The Blue Lagoon (1949 film)

863:, William Whitebait offered a disparaging perspective, likening the arrival of popular novels and plays to the screen to the unanticipated appearance of a heavily advertised product on a store shelf. He stated, "Best-sellers from the circulating library and the stage have an awful way of looming up on the screen like some toothpaste or pickle which, threatening for years from advertisements, at last, confronts us as the only brand on the counter." Whitebait described the film as a "sad, absurd little idyll" of two castaways, a boy, and a girl, on an island, criticizing the lack of character growth, the film's reliance on the idyllic setting, and the charm of its leads, Donald Houston and Jean Simmons. He noted, "They do a good deal of hopping about beaches instead; and since Mr. Donald Houston and Miss Jean Simmons make a charming pair, and the beach is real Pacific in Technicolor, this is a dream of a film for the snowy evenings." Whitebait concluded his review with a critique of Houston's performance, suggesting that the actor may have taken liberties with his character's dialogue. He wrote, "I don’t know, by the way, that Mr. Houston had been playing quite fair, because when the revelation comes he quotes very pat to the moment 640:, who later married Simmons. Jean's explorations across Australia, spanning from Sydney to Adelaide to Melbourne and back, were meticulously documented in national newspapers. Engagements such as press interviews, radio appearances, visits to various institutions including hospitals, schools, botanical gardens, and zoos, as well as attendance at film premieres, ballet performances, formal dinners, and other public events, filled her schedule until December 21, when she finally departed for the Fiji Islands. There was uncertainty regarding her entry into Fiji due to her age of 18. The colonial government of Fiji was discussing the possibility of prohibiting individuals under 19 from entering the country as a preventative measure against the introduction of polio. On December 22, a light plane carrying 626:

farewell at the airport was emotionally charged, particularly for Winifred, Jean's mother, who accompanied her daughter. This marked not only Jean's maiden flight but also her inaugural trip abroad, evoking tears as mother and daughter bid each other farewell. After three days, Jean encountered a delay in her flight bound for Sydney when the immigration service in Darwin detained her and twelve other passengers for three hours. Their vaccination documents against cholera were deemed insufficient, causing concern as they had arrived from Cairo, where the virus was rampant, prompting scrutiny from the Australian Department of Health. Fortunately, the situation was resolved the following day.

1134:-like existence, especially with a romantic interest in the opposite sex. Applauding the use of Technicolor and the superb scenery that heightened the cinematic experience, the review highlighted the exquisite portrayal of the character's growth by Jean Simmons and the fitting depiction of the hero by Donald Houston, who was appropriately described as "browned and muscular." Despite acknowledging a lack of narrative coherence, the reviewer maintained an optimistic stance, asserting that the film's overall fascination, beauty, and romantic charm would contribute to audience enjoyment, making 918:, however, gave a positive review of the movie. He liked how the film used Technicolor to show both beautiful and violent scenes of nature. Herbstman thought that the movie would appeal to a wide range of viewers and could fit into different types of adventure and romance stories. He also mentioned that the film's tension and violent moments added to its dramatic impact. Herbstman praised Jean Simmons' portrayal of the lead female character for her physical grace and innocence. Lastly, he thought that Donald Houston did a good job as the male lead. 339:

civilization. Surprised to find the couple on the island, Doctor Murdoch soon realises that Michael collects valuable pearls without knowing their true worth. While Murdoch attempts to trick Michael into getting him a bounty of pearls, Carter tries to kidnap Emmeline and escape. Murdoch and Carter kill each other on the boat, and Michael and Emmeline vow to never attempt to leave the island again. They marry, and during a tropical storm, a child, Paddy, is born.

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in the form of mosquitos, sandflies, snakes, and sharks, which posed threats to the crew's well-being. While Jean managed to escape unscathed, Donald Houston found himself hospitalized after sustaining a severe injury while swimming through a rock-bound water chute. Similarly, Launder suffered a broken wrist towards the end of the shooting, requiring him to wear a sling. These incidents underscored the hazards encountered during the filming process.

881:, the film depicted a tranquil Polynesian utopia accurately but was lacking in excitement. Nonetheless, he acknowledged that the leisurely-paced events were juxtaposed against a picturesque backdrop of Technicolor sunsets, gorgeous beaches, and verdant vegetation. Additionally, he commended the competent performances of the limited cast. Nevertheless, Weiler believed that the movie's most noteworthy feature was its magnificent Technicolor scenery. 1085:"lukewarm" were used to emphasize the perceived lack of passion and intensity in the romantic elements. The review highlighted the panoramic photography depicting the South Sea setting as the sole positive aspect. Overall, it presented a scathing assessment of a film that failed to capture the essence of the novel and fell short of delivering a compelling cinematic experience, with its visual aesthetics standing as the only redeeming quality. 566:. Breen said the characters could not be related, the love should be between grown-ups, and there could not be any sex scenes or birth scenes. He also asked them to take out the parents' suicide. In 1948, Breen approved the script with further changes, like no nudity or suggestive content, and suggested they show the marriage passing incontinently. Indeed, though there were rules and restrictions, they still made and released the movie. 890:, Harold Myers expressed that the Technicolor cinematography of a stunning South Pacific setting was an appropriate and romantic setting for the movie. However, he found fault with the weak plot and stated that the tale of two children marooned on a South Sea island lacked a cohesive storyline. Although he praised the movie's visual beauty, he criticised the leading actors for not being challenged beyond their physical appearances. 606:, and Jean convened with Prince Thakombow of Fiji, who was studying in London at the time. They treated the prince to a tour of Pinewood, followed by a relaxed discussion regarding the film's production intricacies, including the imminent expedition to the islands, which the prince enthusiastically supported. Before departure, Jean had the privilege of visiting Henry de Vere Stacpoole, the author of 1254:. Burridge faulted the 1949 version for its superficial treatment of survival and abrupt maturation while praising the 1980 remake's explicit sexual content. He commended the 1949 film's innocence and performances but noted unsettling hints of a grim finale. Burridge suggested that audience preference might swing between the original and the remake based on these elements. 38: 854:

Stranks and Peter Jones. She criticized Donald Houston's acting, albeit acknowledging his aesthetic fit for the role while praising Jean Simmons for her performance. Graham also highlighted the film's visual appeal, particularly the scenery. Despite the film's potential for tropical clichés, Graham found it pleasantly devoid of such excesses, making it rather charming.

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parental separation constituted the most fear-inducing factor, as he hypothesised that neonates are universally fearful of such separation. In addition, the individual remarked that adults frequently interpret children's fear of movies based on their perspective, ignoring the fact that children can endure far more frightening circumstances than adults may believe.

1061:, Robert Hatch characterized the film as a "monument to unbecoming innocence," depicting the challenges faced by two English children stranded on a tropical island as they navigated the complexities of adulthood, with additional elements like an octopus, pearl hunters, and a treetop apartment left unspecified in terms of their impact on the overall film. 1116:. The lead characters, Emmeline and Michael, were positively appraised, with Simmons being hailed as the most attractive island girl in the film. The supporting cast, including Susan Stranks, Peter Jones, and Noel Purcell, were also recognized for their performances. Despite a noted shift in tone as the characters grew up, the review concluded that 1024:

attire, highlighting a thwarted attempt to lure the characters into civilization and emphasising the significance of a book of etiquette in guiding the girl's behaviour. Despite an uncertain objective and leisurely pace, the film was commended for its cool escape quality, an attractive central duo, and visually appealing Technicolor cinematography.

1314:, included nudity and sexual content, although not as much as the book. According to Kleiser himself, it was the book and not the 1949 film that inspired his version of the story. However, because it used the same locations and kept some features as the 1949 film, it could be considered a remake. That version was followed in 1991 by the sequel 1032:'s review praised the film for its captivating portrayal of two characters stranded on a Pacific island, commending the expert colour photography, vibrant visuals, and sincere performances while acknowledging minor pacing issues and deeming it likely to appeal to a broad audience appreciating its engaging narrative and unusual climax. 1400:. As a result, the film remained unseen on television due to rights conflicts between the estate of the novel's author Henry De Vere Stacpoole, who died in 1951, and controlled the motion picture rights to the story in every English-language-speaking country except for the United States, where the novel has already become part of the 1071:

he praised actress Jean Simmons for her performance, he lamented the film's inability to give her a significant role and lack of artistic camera work. Standish concluded that the film did not effectively leverage its visual and casting strengths, leading to a narrative that fell short of its vibrant setting.

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magazine describes the film as a captivating English production. Despite its unhurried pacing, Miller highlighted the movie's appeal through its vivid color photography and inherent simplicity. The cinematography not only enhanced the visual experience but also complemented the film's straightforward

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criticised the film's non-traditional narrative about two shipwrecked children, citing a weak script devoid of realism and incident. The initial part was praised for character portrayal but introducing island traders shifted the narrative to melodrama, lessening engagement. The ending, differing from

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appreciated the film's adventurous plot and the convincing transformation of the protagonists from children to adults, played by Donald Houston and Jean Simmons. However, she subtly criticised their desire to leave their paradise, indicating a conflict between nature's allure and societal constructs.

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lauded the film's stunning Technicolor visuals of the South Seas, while criticizing the weak storyline which did not match its visually striking setting. Standish pointed out the film's failed attempt to contrast island life with societal chaos, especially in its portrayal of English renegades. While

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Robin Holabird wrote in 2021 that the movie "captures the tone using less salaciousness than the 1980 interpretation." He praised it as a respectable endeavour owing to the involvement of a director who once worked with Alfred Hitchcock, an Academy Award-winning cinematographer, and talented actress

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conveyed an overall positive assessment, lauding the lead performances of Jean Simmons and Donald Houston. He described Simmons as "youthful, easy-mannered, and altogether charming," highlighting her as J. Arthur Rank's most promising screen player. The film was commended for its visual appeal, with

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appreciated the film's visual depiction of adolescent reading material and romantic entertainment value, noticing its lack of novelty but noting its commercial success. The critic praised the Technicolour cinematography and sensitively depicted sensual awakening between the heroes. The two villains'

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called it a summertime love cinema must-see. Carmody praised Jean Simmons' film star performance. The film's sensitive and tasteful depiction of two youngsters stranded on a beautiful South Pacific island was praised. Carmody liked the film's unexpected emotional and event depth. He also appreciated

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via motorboats from Australia. Jean and her dresser Irene Williams had a cabin to themselves but later shared it with four other crew members. Despite the challenges, the director praised Jean's cooperative attitude in a lengthy article about their experience. During the production, challenges arose

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Jean's journey encountered complications when the Brisbane airport closure due to inclement weather halted the resumption of her travels. After a prolonged wait, the plane, which had paused for refueling, eventually landed in Sydney on December 2 amidst the enthusiastic welcome of 50 fans. Her first

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for its charm and exquisite visuals. Jean Simmons received praise for her fitting performance as Emmeline, while Donald Houston impressed as the young man. Noel Purcell's portrayal of the sailor was highly regarded, and James Hayter and Cyril Cusack were praised for their effective portrayal of two

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expressed disappointment over film producers' interference in adapting literary works to the screen, sympathizing with the original authors and criticizing the alterations made by producers, particularly in the story's ending. However, he acknowledged the film's faithful use of the source material,

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praised the film's picturesque setting and captivating beginning, with skilful scenes of survival on a deserted island. She commended the performances of the cast, particularly the child actors and Noel Purcell. However, she noted a loss of momentum in the narrative as it transitions into a routine

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reviewer offered a critical perspective. While praising the genuine portrayal of the children's arrival on the island and the film's visual appeal, its loss of credibility and slow character development were criticised. The reviewer also pointed out the contrived nature of the romantic plot and its

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praised the film by deftly navigating the potential pitfalls of a South Seas romance, anticipating a clichéd spectacle of tropical excess but finding instead a charming narrative. She commended the film for its restraint from sentimentality, noting the poignant early scenes with child actors Susan

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The remaining film production took place at Pinewood, with an interruption in late July 1948. Upon the resumption of filming, the studio's make-up artist, George Blacker, was tasked with harmonizing the skin tones of Jean Simmons and Donald Houston, as their natural tones were swiftly diminishing.

