Knowledge

The Dispossessed

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social, sexual, and political conventions of the hierarchical capitalist society of Urras. His grievances are further explored with the outbreak of war in neighbouring Benbili, of which A-Io is involved with rivalling Thu. At Ieu Eun University, Shevek struggles with teaching the Urrasti students and is manipulated by the physicists there, who hope that his breakthrough on the General Temporal Theory will allow them to build a faster-than-light ship. A mysterious note asking him to join his 'brothers' spooks Shevek, knowing that fellow like-minded anarchists are on Urras - in the shadows. Eventually, at a dinner party, a drunken Shevek publicly denounces his peers on A-Io, scolding them for their materialistic lives and taking their splendor for granted, before leading to a disastrous sexual encounter that further alienates Shevek from his peers. He has a sobering realisation that the theory he proposes will be capitalised by the Urrasti for potential warfare, not for the benefit of society. Shevek escapes the university, contacts an underground revolutionary group from the note he found, joining in a labor protest in Nio Esseia that is violently suppressed. He flees to the Terran embassy, where he asks them to transmit his theory to all worlds. The Terrans provide him safe passage back to Anarres.
732:. While on Urras, Shevek hits "the wall of charm, courtesy, indifference." He later notes that he let a "wall be built around him" that kept him from seeing the poor people on Urras. He had been co-opted, with walls of smiles of the rich, and he didn't know how to break them down. Shevek at one point speculates that the people on Urras are not truly free, precisely because they have so many walls built between people and are so possessive. He says, "You are all in jail. Each alone, solitary, with a heap of what he owns. You live in prison, die in prison. It is all I can see in your eyes – the wall, the wall!" ' 7839: 7799: 512:
labor in a dusty desert for four years instead of working on his research. After the drought, he arranges to go to Urras, having won a prestigious award for his work there, to finish and publish his theory with the help of the syndicate he set up to distribute his works. His contact with scholars on Urras and his decision to travel results in political turmoil on Anarres. Shevek is accused of being a traitor by Sabul and threatening the political separation between the two worlds. Believing that his theory will benefit the Anarresti and the wider society, Shevek embarks to Urras.
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incorporates not only mathematics and physics, but also philosophy and ethics. Shevek finds his work blocked by a jealous superior, Sabul, who controls the publication of Anarresti manuscripts. As his theories conflict with the prevailing political philosophy, Shevek believes that his ideas are discordant with Anarresti society. Throughout his time in Abbenay, he runs into old acquaintances from his adolescence and his mother, Rulag. One of his old female acquaintances, Takver, becomes involved with Shevek and the two start a relationship and have their first child together.
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feminist themes. Lefanu adds that there is a difference between the feminist messages that the book explicitly presents and the anti-feminist undertones. For example, the book says that women created the society on Anarres. However, female characters seem secondary to the male protagonist, who seems to be a traditional male hero; Lefanu asserts that this subversion weakens any feminist message that Le Guin was trying to convey.
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as one of her worst in 30 years of writing, in which the physicist escapes a gulag planet for a nearby wealthy sister planet, where he has a love affair but likes the planet even less, and so nobly returns to the gulag. She proceeded to rewrite the story, beginning with his name and origin—Shevek, from Utopia—which she considered reasonable based on his intelligence and disarming naivety. Knowing only bits of
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prisons "with the reluctance of a decent adult forced to explain an obscenity to children. Yes, he said, a prison was a place where a State put people who disobeyed its Laws." Fascinated by this "perversity", the schoolchildren construct their own prison and detain one of their own inside. They are ultimately horrified by the experience.
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of the Anarresti society. An oft-quoted saying in the book is "true journey is return." The meaning of Shevek's theories—which deal with the nature of time and simultaneity—have been subject to interpretation. For example, there have been interpretations that the non-linear nature of the novel is a reproduction of Shevek's theory.
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Odo, the founder of Anarresti society, wrote her most influential works during a nine-year imprisonment. Anarres itself has no prisons. Its post-carceral nature becomes apparent in chapter two, when a group of Annaresti schoolchildren learn about prisons in their history lesson. The teacher describes
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On the other hand, some critics believe that Le Guin's feminist themes are either weak or not present. Some believe that the Taoist interdependence between the genders actually weakens Le Guin's feminist message. Marcellino believes that the anarchist themes in the novel take precedence and dwarf any
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Shevek's work is further disrupted by his social obligation to perform manual labor during a drought in Anarres's anarchist society. To ensure survival in a harsh environment, the people of Anarres must put the needs of society ahead of their own personal desires, so Shevek performs hard agricultural
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depicts an anarchist-syndicalist "alternative to capitalism. Le Guin's computational economy combines a central economic plan for society with democratic decision-making on a syndicalist model, bureaucratic and computational efficiency, and a negotiated tension among syndicate federalism, individual
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In addition to Shevek's journey to answer questions about his society's true level of freedom, the meaning of his theories themselves weave their way into the plot; they not only describe abstract physical concepts, but they also reflect ups and downs of the characters' lives, and the transformation
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For interplanetary travel to his world, Anarres, Shevek is shown around a Hainish spaceship. Hainish culture is described. A Hainishman named Ketho, who sympathizes with Odonian thought, wants to disembark with Shevek when they land on Anarres. Not knowing if the Anarresti will welcome him back with
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did. They enabled me to think about war, peace, politics, how we govern one another and ourselves, the value of failure, and the strength of what is weak. So, when I realized that nobody had yet written an anarchist utopia, I finally began to see what my book might be. And I found that its principal
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first occurred to Le Guin through a vision, revealed as if seen from a distance, first as a male physicist, his thin face, clear eyes, large ears, possibly recalling a memory of Robert Oppenheimer, and a vivid personality. She attempted to capture the character in a short story in what she recalled
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as "the best known and the most popular of the critical utopias published in the 1970s." 'Critical' utopian fiction continues to embrace utopian ideals, but it is cautious of being too prescriptive, and tends to focus on "the continuing presence of difference and imperfection within utopian society
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Both on Anarres and Urras, many conflicts occur between these anarchist principles and the constraints imposed by authority and society. On Anarres, there are no written laws. However, in practice, there are strong conventions about how most things should be done, which frustrate Shevek throughout
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is strongly discouraged, a feature that also is reflected by the novel's title. Children are trained to speak only about matters that interest others; anything else is "egoizing" (pp. 28–31). There is no property ownership of any kind. Shevek's daughter, upon meeting him for the first time,
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Shevek's journey to the only spaceport in Anarres is eventful. Having been deemed a traitor by some groups on the planet, Shevek is nearly killed as an angry mob tries to stop him getting on the spaceship to A-Io. Arriving in A-Io, Urras, Shevek is feted. He soon finds himself disgusted with the
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balance, brings attention to the balance between not only the two planets, but between the male and female inhabitants. The celebration of labor on Anarres stems from a celebration of a mother's labor, focusing on creating life rather than on building objects. The sexual freedom on Anarres also
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planet where "No Trespassing!" signs may be seen, and it is where the book begins and ends. The people of Anarres believe that the wall divides a free world from the corrupting influence of an oppressor's ships. On the other hand, the wall could be a prison wall keeping the rest of the planet
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The chapters alternate between the two planets and between the present and the past. The even-numbered chapters, which are set on Anarres, chronologically take place first and are followed by the odd-numbered chapters, which take place on Urras. The only exceptions occur in the first and last
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It is not just the state of mind of those inside the prisons that concerns Shevek, he also notes the effect on those outside the walls. Steve Grossi says, "by building a physical wall to keep the bad in, we construct a mental wall keeping ourselves, our thoughts, and our empathy out, to the
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The economic and political situation of Anarres and its relation to Urras is ambiguous. The people of Anarres consider themselves as being free and independent, having broken off from the political and social influence of the old world. However, the powers of Urras consider Anarres as being
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Chapter One begins in the middle of the story. The protagonist Shevek is an Anarresti physicist attempting to develop a General Temporal Theory. The physics of the book, Principles of Simultaneity, describes time as having a much deeper, more complex structure than as it is understood. It
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Figurative imprisonment is an important theme in the novel too. In both the Urrasti and Anarresti parts of the novel, "time after time the question of who is being locked out or in, which side of the wall one is on, is the focus of the narrative." Mark Tunik emphasises that
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is taken from the description of Earth in that book (§11) as having passed through an ecological and social collapse with a population peak of 9 billion to a low-population but highly centralized recovery economy." In the same article, Watson assigns a date of AD 4870 to
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characterized the novel as an "extraordinary work", saying Le Guin had "created a working society in exquisite detail" and "a fully realized hypothetical culture living breathing characters who are inevitable products of that culture". Gerald Jonas, writing in
292:, which I didn't try to finish but couldn't quite let go. There was a book in it, and I knew it, but the book had to wait for me to learn what I was writing about and how to write about it. I needed to understand my own passionate 420:
parties, one of which is closely linked to the rival society of Thu. When a revolution is sparked in Benbili, the third major, yet undeveloped, area of Urras, A-Io invades the Thu-supported revolutionary area, generating a
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novel. According to Mary Morrison of the State University of New York at Buffalo, the anarchist themes in this book help to promote feminist themes as well. Other critics, such as William Marcellino of SUNY Buffalo and
702:, the celebration of labor and the body, and desire for sexual freedom in an anarchist society contribute greatly to the book's feminist message. Taoism, which rejects dualisms and divisions in favor of a 625:. When first published, the book included the tagline: "The magnificent epic of an ambiguous utopia!" which was shortened by fans to "An ambiguous utopia" and adopted as a subtitle in certain editions. 461:
of the Odonians from Urras and their exodus to Anarres. Terrans are also there, and the novel occurs some time in the future, according to an elaborate chronology worked out by science fiction author
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The ambiguity of Anarres's economic and political situation in relation to Urras is symbolically manifested in the low wall surrounding Anarres's single spaceport. This wall is the only place on the
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not just by political choice, but by the very lack of actual resources to possess. Here, again, Le Guin draws a contrast with the natural wealth of Urras, and the competitive behaviors this fosters.
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as "a beautifully written, beautifully composed book", saying "it performs one of prime functions, which is to create another kind of social system to see how it would work. Or if it would work."
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tells him, "You can share the handkerchief I use" rather than "You may borrow my handkerchief", thus conveying the idea that the handkerchief is not owned by the girl, but is merely used by her.
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Le Guin brings her own innovations to the literary tradition of utopia. Many earlier utopian novels featured a visitor to utopia, as a device to teach the reader about its institutions. However
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essentially their mining colony, as the annual consignment of Anarres's precious metals and their distribution to major powers on Urras is a major economic event of the old world.
400:. Urras is divided into several states, but is dominated by two rival superpowers, A-Io and Thu. While on Urras, the main character spends most of his time in A-Io, a state with a 592:
the novel. Money is also not used, and instead the Anarresti rely on the DivLab database to match volunteer labor with work assignments. Via these conventions and institutions,
8160: 265:(it can send messages without delay, even between star systems) that plays a critical role in the Hainish Cycle. The invention of the ansible places the novel first in the 9147: 293: 8881: 2921: 2900: 584:. For Le Guin, anarchism's "principal target is the authoritarian State (capitalist or socialist); its principal moral-practical theme is cooperation (solidarity, 3511: 2914: 8818: 2907: 8794: 8288: 1498:(first in order of publication but third in internal chronology), where it is central to the plot, and became an important concept throughout the realm of 9305: 7489: 5731: 2341:
Leonard M. Fleck, "Science Fiction as a Tool of Speculative Philosophy: A Philosophic Analysis of Selected Anarchistic and Utopian Themes in Le Guin's
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Neil Easterbrook, "State, Heterotopia: The Political Imagination in Heinlein, Le Guin, and Delany", pp. 43–75, in Hassler & Wilcox, editors,
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Neil Easterbrook, "State, Heterotopia: The Political Imagination in Heinlein, Le Guin, and Delany", pp. 43–75, in Hassler & Wilcox, editors,
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In Le Guin's book-writing process, the story always came to her through a character rather than an event, idea, plot, or society. The story behind
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Elizabeth Stainforth and Jo Lindsay Walton. 2019. 'Computing Utopia: The Horizons of Computational Economies in History and Science Fiction'.
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Elizabeth Stainforth and Jo Lindsay Walton. 2019. ‘Computing Utopia: The Horizons of Computational Economies in History and Science Fiction’.
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Awards for Best Novel. It achieved a degree of literary recognition unusual for science fiction due to its exploration of themes such as
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On October 5, 2021, it was announced that 1212 Entertainment and Anonymous Content would adapt the novel into a limited series.
861:, however, gave the novel a mixed review, citing the quality of Le Guin's writing but claiming that the ending "slips badly", a 5724: 5957: 8849: 4918: 4873: 2698: 2149: 2122: 1967: 2408:
Lillian M. Heldreth, "Speculations on Heterosexual Equality: Morris, McCaffrey, Le Guin", pp. 209–220 in Palumbo, ed.,
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Anarres is settled after a revolution on Urras by the followers of Odo, the central character of Le Guin's 1974 short story
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Carter F. Hanson, "Memory's Offspring and Utopian Ambiguity in Ursula K. Le Guin's 'The Day Before the Revolution' and
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In her foreword to the collected Hainish novels, Le Guin notes her "great, immediate affinity" with anarchist thinkers
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Jim Villani, "The Woman Science Fiction Writer and the Non-Heroic Male Protagonist", pp. 21–30 in Hassler, ed.,
2276: 2239:"1212 Entertainment, Anonymous Content Team to Adapt Ursula K. Le Guin's 'The Dispossessed' as TV Series (EXCLUSIVE)" 1620: 144: 2713: 9131: 8675: 8211: 5489: 4911: 4891: 4861: 4412: 4376: 3503: 3292: 608:. Pravic reflects many aspects of the philosophical foundations of utopian anarchism. For instance, the use of the 585: 457:, we learn that the Hainish people arrived at Tau Ceti 60 years previously, which is more than 100 years after the 2717: 9300: 9048: 8897: 8841: 8823: 8419: 5573: 4776: 4665: 3997: 2783: 1457: 896: 262: 8585: 9345: 9335: 8857: 8608: 8553: 8079: 5382: 4885: 4517: 3582: 3540: 2999: 2809: 2181: 1550: 1424: 249: 2267:
Le Guin, Ursula K. (1989). "Bibliographic Checklist of the Works of Ursula K. Le Guin". In Wood, Susan (ed.).
