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Teatro Regio (Parma)

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174: 280: 222: 116: 20: 189:, which has remained unchanged over the years. With a colonnade of ten Ionic granitic columns at the base, which created an arcade, this supports five imperial-style windows above, topped by a tympana and decorative elements enrich the highest part of the facade with one central semi-circular window, besides bas-reliefs by Tommaso Bandini of two muses at one lyra in the central and lateral position. 366:
while Lynn goes back to the early days of the old Ducale in 1816 with an account of the way the tenor Alberico Curioni was "whistled and booed, but he would have none of it and shouted obscenities back" until the police were called and arrested him. The inaugural gala of the Teatro Regio on 16 May 1829 "was not a joyous occasion" for the audience, which gave Bellini's
86:, a production which was staged another seven times, although it did not prove to be popular with the Parma audiences. Initially Rossini had been invited to compose a work for the inauguration of the house, but he was too busy and so the task fell to Bellini. However, that inaugural season saw three Rossini operas staged, including 204:(" gold, ivory, and maroon" colours), the ceiling of the auditorium was decorated by Giovan Battista Borghesi with frescoes of the most famous playwrights. This remains today. The chandelier, which was built in Paris and taken to Parma in 1854 when the theatre was adapted for gas, is 4.5 metres in height and weighs 1100 kg. 373:
Lynn also recounts several incidents during performances in the 19th century where the curtain was brought down due to vociferous protests from audience members, one event actually leading to the dismissal of the theatre's administration. A 21st century performance, which incited audience displeasure
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Along with the Verdi operas presented as part of its regular season since 2003/04, the aim of the Festival Verdi has been to present every one of the composer's operas by the bi-centennial year of 2013. However, while this was not achieved, very few operas remain to be staged (depending upon whether
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However, the "Nuovo" replaced another existing "small and narrow" Ducal Theatre dating from 1688, which had been located in the Palazzo di Riserva. The 1,200-seat theatre was becoming obsolete due to a variety of factors, including the need to appeal to an increasing middle class desire to experience
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Several writers have commented on the particular qualities of certain members of the audience when attending a performance at the Ducale and the Regio: "Parma's operatic public has a reputation as particularly demanding famous for being unforgiving of any singer not in good voice" notes Plantamura,
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In 1849, restoration was called for and then, four years later under the Bourbon Duke Carlo III, more opulent decoration took place. This included the replacement of the neoclassical elements with the more sensual aspects of the mid-19th century; as Martini notes, "this rendered the theatre more
378:, which was set during the First World War. A later performance caused competing "bravas" and booing for and against the Lady Macbeth. The theatre's administration explained it as follows: "Teatro Regio realizes that it needs to be the best because the audience are all experts". 72:
in Venice, the city’s Teatro Regio....is considered by opera buffs to be one of the true homes of the great Italian tradition, and the well-informed audience is famous for giving voice to its approval or disapproval – not just from the gallery."
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is, as Martini describes it, a "large square upheld by four pairs of imposing mottled marble Ionic columns on an attic base..... The entire room is based on the square and on symmetry". It is decorated with a marble floor.
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constructed in 1618, but it was used only nine times, the last one occurring in October 1732, after which it suffered from years from neglect and further damage by American bombing in World War II. It was rebuilt in 1966.
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After the reign of Duchess Marie Louise, the theatre was renamed and between 1849 and 1860, it was known as the "Teatro Reale". With the unification of Italy in 1861, the house took its present name, the Teatro Regio.
