contemporaries. Bosch did not intend to evoke the subconscious of the viewer, but to teach him certain moral and spiritual truths, and thus his images generally had a precise and premeditated significance." 2806:, who was also influenced by Beat fiction, experimented since the 1960s with the surrealist idea of startling juxtapositions; commenting on the "necessity of managing this procedure with some degree of care and skill", he added that "any old combination of details will not do. Spike Jones Jr., whose father's orchestral recordings had a deep and indelible effect on me as a child, said once in an interview, 'One of the things that people don't realize about Dad's kind of music is, when you replace a C-sharp with a gunshot, it has to be a C-sharp gunshot or it sounds awful.'" 2301:. However, it should not be easily forgotten that Abstract Expressionism itself grew directly out of the meeting of American (particularly New York) artists with European Surrealists self-exiled during World War II. In particular, Gorky and Paalen influenced the development of this American art form, which, as Surrealism did, celebrated the instantaneous human act as the well-spring of creativity. The early work of many Abstract Expressionists reveals a tight bond between the more superficial aspects of both movements, and the emergence (at a later date) of aspects of 2500:– New York – The Surrealists again called on Duchamp to design an exhibition. This time he wove a 3-dimensional web of string throughout the rooms of the space, in some cases making it almost impossible to see the works. He made a secret arrangement with an associate's son to bring his friends to the opening of the show, so that when the finely dressed patrons arrived, they found a dozen children in athletic clothes kicking and passing balls and skipping rope. His design for the show's catalog included "found", rather than posed, photographs of the artists. 1336:

toward a higher reality. But—as in Breton's case—much of what is presented as purely automatic is actually edited and very "thought out". Breton himself later admitted that automatic writing's centrality had been overstated, and other elements were introduced, especially as the growing involvement of visual artists in the movement forced the issue, since automatic painting required a rather more strenuous set of approaches. Thus, such elements as collage were introduced, arising partly from an ideal of startling juxtapositions as revealed in

1237: 1574:. Artaud rejected the majority of Western theatre as a perversion of its original intent, which he felt should be a mystical, metaphysical experience. Instead, he envisioned a theatre that would be immediate and direct, linking the unconscious minds of performers and spectators in a sort of ritual event, Artaud created in which emotions, feelings, and the metaphysical were expressed not through language but physically, creating a mythological, archetypal, allegorical vision, closely related to the world of dreams. 1340:'s poetry. And—as in Magritte's case (where there is no obvious recourse to either automatic techniques or collage)—the very notion of convulsive joining became a tool for revelation in and of itself. Surrealism was meant to be always in flux—to be more modern than modern—and so it was natural there should be a rapid shuffling of the philosophy as new challenges arose. Artists such as Max Ernst and his surrealist collages demonstrate this shift to a more modern art form that also comments on society. 3163:"The movement started in 1917, that year of war and revolution, when the term was coined by Guillaume Apollinaire and when three young intellectuals, André Breton, Philipp Soupault and Louis Aragon, met each other in Paris and found that they shared the same overriding artistic principle: any art, in future, was only possible if it denied the validity of bourgeois sense and morals."— page 11 In: Haslam, Malcolm. The Real World of the Surrealists. New York: Galley Press / W.H.Smith Publishers, 1978. 1118: 14647: 11551: 397: 15102: 464:, to a kind of surrealism, which I consider to be the point of departure for a whole series of manifestations of the New Spirit that is making itself felt today and that will certainly appeal to our best minds. We may expect it to bring about profound changes in our arts and manners through universal joyfulness, for it is only natural, after all, that they keep pace with scientific and industrial progress. (Apollinaire, 1917) 941: 38: 2785:", along with Apollinaire's "Zone", García Lorca's "Ode to Walt Whitman", and Schwitters' "Priimiititiii". The structure of Breton's "Free Union" had a significant influence on Ginsberg's "Kaddish". In Paris, Ginsberg and Corso met their heroes Tristan Tzara, Marcel Duchamp, Man Ray, and Benjamin Péret, and to show their admiration Ginsberg kissed Duchamp's feet and Corso cut off Duchamp's tie. 2162: 2709:

revolutionary politics, both directly — as in some Surrealists joining or allying themselves with radical political groups, movements and parties — and indirectly — through the way in which Surrealists emphasize the intimate link between freeing imagination and the mind, and liberation from repressive and archaic social structures. This was especially visible in the

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Ganguly, while acknowledging the similarities, cite the many differences obscured by the direct comparison of Magic Realism and Surrealism such as an interest in psychology and the artefacts of European culture they claim is not present in Magic Realism. A prominent example of a Magic Realist writer who points to Surrealism as an early influence is

3186:. It was in fact Apollinaire who first introduced Breton to Philippe Soupault at his 125 Boulevard St. Germaine apartment, meeting-place for most of the significant avant-garde figures of the day." p. 39 in David Gascoyne's Translator's Introduction to "The Magnetic Fields," included with "The Immaculate Conception," in Breton, André. 1845:(including Breton, Aragon and Artaud, as well as some two dozen others) declared their affinity for revolutionary politics. While this was initially a somewhat vague formulation, by the 1930s many Surrealists had strongly identified themselves with communism. The foremost document of this tendency within Surrealism is the 345:" Breton speaks of in the first Surrealist Manifesto), with the works themselves being secondary, i.e., artifacts of surrealist experimentation. Leader Breton was explicit in his assertion that Surrealism was, above all, a revolutionary movement. At the time, the movement was associated with political causes such as 2246: 2424:, one of the first British Surrealists whose work in this genre dated from 1935, remained within the movement, and organized an exhibition of current Surrealist work in 1978 in response to an earlier show which infuriated him because it did not properly represent Surrealism. Maddox's exhibition, titled 903:

Goll and Breton clashed openly, at one point literally fighting, at the Comédie des Champs-Élysées, over the rights to the term Surrealism. In the end, Breton won the battle through tactical and numerical superiority. Though the quarrel over the anteriority of Surrealism concluded with the victory of

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Though the war proved disruptive for Surrealism, the works continued. Many Surrealist artists continued to explore their vocabularies, including Magritte. Many members of the Surrealist movement continued to correspond and meet. While Dalí may have been excommunicated by Breton, he neither abandoned

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Because Surrealist writers seldom, if ever, appear to organize their thoughts and the images they present, some people find much of their work difficult to parse. This notion however is a superficial comprehension, prompted no doubt by Breton's initial emphasis on automatic writing as the main route

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regime and painted Surrealist graffiti on spots covering up anti-regime slogans. Major himself was the author of a "Manifesto of Socialist Surrealism". In this manifesto, he stated that the socialist (communist) system had become so Surrealistic that it could be seen as an expression of art itself.

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in 1952. Breton's return to France after the War, began a new phase of Surrealist activity in Paris, and his critiques of rationalism and dualism found a new audience. Breton insisted that Surrealism was an ongoing revolt against the reduction of humanity to market relationships, religious gestures

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Surrealism. Philosophy. Surrealism is based on the belief in the superior reality of certain forms of previously neglected associations, in the omnipotence of dream, in the disinterested play of thought. It tends to ruin once and for all other psychic mechanisms and to substitute itself for them in

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Long after personal, political and professional tensions fragmented the Surrealist group, Magritte and Dalí continued to define a visual program in the arts. This program reached beyond painting, to encompass photography as well, as can be seen from a Man Ray self-portrait, whose use of assemblage

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came to Breton, he did not want to sign the manifesto because he was not a Trotskyist. For Breton being a communist was not enough. Breton denied Van Moerkerken's pictures for a publication afterwards. This caused a split in surrealism. Others fought for complete liberty from political ideologies,

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The Second World War overshadowed, for a time, almost all intellectual and artistic production. In 1939 Wolfgang Paalen was the first to leave Paris for the New World as exile. After a long trip through the forests of British Columbia, he settled in Mexico and founded his influential art-magazine

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filled one side of the lobby with mannequins dressed by various Surrealists. Paalen and Duchamp designed the main hall to seem like cave with 1,200 coal bags suspended from the ceiling over a coal brazier with a single light bulb which provided the only lighting, as well as the floor covered with

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Beside the use of dream analysis, they emphasized that "one could combine inside the same frame, elements not normally found together to produce illogical and startling effects." Breton included the idea of the startling juxtapositions in his 1924 manifesto, taking it in turn from a 1918 essay by

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Surrealist individuals and groups have carried on with Surrealism after the death of André Breton in 1966. The original Paris Surrealist Group was disbanded by member Jean Schuster in 1969, but another Parisian surrealist group was later formed. The current Surrealist Group of Paris has recently

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We Surrealists pronounced ourselves in favour of changing the imperialist war, in its chronic and colonial form, into a civil war. Thus we placed our energies at the disposal of the revolution, of the proletariat and its struggles, and defined our attitude towards the colonial problem, and hence

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Surrealism as a political force developed unevenly around the world: in some places more emphasis was on artistic practices, in other places on political practices, and in other places still, Surrealist praxis looked to supersede both the arts and politics. During the 1930s, the Surrealist idea

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The group aimed to revolutionize human experience, in its personal, cultural, social, and political aspects. They wanted to free people from false rationality, and restrictive customs and structures. Breton proclaimed that the true aim of Surrealism was "long live the social revolution, and it

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was inspired by the revolutionary voice in Surrealist poetry and points to inspiration Breton and Artaud found in Fuentes' homeland, Mexico. Though Surrealism was a direct influence on Magic Realism in its early stages, many Magic Realist writers and critics, such as Amaryll Chanady and S. P.

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While Surrealism is typically associated with the arts, it has impacted many other fields. In this sense, Surrealism does not specifically refer only to self-identified "Surrealists", or those sanctioned by Breton, rather, it refers to a range of creative acts of revolt and efforts to liberate

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was held at the Beaux-arts Gallery, Paris, with more than 60 artists from different countries, and showed around 300 paintings, objects, collages, photographs and installations. The Surrealists wanted to create an exhibition which in itself would be a creative act and called on Marcel Duchamp,

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supporting Fontenis transformed the FA into the Fédération Communiste Libertaire. He was one of the few intellectuals who continued to offer his support to the FCL during the Algerian war when the FCL suffered severe repression and was forced underground. He sheltered Fontenis whilst he was in

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contained automatist works and accounts of dreams. The magazine and the portfolio both showed their disdain for literal meanings given to objects and focused rather on the undertones; the poetic undercurrents present. Not only did they give emphasis to the poetic undercurrents, but also to the

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Alice Farley is an American-born artist who became active during the 1970s in San Francisco after training in dance at the California Institute of the Arts. Farley uses vivid and elaborate costuming that she describes as "the vehicles of transformation capable of making a character's thoughts

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Surrealists believe that non-Western cultures also provide a continued source of inspiration for Surrealist activity because some may induce a better balance between instrumental reason and imagination in flight than Western culture. Surrealism has had an identifiable impact on radical and

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special issue on Duchamp was crucial for the public understanding of Surrealism in America. It stressed his connections to Surrealist methods, offered interpretations of his work by Breton, as well as Breton's view that Duchamp represented the bridge between early modern movements, such as

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Allen Ginsberg. "Howl: Original Draft Facsimile, Transcript & Variant Versions, Fully Annotated by Author, with Contemporaneous Correspondence, Account of First Public Reading, Legal Skirmishes, Precursor Texts & Bibliography." Ed. Barry Miles. Harper Perennial, 1995.

1924:, a French colony at the time, took up Surrealism as a revolutionary method – a critique of European culture and a radical subjective. This linked with other Surrealists and was very important for the subsequent development of Surrealism as a revolutionary praxis. The journal 1394:

continued publication into 1929 with most pages densely packed with columns of text, but which also included reproductions of art, among them works by de Chirico, Ernst, Masson, and Man Ray. Other works included books, poems, pamphlets, automatic texts and theoretical tracts.

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humid leaves and mud. The patrons were given flashlights with which to view the art. On the floor Wolfgang Paalen created a small lake with grasses and the aroma of roasting coffee filled the air. Much to the Surrealists' satisfaction the exhibition scandalized the viewers.

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his themes from the 1930s, including references to the "persistence of time" in a later painting, nor did he become a depictive pompier. His classic period did not represent so sharp a break with the past as some descriptions of his work might portray, and some, such as

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Breton, the history of surrealism from that moment would remain marked by fractures, resignations, and resounding excommunications, with each surrealist having their own view of the issue and goals, and accepting more or less the definitions laid out by André Breton.

2428:, was held in Paris and attracted international attention. He held his last one-man show in 2002, and died three years later. Magritte's work became more realistic in its depiction of actual objects, while maintaining the element of juxtaposition, such as in 1951's 918:

Surrealism, n. Pure psychic automatism, by which one proposes to express, either verbally, in writing, or by any other manner, the real functioning of thought. Dictation of thought in the absence of all control exercised by reason, outside of all aesthetic and moral

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World War II created havoc not only for the general population of Europe but especially for the European artists and writers that opposed Fascism and Nazism. Many important artists fled to North America and relative safety in the United States. The art community in

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By the end of World War II, the surrealist group led by André Breton decided to explicitly embrace anarchism. In 1952 Breton wrote "It was in the black mirror of anarchism that surrealism first recognised itself." Breton was consistent in his support for the

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Surrealism as a visual movement had found a method: to expose psychological truth; stripping ordinary objects of their normal significance, to create a compelling image that was beyond ordinary formal organization, in order to evoke empathy from the viewer.

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As they developed their philosophy, they believed that Surrealism would advocate the idea that ordinary and depictive expressions are vital and important, but that the sense of their arrangement must be open to the full range of imagination according to the

2889:" (in his 1963 book of the same name). Though not an organized movement, Esslin grouped these playwrights together based on some similarities of theme and technique; Esslin argues that these similarities may be traced to an influence from the Surrealists. 2013:

had very little negative impact upon Surrealism as Breton saw it, since core figures such as Aragon, Crevel, Dalí and Buñuel remained true to the idea of group action, at least for the time being. The success (or the controversy) of Dalí and Buñuel's film

2231:(an old taxi rigged to produce a steady drizzle of water down the inside of the windows, and a shark-headed creature in the driver's seat and a blond mannequin crawling with live snails in the back) greeted the patrons who were in full evening dress. 1276:, would create a decorative form of Surrealism, and he would be an influence on the two artists who would be even more closely associated with Surrealism in the public mind: Dalí and Magritte. He would, however, leave the Surrealist group in 1928. 1991:

excluded anyone reluctant to commit to collective action, a list which included Leiris, Limbour, Morise, Baron, Queneau, Prévert, Desnos, Masson and Boiffard. Excluded members launched a counterattack, sharply criticizing Breton in the pamphlet

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Yvan Goll's manifesto preceded Breton's by fourteen days, although Breton eventually succeeded in claiming the term for his group. See Matthew S. Witkovsky, "Surrealism in the Plural: Guillaume Apollinaire, Ivan Goll and Devětsil in the 1920s"

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struggle over radical creation such that their struggles with the Party made the late 1920s a turbulent time for both. Many individuals closely associated with Breton, notably Aragon, left his group to work more closely with the Communists.

769:, which said: "a juxtaposition of two more or less distant realities. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be−the greater its emotional power and poetic reality." 2841:, a popular technique among novelists of the latter half of the 20th century especially among Latin American writers, has some obvious similarities to Surrealism with its juxtaposition of the normal and the dream-like, as in the work of 1023:. Breton initially doubted that visual arts could even be useful in the Surrealist movement since they appeared to be less malleable and open to chance and automatism. This caution was overcome by the discovery of such techniques as 2280:

converged closely with the surrealist artists themselves, albeit with some suspicion and reservations. Ideas concerning the unconscious and dream imagery were quickly embraced. By the Second World War, the taste of the American

2313:, Surrealism can be seen to have been the single most important influence on the sudden growth in American arts, and even in Pop, some of the humor manifested in Surrealism can be found, often turned to a cultural criticism. 552:—spontaneously writing without censoring their thoughts—and published the writings, as well as accounts of dreams, in the magazine. Breton and Soupault continued writing evolving their techniques of automatism and published 1809:

but cannot be said to represent a trend in Surrealism in this respect; in fact, he was considered, by Breton and his associates, to have betrayed and left Surrealism. Benjamin Péret, Mary Low, Juan Breá, and Spanish-native

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Deleuze, Gilles. The Logic of Sense. (English translation of Logique du sens. Paris: Les Editions de Minuit, 1969.) Translated by Mark Lester with Charles Stivale; edited by Constantin V. Boundas. New York: Columbia UP,

1258:, was one of the important joining figures between the philosophical and visual aspects of Surrealism. Between 1911 and 1917, he adopted an unornamented depictional style whose surface would be adopted by others later. 4778:

International Surrealist Exhibition – Galerie Maeght, Paris« L’espace d'exposition comme matrice signifiante: l'exemple de l'exposition internationale du surréalisme à la galerie Maeght à Paris en 1947 »,

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During the 1940s Surrealism's influence was also felt in England, America and the Netherlands where Gertrude Pape and her husband Theo van Baaren helped to popularize it in their publication The Clean Handkerchief.

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First Papers of Surrealism presented the fathers of surrealism in an exhibition that represented the leading monumental step of the avant-gardes towards installation art. Many writers from and associated with the

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online magazine "currently the only international magazine devoted exclusively to surrealist poetry." Such contemporary avantgardist poets as Sergey Buryukov, Anna Glazova, Tatyana Graus, Dmitry Grigoriev,

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The anticolonial revolutionary and proletarian politics of "Murderous Humanitarianism" (1932) which was drafted mainly by Crevel, signed by Breton, Éluard, Péret, Tanguy, and the Martiniquan Surrealists

1864:" within a capitalist society was impossible led to their break with the Association des Ecrivains et Artistes Révolutionnaires, and the expulsion of Breton, Éluard and Crevel from the Communist Party. 3542: 911:

defines the purposes of Surrealism. He included citations of the influences on Surrealism, examples of Surrealist works, and discussion of Surrealist automatism. He provided the following definitions:

2799:—in which chance is used to dictate the composition of a text from words cut out of other sources—referring to it as the "Surrealist Lark" and recognizing its debt to the techniques of Tristan Tzara. 724: 2084:

Dalí and Magritte created the most widely recognized images of the movement. Dalí joined the group in 1929 and participated in the rapid establishment of the visual style between 1930 and 1935.

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Review "Mélusine" in French by Center of surrealism studies directed by Henri Behar since 1979, edited by Editions l'Age d'Homme, Lausanne, Suisse. Download platform www.artelittera.com 14.00

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The movement in the mid-1920s was characterized by meetings in cafes where the Surrealists played collaborative drawing games, discussed the theories of Surrealism, and developed a variety of

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returned to Paris to continue creating his own word that had been transcended the surrealism. The preface to his first exhibition in the Furstenberg Gallery (1957) was written by Breton yet.

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Gérard Durozoi, An excerpt from History of the Surrealist Movement, Chapter Two, 1924–1929, Salvation for Us Is Nowhere, translation by Alison Anderson, U of Chicago Press, pp. 63–74, 2002.

1291:, Miró, and others. The show confirmed that Surrealism had a component in the visual arts (though it had been initially debated whether this was possible), and techniques from Dada, such as 5411: 1272:

presents a series of dreamscapes with an unusual use of punctuation, syntax, and grammar designed to create an atmosphere and frame its images. His images, including set designs for the

4584: 2913:, Farley explores the role of improvisation in dance, bringing in an automatic aspect to the productions. Farley has performed in a number of surrealist collaborations including the 2451:(by his own description) "remained close to Surrealism". Frida Kahlo should be mentioned. She had a New York solo exhibition in 1938 with 25 paintings, encouraged by Breton himself. 2388:, who had experimented with surrealist themes in the 1930s, responded with a series of dark works reflecting the shocked state of the people of the city. These were exhibited at the 2081:, meanwhile, and was distinguished by its opposition to the London surrealists and preferences for surrealism's French heartland. The two groups would reconcile later in the decade. 2547: 1266:

has the figure turned away from the viewer, and the juxtaposition of a bust with glasses and a fish as a relief defies conventional explanation. He was also a writer whose novel

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Freud's work with free association, dream analysis, and the unconscious was of utmost importance to the Surrealists in developing methods to liberate imagination. They embraced

3066: 1709:(book by Eugène Ionesco). Tailleferre also wrote popular songs to texts by Claude Marci, the wife of Henri Jeanson, whose portrait had been painted by Magritte in the 1930s. 617:

was a better tactic for societal change than those of Dada, as led by Tzara, who was now among their rivals. Breton's group grew to include writers and artists from various

802: 2097: 1156:. They corresponded regularly with the Paris group, and in 1927 both Goemans and Magritte moved to Paris and frequented Breton's circle. The artists, with their roots in 4729: 2020:

in December 1930 had a regenerative effect, drawing a number of new recruits, and encouraging countless new artistic works the following year and throughout the 1930s.

519:. He admired the young writer's anti-social attitude and disdain for established artistic tradition. Later Breton wrote, "In literature, I was successively taken with 2040:

There were a number of reconciliations after this period of disunion, such as between Breton and Bataille, while Aragon left the group after committing himself to the

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is an example of this process, where three large spheres representing bells hang above a landscape. Another Surrealist landscape from this same year is Yves Tanguy's

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is visible with the use of fluid curving and intersecting lines and colour, whereas the first takes a directness that would later be influential in movements such as

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Hargrove, Nancy (1998). "The Great Parade: Cocteau, Picasso, Satie, Massine, Diaghilev—and T.S. Eliot". Journal for the Interdisciplinary Study of Literature 31 (1).

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The characteristics of this style—a combination of the depictive, the abstract, and the psychological—came to stand for the alienation which many people felt in the

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scattered the writers and artists who had been based in Paris, and in the interim, many became involved with Dada, believing that excessive rational thought and

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from 1970. Duchamp continued to produce sculpture in secret including an installation with the realistic depiction of a woman viewable only through a peephole.

1774:. The split from Dada has been characterised as a split between anarchists and communists, with the Surrealists as communist. Breton and his comrades supported 6418: 3461: 3093: 3247: 2538:

in France included a number of Surrealist ideas, and among the slogans the students spray-painted on the walls of the Sorbonne were familiar Surrealist ones.

1985:, was ostracized. Also in February, Breton asked Surrealists to assess their "degree of moral competence", and theoretical refinements included in the second 6592: 2761:

are often categorized as both Beat and Surrealist writers. Many other Beat writers show significant evidence of Surrealist influence. A few examples include

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in 1932. More members were ousted over the years for a variety of infractions, both political and personal, while others left in pursuit of their own style.

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Many significant literary movements in the later half of the 20th century were directly or indirectly influenced by Surrealism. This period is known as the

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Choucha, Nadia. Surrealism & the Occult: Shamanism, Alchemy and the Birth of an Artistic Movement. Rochester, Vermont: Destiny; Inner Traditions, 1992.

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Leading up to 1924, two rival surrealist groups had formed. Each group claimed to be successors of a revolution launched by Apollinaire. One group, led by

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Surrealist theatre and Artaud's "Theatre of Cruelty" were inspirational to many within the group of playwrights that the critic Martin Esslin called the "

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was also fond of Surrealists, even translating much of the poetry into English. Other notable playwrights whom Esslin groups under the term, for example

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regarded as a surrealist filmmaker being quoted, "David Lynch has once again risen to the spotlight as a champion of surrealism," in regard to his show

2380:, argued that there were works of his after this period that continued to have some relevance for the movement. When the war reached Ireland with the 761:, while rejecting the idea of an underlying madness. As Dalí later proclaimed, "There is only one difference between a madman and me. I am not mad." 12076: 2616:

of the Czech-Slovak Surrealists continues to make films and experiment with objects. In Ireland, novelists and poets associated with Surrealism are

1898: 1559:(1928) are often considered the best examples of Surrealist theatre, despite his expulsion from the movement in 1926. The plays were staged at the 14922: 2180:, an important American art collector, married Max Ernst and began promoting work by other Surrealists such as Yves Tanguy and the British artist 1194:

of 1923 are often used as the point of the acceptance of visual arts and the break from Dada, since they reflect the influence of the idea of the

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hiding. He refused to take sides on the splits in the French anarchist movement and both he and Peret expressed solidarity as well with the new

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was drawn from a dream sequence. Souris in particular was associated with the movement: he had a long relationship with Magritte, and worked on

13991: 3561: 4468:. 1990. University of Edinburgh Press. A history of the uneasy relations between Surrealists and Communists from the 1920s through the 1950s. 13443: 3743: 4588: 276: 6298: 5808:

Farley, Alice; Threadgill, Henry; Field, Thalia; Morrow, Bradford (1997). "Erotec : An Interview with Alice Farley and Henry Threadgill".

