168:
293:
187:). This company's theatre, which was not much larger than the Salle Lacaze, was demolished, and the larger Salle Choiseul with a capacity of about 900 was constructed. The new theatre was not only larger, but warmer, more luxurious and more comfortable than the Salle Lacaze. The orchestra was enlarged from sixteen players to thirty. Offenbach's new license permitted performances of one-act comedies, with or without music, but with fewer than five characters. It also specifically excluded sketches and required the performance of at least two works by composers other than Offenbach. The first performance of the merged company was on 29 December 1855 at the Salle Choiseul and included the premiere of Offenbach's
22:
201:. From this time performances were primarily given at the Salle Choiseul during the winter theatre season. The company performed at the Salle Lacaze during the 1856, 1857 and 1859 summer seasons, however, in March 1861 legislation was enacted which prevented the company from using both theatres, and appearances at the Salle Lacaze were discontinued. In spite of the restrictions of the license, Offenbach began including longer, more substantial works which violated its terms. For instance, his two-act
1149:
82:
In
February 1855, Offenbach successfully requested a license from the Parisian authorities for the performance of what he described as a "new and original" genre of musical theatre. He justified his proposed endeavour by saying that these works would have mass appeal and would provide opportunities
146:
about two swindling "blind" Parisian beggars. The latter was almost cut, since the invited audience who attended the dress rehearsal failed to laugh, but
Offenbach decided to retain it, and it was the hit of the opening night. This little piece soon acquired an international reputation (due to
2129:
Levin indicates that the company was a private entrepreneurship from its founding in 1855 up until 1885, which is the extent of her coverage of the topic. See Table 16.8. "Chronology and administration of the Théâtre des
Bouffes-Parisiens company" in Levin 2009, p.
207:
with a cast of 16 received its first performance at the Salle
Choiseul on 21 October 1858. Even after Offenbach resigned as the director in January 1862, the company continued at the Salle Choiseul, performing light operas by other composers as well as Offenbach.
219:
While the Théâtre des
Bouffes-Parisiens is indelibly linked to Offenbach, it has also been the venue for a number of other important works. In addition to Offenbach's own operettas, the theatre has seen the premieres of musical works by
155:. Further performances in the summer of 1855 were primarily of satirical sketches which only included a few musical numbers. The season, however, was so successful that Offenbach was able to resign his position as conductor of the
2831:
1641:(Yon 2000, p. 201). During the summer of 1860 the company performed in Brussels and Lyon. Offenbach himself went to Berlin to supervise the rehearsals and conduct the Berlin premiere of
69:. With the decline in popularity of operetta after 1870, the theatre expanded its repertory to include comedies. The theatre is still active with regular productions of stage plays.
2787:
1597:
Lamb ( "Offenbach, Jacques" in Sadie 1992, vol. 3, p. 653) gives the capacity of the Salle Lacaze as 300. Gammond (1980, p. 37) says it held an audience of only 50.
255:, after whose death in May 2007 his partner Bruno Finck took over. Subsequently Dominique Dumond, director of Polyfolies assumed the leadership in September 2013.
167:
1615:
Lamb ( "Offenbach, Jacques" in Sadie 1992, vol. 3, p. 653) gives the capacity of 900; Faris (1980, pp. 52–53) provides an extensive quote from the periodical
183:
In
October Offenbach submitted another petition to the authorities, this time to merge his company with the Théâtre des Jeunes Élèves de Monsieur Comte (
1691:
1676:
258:
The theatre is part of the « Théâtres parisiens associés » and more recently the stage has witnessed straight theatre such as
211:
Upon the departure of
Offenbach, the new director tore down the existing hall to erect a larger one with a capacity of 1100 spectators.
2221:
2709:
Levin, Alicia (2009). "A documentary overview of musical theaters in Paris, 1830–1900" in Fauser 2009, pp. 379–402.
65:
at 4 rue
Monsigny with an entrance at the back at 65 Passage Choiseul. In the 19th century the theatre was often referred to as the
2841:
2766:
2741:
2703:
2688:
2658:
2643:
1869:
2578:
2556:
2173:
1829:
The date of the premiere is given as 16 March 1880 by Andrew Lamb "Varney, Louis" in Sadie 1992, vol. 4, p. 901 (see also
1709:
2836:
2165:
Levin 2009, p. 399, indicates that the theatre was closed. The company's website states that the closure was due to the
292:
2732:
2254:
2826:
1745:
1489:
98:. The inaugural performance was on 5 July with Offenbach conducting four of his own works: a prologue called
95:
2244:
1721:
1113:
610:
62:
2189:"Cantin, Louis" in Gänzl 2001, pp. 308–309. According to Gänzl, Cantin gave up his directorship in 1885.