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Werner Christie Mathiesen, "The Underestimation of Politics in Green Utopias: The Description of Politics in
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character, whom I'd first glimpsed in the original misbegotten story, was alive and well—my guide to Anarres.
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also does not seek to portray Anarres as a society that is absolutely good, but only as "ambiguously good".
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collective detriment of all." Shevek himself later says, "those who build walls are their own prisoners."
691:, writer of "Popular Writing and Feminist Intervention in Science Fiction," argue that there are distinct 9119: 8498: 8388: 8235: 5166: 4938: 3937: 3828: 3219: 916: 225: 8651: 666:, a focus on utopia's discontents, and an interest in how utopian society interacts with its neighbors. 9315: 9280: 9259: 9209: 8373: 5931: 4843: 4692: 4400: 3800: 3788: 2974: 2776: 906: 351: 221: 131: 6217: 2423:
Klarer, Mario (1992). "Gender and the 'Simultaneity Principle': Ursula Le Guin's 'The Dispossessed'".
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Moore, John (Spring 1995). "An Archaeology of the Future: Ursula K. Le Guin and Anarcho-Primitivism".
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chapters: the first takes place on both the moon and the planet; the last takes place in a spaceship.
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Peter Fitting, "Positioning and Closure: On the 'Reading Effect' of Contemporary Utopian Fiction",
1492:. In other tales in the Hainish Cycle, an ansible already exists. The word "ansible" was coined in 683: 183: 2462: 2224: 1983: 9310: 8986: 8395: 8304: 6126: 5996: 5477: 5334: 5183: 4999: 2646: 2590: 1830: 377: 6295: 9285: 9164: 8739: 8600: 8506: 8227: 6178: 5866: 5829: 5656: 4604: 4592: 4457: 3244: 2324: 2196: 1568: 2139: 2112: 1955: 9174: 9112: 9033: 9025: 8569: 8435: 8278: 8023: 7723: 6675: 6347: 5621: 5298: 4569: 4393: 4316: 4221: 3895: 3781: 3642: 3358: 3151: 2965: 2947: 2886: 2731: 1933: 1891: 1512: 1429: 945: 790: 534:
open arms, Shevek remains content thinking about his family as the spaceship begins to land.
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James F. Collins, "The High Points So Far: An Annotated Bibliography of Ursula K. LeGuin's
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Ilha do Desterro a Journal of English Language, Literatures in English and Cultural Studies
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Selected Proceedings of the 1978 Science Fiction Research Association National Conference
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inverts this, by having Shevek, dissatisfied with his life in Annares, travel to Urras.
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L. Davis and P. Stillman, editors, "The new utopian politics of Ursula K. Le Guin's
337:; Le Guin stated that Oppenheimer was the model for Shevek, the book's protagonist. 9223: 8786: 7289: 7169: 6882: 6751: 6711: 6555: 6495: 6230: 6204: 6063: 5585: 5518: 5453: 5417: 5339: 5291: 5231: 5219: 5136: 5064: 4992: 4970: 4745: 4628: 4545: 4452: 4364: 4357: 4133: 4121: 4049: 3966: 3630: 3406: 3130: 2739: 2308: 1925: 1888:
Anarcho-feminism and permanent revolution in Ursula K. Le Guin's 'The Dispossessed'
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rounded Shevek's prison planet into a place where she saw he would want to return:
657: 356: 330: 2722: 2380:: From Exile to Anarchism", pp. 180–197, in De Bolt & Malzberg, editors, 1610: 1539: 9169: 9057:
She's Such a Geek!: Women Write about Science, Technology & Other Nerdy Stuff
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Never Say You Can't Survive: How to Get Through Hard Times By Making Up Stories
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James P. Farrelly, "The Promised Land: Moses, Nearing, Skinner, and Le Guin",
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It features the development of the mathematical theory underlying a fictional
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imprisoned and cut off. Shevek's life attempts to answer this question.
9049:
Dark Matter: A Century of Speculative Fiction from the African Diaspora
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Ed., Laurence Davis and Peter Stillman. Lanham: Lexington books., 2005.
2044:
The Need for Walls: Privacy, Community, and Freedom in The Dispossessed
1843: 405: 401: 237: 233: 159: 8683: 8251: 7409: 7229: 6864: 6290: 6032: 5542: 5410: 5327: 5154: 5023: 4704: 4522: 4486: 3925: 3308: 832:
The novel received generally positive reviews. On the positive side,
605: 548: 458: 428:
The moon, Anarres, represents a more idealist ideological structure:
422: 417: 408:. The state of Thu is never actually visited, but is said to have an 281:
reprint in 2017, Le Guin reflected on her past 40 years by writing:
229: 112: 108: 8944: 2703: 2559:
James W. Bittner, "Chronosophy, Ethics, and Aesthetics in Le Guin's
600:
The language spoken on Anarres also reflects anarchism. Pravic is a
296:
that we were, endlessly it seemed, waging in Vietnam, and endlessly
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Demand the Impossible: Science Fiction and the Utopian Imagination
1871:
Demand the Impossible: Science Fiction and the Utopian Imagination
1858:
Demand the Impossible: Science Fiction and the Utopian Imagination
7938: 7858: 7783: 7758: 7691: 7671: 7484: 7404: 7244: 7124: 6746: 6670: 6477: 6393: 6199: 6173: 5939: 5900: 5787: 4526: 3204: 2519:
The New Utopian Politics of Ursula K. Le Guin's The Dispossessed.
2517:
Ellen M. Rigsby, "Time and the Measure of the Political Animal."
317: 257: 9254: 2269:
The Language of the Night: Essays on Fantasy and Science Fiction
2141:
The Language of the Night: Essays on Fantasy and Science Fiction
1732:
The New Utopian Politics of Ursula K. Le Guin's The Dispossessed
621:
The work is sometimes said to represent a modern revival of the
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Mosaic: A Journal for the Interdisciplinary Study of Literature
2271:(Revised ed.). New York: HarperCollins. pp. 240–249. 1489: 844: 699: 577: 367:), one popular English-language translation of which is titled 301: 1956:"Popular Writing and Feminist Intervention in Science Fiction" 216:
novels. It is one of a small number of books to win all three
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It has been suggested that Le Guin's title is a reference to
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No Place Else: Explorations in Utopian and Dystopian Fiction
2544:
Ursula K. Le Guin: Voyager to Inner Lands and to Outer Space
3594: 2502:
Utopian Studies: Journal of the Society for Utopian Studies
2319:. N.Y.: Dragon Press, 1977, pp. 239–308 (anarchism in 1873:. Ed., Raffaella Baccolini. Bern: Peter Lang (2014), p. 10. 1860:. Ed., Raffaella Baccolini. Bern: Peter Lang (2014), p. 87. 2604:
Kingsley Widmer, "The Dialectics of Utopianism: Le Guin's
2574:", pp. 116–152, in Olander & Greenberg, editors, 2563:, pp. 244–270 in Rabkin, Greenberg, and Olander, editors, 2550: 2387:
Kingsley Widmer, "The Dialectics of Utopianism: Le Guin's
2301:", pp. 116–152, in Olander & Greenberg, editors, 2092: 2080: 396:
is set on Anarres and Urras, the twin inhabited worlds of
308:. This led me to the nonviolent anarchist writers such as 8882:
The Memory Librarian: And Other Stories of Dirty Computer
2567:, Carbondale: Southern Illinois University Press (1983). 502: 1590:
Janet Biehl, Bookchin biographer; letter in UKL archive
9207: 2570:
John P. Brennan, "Anarchism and Utopian Tradition in
2297:
John P. Brennan, "Anarchism and Utopian Tradition in
515: 1642:
and the Role of Dick: The False Reality as Mediator"
597:
autonomy, and the danger of centralized authority."
524: 2463:"Linguistic innovation in feminist utopian fiction" 2410:
Erotic Universe: Sexuality and Fantastic Literature
2376:Larry L. Tifft, "Possessed Sociology and Le Guin's 1890:(Thesis). State University of New York at Buffalo. 728:is the dominant metaphor for social constraints in 698:Morrison argues that Le Guin's portrayed ideals of 648:shares with many later critical utopias, including 2534:Elizabeth Cummins Cogell, "Taoist Configurations: 1538: 867:that "destroy much of the strength of the novel". 2419:, Columbia, SC: U of South Carolina Press (1997). 2338:, Columbia, SC: U of South Carolina Press (1997). 2288: 1745:Encyclopedia of Fictional and Fantastic Languages 1615:. Boston, MA: Twayne Publishers. pp. 74–75. 975: 9267: 8476:The Marriages Between Zones Three, Four and Five 2451: 1644:. Science Fiction Studies # 5 = Volume 2, Part 1 1309: 1301: 8118:The Voyages of Lord Seaton to the Seven Planets 4933: 2612:, v.3, nos.1–2, pp. 1–11 (Jan.–July 1983). 2594:, v.11, n.1 (#32), pp. 25–38 (March 1984). 2508: 2395:, v.3, nos.1–2, pp. 1–11 (Jan.–July 1983). 2164:"The Dispossessed: Visit from A Small Planet", 1212: 989: 16:1974 science fiction novel by Ursula K. Le Guin 4687: 2798: 2588:Bülent Somay, "Towards an Open-Ended Utopia", 2525: 2399: 2371:https://doi.org/10.5621/sciefictstud.46.3.0471 2104: 1916:: Ursula Le Guin's Transgressions in Utopia". 1747:. Greenwood Press, Westport (2006). Pp. 46-47. 1719:https://doi.org/10.5621/sciefictstud.46.3.0471 1564: 1562: 1322: 1247: 1129: 1036: 412:system that claims to rule in the name of the 5725: 4919: 4673: 3562: 3548: 2784: 2349:, Cedar Falls: Univ. of Northern Iowa (1979). 1907: 1905: 1750: 1400: 1386: 1372: 1358: 1344: 1336: 1274: 1234: 1226: 1101: 1013: 1001: 824:in 1973 for publication in May or June 1974. 