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had appreciated the film's aesthetic appeal, noting the 'naive charm' and 'lovely' scenery, a result of the location work in Fiji, and the characters' development, from shipwrecked children to mature adults. The plot had been described as 'light and fragile', suggesting it was not the film's main

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gave it a two-star rating, suggesting a lukewarm reception, and noted the picturesque scenery but asserted that it failed to compensate for the film's narrative weaknesses. Described as a "moderate adventure drama," his review provides minimal commentary on the cast and director, emphasizing the

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provided a critical review of the film, noting significant deviations from the source material. Dunstan expressed confusion about the film's aspirations, criticizing the tepid and unconvincing portrayal of the central love story between two shipwrecked characters. Terms such as "underplayed" and

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criticized the movie for its childish and dull plot, stating that despite its visually stunning scenes and beautiful locations, extensive publicity, and efforts such as shooting in Fiji, the film couldn't escape failure, hinting at mismanagement of resources and indirectly holding J. Arthur Rank

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Due to bad weather conditions, the filming process was prolonged for three months. By mid-March 1948, the production unit achieved 90% of its objective in Fiji, accomplishing 222 camera set-ups, equivalent to around 37 minutes of screen time, or roughly one-third of the completed film. Following

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that it was the scariest movie that he ever saw as a kid, and he holds it in high regard. Cronenberg explained that the apprehension represented in this particular film stemmed from the disconnection between the two teenage protagonists and their parents. According to Cronenberg, the concept of

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lauded the movie as a genuine escape, with the picturesque setting of Jean Simmons and Donald Houston as castaways, featuring real footage of a hurricane in Fiji, and delivering refreshing entertainment through their enjoyable performances, particularly Noel Purcell's effective portrayal of the

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criticised the picture for its weaknesses and wasted opportunity. The reviewer found the film's South Sea romance tedious and emotionally sluggish, like a Norse saga. The review praised the film's Technicolour cinematography and delightful props but criticised the absence of character dialogue.

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in coordination with her voyage to Fiji, a comprehensive tour of Australia was on her itinerary. The extensive flight included layovers in Cairo, Calcutta, and Singapore. Her departure garnered significant press coverage, with film footage capturing the moment featured in various newsreels. The

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portrayed the film as a consequence of an unexpected encounter with a how-to-behave manner book, deeming it a pleasant watch, despite its narrative shortcomings. Coe observed the film's struggle to define its narrative focus, appreciating the characters' survival skills and instinct for proper

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commended the film for its enchanting use of cinematography to depict a tropical romance. He praised the development of Jean Simmons and Donald Houston's characters, who evolve from castaways to parents over a decade on a South Sea island. Scheuer noted the film's portrayal of life's extremes,

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critiqued the film as long and static, though he acknowledged the well-executed dramatic scenes, adequate staging, aesthetically appealing colour palette and locations, and recognized the performances of Susan Stranks, Peter Jones, Jean Simmons, and Donald Houston while deeming Noel Purcell's

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offered a nuanced perspective, noting initial interest and action in the narrative before a decline in momentum. While praising Noel Purcell's excellent portrayal of the sailor and the standout performance of Cyril Cusack as a trader, it found the lead actors, Jean Simmons and Donald Houston,

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to produce a remake. To eliminate competition with his film, Wilcox purchased all existing prints of the 1923 adaptation that weren't in circulation. A year later, he officially announced the inclusion of this project in his portfolio of motion pictures in production. He planned to film it in

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Contrived catastrophes like an underwater struggle with an octopus and a delayed sex exploration were unsatisfying attempts to make up for this shortfall. The reviewer also criticised the plot, notably the representation of a child's birth, which they considered unsuitable for Jean Simmons.

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Eight years later, in 1849, the now-adult couple live together in the island paradise, fish, and collect "beads" from the shellfish in the surrounding lagoon. One day, a ship arrives carrying Doctor Murdoch and James Carter, two British men, who are intimated to have fled as criminals from

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and acknowledged the British team's affectionate treatment of the plot. The review succinctly covered dramatic moments, character development, and production insights, all the while applauding the film's romantic and adventurous spirit, standout performances, and directorial prowess.

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expressed disappointment, deeming it the least interesting work Sidney Gilliat and Frank Launder had produced up to that point. The film failed to captivate Speed, who conveyed a sense of dissatisfaction with the outcome of Gilliat and Launder's ambitious cinematic endeavour.

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magazine presented a positive review of the movie, capturing the film's enchanting and visually captivating essence. The reviewer, in a whimsical tone, celebrated the movie's ability to fulfil the universal fantasy of a tropical island shipwreck and the allure of a

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positively reviewed the film, lauding the unique storyline and the vibrant use of Technicolor, and expressed confidence in the cast's capability to deliver compelling performances, particularly highlighting Jean Simmons' previous memorable role in

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critic gave a mixed review. The reviewer praised the film's aesthetic qualities and its visually appealing elements. However, the critic had reservations over the plausibility of the narrative and the predominantly sluggish tempo of the picture.

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on a lush tropical island in the company of kindly old sailor Paddy Button. Eventually, Paddy dies in a drunken binge, leaving Emmeline and Michael alone. They survive solely on their resourcefulness and the bounty of their remote paradise.

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The film generated producer's receipts amounting to £186,500 within the United Kingdom and £164,900 in overseas markets, ultimately yielding a profit of £40,300 by 24 December 1949 primarily driven by its international earnings.

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romance. Tinée highlighted the film's superb cinematography, including stunning shots of nature and a dramatic hurricane scene. She criticized the pacing in the later reels, suggesting it could have concluded more effectively.

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The copyrights to Henry De Vere Stacpoole's works expired on 31 December 2001 in Australia, Canada, New Zealand and South Africa, on 31 December 2011 in India, and on 31 December 2021 in the United Kingdom and the Republic of

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In 1852, Emmeline is reminded of the outside world and wants to leave the island. She fears for their child if Michael and she should die. Michael gives in to her pleading, and they pack a small boat and leave the island.

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on December 18, 1955. By the 1960s and 1970s, it became a television staple but, due to tighter broadcast schedules and several royalty disputes, its last appearances on broadcast television were in 1980 on

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on March 17 with a bandaged foot after cutting it on a piece of coral on the last day of shooting in Fiji, Jean was warmly welcomed by her long-separated sister Edna. A horde of reporters awaited her at the

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praised the lead actors' performances, and highlighted the film's scenic tropical setting. He also pointed out memorable scenes, such as an underwater battle and a fortuitous hurricane during filming.

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competent but not outstanding. The review acknowledged the film's visual appeal, citing beautiful Fijian locations and impressive cinematography, but criticized its length and perceived lack of depth.

610:, who resided on the Isle of Wight. During this visit, the 84-year-old gifted Jean a green coral charm he had acquired from Fiji four decades earlier while gathering material for his renowned novel. 982:

temporary disturbance and the couple's baby-rearing difficulty are discussed. The performers performed well, and the reviewer said the film's choice fit Stacpoole's romantic literary style.

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The project was reactivated after the war and announced in 1946, with Frank Launder attached to direct. Extensive location searches were undertaken before deciding to make the film in Fiji.

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the book, was noted. Despite an exciting octopus fight and stunning tropical scenes, the film's dull portrayal of castaways' life, acted by Jean Simmons and Donald Houston, was criticised.

1234:, Angela Allan called the film "slow-moving but ultimately pleasant idyll on desert isle." Despite the narrative potential that its source material offered, George Perry wrote in his book 6373: 929:

the well-used comedy, which enhanced the story. Simmons and Donald Houston's portrayals of Emmeline and Michael, the film's adult characters, were Carmody's highlights. Carmody called

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strength. McMahon had also highlighted the performances of Jean Simmons and Donald Houston, the romantic leads, with a slight critique of Houston's performance as 'stilted at times'.

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necessitated the urgent use of all of Rank's Technicolor cameras. The final sequences were completed after the Olympic Games, with filming concluding by the end of September.

1227:, C.A. Oakley criticized the film, calling it a 'pot-boiler', suggesting that it lacked creativity and critical acclaim despite being financially successful. In the 498:

on 9 February 1936 destroyed the last surviving print of the 1923 film, Wilcox lost interest in the project, and the rights were assumed by GFD's new sister company

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at the recommendation of Frank Launder, who always admired the novel. Gainsborough announced the film in 1938 as part of a slate of 10 films. The stars were to be

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including birth, death, and the struggle for survival, culminating in the characters' rescue by a passing ship. He compared the narrative favorably to stories by

1340:, a pair of sailors attack the people of a nearby island for pearls after seeing a woman wearing a double pearl hair ornament, as Emmeline does in the 1949 film. 630:

act upon arrival, as recounted in local media, was to send a food parcel to her mother. On December 5, she graced the gala premiere of Launder’s latest film,

684:. This strategic decision was made to promote Jean, who remained relatively unknown in the United States, through local publicity efforts. Arriving in 1735: 6428: 4595: 1108:

stood out among island-themed films of the time, positioning it as the only one deemed acceptable, especially when compared to others featuring

3796: 2414: 713:, followed by a star-studded cocktail party in her honour. Hollywood offered her a lead role soon, however, she sought advice from her mentor 5309: 781: 1501: 1365:, appears in this film as one of the teachers on the shipborne field trip where Emma and Dean are lost at sea and end up on an island. 6413: 5171: 1120:

provided an agreeable experience as a piece of escapism, successfully offering a visually pleasing and immersive break from reality.

