540:. Larner said that "the moment when somebody hands McKay a Coke and a hot dog, so his hands are occupied, and then slugs him in the face—that really happened to McCarthy!". The scriptwriter also recounted how he "wrote that character for Redford, obviously, and he told me at one point, “I can easily play a character stupider than myself. But I can’t be a bad guy—my public wouldn’t stand for it”".
504:
presidential election campaign; he had "about a month" to write the script, and wrote "exactly from noon to 3 a.m. every day" Larner, having worked as a journalist and speechwriter, said his "experiences with various politicians came into the story; I used some stuff that was directly from the campaigns". He also said that without the help he received from
315:. Lucas is furious, as this will hurt the campaign. Reporters try to confront McKay backstage but arrive as his father congratulates him on the debate. Instead of reporting on McKay's outburst, the story becomes the reemergence of the former governor to help his son. The positive story and McKay's father's help on the trail further close the polling gap.
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panned the film as "a remarkably shallow, hypocritical attempt to satirize the
American political process ... The problem with the filmmakers is that their disillusion is neither honestly felt nor dramatically demonstrated and earned. On the contrary, it seems merely a professional pose, a phony mask
298:
Lucas gives McKay a proposition: since Jarmon cannot lose and the race is already decided, McKay is free to campaign saying exactly what he wants. McKay accepts in order to have the chance to spread his values, and hits the trail. With no serious
Democratic opposition, McKay cruises to the nomination
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wrote that "little definition or sympathy is lent McKay (who remains as much a cipher in the film's mechanics as he does in the hands of the political movers), and little interest generated in the workings of a system that is only conjured up in a gallery of intermittently familiar names and faces."
306:
McKay campaigns across the state, his message growing more generic each day. This approach lifts him in the opinion polls, but he has a new problem: because McKay's father has stayed out of the race, the media interpret his silence as an endorsement of Jarmon. McKay grudgingly meets his father and
322:
representative to discuss another possible endorsement. During the meeting, the union representative tells McKay that he feels they can do much good for each other if they work together. McKay ostensibly tells him that he is not interested in associating with him, but the tension is quelled with
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was an associate producer on the film. Rising, who went on to a successful career working in law, property development, and as a civic leader, as well as continuing his work in
California politics, was - according to Larner - "instrumental in finding political locations in the Bay Area, and in
503:
Robert
Redford said that the film was made as "a labor of love" and was shot inexpensively and quickly. Redford and Ritchie had approached perhaps ten scriptwriters before offering the job to Jeremy Larner, who was under pressure to work quickly so the film would be out in time for the 1972
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wrote that a serious flaw was that "Redford does poorly with the central dramatic element in the film: the changeover from being a reluctant candidate to wanting so badly to win that he is willing to compromise himself. Redford never conveys any real desire to win." Richard Combs of
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stated that he had seen the film several times and had modeled himself after the main character. This led to Larner writing an open letter to Quayle that said the film “is not a how-to picture, it’s a watch-out picture. And you’re what we’ve got to watch out for.”
310:
With McKay only nine points down in the polls, Jarmon proposes a debate. McKay agrees to give answers tailored by Lucas, but just as the debate ends, McKay has a pang of conscience and blurts out that the debate has not addressed real issues such as poverty and
617:
wrote that "Redford and
Ritchie have teamed again to deliver what I think is nothing less than the best movie yet done about politics in coaxial America ... It has a right-now urgency that is strong and compelling."
535:
Ritchie, Redford and writer Jeremy Larner spent the whole summer of 1971 putting together the script. The scene where McKay is berated in a men's room is based on an incident that happened to presidential candidate
303:, McKay will be defeated by an overwhelming margin. Lucas says the party expected McKay to lose but not to be humiliated, so he convinces McKay to moderate his message to appeal to a broader range of voters.
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287:, in the upcoming election. With no big-name Democrat eager to enter the unwinnable race, Lucas seeks out Bill McKay, the idealistic, handsome, and charismatic son of the popular former California
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may not get all the details right when it comes to modern campaigning, but it captures political absurdity perfectly -- and boasts typically stellar work from Robert
Redford to boot."
