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130:, and Hiralal Sarkhel. Unfortunately, tappa being mainly a vocal tradition, a lot of priceless material from the body of art has been lost in the passage of time. Many celebrated artists died before recordings of music became common. What is left today is mainly handed down from the generations by oral traditions as well as some written matter, occasionally turned up in the course of research.
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Tappa, as a significant genre in
Bengali musical styles, reached levels of excellence in lyrics and rendition (gayaki), arguably unmatched in other parts of India. Hugely popular in the latter half of the 19th century and the beginning of the 20th, tappa was the genre of choice of the wealthy elite
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was perhaps the most significant vocal proponent in recent times, of the tappa style in Bengal, renowned for his semi-humorous and majorly artistic renditions and his comical incorporation of
English into the Bengali lyrics, either his own translations or his anecdotal translations based on prior
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era, but containing many subversive and sarcastic tones in the
English transliterations, clearly against the Imperial regime, but subtly put, so as not to arouse the suspicion of the strict and (usually) sensitive colonial government and invite charges of
37:. Its specialty is a rolling pace based on fast, subtle and knotty construction. Its tunes are melodious and sweet, and depict the emotional outbursts of a lover. Tappe (plural) were sung mostly by songstresses, known as baigees, in royal courts.
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was the first ever to perform a tappa on an instrument, implementing the
Tarankaar Baaz, a style of playing he invented.
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Among the prominent living performers of this style are Pt. Laxmanrao and his daughter
Vidushi
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as well as the classes with more modest means. An evolved format of the tappa was the
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49:. The tappa style of music was refined and introduced to the imperial court of the
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style, which evolved under the direct patronage of the landed elites of the
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sources, ostensibly for the 'comprehension' of the
British 'sahibs' in the
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composed
Bengali tappa and they are called Nidhu Babu's Tappa. Tappa
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Composers of repute included
Bidyasundar, Roopchaand Pakkhi,
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classes of the late 19th and early 20th centuries, in their
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Tappa originated from the folk songs of the camel riders in
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292:. No. 15 October 2016. The Tribune, Chandigarh.
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393:The Dictionary of Hindustani Classical Music
286:"Sitarist Adnan Khan spells magic on stage"
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87:, a semi-classical form of Bengali songs.
345:"Pt. Shekhar Borkar - Tappa on the Sarod"
16:Form of Indian semi-classical vocal music
186:, Smt. Shubhada Paradkar, a disciple of
83:took new shape and over decades became
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115:(literally, halls for entertainment,
245:. Abhinav Publications. p. 55.
226:"Types of Music Compositions: Tappa"
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33:is a form of Indian semi-classical
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19:For the sites known in Persian as
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60:or Shori Mian, a court singer of
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239:Massey, R.; Massey, J. (1996).
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312:. Jan 16, 2006. Archived from
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205:player Shekhar Borkar from
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431:Hindustani classical music
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201:Among instrumentalists,
768:Hindustani music genres
184:Rampur-Sahaswan gharana
111:- halls or salons) and
763:Indian styles of music
134:Ramkumar Chattopadhyay
58:Mian Ghulam Nabi Shori
612:Semi-classical genres
77:Kalidas Chattopadhyay
152:tumi kader kuler bou
148:Let me go, ohe dwari
316:on October 9, 2013
242:The Music of India
25:Tell (archaeology)
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367:. Archived from
365:"Shekhar Borkar"
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304:"Tapping tappas"
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228:. 8 August 2012.
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192:Ajoy Chakrabarty
188:Gajananrao Joshi
172:Shashwati Mandal
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180:Shanno Khurana
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66:Nawab of Awadh
62:Asaf-Ud-Dowlah
51:Mughal Emperor
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371:on 2014-04-05
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373:. Retrieved
369:the original
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336:Ghostarchive
334:Archived at
330:
318:. Retrieved
314:the original
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298:
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273:Meeta Pandit
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258:November 17,
256:. Retrieved
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164:Meeta Pandit
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107:- assembly,
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103:(literally,
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509:Instruments
290:The Tribune
139:British Raj
71:In Bengal,
35:vocal music
757:Categories
375:2014-04-05
213:References
166:, Pandita
158:Performers
128:Dadathakur
557:Harmonium
490:Swaralipi
309:The Hindu
113:jalsaghar
97:zamindari
722:Bhairavi
644:Bhatiali
567:Pakhavaj
438:Concepts
338:and the
190:and Pt.
146:. (e.g.
144:sedition
93:baithaki
85:puratani
717:Bhairav
712:Asavari
697:Bilaval
674:Qawwali
583:Dhrupad
552:Tanpura
547:Sarangi
542:Shehnai
537:Santoor
532:Bansuri
485:Gharana
480:Bandish
350:YouTube
320:May 29,
194:of the
182:of the
174:of the
123:halls)
105:baithak
41:History
742:Kalyan
702:Khamaj
689:Thaats
679:Ghazal
664:Abhang
659:Bhajan
649:Sawani
639:Chaiti
634:Kajari
619:Thumri
598:Tarana
588:Dhamar
576:Genres
465:Sargam
455:Shruti
249:
121:nautch
81:gayaki
75:&
47:Punjab
23:, see
737:Marva
732:Purvi
629:Tappa
624:Dadra
603:Sadra
593:Khyal
562:Tabla
527:Veena
522:Sarod
517:Sitar
445:Swara
203:sarod
117:mujra
109:khana
31:Tappa
727:Todi
707:Kafi
654:Hori
475:Laya
470:Tala
460:Raga
450:That
322:2013
260:2014
247:ISBN
207:Pune
170:and
21:tepe
119:or
759::
347:.
342::
306:.
288:.
198:.
178:,
150:,
68:.
64:,
423:e
416:t
409:v
378:.
353:.
324:.
262:.
27:.
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