6343: 6046: 663:. Filming on coral reefs in rough seas resulted in injuries for almost every member. After a stop in Lautoka, they traveled to the 943:

reliance on coincidences. Despite these flaws, the reviewer acknowledged the film's effectiveness as a form of tropical escapism.

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particular praise for the exciting quality of the early scenes featuring the shipwreck and the marooned children, likened to

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Plans to make the film were postponed due to Britain's currency difficulties, but eventually, plans were reactivated.

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In 1841, 8-year-old Emmeline Foster and 10-year-old Michael Reynolds, two British children, are the survivors of a

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that the movie ultimately fell short of expectations and provided a rather underwhelming cinematic experience.

579: 5056: 6353: 6323: 6065: 6030: 5369: 5164: 4981: 4631: 4615: 4580: 4312: 4011: 3899: 3453: 3421: 3389: 3342: 3306: 3163: 3130: 3098: 3066: 3034: 3002: 2886: 2854: 2821: 2767:. No. 2600. Perth, Western Australia. 21 December 1947. p. 12 Supplement: The Sunday Times MAGAZINE 2422: 1612: 1378: 1210: 793: 4917: 6423: 5947: 5842: 5650: 5497: 5401: 5377: 5295: 3826: 3376: 2961: 2841: 2808: 274: 75: 20: 4075: 3868: 1404:, and the Rank Organisation, who controlled the rights to the 1949 film, rendering the movie as a virtual 6363: 5818: 5722: 5569: 5393: 5250: 5234: 3675:. Vol. 90, no. 251. Victoria, British Columbia, Canada. 3 October 1948. p. 17 – via 3505: 1295: 694: 448: 4495: 3982: 3935: 2498: 6403: 6393: 6388: 6263: 5786: 5738: 5658: 5361: 5274: 3746: 3320: 1349: 775: 656: 586:

Donald Houston was chosen as the male protagonist from a pool of more than 5,000 candidates, including

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three months spent on location, Jean prepared to return to London where filming was set to resume at

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a great film, praising Simmons' charming and innocent performance and the supporting cast's work.

6188: 6073: 5199: 5184: 4841: 4531: 4362: 4345: 2000: 1066: 710: 284: 279: 65: 5028:"'Happy days': The Blue Lagoon, The Happiest Days of Your Life, The Belles of St Trinians, etc." 3719: 3213:. Vol. 90, no. 5114. Adelaide, South Australia, Australia. 24 December 1947. p. 5 1334:. The pearl-greedy traders do not appear in Stacpoole's original novel, but in the third novel, 676:

in April. Demonstrating astute planning, Rank arranged her journey back, incorporating stops in

6271: 6228: 6164: 5746: 5505: 5425: 5385: 5353: 5064: 4868: 4433: 3666: 3639: 3057:. Vol. 49, no. 7593. Adelaide, South Australia, Australia. 4 December 1947. p. 5 1409: 1078: 1007: 821: 742: 677: 632: 5027: 3854: 6156: 6121: 5995: 5826: 5714: 5258: 5149: 5133: 4972:. Vol. 49, no. 21. Sydney, New South Wales, Australia. 28 October 1981. p. 164 4410: 3940: 3181: 2204: 2074: 2057: 1918: 1901: 1797: 1093: 895: 815: 622: 499: 468: 5287: 2965:. Vol. 12, no. 217. Sydney, New South Wales, Australia. 3 December 1947. p. 5 701:, where she proceeded after a day. Collecting clothes sent from England and meeting bigwigs 6105: 6081: 6011: 5596: 5561: 5215: 4815: 4449: 3987: 2326: 2224: 1437: 1408:. Due to these issues, the film has not yet been released formally on home video. However, 1383: 1336: 1169: 914: 809: 763: 738: 603: 387: 381: 117: 112: 3991:. Vol. 66, no. 25. New York: Motion Picture Daily, Inc. 5 August 1949. p. 4 8: 6298: 5690: 5465: 4948: 4016: 3944:. Vol. 31, no. 31. New York, Harrison's Reports, Inc. 30 July 1949. p. 122 3500: 3053: 2537: 1972: 1873: 1780: 1684: 1311: 1223:

In 1952, Paul Rotha called the film "an escape into empty romanticism." In his 1964 book

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Coe, Richard (18 August 1949). "Boy and Girl Are 'Crusoes' in 'Blue Lagoon at Keith's".

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Grover, Frances Peck (22 October 1949). "Tropical Love Movie Fails to Maintain Pace".

3634: 3495: 3476:. Vol. XXXV, no. 41. New South Wales, Australia. 17 February 1948. p. 6 2652: 1812: 1539: 6129: 5971: 5762: 5577: 5207: 5111: 5082: 5036: 4772: 4747: 4722: 4697: 4224: 4090: 4049: 3910: 3777: 3767: 3555: 3521: 3185:. No. 31599. Melbourne. 10 December 1947. p. 4 (The Argus Woman's Magazine) 2788: 2738: 2713: 2688: 2659: 2505: 2267: 2141: 2131: 2106: 2096: 1817: 1479: 1330: 1291: 1239: 1001: 649: 512: 507: 292: 135: 3587:

Wright, Cobina (July 1948). "Come Along with Cobina to the Best Hollywood Parties".

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that they could turn the book into a movie if they made some changes to follow the

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In a 2007 analysis, Shane Burridge compared the 1949 and 1980 film adaptations of

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was the seventh-most popular film at the British box office in 1949. According to

648:, crashed into a river near Suva. Both Gilliat and the pilot escaped unharmed. On 6244: 5955: 5901: 5874: 5770: 5545: 5122: 4146: 4081: 1449: 1130: 1074: 967: 947: 652:, Houston and Simmons were almost injured in Fiji when their car was overturned. 637: 587: 471:, and with a full libretto of native music. The project was abandoned due to the 411: 307: 5079:

The British cinema source book: BFI archive viewing copies and library materials

3121:. No. 34308. Sydney, New South Wales, Australia. 6 December 1947. p. 8 2993:. No. 11811. Sydney, New South Wales, Australia. 3 December 1947. p. 3 2228:. Vol. CLI, no. 21492. Tasmania, Australia. 14 October 1939. p. 5 6212: 5850: 5323: 4166: 2343: 1952: 1935: 1321: 1307: 1299: 1244: 1109: 1028: 1014: 975: 714: 664: 645: 641: 533: 455: 426: 405: 399: 366: 288: 270: 262: 254: 224: 155: 145: 107: 87: 4891: 4862: 4378: 4294: 3467: 3403: 3371: 3324: 3260: 3241:. Vol. 53, no. 13171. Western Australia. 23 December 1947. p. 5 3145: 3080: 3048: 3016: 2984: 2956: 2928: 2836: 2803: 2622: 2577: 2453: 2358: 1840: 1548:. No. 16922. Perth, Western Australia, Australia. 29 July 1929. p. 1 524:

for the exteriors and at the Islington Poole Street studio for the interiors.

6292: 5882: 5319: 5127: 4963: 4405: 4094: 4053: 3914: 3801: 3699:. No. 4087. Brisbane, Queensland, Australia. 31 December 1949. p. 4 3690: 3572: 3435: 3288: 3232: 3204: 3177: 3112: 2900: 2868: 2758: 2532: 2386: 2289: 2219: 2159: 1995: 1967: 1868: 1707: 1679: 1595: 1401: 1397: 1354: 1270: 1088: 859: 843: 769: 706: 702: 685: 681: 372: 299: 258: 51: 3781: 3553:

Schallert, Edwin (20 March 1948). "Richard Travis Will Portray Lou Gehrig".

2145: 2110: 1653: 1627: 1567: 344: 5473: 5417: 2607: 1976:. Vol. 54, no. 16255. Western Australia. 5 August 1938. p. 3 1688:. Vol. 52, no. 15542. Western Australia. 17 April 1936. p. 2 1524: 1325: 871: 726: 574: 555: 537: 447:

The film was an adaptation of a novel whose previous screen adaptation was

417: 393: 360: 315: 266: 250: 122: 102: 1877:. Vol. 54, no. 16213. Western Australia. 17 June 1938. p. 9 1795:

Allan, Bruce (7 September 1935). "G-B Super Cinemas to Get Hyams Houses".

528:

was going to direct. In 1939, Gainsborough went into a co-production with

5513: 4677:. London, England: George Allen & Unwin Ltd. p. 196 – via 4646:

Rotha, Paul (1958). "British feature films at the Venice Film Festival".

3761: 3472: 2309: 2125: 2090: 1476:

The Money Behind the Screen: A History of British Film Finance, 1945-1985

1413: 1405: 1361:) being stranded on a tropical island. The male lead from the 1980 film, 698: 591: 521: 480: 475:

and was not restarted until 1935, now with backing from the newly formed

5138: 5105: 4995:

Dear, Peter (20 April 1982). "Today's television and radio programmes".

4343:

Standish, Myles (18 November 1949). "Good Ideas, Inadequate Execution".

2266:. Jefferson, North Carolina: McFarland & Company, Inc., Publishers. 2168:. Vol. 6, no. 35. 4 February 1939. p. 5 (The Movie World) 5642: 5345: 3538: 2025: 1143: 864: 717:

before taking a decision. Her most remarkable moment was attending the

655:

The crew initially filmed scenes around Suva's capital, lodging at the

525: 517: 2605:

Whitcomb, Noel (6 December 1946). "Our studios have no time for fun".

1899:"Lee lists 24 from GB for 1938-39, including four starring Matthews". 536:, under contract to Fox. Plans to make the film were postponed due to 5449: 4997: 4086: 3720:"The popular cash and culture in the postwar British cinema industry" 3089:. Wagga Wagga, New South Wales, Australia. 4 December 1947. p. 3 2421:. Vol. 19, no. 45. 8 November 1947. p. 28 – via 2367:. No. 11621. Sydney. 24 April 1947. p. 6 (LATE FINAL EXTRA) 1420:, which inherited Rank's film library, licensed clips of the film to 660: 563: 331: 327: 3436:""Sentimental And Beautiful Romance" In A Technicolor "Blue Lagoon"" 1424:

for their 2003 DVD release of the 1980 film adaptation of the book.

577:

was attached to the project at an early stage due to her success in

5144: 4044: 3644: 1761:"C. M. Woolf's 38 British Pix with H'wood Names for World Market". 1290:

The novel was adapted into a motion picture by a Hollywood studio (

992: 938: 4719:

The great British picture show: from the nineties to the seventies

2786:

Hopper, Hedda (3 June 1947). "Hedda Hopper Looking at Hollywood".

1849:. No. 9124. Queensland, Australia. 1 November 1948. p. 3 310:

and fall in love. The film has major thematic similarities to the

5035:. Manchester, England: Manchester University Press. p. 134. 4195: 3265: 1417: 1389: 1278: 987: 303: 37: 4864:

Susan Stranks on The Blue Lagoon (1949) | BFI Southbank Q&As

3269:. No. 28918. Victoria, Australia. 1 January 1948. p. 1 867:’s 'I wonder, by my troth, what thou and I Did till we loved?'" 479:(GFD). After development resumed, Wilcox planned to cast either 306:. Emotional feelings and physical changes arise as they grow to 298:

The film tells the story of two young children shipwrecked on a

1243:

film's shortcomings in storytelling despite its visual appeal.

