298:. Shanghai's economy was booming and various cultures arrived there. Pingtan absorbed some elements from various cultures and was well developed under the circumstances. The rise of records and radio stations also played an important role in popularizing Pingtan art. Another positive factor was the expansion of performing halls, which were decorated well and spacious. As a result, people like writers, painters, professors gradually became loyal fans. After the founding of People's Republic of China, 18 performers organized Shanghai People's Pingtan Troupe, which was the first official troupe. Based on traditional long story-telling, shorter and medium-sized stories were created, reflecting modern life. The form of performance is not limited in Shuchang, which was the traditional performing stage, however, in 1961 Pingtan concert was held which attracted nearly one thousand people to watch in each performance. While its traditional repertoire was banned during the Cultural Revolution, Pingtan still enjoyed a special status as a preferred medium for singing poems by Mao Zedong, making Pingtan known and appreciated throughout China, despite the dialectal barrier. Since the late 1970s, the traditional repertoire has been revived. The old artists undertook the task of passing the tradition on to the new generation. Pingtan is popularized by radio, television and Internet. Meanwhile, it faces challenges as a result of the popular entertainment industry.
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development of the personalities of characters correspond to their circumstances. People usually judge the authenticity of what they heard according to their own experiences. If audience find the contents go against objective laws or have no references, it will be hard to arouse people's interests and bring their imagination. In addition, there is no doubt that
Pingtan may lose the impact of arts. Taste means the feelings of artistic beauty. It results from the expression of artistic characteristics. At the same time, taste is a kind of emotional infection. Thus storytellers ought to skillfully master a variety of skills to ensure the storytelling filled with taste. Fully studying the chance of the development of things can receive unexpectedness. On account of the strong narrative description of characters and plots, Pingtan needs the effect of the twists of the plot structure. Interest reveals the performers attach much importance to the recreational effect of Pingtan. Performers' ultimate goal is to cater to the interests of the public. When it comes to minuteness, it also arises from the real life. The lively and true descriptions of details depend on the performers' observation and experiences.
286:. Its long history has provided a solid foundation for development. Despite its simplicity in form, Pingtan's content is rich, incorporating techniques like storytelling, joke cracking, music playing and aria singing. Its artistic features include "reasoning, tastes, unexpectedness, interest and minuteness". Although it began in Suzhou, Pingtan experienced significant growth in Shanghai during the turn of the 19th and 20th centuries, spurred by the development of commerce and culture. Since then, Pingtan has evolved into a new form of performance, continuously innovating while preserving its traditional essence.
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various styles of tone and melody. Pingtan has absorbed popular folk tunes. The special art Pintan performance is concentrated on the five words, joking, instrument-playing, singing and acting. Talking uses authentic and skilled Suzhou dialect to narrate stories and deduce characters. Narration and speaking are two forms of talking. Joking is the funny part of
Pingtan, which arises audience's attention and interests. Instrument-playing is used to assist singing in order to make it more musical and filled with strong sense of rhythm.
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inherited the Chen School, and Xia
Hesheng and Zhu Huizhen inherited the Yu School. The Ma School exerted the greatest impact on posterity, with successors who formed schools of their own, such as Xue Xiaoqing Diao(tone), Shen Jianan Diao and Qin Diao(developed by Zhu Xueqin on the basis of Xue Diao). Zhou Yuquan developed into a school on the basis of Ma Diao, while Jiang Yuequan developed into a school on the basis of Zhou Diao. Due to this development, Suzhou Pingtan has a great diversity of styles in singing and storytelling.
613:. Different areas have different history of 'storytelling'—this kind of art. However, they are all combined with local features and mostly performed in dialects. Compared with other talking and singing artforms, Pingtan is a kind art which performers will sit and perform. Pinghua just talk and Tanci will talk and sing just like Pingshu in northern areas. Quyi can be divided into several parts according to the contents: story-telling, just joking for fun, singing songs to express feelings. And Pingtan belongs to the first one.
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or pipa. Pingtan artists also use fans, gavels and handkerchieves as performance props. Players can display different roles' characteristics and identities by using fans. Fans can also be used as symbolic props to represent knives, guns, swords or whips. Gavels are usually made of jade, Dysoxylum spp
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Pingtan is intended to tell stories, especially long stories. Pingtan performers always separate a long story into several parts. In this way, they could form their own style to form and describe plots. For instance, surrounding one or two complex plots to tell stories, making some involvements, and
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Pingtan forms its own artistic characteristics of reasoning, taste, unexpectedness, interest and minuteness. Reasoning is not the boring preachment given by the performers. On the contrary, it tends to disclose objective laws and essence of real life by means of shaping vivid characters. And the
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Pingtan contains talking, joking, instrument-playing, singing and acting. Suzhou
Pingtan which involves singing and storytelling, is performed solo, in duet or as a trio. The small three-stringed plucked instrument and Pipa (lute) are used as accompaniment. The Ban, or wooden clappers, produce
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There are many different performance styles concerning
Pingtan. It is divided into the Chen Yuquan, Ma Rufei and Yu Xiushan Schools called Chen Diao, Ma Diao, Yu Diao. Over about a century, new styles were formed which inherited the legacy of the three schools. Liu Tianyun and Yang Zhenxiong
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or crystal and about 3 cm in length and 1 cm in width. When struck, they make a clear sound. They are used to make all kinds of sounds and atmosphere. Actors usually use white handkerchieves, while actresses choose different colors and materials according to the plot.