21:
280:
156:
90:. This theatre was unusually small with a capacity of only 300 spectators, but was located on the
2533:
2517:
2501:
2469:
591:
132:
1864:
Klein, Axel: O'Kelly - An Irish
Musical Family in Nineteenth-Century France (Norderstedt 2014).
964:
909:
451:
267:
2437:
2385:
2345:
2321:
2297:
2246:
The
Italian Shakespearians: Performances by Ristori, Salvini, and Rossi in England and America
1576:
572:
2669:
2621:
2485:
2453:
2433:
2417:
2401:
2377:
2361:
2337:
2313:
2289:
2273:
2202:
1637:
During the summer of 1858 the company went on tour, and Offenbach sublet the Salle Lacaze to
251:
From 1986 to 2007, the Théâtre des Bouffes-Parisiens was under the directorship of the actor
1285:
174:
2717:
2613:
1638:
890:
648:
2218:
1619:
describing the demolition and reconstruction of the theatre and the size of the orchestra.
415:
203:
8:
2166:
769:
1733:
481:
1446:
396:
252:
184:
1073:
1041:
958:
939:
2762:
2737:
2699:
2684:
2654:
2639:
2250:
1865:
1830:
1173:
661:
566:
464:
445:
409:
323:
225:
138:
50:
1645:
at the Friedrich-Wilhelmstädtisches Theater on 23 June 1860 (Yon 2000, pp. 232–233).
903:
884:
763:
198:
115:
2631:
1420:
1132:
237:
221:
1126:
91:
2754:
2582:
2575:
2560:
2238:
2225:
2177:
1493:
1409:
1319:
1267:
1215:
1184:
1107:
922:
850:
549:
498:
245:
233:
229:
38:
54:
2727:
2553:
2170:
867:
532:
515:
373:
342:
275:
263:
1148:
428:
356:
107:
2820:
2802:
2789:
1156:
The Théâtre des Bouffes-Parisiens was founded as a private entrepreneurship.
1009:
977:
833:
816:
799:
642:
623:
585:
390:
118:, who worked as a government official and needed to protect his reputation);
2003:
Charlton, David. "Terrasse, Claude (Antoine)" in Sadie 1992, vol. 4, p. 700.
1922:
Charlton, David. "Vidal, Paul (Antonin)" in Sadie 1992, vol. 4, pp. 987–988.
1510:
Lamb, Andrew. "Offenbach, Jacques" in Sadie 1992, vol. 3, pp. 653–658.
2721:
2673:
2625:
1225:
1090:
729:
678:
604:
241:
87:
1834:
746:
712:
695:
629:
86:
The company gave its first performances during the summer of 1855 at the
782:
329:
189:
147:
visitors from the Exposition), and Offenbach's admirers soon included
1696:
152:
1486:
111:
58:
47:
2779:
945:
148:
2618:
Dicken's Dictionary of Paris, 1882. An Unconventional Handbook
2651:
Music, theater, and cultural transfer. Paris, 1830–1914
43:
2832:
Buildings and structures in the 2nd arrondissement of Paris
2714:
Nos Artistes: Annuaire des Théâtres et Concerts, 1901–1902
2587:
Encyclopédie multimedia de la comédie musicale, 1918–1940
2649:
Fauser, Annegret, editor; Everist, Mark, editor (2009).
354:
171:
The Salle Choiseul during a performance of Offenbach's
1820:
Traubner 2003, p. 91; Gänzl 2001, pp. 1494–1495.
1746:
Un tramway nommé désir at the Bouffes-Parisiens, 2024
1722:
88 fois l'infini at the at the Bouffes-Parisiens page
2249:. Associated University Presses. pp. 48, 56–8.
2237:
Chizzola was an Italian manager-impresario, managed
1775:
Lamb, Andrew. "Hervé" in Sadie 1992, vol. 2, p. 708.
2548:
2546:
2544:
2542:
1152:The public at the Bouffes-Parisiens (c. 1860)
2818:
1846:Traubner 2003, p. 91; Gänzl 2001, pp. 1341–1343.
