The Blue Notes - Knowledge

248: 152:'s Club in London, and decided to stay on in Britain. Unfortunately, their arrival coincided with a downturn in the fortunes of jazz in the UK, as recording and gigging opportunities began drying up. There is also the suspicion that they were deliberately frozen out of the British scene by established local musicians, who considered them interlopers. 111:. It showed the band to be playing in a relatively straight ahead bebop style compared with their later work, also tracing the coming together of the definitive sextet. On the earliest sessions, only three members of the definitive line up (McGregor, Pukwana and Moyake) were present. By the time of the last sessions, documented on 371:

in Silver. The citation for the award stated, in part: "Blue Notes goes back to a golden age in South Africa's musical history. The multiracial band's eclectic and uniquely South African rendition of jazz made them a noteworthy jazz band in the international halls of fame. They were once one of the

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big band project. This band, which essentially grew from the addition of British musicians to the core Blue Notes line up, would come to full fruition in the early 1970s. While Brotherhood of Breath essentially succeeded The Blue Notes, the old name was used on various projects during the 1970s. In

128:, they understood that the only way they could play freely was by escaping the oppressive social and political climate of their home country. As a mixed-race band (McGregor the sole white member), they were especially prone to police harassment. In mid-1964, they left South Africa. 213:, was actually credited to "The Chris McGregor Group". Despite the pianist's star billing, this was very much a Blue Notes album with all the other members back in London and contributing. Compared to the 1964 South African recordings, this album demonstrated the growth of their 164:

which had recently been transformed into a virtual laboratory for the emerging British avant garde jazz scene. Because of this, they are still considered a seminal influence on the new generation of British jazz musicians coming through in the late 1960s. Artists such as

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have long hailed them as true pioneers and a massive influence. However, by late 1965 the group was also beginning to fragment. Feza returned to Copenhagen, while Dyani and Moholo-Moholo went on a South American tour with the soprano saxophonist

349:. He has now returned to live in South Africa, but continues to tour with different groups. He formed the Dedication Orchestra, a big band of all-star improvisors dedicated to playing the music of the South African exiles. His 2014 live album 155:

There soon followed a period playing in Copenhagen, Denmark which McGregor identified as a turning point in their musical approach. They returned to London and were subsequently to be found playing almost exclusively at The Old Place in

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reviewer Chris May described the group's music as "exuberant jazz, often raucous, sometimes poignant," and noted: "Rising above the trauma that refugee status brings, the band's music... exhibited a resolve to live life to the full."

94:, it was rather an album featuring some of the Blue Notes in a big band put together by McGregor. This big band was intended to continue touring, but proved unworkable. Instead, The Blue Notes continued as a quintet, then sextet. 57:

on drums. After moving away from their home country in 1964, they established themselves on the European jazz circuit, where they continued to play and record through the 1970s. They are now considered one of the great

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stated: "I was bowled over by these guys. There was an inherent freedom and flexibility in the playing, coupled with impressive technique and with a robust muscularity that I'd never heard live before."

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recalled that the Blue Notes "literally upturned the London jazz scene, helping to create an exciting climate in which other young players could develop their own ideas about musical freedom." Pianist

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returned to South Africa in 1965. He died of a brain tumour a year later. His place in The Blue Notes was eventually taken by another South African,

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continued to make records in Britain, both under his own leadership and with McGregor. Pukwana died in 1990, only a month after McGregor.

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Jazz Festival in France, the group decided stay in Europe. They spent some additional time in France before taking up club residencies in

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moved to Denmark in the early 1970s, where he continued to play and record extensively with a number of great musicians, including

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gave official recognition to the contribution of the Blue Notes to South African music by awarding the group the national

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most popular jazz bands in the country, often defying the tyrannical race laws of the country in order to perform."

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label. Meanwhile, Moyake had decided to return to South Africa permanently even before their arrival in the UK.

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launched the Blue Notes Tribute Orkestra in 2017 to bring greater recognition to the music of The Blue Notes.

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bands of their era, whose music was given a unique flavour by their integration of African styles such as

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going in various forms until his death in 1990. He had been a resident of France since the early 1970s.

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among others, before his death in 1975 aged only 30. The other Blue Notes then regrouped to record

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leanings. Another recording was made for Polydor the same year, but was not released until 2008 (

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is still alive. He has participated in a huge number of recordings with such musicians as

8: 919: 462: 334: 54: 1366: 1135: 1003: 368: 351: 620:, National Orders | The Order of Ikhamanga, The Presidency — Republic of South Africa. 308:. Dyani died in 1986, prompting another reunion of the surviving Blue Notes to record 1374: 544: 525: 301: 1476: 1022: 1484: 1454: