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The Broadsword and the Beast

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507: 347:'s band. Anderson, Barre, Pegg and Conway began recording sessions in March 1981 at Maison Rouge Studios with Anderson playing keyboards, recording until July when the band took a four-month break. While the sessions had produced 15 tracks, only two ("Beastie" and "Watching Me, Watching You") would make it to the final album, with the rest cut as Anderson felt that "overall they didn't have a theme or a concept about them that was driving them towards a certain conclusion." In late summer, 3529: 534:), and punted huge exploding balloons out into the audience. But it was the roar of the band as they got into their heaviest moments that ultimately captivated an audience who seemed evenly mixed between 14-year-old novice Tull freaks and silver-haired rock business veterans. Tull have a vast library of music to perform. They could have played on for another two hours and the audience would have been with them, cheering all the way." 808: 803: 770: 765: 760: 732: 694: 630: 625: 592: 587: 582: 403:' band. Samwell-Smith arrived in mid-December and the band recorded with him until the album was mastered in February 1982. Samwell-Smith, who described his role on the album as "very much a case of looking to Ian to see what he wanted and then to help him do it", was praised by the band who found him easy to work with. The album was the last recorded by Tull at Maison Rouge, as Anderson sold it in 1983. 798: 793: 788: 755: 750: 727: 722: 717: 712: 689: 684: 679: 674: 620: 615: 610: 577: 572: 452:. McCaig was such a fan of the band that he cancelled a surprise trip to Paris where he planned to propose to his girlfriend so that he could get the job to design the cover. The art was made after McCaig visited Maison Rouge to meet the band and discuss the cover with Anderson, who gave McCaig a cassette of demos to listen to. McCaig has stated that he intentionally drew hidden 388:
or effects as "a way of working that was completely alien to me". Other members of the band also found themselves in disagreement with Olsen, including Pegg who described Olsen's selection as "record company shite". The band were also disturbed that Olsen's "personal lifestyle choices were not those
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was the last of the band's to be exceedingly theatrical. It included the entire stage being decorated to look like a pirate ship, which Ian Anderson, as he said in the liner notes for the remastered CD, thought was "very silly". Extensive notes on the production of the album and subsequent tour can
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was not too impressed with the album. Recalling the production and the music overall, he stated that "this time in the hands of ex-Yardbird Paul Samwell-Smith, is smoother, less heavy, and more thinly textured than their past work, and there are times – most especially on "Flying Colours" – where
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was ambiguous, calling the album tracks "emotional pieces of composition depending on how much attention you are prepared to give" but overall stated that "If you're a fan, buy it, it may have some pleasant surprises. If, like me, you're not, borrow it from someone who is. You might be surprised
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box-set) and extensive liner notes. Further tracks from the same sessions (and not included on the remastered CD) are "Motoreyes" (from the 20 Years box) and "Crew Nights", "The Curse", "Commons Brawl", "No Step", "Drive On The Young Side of Life", and "Lights Out" from the outtakes album
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was selected. Recording resumed at Maison Rouge in November 1981 with the newly completed band and Olsen producing. The band quickly found Olsen's working style clashing with theirs; while Anderson described Olsen as "a nice enough chap" he described his method of recording with no
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magazine, in their two stars review stated: "There's nothing wrong with living in the past, perhaps. Indeed, Ian Anderson can make the wisdom of the ages seem preferable to the rootless philandering of the present day. But on
498:, additional demos and session recordings, plus a 1982 live concert. The re-release has been stated to be the last of the Steven Wilson anniversary box set series the band has released since 2011. 2159: 2051: 467:"I see a dark sail on the horizon, set under a black cloud that hides the sun. Bring me my broadsword and clear understanding. Bring me my cross of gold as a talisman." 301:, however Olsen was dismissed amid creative differences in December 1981 and did not receive a credit on the album. The album was the first Jethro Tull album to feature 3155: 3433: 297:
the first and only Jethro Tull album produced by an external producer outside of the band and their management. Early sessions for the album were produced by
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reported: "Squire Anderson waved a huge broadsword dangerously near Martin's nether extremities during songs from their latest album (
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was ultimately brought in as a new producer for the album after a recommendation from Conway, who had previously worked with him in
1776: 1642: 3515: 3162: 2675: 1995: 3169: 1538: 537:"Cheerio", the final track of the original release, was for some years played as the final encore at Jethro Tull concerts. 3141: 2218: 410:, corresponding to the first track on side one. But during production, the band deliberated over the preference between 3568: 3289: 3120: 3088: 2192: 1911: 1522: 1222: 3558: 2302: 2093: 1978: 1949: 1897: 1700: 601: 1814: 3176: 1378: 2572: 3240: 3000: 2972: 2958: 2647: 453: 273: 186: 2508: 436:, a longtime fan of the band who later went on to work as a concept artist for successful film series including 3356: 3053: 424:) to give each side its own title and thus its own identity, and this time to combine both in the album title. 1941: 3335: 3183: 2623: 2076: 1651: 779: 271:
soundscapes. The electronic aspects of this album would be explored further by the band on their next album,
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had suggested that the band pursue working with an outside producer on their next album. Canadian producer
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The 2005 CD reissue of the album was heavily expanded to include eight bonus tracks recorded during the
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in the album art, including runes on the back cover which spell out the initials of McCaig's brother.