1793:"Lecocq, Charles" in Gänzl 2001, pp. 1165–1168.
2539:
1913:"Messager, André" in Gänzl 2001, pp. 1379–1382.
1734:Page for La Note at the Bouffes-Parisiens, 2023
130:, a pantomime utilizing themes from Rossini's
2152:
2150:
2148:
2146:
2144:
2142:
2140:
2138:
2136:
1904:"Roger, Victor" in Gänzl 2001, pp. 1733–1734.
1891:
1889:
1887:
2698:, second edition. New York: Schirmer Books.
2653:. Chicago: The University of Chicago Press.
2597:
2595:
1837:), but as 16 May 1880 by Levin 2009, p. 402.
1692:Les théâtres cherchent leur planche de salut
136:arranged by "Alfred Lange" (Offenbach); and
2576:"Les Théâtres parisiens: Bouffes-Parisiens"
1712:on the Théâtres parisiens associés website.
1482:
1480:
1478:
1476:
2751:" in Sadie 1992, vol. 4, pp. 961–962.
2133:
1884:
2664:Galignani, A. and W., publishers (1862).
2592:
1667:in Sadie 1992, vol. 3, pp. 774–776.
2638:. London & Boston: Faber and Faber.
1562:
1560:
1558:
1556:
1554:
1552:
1550:
1548:
1546:
1544:
1542:
1540:
1538:
1536:
1473:
1147:
291:
166:
61:. The current theatre is located in the
20:
2696:The Encyclopedia of the Musical Theatre
2571:
2569:
2242:
1895:"Pugno, Raoul" in Gänzl 2001, p. 1662.
1534:
1532:
1530:
1528:
1526:
1524:
1522:
1520:
1518:
1516:
2819:
1506:
1504:
1502:
37:
25:Théâtre des Bouffes-Parisiens in 2010
2666:Galignani's New Paris Guide for 1862
2566:
1513:
1143:
287:
2530:Almanach des spectacles. Année 1909
2514:Almanach des spectacles. Année 1907
2498:Almanach des spectacles. Année 1906
2482:Almanach des spectacles. Année 1905
2466:Almanach des spectacles. Année 1904
2450:Almanach des spectacles. Année 1902
2430:Almanach des spectacles. Année 1901
2414:Almanach des spectacles. Année 1900
2398:Almanach des spectacles. Année 1899
2374:Almanach des spectacles. Année 1897
2358:Almanach des spectacles. Année 1895
2334:Almanach des spectacles. Année 1893
2310:Almanach des spectacles. Année 1892
2286:Almanach des spectacles. Année 1890
2270:Almanach des spectacles. Année 1889
2215:Almanach des spectacles. Année 1888
2199:Almanach des spectacles. Année 1885
1499:
278:and François Berléand in 2023, and
13:
14:
2853:
2773:
2733:The New Grove Dictionary of Opera
2241:on tour in the US in 1873-4. See
1213:Julien-Joseph-Henry Dupontavisse,
1196:Eugène Hanappier, Armand Lapoint
162:
2736:(4 volumes). London: Macmillan.
487:Les chevaliers de la table ronde
94:, near the crowds attending the
2523:
2507:
2491:
2475:
2459:
2443:
2423:
2407:
2391:
2367:
2351:
2327:
2318:Le Boulevard: Croquis Parisiens
2303:
2294:Le Boulevard: Croquis Parisiens
2279:
2263:
2231:
2208:
2192:
2183:
2159:
2123:
2114:
2105:
2096:
2087:
2078:
2069:
2060:
2051:
2042:
2033:
2024:
2015:
2006:
1997:
1988:
1979:
1970:
1961:
1952:
1943:
1934:
1925:
1916:
1907:
1898:
1875:
1858:
1849:
1840:
1823:
1814:
1805:
1796:
1787:
1778:
1769:
1760:
1751:
1739:
1727:
1715:
1703:
1684:
1670:
1657:
1648:
1631:
232:, and plays by writers such as
77:
46:theatre founded in 1855 by the
2842:Music venues completed in 1855
2668:. Paris: A. and W. Galignani.
1622:
1609:
1600:
1591:
1582:
1569:
1566:Levin 2009, pp. 401–402.
