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The Big Combo

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Police Lt. Leonard Diamond is on a personal crusade to bring down the sadistic gangster Mr. Brown. He is also dangerously obsessed with Brown's girlfriend, the suicidal Susan Lowell. His main objective as a detective is to uncover what happened to a woman called "Alicia" from the crime boss's past.
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Brown orders a hit on Diamond. However, when his gunmen Fante and Mingo go to Diamond's apartment, they mistakenly shoot and kill Diamond's burlesque dancer girlfriend Rita instead. Diamond sees an up-to-date photo of Alicia but realizes it wasn't taken in Sicily (since there's snow on the ground).
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McClure, and thugs Fante and Mingo kidnap and torture the lieutenant, then pour a bottle of alcohol-based hair tonic down his throat before letting him go. Diamond eventually learns through one of Brown's past accomplices, Bettini, that Alicia was actually Brown's wife. Bettini suspects that Alicia
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Brown shoots Diamond's partner, Sam, and kidnaps Susan, planning to fly away to safety. However, Mingo survived the assassination attempt by Brown, and he confesses to Diamond that Brown was behind all the murders while sobbing over the body of his cohort. Alicia is able to help Diamond figure out
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Meanwhile, Brown's right-hand man, McClure, wants to take over. He plots with Fante and Mingo to ambush Mr. Brown, but they betray and murder him. McClure is dependent upon a hearing aid. Fante and Mingo dismantle it and machine gun McClure in pantomime silence, unable to hear his pleas for mercy.
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Eventually the film was a co production between Theodora, the production company of Cornel Wilde and Jean Wallace, and Security, a company of Phil Yordan and Sidney Harmon. Wilde changed the title to "The Big Combination" and Jean Wallace suggested it be shortened to "The Big Combo".
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named Dreyer, who was the skipper of that boat but now operates an antiques store as a front, bankrolled by Brown. Dreyer denies involvement and does not want to disclose anything to Diamond, but is nonetheless murdered by McClure shortly after leaving his shop later that day.
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Diamond tries to persuade Susan to leave Brown and admits he might be in love with her. He shows her a photo of Brown, Alicia and Grazzi together on the boat. Susan finally confronts Brown about his wife and is told she is still alive in Sicily, living with Grazzi.
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magazine liked the film's direction, music and photography, despite "a rambling, not-too-credible plot." They wrote, "Performances are in keeping with the bare-knuckle direction by Joseph Lewis and, on that score, are good.
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from Brown's car in his eyes, effectively blinding him, allowing Diamond to arrest him. The last scene shows the silhouetted figures of Diamond and Susan in the fog, considered to be one of the iconic images of film noir.
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in his first movie role. Another source says Palance was unhappy his wife was not cast in the second female lead. He was replaced by Richard Conte. Conte's casting meant the start date for another film,
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was originally cast opposite Wilde. Filming was brought forward to start September 7, because of studio space availability. Palance dropped out of the film, claiming he wanted a week off after finishing
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This leads Diamond to suspect Brown did not kill Alicia but his boss Grazzi instead. Diamond is able to track Alicia to a sanitarium, where she is staying under another name. He asks for her help.
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by Olive Films in 2013 with a restoration completed by UCLA Film & Television Archive and the Film Foundation. A new HD restoration was completed in 2018 by Arrow Films in the UK.
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THOMAS M. PRYOR Special to The New York Times.22 June 1954. "PALLADIUM STARS SOUGHT FOR MOVIE: History of Famous London Music Hall Would Include American Entertainers". p. 24.
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tweak of the last shot, and Wallace's performance—a sad spectacle of a hurting creature caught between light and dark, good and evil—is one of noir's great unheralded triumphs."
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While the film's title cards feature a copyright claim, a notice was not properly filed, and in 2007 the United States Copyright Office ultimately rejected the notice.
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found the dialogue "run of the mill" but praises the film's director, writing that "Lewis had a remarkable ability to infuse poetry into the most banal material, and
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THOMAS M. PRYOR (Sep 1, 1954). "PALANCE LEAVES 'BIG COMBO' FILM: Richard Conte Will Replace Actor in Co-Starring Role -- Prologue for '7 Year itch'".