5739: 1763: 1288: 1259: 1198: 1190: 1159: 1151: 1143: 1115: 1064: 707:contributes to the book's feminist message. 325:Le Guin's parents, academic anthropologists 2474: 2447:, Mercer Island, WA: Starmont House (1983). 1881: 1879: 1772: 1559: 1173: 1078: 1050: 559: 465:in 1975: "the baseline date of AD 2300 for 5732: 5718: 4926: 4912: 4680: 4666: 3555: 3541: 2791: 2777: 2709:at The Science Fiction Book Review Podcast 2672:, v.33, n.1, pp. 15–23 (Spring 1981). 2665:, v.58, no.2, pp. 89–100 (June 2001). 2345:", pp. 133–45, in Remington, editor, 2110: 1911: 1902: 496:2, 4, 6, 8, 10, 12, 1, 3, 5, 7, 9, 11, 13 25: 9306:Nebula Award for Best Novel-winning works 2382:Voyager to Inner Lands and to Outer Space 1949: 1947: 1661:Said by Shevek near the end of Chapter 13 953:into a series of six 30 minute episodes. 943:In 1987, the CBC Radio anthology program 8145:Man's Rights; Or, How Would You Like It? 2634: 2236: 2131: 2111:Marrs, Cody; Hager, Christopher (2019). 1885: 1876: 1682:""Introduction" from Ursula K. Le Guin: 1066:De udstødte : en socialistisk utopi 267:internal chronology of the Hainish Cycle 9291:Hugo Award for Best Novel-winning works 8169:New Amazonia: A Foretaste of the Future 3415:Buffalo Gals and Other Animal Presences 2546:, Port Washington, NY: Kennikat (1979). 2384:, Port Washington, NY: Kennikat (1979). 2266: 2144:. Ultramarine Publishing. p. 241. 2098: 2086: 1912:Marcellino, William (September 2009). " 1826:"Ambiguity in Utopia: The Dispossessed" 1823: 1730:Laurence, Davis and Peter G. Stillman. 1698: 1679: 1608: 1536: 1447: 1445: 448: 340: 269:, although it was the fifth published. 9268: 2460: 2422: 2064: 1960:Gender, Genre & Narrative Pleasure 1953: 1944: 1734:, Lexington Books (2005). Pp. 287-298. 1635: 8850:When the Tiger Came Down the Mountain 5713: 4907: 4661: 3536: 3228: 2772: 2699:Internet Speculative Fiction Database 2670:JGE: The Journal of General Education 2640:Judah Bierman, "Ambiguity in Utopia: 2561:The Dispossessed: An Ambiguous Utopia 2538:", pp. 153–179 in De Bolt & 2352: 2040: 1803:"Penn State University Press listing" 827: 503:Anarres (chapters 2, 4, 6, 8, 10, 12) 2218: 2137: 1442: 964: 674:Some critics disagree as to whether 5681:Babel, or the Necessity of Violence 4329:Harry Potter and the Goblet of Fire 3431:Unlocking the Air and Other Stories 2504:, v.12, n.1, pp. 56–78 (2001). 2018: 2003: 1986:. Samizdat (2015). 20 December 2015 1275: 1199: 1191: 714: 13: 8951:Battle of sexes in science fiction 8366:Ten Thousand Light-Years from Home 8343:The Kin of Ata Are Waiting for You 3352:The Ones Who Walk Away from Omelas 2461:Burton, Deirdre (1 January 1985). 2225:Times Past Old Time Radio Archives 1817: 1680:Le Guin, Ursula (30 August 2017). 1461:. Locus Science Fiction Foundation 516:Urras (chapters 1, 3, 5, 7, 9, 11) 31:Cover of first edition (hardcover) 14: 9362: 8834:This Is How You Lose the Time War 5275:Tehanu: The Last Book of Earthsea 4377:Jonathan Strange & Mr Norrell 3138:Vaster than Empires and More Slow 2677: 2412:, Westport, CT: Greenwood (1986). 2065:Grossi, Steve (2 February 2013). 1789:"Book review discussing meanings" 695:undertones throughout the novel. 9253: 9241: 9229: 9217: 8212:NEQUA or The Problem of the Ages 8037: 8017: 7997: 7984: 7957: 7937: 7917: 7897: 7877: 7857: 7837: 7817: 7797: 7777: 7757: 7737: 7717: 7697: 7690: 7670: 7650: 7630: 7610: 7590: 7570: 7550: 7530: 7510: 7483: 7463: 7443: 7423: 7403: 7383: 7363: 7343: 7323: 7303: 7283: 7263: 7243: 7223: 7203: 7183: 7163: 7143: 7123: 7103: 7083: 7063: 7043: 7023: 7003: 6983: 6963: 6936: 6916: 6896: 6876: 6863: 6843: 6823: 6803: 6783: 6763: 6745: 6725: 6705: 6687: 6669: 6651: 6632: 6619: 6601: 6588: 6569: 6549: 6529: 6509: 6489: 6476: 6463: 6443: 6430: 6412: 6392: 6385: 6367: 6354: 6341: 6328: 6315: 6302: 6289: 6276: 6263: 6250: 6237: 6224: 6211: 6198: 6185: 6172: 6159: 6146: 6133: 6120: 6107: 6094: 6081: 6057: 6044: 6031: 6016: 6003: 5990: 5977: 5964: 5958:Renée Marie Gouraud d'Ablancourt 5951: 5938: 5925: 5912: 5899: 5886: 5873: 5860: 5847: 5823: 5810: 5786: 5762: 3504:Dancing at the Edge of the World 3293:Very Far Away from Anywhere Else 2114:Timelines of American Literature 2023:. Science Fiction Studies (1975) 1930:10.1111/j.1542-734X.2009.00711.x 1684:The Hainish Novels & Stories 1569:"Study Guide for Ursula LeGuin: 491:Chronological order of chapters 9331:Novels set on fictional planets 9011:How to Suppress Women's Writing 8898:Promises Stronger Than Darkness 8842:The Empress of Salt and Fortune 4870:(1989–1997, 1999, 2017–present) 4777:Where Late the Sweet Birds Sang 3998:Where Late the Sweet Birds Sang 2704:Audio review and discussion of 2650:, v.2, pp. 249–255 (1975). 2230: 2203: 2188: 2173: 2158: 2058: 2034: 2012: 1997: 1976: 1962:. Routledge. pp. 177–191. 1918:The Journal of American Culture 1863: 1850: 1795: 1781: 1737: 1724: 1707: 1692: 1673: 1670:Rigsby, Ellen M. (2005), p. 169 1664: 1655: 1629: 1458:Science Fiction Awards Database 959: 897:John W. Campbell Memorial Award 789:), Le Guin's reading of modern 263:faster-than-light communication 8858:The Future of Another Timeline 8420:Houston, Houston, Do You Read? 8080:The Book of the City of Ladies 3705:(aka: The Forever Machine) by 2259: 2182:The New York Times Book Review 2170:, November 21, 1974, pp.56, 58 2004:Le Guin, Ursula. "Chapter 2". 1743:Conley, Tim and Stephen Cain. 1602: 1593: 1584: 1530: 1518: 1511:An allusion to the spiritual " 1505: 1472: 1425:Ursula K. Le Guin bibliography 1014: 1002: 938: 739: 204:) is a 1974 anarchist utopian 1: 8930:Gender in speculative fiction 8890:The Daughter of Doctor Moreau 8874:Dreams Bigger Than Heartbreak 8700:The Hundred Thousand Kingdoms 8515:Brightness Falls from the Air 5490:The Yiddish Policemen's Union 4413:The Yiddish Policemen's Union 3423:A Fisherman of the Inland Sea 3188:Old Music and the Slave Women 3145:The Day Before the Revolution 2601:, v.1, pp. 23–36 (1987). 2578:, New York: Taplinger (1979). 2305:, New York: Taplinger (1979). 1958:. In Longhurst, Derek (ed.). 1886:Morrison, Mary Irene (2011). 1545:. Boston: Twayne Publishers. 616: 438:The Day Before the Revolution 272: 9041:The Geek Feminist Revolution 8940:Women in speculative fiction 8866:Victories Greater Than Death 8586:Chroniques du pays des mères 8460:Star Songs of an Old Primate 8351:The Word for World is Forest 8048: 8028: 8008: 7975: 7948: 7928: 7908: 7888: 7868: 7848: 7828: 7808: 7788: 7768: 7748: 7728: 7708: 7681: 7661: 7641: 7621: 7601: 7581: 7561: 7541: 7521: 7501: 7474: 7454: 7434: 7414: 7394: 7374: 7354: 7334: 7314: 7294: 7274: 7254: 7234: 7214: 7194: 7174: 7154: 7134: 7114: 7094: 7074: 7054: 7034: 7014: 6994: 6974: 6954: 6927: 6907: 6887: 6854: 6834: 6814: 6794: 6774: 6755: 6736: 6716: 6697: 6679: 6661: 6642: 6611: 6580: 6560: 6540: 6520: 6500: 6454: 6422: 6403: 6377: 3867:The Moon Is a Harsh Mistress 3089:The Word for World Is Forest 2610:Liberal and Fine Arts Review 2393:Liberal and Fine Arts Review 2237:Otterson, Joe (2021-10-05). 2041:Tunik, Mark (January 2005). 1481:The Word for World is Forest 1228:I reietti dell'altro pianeta 542: 171:The Word for World is Forest 7: 9341:Fiction set around Tau Ceti 9326:Novels by Ursula K. Le Guin 9296:1974 science fiction novels 9120:The Witch and the Chameleon 8554:The Gate to Women's Country 8389:The Girl Who Was Plugged In 8161:Das Maschinenalter entsteht 5167:The Claw of the Conciliator 3938:To Your Scattered Bodies Go 3220:Annals of the Western Shore 2619:", Lexington Books, (2005). 2138:Guin, Ursula K. Le (1979). 1609:Spivack, Charlotte (1984). 1537:Spivack, Charlotte (1984). 1418: 917:Nebula Award for Best Novel 669: 277:In her introduction to the 10: 9367: 5932:Elizabeth Burgoyne Corbett 3801:The Man in the High Castle 3789:Stranger in a Strange Land 3391:The Wind's Twelve Quarters 2117:. JHU Press. p. 103. 1778:Davis and Stillman (2005). 1701:The Wind's Twelve Quarters 1636:Watson, Ian (March 1975). 1453:"Ursula K. Le Guin Awards" 1392:, 1976; De obesuttna, 2020 1175:Ο αναρχικός των δύο κόσμων 907:Locus Award for Best Novel 388: 147:(first edition, hardcover) 132:Locus Award for Best Novel 9183: 9157: 9098: 9075: 8995:The Language of the Night 8966: 8912: 8619: 8562:Her Smoke Rose Up Forever 8444:Up the Walls of the World 8412:Woman on the Edge of Time 8327:The Left Hand of Darkness 8203: 8128: 8109: 8090: 8071: 8064: 6073: 5839: 5802: 5778: 5754: 5747: 5693:The Saint of Bright Doors 5648: 5397: 5268:Elizabeth Ann Scarborough 5146: 5132:The Fountains of Paradise 5012:The Left Hand of Darkness 4988:The Einstein Intersection 4945: 4839: 4699: 4617:A Desolation Called Peace 4584: 4439: 4308: 4294:To Say Nothing of the Dog 4167: 4045:The Fountains of Paradise 4036: 3914:The Left Hand of Darkness 3905: 3756: 3681: 3574: 3496:The Language of the Night 3487: 3457: 3439:The Birthday of the World 3382: 3343: 3276: 3267: 3217: 3197: 3115: 3073:The Left Hand of Darkness 3040: 3027: 2987: 2958: 2931: 2878: 2827: 2816: 2807: 2655:The Left Hand of Darkness 2445:Patterns of the Fantastic 2417:Political Science Fiction 2336:Political Science Fiction 1345: 1337: 1260: 1248: 1174: 1130: 990: 887:Hugo Award for Best Novel 870: 537: 473:The Left Hand of Darkness 360: 208:novel by American writer 178: 165: 151: 138: 127: 119: 103: 95: 83: 73: 62: 54: 46: 36: 24: 9321:Pastoral science fiction 9148:Our Opinions Are Correct 8925:Feminist science fiction 8811:All the Birds in the Sky 8676:Le Goût de l'immortalité 8652:Ōoku: The Inner Chambers 5984:Charlotte Perkins Gilman 5741:Feminist science fiction 5598:All the Birds in the Sky 3777:A Canticle for Leibowitz 3174:Coming of Age in Karhide 3097:Four Ways to Forgiveness 2663:Bulletin of Bibliography 2475:Property and possessions 2215:, August 1974, pp.144-45 2047:. Lexington Books (2005) 1699:Le Guin, Ursula (1975). 