22:
608:
463:
41:
67:". It was further altered in 1848 for a dramatic performance for a private gathering with Tennyson starring as the Prince. "The Day-Dream" discusses the nature of sleeping and of dreaming, especially in relation to individuals that would want to escape from reality. The poem also compares the act of poetry with dreaming and asserts that the two are the same.
79:
died. The death greatly affected both
Tennyson and his sister Emily, and he kept away from society as he dealt with the pain. By mid-summer 1834, they slowly began to participate together in social events once again. At one occasion, Tennyson, Emily, and their sister Mary were invited to visit
165:
The poem compares the act of poetry with dreaming and says that the two are the same. The dream is able to stimulate the memory of the sleeping woman. Tennyson's earlier works discuss journeys through memory, including
178:
emphasizes the pleasure in being able to return to a sleep state and avoid reality. However, the poem is similar to other
Tennyson poems in that it relies on a frame for the story in a manner similar to "Lady Godive",
214:
or "Home They
Brought Her Warrior Dead" in its discussion of rebirth and a return to life. Turnbull 1978 In relationship to other works, it is possible that the story of a sleeping woman is the same used by
103:, which was published in 1842. The poem was altered in 1848 for a dramatic performance for a private gathering. In that version, Tennyson played the part of the Prince who was to wake up the sleeping woman.
206:
keeps up with the anti-didact trend and goes as far as to create a moral about not being able to create a moral. Of any possible moral meaning, there is an emphasis on charity and order. The parts of
245:
claims, "This is one of the most artistically executed of
Tennyson's creations; he was always fond of the slumberous side of things where music is the voice of the poppy dreams of fancy."
174:
is one of the few that lack a use of irony. The poem relies on a similar theme as
Tennyson's "The Lotos-Eaters" in that it talks about a living death state. However,
167:
467:
242:
210:
are related to poems in particular. "L'Envoi" is similar to the themes and ideas of "The Lotos-Eaters". The section "The
Revival" is similar to
187:. The character Flora is similar to many of Tennyson's females that resist their fate by desiring death, including the Idyl ladies Rose of
131:
The poem reverses time and declares that the living, contemporary artists are ancient while those who have died before are the young:
501:
987:
630:
21:
920:
914:
44:"The maid-of-honour blooming fair, The page has caught her hand in his" —Illustrated under George T. Andrew (New York,
75:
Tennyson originally published "The
Sleeping Beauty" in his 1830 collection of poems. In 1833, Tennyson's close friend
926:
581:
84:
and then travel onwards to see the Hallam family. However, Tennyson set out on his own and spent time alone at
908:
494:
722:
700:
170:", "The Merman", "The Mermaid", and "Recollections of the Arabian Nights". Out of all of Tennyson's poems,
803:
736:
982:
875:
487:
607:
938:
856:
686:
88:, Dorking. It was during this time that he worked on "The Sleeping Beauty" and early versions of
892:
707:
525:
817:
644:
510:
60:
473:
824:
810:
743:
596:
575:
8:
977:
972:
623:
547:
944:
729:
679:
672:
533:
479:
880:
750:
715:
540:
789:
782:
658:
554:
111:
The poem begins by comparing the act of dreaming with the act of composing poetry:
26:
932:
831:
589:
229:
391:
764:
757:
561:
216:
966:
950:
885:
848:
693:
651:
568:
76:
796:
63:
that was published in 1842. It was an expanded version of his 1830 poem "
665:
224:
85:
462:
81:
40:
386:. Cambridge, Massachusetts: Harvard University Press, 1951.
127:
And loosely settled into form. ("Prologue" II, lines 1-5)
509:
25:
An illustration to the 1830 version of the poem, by
156:
And in the morning of the times ("L'envoi" I 13–20)
365:
363:
964:
423:. Cambridge: Cambridge University Press, 1992.
416:. Cambridge: Cambridge University Press, 1988.
360:
290:
288:
495:
260:
258:
409:. Athens, Ohio: Ohio University Press, 1988.
285:
502:
488:
255:
99:The poem was later expanded into the poem
16:1842 poem written by Alfred, Lord Tennyson
449:Life and Writings of Alfred Lord Tennyson
437:. Ithaca: Cornell University Press, 1976.
430:. New Haven: Yale University Press, 1975.
392:The Early Poems of Alfred, Lord Tennyson
39:
20:
965:
135:And all that else the years will show,
483:
444:. New York: St. Martin's Press, 1992.
202:In relationship to Tennyson's poems,
236:
511:Alfred Tennyson, 1st Baron Tennyson
476:, from the U.S. Library of Congress
13:
395:. London: Methuen & Co., 1900.
115:A summer crisp with shining woods.
