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1753:
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1743:
1738:
1733:
1703:
1698:
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324:, in a flat that was rented by Mick Jones's grandmother, who frequently went to see their live concerts. The album was recorded over three weekend sessions at CBS Studio 3 in February 1977. By the third of these sessions, the album was recorded and mixed to completion, with the tapes being delivered to
862:
gave the album's US release an "A" grade and stated, "Cut for cut, this may be the greatest rock and roll album (plus limited-edition bonus single) ever manufactured in the U.S. It offers 10 of the 14 titles on the band's
British debut as well as 7 of the 13 available only on 45. The U.K. version of
1900:
later that year. Since the Clash's first UK album had already been released in Canada by CBS Records, when CBS Canada released the US version, they changed the cover art so as to not confuse the record-buying public. The CBS Canada version of the LP has a dark blue border instead of green. Initial
1901:
copies also contained the bonus "Groovy Times" 7". Some original cassette pressings of the US version featured "What's My Name?" as track 4 and "Complete
Control" as track 11. Though the back of these original pressings list the two songs as they are featured on recent versions of the album.
31:
1788:
In July 1979, Epic released a modified version of the album for the United States market. This version replaced four songs from the original version with five non-album singles and B-sides, some of which were recorded and released after the Clash's second studio album,
829:: “Jones and Strummer write with graphic perception about contemporary Great British urban reality as though it’s suffocating them … Their songs don’t lie … The Clash have made an album that consists of some of the most exciting rock’n’roll in contemporary music.”
938:
ranked the album at number three on its 2001 list of the "50 Most
Essential Punk Records", calling it "punk as alienated rage, as anticorporate blather, as joyous racial confusion, as evangelic outreach and white knuckles and haywire impulses". In 2003,
311:
was not released in the US until 1979, making it the band's second US release. The US version also included a significantly different track listing, changing the track order and swapping out several songs for non-album tracks recorded in the interim.
884:
number three on its list of the
Greatest Albums of the '70s, and wrote in the review that "the speed-freaked brain of punk set to the tinniest, most frantic guitars ever trapped on vinyl. Lives were changed beyond recognition by it".
1784:
in
America had decided that the album was 'not radio friendly', so it was initially only available in the States during 1977–1978 as an import, and as such became the best-selling import of the year, selling over 100,000 copies.
417:", the opening track of the second side of the album, attacks the political and economic situation in England at the time, citing the lack of jobs available, and the dreariness and lack of appeal of those that were available.
352:, though a full member of the Clash at the time, did not appear in the picture as he had already decided to leave the group. Another picture from the same Kate Simon photoshoot appears on the UK Special Edition DVD of
247:. Recorded and mixed over three weeks in February 1977 for £4,000, it would go on to reach No. 12 on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time.
462:
Screen on the Green concert – "The Clash are the kind of garage band who should be returned to the garage immediately, preferably with the engine running". It was the final track recorded for the album.
1793:(1978). It also used the re-recorded single version of "White Riot", rather than the original take featured on the UK version. Owing to its inclusion of non-album singles, the US edition of
894:
magazine wrote that the Clash "would never sound so punk as they did on 1977's self-titled debut", calling it a "lyrically intricate" album that "still howled with anger". In 2000,
478:
on 8 April 1977, engineered by CBS staff engineer Simon
Humphrey and produced by Clash live soundman Mickey Foote, at the (since demolished) CBS Whitfield Street Studio No. 3.
1875:
Initial copies of the US version also came with a bonus 7-inch single which featured "Groovy Times" and "Gates of the West". The liner notes incorrectly credit new drummer
3860:
3641:
1712:
867:
is the greatest rock and roll album ever manufactured anywhere". In his decade-end list for the newspaper, he ranked the UK version as the best album of the 1970s.
932:
at number 48 on its list of the "100 Greatest
British Albums Ever" in 2000, and included the album in its "100 Best Punk Albums of All Time" list in 2002.
839:: “The Clash album is like a mirror. It reflects all the shit. It shows us the truth. To me, it is the most important album ever released.” The review by
386:
and contains pointed observations about the civic hall bureaucrats who had cancelled concerts, the police, big business and especially record companies.
3497:
963:
3543:
3601:
3041:
904:
as "the eternal punk album" and "a blueprint for the pantomime of 'punkier' rock acts", concluding that "for all of its forced politics and angst,
3521:
2771:
3195:
1882:
It was another moderately successful album for the Clash in the United States, even though the sales were likely diluted by the longstanding
446:" was added to the album when the group realised that the track listing was too short. Another cover the band played at these sessions was
358:, released in 2003. The picture of the charging police officers on the rear, shot by Rocco Macauly, was taken during the 1976 riot at the
3493:
3864:
2572:
968:
966:. The album was re-ranked at number 81 in 2012, and at number 102 in the 2020 update. The album was included in Robert Dimery's
2784:
I described them as the kind of garage band who should be speedily returned to their garage, preferably with the engine running
2500:
4717:
3004:
407:
4599:
3725:
1206:
282:
949:
at second place on its list of the "Top 50 Punk Albums", deeming it "the ultimate punk protest album". The same year, the
4746:
4098:
436:
78:
305:
joined the band as permanent drummer in May 1977). Chimes was credited as "Tory Crimes" on the album's original sleeve.
4327:
4298:
285:" became classics of the punk genre and were among the first punk songs to see significant presence on singles charts.
4270:
4532:
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3894:
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3507:
3379:
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announced: “This is the most exciting album I’ve heard in years … it’s one of the most important records ever made.”
820:
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toilets. The song ends with the shouted phrase "Johnny Johnny!", johnny being a
British slang term for a condom.
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4399:
1060:
435:
The version of "White Riot" featured on the album was not recorded for the album; the original demo (recorded at
379:
210:
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4751:
425:
344:, was taken in the alleyway directly opposite the front door of the band's 'Rehearsal Rehearsals' building in
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394:", developed from a Mick Jones song titled "I'm So Bored with You", condemns the Americanization of the UK. "
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429:
2311:− drums on side one tracks 1, 4, 6, and 8 and side two track 6 on US version, production on US version
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8:
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1942:
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1039:
984:
443:
371:
263:
3316:
1870:– Initially released as the B-side to "Clash City Rockers" in the UK in February 1978
398:" was the Clash's debut single. The song is short and intense, in a punk style of two
4687:
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451:
320:
Most of the album was conceived on the 18th floor of a council high rise on London's
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3312:
3284:
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1997:
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121:
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played very fast (five chords are used in the whole song). Lyrically, it is about
337:
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4641:
4525:
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3435:
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2399:
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1774:
In the United States, the Clash's debut studio album was released one year after
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128:
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ranked the album number 13 on its list of the greatest albums of all time.
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116:
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1111:
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395:
298:
278:
197:
1840:– Initially released as a single (A-side) in the UK in September 1977
390:
decided to release the song as a single without consulting the band. "
266:". The song "What's My Name" is co-credited to Clash founding member
4833:
4761:
4462:
4107:
3966:
1834:– Initially released as a single (A-side) in the UK in February 1978
1493:
1437:
1401:
240:
236:
138:
93:
46:
3762:
816:
received critical acclaim and peaked at number 12 in the UK charts.
4806:
3708:
2881:
517:
3755:"Official IFPI Charts – Top-75 Albums Sales Chart (Week: 29/2024)"
2613:"The Uncut Crap – Over 56 Things You Never Knew About The Clash".
1846:– Initially released as a single (A-side) in the UK in March 1977
289:
featured Jones and
Strummer sharing guitar and vocal duties, with
4070:
2250:
1852:– Initially released as a single (A-side) in the UK in June 1978
1910:
All tracks are written by
Strummer and Jones, except where noted
3412:"The 100 Best Punk Albums of All Time – The Clash: The Clash".