1435: 847:for at least 10 years". 684:feminist science fiction 560:Anarchism and capitalism 479: 349:novel about anarchists, 184:Four Ways to Forgiveness 8987:Aurora: Beyond Equality 8396:The Holdfast Chronicles 8374:The Women Men Don't See 8305:Memoirs of a Spacewoman 5997:Rokeya Sakhawat Hussain 5335:The Terminal Experiment 4458:The City & the City 2647:Science-Fiction Studies 2628:Science Fiction Studies 2591:Science-Fiction Studies 2551:Utopian literature and 2367:Science Fiction Studies 2021:"Wholeness and Balance" 1831:Science Fiction Studies 1824:Bierman, Judah (1975). 1715:Science Fiction Studies 678:should be considered a 453:In the last chapter of 378:Post-Scarcity Anarchism 234:revolutionary societies 9336:Harper & Row books 9301:Social science fiction 9184:Events and conventions 9165:Sense of Gender Awards 8740:Six Months, Three Days 8609:Brown Girl in the Ring 8601:The Fifth Sacred Thing 8228:Beatrice the Sixteenth 6179:Elisabeth Mann-Borgese 5867:Jane Wells Webb Loudon 5748:Writers by time period 5383:Parable of the Talents 4593:A Memory Called Empire 4518:The Three-Body Problem 3702:They'd Rather Be Right 3583:The Sword in the Stone 2197:Galaxy Science Fiction 1954:Lefanu, Sarah (2012). 1401: 1387: 1373: 1359: 1323: 1310: 1302: 1289: 1235: 1227: 1213: 1160: 1152: 1145:Planet der Habenichtse 1144: 1116: 1102: 1079: 1065: 1051: 1037: 976: 791:libertarian socialists 323: 288:started as a very bad 261:, a device capable of 9346:Books about anarchism 9175:Lambda Literary Award 9034:We Have Always Fought 9026:To Write Like a Woman 8065:Notable works by date 8024:Benjanun Sriduangkaew 7724:Catherynne M. Valente 6348:Sally Miller Gearhart 5622:The Calculating Stars 4874:Best Young Adult Book 4570:The Calculating Stars 4394:Robert Charles Wilson 4317:A Deepness in the Sky 3851:...And Call Me Conrad 3813:Here Gather the Stars 3782:Walter M. Miller, Jr. 3512:Lao Tzu: Tao Te Ching 3359:The Diary of the Rose 2948:The Books of Earthsea 2915:The Daughter of Odren 2887:The Word of Unbinding 2727:at Worlds Without End 2697:title listing at the 2635:Additional references 2325:(pdf available online 2200:, June 1974, pp.97-98 2179:"Of Things to Come", 2069:. Steve Grossi (2013) 1573:(1974)" - Paul Brians 1513:Down by the Riverside 1430:Anarchism in the arts 1196:,‎ 1980; later 1010:Chinese (Traditional) 639:Tom Moylan describes 335:J. Robert Oppenheimer 306:nonviolent resistance 294:opposition to the war 283: 9276:1974 American novels 9003:More Women of Wonder 8819:The Stars Are Legion 8724:The Alchemy of Stone 8644:Parable of the Sower 8594:The Matter of Seggri 8484:The Vampire Tapestry 8452:The Eye of the Heron 8185:Unveiling a Parallel 7350:Justine Larbalestier 6658:Lois McMaster Bujold 6516:Chelsea Quinn Yarbro 6296:Angélica Gorodischer 6218:Françoise d'Eaubonne 5919:Mary E. Bradley Lane 5634:A Song for a New Day 5627:Mary Robinette Kowal 5555:Kim Stanley Robinson 5459:Lois McMaster Bujold 5359:The Moon and the Sun 5316:Kim Stanley Robinson 5287:Stations of the Tide 5256:Lois McMaster Bujold 5227:Speaker for the Dead 5060:Rendezvous with Rama 4976:Flowers for Algernon 4741:Rendezvous with Rama 4641:Some Desperate Glory 4575:Mary Robinette Kowal 4370:Lois McMaster Bujold 4275:Kim Stanley Robinson 4251:Lois McMaster Bujold 4239:Kim Stanley Robinson 4212:A Fire Upon the Deep 4205:Lois McMaster Bujold 4193:Lois McMaster Bujold 4129:Speaker for the Dead 3962:Rendezvous with Rama 3742:A Case of Conscience 3469:(series) (1988–1999) 3301:The Eye of the Heron 3160:The Matter of Seggri 2908:Darkrose and Diamond 2836:A Wizard of Earthsea 2734:audio production of 2317:The Jewel-Hinged Jaw 2194:"Galaxy Bookshelf", 1527:, retrieved 9/8/2017 1103:Osattomien planeetta 998:Chinese (Simplified) 771:William Henry Hudson 604:in the tradition of 602:constructed language 582:Percy Bysshe Shelley 449:Theoretical timeline 341:Meaning of the title 333:, were friends with 9260:Speculative fiction 8935:Single-gender world 8913:Genres and concepts 8636:Tales from Earthsea 8507:The Handmaid's Tale 8313:When I Was Miss Dow 8236:Moving the Mountain 7517:Kelly Sue DeConnick 7450:Charlie Jane Anders 7030:Nicoletta Vallorani 6153:Alice Eleanor Jones 6023:Miriam Allen DeFord 5880:Annie Denton Cridge 5698:Vajra Chandrasekera 5603:Charlie Jane Anders 5048:The Gods Themselves 4729:The Gods Themselves 4717:The Lathe of Heaven 3950:The Gods Themselves 3607:Beyond This Horizon 3317:The Beginning Place 3285:The Lathe of Heaven 3167:A Man of the People 3124:The Dowry of Angyar 3013:Earthsea Revisioned 2976:Tales from Earthsea 2940:Tales from Earthsea 2101:, pp. 108–109. 2089:, pp. 107–108. 1756:Ursula K. Le Guin, 430:anarcho-syndicalism 212:, one of her seven 201:An Ambiguous Utopia 123:341 (first edition) 21: 9019:A Cyborg Manifesto 8436:Egalia's Daughters 8289:Life, Incorporated 8259:That Only a Mother 7637:Kiini Ibura Salaam 6470:Suzy McKee Charnas 5906:Bertha von Suttner 5793:Margaret Cavendish 5769:Christine de Pizan 5526:Blackout/All Clear 4856:Best Fantasy Novel 4470:Blackout/All Clear 4425:The Graveyard Book 3943:Philip José Farmer 3872:Robert A. Heinlein 3794:Robert A. Heinlein 3770:Robert A. Heinlein 3723:Robert A. Heinlein 3690:The Demolished Man 3660:Robert A. Heinlein 3520:Steering the Craft 3325:Always Coming Home 3152:The Shobies' Story 2852:The Farthest Shore 2844:The Tombs of Atuan 2185:, October 26, 1975 2067:"The Dispossessed" 2019:Barbour, Douglas. 1984:"The Dispossessed" 1578:2005-11-07 at the 1360:Čovek praznih šaka 840:The New York Times 828:Critical reception 406:patriarchal system 298:protesting at home 279:Library of America 19: 9316:Anarcho-communism 9281:Anarchist fiction 9205: 9204: 8971:critiques by year 8908: 8907: 8747:Ancillary Justice 8523:A Door into Ocean 8320:Aye, and Gomorrah 8297:A Wrinkle in Time 8099:The Blazing World 8060: 8059: 7050:Maureen F. McHugh 6732:L. Timmel Duchamp 6639:Joëlle Wintrebert 6626:Octavia E. Butler 6608:Elizabeth A. Lynn 6322:Ursula K. Le Guin 6192:Madeleine L'Engle 6140:James Tiptree Jr. 5817:Marie-Anne Robert 5755:14th–15th century 5707: 5706: 5669:A Master of Djinn 5562:Ancillary Justice 5507:Ursula K. Le Guin 5388:Octavia E. Butler 5364:Vonda N. McIntyre 5280:Ursula K. Le Guin 5239:The Falling Woman 5179:No Enemy But Time 5125:Vonda N. McIntyre 5077:Ursula K. Le Guin 5041:Robert Silverberg 5036:A Time of Changes 5017:Ursula K. Le Guin 4901: 4900: 4868:Best Horror Novel 4806:Vonda N. McIntyre 4758:Ursula K. Le Guin 4722:Ursula K. Le Guin 4655: 4654: 4629:Nettle & Bone 4506:Ancillary Justice 4081:Foundation's Edge 4069:Downbelow Station 4027:Vonda N. McIntyre 3979:Ursula K. Le Guin 3919:Ursula K. Le Guin 3891:Stand on Zanzibar 3822:Clifford D. Simak 3765:Starship Troopers 3655:Farmer in the Sky 3530: 3529: 3483: 3482: 3263: 3262: 3213: 3212: 3065:City of Illusions 3023: 3022: 2894:The Rule of Names 2801:Ursula K. Le Guin 2712:Readable maps of 2576:Ursula K. Le Guin 2303:Ursula K. Le Guin 2151:978-0-399-50482-2 2124:978-1-4214-2713-3 1969:978-1-136-32152-8 1791:. 29 August 2010. 1612:Ursula K. Le Guin 1541:Ursula K. Le Guin 1415: 1414: 1236:Quelli di Anarres 936: 935: 849:Theodore Sturgeon 766:News from Nowhere 663:Trouble on Triton 500: 499: 210:Ursula K. Le Guin 191: 190: 96:Publication place 47:Cover artist 41:Ursula K. Le Guin 20:The Dispossessed 9358: 9258: 9257: 9246: 9245: 9244: 9234: 9233: 9222: 9221: 9220: 9213: 8959: 8827: 8787:The Obelisk Gate 8771:The Fifth Season 8381:The Dispossessed 8282: 8069: 8068: 8052: 8050: 8042: 8041: 8032: 8030: 8022: 8021: 8012: 8010: 8002: 8001: 7989: 7988: 7979: 7977: 7972: 7962: 7961: 7952: 7950: 7942: 7941: 7932: 7930: 7922: 7921: 7912: 7910: 7902: 7901: 7892: 7890: 7882: 7881: 7872: 7870: 7862: 7861: 7852: 7850: 7842: 7841: 7832: 7830: 7822: 7821: 7812: 7810: 7802: 7801: 7792: 7790: 7782: 7781: 7772: 7770: 7762: 7761: 7752: 7750: 7742: 7741: 7732: 7730: 7722: 7721: 7712: 7710: 7702: 7701: 7695: 7694: 7685: 7683: 7675: 7674: 7665: 7663: 7655: 7654: 7645: 7643: 7635: 7634: 7625: 7623: 7615: 7614: 7605: 7603: 7597:Sheree R. Thomas 7595: 7594: 7585: 7583: 7575: 7574: 7565: 7563: 7555: 7554: 7545: 7543: 7535: 7534: 7525: 7523: 7515: 7514: 7505: 7503: 7498: 7490:Barbara Kirchner 7488: 7487: 7478: 7476: 7468: 7467: 7458: 7456: 7448: 7447: 7438: 7436: 7428: 7427: 7418: 7416: 7408: 7407: 7398: 7396: 7388: 7387: 7378: 7376: 7368: 7367: 7358: 7356: 7348: 7347: 7338: 7336: 7328: 7327: 7318: 7316: 7308: 7307: 7298: 7296: 7290:Catherine Dufour 7288: 7287: 7278: 7276: 7268: 7267: 7258: 7256: 7248: 7247: 7238: 7236: 7228: 7227: 7218: 7216: 7208: 7207: 7198: 7196: 7188: 7187: 7178: 7176: 7170:Gabriela Bustelo 7168: 7167: 7158: 7156: 7148: 7147: 7138: 7136: 7128: 7127: 7118: 7116: 7108: 7107: 7098: 7096: 7088: 7087: 7078: 7076: 7068: 7067: 7058: 7056: 7048: 7047: 7038: 7036: 7028: 7027: 7018: 7016: 7008: 7007: 6998: 6996: 6988: 6987: 6978: 6976: 6968: 6967: 6958: 6956: 6951: 6941: 6940: 6931: 6929: 6921: 6920: 6911: 6909: 6901: 6900: 6891: 6889: 6883:Joan Slonczewski 6881: 6880: 6868: 6867: 6858: 6856: 6848: 6847: 6838: 6836: 6828: 6827: 6818: 6816: 6808: 6807: 6798: 6796: 6788: 6787: 6778: 6776: 6768: 6767: 6759: 6757: 6752:Charlotte Kerner 6750: 6749: 6740: 6738: 6730: 6729: 6720: 6718: 6712:Karen Joy Fowler 6710: 6709: 6701: 6699: 6692: 6691: 6683: 6681: 6676:Dubravka Ugrešić 6674: 6673: 6665: 6663: 6656: 6655: 6646: 6644: 6637: 6636: 6624: 6623: 6615: 6613: 6606: 6605: 6593: 6592: 6584: 6582: 6574: 6573: 6564: 6562: 6556:Samuel R. Delany 6554: 6553: 6544: 6542: 6534: 6533: 6524: 6522: 6514: 6513: 6504: 6502: 6496:Gerd Brantenberg 6494: 6493: 6481: 6480: 6468: 6467: 6458: 6456: 6448: 6447: 6435: 6434: 6426: 6424: 6417: 