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supplying political volunteers for many of our campaign extras". In the campaign, Tunney's media adviser had "bulls-eyed the young/old contrast" between Tunney and incumbent opponent
646:
brother "merciless to watchers and unbelievably opportunistic on the part of the filmmakers; it is one of the most vulgar pieces of casting I can remember." Robert
Chappetta in
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called it "an excellent, topical drama" that was "directed and paced superbly," adding, "the entire film often seems like a documentary special in the best sense of the word."
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uncomfortable yet unanimous laughter. After a publicized endorsement with the union rep, and with
Californian workers now behind him, McKay pulls into a virtual tie.
688:(running for President at the time—and in the movie) saw the film and was angry at it, much to his mild gratification. Years later, vice presidential candidate
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clamor outside. McKay asks Lucas, "What do we do now?" The media throng arrives to drag them out, and McKay never receives an answer.
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tells him the problem, and the elder McKay tells the media he is simply honoring his son's wishes to stay out of the race.
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McKay wins the election. In the final scene, he escapes the victory party and pulls Lucas into a room while throngs of
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who made a cameo appearance as herself, after she had semi-retired in 1970. The two had co-starred in the 1965 film
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called the film "one of the few good, truly funny
American political comedies ever made," and commented that "
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is serious, but its tone is coldly comic, as if it had been put together by people who had given up hope."
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Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll
Generation Saved Hollywood
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With the election a few days away, Lucas and McKay's father set up a meet-and-greet with a
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later said Ritchie "brought a sharply observant, almost documentary realism" to the film.
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gave the film 3.5 stars out of 4 and praised Redford for a "winning performance."
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The Positively True Adventures of the Alleged Texas Cheerleader-Murdering Mom
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on his name alone. Lucas then has distressing news: according to the latest
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Arnold, Gary (July 22, 1972). "A Slick 'Candidate' for (Box) Office".
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1039:(July 2, 1972). "'Candidate' Profiles Politics in Coaxial America".
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972:"Screen: 'Candidate,' a Comedy About the State of Politics, Opens"
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Films whose writer won the Best Original Screenplay Academy Award
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Drowning and Other Undetermined Factors The Death of Natalie Wood
870:"To get things done in California, listen like Nelson Rising"
547:, was based on a New York political advertising consultant,
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The film holds a 'fresh' score of 89% on review aggregate
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1259:"The 45th Academy Awards (1973) Nominees and Winners"
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Chappetta, Robert (Winter 1972–73). "The Candidate".
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748:"Redford Reflects On Indie Films, Political Climate"
677:, based on 35 critical reviews with the consensus: "
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he would not have been able to complete the script.
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1308:Reelpolitik Ideologies in American Political Film
1161:Combs, Richard (November 1972). "The Candidate".
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511:The character of McKay is based on U.S. Senator
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632:of invulnerability and moral superiority."
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625:Among negative reviews, Gary Arnold of
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214:$ 2.5 million (U.S. and Canada rentals)
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1107:(July 1, 1972). "The Current Cinema".
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543:The character Howard Klein, played by
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1683:English-language comedy-drama films
1019:(August 9, 1972). "The Candidate".
811:Macfarlane, Steve (July 19, 2016).
515:(although he has similarities with
430:as Commercial Narrator (uncredited)
256:during McCarthy's campaign for the
13:
1623:1970s political comedy-drama films
1232:Larner, Jeremy (August 13, 2000).
868:Mathews, Joe (February 23, 2017).
14:
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1653:Films directed by Michael Ritchie
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942:Valemont, Pamela Lillian (2013).
746:Ebert, Roger (January 19, 2003).
1306:Kelley, Beverly Merrill (2012).
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355:as former Governor John J. McKay
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1287:Callan, Michael Feeney (2011).
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780:. January 3, 1973. p. 36.
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727:List of American films of 1972
291:John J. McKay, who works as a
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1289:Robert Redford: The Biography
732:
498:
252:, a speechwriter for Senator
1643:1970s English-language films
1628:1970s political satire films
1372:AFI Catalog of Feature Films
774:"Big Rental Films Of 1972".
