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Tassels in the Air

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a catalyst for calamity, with his propensity for frenzied outbursts quelled solely by gentle chin tickling. Amidst this chaos, Mrs. Smirch encounters Moe, mistaking him for Omay due to a linguistic quirk, unwittingly instigates a chain of events that culminate in a case of mistaken identity. The genuine Omay is beyond incensed by the mislabeling of his office, relinquishes his tenancy, thus compounding the ensuing confusion. In a cascade of misfortune, the Stooges find themselves embroiled in a precarious situation, masquerading as Omay and his associates, with the intent of fulfilling the obligations initially ascribed to the esteemed decorator.
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Concurrently, the Stooges are engaged as painters tasked with refurbishing the edifice housing Omay's office. Assigned the responsibility of affixing temporary identifiers to office doors, their ineptitude precipitates a series of mishaps. Notably, Curly's idiosyncratic aversion to tassels serves as
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housewife, Mrs. Smirch converge with the professional endeavors of the esteemed interior decorator, Omay. Eager to ascend the echelons of the local elite, Mrs. Smirch endeavors to enlist Omay's services to overhaul her residence, thereby ingratiating herself within esteemed social circles. Omay, in
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Subsequently, the Stooges, assuming their ersatz roles, commence work at the Smirch residence, their efforts coinciding with Mrs. Smirch's hosting of a soirée for her affluent acquaintances. However, the arrival of the genuine Omay precipitates a revelation of the trio's subterfuge, resulting in a
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Curly goes crazy whenever he sees tassels. The cure is to tickle him under his chin with a paintbrush, a similar variety of plot device to those used earlier in
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was filmed on November 26–30, 1937. The film's title is a play on the old expression, "Building castles in the air," i.e. dreaming of achieving the impossible.
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public exposé of Mrs. Smirch's deception, thereby underscoring the folly of her misguided aspirations.
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Many of the gags used in the table painting scene were originally used by Chase in his 1933 short
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starring the comedians, who released 190 shorts for the studio between 1934 and 1959.
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The Complete Three Stooges: The Official Filmography and Three Stooges Companion
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Yogi Bear and the Three Stooges Meet the Mad, Mad, Mad Dr. No-No
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Index


Charley Chase
Al Giebler
Elwood Ullman
Hugh McCollum
Moe Howard
Larry Fine
Curly Howard
Vernon Dent
Symona Boniface
Bess Flowers
Bud Jamison
Victor Travers
Jean De Briac
Gertrude Astor
Allen G. Siegler
Art Seid
Columbia Pictures
short subject
Charley Chase
slapstick
The Three Stooges
Moe Howard
Larry Fine
Curly Howard
Columbia Pictures
Nouveau riche
Punch Drunks
Horses' Collars
Grips, Grunts and Groans

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