2254:
The stairway where the Clash posed for the cover photo, in 2008
483:
421:
297:
on drums, his only studio appearance with the band (Chimes and
259:
30:
3431:"The 50 Most Essential Punk Records – 3. The Clash: The Clash"
273:
Several songs from the album's recording sessions, including "
2276:
1894:
charts, setting the stage for the commercial breakthrough of
1396:
420:"Protex Blue", sung by Mick Jones, is about a 1970s brand of
41:
4076:
2802:
2305:(listed as "Tory Crimes") − drums, production on UK version
3259:. Chicago: Chicago Review Press Incorporated. p. 72.
3208:
Parsons, Tony (16 April 1977). "WAR ON INNER CITY FRONT".
979:
heard the album while in London in 1977, and played it to
3861:"American album certifications – The Clash – The Clash"
3777:
3346:
2615:
1781:
872:
825:
458:'s damning review of the Clash's early appearance at the
387:
3843:"British album certifications – The Clash – The Clash"
3825:"British album certifications – The Clash – The Clash"
3807:"British album certifications – The Clash – The Clash"
3481:. No. 937. New York. 11 December 2003. p. 114.
3029:. No. 159. London. December 1999. pp. 152–53.
3643:
Christgau's Record Guide: Rock Albums of the Seventies
2931:"Nobody's scoffing now at the importance of the Clash"
2912:. No. 140. Cleveland. March 2000. pp. 74–75.
2592:
Sales+streaming figures based on certification alone.
482:
was unusually musically varied for a punk band, with
983:, who in turn mentioned the Clash on his own track "
3965:
3719:
2293:, backing and lead vocals, production on US version
3418:(special ed.). London. May 2002. p. 135.
3257:The Clash On The Clash - Interviews And Encounters
3139:. No. 114. London. December 1999. p. 88.
328:at the start of March. It cost £4,000 to produce.
3938:
3883:Passion Is a Fashion: The Real Story of The Clash
3439:. Vol. 17, no. 5. New York. p. 108
2499:
439:before the band signed to CBS) was used instead.
4919:
4035:(2nd ed.). Richmond: Reynolds & Hearn.
3916:(5th revised ed.). London: Helter Skelter.
3240:Needs, Kris (April 1977). "KONKRETE KLOCKWORK".
2739:
1858:– Initially released as a track on the Clash EP
336:The cover artwork was designed by Polish artist
3941:A Riot of Our Own: Night and Day with The Clash
3499:Rolling Stone's 500 Greatest Albums of All Time
3464:. No. 112. London. March 2003. p. 76.
2652:"Revisiting London's iconic album cover images"
2588:Shipments figures based on certification alone.
250:Songs on the album were composed by guitarists
3401:. No. 165. London. June 2000. p. 70.
1647:
4092:
362:—the inspiration for the track "White Riot".
3485:
3184:
3148:
3146:
2921:
2919:
1780:, making it their second release in the US.
1730:
1680:
757:
719:
681:
643:
605:
572:
522:
301:drummed intermittently with The Clash until
3726:"Swedishcharts.com – The Clash – The Clash"
819:When the album was released in April 1977,
474:was released in the United Kingdom through
4099:
4085:
3914:The Clash: Return of the Last Gang in Town
3728:. Hung Medien. Retrieved August 20, 2024.
3305:
3071:
3069:
29:
3865:Recording Industry Association of America
3632:
3311:
3279:
3273:
3228:Joe Strummer and the Legend of The Clash,
3152:
3143:
3075:
2925:
2916:
2772:"Joe is dead, but the Clash are immortal"
340:. The album's front cover photo, shot by
235:is the debut studio album by the English
4002:Joe Strummer and the Legend of the Clash
3835:
3817:
3799:
3697:
2623:. London: IPC Magazines. 16 March 1991.
2249:
1886:of the UK version on the import market.
969:1001 Albums You Must Hear Before You Die
4027:
3880:
3731:
3475:"The 500 Greatest Albums of All Time".
3207:
3194:was invoked but never defined (see the
3066:
2299:− bass guitar, production on US version
1003:All tracks are written by Strummer and
270:, who left the band in September 1976.
4920:
3360:
3354:
3350:. London. 2 February 1993. p. 29.
3050:. New York. p. 87. Archived from
2985:
2956:
2766:
2649:
382:" was written by Mick Jones after the
4718:Joe Strummer: The Future Is Unwritten
4080:
3995:
3939:Green, Johnny; Garry Barker (2003) .
3602:"The Clash: The Clash (U.S. Version)"
3572:"The 500 Greatest Albums of All Time"
3492:Levy, Joe; Steven Van Zandt (2006) .
3428:
3239:
3039:
2901:
2899:
2808:
2225:
2204:
2187:
2170:
2153:
2136:
2119:
2068:
2051:
2030:
2013:
1992:
1975:
1958:
1937:
1626:
1356:
1339:
1305:
1288:
1271:
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1201:
1184:
1153:
1127:
1106:
1085:
1055:
1034:
503:
3911:
3596:
3502:(3rd ed.). London: Turnaround.
3395:"100 Greatest British Albums Ever".
3254:
3018:
3016:
2959:"The Clash – The Clash album review"
2871:
2675:
2364:
1850:"(White Man) In Hammersmith Palais"
950:
258:, with the notable exception of the
3226:, April 1977 quoted in Kris Needs,
3189:
1844:"White Riot" (re-recorded version)
1649:
370:The subject of the opening track, "
243:, released on 8 April 1977 through
79:National Film and Television School
13:
3874:
2896:
1904:
1622:Retrospective professional ratings
1380:
499:Retrospective professional ratings
14:
4949:
4802:The Good, the Bad & the Queen
4421:(White Man) In Hammersmith Palais
4058:
3973:(3rd ed.). London: Omnibus.
3544:"500 Greatest Albums of All Time"
3494:"77 | The Clash – The Clash"
3094:The New Rolling Stone Album Guide
3013:
2992:The Encyclopedia of Popular Music
2687:. New York: Harris Publications.
2484:
2036:(White Man) In Hammersmith Palais
1828:Added were the following tracks:
1732:
1682:
1589:(White Man) In Hammersmith Palais
759:
721:
683:
645:
638:The Encyclopedia of Popular Music
607:
574:
524:
4902:
4901:
4278:The Story of the Clash, Volume 1
3705:"The Clash - The Clash – Awards"
3667:– via robertchristgau.com.
3190:Cite error: The named reference
2337:Rocco Macauly − back cover photo
1751:
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1741:
1736:
1731:
1701:
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583:
578:
573:
543:
538:
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523:
3943:(3rd ed.). London: Orion.
3747:
3738:"Official Albums Chart Top 100"
3692:The Clash: Westway to the World
3684:
3679:The Clash: Westway to the World
3671:
3626:
3590:
3564:
3536:
3468:
3451:
3422:
3405:
3388:
3344:"Greatest Albums of All Time".
3337:
3248:
3233:
3230:(2005), London:Plexus. pp.76-76
3216:
3201:
3126:
3033:
2979:
2950:
2865:
2850:
2825:
2797:The Clash: Westway to the World
2734:The Clash: Westway to the World
2679:(December 1995). "Mick Jones".
1824:"White Riot" (original version)
1804:Omitted from the US version of
1797:could be considered a de facto
964:500 greatest albums of all time
852:In his 1979 consumer guide for
3694:. Event occurs at 44:40–45:00.
3681:. Event occurs at 34:00–36:00.
2957:Rowley, Scott (8 April 2017).
2862:, 'Mojo Classic issue'. p. 33.
2799:. Event occurs at 25:00–25:35.
2789:
2760:
2736:. Event occurs at 25:45–27:40.
2726:
2707:
2669:
2643:
2606:
2101:
1919:
1232:
1016:
331:
16:1977 studio album by The Clash
1:
4106:
3847:British Phonographic Industry
3829:British Phonographic Industry
3811:British Phonographic Industry
3796:. Retrieved August 20, 2024.
