784:, with a different crew of accompanying musicians. The same month, drummer Levon Helm rejoined his former bandmates in Woodstock, after he received a phone call from Danko informing him that they were getting ready to record as a group. In his autobiography, Helm recalled how he listened to the recordings the Hawks had made with Dylan and remembered that he "could tell that hanging out with the boys had helped Bob to find a connection with things we were interested in: blues, rockabilly, R&B. They had rubbed off on him a little."
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of 'homemade' which meant a
Basement Tape to us." Robertson has suggested that the Basement Tapes are, for him, "a process, a homemade feel" and so could include recordings from a wide variety of sources. "The idea," he said, "was to record some demos for other people. They were never intended to be a record, never meant to be presented. It was somewhat annoying that the songs were bootlegged. The album was finally released in the spirit of 'well, if this is going to be documented, let's at least make it good quality.
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2375:, in a New York studio in January 1968, they employed a recording technique similar to the one they had become familiar with during The Basement Tapes sessions. As Robertson described it, "We used the same kind of mike on everything. A bit of an anti-studio approach. And we realized what was comfortable to us was turning wherever we were into a studio. Like the Big Pink technique." That technique influenced groups including the Beatles, writes Griffin, who calls their Twickenham
2095:... And while a Dylan fan might understandably grumble that he wanted to hear another Bob song, a fan equally versed and interested more generally in late 20th-century American music would only smile and thank the Good Lord for the gift of this song." Of the Band's version of "Don't Ya Tell Henry", he writes, "True, the argument could be made that Robertson was way outside his brief in including this on the two-LP set, as this wasn't from Woodstock or '67, and has no Dylan on it.
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2000:". Heylin similarly argues that compiler Robbie Robertson did Dylan fans "a major disservice" by omitting those two songs as well as "I'm Not There" and "Sign On The Cross". He writes, "The album as released hardly gave a real idea of what they had been doing in Woodstock. Not even the two traditional songs pulled to the master reels—'Young But Daily Growin' and 'The Banks Of The Royal Canal'—made the final twenty-four cuts."
958:'s "Going Back to Memphis", did not end up being included. There is disagreement about the recording date of the other three songs: "Bessie Smith", "Ain't No More Cane" and "Don't Ya Tell Henry". While Fraboni has recalled that the Band taped them in 1975, the liner notes for the reissued versions of the Band's own albums state that these songs were recorded between 1967 and 1970. Ultimately, eight of the twenty-four songs on
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819:: "They weren't demos for myself, they were demos of the songs. I was being PUSHED again into coming up with some songs. You know how those things go." In October 1967, a fourteen-song demo tape was copyrighted and the compositions were registered with Dwarf Music, a publishing company jointly owned by Dylan and Grossman. Acetates and tapes of the songs then circulated among interested recording artists.
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2190:'Nothing' and 'nowhere' perplex and nag" in these songs, he writes. "The 'nothing' echoes the artist's dilemma: death versus life, vacuum versus harvest, isolation versus people, silence versus sound, the void versus the life-impulse." A second group, comprising "songs of joy, signaling some form of deliverance", includes most of the remaining songs in the collection.
2330:' music—mostly facile paeans to universal love draped in interminable guitar solos." Patrick Humphries itemizes the ways in which Dylan's songs dissented from the dominant ethos of rock culture: "While the rock world vented its spleen on parents and leaders, Dylan was singing privately about parental fidelity. While
2246:, Greil Marcus wrote, "What was taking place as Dylan and the Band fiddled with the tunes, was less a style than a spirit—a spirit that had to do with a delight in friendship and invention." He compared the songs to fabled works of American music: "The Basement Tapes are a testing and a discovery of roots and memory
562:... He remembered too much, remembered too many songs too well. He'd come over to Big Pink, or wherever we were, and pull out some old song—and he'd prepped for this. He'd practiced this, and then come out here, to show us." Songs recorded at the early sessions included material written or made popular by
477:, Dylan said, "I had a dreadful motorcycle accident which put me away for a while, and I still didn't sense the importance of that accident till at least a year after that. I realized that it was a real accident. I mean I thought that I was just gonna get up and go back to doing what I was doing before
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When Albert
Grossman was shopping around for a recording contract for the Hawks in late 1967, the group instructed him to sign them under the name The Crackers—a derogatory term for poor white Southerners. The Band also mischievously dubbed themselves The Honkies. It was only when Helm joined them in
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double album, which critics praised for its improved sound quality. According to reviewer Scott Hreha, there was "something about the remastering that makes it feel more like an official album—the earlier CD version's weak fidelity unfairly emphasized the 'basement' nature of the recordings, where it
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holds a certain cultural weight which is timeless—and the best
Americana does that as well." The songs' influence has been detected by critics in many subsequent acts. Stuart Bailie wrote, "If rock'n'roll is the sound of a party in session, The Basement Tapes were the morning after: bleary, and a bit
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in the photograph. The identification of Young has been disputed by Bill
Scheele who has written that Young was not present. Bill Scheele and his brother John Scheele worked with the Band from 1969 until 1976 and were present in the cover photo. Some photos by John Scheele of the 1975 Hollywood YMCA
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In
January 1975, Dylan unexpectedly gave permission for the release of a selection of the basement recordings, perhaps because he and Grossman had resolved their legal dispute over the Dwarf Music copyrights on his songs. Clinton Heylin argues that Dylan was able to consent following the critical and
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did not feature Dylan, several of the studio outtakes postdating the sessions at Big Pink. In justifying their inclusion, Robertson explained that he, Hudson and Dylan did not have access to all the basement recordings: "We had access to some of the songs. Some of these things came under the heading
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story headlined "Dylan's
Basement Tape Should Be Released". Wenner listened to the fourteen-song demo and reported, "There is enough material—most all of it very good—to make an entirely new Bob Dylan album, a record with a distinct style of its own." He concluded, "Even though Dylan used one of the
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wrote in 1990 on the significance of the crash: "A quarter of a century on, Dylan's motorcycle accident is still viewed as the pivot of his career. As a sudden, abrupt moment when his wheel really did explode. The great irony is that 1967—the year after the accident—remains his most prolific year as
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was released, which includes the 1967 Woodstock Band recordings "Words and
Numbers", "You Don't Come Through", "Caledonia Mission", "Ferdinand the Imposter" and "Will the Circle Be Unbroken". In 1968, the Band re-recorded "This Wheel's on Fire", "Tears of Rage", "I Shall Be Released" and "Caledonia
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The songs on the demo were: "Million Dollar Bash", "Yea! Heavy and a Bottle of Bread", "Please Mrs. Henry", "Down in the Flood", "Lo and Behold", "Tiny
Montgomery", "This Wheel's on Fire", "You Ain't Goin' Nowhere", "I Shall Be Released", "Tears of Rage", "Too Much of Nothing", "The Mighty Quinn",
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For his detailed account of the
Manchester concert, C. P. Lee interviewed members of the audience about the reasons for their hostility. One explained, "It was as if everything we held dear had been betrayed. He showed us what to think, I know that's a stupid thing to say but there he was marching
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and Dylan fits in because he's this storyteller with an ancient heart. At the time everything he did was so scrutinized, yet somehow he liberated himself from all that and enjoyed making music again. You hear an unselfconscious quality on this record which you don't ever hear again." "He mocks his
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and reported that Dylan was not in the studio very often. The stereo recordings made by Hudson were remixed to mono, while
Robertson and other members of the Band overdubbed new keyboard, guitar, and drum parts onto some of the 1967 Woodstock recordings. According to Fraboni, four new songs by the
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ideas into popular culture: "At the very moment when avant-gardism was sweeping through new cultural corridors, Dylan decided to dismount. The dandified, aggressively modern surface was replaced by a self-consciously unassuming and traditional garb. The giddiness embodied, celebrated, dissected in
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which I didn't like at all. I thought that was a very indulgent album, though the songs on it were real good. I didn't think all that production was necessary." Of the sound and atmosphere of the basement recordings, Barney Hoskyns wrote that "Big Pink itself determined the nature of this homemade
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With Helm singing "with characteristic Southern brio", Hudson's honky-tonk piano and Robertson's lead guitar, this track reflects the distinctive sound that the Band developed. This is one of several Band-only songs on the album whose recording history is disputed: Bowman dates it to late 1967 or
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must have been intentionally muddied in the studio in 1975 so that they would fit better alongside the Dylan material recorded in the basement with a home reel-to-reel." Heylin also takes exception to Robertson's passing off the Band's songs as originating from the basement sessions. By including
626:, "Bob and Robbie, they would come by every day, five to seven days a week, for seven to eight months." Hudson added, "It amazed me, Bob's writing ability. How he would come in, sit down at the typewriter, and write a song. And what was amazing was that almost every one of those songs was funny."
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recalled, "Every artist in the world was in the studio trying to make the biggest-sounding record they possibly could. So what does do? He comes to Nashville and tells me he wants to record with a bass, drum and guitar." Dylan summed up the gap: "At that time psychedelic rock was overtaking the
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Greil Marcus calls the song a "half-written ditty about almost nothing but a country beat that swings and a drawl that would be at home anywhere in the South any time in the last couple of centuries." Comparing this second take of the song to the first, never officially released, he writes, "The
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For the first couple of months, they were merely "killing time", according to Robertson, with many early sessions devoted to covers. "With the covers Bob was educating us a little", recalls Robertson. "The whole folkie thing was still very questionable to us—it wasn't the train we came in
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album tracks—and it is unclear whether the drums overdubbed on "Too Much of Nothing" in 1975 were played by Helm. Griffin believes Helm drummed on eight unreleased recordings made by Dylan and the Band in the house on Wittenberg Road that Danko and Helm shared after vacating Big Pink
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reporter Michael Iachetta, "Songs are in my head like they always are. And they're not going to get written down until some things are evened up. Not until some people come forth and make up for some of the things that have happened." After discussing the crash with Dylan, biographer
903:: "Dylan is a heavy talent and he's got all those songs nobody's ever heard. We thought we'd take it upon ourselves to make this music available." The process of bootlegging Dylan's work would eventually see the illegal release of hundreds of live and studio recordings, and lead the
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eight Band recordings to Dylan's sixteen, he says, "Robertson sought to imply that the alliance between Dylan and the Band was far more equal than it was: 'Hey, we were writing all these songs, doing our own thing, oh and Bob would sometimes come around and we'd swap a few tunes.
2436:"sound like they were made in a cardboard box. I think was trying to write songs that sounded like he'd just found them under a stone. As if they sound like real folk songs—because if you go back into the folk tradition, you will find songs as dark and as deep as these."
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revolves around two sets of themes. One group of songs is "tinctured with the search for salvation": "I Shall Be Released" (on the demo, but not on the album), "Too Much of Nothing", "Nothing Was Delivered", "This Wheel's On Fire", "Tears of Rage" and "Goin' To Acapulco".
353:, toward songs that were more intimate and which drew on many styles of traditional American music. While some of the basement songs are humorous, others dwell on nothingness, betrayal and a quest for salvation. In general, they possess a rootsy quality anticipating the
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reached the public in an unorthodox manner, officially released eight years after the songs were recorded, critics have assigned them an important place in Dylan's development. Michael Gray writes, "The core Dylan songs from these sessions actually do form a clear link
1975:, the poll's creator and supervisor, said the recordings sounded richer and stranger in 1975 than when they were made and concluded, "We don't have to bow our heads in shame because this is the best album of 1975. It would have been the best album of 1967, too."
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in July 1966, four members of the Hawks came to Dylan's home in the Woodstock area to collaborate with him on music and film projects. While Dylan was out of the public's eye during an extended period of recovery in 1967, he and the members of the Hawks recorded
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While removed from the public's gaze, Dylan and the Band made music very different from the recordings of other major artists. Andy Gill writes, "Musically, the songs were completely at odds with what was going on in the rest of the pop world, which during the
2279:). In it, he quotes Robertson's memory of the recording: " would pull these songs out of nowhere. We didn't know if he wrote them or if he remembered them. When he sang them, you couldn't tell." Marcus calls the songs "palavers with a community of ghosts.
753:. Anna Dylan was born on July 11, 1967. Both Heylin and biographer Sid Griffin suggest that recording had to move from Dylan's home to Big Pink when it became clear that the sessions were getting in the way of family life. Domesticity was the context of
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prepared the album for official release in 1975, eight songs recorded solely by the Band—in various locations between 1967 and 1975—were added to 16 songs taped by Dylan and the Band in 1967. Overdubs were added in 1975 to songs from both categories.
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brew." "One of the things is that if you played loud in the basement, it was really annoying, because it was a cement-walled room", recalled Robertson. "So we played in a little huddle: if you couldn't hear the singing, you were playing too loud."
2165:: "It's the sound of Dylan letting his guard down. 'Clothes Line Saga' and all those ridiculous songs, he's obviously just making it all up, they were having such a great time. The sound of the Band is so antiquated like something out of the
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area of Woodstock. In June, the recording sessions moved to the basement of Big Pink. Hudson set up a recording unit, using two stereo mixers and a tape recorder borrowed from Grossman, as well as a set of microphones on loan from folk trio
649:". Two of these featured his lyrics set to music by members of the Band: Danko wrote the music of "This Wheel's on Fire"; Manuel, who composed "Tears of Rage", described how Dylan "came down to the basement with a piece of typewritten paper
533:, a rarely seen account of Dylan's 1966 world tour. At some point between March and June 1967, Dylan and the four Hawks began a series of informal recording sessions, initially at the so-called Red Room of Dylan's house, Hi Lo Ha, in the
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together, incorporating original compositions, contemporary covers, and traditional material. Dylan's new style of writing moved away from the urban sensibility and extended narratives that had characterized his most recent albums,
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writes of the album, "The interspersed tracks by the Band alone merely disrupt the unity of Dylan material, much more of which should have been included. Key songs missing here include 'I Shall Be Released' and 'The Mighty
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album chart. Subsequently, the format of the 1975 album has led critics to question the omission of some of Dylan's best-known 1967 compositions and the inclusion of material by the Band that was not recorded in Woodstock.
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622:... We'd play the melody, he'd sing a few words he'd written, and then make up some more, or else just mouth sounds or even syllables as he went along. It's a pretty good way to write songs." Danko told Dylan biographer
2010:, on the other hand, said of the 1975 release that, in comparison to the complete recordings released in 2011, "Robertson, with some exceptions, knew which the good songs were" and was right to clean up the recordings.
503:. He had to find ways of working to his own advantage with the recording industry. He had to come to terms with his one-time friend, longtime manager, part-time neighbor, and sometime landlord, Albert Grossman."
2634:, an official 6-CD box set containing 139 tracks which comprises nearly all of Dylan's basement recordings, including 30 never-bootlegged tracks. A companion 2-CD set containing highlights from the recordings,
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was widely acclaimed. From September 1965 to May 1966, Dylan embarked on an extensive tour across the US, Australia and Europe backed by the Hawks, a band that had formerly worked with rock and roll musician
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album, here he works with his own band for the first time. Dylan brings that instinctual feel for rock and roll to his voice for the first time. If this were ever to be released it would be a classic."
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observed that both the seclusion of Woodstock and the discipline and sense of tradition in the Hawks' musicianship were just what Dylan needed after the "globe-trotting psychosis" of the 1965–66 tour.