4689: 14683: 13477: 7449: 5488:. Ed. Jean C. Stine and Bridget Broderick. Vol. 27. Detroit: Gale Research, 1984. Literature Resources from Gale. Web. 2 September 2010. 2222: 13984: 7454: 2933:, whom Dalí called the "father of Surrealism." Apart from their followers, other artists who may be mentioned in this context include 2195: 2074: 1799:, who, after Trotsky's assassination in Mexico, prepared a schism between art and politics through his counter-surrealist art-magazine 2033:, whose anti-idealist materialism formed a hybrid Surrealism intending to expose the base instincts of humans. To the dismay of many, 2091:

1931 was a year when several Surrealist painters produced works which marked turning points in their stylistic evolution: Magritte's

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who also later criticized Surrealism's delineation between real and unreal as not representing the true South American experience.

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was a high-water mark of the period and became the model for international exhibitions. Another English Surrealist group developed

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The first is generally held to have a distance, and erotic subtext, whereas the second presents an erotic act openly and directly.

4889: 4866: 2569:. They used Surrealist symbolism and terminology in their large-scale happenings organized in the major Polish cities during the 5895: 1782:

for a while, though there was an openness to anarchism that manifested more fully after World War II. Some Surrealists, such as

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gatherings, performances, writings and art works. After the war, when they returned to Paris, the Dada activities continued.

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Demos, T. J. "Duchamp's Labyrinth: "First Papers of Surrealism", 1942." October 97 (2001): 91–119. Accessed March 16, 2021.

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Enragés and situationists in the occupation movement, France May '68. New York; London: Autonomedia; Rebel Press, 1992, p.21

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In the 1920s several composers were influenced by Surrealism, or by individuals in the Surrealist movement. Among them were

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This new alliance—I say new, because until now scenery and costumes were linked only by factitious bonds—has given rise, in

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in particular was fond of Surrealism, claiming at one point that Breton was one of the most important thinkers in history.

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Surrealist groups and literary publications have continued to be active up to the present day, with groups such as the

423:: "All things considered, I think in fact it is better to adopt surrealism than supernaturalism, which I first used" . 11941: 3342: 2114:

period, combined with the sense of reaching more deeply into the psyche, to be "made whole with one's individuality".

1905:

perhaps makes it the original document of what is later called "black Surrealism", although it is the contact between

1805:

and so prepared the ground for the abstract expressionists. Dalí supported capitalism and the fascist dictatorship of

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However, a striking example of the line used to divide Dada and Surrealism among art experts is the pairing of 1925's

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In 1924, two Surrealist factions declared their philosophy in two separate Surrealist Manifestos. That same year the

10314: 6412: 4765: 4610: 3458: 3097: 1347:, and for the line "beautiful as the chance meeting on a dissecting table of a sewing machine and an umbrella", and 1102:

and courted them to join the movement, they remained peripheral. More writers also joined, including former Dadaist

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Collected prose: autobiographical writings, true stories, critical essays, prefaces and collaborations with artists

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from 1913 shows the stark colour contrasts and illustrative style later adopted by Surrealist painters. His 1914

4707: 4502:"Poetry and the Political Imagination: Aimé Césaire, Negritude, & the Applications of Surrealism". July 2001 3686: 3674: 2358:, to Surrealism. Wolfgang Paalen left the group in 1942 due to political/philosophical differences with Breton. 376:, who had published his own surrealist manifesto two weeks prior. The most important center of the movement was 13879: 13428: 13287: 13051: 12071: 11907: 11616: 11571: 11316: 11309: 11131: 3698: 3571: 1426: 1390: 951: 790: 729: 337: 10908: 1209:

Little Machine Constructed by Minimax Dadamax in Person (Von minimax dadamax selbst konstruiertes maschinchen)

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Sholl, Robert (2007). "Love, Mad Love and the "Point sublime": The Surrealist Poetics of Messiaen's Harawi".

3714:. Trans. Mary Ann Caws & Geoffrey T. Harris. London & Lincoln: U of Nebraska Press/Bison Books, 1990. 3190:. Translated by David Gascoyne, Antony Melville, & Jon Graham. (London and Geurnsey: Atlas Press, 1997). 2657: 1842: 1779: 1299:

in 1928 which summarized the movement to that point, though he continued to update the work until the 1960s.

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In 1925 an autonomous Surrealist group formed in Brussels. The group included the musician, poet, and artist

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in 1917. However, the Surrealist movement was not officially established until after October 1924, when the

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Everett, Yayoi Uno (2009). "Signification ofParody and the Grotesque in György Ligeti's Le Grand Macabre".

2813:, for example, has translated Surrealist poetry and said the Surrealists were "a real discovery" for him. 2578: 2546:

There were also groups who associated with both currents and were more attached to Surrealism, such as the

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Breton continued to write and espouse the importance of liberating the human mind, as with the publication

2455: 2101:, with its molten forms and liquid shapes. Liquid shapes became the trademark of Dalí, particularly in his 1613:(1938) has also been described as "American Surrealism", though it is also related to a theatrical form of 1248: 388:

of many countries and languages, as well as political thought and practice, philosophy, and social theory.

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Vaneigem, Raoul. A Cavalier History of Surrealism. Trans. Donald Nicholson-Smith. Oakland: AK Press, 2000.

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set up by the synthesist anarchists and worked in the Antifascist Committees of the 60s alongside the FA.

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Following his collaboration with Vitrac, Artaud would extend Surrealist thought through his theory of the

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Nouveau Monde et Nouveau Mythe. Mutations du surréalisme de l'exil américain à l'écart absolu (1941–1965)

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Allmer, Patricia and Hilde Van Gelder (eds.) 'The Forgotten Surrealists: Belgian Surrealism Since 1924',

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Rosette C. Lamont. Ionesco's imperatives: the politics of culture. University of Michigan Press, 1993.

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Various much older artists are sometimes claimed as precursors of Surrealism. Foremost among these are

2863: 2557:, Surrealism again entered into politics with an underground artistic opposition movement known as the 2523: 2058: 2049: 1957:

to meet Trotsky (staying as the guest of Diego Rivera's former wife Guadalupe Marin), and there he met

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Erik Satie's ballet Parade: an arrangement for woodwind quintet and percussion with Historical Summary

1961:

and saw her paintings for the first time. Breton declared Kahlo to be an "innate" Surrealist painter.

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wrote several works which could be considered to be inspired by Surrealism, including the 1948 ballet

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Shannin Schroeder. Rediscovering magical realism in the Americas. Greenwood Publishing Group, 2004.

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Wolfgang Paalen, Man Ray and others to do so. At the exhibition's entrance Salvador Dalí placed his

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Die Zauberlehrlinge. Soziologiegeschichte des Collège de Sociologie. Konstanz: UVK 2006. About the

2745:, many themes and techniques commonly identified as Postmodern are nearly identical to Surrealism. 2609: 2265: 2070: 1308: 324:

It produced works of painting, writing, theatre, filmmaking, photography, and other media as well.

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Miles, Barry. Ginsberg: A Biography. London: Virgin Publishing Ltd. (2001), paperback, 628 pages,

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Surrealists have often sought to link their efforts with political ideals and activities. In the

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Even though Breton by 1946 responded rather negatively to the subject of music with his essay

1332:

connotations and the overtones which "exist in ambiguous relationships to the visual images."

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La création artistique espagnole à l'épreuve de la modernité esthétique européenne, 1898–1931

2993: – Art created outside the boundaries of official culture by those untrained in the arts 2886: 2774: 2361: 1974: 1202:, which marked his movement to simplified forms and inspiration from preclassical sculpture. 1016: 614: 549: 416: 361: 224: 145: 12609: 10636: 6460: 5841:"'Always for Pleasure': Chicago Surrealism and Fashion, An Interview with Penelope Rosemont" 2069:

Throughout the 1930s, Surrealism continued to become more visible to the public at large. A

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The term was taken up again by Apollinaire, both as subtitle and in the preface to his play

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McMurray, George R. "Gabriel García Márquez." Gabriel García Márquez. Ungar, 1977. Rpt. in

4839: 4796: 3295: 2788: 2640: 2625: 2621: 2207: 2025: 1987: 1686: 1595: 1589: 1560: 1516: 1125: 1009: 825: 743: 565:. Each claimed to be successors of a revolution launched by Appolinaire. One group, led by 562: 365: 240: 10622: 10067: 6909: 2959: 2325:. In 1941, Breton went to the United States, where he co-founded the short-lived magazine 1728:. Jazz and blues musicians have occasionally reciprocated this interest. For example, the 1279:

In 1924, Miró and Masson applied Surrealism to painting. The first Surrealist exhibition,

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In Wonderland: The Surrealist Adventures of Women Artists in Mexico and the United States

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Other figures from the Surrealist movement were expelled. Several of these artists, like

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The other group, led by Breton, included Aragon, Desnos, Éluard, Baron, Crevel, Malkine,

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Flahutez, Fabrice(ed.), Julia Drost (ed.), Anne Helmreich (ed.), Martin Schieder (ed.),

4817: 4447: 1759:, and throughout Asia, as both an artistic idea and as an ideology of political change. 1632: 1468: 15142: 15057: 15012: 14952: 14892: 14568: 14176: 14116: 13859: 13781: 13717: 13531: 13492: 13335: 13236: 13163: 12990: 12777: 12552: 12426: 12356: 12218: 12213: 11990: 11755: 11720: 11554: 11365: 11260: 11217: 11155: 11143: 11059: 10734: 10692: 10283: 10018: 9836: 9375: 9361: 9256: 9111: 9087: 8971: 8557: 8312: 8249: 8154: 8037: 7978: 7761: 7621: 6864: 6784: 6774: 6709: 6572: 6568: 5959:

containing the first, second and introduction to a possible third manifesto, the novel

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held an exhibition of Surrealist art that attracted over 170,000 visitors. In 2002 the

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values had brought the conflict of the war upon the world. The Dadaists protested with

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Allmer, Patricia and Donna Roberts (eds) '"Wonderful Things" – Surrealism and Egypt',

3587: 3511: 2817:, when called a Magical Realist, said he saw his work instead "allied to surrealism". 2436:. Magritte continued to produce works which have entered artistic vocabulary, such as 1931: 1236: 1075: 710: 122: 15007: 14902: 14897: 14847: 14837: 14296: 14249: 14219: 14079: 13949: 13864: 13854: 13519: 13502: 13376: 12995: 12958: 12929: 12882: 12745: 12691: 12681: 12671: 12562: 12240: 12152: 12142: 12129: 12118: 11781: 11710: 11685: 11641: 11288: 11191: 10928: 10880: 10852: 10759: 10720: 10685: 10508: 9976: 9948: 9808: 9501: 9417: 9319: 9284: 9051: 8831: 8797: 8291: 8276: 8114: 7913: 7898: 7856: 7836: 7786: 7616: 7554: 7459: 7429: 7277: 6576: 6390: 6372: 6354: 6330: 6324: 6283: 6252: 6231: 6213: 6198: 6173: 6151: 6137: 6123: 6099: 6029: 5992: 5978: 5964: 5929: 5919: 5852: 5840: 5813: 5788: 5755: 5734: 5710: 5686: 5665: 5644: 5627: 5606: 5598: 5577: 5556: 5548: 5531: 5523: 5502: 5468: 5460: 5394: 5386: 5365: 5344: 5265: 5247: 5230: 5222: 5201: 5193: 5172: 5164: 5143: 5135: 5105: 5097: 5076: 5068: 4952: 4843: 4800: 4657: 4647: 4641: 4410: 4379: 4350: 4188: 4048: 4027: 4015: 3974: 3933: 3892: 3861: 3838: 3826: 3787: 3777: 3659: 3612: 3567: 3309: 3191: 3144: 3123: 3073: 3031: 2969: 2718: 2298: 2277: 1939: 1906: 1819: 1583: 1404: 1165: 545: 380:, France. From the 1920s onward, the movement spread around the globe, impacting the 297: 250: 209: 12533: 11953: 10594: 8678: 7227: 7102: 6799: 4328:

Taruskin, Richard (1999). "A Surrealist Composer comes to the Rescue of Modernism".

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Many other postmodern fiction writers have been directly influenced by Surrealism.

2613: 1783: 1720:, have been interested in—and found parallels to—Surrealism in the improvisation of 1094:, Vinicius Pradella and Denis Fabbri became involved as well. Though Breton admired 958: 843: 626: 578: 452:. Cocteau described the ballet as "realistic". Apollinaire went further, describing 15077: 15032: 14987: 14962: 14632: 14578: 14536: 14239: 14032: 13670: 13577: 13455: 13168: 13151: 13109: 13104: 13099: 13017: 12963: 12686: 12631: 12528: 12496: 12467: 12346: 12339: 12334: 12307: 12169: 12164: 11841: 11602: 11521: 11514: 11253: 11033: 10942: 10935: 10866: 10768: 10678: 10524: 10434: 10326: 10220: 10213: 10046: 9871: 9829: 9648: 9564: 9459: 9368: 9228: 9200: 8815: 8685: 8650: 8643: 8608: 8523: 8416: 8286: 8195: 8139: 7990: 7985: 7968: 7961: 7956: 7876: 7591: 7434: 7353: 7333: 7272: 7187: 7052: 6969: 6929: 6824: 6814: 6759: 6714: 6549: 6063:, Rethinking Art's Histories series, Manchester, Manchester University Press, 2016. 6056:, 2:865–866, Pierre Caizergues and Michel Décaudin, eds. Paris: Éditions Gallimard. 5047: 4977: 4272: 4176: 4007: 3966: 3925: 3818: 2974: 2926: 2910: 2902: 2851: 2828: 2792: 2722: 2681: 2562: 2470: 2466: 2290: 2268:

in particular was already grappling with Surrealist ideas and several artists like

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which offered Breton a channel for promoting Surrealism in the United States. The

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Back in Paris, Breton joined in Dada activities and started the literary journal

524: 436: 12437: 10143: 9962: 9738: 9242: 8594: 7122: 7062: 6944: 6854: 6659: 5949: 4399: 4372: 4072: 2791:, a core member of the Beat Generation and a postmodern novelist, developed the 1636: 1187: 1149: 1121: 698: 492: 369: 317: 98: 15082: 14947: 14937: 14877: 14812: 14752: 14717: 14707: 14615: 14583: 14531: 14479: 14462: 14452: 14380: 14042: 13919: 13889: 13786: 13774: 13648: 13582: 13514: 13381: 13277: 12980: 12676: 12616: 12557: 12421: 12351: 12058: 11980: 11897: 11750: 11465: 11395: 11388: 11330: 11274: 11244: 11107: 11019: 10949: 10894: 10873: 10796: 10789: 10782: 10643: 10601: 10587: 10566: 10517: 10262: 10255: 10234: 10227: 10178: 10157: 10150: 9913: 9724: 9717: 9696: 9680: 9613: 9599: 9487: 9326: 9305: 9298: 9221: 9207: 9193: 9075: 8943: 8824: 8804: 8783: 8720: 8580: 8350: 8271: 8256: 8229: 8224: 8129: 8124: 8052: 8017: 7806: 7801: 7756: 7751: 7746: 7559: 7444: 7267: 7257: 7207: 7162: 7127: 7067: 7042: 6959: 6939: 6914: 6889: 6804: 6754: 6749: 6679: 4646:. Rosemont, Penelope. (1st ed.). Austin: University of Texas Press. 1998. 3651: 3470: 3438: 2934: 2894: 2846: 2814: 2803: 2770: 2697: 2629: 2351: 2327: 2003: 1801: 1787: 1672: 1604: 1564: 1441: 1373: 1348: 1337: 1273: 1145: 1111: 1099: 1071: 1024: 867: 859: 766: 706: 690: 646: 602: 594: 520: 431: 219: 176: 14196: 12065: 10074: 9731: 9396: 9006: 8887: 7097: 7082: 7077: 6699: 4180: 4011: 3962:

A Companion to Dada and Surrealism: Hopkins/A Companion to Dada and Surrealism

1913:

that really lead to the communication of what is known as "black Surrealism".

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Seeds of Gravity: An Anthology of Contemporary Surrealist Poetry from Ireland

6195:

Surrealism and Theatre. On the Theatrical Aesthetics of the French Surrealism

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Seeds of Gravity: An Anthology of Contemporary Surrealist Poetry from Ireland

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imagination. In addition to Surrealist theory being grounded in the ideas of

2448: 2421: 2389: 2381: 2369: 2318: 2294: 2269: 2139: 1978: 1756: 1664: 1378: 1351:, two late 19th-century writers believed to be the precursors of Surrealism. 1283:, was held at Galerie Pierre in Paris in 1925. It displayed works by Masson, 1226: 1169: 1103: 1095: 1091: 863: 851: 682: 638: 634: 598: 586: 500: 332: 171: 15027: 15022: 14001: 13146: 12808: 9759: 8664: 8427: 8094: 7485: 7217: 7009: 6468: 5933: 4916: 4661: 3854:"Rare photographs by Dora Maar cast Picasso's tormented muse in a new light" 2565:(alias 'Major'), a graduate of history and art history at the University of 2002:. The pamphlet drew upon an earlier act of subversion by likening Breton to 1747: 1656: 1419: 1141: 14842: 14832: 14822: 14797: 14792: 14595: 14548: 14504: 14494: 14457: 14427: 14390: 14365: 14355: 14318: 14161: 13944: 13812: 13536: 13465: 13262: 13185: 12936: 12887: 12791: 12772: 12740: 12637: 12577: 12572: 12317: 12137: 11975: 11833: 11816: 11776: 11771: 11725: 11663: 11281: 11119: 11012: 10984: 10919: 10887: 10859: 10824: 10817: 10810: 10775: 10741: 10657: 10615: 10466: 10455: 10445: 10374: 10192: 10164: 10102: 10095: 10081: 10053: 10025: 9990: 9983: 9955: 9941: 9927: 9906: 9815: 9773: 9766: 9606: 9578: 9529: 9515: 9389: 9354: 9249: 9235: 9172: 9099: 8992: 8950: 8748: 8573: 8109: 7886: 7781: 7771: 7569: 7398: 7393: 7312: 7292: 7252: 7137: 7132: 7117: 7037: 6869: 6734: 6704: 6664: 6514: 6471:, BBC Radio 4 discussion with Dawn Adiss, Malcolm Bowie and Darien Leader ( 5872:"Why Bosch Is Used to Describe Everything from High Fashion to Heavy Metal" 5094:

Black, Brown, & Beige: Surrealist Writings from Africa and the Diaspora

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Les Six: The French Composers and Their Mentors Jean Cocteau and Erik Satie

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sheds an even starker light upon the connection. Up until the emergence of

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Between 1930 and 1933, the Surrealist Group in Paris issued the periodical

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fizzled out in 1931, just as Surrealism seemed to be gathering more steam.

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Les structures inconscientes du signe pictural/Psychanalyse et surréalisme

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Networking Surrealism in the United States. Artists, Agents and the Market

3970: 3806: 3771: 2539: 2245: 1917: 1222: 1107: 1047: 702: 15067: 14957: 14772: 14747: 14722: 14511: 14474: 14415: 14291: 14286: 14281: 14229: 14224: 14166: 14069: 14006: 13959: 13899: 13869: 13791: 13633: 13471: 13460: 13433: 13403: 13267: 13241: 13158: 13079: 13067: 13022: 13012: 13007: 12985: 12946: 12782: 12757: 12642: 12604: 12511: 12479: 12431: 12159: 12087: 11880: 11821: 11735: 11673: 11633: 11493: 11374: 11233: 11224: 11040: 10963: 10004: 9969: 9885: 9878: 9620: 9522: 9410: 9340: 9277: 9154: 9020: 8880: 8838: 8790: 8727: 8706: 8699: 8671: 8587: 8530: 8370: 8261: 8027: 8000: 7831: 7718: 7703: 7631: 7626: 7601: 7549: 7529: 6974: 6964: 6819: 6809: 6769: 6674: 6649: 5446:. Univ. Press of Mississippi, 2009. 1604732520, 9781604732528. pg. 73–74. 3822: 2979: 2818: 2810: 2796: 2782: 2762: 2617: 2586: 2405: 2401: 2397: 2282: 2249: 2053: 1958: 1830: 1055: 714: 512: 504: 477: 381: 372:

succeeded in claiming the term for his group over a rival faction led by

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message-door: An Anthology of Contemporary Surrealist Poetry from Russia

5825: 4888:. Nonville: Paul Vermont, 1977. Translated by Donald Nicholson-Smith as 4836:

message-door: An Anthology of Contemporary Surrealist Poetry from Russia

3368:. Ed. Hugh Brigstocke. Oxford University Press, 2001. Grove Art Online. 2392:

after its restoration in 1943, following near destruction in the blitz.

2107:, which features the image of watches that sag as if they were melting. 1343:

Surrealists revived interest in Isidore Ducasse, known by his pseudonym

14932: 14807: 14762: 14558: 14370: 14330: 14276: 14244: 14136: 13974: 13929: 13822: 13628: 13306: 13027: 12829: 12621: 12462: 12250: 12016: 11921: 11885: 11875: 11853: 11668: 11658: 11646: 11598: 11423: 10977: 10748: 10671: 10650: 10531: 10199: 10185: 9934: 9920: 9857: 9780: 9669: 9536: 9473: 9333: 9163: 8964: 8922: 8859: 8219: 8062: 7908: 7903: 7871: 7363: 7202: 6884: 5439: 4989: 3945: 3913: 2823: 2738: 2570: 2531: 2530:

was critical of and distanced himself from Surrealism, others, such as

2527: 2487:

and misery and to espouse the importance of liberating the human mind.

2228: 1994: 1982: 1921: 1910: 1763: 1717: 1640: 1268: 642: 449: 396: 4226: 4204:

Untwisting the Serpent: Modernism in Music, Literature, and Other Arts

2566: 1508: 14907: 14827: 14620: 14610: 14573: 14405: 14395: 14375: 14201: 14171: 13904: 13827: 13246: 13032: 12869: 12626: 12327: 12276: 12174: 11985: 11791: 11762: 11472: 11430: 11295: 11005: 10088: 9843: 9710: 9431: 9382: 9347: 8908: 8335: 8214: 8047: 8032: 7973: 7946: 7893: 7881: 7791: 7766: 7728: 7112: 6829: 6764: 2758: 2669: 2661: 2634: 2612:, the Leeds Surrealist Group, and the Surrealist Group of Stockholm. 2165: 2161: 2111: 1926: 1771: 1767: 1500: 1288: 1043: 831: 806: 778: 774: 718: 658: 566: 561:

By October 1924, two rival Surrealist groups had formed to publish a

496: 481: 400: 373: 350: 346: 313: 309: 110: 14661: 11593: 5412:"David Lynch and Surrealism: Deconstruction of the 'Lynchian' Label" 4981: 4624:

Patrick Murphy (31 December 1980). "Ireland's greatest surrealist".

