387:
1263:
292:, which Chief Warrant Officer Jacobs kills with his freeze-ray, which he calls "Cleo". The crew then encounters an immense creature resembling a rat/bat/spider/crab hybrid, at first mistaking its legs for trees. That creature is also blinded and repelled by Jacobs who, again, uses his ray gun. When the crew returns to their ship, they realize that their radio signals are being blocked and the MR-1 is unable to leave Mars due to a mysterious force field.
308:
that they could deliver a message to their home planet. The voice then states that "we of Mars" have been observing human development on Earth for many thousands of years and have determined that humanity's technology has far outpaced progress in cultural advancement. The alien then accuses humankind of invading Mars, warning that if future expeditions ever return to the Red Planet, the Earth would be destroyed in retaliation.
300:-like creature with a single spinning eye. They hurriedly retreat, the creature pursuing them. As they are entering their ship, the creature catches Jacobs and draws him inside the gelatinous body, soon absorbing him; it has also infected O'Bannion's arm. The creature envelops the ship and is expected to eventually develop acids to eat through it.
448:, Pink is quoted about the extreme cost-cutting effectiveness of using the new CineMagic process: "Our set for the planet Mars cost us a couple of hundred dollars instead of the thousands we had estimated". Pink also estimates in that interview that the movie "will be made at half the original cost", confirming that
591:
Everything seen or experienced outside the space ship on Mars is depicted in the
Cinemagic process to symbolize a concept of nature on another planet. The rest of the film's action and background is printed in the normal fashion. ...Stanley Cortez delivered an expert job of camerawork, in marking the
284:
to a safe Nevada landing. Only two survivors of the original four-person crew are found in the ship: Dr. Iris Ryan and Col. Tom O'Bannion, whose entire right arm is covered with a strange green alien growth. The MR-1's mission to Mars is then recounted by Dr. Ryan as she also helps to find a cure for
252:
Melchior reportedly had an initial production budget of only $ 200,000 and was given just nine days to film it. Such financial and time constraints necessitated the use of "CineMagic", a film-processing technique that combined hand-drawn animations with live-action footage. The relatively inexpensive
413:
if Pink allowed him to direct the film. While
Melchior worked on establishing a working script, Pink met Maurer, who was developing CineMagic, a "revolutionary" filming process for creating special effects by combining hand-drawn images with live action. However, it soon became apparent the process
307:
Once the MR-1 returns to Earth, O'Bannion's infected arm is cured by medical staff using electric shocks. Mission control technicians also examine the MR-1's data recorders from the expedition and find a recording of an alien voice, which announces that the ship's crew were allowed to leave Mars so
303:
O'Bannion leads them in rewiring the ship to electrify the outer hull, which drives the creature away after destroying parts of it, then they rewire the ship for lift-off. The three survivors manage to lift MR-1 off from the planet since the force field has somehow been deactivated, but
Professor
279:
Mission control personnel on Earth monitor the rocketship MR-1 ("Mars Rocket 1") as it approaches Earth orbit following the first crewed expedition to Mars. Personnel are surprised to see the ship on their monitors, for they believed that the vehicle had become lost or destroyed in space. Ground
582:
reviewer Samuel D. Berns was enthusiastic at the time about the production, calling it "a stimulating experience in suspense and intrigue". He describes CineMagic in his review as "a well-conceived optical effect for dramatic impact", an element of the film that he predicts will draw "big gross
408:
written by Sidney Pink about a space voyage to Earth's mysterious neighbor. Pink said in an interview a few years before his 2002 death: "It was written on my kitchen table. My kids were my critics, they'd tell me what was good and what just fell flat". Pink gave his treatment to
Melchior after
36:
592:
debut of the new
Eastman 5250 Color, bringing into sharp focus the soft, effective color tones of the film. Paul Dunlap's music contributed its share of mounting interest and suspense in the subject matter for the producers Sid Pink and Norman Maurer.
414:
would not be able to deliver what had been promised with respect to the quality of its effects. Pink recalled that "the damn
Cinemagic didn't work like it should. It was supposed to be sort of a 3-D effect. What we came up with was great anyway".
285:
Col. O'Bannion's badly infected arm. In her debriefing, she reports in detail the crew's experiences while traveling to the Red Planet and exploring its surface. She describes their expedition in retrospect, as if it were currently happening.
514:
was produced, black and white film cost less than color film and processing. The combination of using black-and-white film for all scenes depicting Mars and not needing to produce a film positive lowered production costs for the film.