2025:, but now "in stereo and with improved sound quality beyond what the remastering process alone would provide". Hopkins declared, "The cat's out of the bag: 'Katie' and the other Band-only tracks on
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2110:... making music and watching time go by. So, in the meantime, we made this record. Actually, it wasn't a record, it was just songs which we'd come to this basement and recorded. Out in the woods
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661:... so I just elaborated a bit, because I wasn't sure what the lyrics meant. I couldn't run upstairs and say, 'What's this mean, Bob: "Now the heart is filled with gold as if it was a purse"?
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Dylan began to write and record new material at the sessions. According to Hudson, "We were doing seven, eight, ten, sometimes fifteen songs a day. Some were old ballads and traditional songs
430:. Dylan's audiences reacted with hostility to the sound of their folk icon backed by a rock band. Dismayed by the negative reception, Helm quit the Hawks in November 1965 and drifted around
296:. Two-thirds of the album's 24 tracks feature Dylan on lead vocals backed by the Band, and were recorded in 1967, eight years before the album's release, in the lapse between the release of
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magazine awarded the record five stars, its highest rating, commenting that "Dylan's work is by turns haunting, hilarious and puzzling—and all of it taps into centuries of American song".
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893:. The double album consisted of seven songs from the Woodstock basement sessions, plus some early recordings Dylan had made in Minneapolis in December 1961 and one track recorded from
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the songs of the mid-sixties had left him exhausted. He sought safety in a retreat to the countryside that was also a retreat in time, or more precisely, a search for timelessness."
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2178:. In place of that album's strangled urgency, Dylan adopts a laconic humor, a deadpan tone that speaks of resignation and self-preservation in the face of absurdity and betrayal."
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1655:. It poses Dylan and the Band alongside characters suggested by the songs: a woman in a Mrs. Henry T-shirt, an Eskimo, a circus strongman and a dwarf who has been identified as
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in 2013. In the early 1970s, Dylan released new recordings of five compositions from The Basement Tape era: live performances of "Minstrel Boy" and "Quinn the Eskimo" from the
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era. In a 1978 interview, Dylan reflected on the period: "I didn't know how to record the way other people were recording, and I didn't want to. The Beatles had just released
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marked their first official release. The remaining eight songs, all previously unavailable, feature the Band without Dylan and were recorded between 1967 and 1975.
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in November 1965. By the time the basement sessions started in Big Pink around June 1967, he had two children: Maria (Sara's daughter from her first marriage) and
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Engineer Rob Fraboni was brought to Shangri-La to clean up the recordings still in the possession of Hudson, the original engineer. Fraboni had worked on Dylan's
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851:, released in August. The Hawks, officially renamed the Band, recorded "This Wheel's on Fire", "I Shall Be Released" and "Tears of Rage" for their debut album,
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527:"; Robertson lived nearby with his future wife, Dominique. Danko and Manuel had been invited to Woodstock to collaborate with Dylan on a film he was editing,
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Peter, Paul and Mary, managed by Grossman, had the first hit with a basement composition when their cover of "Too Much of Nothing" reached number 35 on the
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As tapes of Dylan's recordings circulated in the music industry, journalists became aware of their existence. In June 1968, Jann Wenner wrote a front-page
542:. Dylan would later tell Jann Wenner, "That's really the way to do a recording—in a peaceful, relaxed setting—in somebody's basement. With the windows open
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Griffin writes that Helm's arrival in October meant that he did not play on most of the Dylan–Band 1967 Woodstock recordings, including the sixteen Dylan
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sessions in early 1969 an effort to record "in the honest, live, no frills, no overdubs, down home way that the Hawks/Band did for The Basement Tapes".
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still contained some of the greatest music either Dylan or the Band ever recorded." Sid Griffin similarly defends the inclusion of the Band's songs:
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Dylan was rethinking the direction of his life while recovering from a sense of having been exploited. Nine months after the crash, he told New York
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2131:... two utterly different albums. They evince the same highly serious, precarious quest for a personal and universal salvation which marked out the
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has centered on two issues: the recordings by the Band on their own, and the selection of the Dylan songs. In his book about the basement sessions,
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During his 1965–1966 world tour, Dylan was backed by the Hawks, a five-member rock group who would later become famous as the Band. After Dylan was
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In 1997, after listening to more than 100 basement recordings issued on various bootlegs, Marcus extended these insights into a book-length study,
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The intense collaboration between Dylan and the Hawks that produced the basement recordings came to an end in October 1967 when Dylan relocated to
2283:... These ghosts were not abstractions. As native sons and daughters they were a community. And they were once gathered in a single place: on the
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declared, "He may perplex, irritate, and disappoint, but Dylan has to rank as the single greatest artist modern American pop music has produced."
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describes how the basement recordings represented a radical change of direction for Dylan, who turned his back on his reputation for importing
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in late 1967. The songs on that record, according to Howard Sounes, revealed the influence of Dylan's daily reading of both the Bible and the
2099:... But it is a song from The Basement Tapes era and it swings like a randy sailor on shore leave in a bisexual bar. So give Robbie a break."
763:: "Chopping wood and hitting your thumb with a hammer, fixing the tape recorder or the screen door, wandering off into the woods with Hamlet
2577:, with "I Shall Be Released", "Down in the Flood" and "Don't Ya Tell Henry" appearing on the album's 2001 reissue; "I Shall Be Released" on
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In the early 1990s, a virtually complete collection of all of Dylan's 1967 recordings in Woodstock was released on a bootleg five-CD set,
586:. Linking all the recordings, both new material and old, is the way in which Dylan re-engaged with traditional American music. Biographer
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reached number one on the UK singles chart with their recording of "The Mighty Quinn". In April, "This Wheel's on Fire", recorded by
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2034:" Heylin asserts that "though revealing in their own right, the Band tracks only pollute the official set and reduce its stature."
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that sets it apart from contemporaneous works is its simple, down-to-earth sound. The songs were recorded in mid-1967, during the "
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no longer had the status of a final reminder of Dylan's lost genius". In 1975, as well, the Band purchased Shangri-La ranch in
462:, suffering cracked vertebrae and a mild concussion. The concerts he was scheduled to perform had to be cancelled. Biographer
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2545:. Versions of other Band Basement Tape compositions, recorded in various locations between 1967 and possibly 1975, appear on
2453:, number 292 in a 2012 revised list, and number 335 in the magazine's 2020 list. In a special issue devoted to Dylan's work,
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2470:": "From basement tapes, beyond them dollars and cents / Changing of the guards spent, now where the hell the majors went?"
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2400:. "The thing about alt.country which makes it 'alt' is that it is not polished. It is not rehearsed or slick. Neither are
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Dylan recorded around thirty new compositions with the Hawks, including some of the most celebrated songs of his career: "
438:, England, in May 1966 when an audience member shouted "Judas!" at Dylan for allegedly betraying the cause of politically
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is that Dylan found a way out of the anguish and verbal complexity that had characterized his mid-sixties albums such as
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833:, also managed by Grossman, recorded "Tears of Rage", "Quinn the Eskimo" and "This Wheel's on Fire". In January 1968,
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songs, such as "Clothes Line Saga" and "Apple Suckling Tree", celebrate the domestic aspects of the rural lifestyle.
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By 1975, Dylan showed scant interest in the discographical minutiae of the recordings. Interviewed on the radio by
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Clinton Heylin suggests that in this song Dylan may have been invoking the memory of his recently deceased friend
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949:, both released in 1974. Fraboni has described Robertson as the dominant voice in selecting the final tracks for
434:, at one point working on an oil rig in the Gulf of Mexico. The tour culminated in a famously raucous concert in
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Harris, John, ed. (October 2000). "Q Dylan: Maximum Bob! The Definitive Celebration of Rock's Ultimate Genius".
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Note: The cassette version includes LP sides 1 and 2 on side 1, and LP sides 4 and 3 (in that order) on side 2.
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523:, a few miles from Woodstock, in February 1967. The three of them moved into a house on Stoll Road nicknamed "
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called its contents "the hardest, toughest, sweetest, saddest, funniest, wisest songs I know". The review in
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2565:. Live versions by the Band of various Basement Tapes songs have also been issued: "I Shall Be Released" on
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Between 1985 and 2013, Columbia issued five additional 1967 recordings by Dylan from Big Pink: take 2 of "
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4238:"500 Greatest Albums of All Time Rolling Stone's definitive list of the 500 greatest albums of all time"
2013:
The authenticity of the 1975 album was questioned by a reviewer of the remastered version of the Band's
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767:... it was relaxed and low-key, which was something we hadn't enjoyed since we were children." Several
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2732:, pp. 201, 221, 236–241). Heylin has suggested that Helm might be the drummer on four tracks on
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2017:, issued in 2000. Dave Hopkins noted that "Katie's Been Gone", which appears as a bonus track on the
520:
442:. Returning exhausted from the hectic schedule of his world tour, Dylan discovered that his manager,
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was issued as a single. Along with "Nothing Was Delivered", it appeared on their country-rock album
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Band were also recorded in preparation for the album's official release, one of which, a cover of
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This aspect of the basement recordings became obvious when Dylan chose to record his next album,
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had reached number three on the US album chart in November 1965; the recently released double-LP
4606:
2696:, one of the basement recordings that was bootlegged but never officially released until 2014's
2679:, and suddenly he was singing this stuff about himself. We made him and he betrayed the cause" (
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Dylan referred to commercial pressures behind the basement recordings in a 1969 interview with
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1991:
describes the album's contents as "sixteen basement recordings plus eight Band demos". Critic
841:, hit number five on the UK chart. That same month, a version of "You Ain't Goin' Nowhere" by
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group is looking for that beat, the second time through the tune they find it, they push it".
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5260:"The Basement Tapes Reid Miles Bob Dylan Genuine Photo Outtake Photo Shoot by Jim Linderman"
5103:
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Barney Hoskyns describes "Heylin's objections the academic ones of a touchy Dylanologist:
1947:
1929:
Top LPs & Tape chart, and reached number eight in the UK. It was acclaimed by critics.
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539:
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concluded that he "was saying there must be another way of life for the pop star, in which
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2393:
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2114:..." Heylin has commented that Dylan seemed to "dismiss the work as unfinished therapy".
1952:
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Reporting such as this whetted the appetites of Dylan fans. In July 1969, the first rock
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of "You Ain't Goin' Nowhere", "I Shall Be Released" and "Down in the Flood" appeared on
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Rick Danko recalled that he, Richard Manuel and Garth Hudson joined Robbie Robertson in
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5123:"Bob Dylan: New Morning / The Basement Tapes / Before the Flood / Dylan & the Dead"
4652:
4648:
3961:
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2736:: "Odds and Ends", "Clothes Line Saga", "Apple Suckling Tree" and "Goin' to Acapulco" (
2676:
2594:
1935:
931:
889:
801:
5492:
Spencer, Ruth Albert (March 21, 1985). "Conversations with The Band: Richard Manuel".
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early 1968, while Griffin lists it among the songs Fraboni says were recorded in 1975.
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to describe Dylan as the most bootlegged artist in the history of the music industry.
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2091:'Ain't No More Cane' may be included under false pretenses, but it is stirring stuff.
2001:
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361:, which circulated widely in unofficial form, mounted a major stylistic challenge to
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hailed it as "one of the greatest albums in the history of American popular music."
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6777:
The Other Side of the Mirror: Bob Dylan Live at the Newport Folk Festival 1963–1965
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899:. One of those responsible for the bootleg, identified only as Patrick, talked to
7815:
7608:
7493:
7229:
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7170:
5509:
5177:
2561:
2331:
1763:
1656:
1647:. The cover photograph for the 1975 album was taken by designer and photographer
1615:
830:
795:
571:
567:
443:
393:
By July 1966, Bob Dylan was at the peak of both creative and commercial success.
159:
5193:
2289:". A collection of blues and country music recorded in the 1920s and 1930s, the
7810:
7642:
7622:
7447:
7155:
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6987:
6923:
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5954:
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4822:
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2605:
2429:
2414:
2006:
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1621:
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863:
759:
673:
587:
463:
419:
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4754:"500 Greatest Albums of All Time: #335 The Basement Tapes [2020 List]"
4731:"500 Greatest Albums of All Time: #291 The Basement Tapes [2003 List]"
4712:
7919:
7805:
7726:
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songbook. And its sound came as a shock to other rock musicians. As producer
2360:
2251:
2171:
1968:
1930:
815:
688:
642:
623:
575:
469:
378:
4827:"Hail, Hail, Rock 'n' Roll: Getting back to rock's funky, essential essence"
2692:
Robertson is referring to "Banks of the Royal Canal (The Auld Triangle)" by
2326:
was celebrating the birth of the hippie movement with a gaudy explosion of '
2135:
collection—yet they are soaked in the same blocked confusion and turmoil as
975:
For a comprehensive list of the 1967 Basement Tapes session recordings, see
7511:
7282:
7175:
7150:
6769:
6267:
5821:
5772:
2463:
2455:
2364:
2259:
2103:
1988:
1603:
1599:
939:
834:
415:
147:
5545:
Wenner, Jann (June 22, 1968). "Dylan's Basement Tape Should Be Released".
7615:
7601:
7334:
The Night They Drove Old Dixie Down: The Best of the Band Live in Concert
6982:
6935:
6929:
5751:
2793:'The Basement Tapes', a classic double album of experimental roots rock."
2707:
2522:
2410:
2397:
2339:
2139:. 'Tears of Rage', for example, is an exact halfway house between, say, '
955:
750:
692:
677:
563:
474:
103:
5241:
Like The Night: Bob Dylan and the Road to the Manchester Free Trade Hall
4532:
4518:
4364:
3437:
3435:
7500:
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7145:
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1187:
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737:
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362:
111:
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now possesses a clarity that belies its humble and informal origins."
598:
511:
7790:
7555:
6977:
6000:
5623:
5158:
4330:
3432:
2356:
2313:
a sense of alchemy, "and in the alchemy is an undiscovered country".
1625:
1611:
1577:
842:
775:
285:
176:
60:
1680:
photo shoot were included in the book accompanying the 2014 release
377:
was critically acclaimed upon release, reaching number seven on the
7820:
7479:
7129:
6957:
5856:
5168:
4849:"Bob Dylan's Complete, Legendary 'Basement Tapes' Will Be Released"
1726:
1660:
1644:
1607:
1587:
524:
317:
289:
225:
64:
5047:
Revolution In The Air: The Songs of Bob Dylan, Volume One: 1957–73
1643:
The art director/design consultant credited on the 1975 album was
5586:
809:—its release and popularity created demand for the official album
4915:
Million Dollar Bash: Bob Dylan, The Band, and The Basement Tapes
4511:
The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991
2495:
The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991
16:
This article is about the 1975 album. For the 2014 box set, see
6075:
Bob Dylan – The Rolling Thunder Revue: The 1975 Live Recordings
6040:
Live 1961–2000: Thirty-Nine Years of Great Concert Performances
1634: – electric guitar, acoustic guitar, drums, backing vocals
943:
album, with backing by the Band, and the live Dylan–Band album
30:
Eric Harris and Dylan Klebold § Journals and investigation
5289:
The Bootleg Series Vol. 10 – Another Self Portrait (1969–1971)
3659:
insert liner notes for "Million Dollar Bash" (Columbia, 1985).
2508:
The Bootleg Series Vol. 10 – Another Self Portrait (1969–1971)
446:, had arranged a further 63 concerts across the US that year.