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issued a half-speed mastered edition of the album (MFSL 1-092) which was a minor seller at the time.
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tour in late February 1981, Jethro Tull was in need of a new keyboardist and drummer, as keyboardist
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was initially selected, however after Ezrin had to pull out at the last minute, American producer
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was recruited due to being a longtime acquaintance of the band as well as his connections to
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was hired as the band's new keyboardist after answering an ad for the position placed in
340: 2074:; Lechner, Ernesto (2004). "Jethro Tull". In Brackett, Nathan; Hoard, Christian (eds.). 490:
A greatly expanded, eight-disc (five CDs and three DVDs) re-release of the album titled
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was released on September 1, 2023, featuring new stereo and surround remixes by
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Graff, Gary; Durchholz, Daniel, eds. (1999). "Jethro Tull/Ian Anderson".
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The Broadsword and the Beast: The 40th Anniversary Monster Edition
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The Broadsword and the Beast: The 40th Anniversary Monster Edition
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The Broadsword and the Beast: The 40th Anniversary Monster Edition
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The Broadsword and the Beast: The 40th Anniversary Monster Edition
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The Broadsword and the Beast: The 40th Anniversary Monster Edition
856:, something the band never would have permitted in earlier days". 3398: 2509:"Album Top 40 slágerlista (fizikai hanghordozók) – 2023. 36. hét" 887: 463:, which translate to the opening verse of the song "Broadsword": 2549:"Spanishcharts.com – Jethro Tull – The Broadsword and the Beast" 2318:"Austriancharts.at – Jethro Tull – The Broadsword and the Beast" 891: 418:, the first track on side two. In the end, they decided (as on 2653: 2561:"Swisscharts.com – Jethro Tull – The Broadsword and the Beast" 2480:"Dutchcharts.nl – Jethro Tull – The Broadsword and the Beast" 1798:
Webb, Martin (2023). "Bring Me My Boardsword (And a Beast)".
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Webb, Martin (2023). "Bring Me My Boardsword (And a Beast)".
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Webb, Martin (2023). "Bring Me My Boardsword (And a Beast)".
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Webb, Martin (2023). "Bring Me My Boardsword (And a Beast)".
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Webb, Martin (2023). "Bring Me My Boardsword (And a Beast)".
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The remastered CD added bonus tracks (which had been on the
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sessions, but not included in the original 1982 album.