6416: 6407: 6405: 6397: 6396: 6390: 6389: 6381: 6379: 6372: 6371: 6359: 6358: 6346: 6345: 6333: 6332: 6320: 6319: 6307: 6306: 6294: 6293: 6281: 6280: 6268: 6267: 6255: 6254: 6242: 6241: 6231:Carol Emshwiller 6229: 6228: 6216: 6215: 6205:Marlen Haushofer 6203: 6202: 6190: 6189: 6177: 6176: 6164: 6163: 6151: 6150: 6138: 6137: 6125: 6124: 6112: 6111: 6099: 6098: 6086: 6085: 6064:L. Taylor Hansen 6062: 6061: 6049: 6048: 6036: 6035: 6021: 6020: 6008: 6007: 5995: 5994: 5982: 5981: 5969: 5968: 5956: 5955: 5943: 5942: 5930: 5929: 5917: 5916: 5904: 5903: 5891: 5890: 5878: 5877: 5865: 5864: 5852: 5851: 5828: 5827: 5815: 5814: 5791: 5790: 5767: 5766: 5752: 5751: 5734: 5727: 5720: 5711: 5710: 5519:Paolo Bacigalupi 5454:Paladin of Souls 5418:The Quantum Rose 5340:Robert J. Sawyer 5292:Michael Swanwick 5263:The Healer's War 5232:Orson Scott Card 5220:Orson Scott Card 5137:Arthur C. Clarke 5072:The Dispossessed 5065:Arthur C. Clarke 4993:Samuel R. Delany 4971:Samuel R. Delany 4928: 4921: 4914: 4905: 4904: 4892:Best Short Story 4862:Best First Novel 4753:The Dispossessed 4746:Arthur C. Clarke 4682: 4675: 4668: 4659: 4658: 4546:The Obelisk Gate 4534:The Fifth Season 4525:, translated by 4453:Paolo Bacigalupi 4365:Paladin of Souls 4358:Robert J. Sawyer 4134:Orson Scott Card 4122:Orson Scott Card 4050:Arthur C. Clarke 3974:The Dispossessed 3967:Arthur C. Clarke 3631:Shadow Over Mars 3557: 3550: 3543: 3534: 3533: 3458:Children's books 3407:The Compass Rose 3366:The Wife's Story 3274: 3273: 3226: 3225: 3081:The Dispossessed 3049:Rocannon's World 3038: 3037: 2825: 2824: 2793: 2786: 2779: 2770: 2769: 2740:Internet Archive 2736:The Dispossessed 2724:The Dispossessed 2706:The Dispossessed 2694:The Dispossessed 2686:The Dispossessed 2659:The Dispossessed 2642:The Dispossessed 2624:The Dispossessed 2617:The Dispossessed 2606:The Dispossessed 2572:The Dispossessed 2553:The Dispossessed 2536:The Dispossessed 2528:The Dispossessed 2511:The Dispossessed 2490:The Dispossessed 2470: 2454:The Dispossessed 2440: 2402:The Dispossessed 2389:The Dispossessed 2369:46 (3): 471–89. 2362: 2343:The Dispossessed 2321:The Dispossessed 2313:The Dispossessed 2309:Samuel R. Delany 2299:The Dispossessed 2291:The Dispossessed 2282: 2253: 2252: 2250: 2249: 2234: 2228: 2222: 2216: 2209:"Reading Room", 2207: 2201: 2192: 2186: 2177: 2171: 2162: 2156: 2155: 2135: 2129: 2128: 2108: 2102: 2096: 2090: 2084: 2078: 2077: 2075: 2074: 2062: 2056: 2055: 2053: 2052: 2038: 2032: 2031: 2029: 2028: 2016: 2010: 2009: 2006:The Dispossessed 2001: 1995: 1994: 1992: 1991: 1980: 1974: 1973: 1951: 1942: 1941: 1909: 1900: 1899: 1883: 1874: 1867: 1861: 1854: 1848: 1847: 1821: 1815: 1814: 1799: 1793: 1792: 1785: 1779: 1776: 1770: 1767: 1761: 1758:The Dispossessed 1754: 1748: 1741: 1735: 1728: 1722: 1717:46 (3): 471–89. 1711: 1705: 1704: 1696: 1690: 1689: 1677: 1671: 1668: 1662: 1659: 1653: 1652: 1650: 1649: 1633: 1627: 1626: 1606: 1600: 1597: 1591: 1588: 1582: 1571:The Dispossessed 1566: 1557: 1556: 1544: 1534: 1528: 1522: 1516: 1509: 1503: 1495:Rocannon's World 1476: 1470: 1469: 1467: 1466: 1449: 1404: 1390: 1376: 1362: 1348: 1347: 1340: 1339: 1326: 1313: 1305: 1292: 1278: 1277: 1263: 1262: 1251: 1250: 1238: 1230: 1216: 1202: 1201: 1194: 1193: 1177: 1176: 1163: 1155: 1147: 1133: 1132: 1119: 1105: 1082: 1068: 1054: 1040: 1017: 1016: 1005: 1004: 993: 992: 979: 965: 951:The Dispossessed 927:Prometheus Award 875: 874: 853:The Dispossessed 822:The Dispossessed 746:The Dispossessed 730:The Dispossessed 715:Prison abolition 676:The Dispossessed 658:Samuel R. Delany 646:The Dispossessed 641:The Dispossessed 634:The Dispossessed 630:The Dispossessed 594:The Dispossessed 488: 487: 467:The Dispossessed 455:The Dispossessed 394:The Dispossessed 362: 331:Theodora Kroeber 286:The Dispossessed 195:The Dispossessed 179:Followed by 166:Preceded by 155: 89:Harper & Row 29: 22: 18: 9366: 9365: 9361: 9360: 9359: 9357: 9356: 9355: 9351:Solarpunk works 9266: 9265: 9264: 9252: 9242: 9240: 9228: 9218: 9216: 9208: 9206: 9201: 9179: 9170:Otherwise Award 9153: 9104: 9102: 9100: 9094: 9071: 8979:Women of Wonder 8970: 8968: 8962: 8953: 8904: 8821: 8708:Who Fears Death 8615: 8359:When It Changed 8276: 8220:Sultana's Dream 8199: 8124: 8105: 8086: 8056: 8047: 8036: 8027: 8016: 8007: 7996: 7991:Floriane Soulas 7983: 7974: 7966: 7964:Nadia Chonville 7956: 7947: 7936: 7927: 7916: 7907: 7896: 7887: 7876: 7867: 7856: 7847: 7836: 7827: 7816: 7807: 7796: 7787: 7776: 7767: 7756: 7747: 7736: 7727: 7716: 7707: 7696: 7689: 7680: 7669: 7660: 7649: 7640: 7629: 7620: 7609: 7600: 7589: 7580: 7569: 7560: 7549: 7540: 7529: 7520: 7509: 7500: 7492: 7482: 7473: 7462: 7453: 7442: 7433: 7422: 7413: 7402: 7393: 7382: 7373: 7362: 7353: 7342: 7333: 7330:Virginia Bergin 7322: 7313: 7302: 7293: 7282: 7273: 7262: 7253: 7250:Heidrun Jänchen 7242: 7233: 7222: 7213: 7202: 7193: 7182: 7173: 7162: 7153: 7150:Nicola Griffith 7142: 7133: 7122: 7113: 7102: 7093: 7082: 7073: 7062: 7053: 7042: 7033: 7022: 7013: 7002: 6993: 6990:Ninni Holmqvist 6982: 6973: 6962: 6953: 6945: 6943:Luce Basseterre 6935: 6926: 6915: 6906: 6895: 6886: 6875: 6862: 6853: 6842: 6833: 6822: 6813: 6810:Marleen S. Barr 6802: 6793: 6790:Stéphanie Nicot 6782: 6773: 6762: 6754: 6744: 6735: 6724: 6715: 6704: 6696: 6686: 6678: 6668: 6660: 6650: 6641: 6631: 6618: 6610: 6600: 6587: 6579: 6568: 6559: 6548: 6539: 6536:Eleanor Arnason 6528: 6519: 6508: 6499: 6488: 6475: 6462: 6453: 6450:Margaret Atwood 6442: 6429: 6421: 6411: 6402: 6391: 6384: 6376: 6366: 6353: 6340: 6335:Sheri S. Tepper 6327: 6314: 6301: 6288: 6275: 6262: 6249: 6236: 6223: 6210: 6197: 6184: 6171: 6166:Shirley Jackson 6158: 6145: 6132: 6119: 6114:Leslie F. Stone 6106: 6093: 6080: 6069: 6056: 6043: 6038:Aurora Bertrana 6030: 6015: 6002: 5989: 5976: 5963: 5950: 5937: 5924: 5911: 5898: 5893:Rhoda Broughton 5885: 5872: 5859: 5846: 5835: 5822: 5809: 5798: 5785: 5774: 5761: 5743: 5738: 5708: 5703: 5644: 5579:Jeff VanderMeer 5514:The Windup Girl 5423:Catherine Asaro 5393: 5352:Nicola Griffith 5191:Startide Rising 5160:Gregory Benford 5142: 5084:The Forever War 5000:Rite of Passage 4941: 4932: 4902: 4897: 4835: 4765:The Forever War 4695: 4686: 4656: 4651: 4580: 4448:The Windup Girl 4435: 4304: 4263:Neal Stephenson 4258:The Diamond Age 4163: 4093:Startide Rising 4032: 3986:The Forever War 3901: 3752: 3677: 3612:Anson MacDonald 3570: 3561: 3531: 3526: 3479: 3453: 3447:Changing Planes 3378: 3339: 3269: 3259: 3209: 3193: 3111: 3057:Planet of Exile 3031: 3019: 2983: 2954: 2927: 2874: 2812: 2803: 2797: 2732:Vanishing Point 2680: 2675: 2637: 2599:Utopian Studies 2556: 2531: 2514: 2477: 2457: 2405: 2294: 2285: 2279: 2262: 2257: 2256: 2247: 2245: 2235: 2231: 2223: 2219: 2208: 2204: 2193: 2189: 2178: 2174: 2163: 2159: 2152: 2136: 2132: 2125: 2109: 2105: 2097: 2093: 2085: 2081: 2072: 2070: 2063: 2059: 2050: 2048: 2039: 2035: 2026: 2024: 2017: 2013: 2002: 1998: 1989: 1987: 1982: 1981: 1977: 1970: 1952: 1945: 1914:Shadows to Walk 1910: 1903: 1884: 1877: 1868: 1864: 1855: 1851: 1822: 1818: 1801: 1800: 1796: 1787: 1786: 1782: 1777: 1773: 1768: 1764: 1755: 1751: 1742: 1738: 1729: 1725: 1712: 1708: 1703:. Bantam Books. 1697: 1693: 1678: 1674: 1669: 1665: 1660: 1656: 1647: 1645: 1640:Lathe of Heaven 1634: 1630: 1623: 1607: 1603: 1598: 1594: 1589: 1585: 1580:Wayback Machine 1567: 1560: 1553: 1535: 1531: 1523: 1519: 1510: 1506: 1500:science fiction 1477: 1473: 1464: 1462: 1451: 1450: 1443: 1438: 1421: 1416: 1374:Los desposeídos 1303:Os Despossuídos 1214:A kisemmizettek 1153:Die Enteigneten 1038:Ljudi bez ičega 1026:Els desposseïts 962: 946:Vanishing Point 941: 873: 864:deus ex machina 830: 811:Peter Kropotkin 809:and, foremost, 795:Marx and Engels 786:A Modern Utopia 742: 717: 672: 619: 610:possessive case 566:Peter Kropotkin 562: 545: 540: 531: 518: 505: 482: 451: 391: 373:Murray Bookchin 343: 310:Peter Kropotkin 275: 206:science fiction 104:Media type 78:Science fiction 32: 17: 12: 11: 5: 9364: 9354: 9353: 9348: 9343: 9338: 9333: 9328: 9323: 9318: 9313: 9311:Utopian novels 9308: 9303: 9298: 9293: 9288: 9283: 9278: 9263: 9262: 9250: 9238: 9226: 9203: 9202: 9200: 9199: 9193: 9187: 9185: 9181: 9180: 9178: 9177: 9172: 9167: 9161: 9159: 9155: 9154: 9152: 9151: 9143: 9142: 9135: 9128: 9126:Aqueduct Press 9123: 9116: 9108: 9106: 9096: 9095: 9093: 9092: 9089:Jirel of Joiry 9086: 9079: 9077: 9073: 9072: 9070: 9069: 9061: 9053: 9045: 9037: 9030: 9022: 9015: 9007: 8999: 8991: 8983: 8974: 8972: 8964: 8963: 8961: 8960: 8948: 8942: 8937: 8932: 8927: 8922: 8916: 8914: 8910: 8909: 8906: 8905: 8903: 8902: 8894: 8886: 8878: 8870: 8862: 8854: 8846: 8838: 8830: 8815: 8807: 8799: 8791: 8783: 8775: 8767: 8763:The Automation 8759: 8751: 8743: 8736: 8728: 8720: 8712: 8704: 8696: 8688: 8680: 8672: 8664: 8660:Bu Bu Jing Xin 8656: 8648: 8640: 8632: 8623: 8621: 8617: 8616: 8614: 8613: 8605: 8597: 8590: 8582: 8578:He, She and It 8574: 8566: 8558: 8550: 8547:Rachel in Love 8543: 8539:Lilith's Brood 8535: 8527: 8519: 8511: 8503: 8495: 8488: 8480: 8472: 8464: 8456: 8448: 8440: 8432: 8428:The Female Man 8424: 8416: 8408: 8404:The Female Man 8400: 8392: 8385: 8377: 8370: 8362: 8355: 8347: 8339: 8335:And Chaos Died 8331: 8323: 8316: 8309: 8301: 8293: 8285: 8270: 8262: 8255: 8248: 8240: 8232: 8224: 8216: 8207: 8205: 8201: 8200: 8198: 8197: 8189: 8181: 8173: 8165: 8157: 8149: 8141: 8132: 8130: 8126: 8125: 8123: 8122: 8113: 8111: 8107: 8106: 8104: 8103: 8094: 8092: 8088: 8087: 8085: 8084: 8075: 8073: 8066: 8062: 8061: 8058: 8057: 8055: 8054: 8034: 8014: 8004:Xiran Jay Zhao 7994: 7981: 7954: 7934: 7914: 7894: 7884:Becky Chambers 7874: 7864:Theresa Hannig 7854: 7834: 7824:Amal El-Mohtar 7814: 7794: 7774: 7764:Judith C. Vogt 7754: 7744:Kameron Hurley 7734: 7714: 7704:Nnedi Okorafor 7687: 