1438:Nicky Nancel (Madame Mondavi)
684:Joséphine vendue par ses sœurs
296:Théâtre des Bouffes-Parisiens
1:
1462:
31:Théâtre des Bouffes-Parisiens
2180:, retrieved 20 August 2011).
1277:Charles (Carlo) A. Chizzola
1243:Jules Noriac, Charles Comte
1114:Les aventures du roi Pausole
611:Les mousquetaires au couvent
83:for young French composers.
39:[teɑtʁdebufpaʁizjɛ̃]
7:
2589:, retrieved 20 August 2011.
2563:, retrieved 20 August 2011.
2243:Carlson, Marvin A. (1985).
2169:. (See "Historique" at the
1452:
1442:
1434:
1426:
1415:
1405:
1397:
1389:
1381:
1373:
1365:
1357:
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1325:
1315:
1307:
1299:
1291:
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1273:
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1221:
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1200:
1190:
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1103:
1086:
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1054:
1037:
1022:
1005:
990:
973:
954:
935:
918:
899:
880:
863:
846:
829:
812:
795:
778:
759:
742:
725:
708:
691:
674:
657:
638:
619:
600:
581:
562:
545:
528:
511:
494:
477:
460:
441:
434:L'omelette à la Follembuche
424:
405:
386:
369:
338:
319:
100:Entrez, messieurs, mesdames
10:
2858:
2837:Theatres completed in 1855
2120:Gänzl 2001, pp. 2056–2057.
2093:Gänzl 2001, pp. 1008–1009.
2084:Gänzl 2001, pp. 2077–2078.
2075:Gänzl 2001, pp. 1625–1626.
2039:Gänzl 2001, pp. 1139–1140.
2021:Gänzl 2001, pp. 1611–1613.
2012:Gänzl 2001, pp. 2067–2068.
1994:Gänzl 2001, pp. 2126–2127.
1976:Gänzl 2001, pp. 1660–1662.
1881:Gänzl 2001, pp. 1038–1040.
1802:Gänzl 2001, pp. 1602–1603.
1062:Trois jeunes filles … nues
839:L'enlèvement de la Toledad
72:
2683:. London: Omnibus Press.
2559:11 September 2011 at the
2554:Bouffes-Parisiens website
2176:11 September 2011 at the
2171:Bouffes-Parisiens website
1492:18 September 2019 at the
214:
110:and "Jules Servières" (a
2747:Wagstaff, John (1992). "
2030:Gänzl 2001, pp. 480–482.
1949:Gänzl 2001, pp. 581–582.
1855:Gänzl 2001, pp. 763–764.
1811:Gänzl 2001, pp. 590–591.
1766:Gänzl 2001, pp. 360–362.
1487:Bouffes-Parisien website
1201:17 September 1866
281:A Streetcar Named Desire
16:Theatre in Paris, France
2679:Gammond, Peter (1980).
1748:accessed 22 April 2024.
1736:accessed 22 April 2024.
1724:accessed 22 April 2024.
1690:Armelle Héliot, «
1274:1 September 1888
538:Le barbier de Trouville
348:Les Statues de l'Alcade
133:Il barbiere di Siviglia
53:for the performance of
2712:Martin, Jules (1901).
2364:; Gänzl 2001, p. 1490.
2342:Almanach Hachette 1895
1628:Yon 2000, pp. 760–762.
1606:Faris 1980, pp. 51–52.
1350:15 October 1901
1329:Michel-Amable Coudert
1264:15 October 1885
1181:3 February 1862
1153:
667:La Barbière improvisée
470:Le carnaval des revues
300:
180:
96:Exposition Universelle
26:
2827:Opera houses in Paris
2780:The Theatre's website
2716:. Paris: Ollendorff.
2620:. London: Macmillan.
2581:30 March 2012 at the
2224:18 April 2017 at the
1710:Les Bouffes-Parisiens
1361:Lagoanère and Lénéka
1345:Vildreux and Pezzani
1151:
928:Les travaux d'Hercule
295:
284:(in French) in 2024.
170:
126:on a pastoral theme;
24:
2694:Gänzl, Kurt (2001).
2601:Gänzl 2001, p. 2198.
2552:"Historique" at the
2066:Gänzl 2001, p. 2079.
1967:Gänzl 2001, p. 1490.
1940:Gänzl 2001, p. 1307.
1931:Gänzl 2001, p. 1297.
1757:Fétis/Pougin (1880).
