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478:, etc.) crowding him more and more as the years went on, as more television performers and creators found their on-camera legs, and brought new or at least more polished ideas to the air, Berle tried refining his camera persona and evolving from the freewheeling, manic style he cultivated so successfully in the Texaco years. The net result: the balance between excess and decorum now weighted more toward decorum, which wasn't exactly what Berle represented at the height of his popularity. He began losing many of his former fans, who preferred when he kept things more unpredictable, and it would be years before his kind of manic balance would find a television home again.
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407:, some of Berle's behavior could cross the line from affability to effrontery. At its worst, the underlying tone of the Berle programs can appear to be one of contempt should the audience not respond approvingly. In some cases, this led to a surprising degree of self-consciousness about TV itself—Texaco's original commercial spokesman, Sid Stone, would sometimes hawk his products until driven from the stage by a cop. But the uneven balance of excess and decorum proved wildly successful."
274:. Kenny Baker also remained for the first two seasons, his previous role with Allen's "rival" Jack Benny serving for a number of situations, although his role was greatly reduced by 1942, partly because Baker had become difficult to manage, particularly after a controversial performance of "Ave Maria" sung in German weeks after the United States officially entered World War II.
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at the end of a 1949 broadcast) joked, preened, pratfell, danced, costumed, and clowned his way to stardom, with
Americans discovering television as a technological marvel and entertainment medium seeming to bring the country to a dead stop every Tuesday night, just to see what the madcap Berle might
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from 1940 to 1942 as an hour-long show on
Wednesday and then Sunday nights, and from 1942 to 1944 as a half-hour show, until he withdrew from work for over a year on his doctor's advice. It was during the half-hour version of the show that the more cerebral (if barbed) Allen premiered the continuing
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on CBS, did not help Berle either); though Berle would remain one of the nation's beloved entertainers, overall, the show that made him a superstar was clearly spent for steam and fresh ideas, and two subsequent attempts at television comebacks hosting his own show lasted barely a year each. (Berle
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Part of the problem was variety shows becoming costlier to produce, compared to the Texaco days when, among other factors, name guest stars did not mind the low appearance fees they got for appearing, because they could bank the exposure they got from even one appearance on the Berle show; or with
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On television, continuing a practice long established in radio, Texaco included its brand name in the show title. When the television version launched on June 8, 1948, Texaco also made sure its employees were featured prominently throughout the hour, usually appearing as smiling
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was largely credited with driving
American television set sales heavily; the number of TV sets sold during Berle's run on the show was said to have grown from 500,000, his first year on the tube, to over 30 million when the show ended in 1956.
430:, its title until its run ended at last in June 1956. By then, Berle and his audience had probably burned out on each other, and Buick had even dropped sponsorship of the show at the beginning of the 1955–1956 season (opting to sponsor
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title officially, the confusion likely stemming from the announcers' first words of introduction: "It's Texaco time starring Fred Allen." They customarily continued the introduction, as the opening music continued, by referring to
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routines interspersed with music. Wynn's ratings began to slide and the comedian lapsed amidst personal and professional crises, and the show ended in June 1935. Texaco sponsored
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was the announcer. The show began as a variety show with dramatizations and songs by guest stars. In 1940, the show became a star vehicle for Allen, with the show re-titled
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in that first year (the show itself, for Best
Kinescope Show; and, Berle as Most Outstanding Kinescoped Personality), Uncle Miltie (he first called himself by that name
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comic sketch for which many remember him best: the ensemble, topical takeoffs of "Allen's Alley". Guests included some of the best comedic actors of the time, including
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is an
American comedy-variety show, broadcast on radio from 1938 to 1949 and telecast from 1948 to 1956. It was one of the first successful examples of American
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388:(1953–1955), Jack Collins (1953–1955), and Milton Frome (1953–1955). The show's music was provided by Alan Roth (1948–1955) and Victor Young (1955–1956).
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141:(spelled Theatre for most of the radio show's run) was first broadcast on October 5, 1938, and it continued on the air until June 26, 1940. Initial host
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They did not settle on Berle—who hosted a freshly revived radio version in spring 1948—as the permanent host right away; he hosted the first television
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trenches," the Museum of
Broadcast Communications would observe decades after the show left the air. "Yet even within his shows' sanctioned
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Note: Each U.S. network television season starts in late
September and ends in late May, which coincides with the completion of May
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Based on episodes that appear on the
Internet Archive, it appears the series typically ran 48–50 minutes excluding commercials.
