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Tempo has a fun mix of Futura's teutonic sternness and R. Hunter
Middleton's love of lively quirks. Middleton worked in a backward leaning f, a curvaceous style for v, w, and g, and big open apertures for e and s that resemble American advertising letters of the
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With Tempo Heavy roman it is necessary to specify the alternative 'squared' characters for A, M, N, W; with these caps. in their normal pointed form the type has the look of one that has strayed from advertising display into
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were available. Digital-period type designer James
Puckett describes it as "bonkers; really four typefaces that just got lumped together for the sake of marketing." Middleton also designed a
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Tempo
Alternate was designed to look more like Futura than the original release of Tempo. They failed pretty miserably; only a blind man could confuse this for Futura Bold.
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Tempo was expanded to a sprawling family released over the 1930s and 40s, that (as of 2020) has not been fully digitised. It included the shadow-form display typeface
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Tempo's italic, with its 'feet' at the bottom of the letters, was an influence on that of the popular 2002 geometric sans-serif family
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Stellar and Tempo, released in 1929 and 1930, respectively...both have the Erbar a
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147:"Back with a flourish #5. Christian Schwartz on swaggering swashes"
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425:(1st ed.). New York: Mark Batty Publisher. pp. 117–121.
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design, closely copying German typefaces in this style, above all
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497:: CS1 maint: bot: original URL status unknown (
479:. Archived from the original on 14 October 2007
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173:"The Ludlow: Typographic Influence, 1931–1962"
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121:. John Wiley & Sons. pp. 117–120.
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550:Typefaces designed by R. Hunter Middleton
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23:Tempo Medium Italic in a specimen sheet.
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374:. Yale University Press. p. 135.
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61:suggesting handwriting and optional
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115:Allan Haley (15 September 1992).
473:"Neutraface: Functional Novelty"
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545:Geometric sans-serif typefaces
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423:Dot-font: Talking About Fonts
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16:Geometric sans-serif typeface
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402:. www.christianschwartz.com
84:typeface in similar style,
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525:Gallery by Stephen Coles
371:An A-Z of Type Designers
477:Typographica (archived)
421:Berry, John D. (2006).
368:Neil Macmillan (2006).
346:. Dunwich Type Founders
316:. Dunwich Type Founders
285:. Dunwich Type Founders
258:. Dunwich Type Founders
206:Type Design Information
118:Typographic Milestones
78:alternative characters
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540:Letterpress typefaces
202:"R. Hunter Middleton"
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520:Ludlow specimen book
279:"Tempo Heavy Italic"
233:. pp. 117–120.
47:geometric sans-serif
45:company. Tempo is a
447:"The Neutra Legacy"
396:Schwartz, Christian
344:Daily Type Specimen
314:Daily Type Specimen
283:Daily Type Specimen
143:Schwartz, Christian
39:R. Hunter Middleton
97:Christian Schwartz
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310:"Tempo Alternate"
177:Three Steps Ahead
128:978-0-471-28894-7
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515:Fonts in Use
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404:. Retrieved
400:"Neutraface"
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57:, with foot
37:designed by
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227:Hutt, Allen
55:true italic
534:Categories
483:8 December
456:October 2,
406:October 2,
350:29 January
320:29 January
289:29 January
262:29 January
103:References
93:Neutraface
82:slab-serif
32:sans-serif
30:is a 1930
211:4 October
493:cite web
255:Dribbble
182:31 March
156:31 March
41:for the
35:typeface
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86:Karnak
59:serifs
51:Futura
236:news.
74:Erbar
70:Umbra
28:Tempo
499:link
485:2017
458:2011
427:ISBN
408:2011
376:ISBN
352:2019
322:2019
296:era.
291:2019
264:2019
213:2016
184:2018
158:2018
123:ISBN
151:Eye
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Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.
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