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The Best of Jethro Tull – The Anniversary Collection
2542: 2444:(in French). Hung Medien. Retrieved June 20, 2024. 2320:(in German). Hung Medien. Retrieved June 20, 2024. 2482:(in Dutch). Hung Medien. Retrieved June 20, 2024. 2432:(in Dutch). Hung Medien. Retrieved June 20, 2024. 1641: 432:The cover art was illustrated by American artist 3545: 1128:"Mayhem Maybe" (with vocals recorded circa 1988) 459:The edges of the front cover feature writing in 3269:Nothing Is Easy: Live at the Isle of Wight 1970 3068:Nothing Is Easy: Live at the Isle of Wight 1970 2573:"Official Rock & Metal Albums Chart Top 40" 1667:Shipments figures based on certification alone. 406:The album was originally intended to be called 2070: 1964: 569: 523:be found at the official Jethro Tull website. 331:had departed with the conclusion of the tour. 2669: 2130: 2563:. Hung Medien. Retrieved 10 September 2023. 2551:. Hung Medien. Retrieved 10 September 2023. 2526: 1855:. Ministry-of-information.co.uk. 2 June 2001 785: 747: 709: 671: 607: 3427:Skating Away on the Thin Ice of the New Day 2917:Too Old to Rock 'n' Roll: Too Young to Die! 2024:"Jethro Tull: The Broadsword and the Beast" 312: 3434:Too Old to Rock 'n' Roll: Too Young to Die 3128:Repeat – The Best of Jethro Tull – Vol II 2676: 2662: 2566: 1967:MusicHound Rock: The Essential Album Guide 852:they could almost pass for the latter-day 29: 1831:"Jethro Tull Press: Kerrang, 20 May 1982" 2533:"Official Scottish Albums Chart Top 100" 2485: 2382:. Hung Medien. Retrieved June 20, 2024. 2370:. Hung Medien. Retrieved June 20, 2024. 2138:"Jethro Tull Press: Kerrang, 6 May 1982" 505: 427: 3495:The Rolling Stones Rock and Roll Circus 2648:The Broadsword and the Beast at discogs 2385: 2021: 1225:– lead vocals, flute, acoustic guitar, 3546: 2323: 2190: 1926: 1892: 1688: 1179: 1168: 1157: 1146: 1135: 1124: 1113: 1102: 3564:Albums produced by Paul Samwell-Smith 2657: 2216: 2108: 1993: 1069: 1058: 1047: 1036: 1025: 992: 981: 970: 959: 948: 550: 540: 2289: 1797: 1760: 1745: 1730: 1715: 1298: 1249:– backing vocals, keyboards, piano, 492:The 40th Anniversary Monster Edition 70:Maison Rouge Studios, Fulham, London 18:1982 studio album by Jethro Tull 3142:20 Years of Jethro Tull: Highlights 2283: 571: 501: 13: 3290:Live at Madison Square Garden 1978 3089:Live at Madison Square Garden 1978 2050:Puterbaugh, Parke (10 June 1982). 1994:Ewing, Jerry (20 September 2023). 1579: 1234:– acoustic guitar, electric guitar 14: 3580: 3516:Jethro Tull – The String Quartets 2641: 2077:The New Rolling Stone Album Guide 1899:The Encyclopedia of Popular Music 1622: 1277:Leigh Mantle – assistant engineer 886:. The album charted at No. 14 in 787: 749: 711: 673: 609: 602:The Encyclopedia of Popular Music 3528: 3527: 3177:The Best of Acoustic Jethro Tull 2109:Davis, Hays (13 November 2013). 1303: 1106:"Jack Frost and the Hooded Crow" 914: 867:is one of his favourite albums. 