5528:
The Complete Book of the British Charts: Singles & Albums
2418:
281:
55:
5592:
5370:
4264:
3909:
2764:
Woodstock that they settled on calling themselves the Band (
7098:
4729:
4225:
1652:
787:
7902:
This Wheel's on Fire: Levon Helm and the Story of the Band
6388:
Vol. 17: Fragments – Time Out of Mind Sessions (1996–1997)
4967:
This Wheel's on Fire: Levon Helm and the Story of The Band
2250:... they are no more likely to fade than Elvis Presley's '
1925:
on June 26, 1975. The album peaked at number seven on the
6311:
Vol. 6: Bob Dylan Live 1964, Concert at Philharmonic Hall
5009:
Bob Dylan: A Life In Stolen Moments: Day by Day 1941–1995
3357:, p. 228. Capitals as printed in original interview.
2624:, was later remastered and issued as the four-CD bootleg
2593:; and "Ain't No Cane on the Brazos" recorded live at the
2409:
rueful but dashed with emotional potency. Countless acts—
2338:, Dylan was taking his potatoes down to be mashed. While
2305:
of the 1950s and the 1960s. Marcus suggests that Dylan's
1664:
558:', and you'd say, 'This is so beautiful! The expression!'
20:. For a full list of 1967 Basement Tapes recordings, see
4491:
The Songs He Didn't Write: Bob Dylan Under The Influence
653:... and he just said, 'Have you got any music for this?'
7430:
The Bootleg Series Vol. 11: The Basement Tapes Complete
2698:
The Bootleg Series Vol. 11: The Basement Tapes Complete
2656:
The Bootleg Series Vol. 11: The Basement Tapes Complete
2631:
The Bootleg Series Vol. 11: The Basement Tapes Complete
2466:
referenced the album in their 2007 Dylan tribute song "
1683:
The Bootleg Series Vol. 11: The Basement Tapes Complete
987:
All tracks are written by Bob Dylan, except where noted
18:
The Bootleg Series Vol. 11: The Basement Tapes Complete
6325:
Vol. 8: Tell Tale Signs: Rare and Unreleased 1989–2006
6304:
Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue
4654:
Christgau's Record Guide: Rock Albums of the Seventies
2368:
universe and we were singing these homespun ballads."
934:, which they transformed into their recording studio.
3914:
3749:
2796:
2587:; "I Shall Be Released" and "Don't Ya Tell Henry" on
2473:
2346:, Dylan was strapping himself to a tree with roots."
2106:, he recalled, "We were all up there sorta drying out
7877:(1995, Bell, Ciarlante, Danko, Helm, Hudson, Weider)
4706:(CD booklet). Bob Dylan. New York: Columbia Records.
4513:(CD booklet). Bob Dylan. New York: Columbia Records.
2750:"Open the Door, Homer" and "Nothing Was Delivered" (
2571:; "Caledonia Mission" and "This Wheel's On Fire" on
2541:
Mission" in studios in New York and Los Angeles for
2388:
now, it seems to be the beginning of what is called
7042:
Gotta Serve Somebody: The Gospel Songs of Bob Dylan
5525:
5454:No Direction Home: The Life and Music of Bob Dylan
5409:
4985:
4798:(CD booklet). The Band. New York: Capitol Records.
4579:(CD booklet). The Band. New York: Capitol Records.
4570:(CD booklet). The Band. New York: Capitol Records.
4561:(CD booklet). The Band. New York: Capitol Records.
4552:(CD booklet). The Band. New York: Capitol Records.
3871:
3761:
2700:. The song first appeared in Brendan Behan's play
861:covered "Million Dollar Bash" on their 1969 album
618:... but others Bob would make up as he went along.
7462:Once Were Brothers: Robbie Robertson and the Band
6247:Bob Dylan: The Complete Album Collection Vol. One
4374:
4372:
3072:
3070:
2608:issued a remastered version of the original 1975
875:finest rock and roll bands ever assembled on the
308:, during sessions that began at Dylan's house in
7917:
6408:From Newport to the Ancient Empty Street in L.A.
5526:Warwick, Neil; Kutner, Jon; Brown, Tony (2004).
3182:
3180:
2021:reissue, is the same recording that appeared on
657:... I had a couple of musical movements that fit
3013:Wenner, Jann. "Interview with Jann S. Wenner,"
2921:Wenner, Jann. "Interview with Jann S. Wenner,"
2371:When the Band began work on their debut album,
910:
35:1975 studio album by Bob Dylan and the Band
7869:(1976, Danko, Helm, Hudson, Manuel, Robertson)
7348:The Bootleg Series Vol. 4: Bob Dylan Live 1966
5298:Invisible Republic: Bob Dylan's Basement Tapes
4369:
4185:
4183:
3628:
3626:
3624:
3153:
3067:
2628:. On November 4, 2014, Columbia/Legacy issued
2555:, and as bonus tracks on the 2000 reissues of
2425:—have since tried to get back to that place."
410:. The Hawks comprised four Canadian musicians—
7114:
6290:Volumes 1–3 (Rare & Unreleased) 1961–1991
5608:
5338:(liner). The Band. New York: Capitol Records.
5286:
5085:Across The Great Divide: The Band and America
4583:
4341:
4147:
4145:
3882:
3880:
3806:
3667:
3665:
3600:
3598:
3596:
3594:
3581:
3579:
3566:
3564:
3177:
7563:Most Likely You Go Your Way and I'll Go Mine
4988:Bob Dylan: The Recording Sessions, 1960–1994
4517:
4414:
3683:
3681:
3679:
3526:
3524:
3522:
3033:
3031:
3029:
3027:
2961:
2959:
2242:In his sleeve notes for the 1975 release of
1876:
1814:
1769:
1731:
1596: – drums, mandolin, bass guitar, vocals
302:and the subsequent recording and release of
4630:"The Basement Tapes: Bob Dylan Goes Public"
4584:Brackett, Nathan; Hoard, Christian (2004).
4180:
4084:
4082:
3959:
3621:
839:Julie Driscoll, Brian Auger and the Trinity
388:
7121:
7107:
6339:Vol. 10: Another Self Portrait (1969–1971)
5615:
5601:
5456:(hardback ed.). New English Library.
5192:
5173:"Dylan Through The Years: Hits And Misses"
4931:
4556:
4547:
4534:"Bob Dylan's Greatest Hits Vol. II (1971)"
4468:
4466:
4458:
4436:
4403:
4388:
4386:
4378:
4157:
4142:
4130:
3877:
3662:
3591:
3576:
3561:
3372:
2170:own inertia and impotence", writes critic
1983:Criticism of the 1975 official release of
1978:
515:Big Pink, West Saugerties, New York (2006)
46:
7064:Lost on the River: The New Basement Tapes
6381:Vol. 16: Springtime in New York 1980–1985
6318:Vol. 7: No Direction Home: The Soundtrack
5388:
5317:Wicked Messenger: Bob Dylan and the 1960s
5282:(CD booklet). New York: Columbia Records.
5163:(CD booklet). New York: Columbia Records.
5139:
5104:"Liner Notes for The Band 2000 Remasters"
4964:
4821:
4646:
4624:
4136:
3920:
3755:
3676:
3609:
3519:
3441:
3342:
3024:
2956:
2850:
2826:
2814:
2649:Lost on the River: The New Basement Tapes
2174:, "but with a much gentler touch than in
905:Recording Industry Association of America
90:June–September 1967 (Dylan and the Band)
6728:The 30th Anniversary Concert Celebration
6015:The 30th Anniversary Concert Celebration
5553:
5433:"The Bob Dylan Motorcycle-Crash Mystery"
5430:
5314:
5287:Marcus, Greil; Simmons, Michael (2013).
4771:
4685:Dylan on Dylan: The Essential Interviews
4649:"Bob Dylan/The Band: The Basement Tapes"
4365:Bob Dylan's Greatest Hits Vol. II (1971)
4290:Public Enemy – The Long and Whining Road
4079:
4073:
3943:
3941:
3791:
3789:
3787:
3779:
3547:. Hibbing, Minnesota: EDLIS Café Press.
3390:
3198:
2874:
2832:
2157:commented that the great achievement of
1035:Orange Juice Blues (Blues for Breakfast)
805:featured many of the songs recorded for
794:
597:
510:
6887:Down the Highway: The Life of Bob Dylan
5491:
5474:Down the Highway: The Life of Bob Dylan
5451:
5407:
5101:
5082:
5063:
4912:
4508:
4463:
4383:
4319:
4201:
4189:
4175:
4106:
4100:
4088:
4049:
4037:
4025:
4013:
3990:
3984:
3886:
3859:
3698:
3644:
3615:
3585:
3570:
3513:
3465:
3453:
3426:
3414:
3402:
3378:
3354:
3330:
3306:
3294:
3282:
3171:
3148:
3136:
3100:
3088:
2989:
2950:
2897:
2885:
2862:
2802:
2765:
2751:
2729:
2498:in 1991, "I'm Not There (1956)" on the
292:. It was released on June 26, 1975, by
7918:
7890:Endless Highway: The Music of the Band
5655:Bob Dylan songs based on earlier tunes
5544:
5500:
5470:
5372:"The 1975 Pazz & Jop Critics Poll"
5342:
5333:
5295:
5277:
5210:
5044:
5028:Bob Dylan: Behind the Shades Revisited
5025:
5006:
4983:
4955:
4846:
4793:
4574:
4565:
4487:
4472:
4447:
4425:
4392:
4352:
4331:I'm Not There Original Soundtrack 2007
4275:
4213:
4163:
4151:
4124:
4112:
4061:
3960:Frere-Jones, Sasha (27 October 2014).
3932:
3898:
3847:
3767:
3716:
3671:
3632:
3604:
3542:
3530:
3501:
3489:
3477:
3366:
3318:
3270:
3210:
3159:
3124:
3112:
3076:
3061:
3049:
3037:
3001:
2977:
2965:
2938:
2909:
2838:
2786:
2737:
2711:
1697:
1692:Grammy Award for Best Historical Album
1580: – acoustic guitar, piano, vocals
1364:Crash on the Levee (Down in the Flood)
554:... He'd come up with something like '
357:genre. For some critics, the songs on
320:. While most of these had appeared on
7102:
6297:Vol. 4: The Royal Albert Hall Concert
6061:In Concert – Brandeis University 1963
5596:
5257:
5120:
4701:
4308:
3938:
3824:"Rhapsody Streamnotes: June 21, 2014"
3795:
3784:
3687:
3536:
3447:
3396:
2706:, and Dylan probably learned it from
2301:in 1952—was a major influence on the
2141:One of Us Must Know (Sooner or Later)
1712:
1555:
1537:
1519:
1501:
1483:
1465:
1447:
1412:
1394:
1376:
1358:
1340:
1322:
1304:
1269:
1251:
1233:
1215:
1197:
1176:
1158:
1123:
1105:
1087:
1067:
1049:
1029:
1011:
257:Northern Lights – Southern Cross
6973:Artists who have covered Dylan songs
6894:The Cambridge Companion to Bob Dylan
6682:Rough and Rowdy Ways World Wide Tour
6346:Vol. 11: The Basement Tapes Complete
6332:Vol. 9: The Witmark Demos: 1962–1964
6261:The 50th Anniversary Collection 1964
6254:The 50th Anniversary Collection 1963
5264:Essays On Bob Dylan By Jim Linderman
4965:Helm, Levon; Davis, Stephen (2000).
4932:Guttenberg, Steve (April 18, 2009).
4891:
4872:
4802:
4710:
4682:
4001:
3972:from the original on 24 October 2017
3947:
3818:
3733:
3710:
3258:
3246:
3234:
3222:
3186:
3018:
2926:
2488:in 1985, "I Shall Be Released" and "
454:On July 29, 1966, Dylan crashed his
7956:Albums produced by Robbie Robertson
7527:The Night They Drove Old Dixie Down
7057:The Lost Notebooks of Hank Williams
6353:Vol. 12: The Cutting Edge 1965–1966
5435:. American Heritage. Archived from
5238:
5167:
5064:Hopkins, Dave (September 5, 2000).
4840:University of North Texas Libraries
3744:
2856:
2680:
2521:, and October 1971 recordings with
2480:Quinn the Eskimo (The Mighty Quinn)
2451:the 500 greatest albums of all time
981:List of Basement Tapes songs (1975)
922:, released that same month: "After
639:Quinn the Eskimo (The Mighty Quinn)
593:
582:, as well as traditional songs and
546:... and a dog lying on the floor."
506:
481:... but I couldn't do it anymore."
449:
13:
6374:Vol. 15: Travelin' Thru, 1967–1969
6360:Vol. 13: Trouble No More 1979–1981
6132:Bob Dylan's Greatest Hits Volume 3
4604:
3738:
3722:
2622:over 100 songs and alternate takes
2583:and "This Wheel's On Fire" on the
2474:Other released Basement Tape songs
2275:(reissued in 2001 under the title
2195:
2039:
701:
284:by the American singer-songwriter
14:
7987:
7946:Albums produced by Richard Manuel
7363:Live at the Academy of Music 1971
6901:Bob Dylan: Mixing Up the Medicine
6118:Bob Dylan's Greatest Hits Vol. II
5574:
5558:(8th ed.). Billboard Books.
5556:The Billboard Book of Top 40 Hits
5161:I'm Not There Original Soundtrack
5142:Oh No! Not Another Bob Dylan Book
4587:The New Rolling Stone Album Guide
2620:. The collection, which contains
2585:2002 box set release of the album
2528:Bob Dylan's Greatest Hits Vol. II
2334:was testifying that life went on
1878:
1816:
1771:
1733:
1651:in the basement of a Los Angeles
887:appeared in California, entitled
778:to record a formal studio album,
24:. For the videotapes made by the
7858:The Muddy Waters Woodstock Album
7801:Bob Dylan and the Band 1974 Tour
7237:Northern Lights – Southern Cross
7083:
7082:
6784:Trouble No More – A Musical Film
6367:Vol. 14: More Blood, More Tracks
5431:Scherman, Tony (July 29, 2006).
5102:Hoskyns, Barney (October 2000).
4934:"Newly remastered Bob Dylan CDs"
4847:Greene, Andy (August 26, 2014).
4805:Classic Bob Dylan: My Back Pages
4452:
4441:
4430:
4419:
4408:
4397:
4358:
4346:
4335:
4324:
4313:
4302:
4281:
4269:
4265:500 Greatest Albums of All Time
4258:
4230:
4219:
4207:
4195:
4169:
4118:
4094:
4067:
4055:
4043:
4031:
4019:
3910:1975 Pazz & Jop Critics Poll
3872:Warwick, Kutner & Brown 2004
2515:on August 31, 1969, appeared on
2286:Anthology of American Folk Music
2233:Problems playing this file? See
2211:
2074:Problems playing this file? See
2055:
1897:
1892:
1887:
1882:
1877:
1835:
1830:
1825:
1820:
1815:
1785:
1780:
1775:
1770:
1752:
1747:
1742:
1737:
1732:
1686:which was digitally mastered by
1328:Yea! Heavy and a Bottle of Bread
970:
916:commercial success of his album
736:Problems playing this file? See
717:
333:injured in a motorcycle accident
316:, then moved to the basement of
7936:Albums produced by Garth Hudson
7853:(1965, Helm, Hudson, Robertson)
6240:The 50th Anniversary Collection
5759:Pat Garrett & Billy the Kid
4226:500 Greatest Albums of All Time
4007:
3995:
3953:
3926:
3903:
3892:
3865:
3853:
3841:
3812:
3800:
3773:
3727:
3704:
3692:
3650:
3638:
3507:
3495:
3483:
3471:
3459:
3420:
3408:
3384:
3360:
3348:
3336:
3324:
3312:
3300:
3288:
3276:
3264:
3252:
3240:
3228:
3216:
3204:
3192:
3165:
3142:
3130:
3118:
3106:
3094:
3082:
3055:
3043:
3007:
2995:
2983:
2971:
2944:
2932:
2915:
2903:
2891:
2879:
2757:
2743:
2717:
2686:
2505:in 2007, and "Minstrel Boy" on
2181:Robert Shelton has argued that
7685:The W.S. Walcott Medicine Show
7671:King Harvest (Has Surely Come)
5665:2016 Nobel Prize in Literature
5530:(3d ed.). Omnibus Press.