7667: 7647: 7627: 7607: 7587: 7567: 7557:Fumi Yoshinaga 7547: 7527: 7507: 7480: 7460: 7440: 7430:Annalee Newitz 7420: 7400: 7380: 7360: 7340: 7320: 7300: 7280: 7270:Tananarive Due 7260: 7240: 7220: 7200: 7180: 7160: 7140: 7130:Nalo Hopkinson 7120: 7100: 7080: 7060: 7040: 7020: 7000: 6980: 6970:Rieko Matsuura 6960: 6933: 6923:Laura J. Mixon 6913: 6893: 6873: 6870:Montse Watkins 6860: 6840: 6820: 6800: 6780: 6760: 6742: 6722: 6702: 6684: 6666: 6648: 6629: 6616: 6598: 6595:Rachel Pollack 6585: 6566: 6546: 6526: 6506: 6486: 6483:Jutta Heinrich 6473: 6460: 6440: 6427: 6409: 6382: 6364: 6351: 6338: 6325: 6312: 6299: 6286: 6273: 6260: 6247: 6234: 6221: 6208: 6195: 6182: 6169: 6156: 6143: 6130: 6117: 6104: 6101:Stella Gibbons 6091: 6077: 6075: 6071: 6070: 6068: 6067: 6054: 6041: 6027: 6026: 6013: 6000: 5987: 5974: 5961: 5948: 5945:Auguste Groner 5935: 5922: 5909: 5896: 5883: 5870: 5857: 5843: 5841: 5837: 5836: 5834: 5833: 5820: 5806: 5804: 5800: 5799: 5797: 5796: 5782: 5780: 5776: 5775: 5773: 5772: 5758: 5756: 5749: 5745: 5744: 5737: 5736: 5729: 5722: 5714: 5705: 5704: 5702: 5701: 5689: 5677: 5674:P. Djèlí Clark 5665: 5657:Network Effect 5652: 5650: 5646: 5645: 5643: 5642: 5630: 5618: 5606: 5594: 5582: 5570: 5558: 5546: 5534: 5522: 5510: 5498: 5495:Michael Chabon 5486: 5474: 5462: 5450: 5447:Elizabeth Moon 5438: 5426: 5414: 5406:Darwin's Radio 5401: 5399: 5395: 5394: 5392: 5391: 5379: 5367: 5355: 5343: 5331: 5319: 5307: 5295: 5283: 5271: 5259: 5247: 5235: 5223: 5211: 5208:William Gibson 5199: 5187: 5184:Michael Bishop 5175: 5163: 5150: 5148: 5144: 5143: 5141: 5140: 5128: 5116: 5104: 5092: 5080: 5068: 5056: 5044: 5032: 5020: 5008: 5005:Alexei Panshin 4996: 4984: 4962: 4949: 4947: 4943: 4942: 4931: 4930: 4923: 4916: 4908: 4899: 4898: 4896: 4895: 4894:(1971–present) 4889: 4888:(1975–present) 4886:Best Novelette 4883: 4882:(1973–present) 4877: 4876:(2003–present) 4871: 4865: 4864:(1981–present) 4859: 4858:(1978–present) 4853: 4852:(1980–present) 4847: 4840: 4837: 4836: 4834: 4833: 4825:The Snow Queen 4821: 4809: 4797: 4785: 4773: 4761: 4749: 4737: 4725: 4713: 4700: 4697: 4696: 4685: 4684: 4677: 4670: 4662: 4653: 4652: 4650: 4649: 4637: 4625: 4622:Arkady Martine 4613: 4605:Network Effect 4601: 4598:Arkady Martine 4588: 4586: 4582: 4581: 4579: 4578: 4566: 4554: 4542: 4530: 4514: 4502: 4490: 4478: 4466: 4463:China Miéville 4443: 4441: 4437: 4436: 4434: 4433: 4421: 4418:Michael Chabon 4409: 4397: 4385: 4382:Susanna Clarke 4373: 4361: 4349: 4337: 4325: 4312: 4310: 4306: 4305: 4303: 4302: 4290: 4278: 4266: 4254: 4242: 4230: 4208: 4196: 4184: 4171: 4169: 4165: 4164: 4162: 4161: 4149: 4141:The Uplift War 4137: 4125: 4113: 4110:William Gibson 4101: 4089: 4077: 4065: 4057:The Snow Queen 4053: 4040: 4038: 4034: 4033: 4031: 4030: 4018: 4006: 3994: 3982: 3970: 3958: 3946: 3934: 3922: 3909: 3907: 3903: 3902: 3900: 3899: 3887: 3875: 3863: 3837: 3825: 3809: 3806:Philip K. Dick 3797: 3785: 3773: 3760: 3758: 3754: 3753: 3751: 3750: 3738: 3726: 3714: 3698: 3685: 3683: 3679: 3678: 3676: 3675: 3667:Fahrenheit 451 3663: 3651: 3639: 3636:Leigh Brackett 3627: 3615: 3603: 3600:A. E. van Vogt 3591: 3578: 3576: 3572: 3571: 3560: 3559: 3552: 3545: 3537: 3528: 3527: 3525: 3524: 3516: 3508: 3500: 3491: 3489: 3485: 3484: 3481: 3480: 3478: 3477: 3470: 3461: 3459: 3455: 3454: 3452: 3451: 3443: 3435: 3427: 3419: 3411: 3403: 3399:Orsinian Tales 3395: 3386: 3384: 3380: 3379: 3377: 3376: 3373:Paradises Lost 3369: 3362: 3355: 3347: 3345: 3341: 3340: 3338: 3337: 3329: 3321: 3313: 3305: 3297: 3289: 3280: 3278: 3271: 3265: 3264: 3261: 3260: 3258: 3257: 3249: 3241: 3232: 3230: 3223: 3215: 3214: 3211: 3210: 3208: 3207: 3201: 3199: 3195: 3194: 3192: 3191: 3184: 3177: 3170: 3163: 3156: 3148: 3141: 3134: 3127: 3119: 3117: 3113: 3112: 3110: 3109: 3101: 3093: 3085: 3077: 3069: 3061: 3053: 3044: 3042: 3035: 3025: 3024: 3021: 3020: 3018: 3017: 3009: 3008: 3007: 2997: 2991: 2989: 2985: 2984: 2982: 2981: 2972: 2962: 2960: 2956: 2955: 2953: 2952: 2944: 2935: 2933: 2929: 2928: 2926: 2925: 2918: 2911: 2904: 2897: 2890: 2882: 2880: 2876: 2875: 2873: 2872: 2868:The Other Wind 2864: 2856: 2848: 2840: 2831: 2829: 2822: 2814: 2813: 2808: 2805: 2804: 2796: 2795: 2788: 2781: 2773: 2767: 2766: 2728: 2720: 2710: 2701: 2690: 2679: 2678:External links 2676: 2674: 2673: 2666: 2651: 2636: 2633: 2632: 2631: 2620: 2613: 2602: 2595: 2586: 2579: 2568: 2555: 2549: 2548: 2547: 2530: 2524: 2523: 2522: 2513: 2507: 2506: 2505: 2476: 2473: 2472: 2471: 2469:(14): 082–106. 2456: 2450: 2449: 2448: 2441: 2431:(2): 107–121. 2420: 2413: 2404: 2398: 2397: 2396: 2385: 2374: 2363: 2350: 2339: 2332: 2306: 2293: 2289:Anarchism and 2287: 2286: 2284: 2283: 2277: 2263: 2261: 2258: 2255: 2254: 2229: 2217: 2202: 2187: 2172: 2157: 2150: 2130: 2123: 2103: 2091: 2079: 2057: 2033: 2011: 1996: 1975: 1968: 1943: 1924:(3): 203–213. 1901: 1875: 1862: 1849: 1838:(3): 249–255. 1816: 1794: 1780: 1771: 1769:Burton (1985). 1762: 1749: 1736: 1723: 1706: 1691: 1672: 1663: 1654: 1628: 1621: 1601: 1592: 1583: 1558: 1551: 1529: 1517: 1504: 1471: 1440: 1439: 1437: 1434: 1433: 1432: 1427: 1420: 1417: 1413: 1412: 1408: 1407: 1393: 1379: 1365: 1351: 1329: 1315: 1294: 1290:Wydziedziczeni 1281: 1267: 1253: 1241: 1219: 1205: 1181: 1180: 1179: 1166: 1157:, 2006, later 1149:, 1976, later 1136: 1122: 1117:Les Dépossédés 1108: 1094: 1084: 1071: 1057: 1043: 1029: 1019: 1007: 995: 982: 963: 961: 958: 940: 937: 934: 933: 930: 923: 922: 919: 913: 912: 909: 903: 902: 899: 893: 892: 889: 883: 882: 879: 872: 869: 859:Lester del Rey 829: 826: 820:Le Guin wrote 799:William Godwin 761:William Morris 741: 738: 716: 713: 671: 668: 618: 615: 561: 558: 544: 541: 539: 536: 530: 523: 517: 514: 504: 501: 498: 497: 493: 492: 481: 478: 450: 447: 404:economy and a 390: 387: 342: 339: 274: 271: 189: 188: 180: 176: 175: 167: 163: 162: 157: 149: 148: 142: 136: 135: 129: 125: 124: 121: 117: 116: 105: 101: 100: 97: 93: 92: 85: 81: 80: 75: 71: 70: 64: 60: 59: 56: 52: 51: 50:Fred Winkowski 48: 44: 43: 38: 34: 33: 30: 15: 9: 6: 4: 3: 2: 9363: 9352: 9349: 9347: 9344: 9342: 9339: 9337: 9334: 9332: 9329: 9327: 9324: 9322: 9319: 9317: 9314: 9312: 9309: 9307: 9304: 9302: 9299: 9297: 9294: 9292: 9289: 9287: 9286:Hainish Cycle 9284: 9282: 9279: 9277: 9274: 9273: 9271: 9261: 9256: 9251: 9249: 9239: 9237: 9232: 9227: 9225: 9215: 9214: 9211: 9197: 9194: 9192: 9189: 9188: 9186: 9182: 9176: 9173: 9171: 9168: 9166: 9163: 9162: 9160: 9156: 9150: 9149: 9145: 9144: 9141: 9140: 9136: 9134: 9133: 9129: 9127: 9124: 9122: 9121: 9117: 9115: 9114: 9110: 9109: 9107: 9097: 9090: 9087: 9084: 9081: 9080: 9078: 9074: 9067: 9066: 9062: 9059: 9058: 9054: 9051: 9050: 9046: 9043: 9042: 9038: 9035: 9031: 9028: 9027: 9023: 9020: 9016: 9013: 9012: 9008: 9005: 9004: 9000: 8997: 8996: 8992: 8989: 8988: 8984: 8981: 8980: 8976: 8975: 8973: 8965: 8957: 8952: 8949: 8946: 8943: 8941: 8938: 8936: 8933: 8931: 8928: 8926: 8923: 8921: 8918: 8917: 8915: 8911: 8900: 8899: 8895: 8892: 8891: 8887: 8884: 8883: 8879: 8876: 8875: 8871: 8868: 8867: 8863: 8860: 8859: 8855: 8852: 8851: 8847: 8844: 8843: 8839: 8836: 8835: 8831: 8828: 8825: 8820: 8816: 8813: 8812: 8808: 8805: 8804: 8800: 8797: 8796: 8792: 8789: 8788: 8784: 8781: 8780: 8776: 8773: 8772: 8768: 8765: 8764: 8760: 8757: 8756: 8752: 8749: 8748: 8744: 8741: 8737: 8734: 8733: 8729: 8726: 8725: 8721: 8718: 8717: 8713: 8710: 8709: 8705: 8702: 8701: 8697: 8694: 8693: 8689: 8686: 8685: 8681: 8678: 8677: 8673: 8670: 8669: 8665: 8662: 8661: 8657: 8654: 8653: 8649: 8646: 8645: 8641: 8638: 8637: 8633: 8630: 8629: 8625: 8624: 8622: 8618: 8611: 8610: 8606: 8603: 8602: 8598: 8595: 8591: 8588: 8587: 8583: 8580: 8579: 8575: 8572: 8571: 8567: 8564: 8563: 8559: 8556: 8555: 8551: 8548: 8544: 8541: 8540: 8536: 8533: 8532: 8528: 8525: 8524: 8520: 8517: 8516: 8512: 8509: 8508: 8504: 8501: 8500: 8499:Native Tongue 8496: 8493: 8489: 8486: 8485: 8481: 8478: 8477: 8473: 8470: 8469: 8465: 8462: 8461: 8457: 8454: 8453: 8449: 8446: 8445: 8441: 8438: 8437: 8433: 8430: 8429: 8425: 8422: 8421: 8417: 8414: 8413: 8409: 8406: 8405: 8401: 8398: 8397: 8393: 8390: 8386: 8383: 8382: 8378: 8375: 8371: 8368: 8367: 8363: 8360: 8356: 8353: 8352: 8348: 8345: 8344: 8340: 8337: 8336: 8332: 8329: 8328: 8324: 8321: 8317: 8314: 8310: 8307: 8306: 8302: 8299: 8298: 8294: 8291: 8290: 8286: 8283: 8280: 8275: 8274:Survival Ship 8271: 8268: 8267: 8263: 8260: 8256: 8253: 8249: 8246: 8245: 8241: 8238: 8237: 8233: 8230: 8229: 8225: 8222: 8221: 8217: 8214: 8213: 8209: 8208: 8206: 8202: 8195: 8194: 8190: 8187: 8186: 8182: 8179: 8178: 8174: 8171: 8170: 8166: 8163: 8162: 8158: 8155: 8154: 8150: 8147: 8146: 8142: 8139: 8138: 8134: 8133: 8131: 8127: 8120: 8119: 8115: 8114: 8112: 8108: 8101: 8100: 8096: 8095: 8093: 8089: 8082: 8081: 8077: 8076: 8074: 8070: 8067: 8063: 8045: 8044:Vandana Singh 8040: 8035: 8025: 8020: 8015: 8005: 8000: 7995: 7992: 7987: 7982: 7970: 7965: 7960: 7955: 7945: 7944:Akwaeke Emezi 7940: 7935: 7925: 7920: 7915: 7905: 7900: 7895: 7885: 7880: 7875: 7865: 7860: 7855: 7845: 7840: 7835: 7825: 7820: 7815: 7805: 7800: 7795: 7785: 7780: 7775: 7765: 7760: 7755: 7745: 7740: 7735: 7725: 7720: 7715: 7705: 7700: 7693: 7688: 7678: 7673: 7668: 7658: 7657:Sabrina Calvo 7653: 7648: 7638: 7633: 7628: 7618: 7613: 7608: 7598: 7593: 7588: 7578: 7577:N. K. Jemisin 7573: 7568: 7558: 7553: 7548: 7538: 7533: 7528: 7518: 7513: 7508: 7496: 7491: 7486: 7481: 7471: 7466: 7461: 7451: 7446: 7441: 7431: 7426: 7421: 7411: 7406: 7401: 7391: 7390:Yumiko Shirai 7386: 7381: 7371: 7366: 7361: 7351: 7346: 7341: 7331: 7326: 7321: 7311: 7306: 7301: 7291: 7286: 7281: 7271: 7266: 7261: 7251: 7246: 7241: 7231: 7226: 7221: 7211: 7206: 7201: 7191: 7186: 7181: 7171: 7166: 7161: 7151: 7146: 7141: 7131: 7126: 7121: 7111: 7110:Melissa Scott 7106: 7101: 