3744:. Retrieved August 20, 2024.
3163:Spin Alternative Record Guide
2809:Needs, Kris (November 2004).
2600:
2443:
2369:
2315:
1763:Spin Alternative Record Guide
1725:The Rolling Stone Album Guide
908:continues to sound crucial."
802:Spin Alternative Record Guide
752:The Rolling Stone Album Guide
454:" was written in response to
426:contraceptive vending machine
378:in London during the 1970s. "
315:
4519:Should I Stay or Should I Go
3317:"Decade Personal Best: '70s"
3040:Miles, Milo (20 June 2002).
2469:
2408:
2393:
2328:Simon Humphrey − engineering
2258:
2245:
1890:peaked at number 126 on the
493:
490:influences plainly evident.
7:
4824:The Joe Strummer Foundation
4246:From Here to Eternity: Live
2650:Stokes, Tim (2 June 2018).
2321:Mickey Foote − production,
2267:− lead and backing vocals,
1962:"I'm So Bored with the USA"
1808:were the following tracks:
1568:Released: 23 September 1977
10:
4954:
3969:; Chris Salewicz (2004) .
3784:"The Clash Chart History (
3610:. New York. Archived from
3491:
2355:– production on US version
2349:– production on US version
2343:– production on US version
1581:Released: 17 February 1978
466:
424:. It was inspired by the
4897:
4782:The Latino Rockabilly War
4734:
4686:
4586:I'm So Bored with the USA
4556:
4384:
4359:
4262:
4237:
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4114:
2585:
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1236:
1231:
1091:I'm So Bored with the USA
1029:
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1015:
511:
508:
392:I'm So Bored with the USA
224:
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179:
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145:
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127:
115:
99:
87:
69:
61:
53:
40:
28:
23:
4307:Super Black Market Clash
3885:(4th ed.). London:
3367:All Time Top 1000 Albums
3023:"The Clash: The Clash".
2995:(5th concise ed.).
2906:"The Clash: The Clash".
2873:Erlewine, Stephen Thomas
1713:Christgau's Record Guide
975:Noted Jamaican producer
953:was ranked number 77 on
921:All Time Top 1000 Albums
914:was voted number 180 in
365:
4635:Lost in the Supermarket
3742:Official Charts Company
3552:. New York. 31 May 2012
3429:Dolan, Jon (May 2001).
3160:; Marks, Craig (eds.).
2877:"The Clash – The Clash"
2833:"The Clash - The Clash"
2722:. London, England. MTV.
2714:Presenter: Kurt Loder.
2160:Strummer, Jones, Levene
203:Released: 18 March 1977
81:, Beaconsfield, England
3912:Gray, Marcus (2005) .
3881:Gilbert, Pat (2005) .
3458:"Top 50 Punk Albums".
3042:"The Clash: The Clash"
2255:
2191:"Police & Thieves"
2140:"Career Opportunities"
1864:in the UK in May 1979
1607:Released: 26 July 1979
1594:Released: 17 June 1978
1412:26 July 1979
999:, except where noted.
4704:Concert for Kampuchea
4498:The Magnificent Seven
2811:"HOW I MET THE CLASH"
2768:Murray, Charles Shaar
2253:
1832:"Clash City Rockers"
360:Notting Hill Carnival
216:Released: 13 May 1977
4711:Westway to the World
4565:Career Opportunities
4253:Live at Shea Stadium
4200:Give 'Em Enough Rope
3315:(17 December 1979).
3283:(3 September 1979).
3156:(1995). "Clash". In
3099:Simon & Schuster
2747:"The Windsor Castle"
2516:UK original release
1868:"Jail Guitar Doors"
1791:Give 'Em Enough Rope
1777:Give 'Em Enough Rope
1507:Give 'Em Enough Rope
1311:Police & Thieves
1256:Career Opportunities
1007:, except where noted
456:Charles Shaar Murray
450:' "Dancing Shoes". "
444:Police & Thieves
437:Beaconsfield Studios
415:Career Opportunities
163:Give 'Em Enough Rope
4938:Epic Records albums
4819:Rock Against Racism
4813:Spirit of St. Louis
4677:Overpowered by Funk
4505:This Is Radio Clash
4343:The Clash Hits Back
4314:The Essential Clash
3999:(25 January 2005).
3578:. 22 September 2020
3524:on 14 December 2007
3255:Egan, Sean (2018).
3210:New Musical Express
2929:(27 January 2000).
2490:
2341:Lee "Scratch" Perry
2097:
1915:
1856:"I Fought the Law"
1838:"Complete Control"
1623:
1228:
1012:
995:All lead vocals by
873:New Musical Express
826:New Musical Express
500:
65:10–27 February 1977
35:Standard UK edition
4772:Big Audio Dynamite
4670:Washington Bullets
4621:Brand New Cadillac
4607:Police and Thieves
4414:Clash City Rockers
4375:The Cost of Living
4350:5 Album Studio Set
4271:Black Market Clash
4073:(list of releases)
4033:The Complete Clash
4005:. London: Plexus.
3648:Ticknor and Fields
3600:(21 August 2007).
3170:. pp. 84–85.
3133:"Clash Reissues".
3054:on 1 December 2002
2716:"MTV Rockumentary"
2489:
2256:
2095:
2055:"London's Burning"
1943:Clash City Rockers
1913:
1879:for "White Riot".
1861:The Cost of Living
1621:
1576:Clash City Rockers
1226:
1010:
985:Punky Reggae Party
498:
264:Police and Thieves
4928:1977 debut albums
4915:
4914:
4614:Jail Guitar Doors
4572:Capital Radio One
4547:Return to Brixton
4435:English Civil War
4292:Clash on Broadway
3634:Christgau, Robert
3322:The Village Voice
3313:Christgau, Robert
3290:The Village Voice
3281:Christgau, Robert
3006:978-0-85712-595-8
2989:(2011). "Clash".
2936:The Baltimore Sun
2909:Alternative Press
2774:. Telegraph.co.uk
2598:
2597:
2593:
2589:
2560:
2539:
2518:
2481:
2480:
2474:
2473:
2439:
2438:
2413:
2412:
2389:Sverigetopplistan
2242:
2241:
2210:Jail Guitar Doors
2091:
2090:
1871:
1865:
1853:
1847:
1841:
1835:
1799:compilation album
1772:
1771:
1642:The Baltimore Sun
1619:
1618:
1536:
1535:
1377:
1376:
1222:
1221:
897:Alternative Press
855:The Village Voice
811:
810:
567:The Baltimore Sun
555:Alternative Press
228:
227:
171:
170:
4945:
4933:The Clash albums
4905:
4904:
4767:Public Image Ltd
4735:Related articles
4649:Rudie Can't Fail
4600:London's Burning
4533:Straight to Hell
4512:Know Your Rights
4442:I Fought the Law
4407:Complete Control
4101:
4094:
4087:
4078:
4077:
4054:
4024:
3992:
3962:
3935:
3908:
3869:
3868:
3857:
3851:
3850:
3839:
3833:
3832:
3821:
3815:
3814:
3803:
3797:
3781:
3775:
3774:
3772:
3770:
3761:. Archived from
3751:
3745:
3735:
3729:
3723:
3717:
3716:
3701:
3695:
3688:
3682:
3675:
3669:
3668:
3666:
3664:
3630:
3624:
3623:
3621:
3619:
3594:
3588:
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3585:
3583:
3568:
3562:
3561:
3559:
3557:
3540:
3534:
3533:
3531:
3529:
3520:. Archived from
3489:
3483:
3482:
3472:
3466:
3465:
3455:
3449:
3448:
3446:
3444:
3426:
3420:
3419:
3409:
3403:
3402:
3392:
3386:
3385:
3370:(3rd ed.).