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was sent away to Sicily with former mob boss Grazzi, then murdered, tied to the boat's anchor, and permanently submerged. Diamond questions a
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SCHALLERT, EDWIN (Oct 12, 1953). "Drama: 'Hannibal' Lurks as Big New Italian Undertaking; Phillip Terry Resuming".
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for the lead. The script was reportedly in great demand with Yordan apparently turning down offers of $ 75,000.
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However, Brown's plane does not show up and the film climaxes in a foggy hangar shootout. Susan shines the
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Film critic Ed Gonzalez lauded the film in his 2006 review, writing, "Shadows and lies are the stars of
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Schallert, Edwin (Sep 16, 1953). "Warners, Metro Slate African Subjects; Jimmy Wakely Back in Cinema".
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Schallert, Edwin (23 June 1954). "'Big Combo' Will Star Cornel Wilde; Vanessa Brown Debates Musical".
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state February 13, 1955 as the US release date. This date is most likely wrong: According to the
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is one of the few that have a score with brass and trumpets and with woodwinds and saxophones.
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reported that 93% of critics gave the film a positive review, based on 13 reviews, with a
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The iconic airport conclusion to the film demonstrates John Alton's cinematographic style
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that Brown took Susan to a private airport where he intends to board his getaway plane.
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International Dictionary of Films and Filmmakers. Vol 4: Writers and Production Artists
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is one of his best efforts... it's not as startlingly inventive as Lewis's best film,
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Most film noir movies feature scores that are orchestral, with strings. In contrast,
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based on a story by Philip Yordan. It was originally going to be directed by
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with solo piano by Jacob Gimpel are in keeping with the film's tough mood."
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HEDDA HOPPER (July 9, 1954). "Jean Wallace to Act Opposite Her Husband".
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A pair of late 20th century critics compared the quality of
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More contemporary reviews of the movie are mostly positive.
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Film Noir: An Encyclopedic Reference to the American Style
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Scheuer, P. K. (Mar 13, 1955). "A TOWN CALLED HOLLYWOOD".
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reviewed the film on March 26, 1955 as a "new feature at
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index of the Academy of Motion Picture Arts and Sciences
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List of films in the public domain in the United States
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At police headquarters, Brown shows up with a writ of
