360:"Since we live in this new electronic world, the technology development over the last 20-odd years has been insane, compared to where we were in 1991. I remember that really well. I was making music in 1984 and in 1991. I remember how limited the capabilities were to really explore electronic music. But now, in 2019, the only limitation is your fantasy. There's so many things you can do, musically, in the electronic landscape right now. For me, it was important to pay homage to the original score of Brad Fiedel, but at the same time, I am hired as the composer. It's not a matter of doing it literally the same as he did it. It was very important that I put my stamp on it."
325:). He added "the Terminator coming from the future, even though he's played by a Latino actor, he's still a robot, so I thought it was less appropriate for him. And the same with Sarah Connor and the Terminator character, Carl. In this case, that's the name of Arnold in this movie. He renames himself Carl. So I thought it was less important for them. I was able to really show, on the score, the roots of where this girl is coming from." That cue was written within eight weeks. He also recreated few themes from the second instalment,
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is a combination of a synthesizer bass line accompanied with brass and strings that bend up" and coupled it with the "very threatening sound design and that became the Rev-9’s fingerprint". He used a blaring prison alarm for the action sequence in an immigration detention center as he wanted it to be
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Violin – Alyssa Park, Amy
Hershberger, Ana Landauer, Andrew Bulbrook, Benjamin Powell, Benjamin Jacobson, Caroline Campbell, Charlie Bisharat, Darius Campo, Dimitrie Leivici, Eun-Mee Ahn, Grace Oh, Helen Nightengale, Irina Voloshina, Jennifer Fischer, Jessica Guideri, Ken Aiso, Kevin Connolly, Kevin
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Horn – Alex
Camphouse, Amy Rhine, Amy Sanchez, Benjamin Jaber, Brad Warnaar, Daniel Kelley, Danielle Ondarza, Dylan Hart, Jaclyn Rainey, John Mason, Joshua Paulus, Katelyn Faraudo, Keith Popejoy, Laura Brenes, Mark Adams, Mike McCoy, Paul Klintworth, Stephanie Stetson, Steven Becknell, Teag Reaves,
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extends. Many casual moviegoers will also appreciate the better enunciation of the five-note concept rhythm of coolness and Sarah's main theme in the closing scenes. But the actual spotting, rendering, and placement of this score is oddly dissatisfying throughout. There are better fan-made tributes
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Holkenborg discussed with Miller on the film's music, with the latter received notes from
Cameron via the production team and sent it back to him. He used minimal orchestra and added more sound design, blending to the percussion instruments to "make the music emotional". He also subtly used the
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end titles remains superior." Jonathan
Broxton wrote "With the exception of the lovely acoustic guitar writing for Dani, most of Holkenborg’s action music treads a fine line, sometimes coming across as competent but workmanlike, but much too often being overly-raucous, overly-belligerent, and
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Kumar, Luanne Homzy, Lucia
Micarelli, Maia Jasper-White, Marc Sazer, Natalie Leggett, Neil Samples, Paul Henning, Phillip Levy, Rafael Rishik, Roberto Cani, Roger Wilkie, Sandra Cameron, Shalini Vijayan, Songa Lee, Tamara Hatwan, Yelena Yegoryan, Julie Ann Gigante
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overly-irritating. Absent of Fiedel’s theme, this would be a score I would avoid like the plague, but
Holkenborg’s contemporary updating of the piece, and its clever interpolation into the body of the score, allows me to give it a hesitant recommendation."
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Filmtracks.com wrote "you have to commend
Holkenborg for returning to Fiedel's established themes, samples, and modes. Enthusiasts of the franchise's vintage, metallic thrashing for action scenes will appreciate the bare and raw carnage that
286:" theme and working on a range of instruments: both acoustic and electronic, as well as sounds originated from real-life objects. He also added orchestral music in few emotional sequences, while limited its use throughout the film.
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is absolutely superb. He’s always rather been in his element with dark and dramatic action music, and so he feels right at home as a composer here. Said cues here are of his typical loud and thrilling style, and hearing Fiedel’s
394:, kitchen sink and washing machine, which were sampled and treated to "re-purpose sounds that we know in our daily lives into musical instruments", which he described it as "fun to create such music and stress-free".