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Pingtan is a verbal literary artform which has a lot of oral features. As a kind of language art, it will use words to create imaginative images. The performers have to use vivid words which can make the audience imagine the
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It originated in Suzhou about four hundred years ago. From the middle of the 19th century to the beginning of the 20th century, it was performed in
Shanghai. At that time, Shanghai was one of the five
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Pingtan combines storytelling and singing, so it can express feelings more strongly and it has local styles. It will cover some culture phenomenon of daily life in local area.
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Simply, Pingtan is a kind of talking and singing art which uses Wu dialect to tell stories.
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Musical and oral performance art native to China's
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and a popular musical/oral performance art form in the
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605:Comparison with other kinds of quyi
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629:中国苏州评弹百家出版社 周良 主编 p. 14
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908:. Leiden: Brill, 2012
525:The Injustice to Dou E
290:Origin and development
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783:"苏州评弹 Suzhou Pingtan"
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1370:Revolutionary opera
741:"沈阳盛亿黎森商贸有限公司-沈阳木业"
255:. Originating from
84:Typical instruments
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2220:Chinese literature
1993:Double First-Class
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785:. Quyi.chinese.cn
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456:Notable works
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2116:Longjing tea
2086:Southern Min
1975:Hangzhou Bay
1935:Huangmaojian
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1787:Qixia Temple
1720:Suzhou opera
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1143:Tongzi opera
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1108:Puxian opera
1088:Liyuan opera
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1051:Gaojia opera
1030:Shanxi opera
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1008:Peking opera
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964:Hebei bangzi
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904:Qiliang He.
903:
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877:. Retrieved
867:
856:. Retrieved
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835:. Retrieved
825:
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787:. Retrieved
777:
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745:. Retrieved
735:
727:"苏州评弹——江南奇葩"
709:
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644:. Retrieved
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273:Song dynasty
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194:Hanyu Pinyin
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74:Major region
68:Song dynasty
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2152:Ruyi Bridge
2147:Mount Putuo
1955:Grand Canal
1940:Mount Mogan
1772:Huqiu Tower
1624:Hongze Lake
1467:Pear Garden
1256:Flower Drum
1235:(narrative)
1061:Hakka opera
979:Jilin opera
969:Henan opera
873:"评弹之家-书目简介"
852:"评弹之家-书目简介"
831:"评弹之家-书目简介"
743:. Lsmy8.com
496:Jiang Jie (
302:Performance
247:, northern
35:Pingtan in
2214:Categories
2091:Zhenan Min
2038:Wu Chinese
1797:Zhouzhuang
1634:Huai River
1599:Yellow Sea
1473:Shengqiang
1379:Role types
1321:Historical
1311:Xiangsheng
1269:Kuaibanshu
1250:Errenzhuan
1153:Wuxi opera
1118:Shao opera
1066:Huai opera
1013:Ping opera
879:2012-06-05
858:2012-06-05
837:2012-06-05
789:2012-06-05
747:2012-06-05
646:2012-06-05
617:References
445:Ma Rufei (
2098:Yue opera
1985:Education
1922:Geography
1710:Shuochang
1649:Education
1581:Geography
1487:Bian lian
1393:Xiaosheng
1297:Shulaibao
1188:Nuo opera
1163:Yue opera
1098:Min opera
1076:Hui opera
1056:Han opera
560:Rinchuu (
537:Liu Hulan
479:Diao Chan
45:Etymology
2186:Category
2043:Taihu Wu
1965:Ou River
1907:Politics
1881:Hangzhou
1871:Zhejiang
1816:Category
1619:Lake Tai
1566:Politics
1439:Costumes
1432:Costumes
1329:Canjunxi
1205:Errentai
1148:Wu opera
1103:Ou opera
1093:Lu opera
1039:Southern
1024:Qinqiang
1018:Pu opera
1002:Maoqiang
996:Lü opera
985:Liuqiang
957:Northern
594:Sunday (
338:Features
284:Jiangnan
253:Shanghai
249:Zhejiang
241:Jiangnan
103:Topolect
78:Jiangnan
2198:Commons
2108:Cuisine
2025:Culture
1912:Economy
1902:History
1894:General
1885:capital
1828:Commons
1715:Cuisine
1697:Culture
1571:Economy
1561:History
1553:General
1544:capital
1540:Nanjing
1530:Jiangsu
1364:Zidishu
1357:Chuanqi
1336:Yuanben
1290:Pingtan
1283:Pingshu
1276:Naamyam
351:scenes.
313:sanxian
262:pinghua
245:Jiangsu
223:Chinese
218:Pingtan
200:píngtán
130:Pingtan
107:Mainly
95:sanxian
51:pinghua
24:Pingtan
1930:Cities
1873:topics
1725:Geyuan
1589:Cities
1532:topics
1480:Yunbai
1450:Lingzi
329:Styles
257:Suzhou
251:, and
225::
118:Yunbai
115:(e.g.
64:Origin
39:, 2008
37:Suzhou
1407:Wudan
1387:Sheng
1343:Nanxi
1304:Tanci
1243:Baiju
1082:Kunqu
579:刘胡兰就义
320:Forms
307:Props
268:tanci
57:tanci
1422:Chou
1415:Jing
1350:Zaju
1262:Guci
1232:Quyi
611:Quyi
265:and
236:quyi
92:and
89:Pipa
54:and
1401:Dan
597:礼拜天
588:王铁人
554:白毛女
542:刘胡兰
530:窦娥冤
511:西厢记
448:马如飞
439:杨筱亭
430:薛筱卿
421:沈硷安
412:周玉泉
403:杨振雄
394:姚荫梅
385:陈遇乾
376:蒋月泉
2216::
765:^
718:^
563:林冲
499:江姐
484:貂蝉
472:梁祝
279:.
227:评弹
2068:)
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221:(
169:弹
166:评
150:彈
147:評
121:)
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