672:
17:
648:
636:
624:
612:
349:
361:
660:
111:
696:
271:
286:
309:â The suitable banana stalk should come from the adult banana tree with 3 meters tall and the tree must does not have banana blossom yet. The diameter should be around 20 centimeters. Also, the artist should use a Tania banana tree because it is durable to the weather and long lasting compared to the others (for the Tania banana tree, it will take about 24 hours to be rotten, a normal banana tree will take about 10 hours to be rotten).
337:
181:". Mae Ru is a decorated stand or a shelter for the bier usually used in important or high class funerals. Therefore, it is very difficult to has Mea Ru in other city rather than in capital city. However, Mea Ru is very popular in countryside like Phetchaburi and became the tradition of the city. The Mea Ru of Phetchaburi is unique. The reason is It is made in the same scale as high class Mea Ru, and it will be decorated with
684:
393:). Some patterns has lost by the change of new lifestyle but the others have been saved by the tradition and some new generations. Therefore, the old pattern will be saved and survive through the time. They are similar to Thai traditional style such as Kra nok pattern but the detail is not as rich as the normal pattern.
380:
is the art that bonds with the daily life of people and used it in many religious festivals and becomes the culture of local people. The art has been influenced by the lifestyle of people and creates their own unique pattern. The pattern styles are based on the ideal of beauty in
246:)â the knife blade is 5 inches to 6 inches long with a round sharp point. It is flexible and has a round handle. The blade is able to bend and create a smooth curve. Importantly, the knife must be always sharp otherwise the cutting line wouldnât smooth and look messy.
165:
is the plant that has volume of water inside the vessel, therefore people in the past discovered it and used it to protect the bier from the fire. This knowledge has passed through generations and becomes an art at the end.
731:
is all about the time limit that forces the maker to eliminate unnecessary methods and reduce the detail of patterns and yet still looks beautiful. The procedure of making banana stalk carvings has only 4 steps which are
204:
usually kept their technique only for their students and taught them by experience and did some workshop rather than a book. Therefore, there are many missing pieces of evidence and timeline in
605:) is the extra part, it is used to decorate 1st herringbone and 3rd herringbone pattern but it is usually on top and middle part of a bier because the pattern is pointing downward.
478:
mean five or the fifth) â the pattern is bigger than the 3rd
Herringbone pattern which makes it canât split into two equal pieces, therefore it will have some decoration instead.
126:
was invented are not recorded. There is a little information that could be used to estimate the timeline of it. Yet, the only information that could state the oldest period of
90:
art has been saved in
Phetchaburi community more than it has been in other provinces. The main purpose of Banana Stalk Carving is to decorate the bier and funeral area. Also,
744:
4. (Lae laai step) Colouring the inner surface by using Lae laai knife with the colour and gently carving the surface (after carving the herringbone pattern).
232:
are the sharp carving knives, hammer, and nail. For carving knives, each type of knife will do the different job and have different properties for the work.
594:
artist. This pattern is the freestyle area where artists can design it by themselves. The pattern can be any shape or picture depending on the maker.
330:â It is used to bind the banana stalks together or with the object. The approximate length is 60 centimeters and 1 to 1.5 centimeters for the width.
316:â Using the property of glitter, it will make the pattern look more dominant and the colour is long lasting. Moreover, the paper is water resistant.