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Uncle Miltie was far from alone in keeping the show alive and kicking. His support players included Fatso Marco (1948–1952),
326:" performing good deeds of one or another kind, and a quartet of Texaco singers opened each week's show with the theme song.
270:), though for a brief spell during its third season the announcer was budding radio personality and future television legend
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on June 8, 1948, the show had a huge cultural impact. Once Texaco ended its sponsorship in 1953, the show became known as
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in June 1948 but was originally part of a rotation of hosts (Berle himself had only a four-week contract). Comedian
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135:. The show was a combination of comedy and music. Cantor frequently sang a tune about the "mayor of Texaco Town".
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was also the highest rated television show of the 1950–1951 television season, the first season in which the
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258:. Jimmy Wallington became the show's announcer for most of its life with Allen as the feature (he succeeded
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was the star of a show called "Texaco Town" from 1936 to 1938. The show's cast featured young singers
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was signed to a three-year contract co-hosting the radio program with James Melton through 1947.
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laxative, decided to cease their tandem sponsorship of Allen's successful hour, first known as
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A Century of
American Icons: 100 Products and Slogans from the 20th-Century Consumer Culture
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as "Maxine", Milton's love-starved secretary (1952–1955), Bobby
Sherwood (1952–1953),
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was, it was hardly an undisturbed appeal. "Berle presented himself as one part
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amid the beginning of the hip-swiveling singer's international popularity.)
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and one part consummate, professional entertainer—a kind of veteran of the
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became the new sponsor in 1953, prompting the show's name change to
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was host for August. Berle was named the permanent host that fall.
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The classic 1940–1944 version of the program, hosted by radio's
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Wednesday at 9:00–9:30 pm on NBC: October 1958 – May 1959
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But part of the problem was Berle himself: with competition (
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673:. Vol. 160, no. 2. September 19, 1945. p. 26.
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hitting ratings as high as 80 and owning Tuesday night for
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Tuesday at 8:00–9:00 pm on NBC: June 1948 – June 1956
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Fred Allen and Ed Wynn in its earlier radio incarnations.
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An October 12, 1938, advertisement for Texaco Star Theatre
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NOTE: The most frequent time slot for the series is in
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did, however, contribute his part to the making of a
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legend: in his final season, he opened his stage to
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277:Allen was forced to leave the show in 1944 due to
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667:"Radio: NEW TEXACO FORMAT UPS NUT TO $ 11,500".
901:top-rated United States network television show
418:Texaco dropped its sponsorship of the show and
340:He was a smash once the new full season began,
636:On the Air: The Encyclopedia of Old-Time Radio
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639:. Oxford University Press, USA. p. 658.
1812:Television shows filmed in New York (state)
187:and the program airing on October 2, 1940.
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1777:1950s American variety television series
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1807:Television series based on radio series
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595:In the 1954–1955 season, the half-hour
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609:on the NBC Saturday evening schedule.
426:. Two years later, it became, simply,
16:American broadcast comedy-variety show
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754:. Greenwood Press. pp. 109–110.
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245:was retired temporarily, in favor of
789:. Television Academy. Archived from
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683:"Boston TV Fans to Get Vaudeville,"
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352:. And, as the show landed a pair of
49:, was followed by a radio series on
813:"Milton Berle: U.S. Comedian/Actor"
184:Texaco Star Theater with Fred Allen
153:. During the almost two-year span,
38:, remembered as the show that gave
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698:"Pop Chronicles 1940s Program #13"
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65:) first took it to television on
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220:and then, for its final season,
1832:American live television series
1782:American variety radio programs
616:has an average rating of 47.3.
434:'s half-hour filmed edition of
42:the nickname "Mr. Television".
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930:Arthur Godfrey's Talent Scouts
857:Public domain 1949 episode of
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198:for the show's premiere, 1940.
57:) in the spring of 1948. When
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1469:Who Wants to Be a Millionaire
1095:Rowan & Martin's Laugh-In
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1747:1949 radio programme endings
101:The Jumbo Fire Chief Program
7:
1742:1938 radio programme debuts
391:As phenomenally popular as
87:were in a 1930s radio hit,
75:for its final few seasons.
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720:. McFarland. p. 140.
202:Allen's previous sponsor,
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687:, June 6, 1948, p. B-11.