4448:"Manifesto: Towards a Free Revolutionary Art – Breton/Trotsky(1938)" 3929: 3532:, transl. Richard Seaver and Helen R. Lane (Ann Arbor, 1971), p. 26. 1745:

spread from Europe to North America, South America (founding of the

969:. Statements consisting only of original research should be removed. 14977: 14942: 14600: 14521: 14469: 14400: 14313: 14234: 14186: 14052: 14037: 13894: 13832: 13764: 13658: 13643: 13317: 13231: 13221: 13209: 12953: 12416: 12113: 12053: 9312: 9179: 8537: 8498: 8482: 8468: 8359: 8234: 8209: 8190: 8104: 8099: 8067: 7936: 7811: 7713: 7666: 7641: 6934: 6654: 5051: 2729:-lutionary" theory and praxis of Breton's French Surrealist group. 2710: 2322: 1124:. Automatic Drawing. 1924. Ink on paper, 23.5 × 20.6 cm. 1028: 674: 485: 6323:

Sams, Jeremy (1997) . "Poulenc, Francis". In Amanda Holden (ed.).

6077:, London and Manchester: Prestel and Manchester Art Gallery, 2009. 4611:"Twelve Hundred Coal Bags Suspended from the Ceiling over a Stove" 2503:

1947 – International Surrealist Exhibition – Galerie Maeght, Paris

2368:

by Colin Middleton (1942), the Irish Surrealist's response to the

27:

International cultural movement active from the 1920s to the 1950s

15087: 14912: 14882: 13939: 13742: 13680: 13497: 13396: 13136: 12863: 12696: 12302: 11902: 11786: 11071: 10109: 9571: 9186: 8475: 8459: 8445: 8022: 7796: 7698: 7606: 7584: 6919: 6150:

Translated by Alison Anderson University of Chicago Press. 2004.

5444:

The Avant-Garde and American Postmodernity: Small Incisive Shocks

3491:"Surréalisme 1 October 1924 — Princeton Blue Mountain collection" 2741:

era; though there is no widely agreed upon central definition of

2673: 2310: 2302: 2147: 1880: 1690: 1504: 1453: 1284: 1230: 670: 15101: 12858: 1867:

In 1925, the Paris Surrealist group and the extreme left of the

773:

alone!" To this goal, at various times Surrealists aligned with

15002: 14696: 14563: 14422: 13914: 13844: 13413: 13325: 13180: 12411: 8393: 8239: 8185: 7826: 7821: 7708: 7574: 4375:

Surrealism, Occultism and Politics: In Search of the Marvellous

4165:"Reading the Musical Surreal through Poulenc's Fifth Relations" 2577:

Surrealistic art also remains popular with museum patrons. The

2355: 2143: 1954: 1614: 1581:, also experimented with surrealism, particularly in his plays 1567:, another early Surrealist who was expelled from the movement. 1161: 37: 3723:

Brêton, André. Les Vases communicants. Paris: Gallimard, 1955.

1883:. In an open letter to writer and French ambassador to Japan, 14852: 12647: 6984: 6604: 6197:, Moscow, Russian State University for the Humanities, 2012, 5916:

Hieronymus Bosch, c. 1450–1516 : between heaven and hell

4874:. Translated by Nicholson-Smith, Donald. Edinburgh: AK Press. 2945:

rather than having a significant connection with Surrealism.

1725: 1079: 511:, Breton felt that Vaché was the spiritual son of writer and 377: 8304: 6299:"'Why Surrealism Matters' Review: Utopia of the Imagination" 5330:.Grove Press, 2000. 080213694X, 9780802136947. pg. 119, 254. 4972:

Bays, Gwendolyn M. (1964). "Rimbaud-Father of Surrealism?".

14802: 14499: 13301: 8866: 8400: 8175: 7846: 7464: 5807: 3776:. Moerkerken, Bruno van, Vos, Minke. Zwolle: D'jonge Hond. 3373: 2534:, were explicitly using Surrealist techniques and methods. 2465:

Many new artists explicitly took up the Surrealist banner.

1721: 1317:; and the first work written and published by his group of 1313:

The first Surrealist work, according to leader Brêton, was

1157: 613:, among others. The group led by André Breton claimed that 354: 150: 4136:

Theater of the Avant-Garde 1890–1950: A Critical Anthology

3701:

with reproduction of the painting and further information.

3689:

with reproduction of the painting and further information.

3677:

with reproduction of the painting and further information.

2522:

In the 1960s, the artists and writers associated with the

2420:

used or experimented with Surrealist techniques. However,

2321:. In 1940 Yves Tanguy married American Surrealist painter 2006:, whose unquestioned value Breton had challenged in 1924. 495:, who had trained in medicine and psychiatry, served in a 14490:

Art in the Protestant Reformation and Counter-Reformation

6244:

Edinburgh, Scotland: University of Edinburgh Press, 1990.

6120:

Mirror Images: Women, Surrealism, and Self-Representation

4427:"Modern History Sourcebook: A Surrealist Manifesto, 1925" 3744:"Digital Montage: On Collage and the Legacy of Modernism" 3392:

Sadoul, Georges (12–18 December 1951). "Mon ami Buñuel".

3088: 3086: 1949:

In 1938 André Breton traveled with his wife, the painter

1876: 474:, which was written in 1903 and first performed in 1917. 316:

scenes and ideas. Its intention was, according to leader

5991:(Gallimard 1952) (Paragon House English rev. ed. 1993). 5896:"Giuseppe Arcimboldo: The prince of produce portraiture" 5326:

William S. Burroughs, James Grauerholz, Ira Silverberg.

2717:, whose slogan "All power to the imagination" quoted by 2331:

with Max Ernst, Marcel Duchamp, and the American artist

1969:

In 1929 the satellite group associated with the journal

1739: 1531:

was first used by Apollinaire to describe his 1917 play

900:, published by Éditions du Sagittaire, 15 October 1924. 6564:

The course of English surrealist poetry since the 1930s

6351:

Contemporary Tangential Surrealist Poetry: An Anthology

6297:. Yale University Press, 2024. Review: Saler, Michael, 4373:

Tessel M. Bauduin, Victoria Ferentinou, Daniel Zamani,

3262:

Vassiliki Kolocotroni, Jane Goldman, and Olga Taxidou,

2240: 503:'s psychoanalytic methods with soldiers suffering from 308:

to express itself, often resulting in the depiction of

5975:

What is Surrealism?: Selected Writings of André Breton

3914:"Surrealism in the Theatre: The Plays of Roger Vitrac" 3512:"Durozoi, History of the Surrealist Movement, excerpt" 3180:, performed just before his death the following year, 3083: 2999: – Visual art inspired by psychedelic experiences 2905:, were at some point members of the Surrealist group. 4564:"1919–1950: The politics of Surrealism by Nick Heath" 3385: 2941:

landscapes. Many critics feel these works belong to

2909:

visible". Often collaborating with musicians such as

5963:, and political aspects of the Surrealist movement. 5065:

California poetry: from the Gold Rush to the present

4558: 4556: 4513:"Frida Kahlo, Paintings, Chronology, Biography, Bio" 4307:"Thomas Adès and the Dilemmas of Musical Surrealism" 3324: 3322: 3007:

Pages displaying wikidata descriptions as a fallback

2732: 1860:

However, in 1933 the Surrealists' assertion that a "

1254:

Giorgio de Chirico, and his previous development of

1038:

Soon more visual artists became involved, including

10303:

A Sunday Afternoon on the Island of La Grande Jatte

6353:. Ed. by Tony Kitt. Dublin: SurVision Books, 2023. 3434: 3432: 2965:

List of films influenced by the Surrealist movement

2052:and he continued to offer his solidarity after the 531:, but it is Jacques Vaché to whom I owe the most." 426:Apollinaire used the term in his program notes for 6061:Intersections – Women Artists/Surrealism/Modernism 4643:Surrealist women : an international anthology 3238:, A.T.P. & Le Seuil, Chamalières, p. 17, 1996. 2920: 2506:1959 – International Surrealist Exhibition – Paris 6282:. Cambridge, Massachusetts: Belknap Press, 1989. 4902: 4900: 4553: 3560:Robertson, Eric; Vilain, Robert (April 6, 1997). 3319: 1786:, Mary Low, and Juan Breá, aligned with forms of 1264:The Nostalgia of the Poet (La Nostalgie du poète) 892:, 1 October 1924, in his first and only issue of 788:was established and began publishing the journal 15124: 6532:"The Theory and Techniques of Surrealist Poetry" 6228:Farewell to Surrealism: The Dyn Circle in Mexico 4944: 4368: 4366: 4364: 4362: 3429: 3264:Modernism: An Anthology of Sources and Documents 2869:published the first issue of their new journal, 2827:. For the work of other postmodernists, such as 2672:thought. Surrealist artists have also cited the 2561:. The Orange Alternative was created in 1981 by 2438:Castle in the Pyrenees (Le Château des Pyrénées) 2289:with the support of key taste makers, including 2023:Disgruntled surrealists moved to the periodical 1599:(1935). Other surrealist plays include Aragon's 817:, Volume 1, Number 1, October 1, 1924, cover by 6075:Angels of Anarchy: Women Artists and Surrealism 5913: 5783:. Austin, Texas: University of Texas. pp. 4216: 4138:. New Haven and London: Yale UP, 2001. 421–495. 3559: 2526:were closely associated with Surrealism. While 2473:continued to work, for example, with Tanning's 2444:from 1931, in its suspension over a landscape. 1998:, which featured a picture of Breton wearing a 1499:Famous Surrealist photographers are the French 1354:Examples of Surrealist literature are Artaud's 6210:Dada and Surrealism: A Very Short Introduction 5989:Conversations: The Autobiography of Surrealism 5035:The Situationist International: A User's Guide 4897: 4894:, Edinburgh: AK Press, 1999. pp. 49–51; 69–73. 4623: 3485: 3483: 3172:"Guillaume Apollinaire having coined the term 3094:"André Breton (1924), Manifesto of Surrealism" 3030:(Reprinted. ed.). London: Phaidon Press. 2835:, a broad comparison to Surrealism is common. 2511:Surrealist Intrusion in the Enchanters' Domain 1184:, and the so-called primitive and naive arts. 14677: 11579: 8320: 7514: 7490: 6620: 6207: 6080:Allmer, Patricia and Hilde van Gelder (eds.) 5624:Present past, past present: a personal memoir 4708:"Artist – Magritte – Empire of Light – Large" 4359: 4150:Erik Satie: a Parisian Composer and his World 3765: 3763: 3450: 2880: 2491:Major exhibitions of the 1940s, '50s and '60s 2170:L'Ange du Foyer ou le Triomphe du Surréalisme 1537:("The Breasts of Tiresias"), which was later 270: 11242: 11231: 8425: 8414: 8368: 8357: 6322: 6082:Collective Inventions: Surrealism in Belgium 6026:Surrealism in Latin America: Vivisimo Muerto 5780:Surrealist Women: An International Anthology 3364:Dawn Ades, with Matthew Gale: "Surrealism", 3266:, University of Chicago Press, 1998, p. 211. 2542:would commemorate this in a painting titled 2199:is organised in London by the art historian 52: 8496: 6113:Surrealist Painters and Poets: An Anthology 5328:Word Virus: The William S. Burroughs Reader 3965:. Hoboken, NJ: John Wiley & Sons, Inc. 3480: 2668:, to its advocates its inherent dynamic is 2009:The disunion of 1929–30 and the effects of 1930:, featuring the work of Césaire along with 926:solving all the principal problems of life. 896:two weeks prior to the release of Breton's 471:Les Mamelles de Tirésias: Drame surréaliste 391: 58: 14684: 14670: 11586: 11572: 8327: 8313: 7521: 7507: 7455:London International Surrealist Exhibition 6627: 6613: 6479: 6251:, City Light Books, Sans Francisco, 1979, 6186:Fort, Ilene Susan and Tere Arcq, editors. 6182:https://doi.org/10.11588/arthistoricum.485 6094:Brotchie, Alastair and Gooding, Mel, eds. 5709:. Knopf Doubleday Publishing. p. 89. 5662:Damned to Fame: The Life of Samuel Beckett 5595:The Columbia history of the American novel 5219:San Francisco beat: talking with the poets 4395: 4393: 4391: 3769: 3760: 3647: 3645: 3643: 3641: 3506: 3504: 3176:in the spring of 1917, subtitled his play 2643:, and others representative Surrealism in 2430:Personal Values (Les Valeurs Personnelles) 2196:London International Surrealist Exhibition 2120:Le Surréalisme au service de la révolution 2075:London International Surrealist Exhibition 1916:Anticolonial revolutionary writers in the 1849:, published under the names of Breton and 1841:, for example, members of the Paris-based 277: 263: 36: 7528: 6230:, Los Angeles: Getty Publications. 2012. 6134:Women Artists and the Surrealist Movement 6028:, Los Angeles: Getty Publications, 2012. 5576:Alicante: Universidad de Alicante. 1999. 4884:Vaneigem, Raoul (Dupuis Jules-François), 4859:Vaneigem, Raoul (Dupuis Jules-François), 4617: 4162: 3993: 3911: 3563:Yvan Goll—Claire Goll: Texts and Contexts 3072:, Oxford University Press, 2009, p. 611, 2517: 1946:and others, was first published in 1941. 1853:, but actually co-authored by Breton and 1790:. When the Dutch surrealist photographer 1494: 1152:. In 1927 they were joined by the writer 985:Learn how and when to remove this message 7450:Exposition Internationale du Surréalisme 6560: 6494: 6406: 6316:), L'Harmattan ed., Paris (France), 1999 6084:, Leuven: Leuven University Press, 2007. 5776: 4864: 4585:"Surrealism – Magritte – Voice of Space" 4530: 4327: 4201: 3851: 3604: 3473:'s comment was published in his journal 3360: 3358: 3356: 3354: 3293:Breton, "Vaché is surrealist in me", in 3122:(First. ed.). London: Atlas Press. 3096:. Tcf.ua.edu. 1924-06-08. Archived from 3069:The Oxford Dictionary of Art and Artists 2753:were influenced greatly by Surrealists. 2650: 2434:Empire of Light (L’Empire des lumières) 2360: 2244: 2223:Exposition Internationale du Surréalisme 2160: 1302: 1235: 1176:, also reached to older "bloodlines" or 1116: 996: 801: 797: 722: 395: 6507: 6488:"1919–1950: The politics of Surrealism" 6314:Unconscious structures of pictural sign 6274:, its members and sociological impacts. 6098:Berkeley, California: Shambhala, 1995. 5664:. London. Bloomsbury Publishing, 1997. 5364:. Manchester University Press ND, 1996. 5092:Franklin Rosemont, Robin D. G. Kelley. 5037:. London: Black Dog, 2005, pp. 112–130. 4587:. Guggenheim Collection. Archived from 4407:Studies in European cultural transition 4388: 4262: 4206:. Chicago: University of Chicago Press. 3958: 3888:Ludics in Surrealist Theatre and Beyond 3638: 3501: 3005: – exhibition held in Havana, Cuba 2203:, with an introduction by André Breton. 2150:as new pictorial automatic techniques. 1879:uprising against French colonialism in 1464:by Luis Buñuel and Salvador Dalí (1929) 1198:. Another example is Giacometti's 1925 14: 15125: 14267:Contemporary Indigenous Australian art 5845:Journal of Surrealism and the Americas 5772: 5770: 5768: 5702: 5459:. Univ of South Carolina Press, 2003. 5192:. University of Michigan Press, 1984. 4932:Hieronymus Bosch, The First Surrealist 4744: 4477: 4304: 4239: 4147: 4040: 3807:"Claude Cahun: an experimental biopic" 3804: 3391: 3117: 3025: 2877:, which now spans almost 100 volumes. 2098:Promontory Palace (Palais promontoire) 1847:Manifesto for a Free Revolutionary Art 360:The term "Surrealism" originated with 14691: 14665: 12287:Art of the late 16th century in Milan 11567: 11168:Six Characters in Search of an Author 8308: 7502: 7489: 6608: 6003:The Abridged Dictionary of Surrealism 5869: 5838: 5499:Carlos Fuentes, Mexico, and Modernity 4945:Chénieux-Gendron, Jacqueline (1990). 4710:. Guggenheim Collection. January 1953 4289: 4134:Bert Cardullo and Robert Knoff, eds. 3884: 3741: 3658:. Henry Holt and Company, Inc, 1996. 3351: 2335:. However, it was the American poet, 2285:in New York swung decisively towards 2142:joined the group. Paalen contributed 2073:and, according to Breton, their 1936 1740:Surrealism and international politics 1563:, the theatre Vitrac co-founded with 1522: 523:, with Jarry, with Apollinaire, with 6556:A sample of French Surrealist poetry 6529: 6523: 6436: 5685:. Cambridge University Press, 2003. 5574:Musica y escrita en Alejo Carpentier 5501:. Vanderbilt University Press, 1999. 5385:. Univ. Press of Mississippi, 2000. 4971: 4727: 4515:. Fridakahlofans.com. Archived from 3142: 2857: 2390:Belfast Municipal Gallery and Museum 2241:World War II and the Post War period 2071:Surrealist group developed in London 1964: 1577:The Spanish playwright and director 1409:Early films by Surrealists include: 934: 368:published by French poet and critic 304:in which artists aimed to allow the 6226:Leddy, Annette and Conwell, Donna. 6165:, Les presses du réel, Dijon, 2007. 6012:, 1:328. Paris: Éditions Gallimard. 5765: 5597:. Columbia University Press, 1991. 5096:. University of Texas Press, 2009. 4906: 4763: 4608: 3366:The Oxford Companion to Western Art 3057:, Bibliothèque nationale de France. 1825:Breton's followers, along with the 1620: 1444:, scenario by Antonin Artaud (1928) 1398: 1010:Museum of Modern Art, New York City 51:(1929), featuring the declaration " 24: 13622:Vienna School of Fantastic Realism 12473:Neoclassical architecture in Milan 10363:Nude Descending a Staircase, No. 2 6148:History of the Surrealist Movement 6042:London: Thames & Hudson, 1970. 5593:Emory Elliott, Cathy N. Davidson. 4886:Histoire désinvolte du surréalisme 4861:Histoire désinvolte du surréalisme 3959:Hopkins, David, ed. (2016-05-24). 2581:in New York City held an exhibit, 746:and the work of such theorists as 415:was first coined in March 1917 by 25: 15159: 13696:American Figurative Expressionism 12032:International Gothic art in Italy 7404:The Surrealist Group in Stockholm 6485: 6401: 6389:. Dublin: SurVision Books, 2020. 6371:. Dublin: SurVision Books, 2020. 6172:, T.1., Paris, DFK, 2019, 400p. ( 6070:, University of Iowa, 20:1, 2013. 5383:Conversations with Salman Rushdie 4842:, Dublin: SurVision Books, 2020, 4799:, Dublin: SurVision Books, 2020, 3605:Vigneron, Denis (April 6, 2009). 3372:, 2007. Accessed March 15, 2007, 2733:Postmodernism and popular culture 2210:in New York shows the exhibition 2093:Voice of Space (La Voix des airs) 1557:Victor, or The Children Take Over 15100: 14646: 14645: 13205:Neue Künstlervereinigung München 11550: 11549: 6497:"Herbert Marcuse and Surrealism" 6431:Lecture by Breton, Brussels 1934 6008:Bonnet, Marguerite, ed. (1988). 5906: 5888: 5863: 5832: 5801: 5785:208, 292, 356–358, 383, 438, 439 5744: 5723: 5696: 5675: 5654: 5637: 5616: 5587: 5566: 5541: 5512: 5491: 5478: 5449: 5433: 5404: 5375: 5354: 5333: 5320: 5311: 5302: 5293: 5284: 5275: 5257: 5240: 5211: 5182: 5153: 4891:A Cavalier History of Surrealism 4868:A Cavalier History of Surrealism 4863:. Nonville: Paul Vermont, 1977. 4402:Surrealism, Politics and Culture 4400:Raymond Spiteri, Donald LaCoss, 4071:. Arts.gla.ac.uk. Archived from 3410: 3339:The Columbia World of Quotations 2982: – Poetic style of painting 2624:, Afric McGlinchey, Tim Murphy, 2050:francophone Anarchist Federation 1730:1976 World Surrealist Exhibition 1705:(book by Philippe Soupault) and 1610:Doctor Faustus Lights the Lights 939: 885:and Jean Carrive, among others. 548:. They began experimenting with 448:and was performed with music by 327:Works of Surrealism feature the 300:that developed in Europe in the 14127:Tunisian collaborative painting 13600:International Typographic Style 6190:, Munich: Prestel Verlag, 2012. 5943: 5486:Contemporary Literary Criticism 5381:Salman Rushdie, Michael Reder. 5190:On the poetry of Allen Ginsberg 5161:Gregory Corso: doubting Thomist 5124: 5115: 5086: 5057: 5040: 5027: 5015: 5005: 4996: 4965: 4938: 4923: 4878: 4853: 4829: 4810: 4786: 4772: 4757: 4721: 4700: 4682: 4634: 4602: 4577: 4505: 4493: 4471: 4458: 4440: 4419: 4349:London: Peter Owen, 2014. 467. 4336: 4321: 4298: 4283: 4256: 4233: 4210: 4195: 4156: 4141: 4128: 4111: 4096:. Holycross.edu. Archived from 4086: 4061: 4034: 3987: 3952: 3905: 3885:Rapti, Vassiliki (2016-05-13). 3878: 3845: 3798: 3735: 3726: 3717: 3704: 3692: 3680: 3668: 3625: 3598: 3580: 3553: 3535: 3522: 3404: 3302: 3287: 3278: 3269: 3256: 3241: 3228: 3219: 2921:Alleged precursors in older art 2713:of the 1960s and 1970s and the 1839:Declaration of January 27, 1925 1221:In the second the influence of 440:, which premiered 18 May 1917. 13880:The Caribbean Artists Movement 11317:Grosvenor School of Modern Art 11310:Fourth dimension in literature 6634: 6510:"How the surrealists sold out" 6464:audiobook (archive recordings) 5752:Avant garde theatre, 1892–1992 4483:"A Poetics of Anticolonialism" 3852:Ferguson, Donna (2024-06-16). 3770:Moerkerken, Emiel van (2011). 3205: 3166: 3157: 3136: 3111: 3060: 3044: 3019: 2593:in New York City held a show, 2548:Revolutionary Surrealist Group 2188:Major exhibitions in the 1930s 1427:The Seashell and the Clergyman 13: 1: 12236:Dutch and Flemish Renaissance 8334: 7349:Bureau of Surrealist Research 6048:1917, 1991. Program note for 5839:Susik, Abigail (2021-12-08). 4951:. Columbia University Press. 4909:"Surrealism:Two Private Eyes" 3805:Thynne, Lizzie (2002-01-01). 3699:Link to Guggenheim collection 3687:Link to Guggenheim collection 3675:Link to Guggenheim collection 3547:www.research.manchester.ac.uk 3013: 2725:from the originally Marxist " 2553:During the 1980s, behind the 2064: 1887:, the Paris group announced: 1843:Bureau of Surrealist Research 1780:International Left Opposition 1716:, later Surrealists, such as 1260:The Red Tower (La tour rouge) 1245:The Red Tower (La Tour Rouge) 786:Bureau of Surrealist Research 14351:Modern European ink painting 13723:Bay Area Figurative Movement 6508:Kennedy, Maev (2007-03-27). 5509:, 9780826513458. pg. 55, 90. 5418:. 2017-09-02. Archived from 5188:Allen Ginsberg, Lewis Hyde. 5134:. Coffee House Press, 1996. 4935:. Retrieved August 27, 2010. 3994:Jannarone, Kimberly (2005). 2456:Hungarian Revolution of 1956 1892:towards the colour question. 1762:Politically, Surrealism was 930: 727:Cover of the first issue of 7: 14012:Artificial intelligence art 11410:List of avant-garde artists 10387:The Cabinet of Dr. Caligari 6590:Aimé Césaire and Surrealism 6495:Rosemont, Franklin (1989). 6212:. Oxford University Press. 5870:Cohen, Alina (2018-04-24). 5777:Rosemont, Penelope (1998). 5457:Understanding Robert Coover 5221:. City Lights Books, 2001. 4818:On the Waves of the Surreal 4550:. Retrieved March 20, 2007. 4242:"Pierre Boulez, Surrealist" 4223:American Symphony Orchestra 4069:"The Theatre Of The Absurd" 3236:Dictionnaire du surréalisme 3216:, 2, Summer 2004, pp. 1–14. 2955:Category:Surrealist artists 2948: 2915:World Surrealist Exhibition 1909:and Breton in the 1940s in 1651:, who stated that his work 1437:La Coquille et le clergyman 965:the claims made and adding 507:. Meeting the young writer 353:. It was influenced by the 10: 15164: 13925:Post-painterly abstraction 13748:Situationist International 13122:Pennsylvania Impressionism 11268:Classical Hollywood cinema 8267:Situationist International 6265:Thames & Hudson. 1991. 6096:A Book of Surrealist Games 6054:Oeuvres en prose complètes 4219:"Edgard Varése's "Arcana"" 4044:The Theater and Its Double 3912:Auslander, Philip (1980). 3495:bluemountain.princeton.edu 3150:Metropolitan Museum of Art 2881:Surrealism and the theatre 2864:Category:Surrealist groups 2861: 2524:Situationist International 2498:First Papers of Surrealism 2454:After the crushing of the 2172:(1937), private collection 1624: 1402: 1384:Sur la route de San Romano 1306: 823: 742:. They also looked to the 444:had a one-act scenario by 419:. He wrote in a letter to 15096: 15038:San Francisco Renaissance 14703: 14641: 14445: 14210: 14020: 13800: 13592: 13576: 13508:California Scene Painting 13387:California Scene Painting 13343:Figurative Constructivism 13255: 13060: 12839: 12828: 12658: 12595: 12488: 12404: 12394:Poussinists and Rubenists 12295: 12099: 11832: 11632: 11623: 11610: 11531: 11209: 11050: 10918: 10758: 10507: 10496: 10339:Les Demoiselles d'Avignon 10293: 10119: 9679: 9162: 9153: 9030: 8814: 8556: 8547: 8342: 8163: 8085: 7924: 7864: 7855: 7737: 7537: 7496: 7491:Links to related articles 7475:Paranoiac-critical method 7412: 7321: 7018: 6642: 6329:. London: Penguin Books. 6263:Paris and the Surrealists 5957:Manifestoes of Surrealism 5706:The Theatre of the Absurd 5703:Esslin (6 January 2004). 5351:, 9780312424688. pg. 457. 4766:"Sixteen Miles of String" 4429:. Fordham.edu. 1925-01-27 4240:Potter, Caroline (2018). 4202:Albright, Daniel (2000). 4181:10.1017/S147857222000002X 4163:Donaldson, James (2020). 4148:Potter, Caroline (2016). 4125:18.4 (Dec. 1974): 88–107. 4012:10.1017/S0040557405000153 3811:Journal of Media Practice 3621:– via Google Books. 3576:– via Google Books. 3530:Manifestoes of Surrealism 3198:& CIP available from 3028:The 20th-Century art book 2715:French revolt of May 1968 2703: 2603:La Révolution surréaliste 2305:humor in such artists as 2257:Albright Knox Art Gallery 2125:La Révolution surréaliste 2104:The Persistence of Memory 1871:came together to support 1812:Eugenio Fernández Granell 1751:group in Chile in 1938), 1732:included performances by 1472:by Buñuel and Dalí (1930) 1391:La Révolution surréaliste 1225:and the drawing style of 1006:Woman with Her Throat Cut 791:La Révolution surréaliste 730:La Révolution surréaliste 159: 128: 94: 86: 78: 35: 14606:Prehistoric European art 14255:Contemporary African art 13738:Gendai Bijutsu Kondankai 13666:Generación de la Ruptura 13293:Universal Constructivism 13085:California Impressionism 13040:American Barbizon school 9124:The Master and Margarita 7359:Chicago Surrealist Group 7344:British Surrealist Group 6136:. 1985, Bulfinch Press. 5914:Bosing, Walter. (2000). 5731:Makers of modern culture 5372:, 9780719044090. pg. 98. 4865:Vaneigem, Raoul (1999). 4730:"Castle in the Pyrenees" 4277:10.1525/mts.2009.31.1.26 4041:Artaud, Antonin (1958). 3053:Manifeste du surréalisme 2610:Chicago Surrealist Group 2404:figures, and in England 1988:manifeste du surréalisme 1734:David "Honeyboy" Edwards 1534:Les Mamelles de Tirésias 1490:) by Jean Cocteau (1930) 1309:List of Surrealist poets 898:Manifeste du surréalisme 890:Manifeste du surréalisme 888:Yvan Goll published the 815:Manifeste du surréalisme 392:Founding of the movement 384:, literature, film, and 302:aftermath of World War I 14433:Walking Artists Network 13770:Letterist International 13610:Washington Color School 12524:Arts in the Philippines 11417:List of modernist poets 11303:Fourth dimension in art 10479:Meshes of the Afternoon 7777:Experimental literature 6480:Surrealism and politics 6414:Manifesto of Surrealism 6326:The Penguin Opera Guide 6303:The Wall Street Journal 6122:. The MIT Press, 1998. 6073:Allmer, Patricia (ed.) 6059:Allmer, Patricia (ed.) 5626:. Da Capo Press, 1998. 4752:Surrealism and Painting 4169:Twentieth-Century Music 3459:Manifesto of Surrealism 3370:Oxford University Press 3178:Le Mamelles de Tirésias 3026:Barnes, Rachel (2001). 2795:with former surrealist 2601:in Paris a show called 2599:Centre Georges Pompidou 2585:, in 1999, and in 2001 2440:, which refers back to 2253:Indefinite Divisibility 2130:From 1936 through 1938 1507:, the French/Hungarian 1297:Surrealism and Painting 1281:La Peinture Surrealiste 1216:from 1927 by Max Ernst. 