1215:

charm, making it an enjoyable and pleasant viewing experience.

5179: 2560:

Strutton, Bill. "Young star wins two film roles of the year".

2287:

Cowan, Maurice (14 April 1946). "Much on the move movie men".

613:

On November 27, 1947, Jean Simmons embarked on a journey from

5317: 4746:(6th printing ed.). New York: Bantam Books. p. 86. 2654:

The prince Laurence Harvey : his public and private life

2202:

Flanagan, Aubrey (26 August 1939). "In the British Studios".

1916:

Flanagan, Aubrey (1 January 1938). "In the British studios".

767:, the 'biggest winner' at the box office in 1949 Britain was 614: 311: 4669:

Oakley, C.A. (1964). "The Year When Everything Went Wrong".

3619:

Grimstead, Hattie (31 July 1948). "Around British studios".

3570:

Parsons, Louella (June 1948). "Louella Parsons' Good News".

2481:

MacGregor, Jock (20 September 1947). "London observations".

2436:

MacGregor, Jock (13 September 1947). "London observations".

4767:

Maltin, Leonard; Green, Spencer; Sader, Luke, eds. (2005).

4650:

Rotha on the Film: a Selection of Writings About the Cinema

2347:. Vol. 90, no. 119. 18 December 1946. p. 10. 2307:

Mooring, W. H. (14 September 1946). "Hollywood Once-over".

729:, among several others. The prestigious night ended at the 520:

was to co-star. It was going to be shot on location in the

6374:

Films with screenplays by Frank Launder and Sidney Gilliat

4952:. Vol. 13, no. 43. 3 November 1980. p. 146. 2072:

Flanagan, Aubrey (28 May 1938). "In the British studios".

2055:

Flanagan, Aubrey (4 June 1938). "In the British studios".

1660:. Vol. 12, no. 575. 25 February 1931. p. 18 1634:. Vol. 11, no. 567. 31 December 1930. p. 28 602:

Before embarking on their journey to the island, Launder,

532:

to secure funding, and Lockwood was going to co-star with

6329:

Films about survivors of seafaring accidents or incidents

2812:. Vol. 12, no. 218. 4 December 1947. p. 22 2708:

Moseley, Roy; Masheter, Philip; Mesheter, Martin (1985).

1574:. Vol. 10, no. 498. 4 September 1929. p. 9 1393: 3766:. Manchester: Manchester University Press. p. 200. 3360:. Vol. 52, no. 11. September 1948. p. 34. 1939:. Vol. 73, no. 11. 14 January 1938. p. 6. 1767:. Vol. 119, no. 11. 28 August 1935. p. 5. 1742:. Vol. 15, no. 803. 16 October 1935. p. 8 1736:"Associated Distributors' 25 World Standard Productions" 1628:"Details of B.D.F.'s Features. Lovers' Farces Prominent" 4303:. Vol. 22, no. 44. 29 October 1949. p. 1 4283:. Vol. 4, no. 202. 27 August 1949. p. 2. 2707: 1956:. Vol. 73, no. 67. 23 March 1938. p. 13. 1277:

An interview with Susan Stranks for the BFI channel on

3743:

Blackout: reinventing women for wartime British cinema

2735:

Movies from the mansion: a history of Pinewood studios

2462:. No. 3010. Sydney. 28 September 1947. p. 58 4360:

Standish, Myles (20 November 1949). "At the Movies".

4012:""Blue Lagoon" Gives Keith's Summer's Romantic Idyll" 3536:

East, Weston (June 1948). "Here's Hollywood Gossip".

3380:. Vol. 9, no. 19. 21 March 1948. p. 19 721:

as an official receiver and collecting the award for

458:

acquired the motion picture rights to the novel from

5081:. London: British Film Institute. 1995. p. 70. 3726:. Vol. 32, no. 3. p. 258 – via 3602:"Academy Award Winners Best Cinematography — 1947". 3297:. Vol. 16, no. 49. 14 May 1949. p. 38 1905:. Vol. 131, no. 6. 7 May 1938. p. 19. 1042:

sailor landing with them on the island as children.

1490:

Income is in terms of producer's share of receipts.