5506:The Essential Rock Discography
5121:Hreha, Scott (June 26, 2009).
3980:– via www.newyorker.com.
2868:
2844:
2820:
2808:
2780:
2668:
2534:In 2005, the Band compilation
1432:
1289:
1143:
996:
1:
7951:Albums produced by Rick Danko
7941:Albums produced by Levon Helm
7409:The Best of the Band, Vol. II
7014:Pat Garrett and Billy the Kid
6846:The Philosophy of Modern Song
6420:List of Basement Tapes songs
6147:The Best of Bob Dylan, Vol. 2
5696:The Times They Are a-Changin'
5622:
5217:Encyclopedia of Popular Music
4480:
2145:I Dreamed I Saw St. Augustine
1871:The Rolling Stone Album Guide
1809:Encyclopedia of Popular Music
7966:Bob Dylan compilation albums
7931:Albums produced by Bob Dylan
7128:
6873:Bob Dylan, Performing Artist
6233:The Original Mono Recordings
5496:. Vol. 14, no. 12.
5412:Guinness British Hit Singles
4683:Cott, Jonathan, ed. (2006).
3543:Newman, Martin Alan (2021).
2774:
1638:
1571:
977:List of Basement Tapes songs
911:Columbia Records compilation
458:motorcycle near his home in
22:List of Basement Tapes songs
7:
7706:When I Paint My Masterpiece
6503:Tour with the Grateful Dead
5140:Humphries, Patrick (1991).
4898:. Continuum International.
2710:, who recorded it in 1965 (
2641:
2344:2,000 light years from home
2297:and originally released by
1969:Pazz & Jop Critics Poll
1667:flight lieutenant uniform.
10:
7992:
7692:Daniel and the Sacred Harp
7008:The Concert for Bangladesh
6968:Electric Dylan controversy
6866:The Bob Dylan Encyclopedia
6054:Live at Carnegie Hall 1963
5689:The Freewheelin' Bob Dylan
4895:The Bob Dylan Encyclopedia
4711:Erlewine, Stephen Thomas.
4687:. Hodder & Stoughton.
4647:Christgau, Robert (1981).
4611:Band Bites by Carol Caffin
4590:(4th ed.). Fireside.
2618:The Genuine Basement Tapes
2449:number 291 on its list of
15:
7926:1975 collaborative albums
7796:Bob Dylan World Tour 1966
7778:
7586:
7471:
7439:
7372:
7303:
7274:
7196:
7189:
7136:
7078:
6945:
6910:
6855:
6814:
6691:
6439:
6397:
6281:
6226:Bob Dylan: The Collection
6210:
6178:
6111:Bob Dylan's Greatest Hits
6102:
6095:
6082:The Complete Budokan 1978
6047:Live at The Gaslight 1962
6031:
5971:
5964:
5710:Bringing It All Back Home
5703:Another Side of Bob Dylan
5673:
5630:
4777:"Dylan Catalog Revisited"
4342:Marcus & Simmons 2013
3807:Brackett & Hoard 2004
2316:
2117:
1720:
1717:
1707:
1671:has identified musicians
1659:. Robertson wears a blue
1442:
1439:
1436:
1431:
1299:
1296:
1293:
1288:
1153:
1150:
1147:
1142:
1006:
1003:
1000:
995:
857:, released in July 1968.
467:a songwriter." In a 1969
269:
232:
224:
220:
183:
175:
158:
146:
130:
102:
86:
71:
54:
45:
40:
6068:The 1966 Live Recordings
5452:Shelton, Robert (1986).
5389:Polizotti, Mark (2006).
5083:Hoskyns, Barney (1993).
5045:Heylin, Clinton (2009).
5026:Heylin, Clinton (2000).
5007:Heylin, Clinton (1996).
4992:. St. Martin's Griffin.
4984:Heylin, Clinton (1995).
4875:Song & Dance Man III
2925:, November 29, 1969, in
2662:
2324:long, hot summer of 1967
1797:Christgau's Record Guide
668:One of the qualities of
389:Background and recording
7971:Columbia Records albums
7896:The Complete Last Waltz
7636:Across the Great Divide
7402:Across the Great Divide
7328:(1978 soundtrack album)
6154:The Essential Bob Dylan
5554:Whitburn, Joel (2004).
5471:Sounes, Howard (2001).
5416:. Guinness Publishing.
5408:Roberts, David (1999).
5319:. Seven Stories Press.
5315:Marqusee, Mike (2005).
5291:(CD booklet). New York.
4796:Across the Great Divide
4702:Crowe, Cameron (1985).
4607:"John and Bill Scheele"
2599:Across the Great Divide
2548:Across the Great Divide
1979:Criticism of 1975 album
1690:for which he won the
1453:You Ain't Goin' Nowhere
848:Sweetheart of the Rodeo
647:You Ain't Goin' Nowhere
75:June 26, 1975
7748:It Makes No Difference
7516:The Unfaithful Servant
7028:Highway 61 Interactive
6839:Chronicles: Volume One
6509:Temples in Flames Tour
6461:Isle of Wight Festival
5913:Christmas in the Heart
5650:Songs written by Dylan
5502:Strong, Martin Charles
5376:Consumer Guide Reviews
5334:Morris, Chris (1994).
5296:Marcus, Greil (1997).
5278:Marcus, Greil (1975).
5030:. Perennial Currents.
4892:Gray, Michael (2006).
4873:Gray, Michael (2000).
4634:Consumer Guide Reviews
4509:Bauldie, John (1991).
4488:Barker, Derek (2008).
3017:November 29, 1969, in
2636:The Basement Tapes Raw
2513:Isle of Wight Festival
2336:within and without you
2277:The Old, Weird America
2207:"Open the Door, Homer"
2200:
2044:
1663:, and Manuel wears an
1624: – piano, drums,
1525:Long Distance Operator
810:
788:Dwarf Music demos and
706:
611:
516:
440:progressive folk music
7035:Theme Time Radio Hour
6832:Writings and Drawings
6791:Rolling Thunder Revue
6497:True Confessions Tour
6473:Rolling Thunder Revue
6161:The Best of Bob Dylan
6139:The Best of Bob Dylan
5906:Together Through Life
5871:Good as I Been to You
5660:Bob Dylan cover songs
5343:Nelson, Paul (1975).
5214:(2011). "Bob Dylan".
4913:Griffin, Sid (2007).
4794:Flippo, Chet (1994).
4404:Bowman & 2000 (2)
4379:Bowman & 2000 (1)
3343:Helm & Davis 2000
2851:Helm & Davis 2000
2638:, was also released.
2468:Long and Whining Road
2199:
2051:"Don't Ya Tell Henry"
2043:
1708:Retrospective reviews
1586: – bass guitar,
1489:Nothing Was Delivered
798:
713:"Apple Suckling Tree"
705:
601:
514:
365:in the late sixties.
7885:(2022, Helm, Weider)
7861:(1975, Helm, Hudson)
7769:What Am I Living For
7629:This Wheel's on Fire
7552:On a Night Like This
7381:The Best of the Band
7341:Live at Watkins Glen
6742:Masked and Anonymous
6008:Dylan & the Dead
5994:Bob Dylan at Budokan
5948:Rough and Rowdy Ways
5927:Shadows in the Night
5717:Highway 61 Revisited
5391:Highway 61 Revisited
5336:Live at Watkins Glen
5171:(October 25, 1992).
5144:. Square One Books.
5066:"The Band Remasters"
4781:Entertainment Weekly
4713:"The Basement Tapes"
4659:Ticknor & Fields
4575:Bowman, Rob (2005).
4566:Bowman, Rob (2001).
4557:Bowman, Rob (2000).
4548:Bowman, Rob (2000).
2888:, pp. 46, 52–53
2768:, pp. 143–144).
2754:, pp. 229–230).
2740:, pp. 376–381).
2714:, pp. 303–305).
2590:Live at Watkins Glen
2309:shared with Smith's
1847:Entertainment Weekly
1703:Professional ratings
1543:This Wheel's on Fire
1507:Open the Door, Homer
1073:Yazoo Street Scandal
896:The Johnny Cash Show
757:, as Hudson said in
635:This Wheel's on Fire
608:This Wheel's on Fire
540:Peter, Paul and Mary
396:Highway 61 Revisited
344:Highway 61 Revisited
338:more than 100 tracks
288:and his second with
93:1967–1968 (The Band)
7762:Blind Willie McTell
7523:Up on Cripple Creek
7505:I Shall Be Released
7202:Music from Big Pink
5780:Blood on the Tracks
5731:John Wesley Harding
5494:The Woodstock Times
5439:on November 6, 2006
4803:Gill, Andy (1998).
4760:. 22 September 2020
4559:Music From Big Pink
3444:, show 54, track 3.
2789:, p. 338: "...
2604:On March 31, 2009,
2597:in August 1969, on
2557:Music From Big Pink
2543:Music From Big Pink
2373:Music from Big Pink
2352:John Wesley Harding
2133:John Wesley Harding
2015:Music from Big Pink
1953:The Washington Post
1704:
1698:Reception and sales
1471:Don't Ya Tell Henry
1428:
1310:Too Much of Nothing
1285:
1221:Apple Suckling Tree
1139:
1055:Million Dollar Bash
992:
924:Blood on the Tracks
919:Blood on the Tracks
859:Fairport Convention
854:Music from Big Pink
781:John Wesley Harding
676:", the peak of the
631:I Shall Be Released
499:is in control, not
460:Woodstock, New York
426:—and one American,
305:John Wesley Harding
190:Blood on the Tracks
122:alternative country
7755:Georgia on My Mind
7664:Look Out Cleveland
7565:" (with Bob Dylan)
7545:Life Is a Carnival
7487:The Stones I Throw
7290:The Basement Tapes
6963:Traveling Wilburys
6953:Recording Sessions
6880:Invisible Republic
6805:A Complete Unknown
6467:Tour with the Band
6415:Great White Wonder
6282:The Bootleg Series
6194:The Basement Tapes
5850:Down in the Groove
5843:Knocked Out Loaded
5787:The Basement Tapes
5589:(list of releases)
5582:The Basement Tapes
5347:The Basement Tapes
5280:The Basement Tapes
5243:. Helter Skelter.
5239:Lee, C.P. (1998).
5159:Bob Dylan (2007).
5011:. Schirmer Books.
4628:(August 4, 1975).
4519:"Before the Flood"
4016:, pp. 301–302
3889:, pp. 383–385
3647:, pp. 294–295
3618:, pp. 293–303
3588:, pp. 293–294
3545:Bob Dylan's Malibu
3381:, pp. 229–230
3369:, pp. 209–210
3162:, pp. 283–284
3127:, pp. 107–108
3079:, pp. 237–265
2992:, pp. 120–158
2900:, pp. 426–427
2853:, pp. 141–142
2829:, pp. 185–190
2734:The Basement Tapes
2677:Martin Luther King
2595:Woodstock Festival
2447:The Basement Tapes
2434:The Basement Tapes
2406:The Basement Tapes
2402:The Basement Tapes
2386:The Basement Tapes
2303:folk music revival
2272:Invisible Republic
2244:The Basement Tapes
2201:
2183:The Basement Tapes
2159:The Basement Tapes
2153:Singer-songwriter
2124:The Basement Tapes
2085:The Basement Tapes
2045:
2027:The Basement Tapes
2023:The Basement Tapes
1985:The Basement Tapes
1958:The Basement Tapes
1936:The New York Times
1923:The Basement Tapes
1702:
1694:in February 2016.
1426:
1346:Ain't No More Cane
1283:
1239:Please, Mrs. Henry
1137:
990:
960:The Basement Tapes
951:The Basement Tapes
932:Malibu, California
928:The Basement Tapes
890:Great White Wonder
811:
807:The Basement Tapes
802:Great White Wonder
790:Great White Wonder
755:The Basement Tapes
745:Dylan had married
707:
670:The Basement Tapes
612:
517:
382:Top LPs & Tape
375:The Basement Tapes
359:The Basement Tapes
326:The Basement Tapes
277:The Basement Tapes
248:The Basement Tapes
199:The Basement Tapes
41:The Basement Tapes
26:Columbine shooters
7911:
7910:
7741:Acadian Driftwood
7423:A Musical History
7299:
7298:
7096:
7095:
7049:Chimes of Freedom
6857:Books about Dylan
6749:No Direction Home
6714:Renaldo and Clara
6515:Never Ending Tour
6277:
6276:
6091:
6090:
5864:Under the Red Sky
5808:Slow Train Coming
5738:Nashville Skyline
5231:978-0-85712-595-8
5056:978-1-84901-051-1
4924:978-1-906002-05-3
4626:Christgau, Robert
4577:A Musical History
4501:978-1-84240-424-9
4494:. Chrome Dreams.
3822:(June 21, 2014).
2841:, pp. 82–106
2626:A Tree With Roots
2553:A Musical History
2537:A Musical History
2216:
2060:
2002:Sasha Frere-Jones
1916:
1915:
1565:
1564:
1422:
1421:
1387:Manuel, Robertson
1279:
1278:
1203:Clothes Line Saga
1133:
1132:
1116:Manuel, Robertson
1111:Katie's Been Gone
1093:Goin' to Acapulco
722:
280:is the sixteenth
273:
272:
265:
264:
216:
215:
7983:
7961:Bob Dylan albums
7866:No Reason to Cry
7657:Jemima Surrender
7650:Whispering Pines
7538:The Shape I'm In
7455:Festival Express
7319:Before the Flood
7194:
7193:
7161:Robbie Robertson
7123:
7116:
7109:
7100:
7099:
7086:
7085:
7070:Bob Dylan Center
6707:Eat the Document
6100:
6099:
5980:Before the Flood
5969:
5968:
5892:"Love and Theft"
5885:Time Out of Mind
5878:World Gone Wrong
5836:Empire Burlesque
5724:Blonde on Blonde
5617:
5610:
5603:
5594:
5593:
5569:
5550:
5541:
5522:
5497:
5488:
5467:
5448:
5446:
5444:
5427:
5415:
5404:
5385:
5383:
5382:
5367:
5365:
5364:
5355:. Archived from
5339:
5330:
5311:
5292:
5283:
5274:
5272:
5270:
5258:Linderman, Jim.
5254:
5235:
5220:(5th ed.).