7091: 7086: 7081: 7071: 7066: 7061: 7051: 7046: 7041: 7031: 7026: 7021: 7011: 7006: 7001: 6991: 6986: 6981: 6971: 6966: 6961: 6949: 6944: 6939: 6934: 6924: 6919: 6914: 6904: 6899: 6894: 6884: 6879: 6874: 6871: 6866: 6861: 6851: 6850:Ellen Kushner 6846: 6841: 6831: 6826: 6821: 6811: 6806: 6801: 6791: 6786: 6781: 6771: 6770:Leigh Kennedy 6766: 6761: 6753: 6748: 6743: 6733: 6728: 6723: 6713: 6708: 6703: 6695: 6690: 6685: 6677: 6672: 6667: 6659: 6654: 6649: 6640: 6635: 6630: 6627: 6622: 6617: 6609: 6604: 6599: 6596: 6591: 6586: 6577: 6576:Donna Haraway 6572: 6567: 6557: 6552: 6547: 6537: 6532: 6527: 6517: 6512: 6507: 6497: 6492: 6487: 6484: 6479: 6474: 6471: 6466: 6461: 6451: 6446: 6441: 6438: 6433: 6428: 6420: 6415: 6410: 6400: 6395: 6388: 6383: 6375: 6370: 6365: 6362: 6357: 6352: 6349: 6344: 6339: 6336: 6331: 6326: 6323: 6318: 6313: 6310: 6305: 6300: 6297: 6292: 6287: 6284: 6279: 6274: 6271: 6266: 6261: 6258: 6257:Judith Merril 6253: 6248: 6245: 6244:Virginia Kidd 6240: 6235: 6232: 6227: 6222: 6219: 6214: 6209: 6206: 6201: 6196: 6193: 6188: 6183: 6180: 6175: 6170: 6167: 6162: 6157: 6154: 6149: 6144: 6141: 6136: 6131: 6128: 6123: 6118: 6115: 6110: 6105: 6102: 6097: 6092: 6089: 6084: 6079: 6078: 6076: 6072: 6065: 6060: 6055: 6052: 6047: 6042: 6039: 6034: 6029: 6028: 6024: 6019: 6014: 6011: 6006: 6001: 5998: 5993: 5988: 5985: 5980: 5975: 5972: 5967: 5962: 5959: 5954: 5949: 5946: 5941: 5936: 5933: 5928: 5923: 5920: 5915: 5910: 5907: 5902: 5897: 5894: 5889: 5884: 5881: 5876: 5871: 5868: 5863: 5858: 5855: 5850: 5845: 5844: 5842: 5838: 5831: 5830:Mary Griffith 5826: 5821: 5818: 5813: 5808: 5807: 5805: 5801: 5794: 5789: 5784: 5783: 5781: 5777: 5770: 5765: 5760: 5759: 5757: 5753: 5750: 5746: 5742: 5735: 5730: 5728: 5723: 5721: 5716: 5715: 5712: 5699: 5695: 5694: 5690: 5687: 5683: 5682: 5678: 5675: 5671: 5670: 5666: 5663: 5659: 5658: 5654: 5653: 5651: 5647: 5640: 5639:Sarah Pinsker 5636: 5635: 5631: 5628: 5624: 5623: 5619: 5616: 5615:N. K. Jemisin 5612: 5611: 5610:The Stone Sky 5607: 5604: 5600: 5599: 5595: 5592: 5588: 5587: 5583: 5580: 5576: 5575: 5571: 5568: 5564: 5563: 5559: 5556: 5552: 5551: 5547: 5544: 5540: 5539: 5535: 5532: 5531:Connie Willis 5528: 5527: 5523: 5520: 5516: 5515: 5511: 5508: 5504: 5503: 5499: 5496: 5492: 5491: 5487: 5484: 5483:Jack McDevitt 5480: 5479: 5475: 5472: 5468: 5467: 5463: 5460: 5456: 5455: 5451: 5448: 5444: 5443: 5442:Speed of Dark 5439: 5436: 5432: 5431: 5430:American Gods 5427: 5424: 5420: 5419: 5415: 5412: 5408: 5407: 5403: 5402: 5400: 5396: 5389: 5385: 5384: 5380: 5377: 5373: 5372: 5371:Forever Peace 5368: 5365: 5361: 5360: 5356: 5353: 5349: 5348: 5344: 5341: 5337: 5336: 5332: 5329: 5325: 5324: 5320: 5317: 5313: 5312: 5308: 5305: 5304:Connie Willis 5301: 5300: 5299:Doomsday Book 5296: 5293: 5289: 5288: 5284: 5281: 5277: 5276: 5272: 5269: 5265: 5264: 5260: 5257: 5253: 5252: 5248: 5245: 5241: 5240: 5236: 5233: 5229: 5228: 5224: 5221: 5217: 5216: 5212: 5209: 5205: 5204: 5200: 5197: 5193: 5192: 5188: 5185: 5181: 5180: 5176: 5173: 5169: 5168: 5164: 5161: 5157: 5156: 5152: 5151: 5149: 5145: 5138: 5134: 5133: 5129: 5126: 5122: 5121: 5117: 5114: 5113:Frederik Pohl 5110: 5109: 5105: 5102: 5101:Frederik Pohl 5098: 5097: 5093: 5090: 5086: 5085: 5081: 5078: 5074: 5073: 5069: 5066: 5062: 5061: 5057: 5054: 5050: 5049: 5045: 5042: 5038: 5037: 5033: 5030: 5026: 5025: 5021: 5018: 5014: 5013: 5009: 5006: 5002: 5001: 4997: 4994: 4990: 4989: 4985: 4982: 4978: 4977: 4972: 4968: 4967: 4963: 4960: 4959:Frank Herbert 4956: 4955: 4951: 4950: 4948: 4944: 4940: 4936: 4929: 4924: 4922: 4917: 4915: 4910: 4909: 4906: 4893: 4890: 4887: 4884: 4881: 4878: 4875: 4872: 4869: 4866: 4863: 4860: 4857: 4854: 4851: 4850:Best SF Novel 4848: 4845: 4842: 4841: 4838: 4831: 4830:Joan D. Vinge 4827: 4826: 4822: 4819: 4815: 4814: 4810: 4807: 4803: 4802: 4798: 4795: 4794:Frederik Pohl 4791: 4790: 4786: 4783: 4779: 4778: 4774: 4771: 4767: 4766: 4762: 4759: 4755: 4754: 4750: 4747: 4743: 4742: 4738: 4735: 4731: 4730: 4726: 4723: 4719: 4718: 4714: 4711: 4707: 4706: 4702: 4701: 4698: 4694: 4690: 4683: 4678: 4676: 4671: 4669: 4664: 4663: 4660: 4647: 4643: 4642: 4638: 4635: 4634:T. Kingfisher 4631: 4630: 4626: 4623: 4619: 4618: 4614: 4611: 4607: 4606: 4602: 4599: 4595: 4594: 4590: 4589: 4587: 4583: 4576: 4572: 4571: 4567: 4564: 4563:N. K. Jemisin 4560: 4559: 4558:The Stone Sky 4555: 4552: 4551:N. K. Jemisin 4548: 4547: 4543: 4540: 4539:N. K. Jemisin 4536: 4535: 4531: 4528: 4524: 4520: 4519: 4515: 4512: 4508: 4507: 4503: 4500: 4496: 4495: 4491: 4488: 4484: 4483: 4479: 4476: 4475:Connie Willis 4472: 4471: 4467: 4464: 4460: 4459: 4454: 4450: 4449: 4445: 4444: 4442: 4438: 4431: 4427: 4426: 4422: 4419: 4415: 4414: 4410: 4407: 4403: 4402: 4398: 4395: 4391: 4390: 4386: 4383: 4379: 4378: 4374: 4371: 4367: 4366: 4362: 4359: 4355: 4354: 4350: 4347: 4343: 4342: 4341:American Gods 4338: 4335: 4334:J. K. Rowling 4331: 4330: 4326: 4323: 4319: 4318: 4314: 4313: 4311: 4307: 4300: 4299:Connie Willis 4296: 4295: 4291: 4288: 4284: 4283: 4282:Forever Peace 4279: 4276: 4272: 4271: 4267: 4264: 4260: 4259: 4255: 4252: 4248: 4247: 4243: 4240: 4236: 4235: 4231: 4228: 4227:Connie Willis 4224: 4223: 4222:Doomsday Book 4218: 4214: 4213: 4209: 4206: 4202: 4201: 4197: 4194: 4190: 4189: 4185: 4182: 4178: 4177: 4173: 4172: 4170: 4166: 4159: 4158:C. J. Cherryh 4155: 4154: 4150: 4147: 4143: 4142: 4138: 4135: 4131: 4130: 4126: 4123: 4119: 4118: 4114: 4111: 4107: 4106: 4102: 4099: 4095: 4094: 4090: 4087: 4083: 4082: 4078: 4075: 4074:C. J. Cherryh 4071: 4070: 4066: 4063: 4062:Joan D. Vinge 4059: 4058: 4054: 4051: 4047: 4046: 4042: 4041: 4039: 4035: 4028: 4024: 4023: 4019: 4016: 4015:Frederik Pohl 4012: 4011: 4007: 4004: 4000: 3999: 3995: 3992: 3988: 3987: 3983: 3980: 3976: 3975: 3971: 3968: 3964: 3963: 3959: 3956: 3952: 3951: 3947: 3944: 3940: 3939: 3935: 3932: 3928: 3927: 3923: 3920: 3916: 3915: 3911: 3910: 3908: 3904: 3897: 3893: 3892: 3888: 3885: 3884:Roger Zelazny 3881: 3880: 3879:Lord of Light 3876: 3873: 3869: 3868: 3864: 3861: 3860:Roger Zelazny 3857: 3856:This Immortal 3853: 3852: 3847: 3846:Frank Herbert 3843: 3842: 3838: 3835: 3831: 3830: 3826: 3823: 3819: 3815: 3814: 3810: 3807: 3803: 3802: 3798: 3795: 3791: 3790: 3786: 3783: 3779: 3778: 3774: 3771: 3767: 3766: 3762: 3761: 3759: 3755: 3748: 3744: 3743: 3739: 3736: 3732: 3731: 3727: 3724: 3720: 3719: 3715: 3712: 3708: 3704: 3703: 3699: 3696: 3695:Alfred Bester 3692: 3691: 3687: 3686: 3684: 3680: 3673: 3669: 3668: 3664: 3661: 3657: 3656: 3652: 3649: 3645: 3644: 3640: 3637: 3633: 3632: 3628: 3625: 3621: 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1853: 1845: 1841: 1837: 1833: 1832: 1827: 1820: 1812: 1808: 1804: 1798: 1790: 1784: 1775: 1766: 1759: 1753: 1746: 1740: 1733: 1727: 1720: 1716: 1710: 1702: 1695: 1687: 1686:, Volume One" 1685: 1676: 1667: 1658: 1643: 1641: 1632: 1624: 1622:0-8057-7393-2 1618: 1614: 1613: 1605: 1596: 1587: 1581: 1577: 1574: 1572: 1565: 1563: 1554: 1548: 1543: 1542: 1533: 1526: 1521: 1514: 1508: 1501: 1497: 1496: 1491: 1487: 1483: 1482: 1475: 1460: 1459: 1454: 1448: 1446: 1441: 1431: 1428: 1426: 1423: 1422: 1411: 1405: 1403: 1397: 1394: 1391: 1389: 1383: 1380: 1377: 1375: 1369: 1366: 1363: 1361: 1355: 1352: 1349: 1341: 1333: 1330: 1327: 1325: 1319: 1316: 1314: 1312: 1311:Os Despojados 1306: 1304: 1298: 1295: 1293: 1291: 1285: 1282: 1279: 1271: 1268: 1266: 1257: 1254: 1245: 1242: 1239: 1237: 1231: 1229: 1223: 1220: 1217: 1215: 1209: 1206: 1204:,‎ 2015 1203: 1195: 1187: 1184: 1183: 1182: 1178: 1170: 1167: 1164: 1162: 1161:Freie Geister 1156: 1154: 1148: 1146: 1140: 1137: 1134: 1131:განპყრობილები 1126: 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Banks 647: 642: 637: 635: 631: 626: 624: 623:utopian genre 614: 611: 607: 603: 598: 595: 589: 587: 583: 579: 575: 571: 567: 557: 553: 550: 535: 528: 522: 513: 509: 495: 494: 490: 489: 486: 477: 475: 474: 468: 464: 460: 456: 446: 442: 440: 439: 433: 431: 426: 424: 419: 415: 411: 410:authoritarian 407: 403: 399: 395: 386: 384: 380: 379: 374: 370: 369:The Possessed 366: 358: 354: 353: 348: 347:Dostoyevsky's 338: 336: 332: 328: 322: 319: 315: 311: 307: 303: 299: 295: 291: 287: 282: 280: 270: 268: 264: 260: 259: 253: 251: 247: 246:individualism 243: 239: 235: 231: 227: 223: 219: 215: 214:Hainish Cycle 211: 207: 203: 202: 197: 196: 187: 185: 181: 177: 174: 172: 168: 164: 161: 158: 156: 150: 146: 145:0-06-012563-2 143: 141: 137: 133: 130: 126: 122: 118: 114: 110: 106: 102: 99:United States 98: 94: 90: 86: 82: 79: 76: 72: 69: 68:Hainish Cycle 65: 61: 57: 53: 49: 45: 42: 39: 35: 28: 23: 9146: 9139:Bitch Planet 9137: 9130: 9118: 9111: 9063: 9055: 9047: 9039: 9024: 9009: 9001: 8993: 8985: 8977: 8969:anthologies, 8896: 8888: 8880: 8872: 8864: 8856: 8848: 8840: 8832: 8817: 8809: 8801: 8793: 8785: 8777: 8769: 8761: 8755:Scale-Bright 8753: 8745: 8730: 8722: 8714: 8706: 8698: 8690: 8682: 8674: 8666: 8658: 8650: 8642: 8634: 8626: 8620:21st century 8607: 8599: 8584: 8576: 8568: 8560: 8552: 8537: 8529: 8521: 8513: 8505: 8497: 8482: 8474: 8466: 8458: 8450: 8442: 8434: 8426: 8418: 8410: 8402: 8394: 8380: 8379: 8364: 8349: 8341: 8333: 8325: 8303: 8295: 8287: 8272: 8266:Angel Island 8264: 8242: 8234: 8226: 8218: 8210: 8204:20th century 8191: 8183: 8175: 8167: 8159: 8151: 8143: 8137:Frankenstein 8135: 8129:19th century 8116: 8110:18th century 8097: 8091:17th century 8078: 8072:15th century 7844:Hao Jingfang 7370:Kelly Robson 6419:Marge Piercy 6309:Kate Wilhelm 6283:Sonya Dorman 6270:Kate Wilhelm 6074:20th century 5854:Mary Shelley 5840:19th century 5803:18th century 5779:17th century 5691: 5679: 5667: 5662:Martha Wells 5655: 5649:2021–present 5632: 5620: 5608: 5596: 5584: 5574:Annihilation 5572: 5560: 5548: 5538:Among Others 5536: 5524: 5512: 5500: 5488: 5476: 