806: 801: 796: 791: 786: 768: 763: 758: 753: 748: 730: 725: 720: 715: 710: 692: 687: 682: 677: 672: 628: 623: 618: 613: 608: 590: 585: 580: 575: 570: 3121:M.U. – The Best of Jethro Tull 3001:The Jethro Tull Christmas Album 2683: 2582: 2501: 2455:"Lista prodaje 37. tjedan 2023" 2447: 2392:"Official Albums Chart Top 100" 2295:Australian Chart Book 1970–1992 2258: 2244:"Album artist 51 - Jethro Tull" 2236: 2210: 2184: 2152: 2102: 2064: 2044: 2022:Gardner, Mike (24 April 1982). 2015: 1987: 1958: 1920: 1886: 1867: 1845: 1689:Strong, Martin Charles (1995). 1585:Year-end chart performance for 1474:Croatian International Albums ( 1271:Robin Black – sound engineering 1240:– backing vocals, bass guitar, 62:24 March 1981 – 5 February 1982 2168:. 10 June 1982. Archived from 1823: 1806: 1791: 1769: 1754: 1739: 1724: 1709: 1682: 1183:"Down at the End of Your Road" 1090: 1013: 936: 1: 2624:British Phonographic Industry 2219:"Steve Hackett's Top 11 Prog" 1969:. Visible Ink Press. p.  1675: 780:The Rolling Stone Album Guide 514:concert, Dallas, Texas, 1982. 210:The Broadsword and the Beast 2952:The Broadsword and the Beast 2590:"Top 100 Album-Jahrescharts" 2408:"Jethro Tull Chart History ( 2330:"Top RPM Albums: Issue 6552" 2053:The Broadsword and the Beast 1876:The Broadsword and the Beast 1630:The Broadsword and the Beast 1587:The Broadsword and the Beast 1570: 1555: 1543: 1531: 1504: 1492: 1468: 1456: 1434:The Broadsword and the Beast 1424: 1410: 1395: 1383: 1371: 1359: 1345: 1311:The Broadsword and the Beast 1211: 924:with additional material by 872:The Broadsword and the Beast 865:The Broadsword and the Beast 845:The Broadsword and the Beast 532:The Broadsword And The Beast 317:After the conclusion of the 295:The Broadsword and the Beast 259:, released in April 1982 by 252:is the 14th studio album by 249:The Broadsword and the Beast 178:The Broadsword and the Beast 24:The Broadsword and the Beast 7: 2579:. Retrieved June 20, 2024. 2539:. Retrieved June 20, 2024. 2498:. Retrieved June 20, 2024. 2420:. Retrieved June 20, 2024. 2398:. Retrieved June 20, 2024. 2358:. Retrieved June 20, 2024. 2342:. Retrieved June 20, 2024. 2340:Library and Archives Canada 1510:Hungarian Physical Albums ( 1432:2023 chart performance for 1309:1982 chart performance for 1051:"Watching Me, Watching You" 293:produced the album, making 10: 3585: 3096:Live at Carnegie Hall 1970 1933:The Great Rock Discography 1692:The Great Rock Discography 1562:UK Rock & Metal Albums 920:All tracks are written by 640:The Great Rock Discography 526:In a 1982 concert review, 471: 367:, known for his work with 3569:Jethro Tull (band) albums 3525: 3471: 3313: 3297:Live at AVO Session Basel 3225: 3200: 3105: 3024: 2852: 2691: 1664: 1649: 1638: 1635: 1600: 1595: 1592: 1560: 1548: 1536: 1521: 1509: 1497: 1485: 1473: 1461: 1449: 1442: 1439: 1415: 1400: 1388: 1376: 1364: 1350: 1338: 1326: 1319: 1316: 1293: 1097: 1094: 1089: 1020: 1017: 1012: 943: 940: 935: 859:Former Genesis guitarist 558: 555: 478:Mobile Fidelity Sound Lab 450:Marvel Cinematic Universe 241: 215: 203: 199: 162: 154: 142: 130: 114: 74: 66: 58: 50: 37: 28: 23: 3559:Chrysalis Records albums 3216:25th Anniversary Box Set 2594:GfK Entertainment Charts 2496:GfK Entertainment Charts 2356:GfK Entertainment Charts 1283:– artwork, illustrations 512:Broadsword and the Beast 313:Background and recording 3489:A Billion Hands Concert 3241:20 Years of Jethro Tull 3209:20 Years of Jethro Tull 3040:Live at Hammersmith '84 2910:Minstrel in the Gallery 2577:Official Charts Company 2537:Official Charts Company 2396:Official Charts Company 1930:(2004). "Jethro Tull". 