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being great examples of how
Holkenborg isn’t just good at composing fast-paced orchestra. However, the score could actually have done with a couple more action cues, along with a few more appearances of the original
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Holkenborg used approximately 15 instruments while composing, majorly includes cello, bass, electric guitar, bass guitar, Spanish guitars, percussion, drum kit, along with synthesisers. He also used the sound of an
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orchestra with a minor reduction in the tempo, and also used Arnold's theme in adagio which was the "crowning moment". He mentioned on crafting the musical language of the Rev-9 Terminator, a challenge, as "the
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Viola – Aaron Oltman, Alma
Fernandez, Andrew Duckles, Carolyn Riley, David Walther, Zach Dellinger, Jonathan Moerschel, Luke Maurer, Shawn Mann, Victoria Miskolczy, Victor De Almeida, Robert Brophy
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Trombone – Alan Kaplan, Andrew Martin, William
Reichenbach, Craig Gosnell, David Ryan, John Lofton, Phillip Keen, Steven Suminski, Steven Trapani, Steven Holtman, William Booth, Alexander Iles
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Contrabass – Christian Kollgaard, David Parmeter, Drew Dembowski, Edward Meares, Geoff Osika, Michael Valerio, Nicolas Philippon, Steve Dress, Thomas Harte, Nico Carmine Abondolo
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Cello – Armen Ksajikian, Dennis Karmazyn, Eric Byers, Erika Duke-Kirkpatrick, Jacob Braun, Michael Kaufman, Paula Hochhalter, Vanessa Freebairn-Smith, Steve Erdody
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to Fiedel's original material than what we hear from a composer paid significant money to produce generally the same thing, and Balfe's arrangement of the
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a part of the music, and when the cue was delivered, which was included in the film. He described his score as being "way more aggressive" than Fiedel's.
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to be an homage to composer Brad Fiedel’s original work, but also the natural progression of this story over the last 25 years."
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label, to positive response praising Tom Holkenborg's composition, instrumentation and the homage to the iconic
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Holkenborg wrote the film's music for nearly a year, to study on the first two films and also pay homage to
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Terminator: Dark Fate [Music from the Motion Picture] - Tom Holkenborg | Credits | AllMusic
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Programming – Jacopo Trifone, Jarrod Royles-Atkins, Shwan Askari, Steve Silvers, Tom Holkenborg
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Trumpet – Christopher Still, Robert Schaer, Thomas Hooten, Wayne Bergeron, Jon Lewis
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Holkenborg took nearly a year on writing the film's music. While composing for
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966:"'Terminator' Composer on the 'Dark Fate' Moment Arnold Schwarzenegger Vetoed"
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Orchestration – Edward Trybek, Henri Wilkinson, Jonathan Beard, Tom Holkenborg
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theme alongside them at various intervals just makes them even better (see
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returned to creative control as an executive producer. To prepare for
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909:"Terminator: Dark Fate – Original Motion Picture Soundtrack 2XLP"
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themes, created by Brad Fiedel. It was released in vinyl by
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Technical score engineer – Jacopo Trifone, Sara Barone
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Music composed, produced and mixed by – Tom Holkenborg
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was considered as the direct sequel to the film after
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Art direction and layout – Dan Goldwasser, Mo Shafeek
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Terminator: Dark Fate (Music from the Motion Picture)
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The album was released on November 1, 2019 under the
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Terminator: Dark Fate (Music from the Motion Picture)
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Terminator: Dark Fate (Music from the Motion Picture)
1063:"Filmtracks: Terminator: Dark Fate (Tom Holkenborg)"
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Radio JXL: A Broadcast from the Computer Hell Cabin
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Executive album producer – MV Gerhard, Matt Verboys
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1670:Superman vs. The Terminator: Death to the Future
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852:Music production services – Michiel Groeneveld
846:Executive in charge of music – Randy Spendlove
232:in his second collaboration with Miller after
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1820:Special effects of Terminator 2: Judgment Day
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1656:Aliens versus Predator versus The Terminator
1001:"Exclusive Music: Tom Holkenborg Interview:
1038:"Terminator: Dark Fate – Soundtrack Review"
238:. The film is the sixth installment in the
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1300:Terminator Salvation: The Machinima Series
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1088:"TERMINATOR: DARK FATE – Tom Holkenborg"
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778:Cimbasso – Gary Hickman, Blake Cooper
745:Credits adapted from CD liner notes.
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645:This track references Brad Fiedel's "
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1985:Batman v Superman: Dawn of Justice
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964:Burton, Byron (November 1, 2019).
693:wrote "Tom Holkenborg’s score for
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2182:Terminator (franchise) mass media
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2192:Science fiction film soundtracks
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999:Wojnar, Zak (October 31, 2019).
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2081:Godzilla x Kong: The New Empire
1726:X: A Laser Battle for Salvation
1691:Transformers vs. The Terminator
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1587:RoboCop Versus The Terminator
1036:Zanobard (November 1, 2019).
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2041:Zack Snyder's Justice League
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1446:The Sarah Connor Chronicles
1240:The Sarah Connor Chronicles
833:Design – Warm Butter Design
811:Concertmaster – Bruce Dukov
537:"The Picture on the Fridge"
343:, Holkenborg studied about
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2108:A Little Less Conversation
1372:Terminator/Model 101/T-800
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2187:Terminator (franchise)
2177:2019 soundtrack albums
882:The Hollywood Reporter
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301:on February 21, 2020.
2017:Terminator: Dark Fate
1891:Saturday Teenage Kick
1215:Terminator: Dark Fate
1003:Terminator: Dark Fate
875:Terminator: Dark Fate
794:Tuba – Doug Tornquist
695:Terminator: Dark Fate
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261:Arnold Schwarzenegger
245:, and a follow-up to
184:Terminator: Dark Fate
146:Terminator: Dark Fate
126:soundtrack chronology
68:Newman Scoring Stage,
2065:Sonic the Hedgehog 2
1759:Hasta la vista, baby
1733:Terminator Salvation
1532:Rise of the Machines
1201:Terminator Salvation
873:"Junkie XL to Score
581:"Screaming Turbines"
2009:Alita: Battle Angel
1923:Booming Back at You
1580:The Terminator 2029
1562:Genisys: Future War
1539:War of the Machines
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175:Alita: Battle Angel
2155:Sonic the Hedgehog
2025:Sonic the Hedgehog
1969:Mad Max: Fury Road
1208:Terminator Genisys
1094:. November 8, 2019
1067:www.filmtracks.com
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193:Sonic the Hedgehog
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1883:Studio albums
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1793:Shocking Dark
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1271:Self Made Man
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734:Judgement Day
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623:Total length:
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471:"Enter Sarah"
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409:
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398:Track listing
395:
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387:
384:
377:
374:
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368:
361:
356:
354:
350:
346:
342:
338:
337:James Cameron
334:
330:
329:
324:
323:Natalia Reyes
320:
317:'s original "
316:
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253:James Cameron
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63:
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55:
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34:
30:
25:
20:
2154:
2146:
2137:
2087:
2079:
2071:
2063:
2055:
2047:
2039:
2031:
2023:
2016:
2015:
2007:
1999:
1991:
1983:
1975:
1967:
1959:
1940:
1921:
1913:
1905:
1897:
1889:
1812:
1805:
1798:
1791:
1784:
1777:
1752:I'll be back
1732:
1724:
1717:
1699:
1689:
1682:
1675:
1668:
1661:
1654:
1627:
1620:
1615:Dawn of Fate
1613:
1606:
1601:Future Shock
1599:
1592:
1585:
1578:
1560:
1553:
1544:
1537:
1530:
1526:Terminator 3
1525:
1494:Terminator 2
1493:
1471:
1444:
1421:
1334:Sarah Connor
1305:
1298:
1238:
1213:
1206:
1199:
1192:
1185:
1178:
1162:
1119:, retrieved
1114:
1108:
1096:. Retrieved
1091:
1082:
1070:. Retrieved
1066:
1057:
1045:. Retrieved
1041:
1031:
1019:. Retrieved
1008:
1002:
973:. Retrieved
969:
942:. Retrieved
938:
928:
916:. Retrieved
912:
903:
891:. Retrieved
880:
874:
866:
785:Dave Everson
744:
733:
728:
725:
720:
716:
712:You Saved Me
711:
707:
703:
699:
694:
690:
689:
673:
668:Terminator 2
667:
666:Main Title (
660:
650:
647:I'll Be Back
515:"Terminator"
460:"Iron Spike"
427:"Terminated"
404:
388:
379:
370:
363:
359:
352:
349:Judgment Day
348:
344:
340:
332:
328:Judgment Day
327:
310:
308:
294:
288:
277:
265:Sarah Connor
246:
240:
233:
224:directed by
212:
211:
210:
191:
183:
182:
173:
145:
144:
135:
121:
2132:Discography
1993:Tomb Raider
1776:"Soldier" (
1711:Attractions
1457:Video games
1437:The Current
1364:Terminators
1344:Miles Dyson
1339:John Connor
1278:Born to Run
1264:Heavy Metal
1232:Live-action
1121:October 24,
1098:October 24,
1072:October 24,
1047:October 24,
1021:November 1,
1010:Screen Rant
975:October 24,
944:October 24,
918:October 24,
770:Instruments
614:"Dark Fate"
372:Screen Rant
367:Brad Fiedel
331:(1991), as
315:Brad Fiedel
305:Development
280:Brad Fiedel
2171:Categories
2073:Rebel Moon
1800:Rottweiler
1735:: The Ride
1622:Resistance
1465:Film-based
1349:Kyle Reese
1322:Characters
1246:characters
1164:Terminator
858:References
841:Management
717:Terminator
700:Terminator
603:"Epilogue"
592:"For John"
504:"The Wall"
319:Terminator
295:Terminator
284:Terminator
241:Terminator
226:Tim Miller
164:chronology
123:Terminator
83:Film score
37:Film score
2153:Music of
2145:Music of
2115:Obsession
1961:Divergent
1942:More More
1629:Survivors
1555:Salvation
970:Billboard
893:March 22,
825:Cover art
806:Orchestra
729:Dark Fate
723:motifs."