5026: 4670: 4647: 4074: 3898: 3867: 3825: 2651: 2497: 1568:"Famous London Stage Stars in B.D.F.'s 26 Talkies" 1377:made its television debut in the United States on 621:seaplane bound for Sydney, Australia. Arranged by 330:in the South Pacific. After days afloat, they are 6290: 4766: 4440:. Vol. 7, no. 6. July 1949. p. 88 4262:"Story of 'Blue Lagoon' Opens at Queen's Soon". 1933:"GB passes minimum 12; several more indicated". 2262:Capua, Michelangelo (2022). "Road to Stardom". 2040:Baird, Thomas (October 1938). "Human quality". 1784:. No. 14691. 20 September 1935. p. 3. 1654:"B.D.F. Announces Its New Season's Attractions" 1247:called the film "slowly paced but refreshing." 733:nightclub socialising with celebrated winners. 451:, but it is the earliest surviving adaptation. 5001:. No. 61212. London, England. p. 27. 4694:The Sunday times guide to movies on television 4629:Miller, Edwin (August 1949). "At the movies". 3261:"British Star of "Blue Lagoon" In Car Capsize" 2901:"Weather Delays British Film Star in Brisbane" 2415:"British star Jean Simmons to visit Australia" 2004:. Tasmania, Australia. 24 June 1938. p. 9 1353:, it depicts two teenagers Emmaline Robinson ( 5303: 5165: 4654:. Faber & Faber. p. 258 – via 4220:"Beguiling Tropic Idyl Displays Jean Simmons" 3576:. Vol. 37, no. 1. pp. 117–118. 3205:"Paralysis Precautions May Stop Work on Film" 3022:Newcastle Morning Herald and Miners' Advocate 2934:Newcastle Morning Herald and Miners' Advocate 2586:. No. 11520. 26 December 1946. p. 2 2324:"Writer-Producer Team Turns to Technicolor". 2023:Grimstead, Hettie (November 1938). "London". 487:as the male lead. It was going to be shot in 273:. The screenplay was adapted by John Baines, 4266:. No. 34362. 19 August 1949. p. 5. 3936:""The Blue Lagoon" with an all-British cast" 2909:. No. 34305. 3 December 1947. p. 3 2631:. No. 2281. 29 December 1946. p. 9 1716:. No. 30504. 9 October 1935. p. 14 1499: 1284: 4326:Hatch, Robert (31 October 1949). "Movies". 3870:The New York Times film reviews (1949-1958) 3542:. Vol. 52, no. 8. pp. 47–48. 3444:. No. 35024. 23 March 1950. p. 13 2877:. No. 3439. 2 December 1947. p. 3 2712:. London: New English Library. p. 39. 2658:. London, England: W.H. Allen. p. 41. 2623:"English girl's promise of new film genius" 2395:. No. 34204. 7 August 1947. p. 10 1478:. Edinburgh University Press. p. 354. 287:. The original music score was composed by 5310: 5296: 5172: 5158: 4892:"Getting the bends in a murky Blue Lagoon" 4691: 4150:. Vol. 108, no. 253. p. 16. 3909:. Vol. 173, no. 13. p. 20. 3874:. New York: Arno Press. 1968. p. 2363 3707:– via National Library of Australia. 3519:"British Film Actress Here to See Stars". 3484:– via National Library of Australia. 3412:. No. 2749. 23 March 1950. p. 28 3277:– via National Library of Australia. 3249:– via National Library of Australia. 3221:– via National Library of Australia. 3193:– via National Library of Australia. 3113:"Women's News Film Stars At Gala Premiere" 2973:– via National Library of Australia. 2945:– via National Library of Australia. 2917:– via National Library of Australia. 2775:– via National Library of Australia. 2549:– via National Library of Australia. 2470:– via National Library of Australia. 2403:– via National Library of Australia. 2375:– via National Library of Australia. 2236:– via National Library of Australia. 2176:– via National Library of Australia. 2092:The man between: a biography of Carol Reed 2012:– via National Library of Australia. 1984:– via National Library of Australia. 1885:– via National Library of Australia. 1857:– via National Library of Australia. 1724:– via National Library of Australia. 1696:– via National Library of Australia. 1616:. No. 4202. 1 August 1929. p. 9. 1528:. No. 8017. 27 July 1929. p. 17. 1500:Fowler, Roy; Haines, Taffy (15 May 1990). 510:, who had just appeared in Gainsborough's 36: 5024: 4519:. London: Macdonald & Co. p. 13. 4504:. Vol. 82, no. 289. p. 36. 4462: 4366:. Vol. 102, no. 71. p. 68. 4349:. Vol. 102, no. 69. p. 50. 4332:. Vol. 121, no. 18. p. 22. 3834:. Vol. 37, no. 940. p. 251 3823: 3763:The British working class in postwar film 3618: 3552: 2480: 2435: 2061:. Vol. 131, no. 10. p. 38. 2022: 1801:. Vol. 120, no. 10. p. 48. 1599:. No. 750. 28 July 1929. p. 12. 1186:portrayal of a grumpy sailor as perfect. 4813: 4791: 4696:. London: Times Newspapers. p. 40. 4359: 4342: 4170:. No. 61. 26 March 1950. p. 39 4020:. Vol. 97, no. 225. p. 24 3319: 3178:"Jean Simmons, British Film Star, Here." 2929:"Planes Delayed By Heavy Rain At Mascot" 2804:"YOUNG FILM STAR CARRIES CORAL FOR LUCK" 2604: 2566:. Vol. 14, no. 50. p. 32. 2485:. Vol. 47, no. 12. p. 39. 2442:. Vol. 47, no. 11. p. 22. 2208:. Vol. 136, no. 9. p. 58. 2201: 2123: 2088: 2078:. Vol. 131, no. 9. p. 77. 2071: 2054: 1922:. Vol. 130, no. 1. p. 41. 1915: 1347:was made for television in 2012. Called 378:Peter Rudolph Jones as Michael (younger) 277:, and Frank Launder from the 1908 novel 4889: 4839: 4794:"Retrospective: The Blue Lagoon (1949)" 4741: 4593: 4560: 4376: 4217: 4009: 3759: 3623:. Vol. 3, no. 179. p. 2. 3608:. Vol. 29, no. 4. April 1948. 3591:. Vol. 52, no. 9. p. 62. 3569: 2682: 2504:. London: I.B. Tauris. pp. 38–39. 2341:"33 Technicolor Pix Awaiting Release". 2306: 2044:. Vol. 3, no. 6. p. 253. 2029:. Vol. 38, no. 1. p. 95. 1473: 1469: 1467: 1465: 6429:Films based on The Blue Lagoon (novel) 6291: 5020: 5018: 4809: 4807: 4668: 4635:. Vol. 8, no. 8. p. 12. 4628: 4538:(in French). No. 1336. p. 16 4403: 4143: 4114: 3852: 3794: 3717: 3586: 3146:"Jean Simmons has part in radio shows" 2785: 2737:. London: Elm Tree Books. p. 11. 2649: 1296:in a version that was released in 1980 1281:in 2021 revived interest in the film. 962:accountable for the flawed execution. 496:British and Dominions Imperial Studios 6047:The Great St. Trinian's Train Robbery 5291: 5153: 4716: 4645: 4529: 4514: 4493: 4325: 3896: 2845:. Vol. 9, no. 3. p. 33 2834: 2732: 2495: 2302: 2300: 2286: 2261: 2257: 2255: 2253: 2251: 2249: 2247: 2245: 2243: 2039: 1894: 1892: 1794: 1509:British Entertainment History Project 442: 4994: 4769:Leonard Maltin's classic movie guide 4692:Allan, Angela; Allan, Elkan (1973). 3824:Whitebait, William (12 March 1949). 3740: 3535: 3143: 2559: 1462: 5015: 4804: 4792:Burridge, Sean (28 December 2007). 4246: 4188: 3468:"DELAY IN FILMING OF "BLUE LAGOON"" 3372:"Blue Lagoon days were fascinating" 2578:"Movie Man Wants One Romantic Isle" 2160:"Here's Hot News From All Studios!" 1306:. The updated version, directed by 912:Mandel Herbstman, a critic for the 13: 4840:Breskin, David (29 October 2013). 4721:. Frogmore: Paladin. p. 134. 4604:Australian Broadcasting Commission 2297: 2240: 2042:World Film and Television Progress 1996:""The"Blue Lagoon" In Technicolor" 1889: 1436:. The film could be viewed at the 1202:Australian Broadcasting Commission 14: 6440: 6098:The Story of Gilbert and Sullivan 5099: 4814:Holabird, Robin (6 August 2021). 4594:Tomholt, Sydney (15 April 1950). 4530:Robin, Pierre (5 November 1949). 4406:"NEW FILM: "Blue Lagoon" Is Here" 3795:Graham, Virginia (4 March 1949). 2985:"Lowest hemline on skirt of star" 2264:Jean Simmons: her life and career 6414:Films set on uninhabited islands 5071: 5049: 5005: 4988: 4956: 4939: 4922:is for those who liked original" 4910: 4883: 4855: 4833: 4785: 4760: 4735: 4710: 4685: 4662: 4639: 4622: 4587: 4554: 4523: 4508: 4487: 4463:Hendricks, Helen (August 1949). 4456: 4426: 4397: 4370: 4353: 4336: 4319: 4287: 4270: 4255: 4240: 4218:Scheuer, Philip (29 July 1949). 4211: 4182: 4162:"Reviews of New Films in Sydney" 4154: 4137: 4108: 4089:26 September 1949. p. 100. 4067: 4032: 4003: 3975: 3956: 3853:Weiler, A. H. (3 October 1949). 3504:. Vol. 64, no. 19241. 3144:Hart, George (9 December 1947). 2835:Kisch, Dick (30 November 1947). 2330:. 19 December 1946. p. 208. 2220:"New Plays From English Studios" 1434:UCLA Film and Television Archive 1422:Sony Pictures Home Entertainment 1218: 1138:a compelling cinematic venture. 594:, 100 of whom had screen tests. 494:After a spectacular fire at the 6344:Films directed by Frank Launder 4771:. New York: Plume. p. 59. 4404:Manzie, F. Keith (9 May 1949). 4377:Dunstan, Roberts (9 May 1949). 4010:Carmody, Jay (18 August 1949). 3928: 3890: 3846: 3817: 3805:. No. 6297. pp. 14–15 3788: 3753: 3734: 3711: 3683: 3659: 3643:. Vol. 37, no. 1887. 3627: 3612: 3595: 3580: 3563: 3546: 3529: 3512: 3488: 3460: 3428: 3396: 3364: 3349: 3313: 3281: 3253: 3225: 3197: 3170: 3137: 3105: 3073: 3041: 3009: 2977: 2949: 2921: 2893: 2861: 2828: 2796: 2779: 2751: 2726: 2701: 2676: 2643: 2615: 2598: 2570: 2553: 2525: 2489: 2474: 2446: 2429: 2407: 2379: 2351: 2334: 2317: 2280: 2212: 2195: 2180: 2152: 2117: 2095:. London: Chatto & Windus. 2082: 2065: 2048: 2033: 2016: 1988: 1960: 1943: 1926: 1909: 1861: 1833: 1805: 1788: 1771: 1754: 1728: 1700: 1672: 1502:"Interview with Sidney Gilliat" 1427: 1369: 837: 782:The Secret Life of Walter Mitty 6419:Films about juvenile sexuality 6409:Films set in the Victorian era 6359:Films shot at Pinewood Studios 6349:Films scored by Clifton Parker 6181:The Happiest Days of Your Life 5980:Inspector Hornleigh on Holiday 5867:Inspector Hornleigh Goes To It 4561:McMahon, M.J. (8 April 1950). 