1904:Oxford University Press 1351:Canada Top Albums/CDs ( 1197:20 Years of Jethro Tull 233:Released: May 1982 (US) 224:Released: May 1982 (UK) 3248:25th Anniversary Video 3054:Jethro Tull in Concert 2596:. 1982. Archived from 974:"Fallen On Hard Times" 909:Mainstream Rock Tracks 515: 469: 277:(1984), as well as on 230:"Fallen on Hard Times" 3304:Around the World Live 3276:Live at Montreux 2003 3082:Live at Montreux 2003 1817:21 April 2007 at the 1008:Side two - Broadsword 509: 465: 428:Artwork and packaging 3420:Bungle in the Jungle 3255:Living with the Past 3061:Living with the Past 3047:A Little Light Music 2082:Simon & Schuster 1802:. Chrysalis Records. 1765:. Chrysalis Records. 1750:. Chrysalis Records. 1735:. Chrysalis Records. 1720:. Chrysalis Records. 1377:New Zealand Albums ( 1274:Jim Gibson – artwork 1266:Additional personnel 996:"Slow Marching Band" 546:Professional ratings 389:of the rest of us." 3448:Songs from the Wood 3413:Life Is a Long Song 3364:The Witch's Promise 3262:A New Day Yesterday 2924:Songs from the Wood 2461:. 15 September 2023 1779:. Prog.teamrock.com 1632: 1628:Certifications for 1589: 1551:Schweizer Hitparade 1436: 1327:Australian Albums ( 1313: 1086: 1009: 932: 547: 341:Fairport Convention 3509:Thick as a Brick 2 3343:Living in the Past 3329:A Song for Jeffrey 3114:Living in the Past 2799:Peter-John Vettese 2600:on 19 October 2021 2223:Udiscovermusic.com 1627: 1603:Offizielle Top 100 1584: 1500:Offizielle Top 100 1431: 1389:Norwegian Albums ( 1367:Offizielle Top 100 1308: 1287:Paul Samwell-Smith 1247:Peter-John Vettese 1084: 1007: 931:Side one – Beastie 930: 926:Peter-John Vettese 898:and No. 27 in the 870:Overall sales for 545: 541:Critical reception 516: 397:Paul Samwell-Smith 349:Peter-John Vettese 303:Peter-John Vettese 291:Paul Samwell-Smith 149:Paul Samwell-Smith 3541: 3540: 3406:Locomotive Breath 3283:Jack in the Green 3163:Through the Years 2987:Roots to Branches 2764:Barriemore Barlow 1928:Strong, Martin C. 1873:Eder, Bruce. 1673: 1672: 1668: 1619: 1618: 1612: 1611: 1575: 1574: 1429: 1428: 1339:Austrian Albums ( 1329:Kent Music Report 1190: 1189: 1080: 1079: 1003: 1002: 874:were better than 827: 826: 461:Anglo-Saxon runes 361:Chrysalis Records 305:on keyboards and 261:Chrysalis Records 245: 244: 195: 194: 3576: 3531: 3530: 3170:The Very Best Of 3135:Original Masters 2966:Crest of a Knave 2889:Thick as a Brick 2678: 2671: 2664: 2655: 2654: 2635: 2634: 2632: 2630: 2616: 2610: 2609: 2607: 2605: 2586: 2580: 2570: 2564: 2558: 2552: 2546: 2540: 2530: 2524: 2523: 2521: 2519: 2505: 2499: 2489: 2483: 2477: 2471: 2470: 2468: 2466: 2451: 2445: 2439: 2433: 2427: 2421: 2405: 2399: 2389: 2383: 2377: 2371: 2365: 2359: 2349: 2343: 2327: 2321: 2315: 2309: 2308: 2287: 2281: 2280: 2278: 2276: 2262: 2256: 2255: 2253: 2251: 2240: 2234: 2233: 2231: 2229: 2217:Armstrong, Sam. 2214: 2208: 2207: 2205: 2203: 2188: 2182: 2181: 2179: 2177: 2172:on 23 April 2009 2156: 2150: 2149: 2147: 2145: 2134: 2128: 2127: 2125: 2123: 2106: 2100: 2099: 2080:(4th ed.). 