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1797:NBC original programming
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606:The Donald O'Connor Show
364:With Berle at the helm,
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1802:Nielsen ratings winners
1038:The Beverly Hillbillies
861:at the Internet Archive
599:offered in alternation
507:U.S. television ratings
165:appeared as comedians.
36:television broadcasting
1077:The Andy Griffith Show
899:Nielsen Media Research
633:Dunning, John (1998).
601:The Jimmy Durante Show
348:from 8 to 9 p.m.
289:s next hosts included
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149:, who was replaced by
106:The Fire Chief Concert
26:
1194:Laverne & Shirley
960:The $ 64,000 Question
612:As a Top 30 program,
443:The Phil Silvers Show
428:The Milton Berle Show
309:(1948–1949). In 1945
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72:The Milton Berle Show
24:
748:Cross, Mary (2002).
424:The Buick-Berle Show
287:Texaco Star Theater'
1672:The Big Bang Theory
919:Texaco Star Theater
859:Texaco Star Theater
847:Texaco Star Theater
614:Texaco Star Theater
597:Texaco Star Theater
393:Texaco Star Theater
371:Texaco Star Theater
366:Texaco Star Theater
342:Texaco Star Theater
331:Texaco Star Theater
256:Texaco Star Theater
251:Texaco Star Theater
228:Texaco Star Theater
226:. He presided over
223:The Fred Allen Show
139:Texaco Star Theater
85:Texaco Star Theater
63:Chevron Corporation
31:Texaco Star Theater
1827:ABC radio programs
1822:CBS Radio programs
1117:Marcus Welby, M.D.
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157:, Irene Noblette,
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1144:All in the Family
839:Milton Berle Show
727:978-1-4766-2427-3
646:978-0-19-507678-3
593:
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485:Broadcast history
217:Town Hall Tonight
145:was succeeded by
131:, and bandleader
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1023:Wagon Train
971:I Love Lucy
949:I Love Lucy
841:radio shows
815:. museum.tv
787:Emmy Awards
377:were used.
361:pull next.
354:Emmy Awards
335:Jack Carter
303:Jack Carter
295:Tony Martin
247:Texaco Time
171:Jane Froman
167:Kenny Baker
117:Bobby Breen
1736:Categories
1392:60 Minutes
1260:60 Minutes
1214:60 Minutes
1176:Happy Days
586:1955–1956
575:1954–1955
567:1953–1954
556:1952–1953
545:1951–1952
534:1950–1951
476:Perry Como
464:Jack Benny
358:ad-libbing
317:Television
233:Sam Levene
196:Fred Allen
163:Ned Sparks
155:Una Merkel
151:Ken Murray
129:Harry Park
47:Fred Allen
1403:Seinfeld
491:bold text
266:sidekick
194:Photo of
111:Comedian
108:in 1936.
1491:Survivor
1441:Seinfeld
1336:Roseanne
1012:Gunsmoke
990:Gunsmoke
819:June 22,
797:June 19,
733:June 19,
652:June 19,
529:Ratings
526:Ranking
472:Bob Hope
301:(1948),
55:NBC Blue
1505:Friends
1495:(S2-AO)
1464:99–2000
1285:Dynasty
1066:Bonanza
670:Variety
578:No. 11
523:Season
397:buffoon
90:Ed Wynn
1817:Texaco
1370:Cheers
1271:Dallas
1240:Dallas
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724:
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559:No. 5
548:No. 2
537:No. 1
514:sweeps
241:Texaco
173:, and
161:, and
59:Texaco
1715:22–23
1711:21–22
1707:20–21
1700:2020s
1685:19–20
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985:59–60
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966:56–57
955:55–56
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940:53–54
936:52–53
925:51–52
914:50–51
907:1950s
620:Notes
581:34.6
570:40.2
562:46.7
551:53.8
540:61.6
420:Buick
208:Ipana
79:Radio
61:(now
1635:NCIS
1509:(S8)
1459:(S5)
1445:(S9)
1407:(S6)
1374:(S9)
1349:(S6)
1340:(S2)
1275:(S7)
1180:(S4)
1081:(S8)
852:IMDb
821:2010
799:2020
769:2020
756:ISBN
735:2020
722:ISBN
654:2020
641:ISBN
603:and
589:N/A
262:and
119:and
1524:,:
850:at
346:NBC
283:NBC
67:NBC
51:ABC
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