153:'s divorced second wife, preferred divorce rather than exile. She settled in Parma, ruling from 1816 to 1847, and under her patronage and financial support, secured the services of the architect 229:
Verdi, who was born and who grew up only 20 miles from Parma, was perhaps quite naturally soon adopted by the city as its native son, especially as his fame grew after the success of the 1840
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The newly built "Nuovo Ducale" was located on the site of the former Monastery of St. Alexander and it was located next to the Ducal Palace. Construction began in 1821 during the reign of
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The seasons surrounding the centennial of his birth in 1813 and the 50th anniversary of his death in 1951 were devoted solely to his operas, and between 1829 and 1979, Verdi,
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in the house was installed. By 1907, the stage lighting was electrified, and that of the rest of house took place during the centennial of Verdi's birth in 1913.
157:. Marie Louise oversaw the construction, assuring that the interior decoration reflected "the sobriety of neoclassicism and the colours white and light blue". 370:"a frosty reception" due to the fact that he was the second choice and that he had refused to use a libretto written by one of the company's board members. 353:("Happy Birthday, Maestro Verdi") has been held each 10 October with a concert of excerpts from his works and this is coupled with the month-long festival. 319:. A concert by the Filarmonica Arturo Toscanini on 10 October was something of a highlight of the celebrations. It included a concert version of act 2 of 107:
Today, the company stages about four operas each season from mid January to April and, since 2003, it has presented an annual Verdi Festival each October.
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with 177 performances over the 150-year period. The 2001 centennial of the composer's death resulted in a year-long celebration beginning with the
1414: 1038: 1011: 703: 542: 264:, and Bellini were the most frequently staged composers, with Verdi topping the list with five of his operas, the most frequent of which was 349:
In addition to its regular season, from the 1990s the company began to mount a Festival Verdi. Beginning in 2003, the celebration known as
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different versions are planned). The Festival has included associated discussions, orchestral concerts, and other relevant presentations.
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The 1,400-seat auditorium, with four tiers of boxes topped by a gallery, was inaugurated on 16 May 1829 when it presented the premiere of
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Replacing an obsolete house, the new Ducale achieved prominence in the years after 1829, and especially so after the composer
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The "bicententario" year of 2013 prompted special celebrations which included concerts by the La Scala Orchestra, under
239:. Since that time, the Regio has staged every one of his operas, including adaptations of original versions such as 987: 969: 944: 235:. His operas have had a special place in the Regio's programming after 17 April 1843, when Verdi came to direct his 1434: 1424: 1024: 146: 132:
opera, but also allow for "separate and well articulated private and public spaces". After a performance of
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There had been a Ducal Theatre in Parma since the 17th century, the principal one being the
1275: 1152: 8: 1293: 1266: 1136: 649: 303:). Providing insights into working with the Teatro and with Verdi's music were singers 88: 1074: 606: 458: 983: 965: 940: 660: 598: 494: 475: 312: 221: 439: 1157: 1115: 1110: 916: 569: 550: 530: 517: 403: 397: 337: 331: 316: 288: 77: 58: 561: 522: 499: 1167: 1069: 840: 505: 445: 300: 283:
Poster for the 2013 Festival Verdi in the foyer of the Teatro Regio, October 2013
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splendid with extensive use of red velvet and golden ornamentation. In addition,
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Background to the Verdi Festival and associated locations in Parma, 2006 to 2013
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with many photographs, on operachic.typepad.com. Retrieved 15 December 2013.