1639:Jean-Charles Deburau
1588:Dickens 1882, p. 32.
1401:Mme Cora-Laparcerie
1393:Deval and Richemond
1240:16 April 1871
1216:Auguste Lefranc
1204:François Varcollier
998:La dame en décolleté
649:Gillette de Narbonne
592:Les noces d'Olivette
452:Geneviève de Brabant
362:Dieux vielles gardes
195:chinoiserie musicale
144:bouffonerie musicale
2799: /
2167:Franco-Prussian War
2156:Levin 2009, p. 399.
2102:Gänzl 2001, p. 668.
2057:Gänzl 2001, p. 578.
2048:Gänzl 2001, p. 457.
1958:Gänzl 2001, p. 530.
1784:Gänzl 2001, p. 722.
1665:"Orphée aux enfers"
1654:Levin 2009, p. 401.
1382:October 1906
770:Le mari de la reine
197:with a libretto by
2803:48.8684°N 2.3354°E
2111:Gänzl 2001, p. 87.
1447:Jean-Claude Brialy
1377:Monza and Darcour
1337:Coudert and Berny
1286:Oscar de Lagoanère
1222:August 1868
1209:8 July 1867
1192:27 September 1864
1170:5 July 1855
1154:
1123:19 September 1934
1023:17 September 1924
856:La dot de Brigitte
752:Le retour d'Ulysse
397:Le docteur miracle
379:Le docteur miracle
301:
253:Jean-Claude Brialy
181:
175:Un mari à la porte
63:2nd arrondissement
27:
2767:978-2-07-074775-7
2759:Jacques Offenbach
2742:978-1-56159-228-9
2730:, editor (1992).
2704:978-0-02-864970-2
2689:978-0-7119-0257-2
2659:978-0-226-23926-2
2644:978-0-571-11147-3
2636:Jacques Offenbach
2382:Bulletin officiel
1870:978-3-7357-2310-9
1643:Orphée aux enfers
1460:
1459:
1430:Albert Willemetz
1419:Gustave Quinson,
1174:Jacques Offenbach
1144:List of directors
1141:
1140:
1104:12 December 1930
1070:22 December 1926
991:22 December 1923
955:10 November 1921
936:12 November 1918
900:10 December 1898
891:Les p'tites Michu
881:16 November 1897
864:28 February 1896
822:Mam'zelle Carabin
760:18 December 1889
639:11 November 1882
620:29 December 1880
582:13 November 1879
567:Emmanuel Chabrier
563:28 November 1877
529:19 November 1871
478:17 November 1866
465:Jacques Offenbach
461:10 February 1860
446:Jacques Offenbach
442:19 November 1859
416:Orphée aux enfers
410:Jacques Offenbach
339:29 December 1855
324:Jacques Offenbach
320:29 December 1855
288:List of premieres
268:François Berléand
226:Emmanuel Chabrier
204:Orphée aux enfers
139:Les deux aveugles
51:Jacques Offenbach
2849:
2814:
2813:
2811:
2810:
2809:
2804:
2800:
2797:
2796:
2795:
2792:
2755:Yon, Jean-Claude
2632:Faris, Alexander
2614:Dickens, Charles
2602:
2599:
2590:
2573:
2564:
2550:
2537:
2527:
2521:
2511:
2505:
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2489:
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2473:
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2427:
2421:
2411:
2405:
2395:
2389:
2371:
2365:
2355:
2349:
2331:
2325:
2307:
2301:
2283:
2277:
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2235:
2229:
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2058:
2055:
2049:
2046:
2040:
2037:
2031:
2028:
2022:
2019:
2013:
2010:
2004:
2001:
1995:
1992:
1986:
1983:
1977:
1974:
1968:
1965:
1959:
1956:
1950:
1947:
1941:
1938:
1932:
1929:
1923:
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1911:
1905:
1902:
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1749:
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1731:
1725:
1719:
1713:
1707:
1701:
1688:
1682:
1681:, 16 April 2008.