3358:
3352:
3351:
3341:
3335:
3334:
3332:
3330:
3309:
3303:
3302:
3300:
3298:
3285:"Consumer Guide"
3277:
3271:
3270:
3252:
3246:
3245:
3237:
3231:
3220:
3214:
3213:
3205:
3199:
3193:
3188:
3182:
3181:
3150:
3141:
3140:
3130:
3124:
3123:
3121:
3119:
3097:(4th ed.).
3089:Hoard, Christian
3085:Brackett, Nathan
3073:
3064:
3063:
3061:
3059:
3037:
3031:
3030:
3020:
3011:
3010:
2983:
2977:
2976:
2974:
2972:
2954:
2948:
2947:
2945:
2943:
2927:Considine, J. D.
2923:
2914:
2913:
2903:
2894:
2893:
2891:
2889:
2869:
2863:
2854:
2848:
2847:
2845:
2843:
2829:
2823:
2822:
2820:
2818:
2806:
2800:
2793:
2787:
2786:
2781:
2779:
2770:(5 April 2003).
2764:
2758:
2757:
2755:
2753:
2743:
2737:
2730:
2724:
2723:
2720:MTV Rockumentary
2711:
2705:
2704:
2673:
2667:
2666:
2664:
2662:
2647:
2641:
2640:
2610:
2591:
2587:
2556:
2550:United Kingdom (
2535:
2529:United Kingdom (
2514:
2508:United Kingdom (
2491:
2488:
2448:
2447:
2415:
2414:
2387:Swedish Albums (
2374:
2373:
2365:
2174:"Hate & War"
2157:"What's My Name"
2103:
2098:
2094:
2074:I Fought the Law
1998:Complete Control
1979:"Remote Control"
1921:
1916:
1912:
1869:
1857:
1851:
1845:
1839:
1833:
1756:
1755:
1754:
1750:
1749:
1745:
1744:
1740:
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1735:
1734:
1706:
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1700:
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1689:
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1668:
1667:
1666:
1662:
1661:
1657:
1656:
1652:
1651:
1624:
1620:
1608:
1605:
1602:I Fought the Law
1595:
1592:
1582:
1579:
1569:
1566:
1563:Complete Control
1519:
1502:
1501:
1455:
1454:
1450:
1419:
1417:
1391:
1385:
1384:
1234:
1229:
1225:
1207:London's Burning
1157:"What's My Name"
1018:
1013:
1009:
961:
860:Robert Christgau
843:in April 1977's
783:
782:
781:
777:
776:
772:
771:
767:
766:
762:
761:
745:
744:
743:
739:
738:
734:
733:
729:
728:
724:
723:
707:
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696:
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631:
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619:
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610:
609:
593:
592:
591:
587:
586:
582:
581:
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576:
548:
547:
546:
542:
541:
537:
536:
532:
531:
527:
526:
501:
497:
430:Windsor Castle's
374:", was a famous
283:London's Burning
217:
214:
204:
201:
147:
146:
111:
110:
106:
33:
21:
20:
4953:
4952:
4948:
4947:
4946:
4944:
4943:
4942:
4918:
4917:
4916:
4911:
4893:
4869:Norman Watt-Roy
4730:
4682:
4642:Revolution Rock
4552:
4540:This Is England
4526:Rock the Casbah
4380:
4355:
4258:
4233:
4180:
4110:
4105:
4061:
4043:
4013:
3981:
3951:
3924:
3897:
3877:
3875:Further reading
3872:
3859:
3858:
3854:
3841:
3840:
3836:
3823:
3822:
3818:
3805:
3804:
3800:
3782:
3778:
3768:
3766:
3765:on 25 July 2024
3753:
3752:
3748:
3736:
3732:
3724:
3720:
3703:
3702:
3698:
3689:
3685:
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3486:
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3473:
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3411:
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3406:
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3393:
3389:
3382:
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3338:
3328:
3326:
3310:
3306:
3296:
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3274:
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3234:
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3217:
3206:
3202:
3191:
3185:
3178:
3151:
3144:
3132:
3131:
3127:
3117:
3115:
3113:
3074:
3067:
3057:
3055:
3038:
3034:
3022:
3021:
3014:
3007:
2984:
2980:
2970:
2968:
2955:
2951:
2941:
2939:
2924:
2917:
2905:
2904:
2897:
2887:
2885:
2870:
2866:
2855:
2851:
2841:
2839:
2831:
2830:
2826:
2816:
2814:
2807:
2803:
2794:
2790:
2777:
2775:
2765:
2761:
2751:
2749:
2745:
2744:
2740:
2731:
2727:
2713:
2712:
2708:
2674:
2670:
2660:
2658:
2648:
2644:
2612:
2611:
2607:
2603:
2590:
2571:United States (
2555:
2537:UK re-release
2534:
2513:
2501:Certified units
2487:
2482:
2455:
2446:
2422:
2381:
2372:
2362:
2318:
2275:on "48 Hours,"
2261:
2248:
2243:
2180:Jones, Strummer
2092:
1985:Jones, Strummer
1907:
1752:
1747:
1742:
1737:
1702:
1697:
1692:
1687:
1664:
1659:
1654:
1611:
1606:
1599:
1598:
1593:
1586:
1585:
1580:
1573:
1572:
1567:
1560:
1559:
1531:
1522:
1517:
1510:
1452:
1448:
1447:
1415:
1413:
1404:
1389:
1383:
1381:1979 US version
1378:
1329:
1223:
1174:
1146:
1078:
993:
959:
779:
774:
769:
764:
741:
736:
731:
726:
703:
698:
693:
688:
665:
660:
655:
650:
627:
622:
617:
612:
589:
584:
579:
544:
539:
534:
529:
496:
469:
368:
334:
318:
220:
215:
208:
207:
202:
195:
194:
166:
157:
108:
104:
103:
49:
36:
17:
12:
11:
5:
4951:
4941:
4940:
4935:
4930:
4913:
4912:
4910:
4909:
4898:
4895:
4894:
4892:
4891:
4886:
4881:
4876:
4871:
4866:
4864:Mick Gallagher
4861:
4856:
4851:
4849:Sandy Pearlman
4846:
4841:
4836:
4831:
4829:Bernard Rhodes
4826:
4821:
4816:
4809:
4804:
4799:
4797:Carbon/Silicon
4794:
4792:The Mescaleros
4789:
4784:
4779:
4774:
4769:
4764:
4759:
4754:
4749:
4744:
4738:
4736:
4732:
4731:
4729:
4728:
4721:
4714:
4707:
4700:
4692:
4690:
4684:
4683:
4681:
4680:
4673:
4666:
4659:
4652:
4645:
4638:
4631:
4628:Death or Glory
4624:
4617:
4610:
4603:
4596:
4589:
4582:
4575:
4568:
4560:
4558:
4554:
4553:
4551:
4550:
4543:
4536:
4529:
4522:
4515:
4508:
4501:
4494:
4491:Hitsville U.K.
4487:
4480:
4473:
4466:
4459:
4456:London Calling
4452:
4445:
4438:
4431:
4424:
4417:
4410:
4403:
4400:Remote Control
4396:
4388:
4386:
4382:
4381:
4379:
4378:
4371:
4363:
4361:
4360:Extended plays
4357:
4356:
4354:
4353:
4346:
4339:
4332:
4324:
4317:
4310:
4303:
4295:
4288:
4285:1977 Revisited
4281:
4274:
4266:
4264:
4260:
4259:
4257:
4256:
4249:
4241:
4239:
4235:
4234:
4232:
4231:
4224:
4217:
4210:
4207:London Calling
4203:
4196:
4188:
4186:
4182:
4181:
4179:
4178:
4173:
4168:
4163:
4158:
4152:
4151:
4144:
4137:
4130:
4123:
4115:
4112:
4111:
4104:
4103:
4096:
4089:
4081:
4075:
4074:
4060:
4059:External links
4057:
4056:
4055:
4041:
4029:Topping, Keith
4025:
4011:
3993:
3979:
3963:
3949:
3936:
3922:
3909:
3895:
3876:
3873:
3871:
3870:
3852:
3834:
3816:
3798:
3776:
3746:
3730:
3718:
3696:
3690:Letts (2001).
