22:
201:, a work that is based on "The Deserted House". With the painting, she excerpted part of the poem dealing with "Life" and "Thought", two ideas that she personified in her artwork. Her depiction of Life is one that is in action, wearing armour, and carries a spear, while Thought is a female in thought, wearing a robe and carrying a book. The actual house, in De Morgan's interpretation, was a sepulcher. In the background of her work is a depiction of a city with angels along a path that leads towards it. Another aspect of the painting is the depiction of the soul leaving the body and travelling to the afterlife. She added a fig tree as a possible representation of original sin or as a representation of a path towards paradise.
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says "Beautiful it was in art, music, and imagination; but there was something more than a general expression of awe about it." William Dawson, in his 1890 review of
English poets, included "The Deserted House" in poems of Tennyson that represented his "fineness of workmanship and depth of feeling".
189:
In many of
Tennyson's works, he connected the idea of God to a dying civilisation. Before "The Deserted House", the image appears in "Babylon", "The Fall of Jerusalem", "Persia", and "Timbuctoo". Although the theme is different in "The Deserted House", the poem still describes a decaying body that is
67:
The poem exhibits lyrical economy with its reliance on short lines. The lines themselves alternate in rhyme and meter in a manner that keeps the poem from having a felicitous feel to it. The first four stanzas of the poem describe the emptiness of a house, while the fifth, final stanza reveals that
215:
for May 1832 argues, "Mr
Tennyson, when he chooses, can say much in few words. A fine example of that is shewn in five few-syllabled four-lined stanzas on a Deserted House. Every word tells; and the short whole is most pathetic in its completeness-let us say perfection-like some old Scottish air
433:
172:; the Hallam house represents the narrator's dead friend, Arthur. Throughout Tennyson's poetry, the mood of a poem is transmitted through the scenery. To Tennyson, empty space represented the remoteness of an individual, and this theme appears in many of his works including
47:. The poem is characterised by its reliance on short lines which alternate in rhyme and meter to prevent a felicitous feel. In the poem, Tennyson uses the image of a dark house as a metaphor for a dead body.
220:
characterises
Tennyson's works saying, "There is such a latent charm in mere words, cunning collocutions, and in the voice ringing them, which he has caught, and brought out beyond all others evidenced in
59:
of 1830. The poem was printed alongside works that included "The Dying Swan", "The Mystic", "Ode to Memory", "The
Sleeping Beauty", and the later suppressed poem, "The Grasshopper".
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Tennyson's use of allegory in "The
Deserted House" established a method that he later developed into "parabolic drift", the term he used to describe his metaphoric style in
186:, the landscape is isolated and brooding, which reflects on her solitude, but the noises of the scene fill it with the life that is lacking in "The Deserted House".
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168:. The specific allegory, the use of a dark house as a metaphor for a dead body, reappears in the seventh part of Tennyson's
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the empty house is a metaphor for a dead body after the soul has left.
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Later in 1899, Stephen Gwynn argues, "Even among the
Juvenilia,
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sung by maiden at her wheel-or shepherd in the wilderness."
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Talmage, T. De Witt (editor). "The Gospel in
Tennyson",
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In describing the poem, an anonymous review in the 1884
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418:. London: K. Paul, Trench, TrĂĽbner & Co., 1893.
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Evelyn
Pickering De Morgon and the Allegorical Body
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193:Out of a possible response to Tennyson's death,
397:. London: Associated University Presses, 2002.
390:. Cambridge: Cambridge University Press, 1992.
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369:. Iowa city: University of Iowa Press, 1989.
411:. London: Routledge & Kegan Paul, 1986.
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416:Tennyson: Poet, Philosopher, Idealist
362:. London: Hodder and Stoughton, 1890.
178:in the form of a quiet island and in
155:Would they could have stayed with us.
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149:A great and distant city—have bought
41:in 1830, as part of his collection
476:Alfred Tennyson, 1st Baron Tennyson
129:The house was builded of the earth,
106:Close the door, the shutters close,
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376:. London: Blackie & Son, 1899.
16:1830 poem by Alfred, Lord Tennyson
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109:Or thro' the windows we shall see
29:accompanying "The Deserted House"
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355:. No CXCIV, Vol XXXI (May 1832).
98:So frequent on its hinge before.
943:Poetry by Alfred, Lord Tennyson
596:The Charge of the Light Brigade
404:. Vol XVI (July–December 1884).
351:Anonymous. "Tennyson's Poems",
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199:Life and Thought Have Gone Away
140:Come away: for Life and Thought
132:And shall fall again to ground.
72:Life and Thought have gone away
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126:Is here or merry-making sound.
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666:Now Sleeps the Crimson Petal
360:The Makers of Modern English
89:All within is dark as night:
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769:Flower in the Crannied Wall
438:public domain audiobook at
123:Come away: no more of mirth
115:Of the dark deserted house.
92:In the windows is no light:
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374:Tennyson: A Critical Study
320:Walters 1893 quoted p. 201
229:, and many other pieces."
95:And no murmur at the door,
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112:The nakedness and vacancy
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241:is not easy to forget".
152:A mansion incorruptible.
904:Charles Tennyson Turner
652:Lady Clara Vere de Vere
329:Dawson 1890 pp. 170–171
209:An anonymous review in
146:But in a city glorious—
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37:" is a poem written by
858:Blackdown, West Sussex
491:Poems, Chiefly Lyrical
409:The Poetry of Tennyson
182:as a quiet valley. In
81:Careless tenants they!
57:Poems, Chiefly Lyrical
44:Poems, Chiefly Lyrical
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610:A Dream of Fair Women
548:The Miller's Daughter
388:Tennyson and the Text
367:Tennyson's Characters
338:Gwynn 1899 p. 147–148
311:Anonymous 1832 p. 733
284:Joseph 1992 pp. 32–34
257:Hill 1971 pp. 530–539
143:Here no longer dwell;
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790:Ring Out, Wild Bells
776:The Higher Pantheism
562:The Ballad of Oriana
541:Mariana in the South
702:St. Simeon Stylites
589:Break, Break, Break
513:The Lady of Shalott
407:Thomson, Alastair.
223:The Lady of Shalott
175:The Lady of Shalott
910:Frederick Tennyson
645:In Memoriam A.H.H.
638:Idylls of the King
499:The Deserted House
435:The Deserted House
266:Thomson 3012 p. 22
239:The Deserted House
227:The Deserted House
166:Idylls of the King
35:The Deserted House
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846:Farringford House
716:Tears, Idle Tears
681:The Palace of Art
386:Joseph, Gerhard.
381:Tennyson's Poetry
358:Dawson, William.
302:Smith 2002 p. 165
293:Goslee 1989 p. 23
275:Joseph 1992 p. 33
205:Critical response
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170:In Memoriam
938:1830 poems
932:Categories
894:(grandson)
888:(grandson)
823:The Window
631:Lady Clare
506:The Kraken
346:References
51:Background
912:(brother)
906:(brother)
755:The Eagle
624:St. Agnes
918:(friend)
900:(sister)
797:Tithonus
555:Claribel
440:LibriVox
197:painted
834:Related
730:Ulysses
527:Mariana
184:Mariana
876:(wife)
867:People
817:(play)
676:(1842)
617:Godiva
581:Poetry
534:Oenone
494:(1830)
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160:Themes
882:(son)
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