4115:Morris, Lesley (12 May 1949). 3897:Myers, Harold (9 March 1949). 2191:. 8 February 1939. p. 26. 1778:"£750,000 for British films". 1646: 1620: 1603: 1586: 1560: 1532: 1515: 1493: 1236:The Great British Picture Show 644:, the producer and brother of 347:in mid-ocean, they succumb to 291:and the cinematography was by 235:£351,400 (by 24 December 1949) 1: 6339:Films based on romance novels 6334:Films based on British novels 6237:The Pure Hell of St Trinian's 4982:National Library of Australia 4969:The Australian Women's Weekly 4616:National Library of Australia 4602:. Vol. 12, no. 15. 4581:National Library of Australia 4568:The Australian Women's Weekly 4494:Jones, Paul (31 March 1950). 4465:"Your Guide to Current Films" 4313:National Library of Australia 4251:. No. 26726. p. 13. 4085:. Vol. 54, no. 13. 3718:Thumim, Janet (Autumn 1991). 3454:National Library of Australia 3422:National Library of Australia 3390:National Library of Australia 3343:National Library of Australia 3307:National Library of Australia 3294:The Australian Women's Weekly 3164:National Library of Australia 3131:National Library of Australia 3099:National Library of Australia 3081:"BRITISH FILM STAR IN SYDNEY" 3067:National Library of Australia 3035:National Library of Australia 3017:"Jean Simmons Reaches Sydney" 3003:National Library of Australia 2887:National Library of Australia 2869:"FILM STAR DELAYED AT DARWIN" 2855:National Library of Australia 2822:National Library of Australia 2687:. London: Allen. p. 28. 2563:The Australian Women's Weekly 2423:National Library of Australia 2165:The Australian Women's Weekly 1522:"Great British talkie move". 1455: 1432:One 16mm copy is held at the 1232:Guide to Movies on Television 753: 659:on the southeastern shore of 549: 449:completed for release in 1923 6319:British romantic drama films 5918:The Wildcats of St Trinian's 5498:The Man Who Changed His Mind 4964:"TV and Entertainment World" 4890:Sargent, Dave (April 1981). 4536:La Cinématographie Française 4532:"Analyse critique des films" 4379:""The Blue Lagoon" is tepid" 3525:. 19 March 1948. p. 20. 3233:"Film Plane Crashes at Suva" 3154:. No. 11816. p. 23 3049:"A Bouquet For Jean Simmons" 2611:. No. 13401. p. 2. 1680:"HERBERT WILCOX'S PROGRAMME" 1183:La Cinématographie Française 748: 737:The official opening of the 257:directed and co-produced by 7: 6304:1940s adventure drama films 6221:Blue Murder at St Trinian's 6205:The Belles of St. Trinian's 5570:Mr. Proudfoot Shows a Light 4596:"Some good screen material" 4414:. No. 32037. p. 2 4385:. No. 22452. p. 4 4199:. No. 29343. p. 7 4125:. No. 4894. p. 19 3508:. 16 March 1948. p. 2. 3506:Australian Associated Press 3333:. No. 11874. p. 9 2837:"Jean's Goodbye to Granger" 2792:. Vol. 66. p. 11. 2293:. No. 3363. p. 4. 2124:Wapshott, Nicholas (1994). 2089:Wapshott, Nicholas (1990). 1443: 1343:A "contemporary remake" of 1067:The St. Louis Post-Dispatch 832: 10: 6445: 6264:The Smallest Show on Earth 5659:How He Lied to Her Husband 5362:Lord Richard in the Pantry 5275:Blue Lagoon: The Awakening 4515:Speed, F. Maurice (1949). 4277:"The Week's Screen Fare". 4228:. Vol. 68. p. 17 3747:Princeton University Press 3635:"Color Film of Big Sports" 2957:"Rainstorm Floods Suburbs" 1950:"GB's English love team". 1396:in Sydney, and in 1982 on 1350:Blue Lagoon: The Awakening 597: 569: 467:in French and Spanish, in 465:multiple-language versions 18: 16:1949 film by Frank Launder 6309:1949 romantic drama films 6255: 6148: 6057: 6022: 5939: 5932: 5893: 5618: 5611: 5588: 5337: 5330: 5267:Return to the Blue Lagoon 5226: 5191: 5025:Babington, Bruce (2002). 4920:Return to the Blue Lagoon 4191:"The Chiel's Film Review" 4189:Cox, Erle (14 May 1949). 3971:(181): 59. February 1949. 3647:. 31 July 1948. p. 6 3441:The Sydney Morning Herald 3118:The Sydney Morning Herald 2906:The Sydney Morning Herald 2392:The Sydney Morning Herald 1869:"BRITISH FILM PRODUCTION" 1713:The Sydney Morning Herald 1317:Return to the Blue Lagoon 1285:Other versions and sequel 1261: 1208:Edwin Miller's review in 1193:Australian Women’s Weekly 1101:The Swiss Family Robinson 999:Philip K. Scheuer of the 905:The Monthly Film Bulletin 477:General Film Distributors 231: 220: 212: 204: 194: 171: 166:General Film Distributors 161: 151: 141: 131: 95: 83: 57: 47: 35: 30: 6379:Universal Pictures films 5627:Under the Greenwood Tree 5057:"The Blue Lagoon (1949)" 4744:Movies on TV. 8: 1978-79 4742:Scheuer, Steven (1977). 4501:The Atlanta Constitution 3760:Gillett, Philip (2003). 3605:American Cinematographer 2710:Roger Moore: a biography 1392:in New York, in 1981 on 1200:Sydney Tomholt from the 1154:The Atlanta Constitution 1045:The film was praised by 773:with "runners up" being 709:marked her first day at 300:tropical island paradise 6314:British adventure films 6189:Lady Godiva Rides Again 5795:Emil and the Detectives 5739:Hawley's of High Street 5185:Henry De Vere Stacpoole 4816:"Finding Fiji onscreen" 4798:rec.arts.movies.reviews 4363:St. Louis Post-Dispatch 4346:St. Louis Post-Dispatch 2496:Slide, Anthony (1998). 2127:Carol Reed: a biography 1474:Chapman, James (2022). 1123:The July 1949 issue of 711:the Beverly Hills Hotel 438:Bill Raymond as Marsden 354: 321: 285:Henry De Vere Stacpoole 66:Henry De Vere Stacpoole 6399:Films set in the 1850s 6384:Films set in the 1840s 5506:Strangers on Honeymoon 5140:The Blue Lagoon (1949) 5129:The Blue Lagoon (1949) 5107:The Blue Lagoon (1949) 5065:British Film Institute 5061:BFI Collections Search 4869:British Film Institute 4717:Perry, George (1975). 3741:Lant, Antonia (1991). 3621:The Hongkong Telegraph 2733:Perry, George (1982). 2683:Donovan, Paul (1983). 2483:Showmen's Trade Review 2454:"FILM NEWS AND GOSSIP" 2439:Showmen's Trade Review 2187:"News of the Screen". 1610:"Seen on the screen". 1410:Carlton Communications 1052:deceitful characters. 1008:Powell and Pressburger 794:Scott of the Antarctic 180:1 March 1949 6369:Romantic period films 6157:I See a Dark Stranger 6122:Left Right and Centre 5996:Night Train to Munich 5715:Old Spanish Customers 5442:Friday the Thirteenth 5259:Pengantin Pantai Biru 3965:Monthly Film Bulletin 3667:"Glimmer and Shimmer" 2205:Motion Picture Herald 2075:Motion Picture Herald 2058:Motion Picture Herald 1919:Motion Picture Herald 1902:Motion Picture Herald 1798:Motion Picture Herald 1357:) and Dean McCullen ( 1294:) for the first time 623:the Rank Organisation 500:Gainsborough Pictures 375:as Emmeline (younger) 6354:Films set in Oceania 6324:Films about children 6106:The Constant Husband 6082:London Belongs to Me 5811:Mr. What's-His-Name? 5731:For the Love of Mike 5723:You Made Me Love You 5562:The Girl in the News 5490:Where There's a Will 5410:A Gentleman of Paris 5216:The Gates of Morning 4879:– via YouTube. 4450:The Internet Archive 4434:"The Reviewer's Box" 3988:Motion Picture Daily 3356:"Adorable Visitor". 3323:(16 February 1948). 3086:The Daily Advertiser 2650:Hickey, Des (1976). 2327:Kinematograph Weekly 1813:"DAMAGE OF £500,000" 1438:BFI National Archive 1412:, later merged with 1398:Tyne Tees Television 1384:Famous Film Festival 1337:The Gates of Morning 1104:. Manzie noted that 1064:Myles Standish from 978:Sydney Sunday Herald 915:Motion Picture Daily 822:You Can't Sleep Here 764:Kinematograph Weekly 423:Lyn Evans as Trotter 19:For other uses, see 6424:1940s British films 6149:Directed by Launder 6066:The Rake's Progress 6058:Directed by Gilliat 5755:Those Were the Days 5691:Children of Fortune 5466:My Heart is Calling 5354:You'd Be Surprised! 5033:Launder and Gilliat 4249:The Washington Post 4117:""The Blue Lagoon"" 3963:"The Blue Lagoon". 3501:The West Australian 3496:"Film unit in Fiji" 3404:"FACTS ABOUT FILMS" 3377:The Daily Telegraph 2962:The Daily Telegraph 2842:The Daily Telegraph 2809:The Daily Telegraph 2387:"British Film News" 2130:. New York: Knopf. 1973:The West Australian 1968:"Will Fyffe's Next" 1874:The West Australian 1841:"FEMININE INTEREST" 1781:Hong Kong Telegraph 1685:The West Australian 1593:"British talkies". 