3683:
3677:Letts (2001).
3670:
3656:
3625:
3614:on 2 July 2009
3589:
3563:
3535:
3508:
3484:
3467:
3450:
3421:
3404:
3387:
3380:
3374:. p. 95.
3353:
3336:
3304:
3272:
3265:
3247:
3232:
3215:
3200:
3183:
3176:
3158:Weisbard, Eric
3154:Sheffield, Rob
3142:
3125:
3111:
3077:Sheffield, Rob
3065:
3032:
3012:
3005:
2978:
2949:
2915:
2895:
2864:
2849:
2824:
2813:. trakMARX.com
2801:
2795:Letts (2001).
2788:
2759:
2738:
2732:Letts (2001).
2725:
2706:
2668:
2642:
2604:
2602:
2599:
2596:
2595:
2583:
2582:
2579:
2576:
2568:
2567:
2564:
2561:
2547:
2546:
2543:
2540:
2526:
2525:
2522:
2519:
2505:
2504:
2498:
2495:
2486:
2485:Certifications
2483:
2479:
2478:
2472:
2471:
2468:
2458:
2457:
2452:
2445:
2442:
2440:
2437:
2436:
2433:
2428:Greek Albums (
2425:
2424:
2419:
2411:
2410:
2407:
2396:
2395:
2392:
2384:
2383:
2378:
2371:
2368:
2363:
2361:
2358:
2357:
2356:
2350:
2347:Sandy Pearlman
2344:
2338:
2335:
2329:
2326:
2317:
2314:
2313:
2312:
2306:
2300:
2294:
2284:
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2240:
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2049:
2048:
2045:
2042:
2039:
2032:
2028:
2027:
2024:
2021:
2018:
2015:
2011:
2010:
2007:
2004:
2001:
1994:
1990:
1989:
1986:
1983:
1980:
1977:
1973:
1972:
1969:
1966:
1963:
1960:
1956:
1955:
1952:
1949:
1946:
1939:
1935:
1934:
1931:
1928:
1925:
1922:
1908:
1906:
1903:
1897:London Calling
1873:
1872:
1866:
1854:
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1583:
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1556:
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1552:
1542:
1541:
1538:
1537:
1534:
1533:
1528:London Calling
1524:
1512:
1498:
1497:
1490:
1489:
1483:Sandy Pearlman
1477:Mickey Foote,
1475:
1469:
1468:
1463:
1457:
1456:
1445:
1441:
1440:
1435:
1429:
1428:
1425:
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1410:
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1393:
1392:
1382:
1379:
1375:
1374:
1371:
1368:
1365:
1358:
1354:
1353:
1350:
1347:
1344:
1341:
1337:
1336:
1333:
1330:
1328:
1327:
1322:
1316:
1314:
1307:
1303:
1302:
1299:
1296:
1293:
1290:
1286:
1285:
1282:
1279:
1276:
1273:
1269:
1268:
1265:
1262:
1259:
1252:
1248:
1247:
1244:
1241:
1238:
1235:
1224:
1220:
1219:
1216:
1213:
1210:
1203:
1199:
1198:
1195:
1192:
1189:
1186:
1182:
1181:
1178:
1175:
1173:
1172:
1167:
1164:
1160:
1158:
1155:
1151:
1150:
1147:
1145:
1144:
1141:
1137:
1135:
1132:
1131:"Hate and War"
1129:
1125:
1124:
1121:
1118:
1115:
1108:
1104:
1103:
1100:
1097:
1094:
1087:
1083:
1082:
1079:
1077:
1076:
1073:
1069:
1067:
1064:
1061:Remote Control
1057:
1053:
1052:
1049:
1046:
1043:
1036:
1032:
1031:
1028:
1025:
1022:
1019:
1001:
992:
989:
962:s list of the
809:
808:
805:
797:
796:
793:
785:
784:
755:
747:
746:
717:
709:
708:
679:
671:
670:
641:
633:
632:
603:
595:
594:
570:
562:
561:
558:
550:
549:
520:
514:
513:
510:
506:
505:
495:
492:
468:
465:
406:economics and
380:Remote Control
376:brothel keeper
367:
364:
333:
330:
317:
314:
226:
225:
222:
221:
219:
218:
211:Remote Control
205:
191:
188:
187:
177:
176:
173:
172:
169:
168:
159:
150:
143:
142:
135:
134:
131:
125:
124:
119:
113:
112:
101:
97:
96:
91:
85:
84:
83:
82:
76:
71:
67:
66:
63:
59:
58:
55:
51:
50:
45:
38:
37:
34:
26:
25:
15:
9:
6:
4:
3:
2:
4950:
4939:
4936:
4934:
4931:
4929:
4926:
4925:
4923:
4908:
4900:
4899:
4896:
4890:
4887:
4885:
4882:
4880:
4877:
4875:
4872:
4870:
4867:
4865:
4862:
4860:
4857:
4855:
4852:
4850:
4847:
4845:
4844:Caroline Coon
4842:
4840:
4837:
4835:
4832:
4830:
4827:
4825:
4822:
4820:
4817:
4815:
4814:
4810:
4808:
4805:
4803:
4800:
4798:
4795:
4793:
4790:
4788:
4785:
4783:
4780:
4778:
4775:
4773:
4770:
4768:
4765:
4763:
4760:
4758:
4755:
4753:
4750:
4748:
4745:
4743:
4740:
4739:
4737:
4733:
4727:
4726:
4722:
4720:
4719:
4715:
4713:
4712:
4708:
4706:
4705:
4701:
4699:
4698:
4694:
4693:
4691:
4689:
4685:
4678:
4674:
4671:
4667:
4664:
4663:Junco Partner
4660:
4657:
4656:Spanish Bombs
4653:
4650:
4646:
4643:
4639:
4636:
4632:
4629:
4625:
4622:
4618:
4615:
4611:
4608:
4604:
4601:
4597:
4594:
4590:
4587:
4583:
4580:
4576:
4573:
4569:
4566:
4562:
4561:
4559:
4555:
4548:
4544:
4541:
4537:
4534:
4530:
4527:
4523:
4520:
4516:
4513:
4509:
4506:
4502:
4499:
4495:
4492:
4488:
4485:
4481:
4478:
4474:
4471:
4470:Train in Vain
4467:
4464:
4460:
4457:
4453:
4450:
4446:
4443:
4439:
4436:
4432:
4429:
4425:
4422:
4418:
4415:
4411:
4408:
4404:
4401:
4397:
4394:
4390:
4389:
4387:
4383:
4377:
4376:
4372:
4370:
4369:
4368:Capital Radio
4365:
4364:
4362:
4358:
4352:
4351:
4347:
4345:
4344:
4340:
4338:
4337:
4333:
4330:
4329:
4325:
4323:
4322:
4318:
4316:
4315:
4311:
4309:
4308:
4304:
4301:
4300:
4296:
4294:
4293:
4289:
4287:
4286:
4282:
4280:
4279:
4275:
4273:
4272:
4268:
4267:
4265:
4261:
4255:
4254:
4250:
4248:
4247:
4243:
4242:
4240:
4236:
4230:
4229:
4225:
4223:
4222:
4218:
4216:
4215:
4211:
4209:
4208:
4204:
4202:
4201:
4197:
4195:
4194:
4190:
4189:
4187:
4185:Studio albums
4183:
4177:
4174:
4172:
4171:Nick Sheppard
4169:
4167:
4164:
4162:
4159:
4157:
4154:
4153:
4150:
4149:
4145:
4143:
4142:
4141:Topper Headon
4138:
4136:
4135:
4131:
4129:
4128:
4124:
4122:
4121:
4117:
4116:
4113:
4109:
4102:
4097:
4095:
4090:
4088:
4083:
4082:
4079:
4072:
4068:
4067:
4063:
4062:
4052:
4048:
4044:
4042:1-903111-70-6
4038:
4034:
4030:
4026:
4022:
4018:
4014:
4012:0-85965-348-X
4008:
4004:
4003:
3998:
3994:
3990:
3986:
3982:
3980:1-903399-34-3
3976:
3972:
3968:
3964:
3960:
3956:
3952:
3950:0-7528-5843-2
3946:
3942:
3937:
3933:
3929:
3925:
3923:1-905139-10-1
3919:
3915:
3910:
3906:
3902:
3898:
3896:1-84513-113-4
3892:
3888:
3884:
3879:
3878:
3866:
3862:
3856:
3848:
3844:
3838:
3830:
3826:
3820:
3812:
3808:
3802:
3795:
3794:
3789:
3787:
3780:
3764:
3760:
3756:
3750:
3743:
3739:
3734:
3727:
3722:
3714:
3710:
3706:
3700:
3693:
3687:
3680:
3674:
3659:
3657:0-89919-026-X
3653:
3649:
3645:
3644:
3639:
3635:
3629:
3613:
3609:
3608:
3603:
3599:
3598:Wolk, Douglas
3593:
3577:
3576:Rolling Stone
3573:
3567:
3551:
3550:
3549:Rolling Stone
3545:
3539:
3523:
3519:
3515:
3511:
3509:1-932958-61-4
3505:
3501:
3500:
3495:
3488:
3480:
3479:
3478:Rolling Stone
3471:
3463:
3462:
3454:
3438:
3437:
3432:
3425:
3417:
3416:
3408:
3400:
3399:
3391:
3383:
3381:0-7535-0493-6
3377:
3373:
3369:
3368:
3363:
3362:Larkin, Colin
3357:
3349:
3348:
3340:
3324:
3323:
3318:
3314:
3308:
3292:
3291:
3286:
3282:
3276:
3268:
3266:9781613737484
3262:
3258:
3251:
3243:
3236:
3229:
3225:
3224:Sniffin' Glue
3219:
3211:
3204:
3197:
3187:
3179:
3177:0-679-75574-8
3173:
3169:
3168:Vintage Books
3165:
3164:
3159:
3155:
3149:
3147:
3138:
3137:
3129:
3114:
3112:0-7432-0169-8
3108:
3104:
3100:
3096:
3095:
3090:
3086:
3082:
3078:
3072:
3070:
3053:
3049:
3048:
3047:Rolling Stone
3043:
3036:
3028:
3027:
3019:
3017:
3008:
3002:
2998:
2997:Omnibus Press
2994:
2993:
2988:
2987:Larkin, Colin
2982:
2966:
2965:
2960:
2953:
2938:
2937:
2932:
2928:
2922:
2920:
2911:
2910:
2902:
2900:
2884:
2883:
2878:
2874:
2868:
2861:
2860:
2853:
2838:
2834:
2828:
2812:
2805:
2798:
2792:
2785:
2773:
2769:
2763:
2748:
2742:
2735:
2729:
2721:
2717:
2710:
2702:
2698:
2694:
2690:
2686:
2682:
2678:
2677:Caws, Matthew
2672:
2657:
2653:
2646:
2638:
2634:
2630:
2626:
2622:
2618:
2617:
2609:
2605:
2594:
2584:
2580:
2577:
2574:
2569:
2565:
2562:
2559:
2553:
2548:
2544:
2541:
2538:
2532:
2527:
2523:
2520:
2517:
2511:
2506:
2502:
2497:Certification
2492:
2477:
2467:
2465:
2459:
2453:
2451:Chart (1979)
2450:
2449:
2441:
2434:
2431:
2426:
2418:Chart (2024)
2416:
2405:
2401:
2397:
2390:
2385:
2379:
2377:Chart (1977)
2376:
2375:
2367:
2366:
2354:
2351:
2348:
2345:
2342:
2339:
2336:
2333:
2330:
2327:
2325:on US version
2324:
2320:
2319:
2310:
2309:Topper Headon
2307:
2304:
2301:
2298:
2295:
2292:
2288:
2285:
2283:on US version
2282:
2278:
2274:
2270:
2269:rhythm guitar
2266:
2263:
2262:
2252:
2237:
2234:
2231:
2228:
2224:
2220:
2217:
2214:
2211:
2207:
2203:
2199:
2196:
2194:Murvin, Perry
2193:
2190:
2186:
2182:
2179:
2176:
2173:
2169:
2165:
2162:
2159:
2156:
2152:
2148:
2145:
2142:
2139:
2135:
2131:
2128:
2125:
2123:"Janie Jones"
2122:
2118:
2099:
2086:
2083:
2081:
2078:
2075:
2071:
2067:
2063:
2060:
2057:
2054:
2050:
2046:
2043:
2040:
2037:
2033:
2029:
2025:
2022:
2019:
2016:
2012:
2008:
2005:
2002:
1999:
1995:
1991:
1987:
1984:
1981:
1978:
1974:
1970:
1967:
1964:
1961:
1957:
1953:
1950:
1947:
1944:
1940:
1936:
1917:
1911:
1905:Track listing
1902:
1899:
1898:
1893:
1889:
1885:
1880:
1878:
1867:
1863:
1862:
1855:
1849:
1843:
1837:
1831:
1830:
1829:
1823:
1820:
1818:"Protex Blue"
1817:
1814:
1811:
1810:
1809:
1807:
1802:
1800:
1796:
1792:
1786:
1783:
1779:
1778:
1767:
1765:
1764:
1760:
1759:
1729:
1727:
1726:
1722:
1721:
1717:
1715:
1714:
1710:
1709:
1679:
1677:
1676:
1672:
1671:
1646:
1644:
1643:
1639:
1638:
1630:
1627:Review scores
1625:
1614:
1603:
1597:
1590:
1584:
1577:
1571:
1564:
1558:
1557:
1554:
1551:
1547:
1543:
1539:
1530:
1529:
1525:
1521:
1520:
1513:
1509:
1508:
1504:
1503:
1499:
1496:US chronology
1495:
1491:
1488:
1484:
1481:, The Clash,
1480:
1476:
1474:
1470:
1467:
1464:
1462:
1458:
1446:
1442:
1439:
1436:
1434:
1430:
1426:
1422:
1411:
1407:
1403:
1398:
1394:
1386:
1372:
1369:
1366:
1363:
1359:
1355:
1351:
1348:
1345:
1342:
1338:
1334:
1331:
1326:
1323:
1321:
1320:Junior Murvin
1318:
1317:
1315:
1312:
1308:
1304:
1300:
1297:
1294:
1292:"Protex Blue"
1291:
1287:
1283:
1280:
1277:
1274:
1270:
1266:
1263:
1260:
1257:
1253:
1249:
1230:
1217:
1214:
1211:
1208:
1204:
1200:
1196:
1193:
1190:
1187:
1183:
1179:
1176:
1171:
1168:
1165:
1162:
1161:
1159:
1156:
1152:
1148:
1142:
1139:
1138:
1136:
1133:
1130:
1126:
1122:
1119:
1116:
1113:
1109:
1105:
1101:
1098:
1095:
1092:
1088:
1084:
1080:
1074:
1071:
1070:
1068:
1065:
1062:
1058:
1054:
1050:
1047:
1044:
1041:
1037:
1033:
1014:
1008:
1006:
1000:
998:
991:Track listing
988:
986:
982:
978:
973:
971:
970:
965:
958:
957:
956:Rolling Stone
952:
948:
944:
943:
937:
936:
931:
927:
923:
922:
917:
913:
909:
907:
903:
899:
898:
893:
892:
886:
883:
879:
875:
874:
870:In 1993, the
868:
866:
861:
857:
856:
850:
848:
847:
842:
838:
837:
836:Sniffin’ Glue
832:
828:
827:
823:wrote in the
822:
817:
815:
806:
804:
803:
799:
798:
794:
792:
791:
787:
786:
756:
754:
753:
749:
748:
718:
716:
715:
714:Rolling Stone
711:
710:
680:
678:
677:
673:
672:
642:
640:
639:
635:
634:
604:
602:
601:
597:
596:
571:
569:
568:
564:
563:
559:
557:
556:
552:
551:
521:
519:
516:
515:
507:
504:Review scores
502:
491:
489:
488:rock and roll
485:
481:
477:
473:
464:
461:
457:
453:
449:
445:
440:
438:
433:
431:
427:
423:
418:
416:
411:
409:
405:
401:
397:
393:
389:
385:
381:
377:
373:
363:
361:
357:
356:
351:
347:
346:Camden Market
343:
339:
338:Rosław Szaybo
329:
327:
323:
313:
310:
306:
304:
303:Topper Headon
300:
296:
292:
288:
284:
280:
276:
271:
269:
265:
261:
257:
253:
248:
246:
242:
238:
234:
233:
223:
212:
206:
199:
193:
192:
189:
186:
182:
178:
174:
165:
164:
160:
156:
155:
151:
149:
148:
144:
140:
136:
132:
130:
126:
123:
120:
118:
114:
102:
98:
95:
92:
90:
86:
80:
77:
74:
73:
72:
68:
64:
60:
56:
52:
48:
43:
39:
32:
27:
22:
19:
4811:
4752:Band members
4723:
4716:
4709:
4702:
4695:
4449:Groovy Times
4373:
4366:
4348:
4341:
4336:Sound System
4334:
4326:
4319:
4312:
4305:
4297:
4290:
4283:
4276:
4269:
4263:Compilations
4251:
4244:
4228:Cut the Crap
4226:
4219:
4212:
4205:
4198:
4192:
4191:
4156:Keith Levene
4148:Terry Chimes
4146:
4139:
4134:Paul Simonon
4132:
4125:
4120:Joe Strummer
4118:
4064:
4032:
4001:
3970:
3940:
3913:
3882:
3855:
3837:
3819:
3801:
3792:
3785:
3779:
3767:. Retrieved
3763:the original
3749:
3733:
3721:
3699:
3691:
3686:
3678:
3673:
3661:. Retrieved
3642:
3628:
3616:. Retrieved
3612:the original
3605:
3592:
3580:. Retrieved
3575:
3566:
3556:23 September
3554:. Retrieved
3547:
3538:
3526:. Retrieved
3522:the original
3498:
3487:
3476:
3470:
3459:
3453:
3441:. Retrieved
3434:
3424:
3413:
3407:
3396:
3390:
3372:Virgin Books
3366:
3356:
3345:
3339:
3327:. Retrieved
3320:
3307:
3295:. Retrieved
3288:
3275:
3256:
3250:
3241:
3235:
3227:
3223:
3222:Mark Perry,
3218:
3209:
3203:
3192:ac_UK2_CLASH
3186:
3162:
3134:
3128:
3118:24 September
3116:. Retrieved
3093:
3056:. Retrieved
3052:the original
3045:
3035:
3024:
2991:
2981:
2969:. Retrieved
2964:Classic Rock
2962:
2952:
2940:. Retrieved
2934:
2907:
2886:. Retrieved
2880:
2867:
2857:
2852:
2840:. Retrieved
2836:
2827:
2815:. Retrieved
2804:
2796:
2791:
2783:
2776:. Retrieved
2762:
2750:. Retrieved
2741:
2733:
2728:
2719:
2709:
2684:
2681:Guitar World
2680:
2671:
2659:. Retrieved
2655:
2645:
2620:
2614:
2608:
2586:
2557:
2536:
2515:
2475:
2463:
2303:Terry Chimes
2297:Paul Simonon
2265:Joe Strummer
2229:"Garageland"
2080:Sonny Curtis
2017:"White Riot"
1909:
1895:
1891:
1887:
1881:
1877:Nicky Headon
1874:
1859:
1827:
1805:
1803:
1794:
1790:
1787:
1775:
1773:
1761:
1723:
1711:
1673:
1640:
1549:
1526:
1518:(US version)
1515:
1514:
1505:
1397:Studio album
1390:(US version)
1170:Keith Levene
1002:
997:Joe Strummer
994:
974:
967:
954:
946:
940:
933:
929:
925:
919:
916:Colin Larkin
911:
910:
905:
901:
895:
889:
887:
881:
880:also ranked
877:
871:
869:
864:
853:
851:
845:
834:
833:declared in
824:
821:Tony Parsons
818:
813:
812:
800:
788:
750:
712:
674:
636:
600:Classic Rock
598:
565:
553:
479:
471:
470:
441:
434:
419:
412:
384:Anarchy Tour
383:
369:
353:
350:Terry Chimes
335:
319:
308:
307:
295:Terry Chimes
293:on bass and
291:Paul Simonon
286:
272:
268:Keith Levene
252:Joe Strummer
249:
231:
230:
229:
184:
161:
153:
152:
133:Mickey Foote
57:8 April 1977
42:Studio album
18:
4889:Futura 2000
4884:Ellen Foley
4879:Mikey Dread
4859:Kosmo Vinyl
4854:Guy Stevens
4839:Alex Michon
4742:Discography
4725:London Town
4593:Janie Jones
4557:Other songs
4484:The Call Up
4328:The Singles
4321:Singles Box
4299:The Singles
4238:Live albums
4221:Combat Rock
4214:Sandinista!
4176:Vince White
4166:Pete Howard
3997:Needs, Kris
3887:Aurum Press
3759:IFPI Greece
3663:24 February
3101:. pp.
3081:"The Clash"
3058:5 September
2942:10 November
2856:The Clash.
2837:Discogs.com
2817:21 November
2558:US release
2334:− cover art
2323:engineering
2291:lead guitar
2273:lead guitar
2112:Lead vocals
1930:Lead vocals
1243:Lead vocals
1040:Janie Jones
1027:Lead vocals
476:CBS Records
460:Sex Pistols
448:The Wailers
372:Janie Jones
332:Album cover
322:Harrow Road
275:Janie Jones
245:CBS Records
75:CBS, London
4922:Categories
4874:Tymon Dogg
4787:The Pogues
4777:Havana 3am
4757:The 101ers
4579:Garageland
4477:Bankrobber
4393:White Riot
4161:Rob Harper
4127:Mick Jones
3967:Gruen, Bob
3528:2 December
3443:11 October
3325:. New York
3293:. New York
2971:11 October
2842:24 January
2601:References
2444:US version
2370:UK version
2353:Bill Price
2332:Kate Simon
2316:Production
2287:Mick Jones
2281:production
1884:popularity
1821:"48 Hours"
1550:The Clash
1516:The Clash
1487:Bill Price
1416:1979-07-26
1388:The Clash
1362:Garageland
1343:"48 Hours"
1112:White Riot
1005:Mick Jones
981:Bob Marley
951:US version
900:described
841:Kris Needs
831:Mark Perry
486:and early
452:Garageland
396:White Riot
348:. Drummer
342:Kate Simon
316:Background
299:Rob Harper
279:White Riot
256:Mick Jones
198:White Riot
185:The Clash
141:chronology
4834:Don Letts
4762:London SS
4463:Clampdown
4428:Tommy Gun
4193:The Clash
4108:The Clash
4066:The Clash
4031:(2004) .