721:Dark Fate
686:Reception
353:Dark Fate
341:Dark Fate
333:Dark Fate
311:Dark Fate
243:franchise
60:2018–2019
2147:Superman
1977:Deadpool
1836:Category
1684:Infinity
1519:Game Boy
1504:computer
1292:Animated
1251:episodes
1015:Archived
887:Archived
704:For John
526:"Coyote"
267:and the
235:Deadpool
57:Recorded
49:Released
39: by
2125:Related
2100:Singles
1769:Related
1594:Rampage
1487:Sega CD
1387:Cameron
741:Credits
672:" from
649:" from
482:"Grace"
449:"REV 9"
220:to the
216:is the
197:(2020)
188:(2019)
179:(2019)
150:(2019)
141:(2015)
2138:Batman
2092:(2024)
2084:(2024)
2076:(2023)
2068:(2022)
2060:(2021)
2052:(2021)
2044:(2021)
2036:(2020)
2033:Scoob!
2028:(2020)
2020:(2020)
2012:(2019)
2004:(2018)
1996:(2018)
1988:(2016)
1980:(2016)
1972:(2015)
1964:(2014)
1945:(2007)
1926:(2008)
1918:(2006)
1910:(2003)
1902:(1999)
1894:(1997)
1744:Quotes
1702:novels
1650:Comics
1608:Skynet
1514:16-bit
1499:arcade
1397:T-3000
1377:T-1000
1354:Skynet
670:Theme)
559:"HUMV"
419:Length
89:Length
65:Studio
2140:music
1915:Today
1643:Print
1509:8-bit
1415:Music
1402:Rev-9
1257:Pilot
1172:Films
913:Mondo
627:58:00
416:Title
392:anvil
383:Rev-9
299:Mondo
106:Label
78:Genre
1482:Sega
1123:2022
1100:2022
1074:2022
1049:2022
1023:2019
977:2022
946:2022
920:2022
895:2019
710:and
617:4:19
606:1:10
595:7:59
584:4:13
573:5:41
562:1:59
551:4:10
548:"C5"
540:0:42
529:2:18
518:2:57
507:4:12
496:1:46
485:4:24
474:0:59
463:2:52
452:3:10
441:3:39
430:1:28
347:and
259:and
1934:EPs
1477:DOS
1382:T-X
611:18.
600:17.
589:16.
578:15.
567:14.
556:13.
545:12.
534:11.
523:10.
412:No.
263:as
2173::
1700:T2
1090:.
1065:.
1040:.
1013:.
1007:.
985:^
968:.
954:^
937:.
911:.
885:.
879:.
638:^
512:9.
501:8.
490:7.
479:6.
468:5.
457:4.
446:3.
435:2.
424:1.
275:.
98:00
94:58
2117:"
2113:"
2110:"
2106:"
1868:e
1861:t
1854:v
1780:)
1761:"
1757:"
1754:"
1750:"
1439:"
1435:"
1432:"
1428:"
1280:"
1276:"
1273:"
1269:"
1266:"
1262:"
1259:"
1255:"
1155:e
1148:t
1141:v
1102:.
1076:.
1051:.
1025:.
1005:"
979:.
948:.
922:.
897:.
877:"
678:.
655:.
375:.
96::
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