625:, as the stalwart mission commander, and Jack Kruschen as the good-humored technician in the crew—without losing sight of the adventure and the story line, and meshing it all seamlessly with the special effects-driven sequences.
620:
Danish-born director/screenwriter Ib
Melchior brings a surprisingly light, deft touch to the proceedings, allowing the actors a chance to have fun with their roles—especially Gerald Mohr, still looking and sounding a bit like
553:, Pink said that "neither of us trusted the other, which worked out well because I wouldn't touch him with a 10-foot pole. Jimmy Nicholson was the brains of that operation. With Arkoff, you never got a straight count".
574:". However, not all reviewers in 1959 and early 1960 were critical of the film in general or, in particular, CineMagic's deficiencies in simulating the terrain, fictitious plant life, and monstrous creatures on Mars.
483:
The CineMagic process was used to cast a red glow over scenes depicting the surface of Mars. The low-cost process made the actors look similar to cartoon drawings so they would fit in with low-budget, less realistic
295:
O'Bannion next leads the crew to a
Martian lake, where a city with high, impressive structures is visible on the other side, far in the distance. Crossing the water in an inflatable raft, they are stopped by a giant
920:
438:
Comments made by Pink on the eve of filming provide some evidence regarding how little money was spent to design and build sets for the production. In an interview for a
September 7, 1959 news item by
608:. Erickson does faintly compliment the film for at least coloring scenes of Mars' surface with a red tinge, which in his opinion gives the sequences "a credibly alien look". In his 2014 movie guide,
695:" line of home media releases. A decade later, MGM re-issued the film on DVD as part of the multi-feature "Midnite Movies" single-disc collection, which also includes the 1951 film
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film critic Eugene Archer gave the production a negative review, criticizing its depiction of the planet Mars, likening it to "a cardboard illustration from
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released the film in
September 1960 with its original running time varying between 83 and 87 minutes. AIP also distributed the film initially as part of
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that announced an increase in allotted funding for the project more than double the frequently given figure. AFI states: "As noted in a
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may have actually been significantly higher than the $ 200,000 cited by most film and press references. In its online catalog, the
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506:(a process which partially reverses the negative making some areas of the image appear positive). The resulting film was then
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452:(the film's working title before its release) was a low-budget project. The "meager" $ 200,000 production budget cited for
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806:(TCM), Turner Broadcasting System, a subsidiary of Time Warner, Inc., New York, N.Y. Retrieved September 16, 2018.
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1134:, review, AllMovie, a subsidiary of All Media Network, San Francisco, California. Retrieved February 21, 2011.
860:(web.archive.org), interview from the Yahoo Contributor Network, March 31, 2005. Retrieved September 16, 2018.
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1635:
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news item, just prior to the start of production, the film's budget was raised from $ 250,000 to $ 500,000".
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Gettell, the MR-1's designer, dies of an apparent heart attack caused by the extreme stresses of the ascent.
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is more positive in his appraisal of the film, commending in particular its overall style of direction:
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meeting him at a party. Melchior believed the project had potential, so he offered to help write the
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judges the film to be only average, awarding it 2 out of 4 stars. However, reviewer Bruce Eder of
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technicians are unable, though, to make contact with anyone on MR-1, so they guide the rocket by
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After MR-1 reaches Mars and its crew explores the planet's surface, Dr. Ryan is attacked by a
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According to Pink, he had trouble working with AIP, more specifically with the "notorious"
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Faster and Furiouser: The Revised and Fattened Fable of American International Pictures
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business" to the box office. Berns also compliments both forms of filming presented in
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475:, only a month after Melchior and Pink completed their final draft of the screenplay.
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1146:"35 Years Ago: Misfits Take Over Horror-Punk With Their Debut LP 'Walk Among Us'"
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931:(Florence, Alabama), September 7, 1959, section 2, page 3, column 2. Archives of
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did reuse the process in 1962, although to a lesser extent, in the comedy film
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Keep Watching the Skies! American Science Fiction Movies of the Fifties
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criticizes the film's flat direction, dull script and overuse of
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918:"New Picture Process Made: The Latest Is Called The Cinemagic"
1045:, film review, May 5, 1960. Last accessed: February 21, 2011.
721:, another four-movie compilation on a single disc, alongside
904:(AFI), Los Angeles, California. Retrieved December 18, 2018.
530:
billings. At theaters in some regions it was presented with
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red. Making a film positive was not necessary. At the time
254:
1096:
Leonard Maltin's Movie Guide: 2014 Edition: the Modern Era
1013:, San Francisco, California. Retrieved September 17, 2018.