1312:Douglas Day Stewart 1141:Helen Hendricks of 1038:Hong Kong Telegraph 1020:The Washington Post 723:Best Cinematography 719:20th Academy Awards 657:Grand Pacific Hotel 489:3-strip Technicolor 469:2-strip Technicolor 369:as Michael Reynolds 6364:Films shot in Fiji 6272:Ooh… You Are Awful 6114:Fortune Is a Woman 6004:The Young Mr. Pitt 5988:They Came by Night 5910:Two Thousand Women 5843:Don't Get Me Wrong 5707:Josser in the Army 5699:After Office Hours 5635:Children of Chance 5538:The Gaunt Stranger 5482:King of the Damned 5134:TCM Movie Database 4842:"David Cronenberg" 4563:"Talking of films" 4280:Hongkong Telegraph 3941:Harrison's Reports 3860:The New York Times 3672:The Daily Colonist 2759:"FILM FLASH CABLE" 2533:"…and from London" 2189:The New York Times 1846:Warwick Daily News 1363:Christopher Atkins 1304:Christopher Atkins 1055:In his review for 985:In his review for 965:Mae Tinée for the 896:Harrison's Reports 884:In his review for 874:, a reviewer from 804:Maytime in Mayfair 691:Mark Hopkins Hotel 580:Great Expectations 443:Production history 363:as Emmeline Foster 246:is a 1949 British 6404:Films set in 1852 6394:Films set in 1849 6389:Films set in 1841 6286: 6285: 6282: 6281: 6130:Only Two Can Play 6031:Partners in Crime 6023:Directed together 5972:The Lady Vanishes 5928: 5927: 5803:So You Won't Talk 5683:The Woman Between 5607: 5606: 5370:Bed and Breakfast 5285: 5284: 5208:The Garden of God 5042:978-0-7190-5667-3 4926:The Baltimore Sun 4778:978-0-452-28620-7 4753:978-0-553-11451-5 4703:978-0-7230-0104-1 4496:"Lagoon Colorful" 4225:Los Angeles Times 4167:The Sunday Herald 4040:"The Blue Lagoon" 3900:"The Blue Lagoon" 3832:The New Statesman 3556:Los Angeles Times 3522:Los Angeles Times 3289:"The Blue Lagoon" 2789:Los Angeles Times 2665:978-0-352-39842-0 2273:978-1-4766-8224-2 1818:The Barrier Miner 1540:"NEW SOUND FILMS" 1331:The Garden of God 1292:Columbia Pictures 1240:Steven H. Scheuer 1002:Los Angeles Times 955:Lesley Morris of 560:Universal Studios 513:The Lady Vanishes 508:Margaret Lockwood 408:as Ship's Captain 293:Geoffrey Unsworth 239: 238: 136:Geoffrey Unsworth 6436: 6197:Folly to Be Wise 6074:Green for Danger 6039:Millions Like Us 5948:Facing the Music 5937: 5936: 5859:A Girl Must Live 5675:Keepers of Youth 5651:The Middle Watch 5616: 5615: 5530:Strange Boarders 5522:A Yank at Oxford 5434:Orders Is Orders 5402:The Happy Ending 5378:Third Time Lucky 5335: 5334: 5312: 5305: 5298: 5289: 5288: 5174: 5167: 5160: 5151: 5150: 5093: 5092: 5075: 5069: 5068: 5053: 5047: 5046: 5030: 5022: 5013: 5009: 5003: 5002: 4992: 4986: 4985: 4979: 4977: 4960: 4954: 4953: 4943: 4937: 4936: 4934: 4932: 4914: 4908: 4907: 4905: 4903: 4887: 4881: 4880: 4878: 4876: 4871:. 20 August 2021 4859: 4853: 4852: 4850: 4848: 4837: 4831: 4830: 4828: 4826: 4811: 4802: 4801: 4789: 4783: 4782: 4764: 4758: 4757: 4739: 4733: 4732: 4714: 4708: 4707: 4689: 4683: 4682: 4679:Internet Archive 4676: 4673:Where We Came In 4666: 4660: 4659: 4656:Internet Archive 4653: 4643: 4637: 4636: 4626: 4620: 4619: 4613: 4611: 4591: 4585: 4584: 4578: 4576: 4558: 4552: 4551: 4548:Internet Archive 4545: 4543: 4527: 4521: 4520: 4512: 4506: 4505: 4491: 4485: 4484: 4481:Internet Archive 4478: 4476: 4471:. pp. 13–14 4460: 4454: 4453: 4447: 4445: 4430: 4424: 4423: 4421: 4419: 4401: 4395: 4394: 4392: 4390: 4374: 4368: 4367: 4357: 4351: 4350: 4340: 4334: 4333: 4329:The New Republic 4323: 4317: 4316: 4310: 4308: 4291: 4285: 4284: 4274: 4268: 4267: 4259: 4253: 4252: 4244: 4238: 4237: 4235: 4233: 4215: 4209: 4208: 4206: 4204: 4186: 4180: 4179: 4177: 4175: 4158: 4152: 4151: 4141: 4135: 4134: 4132: 4130: 4112: 4106: 4105: 4103: 4101: 4078: 4071: 4065: 4064: 4062: 4060: 4036: 4030: 4029: 4027: 4025: 4017:The Evening Star 4007: 4001: 4000: 3998: 3996: 3979: 3973: 3972: 3960: 3954: 3953: 3951: 3949: 3932: 3926: 3925: 3923: 3921: 3902: 3894: 3888: 3887: 3884:Internet Archive 3881: 3879: 3873: 3864: 3850: 3844: 3843: 3841: 3839: 3829: 3821: 3815: 3814: 3812: 3810: 3792: 3786: 3785: 3757: 3751: 3750: 3738: 3732: 3731: 3728:Internet Archive 3715: 3709: 3708: 3706: 3704: 3696:The Courier-Mail 3687: 3681: 3680: 3677:Internet Archive 3663: 3657: 3656: 3654: 3652: 3631: 3625: 3624: 3616: 3610: 3609: 3599: 3593: 3592: 3584: 3578: 3577: 3567: 3561: 3560: 3550: 3544: 3543: 3533: 3527: 3526: 3516: 3510: 3509: 3492: 3486: 3485: 3483: 3481: 3464: 3458: 3457: 3451: 3449: 3432: 3426: 3425: 3419: 3417: 3409:The Daily Mirror 3400: 3394: 3393: 3387: 3385: 3368: 3362: 3361: 3353: 3347: 3346: 3340: 3338: 3321:Johnston, George 3317: 3311: 3310: 3304: 3302: 3285: 3279: 3278: 3276: 3274: 3257: 3251: 3250: 3248: 3246: 3238:Kalgoorlie Miner 3229: 3223: 3222: 3220: 3218: 3201: 3195: 3194: 3192: 3190: 3174: 3168: 3167: 3161: 3159: 3141: 3135: 3134: 3128: 3126: 3109: 3103: 3102: 3096: 3094: 3077: 3071: 3070: 3064: 3062: 3045: 3039: 3038: 3032: 3030: 3013: 3007: 3006: 3000: 2998: 2981: 2975: 2974: 2972: 2970: 2953: 2947: 2946: 2944: 2942: 2925: 2919: 2918: 2916: 2914: 2897: 2891: 2890: 2884: 2882: 2874:The Courier-Mail 2865: 2859: 2858: 2852: 2850: 2832: 2826: 2825: 2819: 2817: 2800: 2794: 2793: 2783: 2777: 2776: 2774: 2772: 2764:The Sunday Times 2755: 2749: 2748: 2730: 2724: 2723: 2705: 2699: 2698: 2680: 2674: 2673: 2670:Internet Archive 2657: 2647: 2641: 2640: 2638: 2636: 2619: 2613: 2612: 2602: 2596: 2595: 2593: 2591: 2574: 2568: 2567: 2557: 2551: 2550: 2548: 2546: 2529: 2523: 2522: 2520: 2518: 2503: 2493: 2487: 2486: 2478: 2472: 2471: 2469: 2467: 2450: 2444: 2443: 2433: 2427: 2426: 2411: 2405: 2404: 2402: 2400: 2383: 2377: 2376: 2374: 2372: 2355: 2349: 2348: 2338: 2332: 2331: 2321: 2315: 2314: 2304: 2295: 2294: 2284: 2278: 2277: 2259: 2238: 2237: 2235: 2233: 2216: 2210: 2209: 2199: 2193: 2192: 2184: 2178: 2177: 2175: 2173: 2156: 2150: 2149: 2121: 2115: 2114: 2086: 2080: 2079: 2069: 2063: 2062: 2052: 2046: 2045: 2037: 2031: 2030: 2020: 2014: 2013: 2011: 2009: 1992: 1986: 1985: 1983: 1981: 1964: 1958: 1957: 1947: 1941: 1940: 1930: 1924: 1923: 1913: 1907: 1906: 1896: 1887: 1886: 1884: 1882: 1865: 1859: 1858: 1856: 1854: 1837: 1831: 1830: 1828: 1826: 1809: 1803: 1802: 1792: 1786: 1785: 1775: 1769: 1768: 1758: 1752: 1751: 1749: 1747: 1732: 1726: 1725: 1723: 1721: 1704: 1698: 1697: 1695: 1693: 1676: 1670: 1669: 1667: 1665: 1650: 1644: 1643: 1641: 1639: 1624: 1618: 1617: 1607: 1601: 1600: 1596:Sunday Pictorial 1590: 1584: 1583: 1581: 1579: 1564: 1558: 1557: 1555: 1553: 1536: 1530: 1529: 1519: 1513: 1512: 1506: 1497: 1491: 1489: 1471: 1359:Brenton Thwaites 1267:David Cronenberg 1225:Where We Came In 1189:M.J. McMahon of 1181:Pierre Robin of 1175:F. Maurice Speed 1058:The New Republic 857:Writing for the 674:Pinewood Studios 530:20th Century Fox 504:Michael Redgrave 485:Richard Cromwell 473:Great Depression 460:I.W. 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Keith Manzie 1075:Roberts Dunstan 968:Chicago Tribune 931:The Blue Lagoon 925:Washington Star 921:Jay Carmody of 851:Virginia Graham 840: 835: 799:The Blue Lagoon 759:The Blue Lagoon 756: 751: 638:Stewart Granger 633:Captain Boycott 608:The Blue Lagoon 600: 588:Laurence Harvey 572: 552: 445: 435:as Nick Corbett 412:Philip Stainton 396:as James Carter 384:as Paddy Button 357: 324: 280:The Blue Lagoon 265:) and starring 243:The Blue Lagoon 197: 190: 183: 181: 174: 127: 90: 78: 74: 72: 68: 64: 43: 31:The Blue Lagoon 24: 17: 12: 11: 5: 6442: 6432: 6431: 6426: 6421: 6416: 6411: 6406: 6401: 6396: 6391: 6386: 6381: 6376: 6371: 6366: 6361: 6356: 6351: 6346: 6341: 6336: 6331: 6326: 6321: 6316: 6311: 6306: 6301: 6284: 6283: 6280: 6279: 6277: 6276: 6268: 6259: 6257: 6256:Producers only 6253: 6252: 6250: 6249: 6241: 6233: 6225: 6217: 6209: 6201: 6193: 6185: 6177: 6169: 6161: 6152: 6150: 6146: 6145: 6143: 6142: 6134: 6126: 6118: 6110: 6102: 6094: 6086: 6078: 6070: 6061: 6059: 6055: 6054: 6052: 6051: 6043: 6035: 6026: 6024: 6020: 6019: 6017: 6016: 6008: 6000: 5992: 5984: 5976: 5968: 5960: 5952: 5943: 5941: 5934: 5930: 5929: 5926: 5925: 5923: 5922: 5914: 5906: 5897: 5895: 5891: 5890: 5888: 5887: 5879: 5871: 5863: 5855: 5851:Oh, Mr Porter! 5847: 5839: 5835:Where's Sally? 5831: 5827:Educated Evans 5823: 5815: 5807: 5799: 5791: 5787:The Black Mask 5783: 5775: 5767: 5759: 5751: 5743: 5735: 5727: 5719: 5711: 5703: 5695: 5687: 5679: 5671: 5663: 5655: 5647: 5639: 5631: 5622: 5620: 5613: 5609: 5608: 5605: 5604: 5602: 5601: 5592: 5590: 5586: 5585: 5583: 5582: 5574: 5566: 5558: 5550: 5542: 5534: 5526: 5518: 5510: 5502: 5494: 5486: 5478: 5470: 5462: 5454: 5446: 5438: 5430: 5422: 5414: 5406: 5398: 5390: 5382: 5374: 5366: 5358: 5350: 5341: 5339: 5332: 5328: 5327: 5324:Sidney Gilliat 5315: 5314: 5307: 5300: 5292: 5283: 5282: 5280: 5279: 5271: 5263: 5255: 5247: 5239: 5230: 5228: 5224: 5223: 5221: 5220: 5212: 5204: 5195: 5193: 5189: 5188: 5177: 5176: 5169: 5162: 5154: 5148: 5147: 5136: 5125: 5114: 5101: 5100:External links 5098: 5095: 5094: 5087: 5070: 5048: 5041: 5014: 5004: 4987: 4955: 4946:"Television". 4938: 4909: 4882: 4854: 4832: 4803: 4784: 4777: 4759: 4752: 4734: 4728:978-0246106452 4727: 4709: 4702: 4684: 4661: 4638: 4621: 4600:The ABC Weekly 4586: 4553: 4522: 4507: 4486: 4455: 4425: 4396: 4369: 4352: 4335: 4318: 4286: 4269: 4264:The China Mail 4254: 4239: 4210: 4181: 4153: 4136: 4107: 4066: 4031: 4002: 3974: 3955: 3927: 3889: 3845: 3816: 3787: 3772: 3752: 3749:. p. 232. 3733: 3710: 3691:"TOPS AT HOME" 3682: 3658: 3626: 3611: 3594: 3579: 3562: 3545: 3528: 3511: 3487: 3459: 3427: 3395: 3363: 3348: 3325:"SYDNEY DIARY" 3312: 3280: 3252: 3224: 3196: 3169: 3136: 3104: 3072: 3040: 3008: 2976: 2948: 2920: 2892: 2860: 2827: 2795: 2778: 2750: 2743: 2725: 2718: 2700: 2693: 2675: 2664: 2642: 2628:The Sunday Sun 2614: 2597: 2569: 2552: 2524: 2510: 2488: 2473: 2445: 2428: 2406: 2378: 2350: 2344:The Film Daily 2333: 2316: 2296: 2279: 2272: 2239: 2211: 2194: 2179: 2151: 2136: 2116: 2101: 2081: 2064: 2047: 2032: 2015: 1987: 1959: 1953:The Film Daily 1942: 1936:The Film Daily 1925: 1908: 1888: 1860: 1832: 1804: 1787: 1770: 1753: 1727: 1699: 1671: 1645: 1619: 1602: 1585: 1559: 1531: 1514: 1511:. p. 111. 