2068: 2062: 2048: 2042: 2041: 2039: 2037: 2019: 2013: 2012: 2010: 2008: 1991: 1985: 1984: 1962: 1956: 1955: 1936:(7th ed.). 1924: 1918: 1917: 1902:(4th ed.). 1890: 1884: 1871: 1865: 1864: 1862: 1860: 1849: 1843: 1842: 1840: 1838: 1827: 1821: 1810: 1804: 1803: 1795: 1789: 1788: 1786: 1784: 1773: 1767: 1766: 1758: 1752: 1751: 1743: 1737: 1736: 1728: 1722: 1721: 1713: 1707: 1706: 1686: 1666: 1650:United Kingdom ( 1633: 1626: 1590: 1583: 1537:Spanish Albums ( 1462:Belgian Albums ( 1450:Belgian Albums ( 1437: 1430: 1314: 1307: 1299: 1161:"Rhythm in Gold" 1092: 1087: 1083: 1015: 1010: 1006: 985:"Flying Colours" 938: 933: 929: 894:, No. 19 in the 863:has stated that 811: 810: 809: 805: 804: 800: 799: 795: 794: 790: 789: 773: 772: 771: 767: 766: 762: 761: 757: 756: 752: 751: 735: 734: 733: 729: 728: 724: 723: 719: 718: 714: 713: 697: 696: 695: 691: 690: 686: 685: 681: 680: 676: 675: 633: 632: 631: 627: 626: 622: 621: 617: 616: 612: 611: 595: 594: 593: 589: 588: 584: 583: 579: 578: 574: 573: 548: 544: 502:Live performance 234: 231: 225: 222: 164: 163: 126: 125: 121: 97: 84:Progressive rock 33: 21: 20: 3584: 3583: 3579: 3578: 3577: 3575: 3574: 3573: 3544: 3543: 3542: 3537: 3521: 3467: 3385:Cross-Eyed Mary 3309: 3221: 3196: 3101: 3020: 3008:The Zealot Gene 2848: 2824:Andrew Giddings 2819:Maartin Allcock 2759:Jeffrey Hammond 2687: 2682: 2644: 2639: 2638: 2628: 2626: 2618: 2617: 2613: 2603: 2601: 2588: 2587: 2583: 2571: 2567: 2559: 2555: 2547: 2543: 2531: 2527: 2517: 2515: 2507: 2506: 2502: 2490: 2486: 2478: 2474: 2464: 2462: 2457:(in Croatian). 2453: 2452: 2448: 2440: 2436: 2428: 2424: 2406: 2402: 2390: 2386: 2378: 2374: 2366: 2362: 2350: 2346: 2328: 2324: 2316: 2312: 2305: 2288: 2284: 2274: 2272: 2264: 2263: 2259: 2249: 2247: 2242: 2241: 2237: 2227: 2225: 2215: 2211: 2201: 2199: 2189: 2185: 2175: 2173: 2158: 2157: 2153: 2143: 2141: 2140:. 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Vol. 29 2014: 1986: 1979: 1957: 1950: 1919: 1913:978-0195313734 1912: 1885: 1878:(1982 release) 1866: 1844: 1822: 1805: 1790: 1768: 1753: 1738: 1723: 1708: 1701: 1680: 1679: 1677: 1674: 1671: 1670: 1662: 1661: 1658: 1655: 1647: 1646: 1640: 1637: 1624: 1623:Certifications 1621: 1617: 1616: 1610: 1609: 1606: 1598: 1597: 1594: 1581: 1578: 1576: 1573: 1572: 1569: 1558: 1557: 1554: 1549:Swiss Albums ( 1546: 1545: 1542: 1534: 1533: 1530: 1519: 1518: 1515: 1507: 1506: 1503: 1495: 1494: 1491: 1486:Dutch Albums ( 1483: 1482: 1479: 1471: 1470: 1467: 1459: 1458: 1455: 1447: 1446: 1441: 1427: 1426: 1423: 1413: 1412: 1409: 1398: 1397: 1394: 1386: 1385: 1382: 1374: 1373: 1370: 1362: 1361: 1358: 1348: 1347: 1344: 1336: 1335: 1332: 1324: 1323: 1318: 1305: 1302: 1297: 1295: 1292: 1291: 1290: 1284: 1278: 1275: 1272: 1263: 1262: 1253: 1244: 1235: 1229: 1213: 1210: 1209: 1208: 1188: 1187: 1184: 1181: 1177: 1176: 1173: 1170: 1166: 1165: 1162: 1159: 1155: 1154: 1151: 1148: 1144: 1143: 1140: 1139:"Too Many Too" 1137: 1133: 1132: 1129: 1126: 1122: 1121: 1118: 1115: 1111: 1110: 1107: 1104: 1100: 1099: 1096: 1093: 1082: 1078: 1077: 1074: 1071: 1067: 1066: 1063: 1060: 