14:
999:
455:
150:In divers seasons, divers climes;
141:The vast Republics that may grow,
138:The Poet-forms of stronger hours,
606:
461:
153:For we are Ancients of the earth
118:And I too dream'd, until at last
988:Poetry by Alfred, Lord Tennyson
631:The Charge of the Light Brigade
351:
342:
223:. The theme is also similar to
144:The Federations and the Powers;
121:Across my fancy, brooding warm,
333:
324:
315:
306:
297:
276:
267:
1:
376:
70:
45:
30:
701:Now Sleeps the Crimson Petal
124:The reflex of a legend past,
7:
804:Flower in the Crannied Wall
147:Titanic forces taking birth
10:
1004:
901:
868:
841:
774:
615:
604:
517:
451:. Norwood: Norwood, 1978.
402:. New York: Norton, 1971.
160:
876:Chapel House, Twickenham
474:1886 illustrated edition
248:
939:Charles Tennyson Turner
687:Lady Clara Vere de Vere
389:Collins, John Churton.
189:The Gardener's Daughter
106:
59:" is a poem written by
893:Blackdown, West Sussex
526:Poems, Chiefly Lyrical
428:Tennyson's Major Poems
312:Kincaid 1975 pp. 49–50
273:Thorn 1975 pp. 122–134
52:
37:
645:A Dream of Fair Women
583:The Miller's Daughter
421:Tennyson and the Text
43:
24:
825:Ring Out, Wild Bells
811:The Higher Pantheism
597:The Ballad of Oriana
576:Mariana in the South
384:The Victorian Temper
168:Sense and Conscience
737:St. Simeon Stylites
624:Break, Break, Break
548:The Lady of Shalott
407:The Manyfacèd Glass
369:Turnbull 1978 p. 60
65:The Sleeping Beauty
945:Frederick Tennyson
680:In Memoriam A.H.H.
673:Idylls of the King
534:The Deserted House
447:Turnbull, Arthur.
348:Kincaid 1975 p. 49
339:Buckley 1951 p. 83
321:Hughes 1988 p. 130
53:
38:
960:
959:
881:Farringford House
751:Tears, Idle Tears
716:The Palace of Art
466:The full text of
419:Joseph, Gerhard.
400:Tennyson's Poetry
382:Buckley, Jerome.
330:Jordan 1988 p. 60
303:Jordan 1988 p. 35
294:Joseph 1992 p. 38
282:Thorn 1975 p. 223
237:Critical response
195:, and Mariana of
995:
927:Charles Tennyson
783:Crossing the Bar
610:
555:The Lotos-Eaters
504:
497:
490:
481:
480:
465:
440:Thorn, Michael.
435:Tennyson's Style
433:Shaw, W. David.
426:Kincaid, James.
412:Jordan, Elaine.
370:
367:
358:
357:Shaw 1976 p. 129
355:
349:
346:
340:
337:
331:
328:
322:
319:
313:
310:
304:
301:
295:
292:
283:
280:
274:
271:
265:
264:Hill 1971 p. 544
262:
241:Literary critic
50:
47:
35:
32:
27:W. E. F. Britten
1003:
1002:
998:
997:
996:
994:
993:
992:
983:Narrative poems
963:
962:
961:
956:
933:Emilia Tennyson
921:Lionel Tennyson
915:Hallam Tennyson
897:
864:
837:
770:
611:
602:
513:
508:
458:
414:Alfred Tennyson
405:Hughes, Linda.
379:
374:
373:
368:
361:
356:
352:
347:
343:
338:
334:
329:
325:
320:
316:
311:
307:
302:
298:
293:
286:
281:
277:
272:
268:
263:
256:
251:
243:Arthur Turnbull
239:
163:
109:
73:
61:Alfred Tennyson
48:
33:
17:
12:
11:
5:
1001:
991:
990:
985:
980:
975:
958:
957:
955:
954:
948:
942:
936:
930:
924:
918:
912:
909:Emily Tennyson
905:
903:
899:
898:
896:
895:
890:
889:
888:
878:
872:
870:
866:
865:
863:
862:
854:
845:
843:
839:
838:
836:
835:
828:
821:
814:
807:
800:
793:
786:
778:
776:
772:
771:
769:
768:
761:
758:The Two Voices
754:
747:
740:
733:
726:
719:
712:
704:
697:
690:
683:
676:
669:
662:
655:
648:
641:
634:
627:
619:
617:
613:
612:
605:
603:
601:
600:
593:
586:
579:
572:
565:
558:
551:
544:
537:
530:
521:
519:
515:
514:
507:
506:
499:
492:
484:
478:
477:
471:
457:
456:External links
454:
453:
452:
445:
438:
431:
424:
417:
410:
403:
398:Hill, Robert.