3971:The Clash
3793:Billboard
3786:Billboard
3713:Billboard
3618:31 August
3582:9 October
3196:help page
2888:18 August
2693:1045-6295
2629:0028-6362
2464:Billboard
2456:position
2423:position
2400:UK Albums
2382:position
2259:The Clash
2246:Personnel
2109:Writer(s)
1927:Writer(s)
1892:Billboard
1888:The Clash
1806:The Clash
1795:The Clash
1494:The Clash
1479:Lee Perry
1438:Punk rock
1427:1976–1979
1402:the Clash
1325:Lee Perry
1240:Writer(s)
1024:Writer(s)
977:Lee Perry
947:The Clash
930:The Clash
912:The Clash
906:The Clash
902:The Clash
888:In 1999,
882:The Clash
865:The Clash
858:, critic
814:The Clash
494:Reception
480:The Clash
472:The Clash
309:The Clash
287:The Clash
241:the Clash
237:punk rock
232:The Clash
154:The Clash
139:The Clash
94:Punk rock
47:the Clash
24:The Clash
4907:Category
4807:Gorillaz
4697:Rude Boy
4051:63129186
4021:53155325
3989:69241279
3959:52990890
3932:60668626
3905:61177239
3709:AllMusic
3636:(1981).
3518:70672814
3364:(2000).
3297:17 April
3091:(eds.).
3079:(2004).
2882:AllMusic
2656:BBC News
2581:500,000
2545:100,000
2524:100,000
2235:Strummer
2197:Strummer
2163:Strummer
2146:Strummer
2129:Strummer
2096:Side two
2084:Strummer
2061:Strummer
2044:Strummer
2023:Strummer
2006:Strummer
1968:Strummer
1951:Strummer
1914:Side one
1473:Producer
1424:Recorded
1409:Released
1399: by
1227:Side two
1163:Strummer
1143:Strummer
1075:Strummer
1011:Side one
924:(2000).
518:AllMusic
355:Rude Boy
281:", and "
129:Producer
62:Recorded
54:Released
44: by
4385:Singles
4071:Discogs
3769:26 July
3607:Blender
3329:21 June
2701:7982091
2637:4213418
2566:60,000
2563:Silver
2503:/sales
2494:Region
1815:"Cheat"
1675:Blender
1546:Singles
1532:(1979)
1523:(1979)
1511:(1978)
1414: (
1275:"Cheat"
945:ranked
928:placed
467:Release
428:in the
262:cover "
181:Singles
167:(1978)
158:(1977)
4331:(2007)
4302:(1991)
4049:
4039:
4019:
4009:
3987:
3977:
3957:
3947:
3930:
3920:
3903:
3893:
3654:
3516:
3506:
3378:
3263:
3242:Zigzag
3174:
3136:Select
3109:
3103:167–68
3003:
2967:. Bath
2752:2 July
2699:
2691:
2661:2 June
2635:
2627:
2476:
2360:Charts
2232:
2215:
2177:
2143:
2126:
2115:Length
2058:
2041:
2020:
2003:
1982:
1965:
1948:
1933:Length
1812:"Deny"
1635:Rating
1632:Source
1444:Length
1370:
1367:
1349:
1346:
1332:
1295:
1281:
1278:
1264:
1261:
1246:Length
1215:
1212:
1194:
1191:
1188:"Deny"
1177:
1134:
1120:
1117:
1099:
1096:
1066:
1048:
1045:
1030:Length
846:Zigzag
790:Select
512:Rating
509:Source
484:reggae
422:condom
400:chords
260:reggae
100:Length
70:Studio
4747:Songs
4688:Films
3788:200)"
3212:: 33.
3083:. In
2778:7 May
2578:Gold
2542:Gold
2521:Gold
2277:piano
2218:Jones
2106:Title
1924:Title
1768:10/10
1548:from
1461:Label
1433:Genre
1298:Jones
1237:Title
1166:Jones
1140:Jones
1072:Jones
1021:Title
960:'
807:10/10
404:class
366:Songs
239:band
183:from
117:Label
89:Genre
4047:OCLC
4037:ISBN
4017:OCLC
4007:ISBN
3985:OCLC
3975:ISBN
3955:OCLC
3945:ISBN
3928:OCLC
3918:ISBN
3901:OCLC
3891:ISBN
3771:2024
3665:2019
3652:ISBN
3620:2016
3584:2021
3558:2019
3530:2007
3514:OCLC
3504:ISBN
3461:Mojo
3445:2020
3436:Spin
3376:ISBN
3331:2013
3299:2012
3261:ISBN
3172:ISBN
3120:2011
3107:ISBN
3060:2016
3001:ISBN
2973:2020
2944:2020
2890:2004
2859:Mojo
2844:2020
2819:2007
2780:2010
2754:2015
2697:OCLC
2689:ISSN
2663:2018
2633:OCLC
2625:ISSN
2573:RIAA
2470:126
2454:Peak
2430:IFPI
2421:Peak
2380:Peak
2279:and
2238:3:12
2221:3:05
2200:6:01
2183:2:05
2166:1:40
2149:1:52
2132:2:03
2087:2:41
2064:2:12
2047:3:59
2026:1:59
2009:3:14
1988:3:00
1971:2:25
1954:3:56
1466:Epic
1373:3:12
1352:1:34
1335:6:01
1301:1:42
1284:2:06
1267:1:52
1218:2:12
1197:3:03
1180:1:40
1149:2:05
1123:1:56
1102:2:25
1081:3:00
1051:2:03
942:Mojo
935:Spin
408:race
277:", "
254:and
4069:at
3638:"C"
3347:NME
2616:NME
2552:BPI
2531:BPI
2510:BPI
2466:200
2461:US
2435:10
2409:12
2404:OCC
2394:42
2102:No.
1920:No.
1782:CBS
1233:No.
1017:No.
987:".
918:'s
878:NME
795:5/5
560:5/5
388:CBS
326:CBS
122:CBS
4924::
4045:.
4015:.
3983:.
3953:.
3926:.
3899:.
3889:.
3863:.
3845:.
3827:.
3809:.
3790:.
3757:.
3740:.
3711:.
3707:.
3650:.
3646:.
3640:.
3604:.
3574:.
3546:.
3512:.
3496:.
3433:.
3319:.
3287:.
3198:).
3166:.
3145:^
3105:.
3087:;
3068:^
3044:.
3015:^
2999:.
2961:.
2933:.
2918:^
2898:^
2879:.
2875:.
2835:.
2782:.
2718:.
2695:.
2685:12
2683:.
2654:.
2631:.
2619:.
2575:)
2432:)
2406:)
2391:)
2289:−
2271:,
2226:7.
2205:6.
2188:5.
2171:4.
2154:3.
2137:2.
2120:1.
2069:8.
2052:7.
2031:6.
2014:5.
1993:4.
1976:3.
1959:2.
1938:1.
1801:.
1485:,
1453:20
1449:43
1357:6.
1340:5.
1306:4.
1289:3.
1272:2.
1251:1.
1202:8.
1185:7.
1154:6.
1128:5.
1107:4.
1086:3.
1056:2.
1035:1.
972:.
410:.
109:18
105:35
4679:"
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4100:e
4093:t
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4053:.
4023:.
3991:.
3961:.
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3831:.
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3773:.
3715:.
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3586:.
3560:.
3532:.
3447:.
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3180:.
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3062:.
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2975:.
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2892:.
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2756:.
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2639:.
2621:3
2554:)
2533:)
2512:)
2402:(
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2208:"
2076:"
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2034:"
2000:"
1996:"
1945:"
1941:"
1718:A
1604:"
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1561:"
1451::
1418:)
1364:"
1360:"
1313:"
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1254:"
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1110:"
1093:"
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1063:"
1059:"
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1038:"
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891:Q
676:Q
442:"
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213:"
209:"
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196:"
107::
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