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16:1972 film by Michael Ritchie
7:
1061:"Interview with Bruce Dern"
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564:, as well as the 1966 film
400:Joe Miksak as Neil Atkinson
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567:This Property Is Condemned
554:Redford was reunited with
283:Crocker Jarmon, a popular
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409:Tom Dahlgren as The pilot
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839:Biskind, Peter (1999).
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162:June 29, 1972
415:as the station manager
293:public interest lawyer
1648:Films about elections
1566:Cops & Robbersons
845:Bloomsbury Publishing
684:According to Larner,
451:Van Amberg as himself
418:Leslie Allen as Mabel
1618:1970s American films
1194:on October 23, 2006.
1005:: 18. June 21, 1972.
521:1970 Senate election
270:political consultant
1310:. Lexington Books.
1182:Null, Christopher.
1090:The Washington Post
628:The Washington Post
561:Inside Daisy Clover
523:; campaign manager
394:as Floyd J. Starkey
225:is a 1972 American
1673:Warner Bros. films
1454:The Bad News Bears
1408:Films directed by
1360:TCM Movie Database
1105:Gilliatt, Penelope
1025:. Section 2, p. 5.
977:The New York Times
580:The New York Times
428:Broderick Crawford
254:Eugene J. McCarthy
240:, and directed by
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1238:Los Angeles Times
1113:. pp. 64–65.
1066:Chicago Sun-Times
1059:(June 18, 1975).
1042:Los Angeles Times
1037:Champlin, Charles
999:"The Candidate".
970:(June 30, 1972).
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701:The film won the
634:Penelope Gilliatt
614:Los Angeles Times
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440:Howard K. Smith
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206:$ 1.6 million
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1266:. Retrieved
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1215:. Retrieved
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1057:Ebert, Roger
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984:November 23,
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230:comedy-drama
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178:Running time
155:Release date
148:Warner Bros.
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1171:(466): 229.
1045:. p. 1, 55.
930:Kelley 2012
918:Kelley 2012
906:Kelley 2012
894:Kelley 2012
620:Roger Ebert
599:Gene Siskel
549:David Garth
517:Jerry Brown
347:Peter Boyle
328:journalists
320:labor union
238:Peter Boyle
182:109 minutes
83:Peter Boyle
61:Produced by
41:Directed by
1613:1972 films
1607:Categories
1478:The Island
1462:Semi-Tough
1268:August 28,
1263:oscars.org
1072:January 1,
874:SFGate.com
733:References
707:Best Sound
690:Dan Quayle
499:Production
493:as himself
491:Bill Stout
487:as himself
481:as himself
475:as herself
469:as himself
463:as himself
457:as himself
448:as himself
442:as himself
436:as himself
359:Don Porter
285:Republican
278:California
274:Democratic
211:Box office
166:1972-06-29
104:John Korty
51:Written by
1574:The Scout
1550:Diggstown
1430:Prime Cut
1291:. Knopf.
1243:August 7,
1134:(2): 54.
583:reviewer
574:Reception
479:Sam Yorty
424:as Wilson
227:political
113:Edited by
1518:Wildcats
1349:AllMovie
1217:July 15,
721:See also
289:governor
195:Language
134:Music by
71:Starring
1369:at the
1358:at the
1148:1211329
1002:Variety
879:May 18,
824:May 18,
777:Variety
666:, from
644:Kennedy
611:of the
601:of the
594:Variety
406:as Lynn
301:polling
281:Senator
198:English
187:Country
164: (
1593:(2000)
1585:(1997)
1577:(1994)
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1545:(1989)
1537:(1988)
1529:(1986)
1521:(1986)
1513:(1985)
1510:Fletch
1505:(1983)
1497:(1981)
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1465:(1977)
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1449:(1975)
1441:(1972)
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1425:(1969)
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697:Awards
244:. The
203:Budget
1446:Smile
1144:JSTOR
1338:IMDb
1312:ISBN
1293:ISBN
1270:2011
1245:2024
1219:2023
1074:2019
986:2018
980:: 25
948:ISBN
881:2021
849:ISBN
826:2021
761:2018
713:and
334:Cast
264:Plot
236:and
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