377:
Alean Hamilton as Joan's Friend (not in 83 minute version)
856:
Hayes, David C. (2005). "The Last Interview of Sid Pink"
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was released yet again in 2013 by Gaiam International on
684:
672:
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process was used for all scenes depicting the surface of
19:"Angry Red Planet" redirects here. For the band, see
1320:
771:, volume 2 (1958-1962). Jefferson, North Carolina:
1216:, releases, AllMovie. Retrieved January 11, 2016.
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935:(news.google.com). Retrieved September 18, 2018.
652:. The creature was also featured briefly in the
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356:Edward Innes as Brigadier General Alan Prescott
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825:, "Trivia", TCM, Retrieved September 16, 2018.
1666:English-language science fiction horror films
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1009:(New York, N.Y.), November 30, 1959, page 5.
536:, and in other regions it was presented with
1661:Films shot in Los Angeles County, California
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549:. In a 2005 interview about the release of
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648:features the rat-bat-spider creature from
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1062:"DVD Savant Review: The Angry Red Planet"
564:received mixed reviews upon its release.
353:Don Lamond as TV Newscaster/Martian Voice
341:Paul Hahn as Major General George Treegar
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1144:Christopher, Michael (March 31, 2017).
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634:The cover artwork for the 1982 album
1060:Erickson, Glenn (December 8, 2001).
988:
907:
879:
863:
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683:. It was later released on VHS and
425:refers to a contemporary report in
338:as Chief Warrant Officer Sam Jacobs
13:
1641:English-language independent films
1158:from the original on March 9, 2022
978:"The Last Interview with Sid Pink"
957:from the original on July 12, 2022
809:
374:as Joan (not in 83 minute version)
14:
1677:
1611:Films about extraterrestrial life
1222:
1188:from the original on July 9, 2024
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944:
359:Gordon Barnes as Major Lyman Ross
16:1959 American film by Ib Melchior
1621:Films produced by Sidney W. Pink
1407:Pyro... The Thing Without a Face
1074:from the original on 9 July 2024
837:Science Fiction Film Source Book
362:Jack Haddock a Lt. Colonel Davis
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524:American International Pictures
368:Joan Fitzpatrick as Nurse Dixon
156:American International Pictures
1591:American space adventure films
1586:American science fiction films
1003:"Review: The Angry Red Planet"
938:
840:(Longman Group Limited, 1985).
828:
786:
761:
745:List of American films of 1959
467:began on September 9, 1959 at
1:
1495:The Vengeance of Pancho Villa
1391:Journey to the Seventh Planet
891:"The Angry Red Planet (1960)"
816:"The Angry Red Planet (1959)"
793:"The Angry Red Planet (1960)"
663:
381:
332:as Professor Theodore Gettell
1601:1950s English-language films
1236:AFI Catalog of Feature Films
596:In his 2001 reassessment of
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478:
456:may therefore be a credible
350:Tom Daly as Dr. Frank Gordon
7:
1626:Films scored by Paul Dunlap
1571:1950s science fiction films
738:
691:in 2001, as part of their "
365:Brandy Bryan as Nurse Hayes
320:as Colonel Thomas O'Bannion
170:November 23, 1959
10:
1682:
1576:American independent films
947:"New Picture Process Made"
900:, details, catalog of the
518:
495:To achieve this effect, a
417:The production budget for
268:The Three Stooges in Orbit
18:
1535:A Candidate for a Killing
1471:The Fickle Finger of Fate
1447:The Fickle Finger of Fate
1329:
1001:Berns, Samuel D. (1959).
951:Times Daily - Sep 7, 1959
876:. McFarland, pp. 161-168.
750:List of films set on Mars
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1093:Maltin, Leonard (2013).
980:. Yahoo!. Archived from
347:as Professor Paul Weiner
326:as Dr. Iris "Irish" Ryan
1596:American monster movies
1527:The Emerald of Artatama
1463:A Witch Without a Broom
1351:I Was a Burlesque Queen
902:American Film Institute
773:McFarland & Company
727:Beyond the Time Barrier
704:Morons from Outer Space
658:The Number of the Beast
587:, as well as its music:
539:Beyond the Time Barrier
473:Culver City, California
423:American Film Institute
393:advertisement from 1960
311:
274:
21:Angry Red Planet (band)
1631:1959 independent films
1606:Films about astronauts
1455:The Treasure of Makuba
1375:The Greeneyed Elephant
1207:"The Angry Red Planet"
1178:"The Angry Red Planet"
1125:"The Angry Red Planet"
689:MGM Home Entertainment
671:was first released on
627:
594:
428:The Hollywood Reporter
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234:Journey to Planet Four
1543:The Man from O.R.G.Y.