5207:
5205:
5204:
5194:"The Last Waltz"
5189:
5187:
5185:
5164:
5155:
5136:
5134:
5133:
5117:
5115:
5114:
5098:
5079:
5077:
5076:
5060:
5041:
5022:
5003:
4991:
4980:
4961:
4952:
4950:
4949:
4940:. Archived from
4938:The Audiophiliac
4928:
4909:
4888:
4869:
4867:
4866:
4857:. Archived from
4843:
4831:
4818:
4799:
4790:
4788:
4787:
4775:(May 29, 1991).
4768:
4766:
4765:
4749:
4747:
4746:
4737:. Archived from
4726:
4724:
4723:
4707:
4698:
4679:
4677:
4675:
4643:
4641:
4640:
4621:
4619:
4617:
4601:
4580:
4571:
4562:
4553:
4544:
4542:
4541:
4529:
4527:
4526:
4514:
4505:
4475:
4470:
4461:
4456:
4450:
4445:
4439:
4434:
4428:
4423:
4417:
4415:Before the Flood
4412:
4406:
4401:
4395:
4390:
4381:
4376:
4367:
4362:
4356:
4350:
4344:
4339:
4333:
4328:
4322:
4317:
4311:
4306:
4300:
4299:
4298:
4297:
4285:
4279:
4273:
4267:
4262:
4256:
4255:
4253:
4251:
4234:
4228:
4223:
4217:
4211:
4205:
4199:
4193:
4187:
4178:
4173:
4167:
4161:
4155:
4149:
4140:
4139:, pp. 65–66
4134:
4128:
4127:, pp. 86–87
4122:
4116:
4110:
4104:
4098:
4092:
4086:
4077:
4071:
4065:
4059:
4053:
4047:
4041:
4035:
4029:
4023:
4017:
4011:
4005:
3999:
3993:
3988:
3982:
3981:
3979:
3977:
3962:"After the Fall"
3957:
3951:
3945:
3936:
3930:
3924:
3918:
3912:
3907:
3901:
3896:
3890:
3884:
3875:
3869:
3863:
3857:
3851:
3845:
3839:
3838:
3836:
3834:
3816:
3810:
3804:
3798:
3793:
3782:
3777:
3771:
3765:
3759:
3753:
3747:
3742:
3736:
3731:
3725:
3720:
3714:
3708:
3702:
3696:
3690:
3685:
3674:
3669:
3660:
3654:
3648:
3642:
3636:
3635:, pp. 67–68
3630:
3619:
3613:
3607:
3602:
3589:
3583:
3574:
3568:
3559:
3558:
3540:
3534:
3528:
3517:
3511:
3505:
3499:
3493:
3487:
3481:
3475:
3469:
3463:
3457:
3451:
3445:
3439:
3430:
3424:
3418:
3412:
3406:
3400:
3394:
3388:
3382:
3376:
3370:
3364:
3358:
3352:
3346:
3340:
3334:
3328:
3322:
3316:
3310:
3304:
3298:
3292:
3286:
3280:
3274:
3268:
3262:
3256:
3250:
3244:
3238:
3232:
3226:
3220:
3214:
3213:, pp. 84–85
3208:
3202:
3196:
3190:
3184:
3175:
3169:
3163:
3157:
3151:
3146:
3140:
3134:
3128:
3122:
3116:
3110:
3104:
3098:
3092:
3086:
3080:
3074:
3065:
3059:
3053:
3047:
3041:
3035:
3022:
3011:
3005:
2999:
2993:
2987:
2981:
2980:, pp. 55–56
2975:
2969:
2963:
2954:
2948:
2942:
2936:
2930:
2919:
2913:
2907:
2901:
2895:
2889:
2883:
2877:
2872:
2866:
2860:
2854:
2848:
2842:
2836:
2830:
2824:
2818:
2812:
2806:
2800:
2794:
2792:
2784:
2769:
2761:
2755:
2747:
2741:
2721:
2715:
2703:The Quare Fellow
2690:
2684:
2672:
2568:Before the Flood
2445:magazine ranked
2404:. Remember that
2299:Folkways Records
2282:
2265:
2249:
2218:
2217:
2198:
2189:
2176:Blonde on Blonde
2163:Blonde on Blonde
2149:
2137:Blonde on Blonde
2130:
2113:
2109:
2098:
2094:
2090:
2062:
2061:
2042:
2033:
1999:
1973:Robert Christgau
1966:
1945:
1919:Columbia Records
1902:
1901:
1900:
1896:
1895:
1891:
1890:
1886:
1885:
1881:
1880:
1840:
1839:
1838:
1834:
1833:
1829:
1828:
1824:
1823:
1819:
1818:
1790:
1789:
1788:
1784:
1783:
1779:
1778:
1774:
1773:
1757:
1756:
1755:
1751:
1750:
1746:
1745:
1741:
1740:
1736:
1735:
1705:
1701:
1632:Robbie Robertson
1590:, backing vocals
1558:
1434:
1429:
1425:
1415:
1291:
1286:
1282:
1272:
1145:
1140:
1136:
1126:
1079:Robbie Robertson
998:
993:
989:
966:
946:Before the Flood
831:Ian & Sylvia
766:
724:
723:
704:
664:
660:
656:
652:
621:
617:
594:New compositions
580:Eric Von Schmidt
568:Ian & Sylvia
561:
553:
545:
530:Eat the Document
507:Early recordings
480:
450:Motorcycle crash
424:Robbie Robertson
402:Blonde on Blonde
370:Columbia Records
350:Blonde on Blonde
299:Blonde on Blonde
294:Columbia Records
239:Before the Flood
234:
233:
185:
184:
142:
141:
137:
82:
80:
50:
38:
37:
7991:
7990:
7986:
7985:
7984:
7982:
7981:
7980:
7976:The Band albums
7916:
7915:
7912:
7907:
7816:The Weight Band
7774:
7609:Long Black Veil
7582:
7494:Go Go Liza Jane
7467:
7435:
7395:To Kingdom Come
7368:
7295:
7270:
7258:High on the Hog
7230:Moondog Matinee
7185:
7171:Randy Ciarlante
7132:
7127:
7097:
7092:
7074:
6941:
6906:
6851:
6810:
6687:
6435:
6393:
6273:
6206:
6174:
6087:
6027:
5960:
5669:
5626:
5621:
5577:
5572:
5566:
5538:
5519:
5485:
5477:. Grove Press.
5464:
5442:
5440:
5424:
5401:
5380:
5378:
5362:
5360:
5327:
5308:
5268:
5266:
5251:
5232:
5202:
5200:
5183:
5181:
5178:Chicago Tribune
5152:
5131:
5129:
5112:
5110:
5095:
5074:
5072:
5057:
5038:
5019:
5000:
4977:
4947:
4945:
4925:
4906:
4885:
4864:
4862:
4829:
4823:Gilliland, John
4815:
4785:
4783:
4763:
4761:
4744:
4742:
4721:
4719:
4695:
4673:
4671:
4669:
4638:
4636:
4615:
4613:
4605:Caffin, Carol.
4598:
4539:
4537:
4524:
4522:
4502:
4483:
4478:
4471:
4464:
4459:Guttenberg 2009
4457:
4453:
4446:
4442:
4435:
4431:
4424:
4420:
4413:
4409:
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4398:
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4119:
4111:
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4099:
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3996:
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3670:
3663:
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3639:
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3508:
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3433:
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3413:
3409:
3401:
3397:
3389:
3385:
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3349:
3341:
3337:
3329:
3325:
3317:
3313:
3305:
3301:
3293:
3289:
3281:
3277:
3269:
3265:
3257:
3253:
3245:
3241:
3233:
3229:
3221:
3217:
3209:
3205:
3197:
3193:
3185:
3178:
3170:
3166:
3158:
3154:
3147:
3143:
3135:
3131:
3123:
3119:
3111:
3107:
3099:
3095:
3087:
3083:
3075:
3068:
3060:
3056:
3048:
3044:
3036:
3025:
3012:
3008:
3000:
2996:
2988:
2984:
2976:
2972:
2964:
2957:
2949:
2945:
2937:
2933:
2920:
2916:
2908:
2904:
2896:
2892:
2884:
2880:
2873:
2869:
2861:
2857:
2849:
2845:
2837:
2833:
2825:
2821:
2813:
2809:
2801:
2797:
2790:
2785:
2781:
2777:
2772:
2762:
2758:
2748:
2744:
2722:
2718:
2691:
2687:
2683:, p. 154).
2673:
2669:
2665:
2644:
2476:
2332:George Harrison
2319:
2280:
2263:
2247:
2240:
2239:
2231:
2229:
2228:
2227:
2226:
2219:
2212:
2209:
2202:
2196:
2187:
2147:
2128:
2120:
2111:
2107:
2096:
2092:
2088:
2081:
2080:
2072:
2070:
2069:
2068:
2067:
2063:
2056:
2053:
2046:
2040:
2031:
1997:
1981:
1964:
1943:
1898:
1893:
1888:
1883:
1836:
1831:
1826:
1821:
1786:
1781:
1776:
1764:Chicago Tribune
1753:
1748:
1743:
1738:
1700:
1657:Angelo Rossitto
1641:
1616:tenor saxophone
1574:
1566:
1556:
1423:
1413:
1400:Tiny Montgomery
1280:
1270:
1134:
1124:
973:
964:
913:
793:
764:
743:
742:
734:
732:
731:
730:
729:
725:
718:
715:
708:
702:
662:
658:
654:
650:
619:
615:
596:
572:John Lee Hooker
559:
551:
543:
521:West Saugerties
509:
478:
473:interview with
452:
444:Albert Grossman
391:
260:
251:
242:
211:
202:
193:
139:
135:
134:
126:
96:1975 (overdubs)
78:
76:
67:
36:
33:
12:
11:
5:
7989:
7979:
7978:
7973:
7968:
7963:
7958:
7953:
7948:
7943:
7938:
7933:
7928:
7909:
7908:
7906:
7905:
7898:
7893:
7886:
7878:
7870:
7862:
7854:
7846:
7842:Basement Tapes
7837:
7833:Basement Tapes
7828:
7823:
7818:
7813:
7811:Ronnie Hawkins
7808:
7803:
7798:
7793:
7788:
7782:
7780:
7776:
7775:
7773:
7772:
7765:
7758:
7751:
7744:
7737:
7730:
7723:
7716:
7709:
7702:
7695:
7688:
7681:
7674:
7667:
7660:
7653:
7646:
7643:When You Awake
7639:
7632:
7625:
7623:Lonesome Suzie
7619:
7612:
7605:
7598:
7590:
7588:
7584:
7583:
7581:
7580:
7573:
7566:
7559:
7548:
7541:
7530:
7519:
7508:
7497:
7490:
7483:
7475:
7473:
7469:
7468:
7466:
7465:
7458:
7451:
7448:The Last Waltz
7443:
7441:
7437:
7436:
7434:
7433:
7426:
7419:
7412:
7405:
7398:
7391:
7384:
7376:
7374:
7370:
7369:
7367:
7366:
7359:
7357:(2002 box set)
7355:The Last Waltz
7351:
7344:
7337:
7330:
7326:The Last Waltz
7322:
7315:
7307:
7305:
7301:
7300:
7297:
7296:
7294:
7293:
7286:
7278:
7276:
7275:with Bob Dylan
7272:
7271:
7269:
7268:
7261:
7254:
7247:
7240:
7233:
7226:
7219:
7212:
7205:
7197:
7191:
7187:
7186:
7184:
7183:
7178:
7173:
7168:
7163:
7158:
7156:Richard Manuel
7153:
7148:
7143:
7137:
7134:
7133:
7126:
7125:
7118:
7111:
7103:
7094:
7093:
7091:
7090:
7079:
7076:
7075:
7073:
7072:
7067:
7060:
7053:
7045:
7038:
7031:
7024:
7021:Hearts of Fire
7017:
7010:
7005:
6998:
6990:
6988:Helena Springs
6985:
6980:
6975:
6970:
6965:
6960:
6955:
6949:
6947:
6943:
6942:
6940:
6939:
6933:
6927:
6924:Carolyn Dennis
6921:
6914:
6912:
6908:
6907:
6905:
6904:
6897:
6890:
6883:
6876:
6869:
6861:
6859:
6853:
6852:
6850:
6849:
6842:
6835:
6828:
6820:
6818:
6812:
6811:
6809:
6808:
6801:
6798:Shadow Kingdom
6794:
6787:
6780:
6773:
6766:
6765:
6764:
6752:
6745:
6738:
6731:
6724:
6721:Hard to Handle
6717:
6710:
6703:
6700:Dont Look Back
6695:
6693:
6689:
6688:
6686:
6685:
6679:
6678:
6677:
6672:
6667:
6662:
6657:
6652:
6647:
6642:
6637:
6632:
6627:
6622:
6617:
6612:
6607:
6602:
6597:
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6577:
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6567:
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6552:
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6542:
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6527:
6522:
6512:
6506:
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6488:
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6476:
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6458:
6452:
6445:
6443:
6437:
6436:
6434:
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6432:
6431:
6426:
6418:
6411:
6403:
6401:
6395:
6394:
6392:
6391:
6384:
6377:
6370:
6363:
6356:
6349:
6342:
6335:
6328:
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6314:
6307:
6300:
6293:
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6283:
6279:
6278:
6275:
6274:
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6271:
6264:
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6236:
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6222:
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6208:
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6114:
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6104:
6097:
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6092:
6089:
6088:
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6085:
6078:
6071:
6064:
6057:
6050:
6043:
6035:
6033:
6029:
6028:
6026:
6025:
6018:
6011:
6004:
5997:
5990:
5983:
5975:
5973:
5966:
5962:
5961:
5959:
5958:
5955:Shadow Kingdom
5951:
5944:
5937:
5930:
5923:
5916:
5909:
5902:
5895:
5888:
5881:
5874:
5867:
5860:
5853:
5846:
5839:
5832:
5825:
5818:
5811:
5804:
5797:
5790:
5783:
5776:
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5713:
5706:
5699:
5692:
5685:
5677:
5675:
5671:
5670:
5668:
5667:
5662:
5657:
5652:
5647:
5642:
5637:
5631:
5628:
5627:
5620:
5619:
5612:
5605:
5597:
5591:
5590:
5576:
5575:External links
5573:
5571:
5570:
5564:
5551:
5549:. No. 12.
5542:
5536:
5523:
5517:
5510:Canongate U.S.