870:
854:
833:
397:
is the art that uses fresh plants as the material, therefore it must be done in a day before it would rot. There are 7 main patterns for
791:āļ§āļąāļāļāļāļĢāļĢāļĄāļāļąāļāļāļēāļāļēāļĢāļāļēāļāļāļĢāļ°āļ§āļąāļāļīāļĻāļēāļŠāļāļĢāđ āđāļāļāļĨāļąāļāļĐāļāđāđāļĨāļ°āļ āļđāļĄāļīāļāļąāļāļāļēāļāļąāļāļŦāļ§āļąāļāđāļāļāļĢāļāļļāļĢāļĩ(The development of cultural knowledge of Phetchaburi province)
149:
art was a very common carving art in many provinces. There is a record that said almost every high monk in
Phetchaburi can perform
134:. It is the epic poem that was written in the Ayutthaya period (in the middle of 17th century). In the Khun Chang Kun Phaen poem,
200:
Unfortunately, in the past, the book or picture of this art was very hard to find in public. To be more specific, the master of
360:
212:
artists have begun to share their knowledge with the public more in order to preserve the culture and art. The master of
493:
can be combined together to create 2 layers of patterns but they usually combine only 2 styles together. For example,
94:
is made by the very skillful artists and the people who want to respect the dead. In the other words, it is used for
671:
647:
635:
623:
611:
216:
also supports these new artists by giving them the guiding and original technique which able to fill the gap of
789:āļāļāļ°āļāļĢāļĢāļĄāļāļēāļĢāļāđāļēāļĒāļāļĢāļ°āļĄāļ§āļĨāđāļāļāļŠāļēāļĢāđāļĨāļ°āļāļāļŦāļĄāļēāļĒāđāļŦāļāļļ(Documentary and Archival Processing Institution of Thailand)(. (1999)
98:, as well as those of well-known monks, remarkable people and important people. However, the popularity of
348:
928:
881:
Daungchan S. (2008).āļāļ§āļēāļĄāđāļāđāļāđāļāļāļĨāļąāļāļĐāļāđāļāļāļāļĻāļīāļĨāļāļ°āļāļēāļĢāđāļāļāļŦāļĒāļ§āļ āļāļąāļāļŦāļ§āļąāļāđāļāļāļĢāļāļļāļĢāļĩ (The Unique of
Phetchaburi Art).
871:
http://research.pbru.ac.th/web/index.php?option=com_content&view=article&id=257&Itemid=184
855:
http://research.pbru.ac.th/web/index.php?option=com_content&view=article&id=257&Itemid=184
820:
48:
mean "Banana stalk") is the Thai local art of carving the banana stalk for temporary decoration in
257:) â It has a short blade with the colour which is used to paint the line to make it more visible.
659:
824:, 94. Retrieved October 17, 2016 from kb.tsu.ac.th/jspui/.../1/āļāļģāļĢāļāļāđ%20āļāļĩāļ§āļ°āļŠāļēāđāļĢ%2000184058.pdf
142:( the main character) decided to arrange the formal funeral for Wan Tong, one of his lovers.
131:
695:
270:
886:
8:
285:
899:
807:
154:
95:
83:
918:
336:
923:
683:
177:
to the funeral state, the shelter and also decorate the stand for a bier, called "
548:
means tiger ) is the basic pattern used on the pole or edge of a bier or Mea ru.
16:
386:
313:
912:
753:
327:
102:
has reduced since the new culture has become more interesting to the youth.
571:
means board) is the pattern used on top, middle and floor areas of a bier.
158:
49:
741:
3. Carving Na Kra Darn pattern and Sao pattern on the other banana stalks
320:
110:
79:
821:
A Study of Banana Stalk
Carving by Local Craftsmen in SongKhla Province
139:
53:
897:
Kunya A. and Kasead S. (2006) āļāļĢāļ°āļāļ§āļāļāļēāļĢāđāļāļāļŦāļĒāļ§āļ (Tang Yuak
Procedure).
883:
A study of local wisdom on the art of Tang Yuak in
Petchaburi Province
802:
Kunya A. and Kasead S. (2006) āļāļĢāļ°āļāļ§āļāļāļēāļĢāđāļāļāļŦāļĒāļ§āļ (Tank Yuak
Procedure).
428:
or āļŦāļāļķāđāļ means one or the first ) â it is the basic beginner pattern
189:
on the edge and corners. Because of its beauty and delicate carving,
758:
382:
75:
190:
157:. More importantly, the important property of a banana stalk is
306:
162:
122:
is still unclear because the date and the first province where
74:
is a carving art that was popular in the lower part of central
738:
2. Carving 3rd and 5th herringbone pattern on banana stalks
68:
artists is very low compared to other art skills sections.