499:hospital where he used 357:movement of the 1910s. 54:Ceci n'est pas une pipe 44:The Treachery of Images 14868:Generation of the '30s 14743:British Poetry Revival 14544:Illuminated manuscript 14192:The Designers Republic 14142:Neue Slowenische Kunst 14065:Pattern and Decoration 13965:Institutional critique 13605:Abstract expressionism 12585:Latin American Baroque 12541:Colonial Asian Baroque 11501:Second Viennese School 11243: 11232: 9136:The Sound and the Fury 9040:In Search of Lost Time 8497: 8426: 8415: 8369: 8358: 8043:Second Viennese School 7674:Neue Slowenische Kunst 7545:Abstract expressionism 7470:Abstract expressionism 7339:Birmingham Surrealists 7028:Maxime Moses Alexandre 7005:Radojica Živanović Noe 6670:Jacques-André Boiffard 6561:Jackaman, Rob (1989). 6443:Timeline of Surrealism 6416:by André Breton. 1924. 6308:Richard Jean-Tristan. 6295:Why Surrealism Matters 6208:David Hopkins (2004). 6046:Apollinaire, Guillaume 5683:Beckett and aesthetics 4823:Dublin Review of Books 4674:: CS1 maint: others ( 4311:Gli Spazi della Musica 4246:Gli Spazi della Musica 4094:"Artaud and Semiotics" 3611:. Editions Publibook. 3345:April 6, 2009, at the 3118:Breton, André (1997). 2843:Gabriel García Márquez 2536:The events of May 1968 2518:Post-Breton Surrealism 2372: 2287:Abstract Expressionism 2260: 2173: 2042:French Communist Party 1981:and the Czech painter 1894: 1869:French Communist Party 1862:proletarian literature 1495:Surrealist photography 1486: 1436: 1324:Les Champs Magnétiques 1315:Les Chants de Maldoror 1251: 1129: 1012: 928: 883:Jacques-André Boiffard 821: 734: 466: 408: 246:Birmingham Surrealists 167:Abstract expressionism 53: 14918:Informationist poetry 14182:Artist-run initiative 14157:Young British Artists 14122:New European Painting 14058:Moscow Conceptualists 13980:Feminist art movement 13758:Ukrainian underground 13733:Gutai Art Association 13132:Ten American Painters 12636:Western influence in 11613:List of art movements 11480:Reactionary modernism 11403:List of art movements 8150:Theatre of the Absurd 8073:Twelve-tone technique 7952:Electroacoustic music 7440:Surrealist techniques 7425:Surrealist automatism 7369:Fighting Cock Society 7108:Roger Gilbert-Lecomte 7093:Vratislav Effenberger 7033:Guillaume Apollinaire 6407:André Breton writings 6280:History of Surrealism 6247:Low Mary, Breá Juan, 6038:Alexandrian, Sarane. 5121:Rosemont, pg. 222–226 4452:Generation-online.org 4305:Massey, Drew (2018). 4265:Music Theory Spectrum 4217:Bernard, Jonathan W. 4152:. Boydell and Brewer. 3971:10.1002/9781118476215 3712:Communicating Vessels 3188:The Automatic Message 3120:The Automatic Message 2887:Theatre of the Absurd 2775:Lawrence Ferlinghetti 2651:Impact and influences 2364: 2248: 2215:, Dada and Surrealism 2164: 2059:Fédération anarchiste 1975:Roger Gilbert-Lecomte 1889: 1579:Federico García Lorca 1553:The Mysteries of Love 1539:adapted into an opera 1382:(1937), and Breton's 1303:Surrealist literature 1239: 1164:, the abstraction of 1136:, painter and writer 1120: 1000: 913: 805: 798:Surrealist Manifestos 726: 458: 417:Guillaume Apollinaire 399: 362:Guillaume Apollinaire 146:Metaphysical painting 15043:Scottish Renaissance 14738:Black Mountain poets 13992:Saqqakhaneh movement 13885:Chicano art movement 13753:Soviet Nonconformist 13559:Boston Expressionism 13542:Abstraction-Création 13360:Arbeitsrat für Kunst 13353:Cologne Progressives 13073:Art Nouveau in Milan 12876:Anglo-Japanese style 12852:National romanticism 12282:Fontainebleau School 12192:Northern Renaissance 12027:International Gothic 11324:Hanshinkan Modernism 11180:The Threepenny Opera 11096:Pelléas et Mélisande 8135:Postdramatic theatre 8120:Experimental theatre 7657:Multidimensional art 7420:Surrealist Manifesto 7374:The Firesign Theatre 7158:Comte de Lautréamont 6550:Surrealism in Poetry 6387:Anatoly Kudryavitsky 6369:Anatoly Kudryavitsky 6367:. Ed. and trans. by 6305:, February 23, 2024. 6272:College of Sociology 6249:Red Spanish Notebook 5497:Maarten van Delden. 5067:.Heyday Books, 2004. 4840:Anatoly Kudryavitsky 4838:, ed. and trans. by 4797:Anatoly Kudryavitsky 3823:10.1386/jmpr.2.3.168 3773:Emiel van Moerkerken 3742:DANAE (2020-01-13). 3656:Duchamp: A Biography 3592:www.lettresvolees.fr 3296:Surrealist Manifesto 3214:Papers of Surrealism 2917:in Chicago in 1976. 2802:Postmodern novelist 2789:William S. Burroughs 2694:Comte de Lautréamont 2641:Anatoly Kudryavitsky 2622:Anatoly Kudryavitsky 2426:Surrealism Unlimited 2400:took an interest in 2208:Museum of Modern Art 2123:as the successor of 1792:Emiel van Moerkerken 1689:of the French group 1687:Germaine Tailleferre 1596:Play Without a Title 1590:When Five Years Pass 1561:Theatre Alfred Jarry 1517:Emiel van Moerkerken 1345:Comte de Lautréamont 1214:The Kiss (Le Baiser) 1126:Museum of Modern Art 1008:, 1932 (cast 1949), 909:Surrealist Manifesto 826:Surrealist Manifesto 563:Surrealist Manifesto 405:The Elephant Celebes 366:Surrealist Manifesto 241:Surrealist Manifesto 14983:New American Poetry 14733:Black Arts Movement 14713:Akhmatova's Orphans 14527:Hierarchy of genres 14092:Saint Soleil School 14028:Post-conceptual art 13997:The Stars Art Group 13875:Black Arts Movement 13838:Neo-Dada Organizers 13639:Lyrical abstraction 13372:Australian tonalism 13045:California Tonalism 12717:Hudson River School 12520:Colonial Asian art 12260:English Renaissance 12209:Ghent–Bruges school 12197:Early Netherlandish 12109:Italian Renaissance 12022:Gothic art in Milan 11382:International Style 11132:Afternoon of a Faun 10411:Battleship Potemkin 10315:Mont Sainte-Victoir 7637:Lyrical Abstraction 7308:Marianne Van Hirtum 7283:Simon Watson Taylor 6745:Christian Dotremont 6462:Surrealism Reviewed 6429:What is Surrealism? 6161:Flahutez, Fabrice, 6132:Chadwick, Whitney. 6118:Chadwick, Whitney. 5918:. London: Taschen. 5733:. Routledge, 2002. 5522:. Routledge, 2004. 5518:Maggie Ann Bowers. 5163:. SIU Press, 2002. 4974:Yale French Studies 4930:Anthony Christian, 4907:Horsley, Carter B. 4696:on October 1, 2008. 4500:Kelley, Robin D. G. 4479:Kelley, Robin D. G. 4378:, Routledge, 2017, 3234:Jean-Paul Clébert, 3200:The British Library 2931:Giuseppe Arcimboldo 2632:. The Dublin-based 2339:, and his magazine 2259:, Buffalo, New York 2156:Robert Rauschenberg 1477:The Blood of a Poet 1370:Mr. Knife Miss Fork 1086:. Later, after the 836:Pierre Albert-Birot 571:Pierre Albert-Birot 555:The Magnetic Fields 456:as "surrealistic": 329:element of surprise 190:Part of a series on 32: 15058:Southern Agrarians 14953:Metaphysical poets 14893:Harlem Renaissance 14569:Landscape painting 14177:New Leipzig School 14117:Neo-conceptual art 13865:Art & Language 13860:Capitalist realism 13782:Florida Highwaymen 13718:Hard-edge painting 13532:Streamline Moderne 13493:Harlem Renaissance 13336:Novecento Italiano 13164:Deutscher Werkbund 12991:Post-Impressionism 12553:Latin American art 12357:Guild of Romanists 12219:German Renaissance 12214:Northern Mannerism 11261:Buddhist modernism 11218:American modernism 11144:The Rite of Spring 9112:The Sun Also Rises 9088:The Magic Mountain 8250:Postmodernist film 8155:Theatre of Cruelty 8038:Rock in Opposition 7979:Free improvisation 7622:Post-Impressionism 7555:Art & Language 6785:Alberto Giacometti 6775:Gordon Onslow Ford 6710:Leonora Carrington 6595:2010-09-19 at the 6573:Edwin Mellen Press 6569:Lewiston, New York 6421:2010-02-09 at the 6293:Polizzotti, Mark. 6268:Moebius, Stephan. 5754:.Routledge, 1993. 5572:Navarro, Gabriel. 5343:. Macmillan, 2005 5299:Ginsberg, pg. 182. 4542:2012-09-18 at the 4330:The New York Times 3516:press.uchicago.edu 3464:2010-02-09 at the 3379:2008-05-16 at the 3055:, various editions 2986:Organic Surrealism 2645:Russian literature 2559:Orange Alternative 2483:The Tower of Light 2373: 2337:Charles Henri Ford 2261: 2174: 2158:'s collage boxes. 2136:Gordon Onslow Ford 1572:Theatre of Cruelty 1523:Surrealist theatre 1487:Le sang d'un poète 1252: 1241:Giorgio de Chirico 1192:automatic drawings 1174:Post-Impressionism 1130: 1068:Alberto Giacometti 1040:Giorgio de Chirico 1013: 950:possibly contains 856:Giuseppe Ungaretti 822: 740:Hegelian Dialectic 735: 591:Giuseppe Ungaretti 409: 68:This is not a pipe 30: 15120: 15119: 15114: 15113: 15107:Poetry portal 14903:Hungry generation 14898:Harvard Aesthetes 14873:Generation of '98 14863:Generation of '27 14838:The poets of Elan 14659: 14658: 14441: 14440: 14297:Corporate Memphis 14250:Classical Realism 14220:Amazonian pop art 14112:Appropriation art 14080:Neo-expressionism 13950:Environmental art 13855:Nouvelle tendance 13572: 13571: 13520:Socialist realism 13377:Dresden Secession 12996:Neo-Impressionism 12959:Decadent movement 12930:Heidelberg School 12824: 12823: 12722:American luminism 12707:Düsseldorf School 12702:Shoreham Ancients 12692:Nazarene movement 12682:Danish Golden Age 12563:Indochristian art 12241:Antwerp Mannerism 12130:Pittura infamante 12124:Florentine School 12119:Proto-Renaissance 11561: 11560: 11289:Experimental film 11205: 11204: 11192:Waiting for Godot 10492: 10491: 9149: 9148: 9052:The Metamorphosis 8302: 8301: 8292:Russian symbolism 8277:Socialist realism 8115:Experimental film 8081: 8080: 7787:Hungry generation 7762:Conceptual poetry 7617:Neo-Impressionism 7483: 7482: 7460:Women surrealists 7430:Surrealist cinema 7278:Philippe Soupault 6910:Benjamín Palencia 6582:978-0-88946-932-7 6524:Surrealist poetry 6437:Overview websites 6395:978-1-912963-18-8 6377:978-1-912963-17-1 6359:978-1-912963-44-7 6336:978-0-14-051385-1 6278:Nadeau, Maurice. 6236:978-1-60606-118-3 6219:978-0-19-280254-5 6203:978-5-7281-1146-7 6193:Galtsova, Elena. 6178:978-3-947449-50-7 6146:Durozoi, Gerard, 6142:978-0-8212-1599-9 6128:978-0-262-53157-3 6034:978-1-60606-117-6 6010:Oeuvres complètes 5794:978-0-292-77088-1 5681:Daniel Albright. 5611:978-0-231-07360-8 5561:978-0-275-98049-8 5536:978-0-415-26853-0 5520:Magic(al) realism 5473:978-1-57003-482-4 5399:978-1-57806-185-3 5360:Catherine Cundy. 5281:Ginsberg, pg. 180 5235:978-0-87286-379-8 5206:978-0-472-06353-6 5177:978-0-8093-2447-7 5148:978-1-56689-038-0 5110:978-0-292-71997-2 5081:978-1-890771-72-0 4958:978-0-231-06811-6 4913:thecityreview.com 4848:978-1-912963-17-1 4805:978-1-912963-18-8 4764:Duchamp, Marcel. 4653:978-0-292-77088-1 4609:Duchamp, Marcel. 4481:(November 1999). 4409:, Ashgate, 2003, 4355:978-0-7206-1774-0 4119:Backs to the Wall 4054:978-0-8021-5030-1 3980:978-1-118-47621-5 3898:978-1-317-10309-7 3783:978-90-8910-221-8 3394:L'Écran Française 3334:Diary of a Genius 3314:978-0-226-17411-2 3183:Drame surréaliste 3143:Voorhies, James. 3129:978-0-9477-5799-1 3037:978-0-7148-3542-6 2970:Women surrealists 2858:Surrealist groups 2719:The Situationists 2626:Ciaran O'Driscoll 2620:, Matthew Geden, 2579:Guggenheim Museum 2299:Clement Greenberg 2278:Robert Motherwell 2233:Surrealist Street 2176:During the 1930s 1965:Internal politics 1820:Spanish Civil War 1714:Silence is Golden 1601:Backs to the Wall 1405:Surrealist cinema 1368:(1929), Crevel's 1366:Death to the Pigs 1358:(1926), Aragon's 1327:(May–June 1919). 1249:Guggenheim Museum 1178:proto-surrealists 1166:Wassily Kandinsky 1021:automatic drawing 995: 994: 987: 952:original research 744:Marxist dialectic 550:automatic writing 546:Philippe Soupault 298:cultural movement 287: 286: 251:Women Surrealists 185: 184: 16:(Redirected from 15155: 15148:1910s neologisms 15105: 15104: 15018:Parnassian poets 14988:New Apocalyptics 14963:Modernist poetry 14778:Confessionalists 14768:Churchyard poets 14686: 14679: 14672: 14663: 14662: 14649: 14648: 14633:Western painting 14579:Modern sculpture 14537:History painting 14240:Art intervention 14033:Installation art 13850:Nouveau réalisme 13590: 13589: 13564:Leningrad School 13456:Mexican muralism 13429:Grosvenor School 13169:American Realism 13152:Der Blaue Reiter 13110:Berlin Secession 13105:Vienna Secession 13100:Munich Secession 13018:Pont-Aven School 12837: 12836: 12687:Troubadour style 12665:(c. 1770 – 1862) 12632:Qing handicrafts 12598:Western elements 12529:Letras y figuras 12502:African-American 12497:African diaspora 12468:Directoire style 12379:Heptanese school 12362:Dutch Golden Age 12347:Stroganov School 12340:Lutheran Baroque 12335:Louis XIII style 12308:Baroque in Milan 12170:Bolognese School 12165:High Renaissance 12148:Forlivese School 12143:Ferrarese School 11866:Migration Period 11630: 11629: 11588: 11581: 11574: 11565: 11564: 11553: 11552: 11524: 11522:Vulgar modernism 11517: 11515:Underground 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8396: 8389: 8382: 8375: 8374: 8364: 8363: 8353: 8329: 8322: 8315: 8306: 8305: 8196:Russian Futurism 8140:Remodernist film 8058:Stochastic music 8013:Musique concrète 7991:Microtonal music 7969:Experimental pop 7962:Industrial music 7957:Electronic music 7862: 7861: 7684:Nouveau réalisme 7592:Grosvenor School 7523: 7516: 7509: 7500: 7499: 7487: 7486: 7435:Surrealist music 7354:Chicago Imagists 7334:Les Automatistes 7273:Louis Scutenaire 7213:Vítězslav Nezval 7053:Georges Bataille 6970:Dorothea Tanning 6955:Jindřich Štyrský 6930:Aminollah Rezaei 6825:Jacqueline Lamba 6815:Gerome Kamrowski 6760:Curt Echtermeyer 6715:Ithell Colquhoun 6629: 6622: 6615: 6606: 6605: 6601: 6586: 6546: 6544: 6543: 6534:. Archived from 6530:Gullette, Alan. 6519: 6504: 6491: 6475:, Nov. 15, 2001) 6457: 6340: 6240:Lewis, Helena. 6223: 6115:2001, MIT Press. 6089:Image Narrative 6005:, reprinted in: 5961:The Soluble Fish 5938: 5937: 5910: 5904: 5903: 5892: 5886: 5885: 5883: 5882: 5867: 5861: 5860: 5836: 5830: 5829: 5805: 5799: 5798: 5774: 5763: 5748: 5742: 5727: 5721: 5720: 5700: 5694: 5679: 5673: 5660:James Knowlson. 5658: 5652: 5641: 5635: 5622:Eugène Ionesco. 5620: 5614: 5591: 5585: 5570: 5564: 5545: 5539: 5516: 5510: 5495: 5489: 5482: 5476: 5453: 5447: 5437: 5431: 5430: 5428: 5427: 5408: 5402: 5379: 5373: 5358: 5352: 5337: 5331: 5324: 5318: 5315: 5309: 5306: 5300: 5297: 5291: 5288: 5282: 5279: 5273: 5261: 5255: 5244: 5238: 5215: 5209: 5186: 5180: 5157: 5151: 5128: 5122: 5119: 5113: 5090: 5084: 5061: 5055: 5044: 5038: 5031: 5025: 5019: 5013: 5009: 5003: 5000: 4994: 4993: 4969: 4963: 4962: 4942: 4936: 4927: 4921: 4920: 4919:on 15 June 2011. 4915:. Archived from 4904: 4895: 4882: 4876: 4875: 4873: 4857: 4851: 4833: 4827: 4814: 4808: 4790: 4784: 4776: 4770: 4769: 4761: 4755: 4748: 4742: 4741: 4740:on May 10, 2018. 4736:. Archived from 4734:Artacademieparis 4728:Magritte, Rene. 4725: 4719: 4718: 4716: 4715: 4704: 4698: 4697: 4692:. Archived from 4686: 4680: 4679: 4673: 4665: 4638: 4632: 4631: 4621: 4615: 4614: 4606: 4600: 4599: 4597: 4596: 4581: 4575: 4574: 4572: 4571: 4560: 4551: 4534: 4528: 4527: 4525: 4524: 4509: 4503: 4497: 4491: 4490: 4475: 4469: 4462: 4456: 4455: 4444: 4438: 4437: 4435: 4434: 4423: 4417: 4397: 4386: 4370: 4357: 4343:Robert Shapiro, 4340: 4334: 4333: 4325: 4319: 4318: 4302: 4296: 4295: 4292:Messiaen Studies 4287: 4281: 4280: 4260: 4254: 4253: 4237: 4231: 4230: 4225:. Archived from 4214: 4208: 4207: 4199: 4193: 4192: 4160: 4154: 4153: 4145: 4139: 4132: 4126: 4123:The Drama Review 4115: 4109: 4108: 4106: 4105: 4090: 4084: 4083: 4081: 4080: 4065: 4059: 4058: 4038: 4032: 4031: 3991: 3985: 3984: 3956: 3950: 3949: 3909: 3903: 3902: 3882: 3876: 3875: 3873: 3872: 3849: 3843: 3842: 3802: 3796: 3795: 3767: 3758: 3757: 3755: 3754: 3739: 3733: 3730: 3724: 3721: 3715: 3708: 3702: 3696: 3690: 3684: 3678: 3672: 3666: 3649: 3636: 3629: 3623: 3622: 3602: 3596: 3595: 3584: 3578: 3577: 3557: 3551: 3550: 3539: 3533: 3526: 3520: 3519: 3508: 3499: 3498: 3487: 3478: 3454: 3448: 3436: 3427: 3426: 3424: 3423: 3408: 3402: 3401: 3389: 3383: 3362: 3349: 3326: 3317: 3306: 3300: 3291: 3285: 3282: 3276: 3275:Gascoyne, p. 39. 3273: 3267: 3260: 3254: 3248:Tracy A. Doyle, 3245: 3239: 3232: 3226: 3223: 3217: 3209: 3203: 3170: 3164: 3161: 3155: 3154: 3140: 3134: 3133: 3115: 3109: 3108: 3106: 3105: 3090: 3081: 3064: 3058: 3048: 3042: 3041: 3023: 3008: 2975:Exquisite corpse 2927:Hieronymus Bosch 2911:Henry Threadgill 2903:Fernando Arrabal 2852:Alejo Carpentier 2829:Donald Barthelme 2793:cut-up technique 2682:Hieronymus Bosch 2583:Two Private Eyes 2563:Waldemar Fydrych 2475:Rainy Day Canape 2471:Louise Bourgeois 2467:Dorothea Tanning 2366:The Conspirators 2291:Peggy Guggenheim 2178:Peggy Guggenheim 2146:and Onslow Ford 2031:Georges Bataille 1951:Jacqueline Lamba 1875:, leader of the 1807:Francisco Franco 1703:La Petite Sirène 1677:Olivier Messiaen 1633:Bohuslav Martinů 1627:Surrealist music 1621:Surrealist music 1461:Un Chien Andalou 1399:Surrealist films 1364:(1927), Péret's 1256:metaphysical art 1220: 1217: 1196:unconscious mind 1182:Hieronymus Bosch 1154:Louis Scutenaire 1088:second World War 1084:Kansuke Yamamoto 990: 983: 979: 976: 970: 967:inline citations 943: 942: 935: 878:, among others. 491:During the war, 428:Sergei Diaghilev 306:unconscious mind 279: 272: 265: 187: 186: 72: 69: 66: 63: 60: 56: 40: 33: 29: 21: 18:Surrealism (art) 15163: 15162: 15158: 15157: 15156: 15154: 15153: 15152: 15123: 15122: 15121: 15116: 15115: 15110: 15099: 15092: 15063:Spasmodic poets 15048:Sicilian School 14998:New York School 14818:Dolce Stil Novo 14699: 14690: 14660: 14655: 14637: 14554:Interactive art 14437: 14411:SoFlo Superflat 14336:Kitsch movement 14260:Africanfuturism 14212: 14206: 14085:Transavantgarde 14016: 13970:Light and Space 13955:Performance art 13935:Psychedelic art 13818:Nueva Presencia 13808:Otra Figuración 13796: 13728:Les Plasticiens 13713:New York School 13691:Action painting 13676:Metcalf Chateau 13585: 13580: 13568: 13488:Cercle et Carré 13424:New Objectivity 13331:Return to order 13273:School of Paris 13251: 13095:School of Paris 13056: 12942:Arts and Crafts 12847:Neo-romanticism 12832: 12820: 12816:Etching revival 12768:Barbizon school 12712:Pre-Raphaelites 12664: 12661: 12654: 12597: 12591: 12484: 12458:Louis XVI style 12400: 12389:Louis XIV style 12352:Animal painting 12313:Flemish Baroque 12291: 12202:World landscape 12153:Venetian School 12095: 12082:Majorcan school 12049:Novgorod School 12039:Lucchese School 12011:Opus Anglicanum 12003:Norman-Sicilian 11947:Italo-Byzantine 11847:Early Christian 11828: 11812:Pompeian Styles 11625: 11619: 11606: 11592: 11562: 11557: 11548: 11540: 11527: 11520: 11513: 11508:Structural film 11506: 11499: 11492: 11485: 11478: 11471: 11464: 11459:New Objectivity 11457: 11450: 11445:Neo-romanticism 11443: 11438:Neo-primitivism 11436: 11429: 11422: 11415: 11408: 11401: 11394: 11387: 11380: 11373: 11364: 11357: 11350: 11343: 11336: 11329: 11322: 11315: 11308: 11301: 11294: 11287: 11280: 11273: 11266: 11259: 11252: 11241: 11230: 11223: 11216: 11201: 11195: 11189: 11183: 11177: 11171: 11165: 11159: 11153: 11147: 11141: 11135: 11129: 11123: 11117: 11111: 11105: 11099: 11093: 11087: 11084:Verklärte Nacht 11081: 11075: 11069: 11063: 11057: 11046: 11039: 11032: 11025: 11018: 11011: 11004: 10997: 10990: 10983: 10976: 10969: 10962: 10955: 10948: 10941: 10934: 10927: 10914: 10907: 10900: 10893: 10886: 10879: 10872: 10865: 10858: 10851: 10844: 10837: 10830: 10823: 10816: 10809: 10802: 10795: 10788: 10781: 10774: 10767: 10754: 10747: 10740: 10733: 10726: 10719: 10712: 10705: 10698: 10691: 10684: 10677: 10670: 10663: 10656: 10649: 10642: 10635: 10628: 10621: 10614: 10607: 10600: 10593: 10586: 10579: 10572: 10565: 10558: 10551: 10544: 10537: 10530: 10523: 10516: 10499: 10488: 10482: 10476: 10470: 10464: 10458: 10454: 10448: 10444: 10438: 10432: 10426: 10420: 10414: 10408: 10402: 10396: 10390: 10384: 10378: 10372: 10366: 10360: 10354: 10348: 10342: 10336: 10330: 10324: 10318: 10312: 10306: 10300: 10289: 10282: 10275: 10268: 10261: 10254: 10247: 10240: 10233: 10226: 10219: 10212: 10205: 10198: 10191: 10184: 10177: 10170: 10163: 10156: 10149: 10142: 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8977: 8970: 8963: 8956: 8949: 8942: 8935: 8930:Lowell (Robert) 8928: 8921: 8914: 8907: 8900: 8893: 8886: 8879: 8872: 8865: 8858: 8851: 8844: 8837: 8830: 8823: 8810: 8803: 8796: 8789: 8782: 8775: 8768: 8761: 8754: 8747: 8740: 8733: 8726: 8719: 8712: 8705: 8698: 8691: 8684: 8677: 8670: 8663: 8656: 8649: 8642: 8635: 8628: 8621: 8614: 8607: 8600: 8593: 8586: 8579: 8572: 8565: 8543: 8536: 8529: 8522: 8515: 8508: 8495: 8488: 8481: 8474: 8467: 8458: 8451: 8444: 8435: 8424: 8413: 8406: 8399: 8392: 8385: 8378: 8367: 8356: 8349: 8338: 8333: 8303: 8298: 8159: 8145:Structural film 8087: 8077: 7932:Aleatoric music 7920: 7851: 7739: 7733: 7694:Performance art 7533: 7527: 7492: 7484: 7479: 7408: 7317: 7248:Raymond Queneau 7243:Jacques Prévert 7233:Rastko Petrović 7193:Robert Melville 7173:Georges Limbour 7153:Philip Lamantia 7058:Monny de Boully 7020: 7014: 7000:James F. Walker 6990:Albert Valentin 6980:Kristians Tonny 6950:Martin Stejskal 6925:Toni del Renzio 6905:Wolfgang Paalen 6900:Méret Oppenheim 6880:E. L. T. Mesens 6845:Georges Malkine 6780:Esteban Francés 6740:Óscar Domínguez 6695:Jacques Brunius 6690:Emmy Bridgwater 6638: 6633: 6599: 6597:Wayback Machine 6583: 6552:Holcombe, C. J. 6541: 6539: 6526: 6482: 6455: 6447:Centre Pompidou 6439: 6423:Wayback Machine 6409: 6404: 6337: 6242:Dada Turns Red. 6220: 6091:, no. 13, 2005. 