1056: 1055: 1052: 1049: 1045: 1044: 1041: 1040:"Pussy Willow" 1038: 1034: 1033: 1030: 1027: 1023: 1022: 1019: 1016: 1005: 1001: 1000: 997: 994: 990: 989: 986: 983: 979: 978: 975: 972: 968: 967: 964: 961: 957: 956: 953: 950: 946: 945: 942: 939: 918: 916: 913: 829:The review by 825: 824: 821: 813: 812: 783: 775: 774: 745: 737: 736: 707: 699: 698: 669: 661: 660: 655: 647: 646: 643: 635: 634: 605: 597: 596: 567: 561: 560: 557: 553: 552: 542: 539: 503: 500: 473: 470: 429: 426: 314: 311: 281:'s solo album 243: 242: 239: 238: 236: 235: 226: 216: 213: 212: 201: 200: 197: 196: 193: 192: 183: 174: 160: 159: 152: 151: 146: 140: 139: 134: 128: 127: 116: 112: 111: 109: 108: 103: 98: 91: 86: 80: 78: 72: 71: 68: 64: 63: 60: 56: 55: 52: 48: 47: 42: 35: 34: 26: 25: 17: 9: 6: 4: 3: 2: 3581: 3570: 3567: 3565: 3562: 3560: 3557: 3555: 3552: 3551: 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3077: 3076: 3075:Aqualung Live 3072: 3070: 3069: 3065: 3063: 3062: 3058: 3056: 3055: 3051: 3049: 3048: 3044: 3042: 3041: 3037: 3035: 3034: 3030: 3029: 3027: 3023: 3017: 3016: 3012: 3010: 3009: 3005: 3003: 3002: 2998: 2996: 2995: 2991: 2989: 2988: 2984: 2982: 2981: 2977: 2975: 2974: 2970: 2968: 2967: 2963: 2961: 2960: 2956: 2954: 2953: 2949: 2947: 2946: 2942: 2940: 2939: 2935: 2933: 2932: 2928: 2926: 2925: 2921: 2919: 2918: 2914: 2912: 2911: 2907: 2905: 2904: 2900: 2898: 2897: 2893: 2891: 2890: 2886: 2884: 2883: 2879: 2877: 2876: 2872: 2870: 2869: 2865: 2863: 2862: 2858: 2857: 2855: 2853:Studio albums 2851: 2845: 2842: 2840: 2837: 2835: 2832: 2830: 2829:Dave Mattacks 2827: 2825: 2822: 2820: 2817: 2815: 2812: 2810: 2807: 2805: 2802: 2800: 2797: 2795: 2792: 2790: 2787: 2785: 2782: 2780: 2777: 2775: 2772: 2770: 2769:John Glascock 2767: 2765: 2762: 2760: 2757: 2755: 2752: 2750: 2747: 2745: 2742: 2740: 2739:Glenn Cornick 2737: 2735: 2732: 2730: 2729:Mick Abrahams 2727: 2726: 2723: 2720: 2718: 2717: 2716:Scott Hammond 2713: 2711: 2708: 2706: 2705: 2704:David Goodier 2701: 2699: 2698: 2694: 2693: 2690: 2686: 2679: 2674: 2672: 2667: 2665: 2660: 2659: 2656: 2649: 2646: 2645: 2625: 2621: 2615: 2599: 2595: 2592:(in German). 2591: 2585: 2578: 2574: 2569: 2562: 2557: 2550: 2545: 2538: 2534: 2529: 2514: 2510: 2504: 2497: 2494:(in German). 2493: 2488: 2481: 2476: 2460: 2456: 2450: 2443: 2438: 2431: 2426: 2419: 2418: 2413: 2411: 2404: 2397: 2393: 2388: 2381: 2376: 2369: 2364: 2357: 2354:(in German). 2353: 2348: 2341: 2337: 2336: 2331: 2326: 2319: 2314: 2306: 2304:0-646-11917-6 2300: 2296: 2292: 2286: 2271: 2270:Billboard.com 2267: 2266:"Jethro Tull" 2261: 2245: 2239: 2224: 2220: 2213: 2198: 2194: 2187: 2171: 2167: 2166: 2165:Rolling Stone 2161: 2155: 2139: 2133: 2118: 2117: 2112: 2105: 2097: 2095:0-7432-0169-8 2091: 2087: 2083: 2079: 2078: 2073: 2072:Coleman, Mark 2067: 2061: 2060: 2059:Rolling Stone 2055: 2054: 2047: 2031: 2030: 2029:Record Mirror 2025: 2018: 2003: 2002: 1997: 1990: 1982: 1980:1-57859-061-2 1976: 1972: 1968: 1961: 1953: 1951:1-84195-615-5 1947: 1943: 1939: 1935: 1934: 1929: 1923: 1915: 1909: 1905: 1901: 1900: 1895: 1894:Larkin, Colin 1889: 1883: 1879: 1877: 1870: 1854: 1848: 1832: 1826: 1820: 1816: 1813: 1809: 1801: 1794: 1778: 1772: 