1415:Finger on the Trigger
916:Bacon, James (1959).
804:Turner Classic Movies
767:Warren, Bill (1986).
723:The Man from Planet X
698:The Man from Planet X
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589:
389:
237:) is a 1959 American
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1636:1950s American films
1439:Seven Vengeful Women
1367:The Angry Red Planet
1281:The Angry Red Planet
1270:The Angry Red Planet
1254:The Angry Red Planet
1243:The Angry Red Planet
1230:The Angry Red Planet
1007:Motion Picture Daily
872:McGee, Mark (2016).
756:References and notes
715:The Angry Red Planet
707:, and the 1988 film
669:The Angry Red Planet
650:The Angry Red Planet
600:, Glenn Erickson of
598:The Angry Red Planet
585:The Angry Red Planet
579:Motion Picture Daily
562:The Angry Red Planet
551:The Angry Red Planet
512:The Angry Red Planet
465:The Angry Red Planet
454:The Angry Red Planet
444:reporter and writer
419:The Angry Red Planet
398:The Angry Red Planet
259:The Angry Red Planet
239:science fiction film
222:The Angry Red Planet
29:The Angry Red Planet
1651:Films set in Nevada
1511:Madigan's Millions
1359:Flame Over Vietnam
1321:Films produced by
1286:TCM Movie Database
1212:2016-01-16 at the
1130:2018-09-16 at the
1043:The New York Times
1037:2024-07-09 at the
929:The Florence Times
923:2022-07-12 at the
896:2018-12-18 at the
821:2018-09-16 at the
798:2018-11-08 at the
732:The Time Travelers
567:The New York Times
395:
345:J. Edward McKinley
1656:Hal Roach Studios
1553:
1552:
1487:Operation Delilah
1479:The Christmas Kid
1431:The Drums of Tabu
1110:978-0-14-218055-6
834:Wingrove, David.
656:music video for "
533:Circus of Horrors
469:Hal Roach Studios
290:carnivorous plant
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402:The Planet Mars
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225:(also called
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1190:. Retrieved
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1076:. Retrieved
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324:Naura Hayden
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186:Running time
163:Release date
104:Les Tremayne
96:Naura Hayden
1519:1001 Nights
1335:Bwana Devil
1151:Diffuser.fm
1101:Plume Books
961:October 30,
933:Google News
654:Iron Maiden
446:James Bacon
318:Gerald Mohr
261:, producer
247:Gerald Mohr
243:Ib Melchior
132:Paul Dunlap
92:Gerald Mohr
76:Produced by
63:Ib Melchior
50:Ib Melchior
46:Directed by
1566:1959 films
1560:Categories
1423:La Llamada
1383:Reptilicus
1343:The Twonky
1192:August 22,
1162:August 21,
1078:15 January
664:Home media
411:screenplay
382:Production
174:1959-11-23
139:Production
681:HBO Video
677:Thorn EMI
642:punk rock
557:Reception
479:CineMagic
406:treatment
400:began as
214:$ 200,000
120:Edited by
1275:AllMovie
1210:Archived
1186:Archived
1156:Archived
1128:Archived
1072:Archived
1067:DVD Talk
1035:Archived
955:Archived
921:Archived
894:Archived
819:Archived
796:Archived
739:See also
735:(1964).
614:AllMovie
602:DVD Talk
460:figure.
458:ballpark
391:Drive-in
203:Language
128:Music by
88:Starring
68:Story by
1284:at the
1233:at the
646:Misfits
519:Release
206:English
195:Country
172: (
141:company
1546:(1970)
1538:(1969)
1530:(1969)
1522:(1968)
1514:(1968)
1506:(1967)
1498:(1967)
1490:(1967)
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1474:(1967)
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1418:(1965)
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1394:(1962)
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1362:(1957)
1354:(1953)
1346:(1953)
1338:(1952)
1107:
779:
630:Legacy
508:tinted
298:amoeba
211:Budget
644:band
490:props
1248:IMDb
1194:2019
1164:2019
1105:ISBN
1080:2016
963:2020
777:ISBN
488:and
486:sets
404:, a
312:Cast
275:Plot
255:Mars
231:and
1273:at
1257:at
1246:at
687:by
685:DVD
675:by
673:VHS
660:".
471:in
1562::
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176:)
23:.
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