1492: 1484: 1460: 1459: 1457: 1454: 1453: 1452: 1445: 1442: 1429: 1426: 1371: 1368: 1367: 1366: 1341: 1322:Milla Jovovich 1308:Randal Kleiser 1300:Brooke Shields 1286: 1283: 1269:has stated to 1263: 1260: 1258:Jean Simmons. 1245:Leonard Maltin 1220: 1217: 1151:Paul Jones of 1110:Dorothy Lamour 1031: 1029:The China Mail 1015:Richard L. Coe 878:New York Times 839: 836: 834: 831: 776:Johnny Belinda 755: 752: 750: 747: 715:J. Arthur Rank 665:Yasawa Islands 650:New Year's Eve 646:Sidney Gilliat 642:Leslie Gilliat 599: 596: 571: 568: 551: 548: 534:Richard Greene 456:Herbert Wilcox 444: 441: 440: 439: 436: 430: 427:Russell Waters 424: 421: 420:as Second Mate 415: 409: 406:Maurice Denham 403: 400:Nora Nicholson 397: 391: 390:as Dr. Murdock 385: 379: 376: 370: 367:Donald Houston 364: 356: 353: 323: 320: 289:Clifton Parker 271:Donald Houston 263:Sidney Gilliat 255:adventure film 237: 236: 233: 229: 228: 222: 218: 217: 214: 210: 209: 208:United Kingdom 206: 202: 201: 198: 195: 192: 191: 189: 188: 177: 175: 172: 169: 168: 163: 162:Distributed by 159: 158: 156:Clifton Parker 153: 149: 148: 146:Thelma Connell 143: 139: 138: 133: 132:Cinematography 129: 128: 126: 125: 120: 115: 110: 108:Donald Houston 105: 99: 97: 93: 92: 88:Sidney Gilliat 85: 81: 80: 59: 55: 54: 49: 45: 44: 41: 33: 32: 15: 9: 6: 4: 3: 2: 6441: 6430: 6427: 6425: 6422: 6420: 6417: 6415: 6412: 6410: 6407: 6405: 6402: 6400: 6397: 6395: 6392: 6390: 6387: 6385: 6382: 6380: 6377: 6375: 6372: 6370: 6367: 6365: 6362: 6360: 6357: 6355: 6352: 6350: 6347: 6345: 6342: 6340: 6337: 6335: 6332: 6330: 6327: 6325: 6322: 6320: 6317: 6315: 6312: 6310: 6307: 6305: 6302: 6300: 6297: 6296: 6294: 6274: 6273: 6269: 6266: 6265: 6261: 6260: 6258: 6254: 6247: 6246: 6242: 6239: 6238: 6234: 6231: 6230: 6226: 6223: 6222: 6218: 6215: 6214: 6210: 6207: 6206: 6202: 6199: 6198: 6194: 6191: 6190: 6186: 6183: 6182: 6178: 6175: 6174: 6170: 6167: 6166: 6162: 6159: 6158: 6154: 6153: 6151: 6147: 6140: 6139: 6138:Endless Night 6135: 6132: 6131: 6127: 6124: 6123: 6119: 6116: 6115: 6111: 6108: 6107: 6103: 6100: 6099: 6095: 6092: 6091: 6087: 6084: 6083: 6079: 6076: 6075: 6071: 6068: 6067: 6063: 6062: 6060: 6056: 6049: 6048: 6044: 6041: 6040: 6036: 6033: 6032: 6028: 6027: 6025: 6021: 6014: 6013: 6012:The Green Man 6009: 6006: 6005: 6001: 5998: 5997: 5993: 5990: 5989: 5985: 5982: 5981: 5977: 5974: 5973: 5969: 5966: 5965: 5964:Seven Sinners 5961: 5958: 5957: 5953: 5950: 5949: 5945: 5944: 5942: 5938: 5935: 5931: 5920: 5919: 5915: 5912: 5911: 5907: 5904: 5903: 5899: 5898: 5896: 5892: 5885: 5884: 5883:Ring of Spies 5880: 5877: 5876: 5872: 5869: 5868: 5864: 5861: 5860: 5856: 5853: 5852: 5848: 5845: 5844: 5840: 5837: 5836: 5832: 5829: 5828: 5824: 5821: 5820: 5816: 5813: 5812: 5808: 5805: 5804: 5800: 5797: 5796: 5792: 5789: 5788: 5784: 5781: 5780: 5776: 5773: 5772: 5768: 5765: 5764: 5760: 5757: 5756: 5752: 5749: 5748: 5744: 5741: 5740: 5736: 5733: 5732: 5728: 5725: 5724: 5720: 5717: 5716: 5712: 5709: 5708: 5704: 5701: 5700: 5696: 5693: 5692: 5688: 5685: 5684: 5680: 5677: 5676: 5672: 5669: 5668: 5664: 5661: 5660: 5656: 5653: 5652: 5648: 5645: 5644: 5640: 5637: 5636: 5632: 5629: 5628: 5624: 5623: 5621: 5617: 5614: 5610: 5599: 5598: 5597:Waterloo Road 5594: 5593: 5591: 5587: 5580: 5579: 5575: 5572: 5571: 5567: 5564: 5563: 5559: 5556: 5555: 5551: 5548: 5547: 5543: 5540: 5539: 5535: 5532: 5531: 5527: 5524: 5523: 5519: 5516: 5515: 5511: 5508: 5507: 5503: 5500: 5499: 5495: 5492: 5491: 5487: 5484: 5483: 5479: 5476: 5475: 5471: 5468: 5467: 5463: 5460: 5459: 5458:Chu Chin Chow 5455: 5452: 5451: 5447: 5444: 5443: 5439: 5436: 5435: 5431: 5428: 5427: 5423: 5420: 5419: 5415: 5412: 5411: 5407: 5404: 5403: 5399: 5396: 5395: 5391: 5388: 5387: 5383: 5380: 5379: 5375: 5372: 5371: 5367: 5364: 5363: 5359: 5356: 5355: 5351: 5348: 5347: 5343: 5342: 5340: 5336: 5333: 5329: 5325: 5321: 5320:Frank Launder 5313: 5308: 5306: 5301: 5299: 5294: 5293: 5290: 5277: 5276: 5272: 5269: 5268: 5264: 5261: 5260: 5256: 5253: 5252: 5248: 5245: 5244: 5240: 5237: 5236: 5232: 5231: 5229: 5225: 5218: 5217: 5213: 5210: 5209: 5205: 5202: 5201: 5197: 5196: 5194: 5190: 5186: 5182: 5175: 5170: 5168: 5163: 5161: 5156: 5155: 5152: 5146: 5142: 5141: 5137: 5135: 5131: 5130: 5126: 5124: 5120: 5119: 5115: 5113: 5109: 5108: 5104: 5103: 5090: 5084: 5080: 5074: 5066: 5062: 5058: 5052: 5044: 5038: 5034: 5029: 5021: 5019: 5008: 5000: 4999: 4991: 4983: 4971: 4970: 4965: 4959: 4951: 4950: 4942: 4927: 4923: 4921: 4913: 4897: 4893: 4886: 4870: 4866: 4865: 4858: 4843: 4836: 4821: 4820:Robinholabird 4817: 4810: 4808: 4799: 4795: 4788: 4780: 4774: 4770: 4763: 4755: 4749: 4745: 4738: 4730: 4724: 4720: 4713: 4705: 4699: 4695: 4688: 4680: 4675: 4674: 4665: 4657: 4652: 4651: 4642: 4634: 4633: 4625: 4617: 4605: 4601: 4597: 4590: 4582: 4570: 4569: 4564: 4557: 4549: 4537: 4533: 4526: 4518: 4511: 4503: 4502: 4497: 4490: 4482: 4470: 4466: 4459: 4451: 4439: 4435: 4429: 4413: 4412: 4407: 4400: 4384: 4380: 4373: 4365: 4364: 4356: 4348: 4347: 4339: 4331: 4330: 4322: 4314: 4302: 4301: 4296: 4295:"Movie World" 4290: 4282: 4281: 4273: 4265: 4258: 4250: 4243: 4227: 4226: 4221: 4214: 4198: 4197: 4192: 4185: 4169: 4168: 4163: 4157: 4149: 4148: 4140: 4124: 4123: 4118: 4111: 4096: 4092: 4088: 4084: 4083: 4077: 4076:"Blue Lagoon" 4070: 4055: 4051: 4047: 4046: 4041: 4035: 4019: 4018: 4013: 4006: 3990: 3989: 3984: 3978: 3970: 3966: 3959: 3943: 3942: 3937: 3931: 3916: 3912: 3908: 3907: 3901: 3893: 3885: 3872: 3871: 3862: 3861: 3856: 3849: 3833: 3828: 3820: 3804: 3803: 3802:The Spectator 3798: 3791: 3783: 3779: 3775: 3773:0-7190-6257-8 3769: 3765: 3764: 3756: 3748: 3744: 3737: 3729: 3725: 3721: 3714: 3698: 3697: 3692: 3686: 3678: 3674: 3673: 3668: 3662: 3646: 3642: 3641: 3636: 3630: 3622: 3615: 3607: 3606: 3598: 3590: 3583: 3575: 3574: 3573:Modern Screen 3566: 3558: 3557: 3549: 3541: 3540: 3532: 3524: 3523: 3515: 3507: 3503: 3502: 3497: 3491: 3475: 3474: 3469: 3463: 3455: 3443: 3442: 3437: 3431: 3423: 3411: 3410: 3405: 3399: 3391: 3379: 3378: 3373: 3367: 3359: 3352: 3344: 3332: 3331: 3326: 3322: 3316: 3308: 3296: 3295: 3290: 3284: 3268: 3267: 3262: 3256: 3240: 3239: 3234: 3228: 3212: 3211: 3210:The Chronicle 3206: 3200: 3184: 3183: 3179: 3173: 3165: 3153: 3152: 3147: 3140: 3132: 3120: 3119: 3114: 3108: 3100: 3088: 3087: 3082: 3076: 3068: 3056: 3055: 3050: 3044: 3036: 3024: 3023: 3018: 3012: 3004: 2992: 2991: 2986: 2980: 2964: 2963: 2958: 2952: 2936: 2935: 2930: 2924: 2908: 2907: 2902: 2896: 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1974: 1969: 1963: 1955: 1954: 1946: 1938: 1937: 1929: 1921: 1920: 1912: 1904: 1903: 1895: 1893: 1876: 1875: 1870: 1864: 1848: 1847: 1842: 1836: 1820: 1819: 1814: 1808: 1800: 1799: 1791: 1783: 1782: 1774: 1766: 1765: 1757: 1741: 1737: 1731: 1715: 1714: 1709: 1703: 1687: 1686: 1681: 1675: 1659: 1655: 1649: 1633: 1629: 1623: 1615: 1614: 1606: 1598: 1597: 1589: 1573: 1569: 1563: 1547: 1546: 1541: 1535: 1527: 1526: 1518: 1510: 1503: 1496: 1487: 1485:9781399500777 1481: 1477: 1470: 1468: 1466: 1461: 1451: 1448: 1447: 1441: 1439: 1435: 1425: 1423: 1419: 1415: 1411: 1407: 1403: 1402:public domain 1399: 1395: 1391: 1386: 1385: 1380: 1376: 1364: 1360: 1356: 1355:Indiana Evans 1352: 1351: 1346: 1342: 1339: 1338: 1333: 1332: 1327: 1323: 1319: 1318: 1313: 1309: 1305: 1301: 1297: 1293: 1289: 1288: 1282: 1280: 1275: 1272: 1271:David Breskin 1268: 1259: 1255: 1253: 1248: 1246: 1241: 1237: 1233: 1231: 1226: 1219:Retrospective 1216: 1213: 1212: 1206: 1203: 1198: 1195: 1194: 1187: 1184: 1179: 1176: 1172: 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Retrieved 4967: 4958: 4947: 4941: 4929:. Retrieved 4925: 4919: 4912: 4900:. Retrieved 4895: 4885: 4873:. Retrieved 4863: 4857: 4845:. Retrieved 4835: 4823:. Retrieved 4819: 4797: 4787: 4768: 4762: 4743: 4737: 4718: 4712: 4693: 4687: 4672: 4664: 4649: 4641: 4630: 4624: 4614:– via 4608:. Retrieved 4606:. p. 30 4599: 4589: 4579:– via 4573:. Retrieved 4571:. p. 42 4566: 4556: 4546:– via 4540:. Retrieved 4535: 4525: 4516: 4510: 4499: 4489: 4479:– via 4473:. Retrieved 4468: 4458: 4448:– via 4442:. Retrieved 4437: 4428: 4416:. Retrieved 4409: 4399: 4387:. Retrieved 4382: 4372: 4361: 4355: 4344: 4338: 4327: 4321: 4311:– via 4305:. Retrieved 4298: 4289: 4278: 4272: 4263: 4257: 4248: 4242: 4230:. Retrieved 4223: 4213: 4201:. Retrieved 4194: 4184: 4172:. Retrieved 4165: 4156: 4145: 4139: 4127:. Retrieved 4122:The Advocate 4120: 4110: 4098:. Retrieved 4080: 4069: 4057:. Retrieved 4043: 4034: 4022:. Retrieved 4015: 4005: 3993:. Retrieved 3986: 3977: 3968: 3964: 3958: 3946:. 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The Blue Lagoon (1949 film)

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