1764: 1757: 1749: 1742: 1734: 1727: 1719: 1712: 1704: 1702:9780862415419 1698: 1694: 1693: 1685: 1681: 1669: 1663: 1659: 1656: 1653: 1648: 1644: 1639:Certification 1634: 1631: 1615: 1607: 1604: 1599: 1593:Chart (1982) 1591: 1588: 1577: 1567: 1563: 1559: 1552: 1547: 1540: 1535: 1528: 1524: 1520: 1516: 1513: 1508: 1501: 1496: 1489: 1488:Album Top 100 1484: 1480: 1477: 1472: 1465: 1460: 1453: 1448: 1440:Chart (2023) 1438: 1435: 1422: 1420: 1414: 1407: 1403: 1399: 1392: 1387: 1380: 1375: 1368: 1363: 1356: 1355: 1349: 1342: 1337: 1333: 1330: 1325: 1317:Chart (1982) 1315: 1312: 1304:Weekly charts 1301: 1300: 1288: 1285: 1282: 1279: 1276: 1273: 1270: 1269: 1268: 1267: 1261: 1257: 1254: 1252: 1248: 1245: 1243: 1239: 1236: 1233: 1230: 1228: 1227:Fairlight CMI 1224: 1221: 1220: 1219: 1218: 1206: 1205: 1199: 1198: 1193: 1192: 1185: 1182: 1178: 1174: 1171: 1167: 1163: 1160: 1156: 1152: 1149: 1145: 1141: 1138: 1134: 1130: 1127: 1123: 1119: 1117:"Jack-A-Lynn" 1116: 1112: 1108: 1105: 1101: 1088: 1075: 1072: 1068: 1064: 1062:"Seal Driver" 1061: 1057: 1053: 1050: 1046: 1042: 1039: 1035: 1031: 1028: 1024: 1011: 998: 995: 991: 987: 984: 980: 976: 973: 969: 965: 962: 958: 954: 951: 947: 934: 928: 927: 923: 915:Track listing 912: 910: 907: 906: 901: 897: 896:United States 893: 889: 885: 884: 879: 878: 873: 868: 866: 862: 861:Steve Hackett 857: 855: 850: 846: 841: 840: 839:Rolling Stone 834: 833: 822: 820: 819: 815: 814: 784: 782: 781: 777: 776: 746: 744: 743: 742:Rolling Stone 739: 738: 708: 706: 705: 704:Record Mirror 701: 700: 670: 668: 667: 663: 662: 659: 656: 654: 653: 649: 648: 644: 642: 641: 637: 636: 606: 604: 603: 599: 598: 568: 566: 563: 562: 554: 551:Review scores 549: 538: 535: 533: 529: 524: 521: 518:The tour for 513: 510:Ian Anderson 508: 499: 497: 496:Steven Wilson 493: 488: 486: 481: 479: 468: 464: 462: 457: 455: 454:"easter eggs" 451: 447: 446: 441: 440: 435: 425: 423: 422: 417: 413: 409: 404: 402: 398: 395: 390: 387: 382: 378: 374: 370: 366: 362: 358: 356: 355: 350: 346: 342: 338: 334: 330: 326: 322: 321: 310: 308: 304: 300: 296: 292: 288: 286: 285: 280: 276: 275: 270: 266: 262: 258: 255: 251: 250: 240: 227: 218: 217: 214: 211: 206: 202: 198: 189: 188: 184: 180: 179: 175: 171: 170: 166: 165: 161: 157: 153: 150: 147: 145: 141: 138: 135: 133: 129: 117: 113: 107: 104: 102: 99: 96: 92: 90: 87: 85: 82: 81: 79: 77: 73: 69: 65: 61: 57: 53: 49: 45: 40: 36: 32: 27: 22: 16: 3532: 3514: 3507: 3500: 3493: 3455:Heavy Horses 3441:The Whistler 3392:Mother Goose 3322:Sunshine Day 3302: 3295: 3288: 3281: 3274: 3267: 3260: 3253: 3246: 3239: 3232: 3214: 3207: 3189: 3182: 3175: 3168: 3161: 3154: 3147: 3140: 3133: 3126: 3119: 3112: 3106:Compilations 3094: 3087: 3080: 3073: 3066: 3059: 3052: 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Index


Studio album
Jethro Tull
Genre
Progressive rock
hard rock
art rock
folk rock
electronic rock
Label
Chrysalis
Producer
Paul Samwell-Smith
Jethro Tull
A
Under Wraps
Singles
rock band
Jethro Tull
Chrysalis Records
folk
electronic
Under Wraps
Ian Anderson
Walk into Light
Paul Samwell-Smith
Keith Olsen
Peter-John Vettese
Gerry Conway
A

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