6068:Dada/Surrealism 5946: 5941: 5926: 5911: 5907: 5894: 5893: 5889: 5880: 5878: 5868: 5864: 5837: 5833: 5812:(28): 229–240. 5806: 5802: 5795: 5775: 5766: 5749: 5745: 5729:Justin Wintle. 5728: 5724: 5717: 5701: 5697: 5680: 5676: 5659: 5655: 5642: 5638: 5621: 5617: 5592: 5588: 5571: 5567: 5546: 5542: 5517: 5513: 5496: 5492: 5483: 5479: 5455:Brian Evenson. 5454: 5450: 5438: 5434: 5425: 5423: 5416:Facets Features 5410: 5409: 5405: 5380: 5376: 5359: 5355: 5338: 5334: 5325: 5321: 5317:Miles, pg. 242. 5316: 5312: 5308:Miles, pg. 233. 5307: 5303: 5298: 5294: 5289: 5285: 5280: 5276: 5262: 5258: 5245: 5241: 5216: 5212: 5187: 5183: 5158: 5154: 5129: 5125: 5120: 5116: 5091: 5087: 5062: 5058: 5045: 5041: 5032: 5028: 5020: 5016: 5010: 5006: 5001: 4997: 4982:10.2307/2929720 4970: 4966: 4959: 4943: 4939: 4928: 4924: 4905: 4898: 4883: 4879: 4871: 4858: 4854: 4834: 4830: 4826:, 1 April 2019. 4815: 4811: 4791: 4787: 4777: 4773: 4768:. Toutfait.com. 4762: 4758: 4750:Breton, André. 4749: 4745: 4726: 4722: 4713: 4711: 4706: 4705: 4701: 4688: 4687: 4683: 4667: 4666: 4654: 4640: 4639: 4635: 4627:The Irish Times 4622: 4618: 4613:. Toutfait.com. 4607: 4603: 4594: 4592: 4583: 4582: 4578: 4569: 4567: 4562: 4561: 4554: 4548:Centre Pompidou 4544:Wayback Machine 4535: 4531: 4522: 4520: 4511: 4510: 4506: 4498: 4494: 4476: 4472: 4464:Lewis, Helena. 4463: 4459: 4446: 4445: 4441: 4432: 4430: 4425: 4424: 4420: 4405:, Volume 16 of 4398: 4389: 4371: 4360: 4341: 4337: 4326: 4322: 4303: 4299: 4288: 4284: 4261: 4257: 4238: 4234: 4215: 4211: 4200: 4196: 4161: 4157: 4146: 4142: 4133: 4129: 4116: 4112: 4103: 4101: 4092: 4091: 4087: 4078: 4076: 4067: 4066: 4062: 4055: 4047:. Grove Press. 4039: 4035: 3992: 3988: 3981: 3957: 3953: 3930:10.2307/3206891 3918:Theatre Journal 3910: 3906: 3899: 3883: 3879: 3870: 3868: 3850: 3846: 3803: 3799: 3784: 3768: 3761: 3752: 3750: 3740: 3736: 3731: 3727: 3722: 3718: 3710:Brêton, André. 3709: 3705: 3697: 3693: 3685: 3681: 3673: 3669: 3652:Tomkins, Calvin 3650: 3639: 3630: 3626: 3619: 3603: 3599: 3586: 3585: 3581: 3574: 3558: 3554: 3541: 3540: 3536: 3527: 3523: 3510: 3509: 3502: 3489: 3488: 3481: 3466:Wayback Machine 3455: 3451: 3437: 3430: 3421: 3419: 3409: 3405: 3390: 3386: 3381:Wayback Machine 3363: 3352: 3347:Wayback Machine 3327: 3320: 3307: 3303: 3292: 3288: 3283: 3279: 3274: 3270: 3261: 3257: 3246: 3242: 3233: 3229: 3224: 3220: 3210: 3206: 3171: 3167: 3162: 3158: 3141: 3137: 3130: 3116: 3112: 3103: 3101: 3092: 3091: 3084: 3065: 3061: 3049: 3045: 3038: 3024: 3020: 3016: 3006: 2997:Psychedelic art 2951: 2939:anthropomorphic 2923: 2883: 2866: 2860: 2755:Philip Lamantia 2751:Beat Generation 2735: 2706: 2700:as influences. 2690:Charles Fourier 2686:Marquis de Sade 2653: 2520: 2386:Colin Middleton 2274:Jackson Pollock 2243: 2132:Wolfgang Paalen 2067: 2000:crown of thorns 1967: 1944:Aristide Maugée 1932:Suzanne Césaire 1827:Communist Party 1797:Wolfgang Paalen 1753:Central America 1742: 1659:'s publication 1645:Francis Poulenc 1629: 1623: 1543:Francis Poulenc 1525: 1503:, the American 1497: 1449:L'Étoile de mer 1407: 1401: 1311: 1305: 1218: 1205: 1134:E. L. T. Mesens 1076:Méret Oppenheim 1052:Francis Picabia 991: 980: 974: 971: 956: 944: 940: 933: 921: 920: 876:Robert Delaunay 848:Francis Picabia 834:, consisted of 828: 819:Robert Delaunay 800: 752:Herbert Marcuse 748:Walter Benjamin 733:, December 1924 711:Jacques Prévert 695:Raymond Queneau 687:Georges Limbour 679:Georges Malkine 611:Robert Delaunay 583:Francis Picabia 394: 283: 181: 155: 90:France, Belgium 74: 70: 67: 64: 61: 28: 23: 22: 15: 12: 11: 5: 15161: 15151: 15150: 15145: 15140: 15135: 15118: 15117: 15112: 15111: 15097: 15094: 15093: 15091: 15090: 15085: 15083:Uranian poetry 15080: 15075: 15070: 15065: 15060: 15055: 15050: 15045: 15040: 15035: 15030: 15025: 15020: 15015: 15010: 15005: 15000: 14995: 14990: 14985: 14980: 14975: 14970: 14965: 14960: 14955: 14950: 14948:Martian poetry 14945: 14940: 14938:Language poets 14935: 14930: 14925: 14920: 14915: 14910: 14905: 14900: 14895: 14890: 14885: 14880: 14878:Georgian poets 14875: 14870: 14865: 14860: 14855: 14850: 14845: 14840: 14835: 14830: 14825: 14820: 14815: 14813:Della Cruscans 14810: 14805: 14800: 14795: 14790: 14785: 14780: 14775: 14770: 14765: 14760: 14758:Cavalier poets 14755: 14753:Castalian Band 14750: 14745: 14740: 14735: 14730: 14725: 14720: 14718:Angry Penguins 14715: 14710: 14704: 14701: 14700: 14689: 14688: 14681: 14674: 14666: 14657: 14656: 14654: 14653: 14642: 14639: 14638: 14636: 14635: 14630: 14623: 14618: 14613: 14608: 14603: 14598: 14593: 14588: 14587: 14586: 14584:Late modernism 14581: 14571: 14566: 14561: 14556: 14551: 14546: 14541: 14540: 14539: 14534: 14532:Genre painting 14524: 14519: 14514: 14509: 14508: 14507: 14502: 14497: 14492: 14482: 14480:Ballets Russes 14477: 14472: 14467: 14466: 14465: 14463:Asemic writing 14455: 14453:History of art 14449: 14447: 14446:Related topics 14443: 14442: 14439: 14438: 14436: 14435: 14430: 14425: 14420: 14419: 14418: 14413: 14403: 14398: 14393: 14388: 14383: 14381:Relational art 14378: 14373: 14368: 14363: 14358: 14353: 14348: 14343: 14338: 14333: 14328: 14327: 14326: 14316: 14311: 14306: 14304:Hypermodernism 14301: 14300: 14299: 14289: 14284: 14279: 14274: 14269: 14264: 14263: 14262: 14252: 14247: 14242: 14237: 14232: 14227: 14222: 14216: 14214: 14208: 14207: 14205: 14204: 14199: 14194: 14189: 14184: 14179: 14174: 14169: 14164: 14159: 14154: 14149: 14144: 14139: 14134: 14129: 14124: 14119: 14114: 14109: 14104: 14099: 14094: 14089: 14088: 14087: 14077: 14072: 14067: 14062: 14061: 14060: 14050: 14045: 14043:Postminimalism 14040: 14035: 14030: 14024: 14022: 14018: 14017: 14015: 14014: 14009: 14004: 13999: 13994: 13989: 13988: 13987: 13977: 13972: 13967: 13962: 13957: 13952: 13947: 13942: 13937: 13932: 13927: 13922: 13920:Generative art 13917: 13912: 13907: 13902: 13897: 13892: 13890:Conceptual art 13887: 13882: 13877: 13872: 13867: 13862: 13857: 13852: 13847: 13842: 13841: 13840: 13830: 13825: 13820: 13815: 13810: 13804: 13802: 13798: 13797: 13795: 13794: 13789: 13787:Cybernetic art 13784: 13779: 13778: 13777: 13775:Ultra-Lettrist 13772: 13762: 13761: 13760: 13750: 13745: 13740: 13735: 13730: 13725: 13720: 13715: 13710: 13705: 13704: 13703: 13693: 13688: 13683: 13678: 13673: 13668: 13663: 13662: 13661: 13656: 13651: 13649:Arte Informale 13646: 13636: 13631: 13626: 13625: 13624: 13614: 13613: 13612: 13602: 13596: 13594: 13587: 13586:(1945–present) 13574: 13573: 13570: 13569: 13567: 13566: 13561: 13556: 13551: 13546: 13545: 13544: 13534: 13529: 13528: 13527: 13522: 13515:Heroic realism 13512: 13511: 13510: 13500: 13495: 13490: 13485: 13480: 13475: 13468: 13463: 13458: 13453: 13452: 13451: 13449:Latin American 13446: 13436: 13431: 13426: 13421: 13419:Group of Seven 13416: 13411: 13406: 13401: 13400: 13399: 13389: 13384: 13382:Social realism 13379: 13374: 13369: 13368: 13367: 13365:November Group 13357: 13356: 13355: 13350: 13340: 13339: 13338: 13328: 13323: 13322: 13321: 13309: 13304: 13299: 13298: 13297: 13296: 13295: 13288:Latin American 13283:Constructivism 13280: 13278:Crystal Cubism 13275: 13270: 13265: 13259: 13257: 13253: 13252: 13250: 13249: 13244: 13239: 13234: 13229: 13224: 13219: 13218: 13217: 13207: 13202: 13195: 13194: 13193: 13188: 13178: 13177: 13176: 13166: 13161: 13156: 13155: 13154: 13149: 13139: 13134: 13129: 13124: 13119: 13118: 13117: 13112: 13107: 13102: 13092: 13087: 13082: 13077: 13076: 13075: 13064: 13062: 13058: 13057: 13055: 13054: 13049: 13048: 13047: 13037: 13036: 13035: 13030: 13025: 13020: 13015: 13010: 13005: 13004: 13003: 12988: 12983: 12981:Volcano School 12978: 12977: 12976: 12971: 12961: 12956: 12951: 12950: 12949: 12939: 12934: 12933: 12932: 12927: 12922: 12917: 12916: 12915: 12910: 12895: 12890: 12885: 12880: 12879: 12878: 12866: 12861: 12856: 12855: 12854: 12843: 12841: 12834: 12826: 12825: 12822: 12821: 12819: 12818: 12813: 12812: 12811: 12806: 12805: 12804: 12789: 12788: 12787: 12786: 12785: 12775: 12770: 12760: 12755: 12754: 12753: 12743: 12738: 12736:Norwich School 12733: 12728: 12727: 12726: 12725: 12724: 12714: 12709: 12704: 12699: 12694: 12689: 12684: 12679: 12677:Fairy painting 12668: 12666: 12656: 12655: 12653: 12652: 12651: 12650: 12645: 12634: 12629: 12624: 12619: 12614: 12613: 12612: 12601: 12599: 12593: 12592: 12590: 12589: 12588: 12587: 12582: 12581: 12580: 12575: 12570: 12568:Chilote School 12560: 12558:Casta painting 12550: 12549: 12548: 12543: 12538: 12537: 12536: 12534:Tipos del País 12531: 12518: 12517: 12516: 12515: 12514: 12504: 12492: 12490: 12486: 12485: 12483: 12482: 12477: 12476: 12475: 12470: 12465: 12460: 12455: 12443: 12442: 12441: 12434: 12429: 12424: 12422:Louis XV style 12419: 12408: 12406: 12402: 12401: 12399: 12398: 12397: 12396: 12391: 12381: 12376: 12371: 12370: 12369: 12359: 12354: 12349: 12344: 12343: 12342: 12337: 12332: 12331: 12330: 12325: 12315: 12310: 12299: 12297: 12293: 12292: 12290: 12289: 12284: 12279: 12274: 12269: 12268: 12267: 12257: 12256: 12255: 12254: 12253: 12248: 12243: 12233: 12232: 12231: 12226: 12224:Cologne School 12216: 12211: 12206: 12205: 12204: 12189: 12188: 12187: 12186: 12185: 12177: 12172: 12167: 12157: 12156: 12155: 12150: 12145: 12135: 12134: 12133: 12126: 12121: 12105: 12103: 12097: 12096: 12094: 12093: 12092: 12091: 12084: 12079: 12077:Italian school 12068: 12063: 12062: 12061: 12059:Sienese School 12051: 12046: 12041: 12036: 12035: 12034: 12029: 12024: 12014: 12007: 12006: 12005: 11995: 11994: 11993: 11988: 11978: 11973: 11972: 11971: 11969:Pre-Romanesque 11966: 11961: 11951: 11950: 11949: 11944: 11939: 11934: 11924: 11919: 11918: 11917: 11905: 11900: 11898:Donor portrait 11895: 11894: 11893: 11888: 11883: 11878: 11873: 11863: 11862: 11861: 11851: 11850: 11849: 11838: 11836: 11830: 11829: 11827: 11826: 11825: 11824: 11819: 11814: 11809: 11807:Julio-Claudian 11804: 11799: 11789: 11784: 11779: 11774: 11769: 11768: 11767: 11766: 11765: 11760: 11759: 11758: 11756:Greco-Buddhist 11748: 11738: 11733: 11728: 11723: 11718: 11713: 11708: 11703: 11698: 11696:Protogeometric 11693: 11683: 11682: 11681: 11676: 11671: 11666: 11656: 11651: 11650: 11649: 11638: 11636: 11627: 11621: 11620: 11611: 11608: 11607: 11591: 11590: 11583: 11576: 11568: 11559: 11558: 11541: 11533: 11532: 11529: 11528: 11526: 11525: 11518: 11511: 11504: 11497: 11490: 11483: 11476: 11469: 11466:Poetic realism 11462: 11455: 11448: 11441: 11434: 11427: 11420: 11413: 11406: 11399: 11396:Late modernity 11392: 11389:Late modernism 11385: 11378: 11371: 11370: 11369: 11362: 11355: 11341: 11334: 11331:High modernism 11327: 11320: 11313: 11306: 11299: 11292: 11285: 11278: 11275:Degenerate art 11271: 11264: 11257: 11250: 11245:Ballets Russes 11239: 11228: 11221: 11213: 11211: 11207: 11206: 11203: 11202: 11200: 11199: 11187: 11175: 11163: 11151: 11139: 11127: 11115: 11103: 11091: 11079: 11067: 11054: 11052: 11048: 11047: 11045: 11044: 11037: 11030: 11023: 11016: 11009: 11002: 10995: 10988: 10981: 10974: 10967: 10960: 10953: 10946: 10939: 10932: 10924: 10922: 10916: 10915: 10913: 10912: 10905: 10898: 10891: 10884: 10877: 10870: 10863: 10856: 10849: 10842: 10835: 10828: 10821: 10814: 10807: 10800: 10793: 10786: 10779: 10772: 10764: 10762: 10756: 10755: 10753: 10752: 10745: 10738: 10731: 10724: 10717: 10710: 10703: 10696: 10689: 10682: 10675: 10668: 10661: 10654: 10647: 10640: 10633: 10626: 10619: 10612: 10605: 10598: 10591: 10584: 10577: 10570: 10563: 10556: 10549: 10542: 10535: 10528: 10521: 10513: 10511: 10502: 10494: 10493: 10490: 10489: 10487: 10486: 10474: 10462: 10452: 10442: 10430: 10418: 10406: 10394: 10382: 10370: 10358: 10346: 10334: 10322: 10310: 10297: 10295: 10291: 10290: 10288: 10287: 10280: 10273: 10266: 10259: 10252: 10245: 10238: 10231: 10224: 10217: 10210: 10203: 10196: 10189: 10182: 10175: 10168: 10161: 10154: 10147: 10140: 10133: 10125: 10123: 10117: 10116: 10114: 10113: 10106: 10099: 10092: 10085: 10078: 10071: 10064: 10057: 10050: 10043: 10036: 10029: 10022: 10015: 10008: 10001: 9994: 9991:Ray (Satyajit) 9987: 9984:Ray (Nicholas) 9980: 9973: 9966: 9959: 9952: 9945: 9938: 9931: 9924: 9917: 9910: 9903: 9896: 9889: 9882: 9875: 9868: 9861: 9854: 9847: 9840: 9833: 9826: 9819: 9812: 9805: 9798: 9791: 9784: 9777: 9770: 9763: 9756: 9749: 9742: 9735: 9728: 9721: 9714: 9707: 9700: 9693: 9685: 9683: 9677: 9676: 9674: 9673: 9666: 9659: 9652: 9645: 9638: 9631: 9624: 9617: 9610: 9603: 9596: 9589: 9582: 9575: 9568: 9561: 9554: 9547: 9540: 9533: 9526: 9519: 9512: 9505: 9498: 9491: 9484: 9477: 9470: 9463: 9456: 9449: 9442: 9435: 9428: 9421: 9414: 9407: 9400: 9393: 9386: 9379: 9372: 9365: 9358: 9351: 9344: 9337: 9330: 9323: 9316: 9309: 9302: 9295: 9288: 9281: 9274: 9267: 9260: 9253: 9246: 9239: 9232: 9225: 9218: 9211: 9204: 9197: 9190: 9183: 9176: 9168: 9166: 9157: 9151: 9150: 9147: 9146: 9144: 9143: 9131: 9119: 9107: 9095: 9083: 9076:The Waste Land 9071: 9059: 9047: 9034: 9032: 9028: 9027: 9025: 9024: 9017: 9010: 9003: 8996: 8989: 8982: 8975: 8968: 8961: 8954: 8947: 8940: 8933: 8926: 8919: 8912: 8905: 8898: 8891: 8884: 8877: 8870: 8863: 8856: 8849: 8842: 8835: 8828: 8820: 8818: 8812: 8811: 8809: 8808: 8801: 8794: 8787: 8780: 8773: 8766: 8759: 8752: 8745: 8738: 8731: 8724: 8717: 8710: 8703: 8696: 8689: 8682: 8675: 8668: 8661: 8654: 8647: 8640: 8633: 8626: 8619: 8612: 8605: 8598: 8591: 8584: 8577: 8570: 8562: 8560: 8551: 8545: 8544: 8542: 8541: 8534: 8527: 8520: 8513: 8506: 8505: 8504: 8486: 8479: 8472: 8465: 8464: 8463: 8449: 8442: 8441: 8440: 8433: 8422: 8404: 8397: 8390: 8387:Constructivism 8383: 8376: 8365: 8354: 8346: 8344: 8340: 8339: 8332: 8331: 8324: 8317: 8309: 8300: 8299: 8297: 8296: 8295: 8294: 8284: 8279: 8274: 8272:Social realism 8269: 8264: 8259: 8257:Late modernism 8254: 8253: 8252: 8242: 8237: 8232: 8230:Neo-minimalism 8227: 8225:Postminimalism 8222: 8217: 8212: 8207: 8206: 8205: 8204: 8203: 8188: 8183: 8178: 8173: 8171:Constructivism 8167: 8165: 8161: 8160: 8158: 8157: 8152: 8147: 8142: 8137: 8132: 8130:Poetic realism 8127: 8125:Modernist film 8122: 8117: 8112: 8107: 8102: 8097: 8091: 8089: 8083: 8082: 8079: 8078: 8076: 8075: 8070: 8065: 8063:Textural music 8060: 8055: 8053:Spectral music 8050: 8045: 8040: 8035: 8030: 8025: 8020: 8018:New Complexity 8015: 8010: 8005: 8004: 8003: 7993: 7988: 7983: 7982: 7981: 7971: 7966: 7965: 7964: 7954: 7949: 7944: 7939: 7934: 7928: 7926: 7922: 7921: 7919: 7918: 7917: 7916: 7911: 7906: 7896: 7891: 7890: 7889: 7884: 7874: 7868: 7866: 7859: 7853: 7852: 7850: 7849: 7844: 7839: 7834: 7829: 7824: 7819: 7814: 7809: 7807:Neoavanguardia 7804: 7802:Language poets 7799: 7794: 7789: 7784: 7779: 7774: 7769: 7764: 7759: 7757:Asemic writing 7754: 7752:Angry Penguins 7749: 7743: 7741: 7735: 7734: 7732: 7731: 7726: 7721: 7716: 7711: 7706: 7701: 7696: 7691: 7686: 7681: 7676: 7671: 7670: 7669: 7659: 7654: 7649: 7644: 7639: 7634: 7629: 7624: 7619: 7614: 7609: 7604: 7599: 7594: 7589: 7588: 7587: 7577: 7572: 7567: 7565:Constructivism 7562: 7560:Conceptual art 7557: 7552: 7547: 7541: 7539: 7535: 7534: 7526: 7525: 7518: 7511: 7503: 7497: 7494: 7493: 7481: 7480: 7478: 7477: 7472: 7467: 7462: 7457: 7452: 7447: 7445:Surreal humour 7442: 7437: 7432: 7427: 7422: 7416: 7414: 7410: 7409: 7407: 7406: 7401: 7396: 7391: 7386: 7381: 7376: 7371: 7366: 7361: 7356: 7351: 7346: 7341: 7336: 7331: 7325: 7323: 7319: 7318: 7316: 7315: 7310: 7305: 7300: 7295: 7290: 7285: 7280: 7275: 7270: 7268:Georges Sadoul 7265: 7260: 7258:Pierre Reverdy 7255: 7250: 7245: 7240: 7235: 7230: 7228:Benjamin Péret 7225: 7220: 7215: 7210: 7208:Pierre Naville 7205: 7200: 7195: 7190: 7185: 7180: 7175: 7170: 7165: 7163:Marcel Lecomte 7160: 7155: 7150: 7145: 7140: 7135: 7130: 7128:Georges Hugnet 7125: 7120: 7115: 7110: 7105: 7103:Renée Gauthier 7100: 7095: 7090: 7085: 7080: 7075: 7070: 7068:Roger Caillois 7065: 7060: 7055: 7050: 7045: 7043:Antonin Artaud 7040: 7035: 7030: 7024: 7022: 7016: 7015: 7013: 7012: 7007: 7002: 6997: 6992: 6987: 6982: 6977: 6972: 6967: 6962: 6960:Maurice Tabard 6957: 6952: 6947: 6942: 6940:Kurt Seligmann 6937: 6932: 6927: 6922: 6917: 6915:Roland Penrose 6912: 6907: 6902: 6897: 6892: 6890:Desmond Morris 6887: 6882: 6877: 6872: 6867: 6862: 6857: 6852: 6847: 6842: 6837: 6832: 6827: 6822: 6817: 6812: 6807: 6805:Valentine Hugo 6802: 6800:Jacques Hérold 6797: 6792: 6790:Julio González 6787: 6782: 6777: 6772: 6767: 6762: 6757: 6755:Marcel Duhamel 6752: 6750:Marcel Duchamp 6747: 6742: 6737: 6732: 6727: 6722: 6717: 6712: 6707: 6702: 6697: 6692: 6687: 6682: 6680:Victor Brauner 6677: 6672: 6667: 6662: 6657: 6652: 6646: 6644: 6640: 6639: 6632: 6631: 6624: 6617: 6609: 6603: 6602: 6587: 6581: 6558: 6553: 6547: 6525: 6522: 6521: 6520: 6505: 6501:Arsenal vol. 4 6492: 6481: 6478: 6477: 6476: 6466: 6458: 6453:Le Surréalisme 6450: 6438: 6435: 6434: 6433: 6425: 6408: 6405: 6403: 6402:External links 6400: 6399: 6398: 6380: 6362: 6347: 6346: 6342: 6341: 6335: 6320: 6317: 6306: 6291: 6276: 6266: 6261:Melly, George 6259: 6245: 6238: 6224: 6218: 6205: 6191: 6184: 6166: 6159: 6144: 6130: 6116: 6110:Caws, Mary Ann 6107: 6092: 6085: 6078: 6071: 6064: 6057: 6043: 6040:Surrealist Art 6036: 6021: 6020: 6016: 6015: 6014: 6013: 6000: 5986: 5972: 5953: 5952: 5945: 5942: 5940: 5939: 5924: 5905: 5887: 5862: 5831: 5800: 5793: 5764: 5743: 5722: 5715: 5695: 5674: 5653: 5636: 5615: 5586: 5565: 5540: 5511: 5490: 5477: 5448: 5432: 5403: 5401:. pg. 111, 150 5374: 5362:Salman Rushdie 5353: 5332: 5319: 5310: 5301: 5292: 5283: 5274: 5256: 5239: 5217:Dave Meltzer. 5210: 5208:. pg. 277–278. 5181: 5152: 5132:Cranial Guitar 5123: 5114: 5112:. og. 219–222. 5085: 5056: 5052:10.2307/779088 5039: 5026: 5021:Viénet, Rene. 5014: 5004: 4995: 4964: 4957: 4937: 4922: 4896: 4877: 4852: 4828: 4809: 4785: 4771: 4756: 4743: 4720: 4699: 4681: 4652: 4633: 4616: 4601: 4576: 4552: 4537:Surrealist Art 4529: 4504: 4492: 4487:Monthly Review 4470: 4466:Dada Turns Red 4457: 4439: 4418: 4387: 4358: 4335: 4320: 4297: 4282: 4255: 4232: 4229:on 2017-02-14. 4209: 4194: 4175:(2): 127–160. 4155: 4140: 4127: 4117:Louis Aragon, 4110: 4085: 4060: 4053: 4033: 4006:(2): 247–273. 4000:Theatre Survey 3986: 3979: 3951: 3924:(3): 357–369. 3904: 3897: 3877: 3844: 3817:(3): 168–174. 3797: 3782: 3759: 3734: 3725: 3716: 3703: 3691: 3679: 3667: 3637: 3624: 3617: 3597: 3579: 3572: 3552: 3534: 3528:André Breton, 3521: 3500: 3479: 3471:Pierre Reverdy 3456:Breton (1924) 3449: 3439:Thomas Pynchon 3428: 3403: 3384: 3350: 3329:Dalí, Salvador 3318: 3301: 3286: 3277: 3268: 3255: 3240: 3227: 3218: 3204: 3165: 3156: 3135: 3128: 3110: 3082: 3067:Ian Chilvers, 3059: 3051:André Breton, 3043: 3036: 3017: 3015: 3012: 3011: 3010: 3000: 2994: 2988: 2983: 2977: 2972: 2967: 2962: 2960:Bizarre Object 2957: 2950: 2947: 2935:Joos de Momper 2922: 2919: 2895:Samuel Beckett 2891:Eugène Ionesco 2882: 2879: 2859: 2856: 2847:Carlos Fuentes 2815:Salman Rushdie 2804:Thomas Pynchon 2771:Allen Ginsberg 2734: 2731: 2705: 2702: 2698:Arthur Rimbaud 2652: 2649: 2630:John W. Sexton 2614:Jan Švankmajer 2595:Desire Unbound 2519: 2516: 2515: 2514: 2507: 2504: 2501: 2242: 2239: 2238: 2237: 2218: 2204: 2066: 2063: 2004:Anatole France 1966: 1963: 1899:Pierre Yoyotte 1788:left communism 1784:Benjamin Péret 1741: 1738: 1701:), the operas 1673:Mauricio Kagel 1625:Main article: 1622: 1619: 1605:Gertrude Stein 1565:Antonin Artaud 1524: 1521: 1515:and the Dutch 1496: 1493: 1492: 1491: 1473: 1465: 1457: 1445: 1442:Germaine Dulac 1423: 1403:Main article: 1400: 1397: 1374:Sadegh Hedayat 1349:Arthur Rimbaud 1338:Pierre Reverdy 1304: 1301: 1274:Ballets Russes 1146:Marcel Lecomte 1112:Georges Sadoul 1100:Marcel Duchamp 1072:Valentine Hugo 993: 992: 947: 945: 938: 932: 929: 919:preoccupation. 907:Breton's 1924 868:Joseph Delteil 860:Pierre Reverdy 844:Céline Arnauld 824:Main article: 799: 796: 767:Pierre Reverdy 707:Marcel Duchamp 691:Antonin Artaud 647:Pierre Naville 627:Benjamin Péret 603:Joseph Delteil 595:Pierre Reverdy 579:Céline Arnauld 432:Ballets Russes 393: 390: 333:juxtapositions 285: 284: 282: 281: 274: 267: 259: 256: 255: 254: 253: 248: 243: 235: 234: 230: 229: 228: 227: 222: 217: 212: 204: 203: 199: 198: 192: 191: 183: 182: 180: 179: 177:Postmodern art 174: 169: 163: 161: 157: 156: 154: 153: 148: 143: 138: 132: 130: 126: 125: 96: 92: 91: 88: 84: 83: 80: 76: 75: 41: 26: 9: 6: 4: 3: 2: 15160: 15149: 15146: 15144: 15141: 15139: 15138:Art movements 15136: 15134: 15131: 15130: 15128: 15109: 15108: 15103: 15095: 15089: 15086: 15084: 15081: 15079: 15076: 15074: 15071: 15069: 15066: 15064: 15061: 15059: 15056: 15054: 15051: 15049: 15046: 15044: 15041: 15039: 15036: 15034: 15033:Rhymers' Club 15031: 15029: 15026: 15024: 15021: 15019: 15016: 15014: 15011: 15009: 15006: 15004: 15001: 14999: 14996: 14994: 14993:New Formalism 14991: 14989: 14986: 14984: 14981: 14979: 14976: 14974: 14971: 14969: 14966: 14964: 14961: 14959: 14956: 14954: 14951: 14949: 14946: 14944: 14941: 14939: 14936: 14934: 14931: 14929: 14928:Jindyworobaks 14926: 14924: 14921: 14919: 14916: 14914: 14911: 14909: 14906: 14904: 14901: 14899: 14896: 14894: 14891: 14889: 14886: 14884: 14881: 14879: 14876: 14874: 14871: 14869: 14866: 14864: 14861: 14859: 14856: 14854: 14851: 14849: 14846: 14844: 14841: 14839: 14836: 14834: 14831: 14829: 14826: 14824: 14821: 14819: 14816: 14814: 14811: 14809: 14806: 14804: 14801: 14799: 14796: 14794: 14791: 14789: 14788:Cubo-Futurism 14786: 14784: 14781: 14779: 14776: 14774: 14771: 14769: 14766: 14764: 14761: 14759: 14756: 14754: 14751: 14749: 14746: 14744: 14741: 14739: 14736: 14734: 14731: 14729: 14726: 14724: 14721: 14719: 14716: 14714: 14711: 14709: 14706: 14705: 14702: 14698: 14694: 14687: 14682: 14680: 14675: 14673: 14668: 14667: 14664: 14652: 14644: 14643: 14640: 14634: 14631: 14629: 14628: 14624: 14622: 14619: 14617: 14614: 14612: 14609: 14607: 14604: 14602: 14599: 14597: 14594: 14592: 14589: 14585: 14582: 14580: 14577: 14576: 14575: 14572: 14570: 14567: 14565: 14562: 14560: 14557: 14555: 14552: 14550: 14547: 14545: 14542: 14538: 14535: 14533: 14530: 14529: 14528: 14525: 14523: 14520: 14518: 14517:Fantastic art 14515: 14513: 14510: 14506: 14503: 14501: 14498: 14496: 14493: 14491: 14488: 14487: 14486: 14485:Christian art 14483: 14481: 14478: 14476: 14473: 14471: 14468: 14464: 14461: 14460: 14459: 14456: 14454: 14451: 14450: 14448: 14444: 14434: 14431: 14429: 14426: 14424: 14421: 14417: 14414: 14412: 14409: 14408: 14407: 14404: 14402: 14399: 14397: 14394: 14392: 14389: 14387: 14386:Skeuomorphism 14384: 14382: 14379: 14377: 14374: 14372: 14369: 14367: 14364: 14362: 14359: 14357: 14354: 14352: 14349: 14347: 14346:Massurrealism 14344: 14342: 14341:Lightpainting 14339: 14337: 14334: 14332: 14329: 14325: 14324:Post-Internet 14322: 14321: 14320: 14317: 14315: 14312: 14310: 14307: 14305: 14302: 14298: 14295: 14294: 14293: 14290: 14288: 14285: 14283: 14280: 14278: 14275: 14273: 14270: 14268: 14265: 14261: 14258: 14257: 14256: 14253: 14251: 14248: 14246: 14243: 14241: 14238: 14236: 14233: 14231: 14228: 14226: 14223: 14221: 14218: 14217: 14215: 14209: 14203: 14200: 14198: 14197:Grunge design 14195: 14193: 14190: 14188: 14185: 14183: 14180: 14178: 14175: 14173: 14170: 14168: 14165: 14163: 14160: 14158: 14155: 14153: 14152:Retrofuturism 14150: 14148: 14147:Scratch video 14145: 14143: 14140: 14138: 14135: 14133: 14132:Memphis Group 14130: 14128: 14125: 14123: 14120: 14118: 14115: 14113: 14110: 14108: 14107:Telematic art 14105: 14103: 14100: 14098: 14097:Guerrilla art 14095: 14093: 14090: 14086: 14083: 14082: 14081: 14078: 14076: 14073: 14071: 14068: 14066: 14063: 14059: 14056: 14055: 14054: 14051: 14049: 14048:Endurance art 14046: 14044: 14041: 14039: 14036: 14034: 14031: 14029: 14026: 14025: 14023: 14019: 14013: 14010: 14008: 14005: 14003: 14000: 13998: 13995: 13993: 13990: 13986: 13983: 13982: 13981: 13978: 13976: 13973: 13971: 13968: 13966: 13963: 13961: 13958: 13956: 13953: 13951: 13948: 13946: 13943: 13941: 13938: 13936: 13933: 13931: 13928: 13926: 13923: 13921: 13918: 13916: 13913: 13911: 13908: 13906: 13903: 13901: 13898: 13896: 13893: 13891: 13888: 13886: 13883: 13881: 13878: 13876: 13873: 13871: 13868: 13866: 13863: 13861: 13858: 13856: 13853: 13851: 13848: 13846: 13843: 13839: 13836: 13835: 13834: 13831: 13829: 13826: 13824: 13821: 13819: 13816: 13814: 13811: 13809: 13806: 13805: 13803: 13799: 13793: 13790: 13788: 13785: 13783: 13780: 13776: 13773: 13771: 13768: 13767: 13766: 13763: 13759: 13756: 13755: 13754: 13751: 13749: 13746: 13744: 13741: 13739: 13736: 13734: 13731: 13729: 13726: 13724: 13721: 13719: 13716: 13714: 13711: 13709: 13708:New media art 13706: 13702: 13699: 13698: 13697: 13694: 13692: 13689: 13687: 13686:Nanyang Style 13684: 13682: 13679: 13677: 13674: 13672: 13669: 13667: 13664: 13660: 13657: 13655: 13652: 13650: 13647: 13645: 13642: 13641: 13640: 13637: 13635: 13632: 13630: 13627: 13623: 13620: 13619: 13618: 13617:Visionary art 13615: 13611: 13608: 13607: 13606: 13603: 13601: 13598: 13597: 13595: 13591: 13588: 13584: 13579: 13575: 13565: 13562: 13560: 13557: 13555: 13552: 13550: 13547: 13543: 13540: 13539: 13538: 13535: 13533: 13530: 13526: 13523: 13521: 13518: 13517: 13516: 13513: 13509: 13506: 13505: 13504: 13501: 13499: 13496: 13494: 13491: 13489: 13486: 13484: 13483:Scuola Romana 13481: 13479: 13476: 13474: 13473: 13469: 13467: 13464: 13462: 13459: 13457: 13454: 13450: 13447: 13445: 13442: 13441: 13440: 13437: 13435: 13432: 13430: 13427: 13425: 13422: 13420: 13417: 13415: 13412: 13410: 13409:Anthropophagy 13407: 13405: 13402: 13398: 13395: 13394: 13393: 13392:Functionalism 13390: 13388: 13385: 13383: 13380: 13378: 13375: 13373: 13370: 13366: 13363: 13362: 13361: 13358: 13354: 13351: 13349: 13346: 13345: 13344: 13341: 13337: 13334: 13333: 13332: 13329: 13327: 13324: 13320: 13319: 13315: 13314: 13313: 13312:Neoplasticism 13310: 13308: 13305: 13303: 13300: 13294: 13291: 13290: 13289: 13286: 13285: 13284: 13281: 13279: 13276: 13274: 13271: 13269: 13266: 13264: 13261: 13260: 13258: 13254: 13248: 13245: 13243: 13240: 13238: 13235: 13233: 13230: 13228: 13225: 13223: 13220: 13216: 13215:Cubo-Futurism 13213: 13212: 13211: 13208: 13206: 13203: 13201: 13200: 13196: 13192: 13189: 13187: 13184: 13183: 13182: 13179: 13175: 13174:Ashcan School 13172: 13171: 13170: 13167: 13165: 13162: 13160: 13157: 13153: 13150: 13148: 13145: 13144: 13143: 13142:Expressionism 13140: 13138: 13135: 13133: 13130: 13128: 13127:Mir iskusstva 13125: 13123: 13120: 13116: 13113: 13111: 13108: 13106: 13103: 13101: 13098: 13097: 13096: 13093: 13091: 13088: 13086: 13083: 13081: 13078: 13074: 13071: 13070: 13069: 13066: 13065: 13063: 13059: 13053: 13050: 13046: 13043: 13042: 13041: 13038: 13034: 13031: 13029: 13026: 13024: 13021: 13019: 13016: 13014: 13011: 13009: 13006: 13002: 12999: 12998: 12997: 12994: 12993: 12992: 12989: 12987: 12984: 12982: 12979: 12975: 12972: 12970: 12967: 12966: 12965: 12962: 12960: 12957: 12955: 12952: 12948: 12945: 12944: 12943: 12940: 12938: 12935: 12931: 12928: 12926: 12923: 12921: 12918: 12914: 12913:Boston School 12911: 12909: 12908:Hoosier Group 12906: 12905: 12904: 12901: 12900: 12899: 12898:Impressionism 12896: 12894: 12893:Peredvizhniki 12891: 12889: 12886: 12884: 12883:Beuron School 12881: 12877: 12874: 12873: 12872: 12871: 12867: 12865: 12862: 12860: 12857: 12853: 12850: 12849: 12848: 12845: 12844: 12842: 12838: 12835: 12831: 12827: 12817: 12814: 12810: 12807: 12803: 12800: 12799: 12798: 12797:Munich School 12795: 12794: 12793: 12790: 12784: 12781: 12780: 12779: 12776: 12774: 12771: 12769: 12766: 12765: 12764: 12761: 12759: 12756: 12752: 12749: 12748: 12747: 12744: 12742: 12739: 12737: 12734: 12732: 12729: 12723: 12720: 12719: 12718: 12715: 12713: 12710: 12708: 12705: 12703: 12700: 12698: 12695: 12693: 12690: 12688: 12685: 12683: 12680: 12678: 12675: 12674: 12673: 12670: 12669: 12667: 12663: 12657: 12649: 12646: 12644: 12641: 12640: 12639: 12635: 12633: 12630: 12628: 12625: 12623: 12620: 12618: 12615: 12611: 12608: 12607: 12606: 12603: 12602: 12600: 12596:Art borrowing 12594: 12586: 12583: 12579: 12576: 12574: 12571: 12569: 12566: 12565: 12564: 12561: 12559: 12556: 12555: 12554: 12551: 12547: 12546:Company style 12544: 12542: 12539: 12535: 12532: 12530: 12527: 12526: 12525: 12522: 12521: 12519: 12513: 12510: 12509: 12508: 12505: 12503: 12500: 12499: 12498: 12494: 12493: 12491: 12487: 12481: 12478: 12474: 12471: 12469: 12466: 12464: 12461: 12459: 12456: 12454: 12453: 12449: 12448: 12447: 12446:Neoclassicism 12444: 12440: 12439: 12435: 12433: 12430: 12428: 12425: 12423: 12420: 12418: 12415: 12414: 12413: 12410: 12409: 12407: 12403: 12395: 12392: 12390: 12387: 12386: 12385: 12382: 12380: 12377: 12375: 12372: 12368: 12365: 12364: 12363: 12360: 12358: 12355: 12353: 12350: 12348: 12345: 12341: 12338: 12336: 12333: 12329: 12326: 12324: 12321: 12320: 12319: 12316: 12314: 12311: 12309: 12306: 12305: 12304: 12301: 12300: 12298: 12294: 12288: 12285: 12283: 12280: 12278: 12275: 12273: 12272:Cretan School 12270: 12266: 12263: 12262: 12261: 12258: 12252: 12249: 12247: 12244: 12242: 12239: 12238: 12237: 12234: 12230: 12229:Danube school 12227: 12225: 12222: 12221: 12220: 12217: 12215: 12212: 12210: 12207: 12203: 12200: 12199: 12198: 12195: 12194: 12193: 12190: 12184: 12183: 12178: 12176: 12173: 12171: 12168: 12166: 12163: 12162: 12161: 12158: 12154: 12151: 12149: 12146: 12144: 12141: 12140: 12139: 12136: 12132: 12131: 12127: 12125: 12122: 12120: 12117: 12116: 12115: 12112: 12111: 12110: 12107: 12106: 12104: 12102: 12098: 12090: 12089: 12085: 12083: 12080: 12078: 12075: 12074: 12073: 12069: 12067: 12064: 12060: 12057: 12056: 12055: 12052: 12050: 12047: 12045: 12042: 12040: 12037: 12033: 12030: 12028: 12025: 12023: 12020: 12019: 12018: 12015: 12013: 12012: 12008: 12004: 12001: 12000: 11999: 11996: 11992: 11989: 11987: 11984: 11983: 11982: 11979: 11977: 11974: 11970: 11967: 11965: 11962: 11960: 11957: 11956: 11955: 11952: 11948: 11945: 11943: 11940: 11938: 11935: 11933: 11930: 11929: 11928: 11925: 11923: 11920: 11916: 11915: 11911: 11910: 11909: 11906: 11904: 11901: 11899: 11896: 11892: 11889: 11887: 11884: 11882: 11879: 11877: 11874: 11872: 11869: 11868: 11867: 11864: 11860: 11857: 11856: 11855: 11852: 11848: 11845: 11844: 11843: 11840: 11839: 11837: 11835: 11831: 11823: 11820: 11818: 11815: 11813: 11810: 11808: 11805: 11803: 11800: 11798: 11795: 11794: 11793: 11790: 11788: 11785: 11783: 11780: 11778: 11775: 11773: 11770: 11764: 11761: 11757: 11754: 11753: 11752: 11749: 11747: 11744: 11743: 11742: 11739: 11737: 11734: 11732: 11729: 11727: 11724: 11722: 11719: 11717: 11714: 11712: 11709: 11707: 11706:Orientalizing 11704: 11702: 11699: 11697: 11694: 11692: 11691:Sub-Mycenaean 11689: 11688: 11687: 11684: 11680: 11677: 11675: 11672: 11670: 11667: 11665: 11662: 11661: 11660: 11657: 11655: 11652: 11648: 11645: 11644: 11643: 11640: 11639: 11637: 11635: 11631: 11628: 11622: 11618: 11614: 11609: 11605:art movements 11604: 11600: 11596: 11589: 11584: 11582: 11577: 11575: 11570: 11569: 11566: 11556: 11546: 11545: 11544:Postmodernism 11539: 11538: 11530: 11523: 11519: 11516: 11512: 11509: 11505: 11502: 11498: 11495: 11491: 11488: 11487:Metamodernism 11484: 11481: 11477: 11474: 11470: 11467: 11463: 11460: 11456: 11453: 11452:New Hollywood 11449: 11446: 11442: 11439: 11435: 11432: 11428: 11425: 11421: 11418: 11414: 11411: 11407: 11404: 11400: 11397: 11393: 11390: 11386: 11383: 11379: 11376: 11372: 11367: 11363: 11360: 11356: 11353: 11349: 11348: 11346: 11345:Impressionism 11342: 11339: 11335: 11332: 11328: 11325: 11321: 11318: 11314: 11311: 11307: 11304: 11300: 11297: 11293: 11290: 11286: 11283: 11279: 11276: 11272: 11269: 11265: 11262: 11258: 11255: 11251: 11247: 11246: 11240: 11236: 11235: 11229: 11226: 11222: 11219: 11215: 11214: 11212: 11208: 11194: 11193: 11188: 11182: 11181: 11176: 11170: 11169: 11164: 11158: 11157: 11152: 11146: 11145: 11140: 11134: 11133: 11128: 11122: 11121: 11116: 11110: 11109: 11104: 11098: 11097: 11092: 11086: 11085: 11080: 11074: 11073: 11068: 11062: 11061: 11056: 11055: 11053: 11049: 11042: 11038: 11035: 11031: 11028: 11024: 11021: 11017: 11014: 11010: 11007: 11003: 11000: 10996: 10993: 10989: 10986: 10982: 10979: 10975: 10972: 10968: 10965: 10961: 10958: 10954: 10951: 10947: 10944: 10940: 10937: 10933: 10930: 10926: 10925: 10923: 10921: 10917: 10910: 10906: 10903: 10899: 10896: 10892: 10889: 10885: 10882: 10878: 10875: 10871: 10868: 10864: 10861: 10857: 10854: 10850: 10847: 10843: 10840: 10836: 10833: 10829: 10826: 10822: 10819: 10815: 10812: 10808: 10805: 10801: 10798: 10794: 10791: 10787: 10784: 10780: 10777: 10773: 10770: 10766: 10765: 10763: 10761: 10757: 10750: 10746: 10743: 10739: 10736: 10732: 10729: 10725: 10722: 10718: 10715: 10711: 10708: 10704: 10701: 10697: 10694: 10690: 10687: 10683: 10680: 10676: 10673: 10669: 10666: 10662: 10659: 10655: 10652: 10648: 10645: 10641: 10638: 10634: 10631: 10627: 10624: 10620: 10617: 10613: 10610: 10606: 10603: 10599: 10596: 10592: 10589: 10585: 10582: 10578: 10575: 10571: 10568: 10564: 10561: 10557: 10554: 10550: 10547: 10543: 10540: 10536: 10533: 10529: 10526: 10522: 10519: 10515: 10514: 10512: 10510: 10506: 10503: 10501: 10495: 10481: 10480: 10475: 10469: 10468: 10463: 10457: 10453: 10447: 10443: 10437: 10436: 10431: 10425: 10424: 10419: 10413: 10412: 10407: 10401: 10400: 10395: 10389: 10388: 10383: 10377: 10376: 10371: 10365: 10364: 10359: 10353: 10352: 10347: 10341: 10340: 10335: 10329: 10328: 10323: 10317: 10316: 10311: 10305: 10304: 10299: 10298: 10296: 10292: 10285: 10281: 10278: 10274: 10271: 10267: 10264: 10260: 10257: 10253: 10250: 10246: 10243: 10239: 10236: 10232: 10229: 10225: 10222: 10218: 10215: 10211: 10208: 10204: 10201: 10197: 10194: 10190: 10187: 10183: 10180: 10176: 10173: 10172:Hundertwasser 10169: 10166: 10162: 10159: 10155: 10152: 10148: 10145: 10141: 10138: 10134: 10131: 10127: 10126: 10124: 10122: 10118: 10111: 10107: 10104: 10100: 10097: 10093: 10090: 10086: 10083: 10079: 10076: 10072: 10069: 10065: 10062: 10058: 10055: 10051: 10048: 10044: 10041: 10037: 10034: 10030: 10027: 10023: 10020: 10016: 10013: 10009: 10006: 10002: 9999: 9995: 9992: 9988: 9985: 9981: 9978: 9974: 9971: 9967: 9964: 9960: 9957: 9953: 9950: 9946: 9943: 9939: 9936: 9932: 9929: 9925: 9922: 9918: 9915: 9911: 9908: 9904: 9901: 9897: 9894: 9890: 9887: 9883: 9880: 9876: 9873: 9869: 9866: 9862: 9859: 9855: 9852: 9848: 9845: 9841: 9838: 9834: 9831: 9827: 9824: 9820: 9817: 9813: 9810: 9806: 9803: 9799: 9796: 9792: 9789: 9785: 9782: 9778: 9775: 9771: 9768: 9764: 9761: 9757: 9754: 9750: 9747: 9743: 9740: 9736: 9733: 9729: 9726: 9722: 9719: 9715: 9712: 9708: 9705: 9701: 9698: 9694: 9691: 9687: 9686: 9684: 9682: 9678: 9671: 9667: 9664: 9660: 9657: 9653: 9650: 9646: 9643: 9639: 9636: 9632: 9629: 9625: 9622: 9618: 9615: 9611: 9608: 9604: 9601: 9597: 9594: 9590: 9587: 9583: 9580: 9576: 9573: 9569: 9566: 9562: 9559: 9555: 9552: 9548: 9545: 9541: 9538: 9534: 9531: 9527: 9524: 9520: 9517: 9513: 9510: 9506: 9503: 9499: 9496: 9492: 9489: 9485: 9482: 9478: 9475: 9471: 9468: 9464: 9461: 9457: 9454: 9450: 9447: 9443: 9440: 9436: 9433: 9429: 9426: 9422: 9419: 9415: 9412: 9408: 9405: 9401: 9398: 9394: 9391: 9387: 9384: 9380: 9377: 9373: 9370: 9366: 9363: 9359: 9356: 9352: 9349: 9345: 9342: 9338: 9335: 9331: 9328: 9324: 9321: 9317: 9314: 9310: 9307: 9303: 9300: 9296: 9293: 9289: 9286: 9282: 9279: 9275: 9272: 9268: 9265: 9261: 9258: 9254: 9251: 9247: 9244: 9240: 9237: 9233: 9230: 9226: 9223: 9219: 9216: 9212: 9209: 9205: 9202: 9198: 9195: 9191: 9188: 9184: 9181: 9177: 9174: 9170: 9169: 9167: 9165: 9161: 9158: 9156: 9152: 9138: 9137: 9132: 9126: 9125: 9120: 9114: 9113: 9108: 9102: 9101: 9096: 9090: 9089: 9084: 9078: 9077: 9072: 9066: 9065: 9060: 9054: 9053: 9048: 9042: 9041: 9036: 9035: 9033: 9029: 9022: 9018: 9015: 9011: 9008: 9004: 9001: 8997: 8994: 8990: 8987: 8983: 8980: 8976: 8973: 8969: 8966: 8962: 8959: 8955: 8952: 8948: 8945: 8941: 8938: 8934: 8931: 8927: 8924: 8920: 8917: 8913: 8910: 8906: 8903: 8899: 8896: 8892: 8889: 8885: 8882: 8878: 8875: 8871: 8868: 8864: 8861: 8857: 8854: 8850: 8847: 8843: 8840: 8836: 8833: 8829: 8826: 8822: 8821: 8819: 8817: 8813: 8806: 8802: 8799: 8795: 8792: 8788: 8785: 8781: 8778: 8774: 8771: 8767: 8764: 8760: 8757: 8753: 8750: 8746: 8743: 8739: 8736: 8732: 8729: 8725: 8722: 8718: 8715: 8711: 8708: 8704: 8701: 8697: 8694: 8690: 8687: 8683: 8680: 8676: 8673: 8669: 8666: 8662: 8659: 8655: 8652: 8648: 8645: 8641: 8638: 8634: 8631: 8627: 8624: 8620: 8617: 8613: 8610: 8606: 8603: 8599: 8596: 8592: 8589: 8585: 8582: 8578: 8575: 8571: 8568: 8564: 8563: 8561: 8559: 8555: 8552: 8550: 8549:Literary arts 8546: 8539: 8535: 8532: 8528: 8525: 8521: 8518: 8514: 8511: 8507: 8501: 8500: 8494: 8493: 8491: 8490:Neoplasticism 8487: 8484: 8480: 8477: 8473: 8470: 8466: 8461: 8457: 8456: 8454: 8453:Functionalism 8450: 8447: 8443: 8438: 8434: 8430: 8429: 8423: 8419: 8418: 8412: 8411: 8409: 8408:Expressionism 8405: 8402: 8398: 8395: 8391: 8388: 8384: 8381: 8380:Ashcan School 8377: 8373: 8372: 8366: 8362: 8361: 8355: 8352: 8348: 8347: 8345: 8341: 8337: 8330: 8325: 8323: 8318: 8316: 8311: 8310: 8307: 8293: 8290: 8289: 8288: 8285: 8283: 8280: 8278: 8275: 8273: 8270: 8268: 8265: 8263: 8260: 8258: 8255: 8251: 8248: 8247: 8246: 8245:Postmodernism 8243: 8241: 8238: 8236: 8233: 8231: 8228: 8226: 8223: 8221: 8218: 8216: 8213: 8211: 8208: 8202: 8201:Cubo-Futurism 8199: 8198: 8197: 8194: 8193: 8192: 8189: 8187: 8184: 8182: 8181:Expressionism 8179: 8177: 8174: 8172: 8169: 8168: 8166: 8162: 8156: 8153: 8151: 8148: 8146: 8143: 8141: 8138: 8136: 8133: 8131: 8128: 8126: 8123: 8121: 8118: 8116: 8113: 8111: 8108: 8106: 8103: 8101: 8098: 8096: 8093: 8092: 8090: 8084: 8074: 8071: 8069: 8066: 8064: 8061: 8059: 8056: 8054: 8051: 8049: 8046: 8044: 8041: 8039: 8036: 8034: 8031: 8029: 8026: 8024: 8021: 8019: 8016: 8014: 8011: 8009: 8008:Music theatre 8006: 8002: 7999: 7998: 7997: 7996:Minimal music 7994: 7992: 7989: 7987: 7984: 7980: 7977: 7976: 7975: 7972: 7970: 7967: 7963: 7960: 7959: 7958: 7955: 7953: 7950: 7948: 7945: 7943: 7942:Ars subtilior 7940: 7938: 7935: 7933: 7930: 7929: 7927: 7923: 7915: 7912: 7910: 7907: 7905: 7902: 7901: 7900: 7897: 7895: 7892: 7888: 7885: 7883: 7880: 7879: 7878: 7875: 7873: 7870: 7869: 7867: 7863: 7860: 7858: 7854: 7848: 7845: 7843: 7842:Visual poetry 7840: 7838: 7835: 7833: 7830: 7828: 7825: 7823: 7820: 7818: 7817:Nouveau roman 7815: 7813: 7810: 7808: 