396:
387:
378:
375:
372:
371:
359:
350:
341:
332:
323:
314:
305:
296:
284:
275:
266:
253:
252:
250:
247:
238:
235:
217:Richard Wagner
181:Morte D'Arthur
162:
159:
158:
157:
154:
151:
148:
145:
142:
139:
136:
129:
128:
125:
122:
119:
116:
108:
105:
72:
69:
15:
9:
6:
4:
3:
2:
1000:
989:
986:
984:
981:
979:
976:
974:
971:
970:
968:
952:
951:Arthur Hallam
949:
946:
943:
940:
937:
934:
931:
928:
925:
922:
919:
916:
913:
910:
907:
906:
904:
900:
894:
891:
887:
886:Tennyson Down
884:
883:
882:
879:
877:
874:
873:
871:
867:
861:
859:
855:
853:
851:
850:The Foresters
847:
846:
844:
840:
833:
829:
826:
822:
820:
819:
815:
812:
808:
805:
801:
799:
798:
794:
791:
787:
784:
780:
779:
777:
773:
766:
762:
759:
755:
752:
748:
745:
744:Sweet and Low
741:
738:
734:
731:
727:
725:
724:
720:
717:
713:
710:
709:
705:
702:
698:
695:
694:Locksley Hall
691:
688:
684:
681:
677:
675:
674:
670:
668:
667:
663:
660:
656:
653:
649:
646:
642:
639:
638:The Day-Dream
635:
632:
628:
625:
621:
620:
618:
614:
609:
598:
594:
591:
587:
585:
584:
580:
577:
573:
570:
566:
563:
559:
556:
552:
549:
545:
542:
538:
535:
531:
528:
527:
523:
522:
520:
516:
512:
505:
500:
498:
493:
491:
486:
485:
482:
475:
472:
470:at Wikisource
469:
468:The Day-Dream
464:
460:
459:
450:
446:
443:
439:
436:
432:
429:
425:
422:
418:
415:
411:
408:
404:
401:
397:
394:
393:
388:
385:
381:
380:
366:
364:
354:
345:
336:
327:
318:
309:
300:
291:
289:
279:
270:
261:
259:
254:
246:
244:
234:
232:
231:
226:
222:
218:
213:
209:
208:The Day-Dream
205:
204:The Day-Dream
200:
198:
194:
190:
186:
182:
177:
176:The Day-Dream
173:
172:The Day-Dream
169:
155:
152:
149:
146:
143:
140:
137:
134:
133:
132:
126:
123:
120:
117:
114:
113:
112:
104:
102:
101:The Day-Dream
97:
95:
94:The Blackbird
91:
87:
83:
78:
77:Arthur Hallam
68:
66:
62:
58:
57:The Day-Dream
42:
28:
23:
19:
860:(song cycle)
857:
849:
816:
795:
723:The Princess
721:
706:
671:
664:
637:
582:
524:
518:Early poetry
448:
441:
434:
427:
420:
413:
406:
399:
390:
383:
353:
344:
335:
326:
317:
308:
299:
278:
269:
240:
228:
220:
212:The Princess
211:
207:
203:
201:
196:
193:The Princess
192:
188:
185:The Princess
184:
180:
175:
171:
164:
130:
110:
100:
98:
93:
89:
74:
64:
56:
54:
18:
842:Other works
797:Enoch Arden
775:Late poetry
730:Sir Galahad
90:Sir Galahad
80:friends at
49: 1885
34: 1901
978:1842 poems
973:1830 poems
967:Categories
929:(grandson)
923:(grandson)
858:The Window
666:Lady Clare
541:The Kraken
377:References
225:John Keats
86:Leith Hill
71:Background
947:(brother)
941:(brother)
790:The Eagle
659:St. Agnes
221:Siegfried
191:, Ida of
953:(friend)
935:(sister)
832:Tithonus
590:Claribel
442:Tennyson
230:Endymion
869:Related
765:Ulysses
562:Mariana
197:Mariana
82:Dorking
911:(wife)
902:People
852:(play)
711:(1842)
652:Godiva
616:Poetry
569:Oenone
529:(1830)
161:Themes
917:(son)
708:Poems
249:Notes
818:Maud
183:and
107:Poem
92:and
227:'s
219:in
969::
362:^
287:^
257:^
233:.
199:.
96:.
46:c.
31:c.
834:"
830:"
827:"
823:"
813:"
809:"
806:"
802:"
792:"
788:"
785:"
781:"
767:"
763:"
760:"
756:"
753:"
749:"
746:"
742:"
739:"
735:"
732:"
728:"
718:"
714:"
703:"
699:"
696:"
692:"
689:"
685:"
682:"
678:"
661:"
657:"
654:"
650:"
647:"
643:"
640:"
636:"
633:"
629:"
626:"
622:"
599:"
595:"
592:"
588:"
578:"
574:"
571:"
567:"
564:"
560:"
557:"
553:"
550:"
546:"
543:"
539:"
536:"
532:"
503:e
496:t
489:v
166:"
55:"
51:)
36:)
29:(
Text is available under the Creative Commons Attribution-ShareAlike License. Additional terms may apply.