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The Confession (1970 film)

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256:, the very secret police force that is carrying out the surveillance. One day, Artur is arrested and jailed by an organization that declares itself "above the ruling party", and put in solitary confinement for months without being told the reason why. His wife Lise and their children are kept in the dark by the government and told to cooperate for their own good; Lise is later removed from her job as a prominent radio news announcer and forced to work in a factory by the party. Though she believes in her husband, she is equally certain in the wisdom and ultimate goodness of the party. 276:
latter. When their interrogators do not return to them, the prisoners panic and threaten to appeal, but are told by their court-appointed lawyers that the sentences are only for the party's benefit and will not be enforced if they do not appeal. The convicted men appear in court one final time to accept their sentences and waive their right to appeal.
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between 1956 and 1963. However, the rest are executed and cremated, with their ashes scattered along a road. At the same time, a number of the officials behind the ordeal end up facing their own persecutions, including Kohoutek, Artur's own interrogator. Artur later encounters the demoted Kohoutek,
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At the trial, Artur and his colleagues faithfully play their parts. Lise, to her shame, is forced to make a recorded statement disavowing her husband and praising the party which airs during the trial. The prisoners are variously sentenced to either death or life imprisonment, with Artur given the
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and being forced to walk back and forth all the time, Artur is slowly pressured into confessing imaginary crimes, including treason, and baited with the prospect of leniency at sentencing if he cooperates. He also learns that his friends have been arrested as well and are implicating him in crimes
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that the film is a "thoughtful, intelligent demonstration of how strong, idealistic men of character are turned into pawns of history". Although the film is "subdued, Costa-Gavras's work has tremendous zing, but it's not until the movie is almost over that it gains resonance."
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elements who had orchestrated the entire affair had been pushed out of power by the party, and Artur believed that the party now desired to expose the truth of what happened during those years as much as Artur himself did. Unfortunately, he arrives in Prague just as the
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and it couldn't be, because there is no justice to emerge at the end and no scoundrels to unmask." The director, he wrote, "has made a point of insisting that the movie is anti-Stalinist, not anti-Communist." London remained a communist at the time the film was made.
29: 580:(1988) wrote: "the screenplay's static and wordy nature is not sufficiently tempered by the direction or the playing. However, some of the interrogation scenes which lead to the false confession of the title cannot fail to have an impact." 272:", which will be broadcast live on radio and shown in cinemas. While his captors coach him to memorize prepared answers by rote, he is given robust meals, vitamin injections, and a sunlamp to improve his appearance after years of wasting. 546:(1969), but because the subject of this film "is much more complex, much more human, I find it vastly more interesting". It is "a harrowing film of intellectual and emotional anguish, dramatized by the breathless devices of melodrama." 251:
in 1951. He realizes he is being watched and followed, and meets to discuss this with a group of his friends who have also attained top government positions. They realize they are all being watched, even the chief of the
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In 1968, Artur completes his memoirs of his experiences in captivity and returns to Czechoslovakia to have them published. By then, amidst the
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Yves Montand lost more than 15 kilograms (33 lb) to play his role. Montand had been shaken by the
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against the state. Upon finally confessing to his alleged crimes, Artur is then groomed for a public "
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In France the movie contributed to the disillusion of French left intellectuals and artists with the
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Artur Ludvik, alias Gerard, is a loyal communist and hero of WWII who serves as the vice-minister of
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and later said of the film: "There was in what I inflicted upon myself something of an act of
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Which Socialism, Whose DĂ©tente?: West European Communism and the Czechoslovak Crisis of 1968
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Afterwards, Artur and some of his colleagues are gradually freed and
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who tries to downplay his role in Artur's torment by claiming he
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Liedermacher Reinhard Mey - "Waldeck war Sehnsucht"
211:It is based on the true story of the Czechoslovak 1110: 550:wrote in April 1971: "It is not a thriller like 602:. In Germany it inspired the singer-songwriter 837: 735: 288:and never understood what the party wanted. 196:) is a 1970 French-Italian film directed by 610:(1972) of which he published with a Dutch ( 844: 830: 27: 736:Bergan, Ronald; Karney, Robyn (1989) . 635: 633: 631: 522: 223:. 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Retrieved 715: 705: 695: 691: 679:. Retrieved 674: 649:. 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Index


Costa-Gavras
Jorge SemprĂşn
Artur London
Robert Dorfmann
Bertrand Javal
Yves Montand
Simone Signoret
Gabriele Ferzetti
Raoul Coutard
Françoise Bonnot
Giovanni Fusco
Paramount Pictures
French
French
Costa-Gavras
Yves Montand
Simone Signoret
communist
Artur London
Slánský trial
anti-communist
totalitarianism
Stalinism
Foreign Affairs
Czechoslovakia
StB
brainwashing
sleep deprivation
trial

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