1674:
1668:
1661:
1655:
1652:
1646:
1635:
1629:
1626:
1620:
1613:
1607:
1604:
1598:
1595:
1589:
1586:
1580:
1575:Galignani 1862,
1573:
1567:
1564:
1511:
1508:
1497:
1484:
1421:Albert Willemetz
1385:Clot and Dublay
1228:, Charles Comte
1214:
1193:
1176:, Charles Comte
1159:
1158:
1055:3 December 1925
830:17 October 1894
813:3 November 1893
743:1 February 1889
726:15 October 1888
718:Le valet de cœur
555:La petite muette
512:16 January 1869
495:11 January 1867
406:21 October 1858
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260:88 fois l'infini
238:Albert Willemetz
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128:Arlequin barbier
120:Une nuit blanche
104:pièce d'occasion
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425:8 June 1859
414:
395:
378:
361:
347:
328:
279:
271:
259:
257:
250:
242:Sacha Guitry
218:
210:
202:
194:
193:, a one-act
188:
182:
173:
143:
142:, a one-act
137:
131:
127:
123:
122:, a one-act
119:
103:
102:, a one-act
99:
88:Salle Lacaze
85:
81:
78:Salle Lacaze
66:
55:opéra bouffe
30:
28:
18:
2806: /
1678:France-Soir
1453:2007
1443:1986
1435:1958
1427:1929
1416:1927
1406:1913
1398:1909
1390:1907
1374:1905
1366:1904
1358:1902
1342:1900
1334:1899
1326:1897
1316:1895
1308:1893
1300:1892
1292:1890
1282:1889
1256:1877
1248:1873
1233:1870
1087:9 May 1929
847:6 May 1895
747:Raoul Pugno
713:Raoul Pugno
696:Raoul Pugno
630:La mascotte
429:Léo Delibes
357:Léo Delibes
108:Joseph Méry
106:written by
2821:Categories
2791:48°52′06″N
1463:References
1015:En chemyse
783:Paul Vidal
330:Ba-ta-clan
190:Ba-ta-clan
2794:2°20′07″E
2749:Véronique
2681:Offenbach
1835:457931152
1697:Le Figaro
1694: »,
910:Véronique
309:Composer
298:(c. 1867)
270:in 2021,
153:Thackeray
2757:(2000).
2634:(1980).
2616:(1882).
2579:Archived
2557:Archived
2222:Archived
2174:Archived
1490:Archived
735:Oscarine
701:Le sosie
573:L'étoile
521:Gandolfo
112:pen name
59:operetta
48:composer
44:Parisian
2608:Sources
1096:Flossie
983:Là-Haut
946:Phi-Phi
873:Ninette
272:La Note
149:Tolstoy
73:History
42:) is a
35:French:
2765:
2740:
2702:
2687:
2657:
2642:
2438:p. 404
2384:1899,
2346:p. 452
2322:p. 191
2320:1893,
2298:p. 191
2296:1893,
2253:
1868:
1833:
1577:p. 470
1079:J'aime
1047:P.L.M.
215:Legacy
199:Halévy
179:(1859)
2534:p. 78
2518:p. 81
2502:p. 78
2486:p. 76
2470:p. 69
2454:p. 68
2434:p. 71
2418:p. 63
2402:p. 65
2378:p. 57
2362:p. 69
2338:p. 66
2314:p. 64
2290:p. 58
2274:p. 57
2219:p. 56
2203:p. 62
1468:Notes
1162:Date
482:Hervé
312:Work
306:Date
274:with
262:with
222:Hervé
2763:ISBN
2738:ISBN
2718:View
2700:ISBN
2685:ISBN
2670:View
2655:ISBN
2640:ISBN
2622:View
2251:ISBN
2130:399.
1866:ISBN
1831:OCLC
965:Dédé
788:Eros
315:Ref
266:and
244:and
228:and
151:and
57:and
29:The
2720:at
2672:at
2624:at
114:of
2823::
2594:^
2568:^
2541:^
2532:,
2516:,
2500:,
2484:,
2468:,
2452:,
2432:,
2416:,
2400:,
2380:;
2376:,
2360:,
2344:,
2340:;
2336:,
2316:;
2312:,
2292:;
2288:,
2272:,
2217:,
2201:,
2135:^
1886:^
1515:^
1501:^
1475:^
248:.
240:,
236:,
224:,
159:.
2769:.
2744:.
2724:.
2706:.
2691:.
2676:.
2661:.
2646:.
2628:.
2536:.
2520:.
2504:.
2488:.
2472:.
2456:.
2440:.
2420:.
2404:.
2388:.
2348:.
2324:.
2300:.
2276:.
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2228:.
2205:.
1872:.
1579:.
1496:.
33:(
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