5498:
5489:
5483:
5468:
5462:
5449:
5428:
5422:
5405:
5399:
5386:
5368:
5340:
5331:
5325:
5312:
5306:
5293:
5284:
5275:
5255:
5249:
5236:
5230:
5208:
5198:TheBandhiof.no
5190:
5165:
5156:
5150:
5137:
5118:
5108:TheBandhiof.no
5099:
5093:
5080:
5070:TheBandhiof.no
5061:
5055:
5042:
5036:
5023:
5017:
5004:
4998:
4981:
4975:
4962:
4953:
4929:
4923:
4910:
4904:
4889:
4883:
4870:
4844:
4835:Pop Chronicles
4819:
4813:
4800:
4791:
4773:Flanagan, Bill
4769:
4750:
4727:
4708:
4699:
4693:
4680:
4667:
4644:
4622:
4602:
4596:
4581:
4572:
4563:
4554:
4545:
4536:. Bobdylan.com
4530:
4521:. Bobdylan.com
4515:
4506:
4500:
4484:
4482:
4479:
4477:
4476:
4462:
4451:
4440:
4437:The Last Waltz
4429:
4418:
4407:
4396:
4382:
4368:
4357:
4345:
4334:
4323:
4312:
4301:
4280:
4268:
4257:
4229:
4218:
4206:
4194:
4179:
4168:
4156:
4141:
4137:Humphries 1991
4129:
4117:
4105:
4093:
4078:
4066:
4054:
4042:
4030:
4018:
4006:
3994:
3983:
3966:The New Yorker
3952:
3937:
3925:
3921:Christgau 1975
3913:
3902:
3891:
3876:
3864:
3852:
3840:
3811:
3799:
3783:
3772:
3760:
3756:Christgau 1981
3748:
3737:
3726:
3715:
3703:
3691:
3675:
3661:
3649:
3637:
3620:
3608:
3590:
3575:
3560:
3553:
3535:
3518:
3506:
3494:
3482:
3470:
3458:
3446:
3442:Gilliland 1969
3431:
3419:
3407:
3395:
3383:
3371:
3359:
3347:
3335:
3323:
3311:
3299:
3287:
3275:
3263:
3251:
3239:
3227:
3215:
3203:
3191:
3176:
3164:
3152:
3141:
3129:
3117:
3105:
3093:
3081:
3066:
3054:
3042:
3023:
3015:Rolling Stone,
3006:
2994:
2982:
2970:
2955:
2943:
2931:
2914:
2902:
2890:
2878:
2867:
2855:
2843:
2831:
2827:Humphries 1991
2819:
2815:Polizotti 2006
2807:
2805:, p. 308.
2795:
2778:
2776:
2773:
2771:
2770:
2756:
2742:
2725:Basement Tapes
2716:
2685:
2666:
2664:
2661:
2660:
2659:
2652:
2643:
2640:
2610:Basement Tapes
2606:Legacy Records
2580:The Last Waltz
2475:
2472:
2462:Hip hop group
2430:Elvis Costello
2415:Cowboy Junkies
2384:"Listening to
2318:
2315:
2307:Basement Tapes
2256:Robert Johnson
2230:
2223:Richard Fariña
2220:
2210:
2205:
2204:
2203:
2194:
2193:
2192:
2119:
2116:
2071:
2064:
2054:
2049:
2048:
2047:
2038:
2037:
2036:
2007:The New Yorker
1980:
1977:
1914:
1913:
1910:
1904:
1903:
1874:
1866:
1865:
1862:
1854:
1853:
1850:
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1812:
1804:
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1800:
1792:
1791:
1767:
1759:
1758:
1729:
1723:
1722:
1719:
1715:
1714:
1710:
1709:
1699:
1696:
1688:Peter J. Moore
1661:Mao-style suit
1640:
1637:
1636:
1635:
1629:
1622:Richard Manuel
1619:
1597:
1591:
1581:
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1570:
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1355:
1352:
1349:
1342:
1338:
1337:
1334:
1331:
1324:
1320:
1319:
1316:
1313:
1306:
1302:
1301:
1298:
1295:
1292:
1281:
1277:
1276:
1273:
1267:
1266:
1263:
1260:
1253:
1249:
1248:
1245:
1242:
1235:
1231:
1230:
1227:
1224:
1217:
1213:
1212:
1209:
1206:
1199:
1195:
1194:
1191:
1185:
1178:
1174:
1173:
1170:
1167:
1164:Lo and Behold!
1160:
1156:
1155:
1152:
1149:
1146:
1135:
1131:
1130:
1127:
1121:
1120:
1117:
1114:
1107:
1103:
1102:
1099:
1096:
1089:
1085:
1084:
1081:
1076:
1069:
1065:
1064:
1061:
1058:
1051:
1047:
1046:
1043:
1041:Richard Manuel
1038:
1031:
1027:
1026:
1023:
1020:
1013:
1009:
1008:
1005:
1002:
999:
985:
972:
969:
912:
909:
864:Unhalfbricking
829:in late 1967.
792:
786:
769:Basement Tapes
760:The Last Waltz
733:
726:
716:
711:
710:
709:
700:
699:
698:
674:Summer of Love
595:
592:
588:Barney Hoskyns
508:
505:
493:Robert Shelton
464:Clinton Heylin
451:
448:
420:Richard Manuel
408:Ronnie Hawkins
390:
387:
322:bootleg albums
271:
270:
267:
266:
263:
262:
253:
244:
230:
229:
222:
221:
218:
217:
214:
213:
204:
195:
181:
180:
173:
172:
171:
170:
167:
162:
156:
155:
150:
144:
143:
132:
128:
127:
125:
124:
119:
114:
108:
106:
100:
99:
98:
97:
94:
88:
84:
83:
73:
69:
68:
59:
52:
51:
43:
42:
34:
9:
6:
4:
3:
2:
7988:
7977:
7974:
7972:
7969:
7967:
7964:
7962:
7959:
7957:
7954:
7952:
7949:
7947:
7944:
7942:
7939:
7937:
7934:
7932:
7929:
7927:
7924:
7923:
7921:
7914:
7904:
7903:
7899:
7897:
7894:
7892:
7891:
7887:
7884:
7883:
7882:Carry Me Home
7879:
7876:
7875:
7871:
7868:
7867:
7863:
7860:
7859:
7855:
7852:
7851:
7850:So Many Roads
7847:
7845:
7843:
7838:
7836:
7834:
7829:
7827:
7824:
7822:
7819:
7817:
7814:
7812:
7809:
7807:
7806:Cate Brothers
7804:
7802:
7799:
7797:
7794:
7792:
7789:
7787:
7784:
7783:
7781:
7777:
7770:
7766:
7763:
7759:
7756:
7752:
7749:
7745:
7742:
7738:
7735:
7731:
7728:
7727:Mystery Train
7724:
7721:
7717:
7714:
7710:
7707:
7703:
7700:
7696:
7693:
7689:
7686:
7682:
7679:
7675:
7672:
7668:
7665:
7661:
7658:
7654:
7651:
7647:
7644:
7640:
7637:
7633:
7630:
7626:
7624:
7620:
7617:
7613:
7610:
7606:
7603:
7599:
7596:
7595:Tears of Rage
7592:
7591:
7589:
7585:
7578:
7577:Atlantic City
7574:
7571:
7567:
7564:
7560:
7557:
7553:
7549:
7546:
7542:
7539:
7535:
7531:
7528:
7524:
7520:
7517:
7513:
7509:
7506:
7502:
7498:
7495:
7491:
7488:
7484:
7481:
7477:
7476:
7474:
7470:
7464:
7463:
7459:
7457:
7456:
7452:
7450:
7449:
7445:
7444:
7442:
7438:
7432:
7431:
7427:
7425:
7424:
7420:
7418:
7417:
7416:Greatest Hits
7413:
7411:
7410:
7406:
7404:
7403:
7399:
7397:
7396:
7392:
7390:
7389:
7385:
7383:
7382:
7378:
7377:
7375:
7371:
7365:
7364:
7360:
7358:
7356:
7352:
7350:
7349:
7345:
7343:
7342:
7338:
7336:
7335:
7331:
7329:
7327:
7323:
7321:
7320:
7316:
7314:
7313:
7309:
7308:
7306:
7302:
7292:
7291:
7287:
7285:
7284:
7280:
7279:
7277:
7273:
7267:
7266:
7262:
7260:
7259:
7255:
7253:
7252:
7248:
7246:
7245:
7241:
7239:
7238:
7234:
7232:
7231:
7227:
7225:
7224:
7220:
7218:
7217:
7213:
7211:
7210:
7206:
7204:
7203:
7199:
7198:
7195:
7192:
7190:Studio albums
7188:
7182:
7179:
7177:
7174:
7172:
7169:
7167:
7164:
7162:
7159:
7157:
7154:
7152:
7149:
7147:
7144:
7142:
7139:
7138:
7135:
7131:
7124:
7119:
7117:
7112:
7110:
7105:
7104:
7101:
7089:
7081:
7080:
7077:
7071:
7068:
7066:
7065:
7061:
7059:
7058:
7054:
7052:
7050:
7046:
7044:
7043:
7039:
7037:
7036:
7032:
7030:
7029:
7025:
7023:
7022:
7018:
7016:
7015:
7011:
7009:
7006:
7004:
7003:
6999:
6997:
6995:
6994:The Telegraph
6991:
6989:
6986:
6984:
6981:
6979:
6976:
6974:
6971:
6969:
6966:
6964:
6961:
6959:
6956:
6954:
6951:
6950:
6948:
6944:
6937:
6934:
6931:
6928:
6926:(second wife)
6925:
6922:
6919:
6916:
6915:
6913:
6909:
6903:
6902:
6898:
6896:
6895:
6891:
6889:
6888:
6884:
6882:
6881:
6877:
6875:
6874:
6870:
6868:
6867:
6863:
6862:
6860:
6858:
6854:
6848:
6847:
6843:
6841:
6840:
6836:
6834:
6833:
6829:
6827:
6826:
6822:
6821:
6819:
6817:
6813:
6807:
6806:
6802:
6800:
6799:
6795:
6793:
6792:
6788:
6786:
6785:
6781:
6779:
6778:
6774:
6772:
6771:
6767:
6763:
6760:
6759:
6758:
6757:
6756:I'm Not There
6753:
6751:
6750:
6746:
6744:
6743:
6739:
6737:
6736:
6735:MTV Unplugged
6732:
6730:
6729:
6725:
6723:
6722:
6718:
6716:
6715:
6711:
6709:
6708:
6704:
6702:
6701:
6697:
6696:
6694:
6690:
6683:
6680:
6676:
6673:
6671:
6668:
6666:
6663:
6661:
6658:
6656:
6653:
6651:
6648:
6646:
6643:
6641:
6638:
6636:
6633:
6631:
6628:
6626:
6623:
6621:
6618:
6616:
6613:
6611:
6608:
6606:
6603:
6601:
6598:
6596:
6593:
6591:
6588:
6586:
6583:
6581:
6578:
6576:
6573:
6571:
6568:
6566:
6563:
6561:
6558:
6556:
6553:
6551:
6548:
6546:
6543:
6541:
6538:
6536:
6533:
6531:
6528:
6526:
6523:
6521:
6518:
6517:
6516:
6513:
6510:
6507:
6504:
6501:
6498:
6495:
6492:
6491:European Tour
6489:
6486:
6483:
6480:
6477:
6474:
6471:
6468:
6465:
6462:
6459:
6456:
6453:
6450:
6447:
6446:
6444:
6442:
6441:Concert tours
6438:
6430:
6427:
6425:
6422:
6421:
6419:
6417:
6416:
6412:
6410:
6409:
6405:
6404:
6402:
6400:
6396:
6390:
6389:
6385:
6383:
6382:
6378:
6376:
6375:
6371:
6369:
6368:
6364:
6362:
6361:
6357:
6355:
6354:
6350:
6348:
6347:
6343:
6341:
6340:
6336:
6334:
6333:
6329:
6327:
6326:
6322:
6320:
6319:
6315:
6313:
6312:
6308:
6306:
6305:
6301:
6299:
6298:
6294:
6292:
6291:
6287:
6286:
6284:
6280:
6270:
6269:
6265:
6263:
6262:
6258:
6256:
6255:
6251:
6249:
6248:
6244:
6242:
6241:
6237:
6235:
6234:
6230:
6228:
6227:
6223:
6221:
6220:
6216:
6215:
6213:
6209:
6203:
6202:
6198:
6196:
6195:
6191:
6189:
6188:
6184:
6183:
6181:
6177:
6171:
6170:
6166:
6164:
6162:
6158:
6156:
6155:
6151:
6149:
6148:
6144:
6142:
6140:
6136:
6134:
6133:
6129:
6127:
6126:
6122:
6120:
6119:
6115:
6113:
6112:
6108:
6107:
6105:
6101:
6098:
6094:
6084:
6083:
6079:
6077:
6076:
6072:
6070:
6069:
6065:
6063:
6062:
6058:
6056:
6055:
6051:
6049:
6048:
6044:
6042:
6041:
6037:
6036:
6034:
6030:
6024:
6023:
6022:MTV Unplugged
6019:
6017:
6016:
6012:
6010:
6009:
6005:
6003:
6002:
5998:
5996:
5995:
5991:
5989:
5988:
5984:
5982:
5981:
5977:
5976:
5974:
5970:
5967:
5963:
5957:
5956:
5952:
5950:
5949:
5945:
5943:
5942:
5938:
5936:
5935:
5934:Fallen Angels
5931:
5929:
5928:
5924:
5922:
5921:
5917:
5915:
5914:
5910:
5908:
5907:
5903:
5901:
5900:
5896:
5894:
5893:
5889:
5887:
5886:
5882:
5880:
5879:
5875:
5873:
5872:
5868:
5866:
5865:
5861:
5859:
5858:
5854:
5852:
5851:
5847:
5845:
5844:
5840:
5838:
5837:
5833:
5831:
5830:
5826:
5824:
5823:
5819:
5817:
5816:
5812:
5810:
5809:
5805:
5803:
5802:
5798:
5796:
5795:
5791:
5789:
5788:
5784:
5782:
5781:
5777:
5775:
5774:
5770:
5768:
5767:
5763:
5761:
5760:
5756:
5754:
5753:
5749:
5747:
5746:
5745:Self Portrait
5742:
5740:
5739:
5735:
5733:
5732:
5728:
5726:
5725:
5721:
5719:
5718:
5714:
5712:
5711:
5707:
5705:
5704:
5700:
5698:
5697:
5693:
5691:
5690:
5686:
5684:
5683:
5679:
5678:
5676:
5674:Studio albums
5672:
5666:
5663:
5661:
5658:
5656:
5653:
5651:
5648:
5646:
5643:
5641:
5638:
5636:
5633:
5632:
5629:
5625:
5618:
5613:
5611:
5606:
5604:
5599:
5598:
5595:
5588:
5584:
5583:
5579:
5578:
5567:
5565:0-8230-7499-4
5561:
5557:
5552:
5548:
5547:Rolling Stone
5543:
5539:
5537:1-84449-058-0
5533:
5529:
5524:
5520:
5518:1-84195-860-3
5514:
5511:
5507:
5503:
5499:
5495:
5490:
5486:
5484:0-8021-1686-8
5480:
5476:
5475:
5469:
5465:
5463:0-450-04843-8
5459:
5455:
5450:
5438:
5434:
5429:
5425:
5423:0-85112-092-X
5419:
5414:
5413:
5406:
5402:
5400:0-8264-1775-2
5396:
5393:. Continuum.
5392:
5387:
5377:
5373:
5369:
5359:on 2013-10-05
5358:
5354:
5353:Rolling Stone
5350:
5348:
5341:
5337:
5332:
5328:
5326:1-58322-686-9
5322:
5318:
5313:
5309:
5307:0-330-33624-X
5303:
5299:
5294:
5290:
5285:
5281:
5276:
5265:
5261:
5256:
5252:
5250:1-900924-07-2
5246:
5242:
5237:
5233:
5227:
5223:
5222:Omnibus Press
5219:
5218:
5213:
5212:Larkin, Colin
5209:
5199:
5195:
5191:
5180:
5179:
5174:
5170:
5166:
5162:
5157:
5153:
5151:1-872747-04-3
5147:
5143:
5138:
5128:
5124:
5119:
5109:
5105:
5100:
5096:
5094:0-670-84144-7
5090:
5086:
5081:
5071:
5067:
5062:
5058:
5052:
5049:. Constable.