5471:Joe Haldeman 5464: 5452: 5440: 5428: 5416: 5404: 5381: 5376:Joe Haldeman 5369: 5357: 5345: 5333: 5321: 5309: 5297: 5285: 5273: 5261: 5251:Falling Free 5249: 5237: 5225: 5215:Ender's Game 5213: 5201: 5189: 5177: 5165: 5153: 5130: 5118: 5106: 5094: 5089:Joe Haldeman 5082: 5071: 5070: 5058: 5053:Isaac Asimov 5046: 5034: 5022: 5010: 4998: 4986: 4981:Daniel Keyes 4974: 4964: 4952: 4935:Nebula Award 4880:Best Novella 4823: 4811: 4799: 4787: 4782:Kate Wilhelm 4775: 4770:Joe Haldeman 4763: 4752: 4751: 4739: 4734:Isaac Asimov 4727: 4715: 4703: 4639: 4627: 4615: 4610:Martha Wells 4603: 4591: 4568: 4556: 4544: 4532: 4516: 4504: 4492: 4482:Among Others 4480: 4468: 4456: 4446: 4423: 4411: 4406:Vernor Vinge 4401:Rainbows End 4399: 4387: 4375: 4363: 4351: 4339: 4327: 4322:Vernor Vinge 4315: 4292: 4287:Joe Haldeman 4280: 4268: 4256: 4246:Mirror Dance 4244: 4232: 4220: 4217:Vernor Vinge 4210: 4198: 4188:The Vor Game 4186: 4174: 4151: 4139: 4127: 4117:Ender's Game 4115: 4103: 4091: 4086:Isaac Asimov 4079: 4067: 4055: 4043: 4020: 4008: 4003:Kate Wilhelm 3996: 3991:Joe Haldeman 3984: 3973: 3972: 3960: 3955:Isaac Asimov 3948: 3936: 3924: 3912: 3896:John Brunner 3889: 3877: 3865: 3855: 3849: 3839: 3834:Fritz Leiber 3829:The Wanderer 3827: 3817: 3811: 3799: 3787: 3775: 3763: 3740: 3735:Fritz Leiber 3730:The Big Time 3728: 3716: 3707:Mark Clifton 3700: 3688: 3672:Ray Bradbury 3665: 3653: 3648:Isaac Asimov 3641: 3629: 3624:Fritz Leiber 3619:Conjure Wife 3617: 3605: 3593: 3581: 3518: 3510: 3502: 3494: 3472: 3464: 3445: 3437: 3429: 3421: 3413: 3405: 3397: 3389: 3331: 3323: 3315: 3307: 3299: 3291: 3283: 3251: 3243: 3235: 3218: 3150: 3103: 3095: 3087: 3080: 3079: 3071: 3063: 3055: 3047: 3028: 3011: 2975: 2969:(miniseries) 2966: 2946: 2938: 2866: 2858: 2850: 2842: 2834: 2817: 2810:Bibliography 2735: 2723: 2705: 2693: 2685: 2669: 2662: 2658: 2654: 2645: 2641: 2627: 2623: 2616: 2609: 2605: 2598: 2589: 2582: 2581:Tom Moylan, 2575: 2571: 2564: 2560: 2552: 2543: 2535: 2527: 2518: 2510: 2509:Science and 2501: 2497: 2489: 2488:, Le Guin's 2485: 2466: 2453: 2444: 2428: 2424: 2416: 2409: 2401: 2392: 2388: 2381: 2378:Dispossessed 2377: 2366: 2358: 2354: 2346: 2342: 2335: 2329:Project MUSE 2320: 2316: 2312: 2302: 2298: 2290: 2268: 2246:. Retrieved 2242: 2232: 2220: 2211: 2205: 2195: 2190: 2180: 2175: 2165: 2160: 2140: 2133: 2113: 2106: 2099:Le Guin 1989 2094: 2087:Le Guin 1989 2082: 2071:. Retrieved 2060: 2049:. Retrieved 2043: 2036: 2025:. Retrieved 2014: 2005: 1999: 1988:. Retrieved 1978: 1959: 1921: 1917: 1913: 1887: 1870: 1869:Tom Moylan, 1865: 1857: 1856:Tom Moylan, 1852: 1835: 1829: 1819: 1797: 1783: 1774: 1765: 1757: 1752: 1744: 1739: 1731: 1726: 1714: 1709: 1700: 1694: 1683: 1675: 1666: 1657: 1646:. Retrieved 1639: 1631: 1611: 1604: 1595: 1586: 1570: 1540: 1532: 1520: 1507: 1493: 1479: 1474: 1463:. 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White 3488:Non-fiction 3383:Collections 3105:The Telling 2959:Adaptations 2932:Collections 2542:, editors, 2526:Taoism and 2400:Gender and 2311:, "To Read 2260:Works cited 1638:"Le Guin's 1324:Deposedaţii 971:Azerbaijani 939:Adaptations 781:H. G. Wells 751:Thomas More 740:Publication 656:series and 414:proletariat 290:short story 198:(subtitled 9270:Categories 9113:Forerunner 9101:magazines, 9076:Characters 8795:Toxoplasma 8732:The Method 8628:The Fresco 8177:Iola Leroy 7310:Ann Leckie 7210:Hiroe Suga 6830:Pat Murphy 6361:Fay Weldon 6311:(1928—018) 6088:Karin Boye 6051:Anna Banti 5567:Ann Leckie 5466:Camouflage 5347:Slow River 5244:Pat Murphy 5196:David Brin 5172:Gene Wolfe 5120:Dreamsnake 4939:Best Novel 4844:Best Novel 4801:Dreamsnake 4693:Best Novel 4646:Emily Tesh 4511:Ann Leckie 4234:Green Mars 4146:David Brin 4098:David Brin 4022:Dreamsnake 3568:Best Novel 3564:Hugo Award 3474:Cat Dreams 3000:Characters 2730:CBC Radio 2494:Callenbach 2355:Foundation 2248:2022-01-17 2073:2016-10-27 2051:2016-10-27 2027:2016-10-27 1990:2016-10-28 1648:2017-02-26 1599:Mathiesen. 1552:0805773932 1465:2021-09-24 1402:Mülksüzler 1346:Обделённые 1297:Portuguese 1091:Ilmajäetud 977:Mülksüzlər 901:Nominated 617:Utopianism 586:mutual aid 463:Ian Watson 402:capitalist 273:Background 238:capitalism 9224:Anarchism 9083:L'Oiselle 8684:Choir Boy 8668:Fledgling 8252:Shambleau 7410:Sara Doke 7230:Jo Walton 6010:Rosa Rosà 5543:Jo Walton 5411:Greg Bear 5398:2001–2020 5328:Greg Bear 5155:Timescape 5147:1981–2000 5024:Ringworld 4946:1966–1980 4705:Ringworld 4523:Cixin Liu 4494:Redshirts 4487:Jo Walton 4270:Blue Mars 3926:Ringworld 3309:Malafrena 2922:Firelight 2901:Dragonfly 2799:Works by 1938:200658410 1896:878894517 1276:خلع‌شدگان 1208:Hungarian 1052:Vyděděnec 985:Bulgarian 644:itself." 606:Esperanto 549:anarchist 543:Symbolism 459:secession 423:proxy war 418:left-wing 230:anarchism 113:paperback 109:hardcover 84:Published 9105:podcasts 9103:comics, 9036:" (2013) 9021:" (1984) 8742:" (2011) 8596:" (1993) 8549:" (1987) 8494:" (1982) 8391:" (1974) 8376:" (1973) 8361:" (1972) 8322:" (1967) 8315:" (1966) 8261:" (1948) 8254:" (1933) 8051: ? 8031: ? 7804:Tang Fei 7677:Juli Zeh 5586:Uprooted 5311:Red Mars 5096:Man Plus 4966:Babel-17 4353:Hominids 4200:Barrayar 4176:Hyperion 3643:The Mule 3466:Catwings 3375:" (2002) 3368:" (1982) 3361:" (1976) 3354:" (1973) 3190:" (1999) 3183:" (1996) 3176:" (1995) 3162:" (1994) 3147:" (1974) 3140:" (1971) 3133:" (1969) 3126:" (1964) 3030:Hainish 2995:Universe 2967:Earthsea 2924:" (2018) 2917:" (2014) 2910:" (1999) 2903:" (1997) 2896:" (1964) 2889:" (1964) 2819:Earthsea 2540:Malzberg 2498:Ecotopia 2437:24780621 2361:: 32–39. 2327:through 1934:ProQuest 1892:ProQuest 1811:20719930 1576:Archived 1419:See also 1342:, 1994, 1318:Romanian 1244:Japanese 1232:, later 1125:Georgian 1087:Estonian 1032:Croatian 949:adapted 851:praised 726:the wall 680:feminist 670:Feminism 527:Davenant 398:Tau Ceti 55:Language 9210:Portals 8967:Essays, 8716:Lavinia 8468:Kindred 8244:Herland 7993:(1989-) 7784:Nghi Vo 5108:Gateway 4789:Gateway 4527:Ken Liu 4010:Gateway 3333:Lavinia 3270:fiction 3205:Ansible 3198:Related 2988:Related 2738:at the 2714:Anarres 2243:Variety 1844:4238976 1760:, p.69. 1396:Turkish 1382:Swedish 1368:Spanish 1354:Serbian 1332:Russian 1270:Persian 1249:所有せざる人々 1222:Italian 1097:Finnish 1022:Catalan 881:Result 845:Utopias 779:), and 654:Culture 389:Setting 357:Russian 318:Lao Tzu 258:ansible 107:Print ( 58:English 9236:Novels 9191:Wiscon 9158:Prizes 9091:(1934) 9085:(1909) 9068:(2021) 9060:(2006) 9052:(2000) 9044:(2016) 9029:(1995) 9014:(1983) 9006:(1979) 8998:(1979) 8990:(1976) 8982:(1975) 8947:(1982) 8945:Láadan 8920:Cyborg 8901:(2023) 8893:(2022) 8885:(2022) 8877:(2022) 8869:(2021) 8861:(2021) 8853:(2020) 8845:(2020) 8837:(2019) 8829:(2018) 8814:(2018) 8806:(2017) 8798:(2017) 8790:(2016) 8782:(2015) 8774:(2015) 8766:(2014) 8758:(2014) 8750:(2013) 8735:(2009) 8727:(2008) 8719:(2008) 8711:(2010) 8703:(2010) 8687:(2005) 8679:(2005) 8671:(2005) 8663:(2005) 8647:(2003) 8639:(2001) 8631:(2000) 8612:(1998) 8604:(1993) 8589:(1992) 8581:(1991) 8573:(1991) 8570:Beauty 8565:(1990) 8557:(1988) 8542:(1987) 8534:(1987) 8526:(1986) 8518:(1985) 8510:(1985) 8502:(1984) 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2315:," in 2275:  2148:  2121:  1966:  1936:  1894:  1842:  1809:  1619:  1549:  1490:humans 1410: 1406:, 1990 1388:Shevek 1378:, 1983 1364:, 1987 1350:, 1997 1328:, 1995 1284:Polish 1280:, 2021 1265:, 2002 1261:빼앗긴 자들 1256:Korean 1252:, 1980 1240:, 1976 1218:, 1994 1192:המנושל 1186:Hebrew 1165:, 2017 1139:German 1135:, 2018 1121:, 1975 1111:French 1107:, 1979 1093:, 2018 1070:, 1979 1060:Danish 1056:, 1995 1042:, 2009 1028:, 2018 1018:, 2005 1006:, 2009 981:, 2021 878:Award 871:Awards 756:Utopia 700:Taoism 578:Taoism 538:Themes 352:Demons 327:Alfred 302:Gandhi 248:, and 242:utopia 226:Nebula 186:  173:  160:800587 134:(1975) 128:Awards 87:1974 ( 63:Series 37:Author 9248:LGBTQ 9132:Janus 8958:] 8826:] 8779:Binti 8692:Wombs 8492:Souls 8281:] 7971:] 7497:] 6950:] 4813:Titan 4585:2020s 4440:2010s 4309:2000s 4168:1990s 4037:1980s 3906:1970s 3858:) by 3820:) by 3757:1960s 3682:1950s 3575:Retro 3237:Gifts 3032:Cycle 2718:Urras 2433:JSTOR 1840:JSTOR 1807:JSTOR 1486:Earth 1436:Notes 1169:Greek 1074:Dutch 1046:Czech 480:Story 222:Locus 120:Pages 74:Genre 5550:2312 4973:and 4954:Dune 4937:for 4691:for 4389:Spin 3841:Dune 3709:and 3595:Slan 3566:for 2716:and 2657:and 2273:ISBN 2146:ISBN 2119:ISBN 1964:ISBN 1617:ISBN 1547:ISBN 1015:一無所有 1003:一无所有 932:Won 921:Won 911:Won 891:Won 813:and 588:)." 580:and 568:and 365:Bésy 361:Бесы 329:and 312:and 304:and 232:and 224:and 218:Hugo 154:OCLC 140:ISBN 111:and 66:The 5696:by 5684:by 5672:by 5660:by 5637:by 5625:by 5613:by 5601:by 5589:by 5577:by 5565:by 5553:by 5541:by 5529:by 5517:by 5505:by 5493:by 5481:by 5469:by 5457:by 5445:by 5433:by 5421:by 5409:by 5386:by 5374:by 5362:by 5350:by 5338:by 5326:by 5314:by 5302:by 5290:by 5278:by 5266:by 5254:by 5242:by 5230:by 5218:by 5206:by 5194:by 5182:by 5170:by 5158:by 5135:by 5123:by 5111:by 5099:by 5087:by 5075:by 5063:by 5051:by 5039:by 5027:by 5015:by 5003:by 4991:by 4979:by 4969:by 4957:by 4828:by 4816:by 4804:by 4792:by 4780:by 4768:by 4756:by 4744:by 4732:by 4720:by 4708:by 4644:by 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Index


Ursula K. Le Guin
Hainish Cycle
Science fiction
Harper & Row
hardcover
paperback
Locus Award for Best Novel
ISBN
0-06-012563-2
OCLC
800587
The Word for World is Forest
Four Ways to Forgiveness
science fiction
Ursula K. Le Guin
Hainish Cycle
Hugo
Locus
Nebula
anarchism
revolutionary societies
capitalism
utopia
individualism
collectivism
ansible
faster-than-light communication
internal chronology of the Hainish Cycle
Library of America

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