869:(Thai banana stalk carving) . Retrieved October 10, 2016
887:
http://thesis.swu.ac.th/swuthesis/Bus_Ed/Daungchan_S.pdf
513:
combine together which they will create the 2 layers of
451:
mean three or the third) â very common pattern for all
780:
Bangkok, Thailand : Airports
Authority of Thailand
138:
is mentioned in the
Funeral of Wan Tong chapter when
52:
and cultural events such as religious ceremonies and
808:
http://www.snc.lib.su.ac.th/libmedia/e-book/Yuak.pdf
793:.Bangkok, Thailand : the Fine Arts Department
590:mean pole) is a very important pattern for every
366:Bamboo strips used to bind banana stalks together
910:
193:(1851 A.D - 1868 A.D) decided to established
900:āļĻāļīāļĨāļāļ°āļāļēāļĢāđāļāļāļŦāļĒāļ§āļāļāļāļāđāļāļāļĢāļāļļāļĢāļĩ (Phetchaburi Art)
804:āļĻāļīāļĨāļāļ°āļāļēāļĢāđāļāļāļŦāļĒāļ§āļāļāļāļāđāļāļāļĢāļāļļāļĢāļĩ (Phetchaburi Art)
885:, 36-50. Retrieved October 10, 2016 from
806:, 19-23. Retrieved October 10, 2016 from
776:Airports Authority of Thailand. (1997),
185:. In addition, the bier is decorated by
109:
60:section in the main 10 Thai art skills (
15:
865:Phetchaburi Rajabhat University. (n.d)
849:Phetchaburi Rajabhat University. (n.d)
735:1. Carving the 1st herringbone pattern
505:will be the first layer and then place
911:
223:
208:history. However, new generations of
114:The portrait of King Rama IV, Mongkut
56:ceremonies. It is categorized as the
424:in this case, it means herringbone,
86:province but most information about
903:, 19-23. Retrieved October 10, 2016
13:
145:Furthermore, in the 19th century,
14:
940:
371:
44:meaning "stab" or "carving", and
851:āļāļēāļāđāļāļāļŦāļĒāļ§āļ (Tang Yuak Procedure)
838:āļāļēāļāđāļāļāļŦāļĒāļ§āļ (Tang Yuak Procedure)
694:
682:
670:
658:
646:
634:
622:
610:
359:
347:
335:
284:
269:
834:Phetchaburi Rajabhat University
323:â Usually red, blue and yellow
153:art which it would be used for
891:
875:
859:
843:
827:
812:
796:
783:
770:
20:One side of bier that made by
1:
853:. Retrieved October 10, 2016
764:
64:) although the population of
840:. Retrieved October 10, 2016
706:
314:Colored aluminium foil paper
197:as the treasure of country.
7:
747:
653:The combination of patterns
641:The 5th herringbone pattern
629:The 3rd herringbone pattern
617:The 1st herringbone pattern
10:
945:
559:) or front board pattern (
105:
264:â to cut the banana tree
28:Thai banana stalk carving
499:3rd Herringbone patterns
491:5th Herringbone patterns
297:Essential equipment for
228:The essential tools for
515:5th Herringbone pattern
460:5th Herringbone pattern
433:3rd Herringbone pattern
406:1st Herringbone pattern
714:is an art that needs:
173:was meant to add more
130:is the Thai poem name
115:
58:fresh material carving
24:
132:Khun Chang Khun Phaen
113:
19:
677:Banana stalk carving
262:Saw and Cable cutter
818:Damrong C. (2011),
582:) or pole pattern (
553:Na Kra Darn pattern
354:Blue Aluminium foil
301:, there are 4 items
175:attractive elements
929:Bananas in culture
665:Tiger Calf pattern
522:Tiger calf pattern
483:The Mixing pattern
224:Tool and Equipment
155:Buddhist festivals
116:
25:
530:Nong Sing pattern
328:The bamboo strips
936:
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863:
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701:Kra jung pattern
698:
686:
674:
662:
650:
638:
626:
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599:Kra Jung pattern
567:means front and
509:at the back. Or
437:Fun Sarm pattern
363:
351:
339:
288:
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724:time management
721:fast processing
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540:means calf and
511:5th Herringbone
507:3rd Herringbone
503:1st Herringbone
374:
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118:The history of
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464:Fun Ha pattern
387:Kranok pattern
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372:Pattern styles
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291:Lae Laai knife
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251:lae laai Knife
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159:fire resistant
107:
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96:royal funerals
9:
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778:Chang Sip Mu.