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The dates of their most recent appearances have been noted below.
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After the 1853 restoration, which overall has been described as
957:(in English) trans. Melanie Schoonhoven. Parma: Azzali Editori. 64:
As has been noted by Lee Marshall, "while not as well known as
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was the 2001 opening of a controversial production of Verdi's
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Some artists who have worked at the Teatro Regio di Parma
323:. Other complete operas given during the month included 935:
Lynn, Karyl Charna (2005), "Parma: Teatro Regio", in
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on the company's website. Retrieved 30 January 2013
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Lanham, MD: The Scarecrow Press. 736: 13: 1445:19th-century architecture in Italy 974:Zeitz, Karyl Lynn (1991), "Parma: 937:Italian Opera Houses and Festivals 14: 1456: 1410:Buildings and structures in Parma 993: 962:The Opera Lover's Guide to Europe 111:Construction of the Teatro Ducale 30:, originally constructed as the 1007:Teatro Regio di Parma's website 910: 901: 883: 874: 865: 846: 827: 818: 169:The architecture of the "Nuovo" 951:Guida al Teatro Regio di Parma 793: 784: 727: 696: 251:for Paris in 1847 or the 1847 147:Marie Louise, Duchess of Parma 1: 862:on archivio.teatroregioparma. 671: 351:Buon Compleanno Maestro Verdi 1420:1829 establishments in Italy 853:Season repertoire since 2003 293:Orchestre National de France 7: 907:Quoted in Lynn 2005, p. 207 361:The Teatro Regio's audience 257:which was revised in 1865. 34:(New Ducal Theatre), is an 16:Opera house in Parma, Italy 10: 1461: 1430:Theatres in Emilia-Romagna 1101:Centro Sociale Leoncavallo 949:Martini, Giuseppe (unk.), 464:Daniela Barcellona (2009) 276:and including six operas. 225:Bust of Verdi in the foyer 217:Verdi and the Teatro Regio 1233: 1202: 1176: 1163:Torino Palasport Olimpico 1145: 1129: 1093: 1080:Teatro dell'Opera di Roma 1052: 466: 463: 457: 452: 408: 402: 396: 391: 1312:Teatro Flavio Vespasiano 1435:Italian opera companies 1339:Teatro Mario Del Monaco 1249:Teatro Alessandro Bonci 1121:Teatro degli Arcimboldi 921:in Parma, December 1951 917:Callas' performance in 871:Plantamura 1996, p. 108 589:Michele Pertusi (2013) 101:Il barbiere di Siviglia 955:A Guide to the Theatre 898:Lynn 2005, pp. 205—207 749:Lynn 2005, pp. 201—203 612:Piero Sardelli (1946) 576:Anthony Michaels-Moore 436:Renato Palumbo (2013) 284: 245:of 1843, which became 226: 182: 120: 61:, born there in 1867. 24: 1425:Opera houses in Italy 1386:44.80306°N 10.32722°E 1065:CSOA Forte Prenestino 1060:Circolo degli Artisti 1047:Music venues in Italy 655:Before the Revolution 315:as well as conductor 299:(which also gave the 282: 224: 176: 118: 28:Teatro Regio di Parma 22: 1276:Teatro della Fortuna 923:on frankhamilton.org 208:Renaming the theatre 53:, who was born near 1382: /  1267:Teatro Carlo Felice 1137:Teatro di San Carlo 650:Bernardo Bertolucci 181:of the Teatro Regio 32:Nuovo Teatro Ducale 1391:44.80306; 10.32722 1075:Parco della Musica 964:. Citadel Press. 839:2013-12-15 at the 781:Martini, pp. 57—59 644:In popular culture 607:Margherita Rinaldi 285: 227: 187:neoclassical style 183: 121: 25: 1365: 1364: 889:Lynn 2005, p. 204 880:Lynn 2005, p. 203 815:Lynn, pp. 205—206 765:Zeitz 1991, p. 35 641: 640: 599:Katia Ricciarelli 495:Piero Cappuccilli 476:Sesto Bruscantini 313:Raina Kabaivanska 1452: 1397: 1396: 1394: 1393: 1392: 1387: 1383: 1380: 1379: 1378: 1375: 1194:Teatro Politeama 1158:Teatro Carignano 1116:Teatro Dal Verme 1111:Mediolanum Forum 1041: 1034: 1027: 1018: 1017: 924: 914: 908: 905: 899: 896: 890: 887: 881: 878: 872: 869: 863: 850: 844: 831: 825: 822: 816: 813: 800: 797: 791: 788: 782: 779: 766: 763: 750: 747: 734: 731: 725: 722: 711: 700: 694: 691: 570:Ambrogio Maestri 551:Nicolai Ghiaurov 531:Barbara Frittoli 518:Mario Del Monaco 404:Myung-Whun Chung 398:Bruno Bartoletti 389: 388: 338:Simon Boccanegra 317:Bruno Bartoletti 289:Riccardo Chailly 89:Moïse et Pharaon 78:Vincenzo Bellini 59:Arturo Toscanini 1460: 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Index


opera house
opera
Parma
Giuseppe Verdi
Busseto
Arturo Toscanini
La Scala
La Fenice
Vincenzo Bellini
Zaira
Moïse et Pharaon
Semiramide
Il barbiere di Siviglia

Teatro Farnese
Rossini
Zelmira
Marie Louise, Duchess of Parma
Napoleon I
Nicola Bettoli
gas lighting

auditorium
neoclassical style
foyer
neo-Baroque

Nabucco
I Lombardi

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