7805: 7803: 7800: 7798: 7795: 7793: 7790: 7788: 7785: 7783: 7780: 7778: 7775: 7773: 7770: 7768: 7765: 7763: 7760: 7758: 7755: 7753: 7750: 7748: 7745: 7744: 7742: 7736: 7730: 7727: 7725: 7724:Temporary art 7722: 7720: 7717: 7715: 7712: 7710: 7707: 7705: 7702: 7700: 7697: 7695: 7692: 7690: 7687: 7685: 7682: 7680: 7679:Nonconformism 7677: 7675: 7672: 7668: 7665: 7664: 7663: 7662:Neoplasticism 7660: 7658: 7655: 7653: 7652:Mir iskusstva 7650: 7648: 7645: 7643: 7640: 7638: 7635: 7633: 7630: 7628: 7625: 7623: 7620: 7618: 7615: 7613: 7612:Impressionism 7610: 7608: 7605: 7603: 7600: 7598: 7595: 7593: 7590: 7586: 7583: 7582: 7581: 7580:Functionalism 7578: 7576: 7573: 7571: 7568: 7566: 7563: 7561: 7558: 7556: 7553: 7551: 7548: 7546: 7543: 7542: 7540: 7536: 7531: 7524: 7519: 7517: 7512: 7510: 7505: 7504: 7501: 7495: 7488: 7476: 7473: 7471: 7468: 7466: 7463: 7461: 7458: 7456: 7453: 7451: 7448: 7446: 7443: 7441: 7438: 7436: 7433: 7431: 7428: 7426: 7423: 7421: 7418: 7417: 7415: 7411: 7405: 7402: 7400: 7397: 7395: 7392: 7390: 7389:La Mandrágora 7387: 7385: 7382: 7380: 7377: 7375: 7372: 7370: 7367: 7365: 7362: 7360: 7357: 7355: 7352: 7350: 7347: 7345: 7342: 7340: 7337: 7335: 7332: 7330: 7327: 7326: 7324: 7320: 7314: 7311: 7309: 7306: 7304: 7303:Jacques Vaché 7301: 7299: 7298:Tristan Tzara 7296: 7294: 7291: 7289: 7288:André Thirion 7286: 7284: 7281: 7279: 7276: 7274: 7271: 7269: 7266: 7264: 7261: 7259: 7256: 7254: 7251: 7249: 7246: 7244: 7241: 7239: 7238:Francis Ponge 7236: 7234: 7231: 7229: 7226: 7224: 7221: 7219: 7216: 7214: 7211: 7209: 7206: 7204: 7201: 7199: 7196: 7194: 7191: 7189: 7186: 7184: 7183:Joyce Mansour 7181: 7179: 7176: 7174: 7171: 7169: 7168:Michel Leiris 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6831: 6828: 6826: 6823: 6821: 6818: 6816: 6813: 6811: 6808: 6806: 6803: 6801: 6798: 6796: 6795:Jane Graverol 6793: 6791: 6788: 6786: 6783: 6781: 6778: 6776: 6773: 6771: 6768: 6766: 6763: 6761: 6758: 6756: 6753: 6751: 6748: 6746: 6743: 6741: 6738: 6736: 6733: 6731: 6730:Jean Dallaire 6728: 6726: 6725:Salvador Dalí 6723: 6721: 6718: 6716: 6713: 6711: 6708: 6706: 6703: 6701: 6698: 6696: 6693: 6691: 6688: 6686: 6685:Fanny Brennan 6683: 6681: 6678: 6676: 6673: 6671: 6668: 6666: 6663: 6661: 6658: 6656: 6653: 6651: 6648: 6647: 6645: 6641: 6637: 6630: 6625: 6623: 6618: 6616: 6611: 6610: 6607: 6598: 6594: 6591: 6588: 6584: 6578: 6574: 6570: 6566: 6565: 6559: 6557: 6554: 6551: 6548: 6538:on 2011-07-18 6537: 6533: 6528: 6527: 6517: 6516: 6511: 6506: 6502: 6498: 6493: 6490:. Libcom.org. 6489: 6486:Heath, Nick. 6484: 6483: 6474: 6470: 6467: 6465: 6463: 6459: 6454: 6451: 6448: 6444: 6441: 6440: 6432: 6430: 6426: 6424: 6420: 6417: 6415: 6411: 6410: 6396: 6392: 6388: 6384: 6381: 6378: 6374: 6370: 6366: 6363: 6360: 6356: 6352: 6349: 6348: 6344: 6343: 6338: 6332: 6328: 6327: 6321: 6318: 6315: 6311: 6307: 6304: 6300: 6296: 6292: 6289: 6288:0-674-40345-2 6285: 6281: 6277: 6275: 6273: 6267: 6264: 6260: 6258: 6257:0-87286-132-5 6254: 6250: 6246: 6243: 6239: 6237: 6233: 6229: 6225: 6221: 6215: 6211: 6206: 6204: 6200: 6196: 6192: 6189: 6185: 6183: 6179: 6175: 6171: 6167: 6164: 6160: 6157: 6156:0-226-17411-5 6153: 6149: 6145: 6143: 6139: 6135: 6131: 6129: 6125: 6121: 6117: 6114: 6111: 6108: 6105: 6104:1-57062-084-9 6101: 6097: 6093: 6090: 6086: 6083: 6079: 6076: 6072: 6069: 6065: 6062: 6058: 6055: 6052:, printed in 6051: 6047: 6044: 6041: 6037: 6035: 6031: 6027: 6023: 6022: 6019:Other sources 6018: 6017: 6011: 6007: 6006: 6004: 6001: 5998: 5997:1-56924-970-9 5994: 5990: 5987: 5984: 5983:0-87348-822-9 5980: 5976: 5973: 5970: 5969:0-472-17900-4 5966: 5962: 5958: 5955: 5954: 5951: 5948: 5947: 5935: 5931: 5927: 5925:3-8228-5856-0 5921: 5917: 5909: 5901: 5897: 5891: 5877: 5873: 5866: 5858: 5854: 5850: 5846: 5842: 5835: 5827: 5823: 5819: 5815: 5811: 5804: 5796: 5790: 5786: 5782: 5781: 5773: 5771: 5769: 5761: 5760:0-415-06518-6 5757: 5753: 5750:C. 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Innes. 5747: 5740: 5739:0-415-26583-5 5736: 5732: 5726: 5718: 5716:9781400075232 5712: 5708: 5707: 5699: 5692: 5691:0-521-82908-9 5688: 5684: 5678: 5671: 5670:0-7475-3169-2 5667: 5663: 5657: 5650: 5649:0-472-10310-5 5646: 5640: 5633: 5632:0-306-80835-8 5629: 5625: 5619: 5612: 5608: 5604: 5603:0-231-07360-7 5600: 5596: 5590: 5583: 5582:84-7908-476-6 5579: 5575: 5569: 5562: 5558: 5554: 5553:0-275-98049-9 5550: 5544: 5537: 5533: 5529: 5528:0-415-26853-2 5525: 5521: 5515: 5508: 5507:0-8265-1345-X 5504: 5500: 5494: 5487: 5481: 5474: 5470: 5466: 5465:1-57003-482-6 5462: 5458: 5452: 5445: 5441: 5436: 5422:on 2020-03-22 5421: 5417: 5413: 5407: 5400: 5396: 5392: 5391:1-57806-185-7 5388: 5384: 5378: 5371: 5370:0-7190-4409-X 5367: 5363: 5357: 5350: 5349:0-312-42468-X 5346: 5342: 5339:Paul Auster. 5336: 5329: 5323: 5314: 5305: 5296: 5287: 5278: 5271: 5270:0-06-092611-2 5267: 5260: 5254:. pg. 12, 239 5253: 5252:0-7535-0486-3 5249: 5243: 5236: 5232: 5228: 5227:0-87286-379-4 5224: 5220: 5214: 5207: 5203: 5199: 5198:0-472-06353-7 5195: 5191: 5185: 5178: 5174: 5170: 5169:0-8093-2447-4 5166: 5162: 5159:Kirby Olson. 5156: 5149: 5145: 5141: 5140:1-56689-038-1 5137: 5133: 5130:Bob Kaufman. 5127: 5118: 5111: 5107: 5103: 5102:0-292-71997-3 5099: 5095: 5089: 5082: 5078: 5074: 5073:1-890771-72-4 5070: 5066: 5060: 5053: 5049: 5043: 5036: 5033:Ford, Simon. 5030: 5024: 5018: 5008: 4999: 4991: 4987: 4983: 4979: 4976:(31): 45–51. 4975: 4968: 4960: 4954: 4950: 4949: 4941: 4934: 4933: 4926: 4918: 4914: 4910: 4903: 4901: 4893: 4892: 4887: 4881: 4870: 4869: 4862: 4856: 4849: 4845: 4841: 4837: 4832: 4825: 4824: 4819: 4813: 4806: 4802: 4798: 4794: 4789: 4782: 4775: 4767: 4760: 4753: 4747: 4739: 4735: 4731: 4724: 4709: 4703: 4695: 4691: 4685: 4677: 4671: 4663: 4659: 4655: 4649: 4645: 4644: 4637: 4629: 4628: 4620: 4612: 4605: 4591:on 2015-03-19 4590: 4586: 4580: 4565: 4559: 4557: 4549: 4545: 4541: 4538: 4533: 4519:on 2010-04-02 4518: 4514: 4508: 4501: 4496: 4488: 4484: 4480: 4474: 4467: 4461: 4453: 4449: 4443: 4428: 4422: 4416: 4415:0-7546-0989-8 4412: 4408: 4404: 4403: 4396: 4394: 4392: 4385: 4384:1-351-37902-X 4381: 4377: 4376: 4369: 4367: 4365: 4363: 4356: 4352: 4348: 4346: 4339: 4331: 4324: 4316: 4312: 4308: 4301: 4293: 4286: 4278: 4274: 4270: 4266: 4259: 4251: 4247: 4243: 4236: 4228: 4224: 4220: 4213: 4205: 4198: 4190: 4186: 4182: 4178: 4174: 4170: 4166: 4159: 4151: 4144: 4137: 4131: 4124: 4120: 4114: 4100:on 2008-09-06 4099: 4095: 4089: 4075:on 2009-08-23 4074: 4070: 4064: 4056: 4050: 4046: 4045: 4037: 4029: 4025: 4021: 4017: 4013: 4009: 4005: 4001: 3997: 3990: 3982: 3976: 3972: 3968: 3964: 3963: 3955: 3947: 3943: 3939: 3935: 3931: 3927: 3923: 3919: 3915: 3908: 3900: 3894: 3891:. Routledge. 3890: 3889: 3881: 3867: 3863: 3859: 3855: 3848: 3840: 3836: 3832: 3828: 3824: 3820: 3816: 3812: 3808: 3801: 3793: 3789: 3785: 3779: 3775: 3774: 3766: 3764: 3749: 3745: 3738: 3729: 3720: 3713: 3707: 3700: 3695: 3688: 3683: 3676: 3671: 3665: 3664:0-8050-5789-7 3661: 3657: 3653: 3648: 3646: 3644: 3642: 3635:, Heron, 1970 3634: 3631:José Pierre, 3628: 3620: 3618:9782748348347 3614: 3610: 3609: 3601: 3593: 3589: 3583: 3575: 3569: 3565: 3564: 3556: 3548: 3544: 3538: 3531: 3525: 3517: 3513: 3507: 3505: 3496: 3492: 3486: 3484: 3476: 3472: 3469: 3467: 3463: 3460: 3453: 3446: 3445: 3440: 3435: 3433: 3418: 3414: 3407: 3399: 3395: 3388: 3382: 3378: 3375: 3371: 3367: 3361: 3359: 3357: 3355: 3348: 3344: 3340: 3336: 3335: 3330: 3325: 3323: 3315: 3311: 3305: 3298: 3297: 3290: 3284:Sams, p. 282. 3281: 3272: 3265: 3259: 3252: 3251: 3244: 3237: 3231: 3222: 3215: 3208: 3201: 3197: 3196:1-900565-01-3 3193: 3189: 3185: 3184: 3179: 3175: 3169: 3160: 3152: 3151: 3146: 3139: 3131: 3125: 3121: 3114: 3100:on 2010-02-09 3099: 3095: 3089: 3087: 3079: 3078:0-19-953294-X 3075: 3071: 3070: 3063: 3056: 3054: 3047: 3039: 3033: 3029: 3022: 3018: 3004: 3003:Salón de Mayo 3001: 2998: 2995: 2992: 2989: 2987: 2984: 2981: 2978: 2976: 2973: 2971: 2968: 2966: 2963: 2961: 2958: 2956: 2953: 2952: 2946: 2944: 2943:fantastic art 2940: 2936: 2932: 2928: 2918: 2916: 2912: 2906: 2904: 2900: 2899:Arthur Adamov 2896: 2892: 2888: 2878: 2876: 2872: 2865: 2855: 2853: 2848: 2844: 2840: 2839:Magic realism 2836: 2834: 2833:Robert Coover 2830: 2826: 2825: 2820: 2816: 2812: 2807: 2805: 2800: 2798: 2794: 2790: 2786: 2784: 2780: 2776: 2772: 2768: 2767:Gregory Corso 2764: 2760: 2756: 2752: 2746: 2744: 2743:Postmodernism 2740: 2730: 2728: 2724: 2720: 2716: 2712: 2701: 2699: 2695: 2691: 2687: 2683: 2679: 2675: 2671: 2667: 2663: 2659: 2648: 2646: 2642: 2637: 2636: 2631: 2627: 2623: 2619: 2615: 2611: 2606: 2604: 2600: 2596: 2592: 2588: 2584: 2580: 2575: 2572: 2568: 2564: 2560: 2556: 2551: 2549: 2545: 2541: 2537: 2533: 2529: 2525: 2512: 2508: 2505: 2502: 2499: 2495: 2494: 2493: 2492: 2488: 2485: 2484: 2478: 2476: 2472: 2468: 2463: 2461: 2457: 2452: 2450: 2449:Roberto Matta 2445: 2443: 2439: 2435: 2431: 2427: 2423: 2422:Conroy Maddox 2419: 2415: 2414:Francis Bacon 2411: 2407: 2403: 2399: 2393: 2391: 2387: 2384:in May 1941, 2383: 2382:Belfast Blitz 2379: 2378:André Thirion 2371: 2370:Belfast Blitz 2367: 2363: 2359: 2357: 2353: 2348: 2344: 2343: 2338: 2334: 2330: 2329: 2324: 2320: 2314: 2312: 2308: 2304: 2300: 2296: 2295:Leo Steinberg 2292: 2288: 2284: 2279: 2275: 2271: 2270:Arshile Gorky 2267: 2266:New York City 2258: 2254: 2251: 2247: 2234: 2230: 2225: 2224: 2220:1938 – A new 2219: 2216: 2214: 2213:Fantastic Art 2209: 2205: 2202: 2198: 2197: 2192: 2191: 2190: 2189: 2185: 2183: 2179: 2171: 2167: 2163: 2159: 2157: 2151: 2149: 2145: 2141: 2140:Roberto Matta 2137: 2133: 2128: 2126: 2122: 2121: 2115: 2113: 2108: 2106: 2105: 2100: 2099: 2094: 2089: 2085: 2082: 2080: 2079:in Birmingham 2076: 2072: 2062: 2060: 2055: 2051: 2045: 2043: 2038: 2036: 2032: 2028: 2027: 2021: 2019: 2018: 2012: 2007: 2005: 2001: 1997: 1996: 1990: 1989: 1984: 1980: 1979:Maurice Henry 1976: 1972: 1962: 1960: 1956: 1952: 1947: 1945: 1941: 1937: 1933: 1929: 1928: 1923: 1919: 1914: 1912: 1908: 1904: 1903:J.M. Monnerot 1900: 1893: 1888: 1886: 1882: 1878: 1874: 1870: 1865: 1863: 1858: 1856: 1852: 1848: 1844: 1840: 1835: 1832: 1828: 1823: 1821: 1817: 1813: 1808: 1804: 1803: 1798: 1793: 1789: 1785: 1781: 1777: 1773: 1769: 1765: 1760: 1758: 1757:the Caribbean 1754: 1750: 1749: 1737: 1735: 1731: 1727: 1723: 1719: 1715: 1710: 1708: 1704: 1700: 1697:(scenario by 1696: 1692: 1688: 1684: 1682: 1678: 1674: 1670: 1669:György Ligeti 1666: 1665:Pierre Boulez 1662: 1658: 1654: 1650: 1649:Edgard Varèse 1646: 1642: 1638: 1634: 1628: 1618: 1616: 1612: 1611: 1606: 1602: 1598: 1597: 1592: 1591: 1586: 1585: 1580: 1575: 1573: 1568: 1566: 1562: 1558: 1554: 1550: 1546: 1544: 1540: 1536: 1535: 1530: 1520: 1518: 1514: 1510: 1506: 1502: 1489: 1488: 1484: 1479: 1478: 1474: 1471: 1470: 1466: 1463: 1462: 1458: 1455: 1451: 1450: 1446: 1443: 1439: 1438: 1434: 1429: 1428: 1424: 1421: 1417: 1416: 1412: 1411: 1410: 1406: 1396: 1393: 1392: 1387: 1385: 1381: 1380: 1379:the Blind Owl 1375: 1371: 1367: 1363: 1362: 1357: 1356:Le Pèse-Nerfs 1352: 1350: 1346: 1341: 1339: 1333: 1330: 1326: 1325: 1320: 1316: 1310: 1300: 1298: 1294: 1290: 1286: 1282: 1277: 1275: 1271: 1270: 1265: 1261: 1257: 1250: 1246: 1242: 1238: 1234: 1232: 1228: 1224: 1215: 1211: 1210: 1203: 1201: 1197: 1193: 1189: 1185: 1183: 1179: 1175: 1171: 1170:Expressionism 1167: 1163: 1159: 1155: 1151: 1147: 1143: 1139: 1138:René Magritte 1135: 1127: 1123: 1119: 1115: 1113: 1109: 1105: 1104:Tristan Tzara 1101: 1097: 1096:Pablo Picasso 1093: 1092:Enrico Donati 1089: 1085: 1081: 1077: 1073: 1069: 1065: 1061: 1060:Salvador Dalí 1057: 1053: 1049: 1045: 1041: 1036: 1034: 1030: 1026: 1022: 1018: 1011: 1007: 1003: 999: 989: 986: 978: 968: 964: 960: 954: 953: 948:This section 946: 937: 936: 927: 924: 923:Encyclopedia: 917: 912: 910: 905: 901: 899: 895: 891: 886: 884: 879: 877: 873: 872:Jean Painlevé 869: 865: 864:Marcel Arland 861: 857: 853: 852:Tristan Tzara 849: 845: 841: 837: 833: 827: 820: 816: 812: 808: 804: 795: 793: 792: 787: 782: 780: 776: 770: 768: 762: 760: 755: 753: 749: 745: 741: 732: 731: 725: 721: 720: 716: 712: 708: 704: 700: 696: 692: 688: 684: 683:Michel Leiris 680: 676: 672: 668: 664: 663:Salvador Dalí 660: 656: 652: 648: 644: 640: 639:Jacques Baron 636: 635:Robert Desnos 632: 628: 624: 620: 616: 612: 608: 607:Jean Painlevé 604: 600: 599:Marcel Arland 596: 592: 588: 587:Tristan Tzara 584: 580: 576: 572: 569:consisted of 568: 564: 559: 557: 556: 551: 547: 543: 539: 538: 532: 530: 526: 522: 518: 514: 510: 509:Jacques Vaché 506: 502: 501:Sigmund Freud 498: 494: 489: 487: 483: 479: 475: 473: 472: 465: 463: 457: 455: 451: 447: 443: 439: 438: 433: 429: 424: 422: 418: 414: 406: 402: 398: 389: 387: 383: 379: 375: 371: 367: 363: 358: 356: 352: 348: 344: 340: 339: 334: 331:, unexpected 330: 325: 323: 319: 315: 311: 307: 303: 299: 295: 291: 280: 275: 273: 268: 266: 261: 260: 258: 257: 252: 249: 247: 244: 242: 239: 238: 237: 236: 232: 231: 226: 223: 221: 218: 216: 213: 211: 208: 207: 206: 205: 201: 200: 197: 194: 193: 189: 188: 178: 175: 173: 172:Fantastic art 170: 168: 165: 164: 162: 158: 152: 149: 147: 144: 142: 139: 137: 134: 133: 131: 127: 124: 120: 116: 112: 108: 104: 100: 97: 95:Major figures 93: 89: 85: 81: 77: 55: 50: 49:René Magritte 46: 45: 39: 34: 19: 15098: 15072: 15008:Objectivists 14968:The Movement 14833:Ego-Futurism 14823:Dymock poets 14798:Cyclic Poets 14793:Culteranismo 14627:Trompe-l'œil 14625: 14596:Outsider art 14549:Illustration 14505:Lutheran art 14495:Catholic art 14458:Abstract art 14428:Unilalianism 14391:Software art 14366:Neosymbolism 14356:Neo-futurism 14319:Internet art 14309:Hyperrealism 14162:Superfiction 13945:Photorealism 13813:Afrofuturism 13578:Contemporary 13554:Dimensionism 13537:Concrete art 13470: 13466:Precisionism 13438: 13316: 13263:Sosaku-hanga 13237:Productivism 13227:Metaphysical 13197: 13186:Proto-Cubism 13090:Secessionism 13052:Costumbrismo 12937:Aestheticism 12888:Hague School 12868: 12792:Academic art 12773:Costumbrismo 12741:Empire style 12578:Quito School 12573:Cusco School 12489:Colonial art 12450: 12438:Fête galante 12436: 12405:18th century 12367:Delft School 12318:Caravaggisti 12296:17th century 12181: 12138:Quattrocento 12128: 12086: 12009: 11912: 11842:Late antique 11726:Severe style 11716:Black-figure 11603:Contemporary 11542: 11535: 11282:Ecomodernism 11190: 11178: 11166: 11154: 11142: 11130: 11120:The Firebird 11118: 11106: 11094: 11082: 11070: 11058: 10477: 10467:Citizen Kane 10465: 10456:Fallingwater 10446:Villa Savoye 10433: 10421: 10409: 10397: 10385: 10375:Black Square 10373: 10361: 10349: 10337: 10325: 10313: 10301: 10193:Le Corbusier 10121:Architecture 9134: 9122: 9110: 9100:Mrs Dalloway 9098: 9086: 9074: 9062: 9050: 9038: 8923:Lowell (Amy) 8516: 8281: 8110:Epic theatre 7947:Atonal music 7782:Flarf poetry 7772:Ego-Futurism 7570:Proto-Cubism 7399:Refus Global 7394:Monty Python 7313:Roger Vitrac 7293:Dylan Thomas 7263:Marko Ristić 7253:Herbert Read 7138:Nelly Kaplan 7133:Alfred Jarry 7123:Irène Hamoir 7118:Julien Gracq 7063:André Breton 7038:Louis Aragon 6945:André Souris 6870:Oscar Mellor 6855:André Masson 6735:Paul Delvaux 6705:Claude Cahun 6665:Hans Bellmer 6660:Eugène Atget 6635: 6563: 6540:. 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Rodopi. 3422:2024-06-24 3337:quoted in 3104:2012-12-06 3014:References 2871:Alcheringa 2862:See also: 2824:Twin Peaks 2739:Postmodern 2674:alchemists 2597:, and the 2571:Jaruzelski 2532:Asger Jorn 2528:Guy Debord 2513:– New York 2402:biomorphic 2333:David Hare 2229:Rainy Taxi 2065:Golden age 2017:L'Age d'Or 2011:Un Cadavre 1995:Un Cadavre 1983:Josef Sima 1936:René Ménil 1922:Martinique 1911:Martinique 1764:Trotskyist 1748:Mandrágora 1718:Paul Garon 1657:Paul Nougé 1641:Erik Satie 1584:The Public 1529:surrealist 1469:L'Âge d'Or 1420:René Clair 1307:See also: 1269:Hebdomeros 1142:Paul Nougé 1017:techniques 1002:Giacometti 975:April 2021 959:improve it 643:Max Morise 615:automatism 450:Erik Satie 413:surrealism 343:automatism 290:Surrealism 225:Techniques 196:Surrealism 160:Influenced 129:Influences 103:Carrington 31:Surrealism 15143:Modernism 15078:Symbolism 14973:Négritude 14908:Imaginism 14888:The Group 14858:Gay Saber 14848:Fugitives 14828:Ecopoetry 14728:The Beats 14621:Shock art 14611:Queer art 14591:Naïve art 14574:Modernism 14406:Superflat 14396:Sound art 14376:Post-YBAs 14361:Neomodern 14202:Verdadism 14172:Superflat 14021:1970–1999 13985:in the US 13905:Video art 13828:Happening 13801:1960–1969 13593:1945–1959 13256:1915–1944 13247:Vorticism 13199:A Nyolcak 13061:1900–1914 13033:Les Nabis 12964:Symbolism 12920:Amsterdam 12870:Japonisme 12840:1863–1899 12802:in Greece 12662:to modern 12507:Caribbean 12452:Goût grec 12374:Capriccio 12328:Tenebrism 12277:Turquerie 12175:Mannerism 12070:Medieval 11927:Byzantine 11908:Mozarabic 11859:Ethiopian 11763:Neo-Attic 11746:"Baroque" 11731:Classical 11701:Geometric 11679:Mycenaean 11626:(Western) 11624:Premodern 11595:Premodern 11473:Pulp noir 11431:Modernity 11296:Film noir 11020:St. Denis 10943:Diaghilev 10679:Schaeffer 10602:Hindemith 10574:Dutilleux 10546:Boulanger 10351:The Dance 10047:Tarkovsky 10040:Sternberg 9872:Hitchcock 9788:Dovzhenko 9704:Antonioni 9649:Stieglitz 9488:Metzinger 9439:Kokoschka 9418:Kandinsky 8832:Aldington 8825:Akhmatova 8742:Marinetti 8735:Mansfield 8686:Hemingway 8524:Symbolism 8343:Movements 8336:Modernism 8287:Symbolism 8215:Modernism 8048:Serialism 8033:Post-rock 7974:Free jazz 7882:Free funk 7837:Ultraísmo 7792:Imaginism 7767:Cyberpunk 7729:Vorticism 7532:movements 7379:The Goons 7223:Paul Păun 7178:Léo Malet 7143:Petr Král 7113:Yvan Goll 7021:theorists 6895:Joan Miró 6830:Dora Maar 6765:Max Ernst 6720:Gala Dalí 6385:. 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13915:Fluxus 13845:Op art 13414:Mingei 13348:Stupid 13326:Purism 13181:Cubism 12830:Modern 12622:Mughal 12412:Rococo 12017:Gothic 11998:Norman 11922:Viking 11876:Hunnic 11854:Coptic 11669:Minoan 11659:Aegean 11647:Dacian 11599:Modern 11196:(1953) 11184:(1928) 11172:(1921) 11160:(1917) 11148:(1913) 11136:(1912) 11124:(1910) 11112:(1905) 11108:Salome 11100:(1902) 11088:(1899) 11076:(1896) 11064:(1888) 11041:Wigman 10971:Graham 10964:Fuller 10957:Fokine 10950:Duncan 10902:Wilder 10888:Toller 10825:Kaiser 10797:Brecht 10783:Artaud 10742:Webern 10728:Varèse 10658:Partch 10630:Ligeti 10553:Boulez 10525:Bartók 10483:(1943) 10471:(1941) 10459:(1936) 10449:(1931) 10439:(1929) 10427:(1927) 10415:(1925) 10403:(1923) 10391:(1920) 10379:(1915) 10367:(1912) 10343:(1907) 10331:(1889) 10319:(1887) 10307:(1886) 10284:Wright 10270:Tatlin 10228:Neutra 10130:Breuer 10096:Welles 10082:Vertov 10005:Renoir 9956:Murnau 9942:Marker 9935:Lupino 9893:Keaton 9879:Hubley 9865:Godard 9851:Fuller 9795:Dreyer 9774:Dassin 9732:Buñuel 9628:Sisley 9621:Signac 9614:Seurat 9586:Renoir 9404:Hopper 9306:Demuth 9229:Calder 9222:Braque 9173:Albers 9140:(1929) 9116:(1926) 9104:(1925) 9092:(1924) 9080:(1922) 9068:(1922) 9056:(1915) 9007:Valéry 8993:Thomas 8958:Pessoa 8902:George 8895:Elytis 8888:Éluard 8874:Desnos 8846:Cavafy 8816:Poetry 8777:Proust 8770:Porter 8672:Hamsun 8630:Döblin 8623:Conrad 8595:Breton 8574:Barnes 8394:Cubism 8240:Neoism 8186:Fluxus 8086:Cinema 7925:Others 7827:Oulipo 7822:Oberiu 7709:Purism 7575:Cubism 7322:Groups 6579: 6393: 6375: 6357: 6333: 6286: 6255: 6234: 6216: 6201: 6176: 6154: 6140: 6126: 6102: 6050:Parade 6032: 5995: 5981: 5967: 5932: 5922: 5855: 5824: 5816: 5791: 5758: 5737: 5713: 5689: 5668: 5647: 5630: 5609: 5601: 5580: 5559: 5551: 5534: 5526: 5505: 5471: 5463: 5397: 5389: 5368: 5347: 5268: 5250: 5233: 5225: 5204: 5196: 5175: 5167: 5146: 5138: 5108: 5100: 5079: 5071: 4988: 4955: 4846: 4803: 4781:Ligiea 4660: 4650: 4413: 4382: 4353: 4187: 4051: 4026: 4018: 3977: 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