5048:
5043:
5039:
5037:0-06-052569-X
5033:
5029:
5024:
5020:
5018:0-7119-5669-3
5014:
5010:
5005:
5001:
4999:0-312-15067-9
4995:
4990:
4989:
4982:
4978:
4976:1-55652-405-6
4972:
4969:. acappella.
4968:
4963:
4959:
4954:
4944:on 2010-01-01
4943:
4939:
4935:
4930:
4926:
4920:
4916:
4911:
4907:
4905:0-8264-6933-7
4901:
4897:
4896:
4890:
4886:
4884:0-8264-5150-0
4880:
4877:. Continuum.
4876:
4871:
4861:on 2017-10-13
4860:
4856:
4855:
4854:Rolling Stone
4850:
4845:
4841:
4837:
4836:
4828:
4824:
4820:
4816:
4814:1-85868-599-0
4810:
4806:
4801:
4797:
4792:
4782:
4778:
4774:
4770:
4759:
4758:Rolling Stone
4755:
4751:
4741:on 2010-06-12
4740:
4736:
4735:Rolling Stone
4732:
4728:
4718:
4714:
4709:
4705:
4700:
4696:
4694:0-340-92312-1
4690:
4686:
4681:
4670:
4668:0-89919-025-1
4664:
4660:
4656:
4655:
4650:
4645:
4635:
4631:
4627:
4623:
4612:
4608:
4603:
4599:
4597:0-7432-0169-8
4593:
4589:
4588:
4582:
4578:
4573:
4569:
4564:
4560:
4555:
4551:
4546:
4535:
4531:
4520:
4516:
4512:
4507:
4503:
4497:
4493:
4492:
4486:
4485:
4474:
4469:
4467:
4460:
4455:
4449:
4444:
4438:
4433:
4427:
4422:
4416:
4411:
4405:
4400:
4394:
4389:
4387:
4380:
4375:
4373:
4366:
4361:
4354:
4349:
4343:
4338:
4332:
4327:
4321:
4316:
4310:
4305:
4292:
4291:
4284:
4278:, p. 141
4277:
4272:
4266:
4261:
4250:September 10,
4245:
4244:
4243:Rolling Stone
4239:
4233:
4227:
4222:
4215:
4210:
4204:, p. 308
4203:
4198:
4192:, p. 154
4191:
4186:
4184:
4177:
4172:
4166:, p. 278
4165:
4160:
4154:, p. 226
4153:
4148:
4146:
4138:
4133:
4126:
4121:
4115:, p. 353
4114:
4109:
4103:, p. 385
4102:
4097:
4091:, p. 384
4090:
4085:
4083:
4076:, p. 231
4075:
4074:Marqusee 2005
4070:
4063:
4058:
4052:, p. 302
4051:
4046:
4040:, p. 300
4039:
4034:
4028:, p. 312
4027:
4022:
4015:
4010:
4004:, p. 121
4003:
3998:
3992:
3987:
3971:
3967:
3963:
3956:
3949:
3944:
3942:
3935:, p. xii
3934:
3929:
3922:
3917:
3911:
3906:
3900:
3895:
3888:
3883:
3881:
3874:, p. 358
3873:
3868:
3862:, p. 304
3861:
3856:
3849:
3844:
3829:
3825:
3821:
3815:
3809:, p. 262
3808:
3803:
3797:
3792:
3790:
3788:
3781:
3780:Flanagan 1991
3776:
3769:
3764:
3757:
3752:
3746:
3741:
3735:
3730:
3724:
3719:
3712:
3707:
3701:, p. 313
3700:
3695:
3689:
3684:
3682:
3680:
3673:
3668:
3666:
3658:
3653:
3646:
3641:
3634:
3629:
3627:
3625:
3617:
3612:
3606:
3601:
3599:
3597:
3595:
3587:
3582:
3580:
3573:, p. 293
3572:
3567:
3565:
3556:
3554:9781736972304
3550:
3546:
3539:
3533:, p. 390
3532:
3527:
3525:
3523:
3516:, p. 289
3515:
3510:
3504:, p. 478
3503:
3498:
3492:, p. 240
3491:
3486:
3479:
3474:
3468:, p. 280
3467:
3462:
3456:, p. 270
3455:
3450:
3443:
3438:
3436:
3429:, p. 176
3428:
3423:
3417:, p. 278
3416:
3411:
3405:, p. 230
3404:
3399:
3393:, p. 488
3392:
3391:Whitburn 2004
3387:
3380:
3375:
3368:
3363:
3356:
3351:
3345:, p. 156
3344:
3339:
3333:, p. 144
3332:
3327:
3321:, p. 110
3320:
3315:
3309:, p. 139
3308:
3303:
3297:, p. 138
3296:
3291:
3285:, p. 110
3284:
3279:
3272:
3267:
3261:, p. 194
3260:
3255:
3249:, p. 197
3248:
3243:
3237:, p. 321
3236:
3231:
3225:, p. 199
3224:
3219:
3212:
3207:
3201:, p. 225
3200:
3199:Marqusee 2005
3195:
3189:, p. 112
3188:
3183:
3181:
3174:, p. 137
3173:
3168:
3161:
3156:
3150:
3145:
3139:, p. 318
3138:
3133:
3126:
3121:
3115:, p. 222
3114:
3109:
3103:, p. 104
3102:
3097:
3091:, p. 136
3090:
3085:
3078:
3073:
3071:
3064:, p. 240
3063:
3058:
3051:
3046:
3040:, p. xvi
3039:
3034:
3032:
3030:
3028:
3021:, p. 151
3020:
3016:
3010:
3003:
2998:
2991:
2986:
2979:
2974:
2968:, p. 221
2967:
2962:
2960:
2953:, p. 376
2952:
2947:
2941:, p. 272
2940:
2935:
2929:, p. 143
2928:
2924:
2923:Rolling Stone
2918:
2912:, p. 268
2911:
2906:
2899:
2894:
2887:
2882:
2876:
2875:Scherman 2006
2871:
2864:
2859:
2852:
2847:
2840:
2835:
2828:
2823:
2816:
2811:
2804:
2799:
2788:
2783:
2779:
2767:
2760:
2753:
2746:
2739:
2735:
2731:
2726:
2720:
2713:
2709:
2705:
2704:
2699:
2695:
2694:Dominic Behan
2689:
2682:
2678:
2671:
2667:
2658:
2657:
2653:
2651:
2650:
2646:
2645:
2639:
2637:
2633:
2632:
2627:
2623:
2619:
2614:
2611:
2607:
2602:
2600:
2596:
2592:
2591:
2586:
2582:
2581:
2576:
2575:
2570:
2569:
2564:
2563:
2558:
2554:
2550:
2549:
2544:
2539:
2538:
2532:
2530:
2529:
2524:
2520:
2519:
2518:Self Portrait
2514:
2510:
2509:
2504:
2502:
2501:I'm Not There
2497:
2496:
2491:
2487:
2486:
2481:
2471:
2469:
2465:
2460:
2458:
2457:
2452:
2448:
2444:
2443:
2442:Rolling Stone
2437:
2435:
2431:
2426:
2424:
2423:the Waterboys
2420:
2416:
2412:
2407:
2403:
2399:
2395:
2391:
2387:
2382:
2380:
2379:
2374:
2369:
2366:
2362:
2361:Hank Williams
2358:
2354:
2353:
2347:
2345:
2341:
2337:
2333:
2329:
2325:
2314:
2312:
2308:
2304:
2300:
2296:
2293:—compiled by
2292:
2288:
2287:
2278:
2274:
2273:
2267:
2261:
2257:
2253:
2252:Mystery Train
2245:
2238:
2236:
2224:
2208:
2191:
2184:
2179:
2177:
2173:
2172:Mike Marqusee
2168:
2164:
2160:
2156:
2151:
2146:
2142:
2138:
2134:
2125:
2115:
2105:
2100:
2086:
2079:
2077:
2052:
2035:
2028:
2024:
2020:
2016:
2011:
2009:
2008:
2003:
1994:
1990:
1986:
1976:
1974:
1970:
1963:
1959:
1955:
1954:
1949:
1942:
1941:Rolling Stone
1938:
1937:
1932:
1931:John Rockwell
1928:
1924:
1920:
1911:
1909:
1906:
1905:
1875:
1873:
1872:
1868:
1867:
1863:
1861:
1860:
1856:
1855:
1851:
1849:
1848:
1844:
1843:
1813:
1811:
1810:
1806:
1805:
1801:
1799:
1798:
1794:
1793:
1768:
1766:
1765:
1761:
1760:
1730:
1728:
1725:
1724:
1716:
1713:Review scores
1711:
1706:
1695:
1693:
1689:
1685:
1684:
1678:
1674:
1670:
1666:
1662:
1658:
1654:
1650:
1646:
1633:
1630:
1627:
1623:
1620:
1617:
1613:
1609:
1605:
1601:
1598:
1595:
1592:
1589:
1585:
1582:
1579:
1576:
1575:
1569:
1560:
1557:Total length:
1554:
1550:
1547:
1544:
1540:
1536:
1532:
1529:
1526:
1522:
1518:
1514:
1511:
1508:
1504:
1500:
1496:
1493:
1490:
1486:
1482:
1478:
1475:
1472:
1468:
1464:
1460:
1457:
1454:
1450:
1446:
1430:
1417:
1414:Total length:
1411:
1407:
1404:
1401:
1397:
1393:
1389:
1386:
1383:
1379:
1375:
1371:
1368:
1365:
1361:
1357:
1353:
1350:
1347:
1343:
1339:
1335:
1332:
1329:
1325:
1321:
1317:
1314:
1311:
1307:
1303:
1287:
1274:
1271:Total length:
1268:
1264:
1262:Dylan, Manuel
1261:
1258:
1257:Tears of Rage
1254:
1250:
1246:
1243:
1240:
1236:
1232:
1228:
1225:
1222:
1218:
1214:
1210:
1207:
1204:
1200:
1196:
1192:
1189:
1186:
1183:
1179:
1175:
1171:
1168:
1165:
1161:
1157:
1141:
1128:
1125:Total length:
1122:
1118:
1115:
1112:
1108:
1104:
1100:
1097:
1094:
1090:
1086:
1082:
1080:
1077:
1074:
1070:
1066:
1062:
1059:
1056:
1052:
1048:
1044:
1042:
1039:
1036:
1032:
1028:
1024:
1021:
1018:
1017:Odds and Ends
1014:
1010:
994:
988:
984:
982:
978:
971:Track listing
968:
961:
957:
952:
948:
947:
942:
941:
935:
933:
929:
925:
921:
920:
908:
906:
902:
901:Rolling Stone
898:
897:
892:
891:
886:
881:
878:
873:
872:Rolling Stone
868:
866:
865:
860:
856:
855:
850:
849:
844:
840:
836:
832:
828:
826:
820:
818:
817:
816:Rolling Stone
808:
804:
803:
797:
791:
785:
783:
782:
777:
772:
770:
762:
761:
756:
752:
748:
741:
739:
714:
697:
694:
690:
689:Mike Marqusee
686:
683:
679:
675:
671:
666:
648:
644:
643:Tears of Rage
640:
636:
632:
627:
625:
624:Howard Sounes
610:" with Dylan.