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1955 American film noir crime film by Joseph H. Lewis
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Archived from 1107: 1089: 1065: 1047: 1033: 1019: 1003: 988: 973: 958: 452:Brian O'Hara as Attorney Malloy 1651:American black-and-white films 1104:. Last accessed: July 8, 2019. 933: 918: 903: 888: 864: 840: 820: 765: 749:List of American films of 1955 688:In 2019 the review aggregator 581:The film was shot in 26 days. 515:The film was initially called 1: 1646:American crime thriller films 759: 711: 699: 481: 473:as Mr. Jones (scenes deleted) 359:as Police Lt. Leonard Diamond 1676:Films scored by David Raksin 1656:1950s English-language films 1184:AFI Catalog of Feature Films 1074:, and Elizabeth Ward, eds. 834:AFI Catalog of Feature Films 584: 7: 1480:The Falcon in San Francisco 852:publicrecords.copyright.gov 737: 641:(1949), but it's a quality 476:Donna Drew as Miss Hartleby 163:February 13, 1955 10: 1707: 1636:1950s crime thriller films 984:. Sep 1, 1954. p. 21. 1306: 1016:, New York-London, 2000. 704:The film was released on 567:, had to be pushed back. 527:. Sperling tried to cast 203: 195: 187: 177: 154: 144: 128: 118: 108: 100: 90: 68: 58: 48: 38: 33:Theatrical release poster 26: 21: 1368:The Man from Tumbleweeds 645:, satisfying and dark." 383:as Police Capt. Peterson 1536:A Lady Without Passport 1384:The Return of Wild Bill 1145:"The Big Combo Blu-ray" 773:Internet Movie Database 349: 278: 149:Allied Artists Pictures 1608:Terror in a Texas Town 599: 512: 501: 461:Bruce Sharpe Detective 296: 1512:The Return of October 1488:My Name Is Julia Ross 1448:Boss of Hangtown Mesa 777:Turner Classic Movies 732:Scherzo No. 3, Op. 39 597: 507: 489: 467:as Fred – Hotel Clerk 428:Roy Gordon as Audubon 294: 1686:1950s American films 1641:Allied Artists films 1360:Blazing Six Shooters 980:"MOVIELAND BRIEFS". 722:In a scene, pianist 681:as one of the great 233:and photographed by 139:Theodora Productions 1408:Pride of the Bowery 1312:Courage of the West 611:Low-key photography 218:is a 1955 American 1600:The Halliday Brand 1520:The Undercover Man 1456:Secrets of a Co-Ed 1352:Two-Fisted Rangers 1336:The Singing Outlaw 1298:Films directed by 1260:title sequence at 1218:TCM Movie Database 1044:film review, 2004. 997:The New York Times 785:The New York Times 744:Public domain film 600: 549:The Silver Chalice 513: 502: 443:as Young Detective 297: 1618: 1617: 1560:Cry of the Hunted 1496:So Dark the Night 1440:The Silver Bullet 1400:That Gang of Mine 982:Los Angeles Times 967:Los Angeles Times 927:Los Angeles Times 912:Los Angeles Times 897:Los Angeles Times 876:www.copyright.gov 806:Los Angeles Times 590:Critical response 305:second-in-command 292: 244:. The film stars 211: 210: 137:Security Pictures 1698: 1576:A Lawless Street 1552:Desperate Search 1464:Bombs Over Burma 1392:Boys of the City 1376:Texas Stagecoach 1292: 1285: 1278: 1269: 1268: 1240:Internet Archive 1165: 1164: 1162: 1160: 1151:. Archived from 1141: 1135: 1134: 1132: 1130: 1111: 1105: 1093: 1087: 1069: 1063: 1051: 1045: 1037: 1031: 1023: 1017: 1007: 1001: 1000: 992: 986: 985: 977: 971: 970: 962: 956: 955: 949: 941: 937: 931: 930: 922: 916: 915: 907: 901: 900: 892: 886: 885: 883: 882: 868: 862: 861: 859: 858: 844: 838: 824: 818: 817: 801: 792: 769: 694:weighted average 471:Philip Van Zandt 419:as Ralph Bettini 381:Robert Middleton 293: 240:, with music by 170: 168: 31: 19: 18: 1706: 1705: 1701: 1700: 1699: 1697: 1696: 1695: 1621: 1620: 1619: 1614: 1424:Arizona Cyclone 1416:Invisible Ghost 1302: 1300:Joseph H. Lewis 1296: 1229:Rotten Tomatoes 1173: 1168: 1158: 1156: 1155:on