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to play passing notes outside the classic arpeggio. Sweep picking is not limited to a few note patterns. Guitarists can construct as many patterns as there are chords, and apply sweep picking to any idea—arpeggio or otherwise. These are separate yet related techniques that produce obvious differences
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However, as with all guitar techniques, individual players may integrate sweep picking into existing repertoire and use it in an individually stylistic manner. Therefore, some guitarists use legato techniques and others double-pick multiple notes on a single string. A guitarist may continue a sweep
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in legato versus struck notes, as well as shift in the timing of the entire arpeggio. Furthering the idea, most players who master the basic sweep picking pattern use only parts of it, or alter the technique to achieve a certain
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hand to produce a specific series of notes that are fast and fluid in sound. Both hands essentially perform an integral motion in unison to achieve the desired effect.
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sound instead of actual pick strokes. This applies when a certain string must sound two notes in the shape due to the natural limits of a fretted string instrument.
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released several books and instructional videos about the technique, of which the most well-known is
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in the 1970s. In the 1980s, sweep picking became widely known for its use by
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on consecutive strings with a 'sweeping' motion of the
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may be too technical for most readers to understand
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487:"Big Strokes: A Beginner's Guide to Sweep Picking"
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324:The technique was first used and developed by
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391:. A common fretting shape is the one- or two-
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464:"Steve Hackett Revisits Genesis' Classics"
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680:Innovators
561:Fingerpick
447:References
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367:guitarist
337:Tal Farlow
186:improve it
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39:improve it
618:Rasgueado
424:pull-offs
385:arpeggios
375:in 1988.
190:verifying
140:June 2015
45:talk page
730:Category
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556:Arpeggio
409:dominant
395:stacked
329:Les Paul
314:fretting
623:Tirando
544:General
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405:mediant
320:History
243:Please
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428:legato
393:octave
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