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561:āļĨāļēāļĒāļŦāļāđāļēāļāļĢāļ°āļāļēāļ
558:
557:āļĨāļēāļĒāļŦāļāđāļēāļāļĢāļ°āļāļēāļ
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526:āļĨāļēāļĒāļāđāļāļāļŠāļīāļāļŦāđ
525:
521:
519:
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470:)" in Thai (
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443:)" in Thai (
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342:Banana stalk
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307:Banana stalk
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729:Thaeng yuak
712:Thaeng yuak
689:Sao pattern
592:thaeng yuak
576:Sao pattern
453:thaeng yuak
416:)"in Thai (
414:āļĨāļēāļĒāļāļąāļāļŦāļāļķāđāļ
399:thaeng yuak
395:Thaeng yuak
378:thaeng yuak
321:Food colour
299:thaeng yuak
277:Thaeng yuak
238:Thaeng yuak
230:thaeng yuak
218:thaeng yuak
214:thaeng yuak
210:thaeng yuak
206:thaeng yuak
202:thaeng yuak
195:thaeng yuak
187:thaeng yuak
183:thaeng yuak
171:thaeng yuak
151:thaeng yuak
147:thaeng yuak
136:thaeng yuak
128:thaeng yuak
124:thaeng yuak
120:thaeng yuak
100:thaeng yuak
92:thaeng yuak
88:thaeng yuak
80:Phetchaburi
72:Thaeng yuak
66:thaeng yuak
62:āļāđāļēāļāļŠāļīāļāļŦāļĄāļđāđ
33:thaeng yuak
22:thaeng yuak
913:Categories
867:āļāļēāļāđāļāļāļŦāļĒāļ§āļ
765:References
244:āļĄāļĩāļāđāļāļāļŦāļĒāļ§āļ
220:timeline.
169:Moreover,
140:Khun Phaen
54:ordination
718:precision
707:Procedure
603:āļĨāļēāļĒāļāļĢāļ°āļāļąāļ
468:āļĨāļēāļĒāļāļąāļāļŦāđāļē
441:āļĨāļēāļĒāļāļąāļāļŠāļēāļĄ
412:pattern (
391:āļĨāļēāļĒāļāļĢāļ°āļŦāļāļ
84:Ayutthaya
919:Thai art
836:. (n.d)
759:Thai art
748:See also
574:6)
551:5)
520:4)
487:1st, 3rd
455:artists
431:2)
410:Fun Nung
385:such as
383:Thai art
376:Because
255:āļĄāļĩāļāđāļĢāļĨāļēāļĒ
78:such as
76:Thailand
50:funerals
924:Carving
458:3)
404:1)
106:History
40:, from
38:āđāļāļāļŦāļĒāļ§āļ
584:āļĨāļēāļĒāđāļŠāļē
580:āļĨāļēāļĒāđāļŠāļē
569:āļāļĢāļ°āļāļēāļ
501:, the
489:, and
485:- the
481:A)
179:Mae Ru
163:Banana
542:āļŠāļīāļāļŦāđ
279:knife
240:knife
597:7)
565:āļŦāļāđāļē
546:Sing
538:Nong
534:āļāđāļāļ
497:and
462:or "
445:Sarm
435:or "
426:Nung
408:or "
82:and
46:Yuak
42:Tang
588:āđāļŠāļē
544:or
536:or
528:",
524:( "
495:1st
476:āļŦāđāļē
474:or
449:āļŠāļēāļĄ
447:or
422:āļāļąāļ
420:or
418:Fun
326:4.
319:3.
312:2.
305:1.
260:3.
249:2.
235:1.
161::.
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