Jan 27, 2023 1143: 1142: 1138: 1128: 1126: 1125:on May 27, 2023 1113: 1112: 1108: 1102:Rotten Tomatoes 1094: 1090: 1070: 1066: 1052: 1048: 1038: 1034: 1024: 1020: 1008: 1004: 993: 989: 979: 978: 974: 963: 959: 943: 942: 938: 934: 923: 919: 908: 904: 893: 889: 880: 878: 870: 869: 865: 856: 854: 846: 845: 841: 825: 821: 802: 795: 770: 766: 762: 740: 721: 714: 702: 690:Rotten Tomatoes 592: 587: 525:Milton Sperling 484: 479: 401:as Alicia Brown 377:as Susan Lowell 352: 303:Mr. Brown, his 283: 281: 235:cinematographer 227:Joseph H. Lewis 180: 173: 166: 164: 157: 140: 138: 133: 131: 123:Black and white 104:Robert S. Eisen 83: 79: 75: 43:Joseph H. 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Retrieved 851: 842: 827: 822: 805: 767: 724:Jakob Gimpel 717: 715: 703: 696:of 7.00/10. 687: 678:The Big Heat 676: 668: 666: 659: 653: 649: 647: 636: 632: 628: 626: 623: 619:David Raksin 603: 601: 580: 575: 572:Helen Walker 569: 562: 552:(1954) with 547: 539:Jack Palance 537: 533: 516: 514: 495:Jean Wallace 465:Michael Mark 432:Whit Bissell 399:Helen Walker 375:Jean Wallace 365:as Mr. Brown 357:Cornel Wilde 340: 336: 329: 327: 323: 319: 315: 302: 298: 274: 270:Helen Walker 258:Jean Wallace 246:Cornel Wilde 242:David Raksin 225:directed by 214: 213: 212: 179:Running time 156:Release date 113:David Raksin 85:Jean Wallace 73:Cornel Wilde 1592:7th Cavalry 558:Paul Newman 517:The Hoodlum 511:in the film 407:as Sam Hill 59:Produced by 39:Directed by 1631:1955 films 1625:Categories 1119:bluray.com 881:2023-05-27 857:2023-05-27 760:References 712:Soundtrack 700:Home media 673:Fritz Lang 661:Casablanca 615:John Alton 482:Production 456:Rita Gould 238:John Alton 183:88 minutes 167:1955-02-13 130:Production 95:John Alton 1661:Film noir 1528:Gun Crazy 1041:CineScene 946:cite news 814:166767985 683:film noir 655:Gun Crazy 638:Gun Crazy 629:CineScene 585:Reception 411:John Hoyt 405:Jay Adler 223:film noir 207:$ 500,000 132:companies 101:Edited by 1320:Navy Spy 1207:AllMovie 810:ProQuest 738:See also 458:as Nurse 395:as Mingo 389:as Fante 343:fog lamp 295:The film 196:Language 109:Music by 69:Starring 1216:at the 1181:at the 1159:May 27, 1129:May 27, 1027:Variety 831:at the 706:Blu-ray 605:Variety 425:as Rita 199:English 188:Country 165: ( 1611:(1958) 1603:(1957) 1595:(1956) 1579:(1955) 1571:(1955) 1563:(1953) 1555:(1952) 1547:(1952) 1539:(1950) 1531:(1950) 1523:(1949) 1515:(1948) 1507:(1948) 1499:(1946) 1491:(1945) 1483:(1945) 1475:(1944) 1467:(1943) 1459:(1942) 1451:(1942) 1443:(1942) 1435:(1942) 1427:(1941) 1419:(1941) 1411:(1940) 1403:(1940) 1395:(1940) 1387:(1940) 1379:(1940) 1371:(1940) 1363:(1940) 1355:(1940) 1347:(1938) 1339:(1938) 1331:(1938) 1323:(1937) 1315:(1937) 1082:  812:  789:Palace 728:Chopin 643:B-film 204:Budget 310:Swede 220:crime 1262:Veoh 1196:IMDb 1161:2023 1131:2023 1080:ISBN 952:link 775:and 771:The 556:and 497:and 350:Cast 279:Plot 252:and 1249:at 1227:at 1205:at 1194:at 1100:at 730:'s 675:'s 671:to 613:by 546:'s 1627:: 1147:. 1117:. 1056:. 1012:. 948:}} 944:{{ 874:. 850:. 808:. 796:^ 791:". 578:. 493:, 272:. 264:, 248:, 1291:e 1284:t 1277:v 1163:. 1133:. 1086:. 954:) 884:. 860:. 837:. 816:. 169:)

Index


Joseph H. Lewis
Philip Yordan
Sidney Harmon
Cornel Wilde
Richard Conte
Brian Donlevy
Jean Wallace
John Alton
David Raksin
Black and white
Allied Artists Pictures
crime
film noir
Joseph H. Lewis
Philip Yordan
cinematographer
John Alton
David Raksin
Cornel Wilde
Richard Conte
Brian Donlevy
Jean Wallace
Lee Van Cleef
Earl Holliman
Helen Walker
second-in-command
Swede
habeas corpus
fog lamp

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