609:
605:
600:
591:
589:
585:
581:
577:
576:Hank Williams
573:
569:
565:
557:
547:
541:
536:
532:
531:
526:
522:
513:
504:
502:
498:
494:
489:
488:
482:
476:
472:
471:
470:Rolling Stone
465:
461:
457:
447:
445:
441:
437:
433:
429:
425:
421:
417:
413:
409:
404:
403:
398:
397:
386:
383:
381:
376:
371:
366:
364:
360:
356:
352:
351:
346:
345:
339:
334:
329:
327:
323:
319:
315:
311:
307:
306:
301:
300:
295:
291:
287:
283:
279:
278:
268:
259:
258:
254:
250:
249:
245:
241:
240:
236:
235:
231:
227:
223:
219:
210:
209:
205:
201:
200:
196:
192:
191:
187:
186:
182:
178:
174:
168:
165:
164:
163:
161:
157:
154:
151:
149:
145:
133:
129:
123:
120:
118:
115:
113:
110:
109:
107:
105:
101:
95:
92:
91:
89:
85:
74:
70:
66:
62:
57:
53:
49:
44:
39:
31:
27:
23:
19:
7913:
7900:
7888:
7880:
7872:
7864:
7856:
7848:
7844:songs (1975)
7841:
7832:
7713:4% Pantomime
7699:Stage Fright
7534:Time to Kill
7512:Rag Mama Rag
7460:
7453:
7446:
7428:
7421:
7414:
7407:
7400:
7393:
7386:
7379:
7373:Compilations
7361:
7354:
7346:
7339:
7332:
7325:
7317:
7312:Rock of Ages
7310:
7289:
7288:
7283:Planet Waves
7281:
7263:
7256:
7249:
7242:
7235:
7228:
7221:
7216:Stage Fright
7214:
7207:
7200:
7176:Stan Szelest
7166:Richard Bell
7151:Garth Hudson
7062:
7055:
7048:
7040:
7033:
7026:
7019:
7012:
7000:
6993:
6920:(first wife)
6899:
6892:
6885:
6878:
6871:
6864:
6844:
6837:
6830:
6823:
6803:
6796:
6789:
6782:
6775:
6770:65 Revisited
6768:
6754:
6747:
6740:
6733:
6726:
6719:
6712:
6705:
6698:
6449:England Tour
6413:
6406:
6386:
6379:
6372:
6365:
6358:
6351:
6344:
6337:
6330:
6323:
6316:
6309:
6302:
6295:
6288:
6266:
6259:
6252:
6245:
6238:
6231:
6224:
6217:
6199:
6193:
6192:
6185:
6167:
6160:
6152:
6145:
6138:
6130:
6125:Masterpieces
6123:
6116:
6109:
6096:Compilations
6080:
6073:
6066:
6059:
6052:
6045:
6038:
6020:
6013:
6006:
5999:
5992:
5985:
5978:
5972:Contemporary
5953:
5946:
5939:
5932:
5925:
5918:
5911:
5904:
5899:Modern Times
5897:
5890:
5883:
5876:
5869:
5862:
5855:
5848:
5841:
5834:
5827:
5822:Shot of Love
5820:
5813:
5806:
5801:Street-Legal
5799:
5792:
5786:
5785:
5778:
5773:Planet Waves
5771:
5764:
5757:
5750:
5743:
5736:
5729:
5722:
5715:
5708:
5701:
5694:
5687:
5680:
5645:Bibliography
5580:
5555:
5546:
5527:
5505:
5493:
5473:
5453:
5441:. Retrieved
5437:the original
5411:
5390:
5379:. Retrieved
5375:
5361:. Retrieved
5357:the original
5352:
5346:
5335:
5316:
5297:
5288:
5279:
5267:. Retrieved
5263:
5240:
5215:
5201:. Retrieved
5197:
5184:December 26,
5182:. Retrieved
5176:
5160:
5141:
5130:. Retrieved
5126:
5111:. Retrieved
5107:
5084:
5073:. Retrieved
5069:
5046:
5027:
5008:
4987:
4966:
4957:
4946:. Retrieved
4942:the original
4937:
4914:
4894:
4874:
4863:. Retrieved
4859:the original
4852:
4833:
4804:
4795:
4784:. Retrieved
4780:
4762:. Retrieved
4757:
4743:. Retrieved
4739:the original
4734:
4720:. Retrieved
4716:
4703:
4684:
4672:. Retrieved
4653:
4637:. Retrieved
4633:
4614:. Retrieved
4610:
4586:
4576:
4568:Rock of Ages
4567:
4558:
4549:
4538:. Retrieved
4523:. Retrieved
4510:
4490:
4454:
4443:
4432:
4421:
4410:
4399:
4360:
4355:, p. 77
4348:
4337:
4326:
4320:Bauldie 1991
4315:
4304:
4294:, retrieved
4289:
4283:
4271:
4260:
4248:. Retrieved
4241:
4232:
4221:
4216:, p. 80
4209:
4202:Griffin 2007
4197:
4190:Griffin 2007
4176:Hoskyns 2000
4171:
4159:
4132:
4120:
4108:
4101:Shelton 1986
4096:
4089:Shelton 1986
4069:
4064:, p. 96
4057:
4050:Griffin 2007
4045:
4038:Griffin 2007
4033:
4026:Hoskyns 1993
4021:
4014:Griffin 2007
4009:
3997:
3991:Hopkins 2000
3986:
3974:. Retrieved
3965:
3955:
3928:
3916:
3905:
3894:
3887:Shelton 1986
3867:
3860:Griffin 2007
3855:
3850:, p. 55
3843:
3831:. Retrieved
3827:
3814:
3802:
3775:
3763:
3751:
3740:
3729:
3718:
3713:, p. 38
3706:
3699:Hoskyns 1993
3694:
3656:
3652:
3645:Griffin 2007
3640:
3616:Griffin 2007
3611:
3586:Griffin 2007
3571:Griffin 2007
3544:
3538:
3514:Griffin 2007
3509:
3497:
3485:
3473:
3466:Griffin 2007
3461:
3454:Griffin 2007
3449:
3427:Roberts 1999
3422:
3415:Roberts 1999
3410:
3403:Griffin 2007
3398:
3386:
3379:Griffin 2007
3374:
3362:
3355:Griffin 2007
3350:
3338:
3331:Hoskyns 1993
3326:
3314:
3307:Hoskyns 1993
3302:
3295:Hoskyns 1993
3290:
3283:Griffin 2007
3278:
3273:, p. 61
3266:
3254:
3242:
3230:
3218:
3206:
3194:
3172:Hoskyns 1993
3167:
3155:
3149:Spencer 1985
3144:
3137:Shelton 1986
3132:
3120:
3108:
3101:Griffin 2007
3096:
3089:Hoskyns 1993
3084:
3057:
3052:, p. 58
3045:
3014:
3009:
3004:, p. 72
2997:
2990:Griffin 2007
2985:
2973:
2951:Shelton 1986
2946:
2934:
2922:
2917:
2905:
2898:Shelton 1986
2893:
2886:Griffin 2007
2881:
2870:
2865:, p. 40
2863:Griffin 2007
2858:
2846:
2834:
2822:
2810:
2803:Griffin 2007
2798:
2782:
2766:Hoskyns 1993
2759:
2752:Griffin 2007
2745:
2733:
2730:Griffin 2007
2724:
2719:
2701:
2688:
2670:
2654:
2647:
2635:
2629:
2625:
2617:
2615:
2609:
2603:
2598:
2588:
2578:
2574:Rock of Ages
2572:
2566:
2560:
2556:
2552:
2546:
2542:
2535:
2533:
2526:
2516:
2506:
2500:
2493:
2483:
2477:
2464:Public Enemy
2461:
2454:
2446:
2440:
2438:
2433:
2427:
2405:
2401:
2385:
2383:
2376:
2372:
2370:
2365:Bob Johnston
2350:
2348:
2320:
2310:
2306:
2290:
2284:
2276:
2270:
2268:
2260:Love In Vain
2243:
2241:
2232:
2182:
2180:
2175:
2162:
2158:
2152:
2136:
2132:
2123:
2121:
2104:Mary Travers
2101:
2084:
2082:
2073:
2026:
2022:
2018:
2014:
2012:
2005:
1993:Michael Gray
1989:Greil Marcus
1984:
1982:
1961:
1957:
1951:
1940:
1934:
1926:
1922:
1917:
1869:
1857:
1845:
1807:
1795:
1762:
1681:
1669:Michael Gray
1642:
1604:Lowrey organ
1600:Garth Hudson
1567:
1548:Danko, Dylan
1182:Bessie Smith
986:
974:
959:
950:
944:
940:Planet Waves
938:
936:
927:
923:
917:
914:
900:
894:
888:
882:
876:
871:
869:
862:
852:
846:
835:Manfred Mann
824:
821:
814:
812:
806:
800:
799:The bootleg
789:
779:
773:
768:
758:
754:
744:
735:
687:
681:
669:
667:
628:
613:
548:
528:
518:
500:
496:
485:
483:
468:
453:
416:Garth Hudson
400:
394:
392:
379:
374:
367:
358:
348:
342:
330:
325:
303:
297:
276:
275:
274:
255:
247:
246:
237:
206:
198:
197:
188:
56:Studio album
7874:Let It Rock
7786:Discography
7720:Don't Do It
7616:Chest Fever
7602:We Can Talk
7587:Other songs
7304:Live albums
6983:Suze Rotolo
6936:Jakob Dylan
6930:Jesse Dylan
6684:(2021–2024)
6485:Gospel Tour
6475:(1975–1976)
5965:Live albums
5752:New Morning
5635:Discography
5300:. Picador.
4917:. Jawbone.
4807:. Carlton.
4674:January 10,
4473:Greene 2014
4448:Morris 1994
4426:Bowman 2001
4393:Flippo 1994
4353:Heylin 1995
4276:Harris 2000
4214:Harris 2000
4164:Heylin 2000
4152:Sounes 2001
4125:Marcus 1997
4113:Heylin 2009
4062:Harris 2000
3950:, p. 9
3933:Marcus 1997
3899:Nelson 1975
3848:Heylin 1995
3828:tomhull.com
3768:Larkin 2011
3672:Marcus 1975
3633:Heylin 1995
3605:Bowman 2005
3531:Heylin 2000
3502:Sounes 2001
3490:Sounes 2001
3480:, p. 1
3478:Wenner 1968
3367:Sounes 2001
3319:Heylin 1996
3271:Heylin 1995
3211:Marcus 1997
3160:Heylin 2000
3125:Heylin 1996
3113:Sounes 2001
3077:Marcus 1997
3062:Marcus 1997
3050:Heylin 1995
3038:Marcus 1997
3002:Marcus 1997
2978:Heylin 1995
2966:Sounes 2001
2939:Heylin 2000
2910:Heylin 2000
2839:Heylin 1996
2817:, p. 8
2787:Strong 2006
2738:Heylin 2009
2712:Barker 2008
2708:Liam Clancy
2523:Happy Traum
2411:Mercury Rev
2398:Billy Bragg
2394:alt.country
2340:Mick Jagger
2328:psychedelic
2295:Harry Smith
1960:topped the
1948:Paul Nelson
1382:Ruben Remus
1351:Traditional
1190:, Robertson
979:. See also
956:Chuck Berry
751:Jesse Dylan
747:Sara Lownds
693:avant-garde
682:Sgt. Pepper
678:Psychedelic
564:Johnny Cash
556:Royal Canal
475:Jann Wenner
7920:Categories
7826:Shangri-La
7501:The Weight
7265:Jubilation
7181:Jim Weider
7146:Levon Helm
7141:Rick Danko
6918:Sara Dylan
6762:Soundtrack
6479:World Tour
6455:World Tour
5941:Triplicate
5381:2010-05-22
5363:2010-07-27
5269:January 7,
5203:2010-06-10
5132:2010-06-01
5127:PopMatters
5113:2010-06-13
5087:. Viking.
5075:2010-06-06
4958:Q Magazine
4948:2010-06-01
4865:2015-04-04
4786:2011-09-10
4764:2020-11-15
4745:2010-06-20
4722:2010-05-29
4639:2010-05-29
4616:August 13,
4540:2010-06-04
4525:2010-06-10
4481:References
4309:Crowe 1985
4296:2021-04-11
3796:Hreha 2009
2503:soundtrack
2235:media help
2155:David Gray
2076:media help
1859:PopMatters
1677:Neil Young
1673:David Blue
1649:Reid Miles
1594:Levon Helm
1584:Rick Danko
1284:Side three
1188:Rick Danko
877:Highway 61
738:media help
606:co-wrote "
604:Rick Danko
535:Byrdcliffe
487:Daily News
436:Manchester
428:Levon Helm
412:Rick Danko
363:rock music
228:chronology
179:chronology
112:Roots rock
79:1975-06-26
7791:Bob Dylan
7556:Bob Dylan
7388:Anthology
6978:Joan Baez
6825:Tarantula
6487:(1979–80)
6001:Real Live
5987:Hard Rain
5682:Bob Dylan
5624:Bob Dylan
5169:Kot, Greg
4002:Gill 1998
3948:Gray 2000
3820:Hull, Tom
3711:Gray 2006
3688:Linderman
3259:Gray 2006
3247:Gray 2006
3235:Gray 2006
3223:Gray 2006
3187:Gill 1998
3019:Cott 2006
2927:Cott 2006
2775:Footnotes
2439:In 2003,
2396:," wrote
2390:Americana
2357:Nashville
2311:Anthology
2291:Anthology
2167:Gold Rush
2122:Although
1927:Billboard
1921:released
1639:Cover art
1626:harmonica
1612:accordion
1578:Bob Dylan
1572:Personnel
1440:Writer(s)
1427:Side four
1297:Writer(s)
1151:Writer(s)
1004:Writer(s)
843:The Byrds
825:Billboard
776:Nashville
584:standards
432:the South
380:Billboard
355:Americana
310:Woodstock
286:Bob Dylan
177:Bob Dylan
166:Bob Dylan
117:Americana
61:Bob Dylan
7840:List of
7831:List of
7821:Big Pink
7734:Holy Cow
7678:Sleeping
7554:" (with
7480:Uh-Uh-Uh
7209:The Band
7130:The Band
7088:Category
7002:Festival
6996:magazine
6958:The Band
6816:Writings
6399:Bootlegs
6219:Biograph
6211:Box sets
6032:Archival
5857:Oh Mercy
5829:Infidels
5504:(2006).
5443:June 18,
4825:(1969).
4717:AllMusic
4704:Biograph
3970:Archived
3833:March 1,
3745:Kot 1992
3734:Erlewine
3657:Biograph
2681:Lee 1998
2642:See also
2490:Santa-Fe
2485:Biograph
2378:Get Back
2019:Big Pink
1908:Tom Hull
1727:AllMusic
1645:Bob Cato
1628:, vocals
1608:clavinet
1602: –
1588:mandolin
1138:Side two
991:Side one
602:Bassist
525:Big Pink
318:Big Pink
314:New York
290:the Band
226:The Band
169:The Band
160:Producer
153:Columbia
87:Recorded
72:Released
65:the Band
58: by
7779:Related
7570:Ophelia
7472:Singles
7251:Jericho
7244:Islands
7223:Cahoots
7051:(album)
6946:Related
5920:Tempest
5587:Discogs
4830:(audio)
4550:Cahoots
2562:Cahoots
2143:' and '
2127:between
1618:, piano
885:bootleg
645:" and "
456:Triumph
261:(1975)
252:(1975)
243:(1974)
212:(1976)
203:(1975)
194:(1975)
77: (
6911:Family
6511:(1987)
6505:(1987)
6499:(1986)
6493:(1984)
6481:(1978)
6469:(1974)
6463:(1969)
6457:(1966)
6451:(1965)
6179:Themed
6163:(2005)
6141:(1997)
5794:Desire
5640:Awards
5562:
5534:
5515:
5481:
5460:
5420:
5397:
5323:
5304:
5247:
5228:
5148:
5091:
5053:
5034:
5015:
4996:
4973:
4921:
4902:
4881:
4811:
4691:
4665:
4594:
4498:
4246:. 2012
3723:Caffin
3551:
2791:
2317:Legacy
2281:
2248:
2129:
2118:Themes
2112:
2108:
2097:
2093:
1721:Rating
1718:Source
1530:
1512:
1494:
1476:
1458:
1443:Length
1405:
1369:
1333:
1315:
1300:Length
1244:
1226:
1208:
1169:
1154:Length
1098:
1060:
1022:
1007:Length
765:
659:
655:
651:
620:
616:
560:
552:
544:
479:
208:Desire
131:Length
28:, see
7835:songs
7536:" / "
7525:" / "
7514:" / "
7503:" / "
7440:Films
6938:(son)
6932:(son)
6692:Films
6201:Blues
6187:Dylan
6169:Dylan
5815:Saved
5766:Dylan
3976:1 May
2675:with
2663:Notes
2492:" on
2482:" on
2419:Wilco
2355:, in
2264:'
2254:' or
1996:Quinn
1965:'
1962:Voice
1944:'
1561:20:38
1437:Title
1418:17:24
1294:Title
1275:19:38
1148:Title
1129:19:40
1001:Title
827:chart
368:When
282:album
148:Label
104:Genre
6675:2019
6670:2018
6665:2017
6660:2016
6655:2015
6650:2014
6645:2013
6640:2012
6635:2011
6630:2010
6625:2009
6620:2008
6615:2007
6610:2006
6605:2005
6600:2004
6595:2003
6590:2002
6585:2001
6580:2000
6575:1999
6570:1998
6565:1997
6560:1996
6555:1995
6550:1994
6545:1993
6540:1992
6535:1991
6530:1990
6525:1989
6520:1988
6429:1975
6424:1967
6268:1970
6103:Hits
5560:ISBN
5532:ISBN
5513:ISBN
5479:ISBN
5458:ISBN
5445:2014
5418:ISBN
5395:ISBN
5321:ISBN
5302:ISBN
5271:2013
5245:ISBN
5226:ISBN
5186:2013
5146:ISBN
5089:ISBN
5051:ISBN
5032:ISBN
5013:ISBN
4994:ISBN
4971:ISBN
4919:ISBN
4900:ISBN
4879:ISBN
4809:ISBN
4689:ISBN
4676:2017
4663:ISBN
4618:2015
4592:ISBN
4496:ISBN
4252:2019
3978:2018
3835:2020
3549:ISBN
2559:and
2551:and
2428:For
2342:was
2258:'s '
1864:9/10
1675:and
1653:YMCA
1551:3:52
1533:3:39
1515:2:49
1497:4:23
1479:3:13
1461:2:42
1408:2:47
1390:3:16
1372:2:04
1354:3:58
1336:2:15
1318:3:04
1265:4:15
1247:2:33
1229:2:48
1211:2:58
1193:4:18
1172:2:46
1119:2:46
1101:5:27
1083:3:29
1063:2:32
1045:3:39
1025:1:47
641:", "
637:", "
633:", "
578:and
501:they
422:and
347:and
63:and
5585:at
2392:or
2150:".
2004:of
1933:of
1665:RAF
1433:No.
1290:No.
1144:No.
997:No.
550:on.
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4465:^
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3678:^
3664:^
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1802:A+
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